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# Drink, drink, drink | 0:00:14 | 0:00:16 | |
# To eyes that are bright as stars when they're shining on me | 0:00:16 | 0:00:20 | |
# To the drink, drink, drink... # | 0:00:20 | 0:00:23 | |
It's the magic liquid that unlocks the door to the human heart. | 0:00:23 | 0:00:27 | |
In celebration, in commiseration, for hatches, | 0:00:30 | 0:00:33 | |
matches and dispatches, most of us to reach for alcohol of some kind. | 0:00:33 | 0:00:38 | |
# May those lips that are red... # | 0:00:38 | 0:00:41 | |
The fundamental truth of drinking that goes back | 0:00:41 | 0:00:44 | |
to the dawn of humanity is that alcohol lowers social inhibitions, | 0:00:44 | 0:00:50 | |
makes us feel more benign and makes us feel better about ourselves. | 0:00:50 | 0:00:53 | |
# Drink, drink, drink... # | 0:00:54 | 0:00:56 | |
-I drink, I drink like a fish. -Isn't that a drug? -No. | 0:00:56 | 0:01:00 | |
Oh, no. A drop of beer does you good, mate, keeps you fit. | 0:01:00 | 0:01:04 | |
Our relationship with drink | 0:01:08 | 0:01:10 | |
is so deep-seated we've developed a set of unwritten codes | 0:01:10 | 0:01:14 | |
and rituals which govern every aspect of the way we consume it. | 0:01:14 | 0:01:18 | |
You're not supposed be drinking double whiskies on a Wednesday | 0:01:21 | 0:01:24 | |
night in the club, that's what you do on New Year's Eve. | 0:01:24 | 0:01:26 | |
There's a time for port, and a time for sherry, and a time for champagne | 0:01:26 | 0:01:30 | |
and a time for a gin fizz. | 0:01:30 | 0:01:32 | |
Over the centuries, these checks and balances have changed and grown. | 0:01:33 | 0:01:37 | |
At times, they've been pushed to the limit. | 0:01:37 | 0:01:38 | |
Brandy and Babycham is easily like a Molotov cocktail. | 0:01:40 | 0:01:44 | |
Folk speak Spanish | 0:01:44 | 0:01:45 | |
and don't remember their life after brandy and Babycham. | 0:01:45 | 0:01:49 | |
# All I ask is the right to see... # | 0:01:50 | 0:01:52 | |
This is the story of a nation with a deep love of rules, | 0:01:52 | 0:01:55 | |
and an even bigger love of drink. | 0:01:55 | 0:01:57 | |
When the two collide, strange things happen that define us | 0:01:57 | 0:02:00 | |
more than we'd like to think. | 0:02:00 | 0:02:03 | |
# Drink, drink, drink to lovers To lonely sweethearts, let's drink! # | 0:02:04 | 0:02:10 | |
MUSIC: The Lambeth Walk | 0:02:12 | 0:02:16 | |
In 1945, after six years at war, | 0:02:22 | 0:02:25 | |
Britain could celebrate victory in Europe. | 0:02:25 | 0:02:28 | |
Never was there a greater excuse for a good drink. | 0:02:31 | 0:02:34 | |
I think if we were to say travel back to Britain the morning after | 0:02:38 | 0:02:42 | |
VE or VJ Day and hope to drink the way we do now, | 0:02:42 | 0:02:46 | |
we'd be sadly disappointed. | 0:02:46 | 0:02:48 | |
There wasn't much around to drink. | 0:02:48 | 0:02:49 | |
The little beer that was available was weak. | 0:02:49 | 0:02:52 | |
Pubs often ran out of beer. | 0:02:52 | 0:02:54 | |
People were drinking a third of what they had done before World War One. | 0:02:54 | 0:02:58 | |
They were drinking a quarter of what the French drank at the same time. | 0:02:58 | 0:03:01 | |
The 10-15 years after the war were not great for the drinker. | 0:03:01 | 0:03:05 | |
Pubs were either bombed out, or if they were still in business, | 0:03:05 | 0:03:09 | |
there was no money or materials to renovate or refurbish them. | 0:03:09 | 0:03:13 | |
A lot of beers have been lost altogether. | 0:03:13 | 0:03:16 | |
If breweries were bombed, you've lost the recipe and that was it. | 0:03:16 | 0:03:19 | |
Pubs were not the warm, welcoming social places they had been before. | 0:03:19 | 0:03:23 | |
Britain has always been a nation of drinkers, | 0:03:25 | 0:03:28 | |
with plenty around to quench the thirst. | 0:03:28 | 0:03:31 | |
In the Middle Ages, beer was even preferred to water | 0:03:33 | 0:03:36 | |
as it was less likely to contain dangerous bacteria. | 0:03:36 | 0:03:39 | |
But in the early 20th century, a series of dramatic curbs | 0:03:40 | 0:03:44 | |
were placed on alcohol, starting at the outbreak of the Great War. | 0:03:44 | 0:03:48 | |
In the First World War, drink was seen as an enemy. | 0:03:51 | 0:03:54 | |
Drink was going to make workers work less hard, | 0:03:54 | 0:03:58 | |
the drunkenness was a real threat to worker efficiency, | 0:03:58 | 0:04:03 | |
and also morale, so during the First World War drink was restricted. | 0:04:03 | 0:04:07 | |
Beer and spirits were taxed and the price of whisky increased fivefold. | 0:04:10 | 0:04:15 | |
Pub licensing hours were reduced to just five and a half hours per day. | 0:04:15 | 0:04:20 | |
And things very nearly went much further. | 0:04:23 | 0:04:25 | |
We came within a hair's breadth | 0:04:26 | 0:04:28 | |
of total prohibition of alcohol in the UK. | 0:04:28 | 0:04:30 | |
It was only the perceived threat of communist revolution | 0:04:30 | 0:04:33 | |
in places like Glasgow and Liverpool that prevented | 0:04:33 | 0:04:36 | |
total prohibition of beer, | 0:04:36 | 0:04:38 | |
because they thought it would be the final straw that caused revolution. | 0:04:38 | 0:04:41 | |
By the Second World War, the lesson had been learned | 0:04:45 | 0:04:47 | |
that actually access to pubs and drink was a positive | 0:04:47 | 0:04:51 | |
in terms of morale, so people were encouraged. | 0:04:51 | 0:04:54 | |
Churchill, himself a heavy drinker, | 0:04:55 | 0:04:57 | |
realised the importance of the role alcohol had to play. | 0:04:57 | 0:05:01 | |
The troops serving abroad, Churchill personally mandated | 0:05:04 | 0:05:06 | |
that every fighting man, wherever he was in the world, had a ration | 0:05:06 | 0:05:10 | |
of eight pints of beer per week before anybody at home got a drop. | 0:05:10 | 0:05:13 | |
Arriving home after the war, | 0:05:16 | 0:05:18 | |
troops were shocked to find the stock cupboards looking rather bare. | 0:05:18 | 0:05:22 | |
Rationing meant there was little grain to make beer, and what whisky | 0:05:22 | 0:05:26 | |
there was being sold abroad to help pay off Britain's debts. | 0:05:26 | 0:05:31 | |
They might make the stuff and they like it, | 0:05:31 | 0:05:34 | |
but they, like other people in the British Isles, find it hard to get, | 0:05:34 | 0:05:38 | |
and it rolls up a large credit to Britain abroad. | 0:05:38 | 0:05:41 | |
As rebuilding the country got underway in the 1950s, | 0:05:51 | 0:05:55 | |
supplies of beer started to come through. | 0:05:55 | 0:05:58 | |
Good thing too. The workers were developing quite a thirst. | 0:06:02 | 0:06:05 | |
People wanted to have a good time. They were fed up with the hard times. | 0:06:10 | 0:06:14 | |
They were fed up with making do and not having any entertainment. | 0:06:14 | 0:06:18 | |
And in many ways, clubs stepped into that role. | 0:06:18 | 0:06:24 | |
# I love you, my rose I love you... # | 0:06:25 | 0:06:27 | |
The central part of what went on in working men's clubs was drinking. | 0:06:31 | 0:06:36 | |
As the night wore on and you had a half, or another half, | 0:06:36 | 0:06:39 | |
then people would get loosened up. | 0:06:39 | 0:06:41 | |
# For my one sweet Jane. # | 0:06:41 | 0:06:45 | |
APPLAUSE | 0:06:45 | 0:06:48 | |
Working men's clubs had been inspired | 0:06:50 | 0:06:55 | |
by the gentlemen's clubs of the 19th century. | 0:06:55 | 0:06:57 | |
But, initially, drinking was never part of the plan. | 0:06:57 | 0:07:01 | |
You had well-meaning clergymen and philanthropists setting up | 0:07:01 | 0:07:04 | |
the working men's club movement for working men and the idea there | 0:07:04 | 0:07:09 | |
was that this would be a place of education, a place for stimulation, | 0:07:09 | 0:07:13 | |
a place to kind of bring people on and turn them | 0:07:13 | 0:07:15 | |
into more rounded, healthy citizens. | 0:07:15 | 0:07:17 | |
But you can't pull the wool over people's eyes. | 0:07:17 | 0:07:20 | |
These working men would join these clubs, and say, | 0:07:20 | 0:07:23 | |
"So, right. We're a club?" | 0:07:23 | 0:07:24 | |
"That means we can have a club licence, | 0:07:24 | 0:07:27 | |
"like the private members' clubs? OK, we'll do that." | 0:07:27 | 0:07:30 | |
So what had started as an attempt to broaden minds, | 0:07:30 | 0:07:34 | |
had been seized on as an opportunity to drink. | 0:07:34 | 0:07:36 | |
In this Horton club, | 0:07:41 | 0:07:43 | |
they told me they took £2,000 over the bar during one recent holy day. | 0:07:43 | 0:07:48 | |
At a shilling a pint, that's 40,000 pints in one day. | 0:07:48 | 0:07:52 | |
The reason they drink so much is because they work down the mines. | 0:07:52 | 0:07:55 | |
I don't know if you've been down a mine, but I have. | 0:07:55 | 0:07:59 | |
I was down about a year ago and I was absolutely scared stiff | 0:07:59 | 0:08:02 | |
and when I was down there, | 0:08:02 | 0:08:04 | |
you get all the dirt and grime into your throat. | 0:08:04 | 0:08:06 | |
On when you come back up, the first thing you want is something | 0:08:06 | 0:08:09 | |
to drink and obviously you don't want to drink water, | 0:08:09 | 0:08:12 | |
so they have a wash and they want to go out to a pub | 0:08:12 | 0:08:15 | |
and have a drink of beer, you see. | 0:08:15 | 0:08:16 | |
A trip to the club was part of every working day, | 0:08:19 | 0:08:21 | |
and twice a day at weekends. | 0:08:21 | 0:08:24 | |
After a shift at the factory or shipyard, the working man | 0:08:24 | 0:08:28 | |
would go home to have his tea with the family and then off to the club. | 0:08:28 | 0:08:32 | |
Once you've stepped inside a working man's club, | 0:08:35 | 0:08:39 | |
you're almost expected to have a drink. | 0:08:39 | 0:08:42 | |
There was pressure on you to drink. | 0:08:42 | 0:08:45 | |
And it was almost you were shunning the company | 0:08:45 | 0:08:48 | |
if you didn't have a drink. | 0:08:48 | 0:08:50 | |
But this was drinking in moderation, | 0:08:50 | 0:08:53 | |
and it was heavily ritualistic with numerous unspoken rules and codes. | 0:08:53 | 0:08:58 | |
You learned that perhaps people could drink a bit more if it was | 0:09:00 | 0:09:04 | |
a special celebration, a birthday or a wedding, or something like that. | 0:09:04 | 0:09:08 | |
You also learnt, in a working man's club, if you ever went beyond that, | 0:09:08 | 0:09:12 | |
if they were drinking too much, or the wrong type of drink | 0:09:12 | 0:09:15 | |
on the wrong occasion, that they weren't long for the club. | 0:09:15 | 0:09:19 | |
They would be thrown out. | 0:09:19 | 0:09:20 | |
You're not supposed to be drinking double whiskies on a Wednesday night | 0:09:20 | 0:09:24 | |
in the club, that's what you do on New Year's Eve. | 0:09:24 | 0:09:26 | |
It's the wrong time, or the wrong time of day. | 0:09:26 | 0:09:30 | |
So you learned that there were certain rules and regulations. | 0:09:30 | 0:09:33 | |
I had a lovely story from one man who grew up in a place like this, | 0:09:33 | 0:09:37 | |
and the more mature men who sort of quietly ruled the place | 0:09:37 | 0:09:42 | |
would drink on a carpeted part of the bar, and the younger drinkers, | 0:09:42 | 0:09:47 | |
the trainee drinkers, had to stand on the lino which wasn't as nice. | 0:09:47 | 0:09:50 | |
And this bloke was telling me about the time | 0:09:50 | 0:09:53 | |
he was called over by the men drinking on the carpets, | 0:09:53 | 0:09:55 | |
"Just come over here, I want to ask you something." | 0:09:55 | 0:09:58 | |
They asked, "While you're here, let me get you a pint." | 0:09:58 | 0:10:01 | |
And that was his transition, his right of passage. | 0:10:01 | 0:10:04 | |
He was now one of the carpet drinkers, with the mature guys, | 0:10:04 | 0:10:07 | |
and his more childish mates were left on the lino, crestfallen, | 0:10:07 | 0:10:11 | |
and had to wait a lot longer before they made that transition. | 0:10:11 | 0:10:14 | |
In pubs, the unspoken rules were no less strict. | 0:10:19 | 0:10:22 | |
They even extended to the dress code. | 0:10:22 | 0:10:24 | |
We had a pub on almost every street corner and it's where | 0:10:27 | 0:10:30 | |
all the men, at the weekend, turned up in dark suits, straight out | 0:10:30 | 0:10:35 | |
the factories and into their suit and into the pub | 0:10:35 | 0:10:38 | |
and then smoked hundreds of cigarettes and drank hundreds, | 0:10:38 | 0:10:41 | |
and we weren't allowed to go in there, because it was | 0:10:41 | 0:10:44 | |
a really bad social stigma if you had a child standing outside a pub. | 0:10:44 | 0:10:48 | |
But as a trick, my friends used to open the door and throw me in, | 0:10:48 | 0:10:52 | |
and I would tumble in amongst all these men in dark suits | 0:10:52 | 0:10:55 | |
and my dad would roar when he saw me. | 0:10:55 | 0:10:57 | |
You got picked up and thrown back out. | 0:10:57 | 0:10:59 | |
But just the memory of being in there and the smells | 0:10:59 | 0:11:04 | |
and that whole atmosphere, and smell of smoke and beer and murmuring, | 0:11:04 | 0:11:08 | |
that background noise. | 0:11:08 | 0:11:10 | |
I was fascinated. | 0:11:10 | 0:11:12 | |
# So, set 'em up, Joe | 0:11:12 | 0:11:14 | |
# I got a little story you want to know | 0:11:14 | 0:11:20 | |
I remember my mum ironing his trousers. | 0:11:20 | 0:11:22 | |
"It's Friday night, your Dad's gone to the pub!" And he dressed smart, | 0:11:23 | 0:11:26 | |
and all his friends dressed smart as well, | 0:11:26 | 0:11:30 | |
so I think it was a kind of social, we've worked all week, | 0:11:30 | 0:11:34 | |
and this is us in civilian clothing now and we can relax | 0:11:34 | 0:11:39 | |
and talk about men things, and football, | 0:11:39 | 0:11:43 | |
and drink until we can't stand up and then sing some Frank Sinatra songs | 0:11:43 | 0:11:48 | |
and wander home. | 0:11:48 | 0:11:50 | |
That's the plan. | 0:11:50 | 0:11:51 | |
# So make it one for my baby | 0:11:53 | 0:11:56 | |
# And one more for the road | 0:11:56 | 0:12:01 | |
# That long, long road. # | 0:12:01 | 0:12:07 | |
While the working man's routine revolved around a pint of beer | 0:12:11 | 0:12:14 | |
or perhaps the odd whisky, on the other side of the social divide, | 0:12:14 | 0:12:19 | |
the choice of drinks was much wider. | 0:12:19 | 0:12:21 | |
My father was never a pub man. They would go to drink parties. | 0:12:29 | 0:12:33 | |
They would drink martinis. | 0:12:33 | 0:12:35 | |
They would make martinis in a jug, a glass jug. | 0:12:35 | 0:12:40 | |
They seemed to have them seven parts gin, one part vermouth. | 0:12:40 | 0:12:45 | |
They would get quite sloshed on martinis is my memory. | 0:12:45 | 0:12:48 | |
The higher you ascended the scale, the more diverse the range | 0:12:54 | 0:12:57 | |
of drinks was likely to be, until you came to the aristocracy | 0:12:57 | 0:13:01 | |
who had cellars full of French wine and a drink for every occasion. | 0:13:01 | 0:13:06 | |
A time for port, and a time for sherry, and a time for champagne | 0:13:06 | 0:13:10 | |
and a time for a gin fizz. | 0:13:10 | 0:13:11 | |
Lynette is 19 and a debutante. | 0:13:11 | 0:13:15 | |
She's giving this party in a friend's flat. Her own's too small. | 0:13:15 | 0:13:19 | |
Lynette enjoys parties. | 0:13:19 | 0:13:22 | |
Oh yes, I love parties, but not too many, of course, | 0:13:22 | 0:13:24 | |
because one does get a bit blase, so they say. | 0:13:24 | 0:13:28 | |
And I must admit one speaks the most enormous amount of drivel. | 0:13:28 | 0:13:33 | |
For all the great variety of drinks, | 0:13:36 | 0:13:38 | |
the established rules of drinking were still very traditional. | 0:13:38 | 0:13:42 | |
But things were changing. | 0:13:42 | 0:13:44 | |
When the austerity years came to an end and people | 0:13:45 | 0:13:49 | |
started drinking again, they began to do so in slightly different patterns. | 0:13:49 | 0:13:53 | |
We could call it a great deal of social mobility in drinking. | 0:13:53 | 0:13:57 | |
People started experimenting and drinking different things. | 0:13:57 | 0:14:01 | |
So not only did levels of consumption recover, | 0:14:01 | 0:14:06 | |
but the things which people did consume also began to change. | 0:14:06 | 0:14:11 | |
# Hey, mambo! Mambo Italiano! | 0:14:12 | 0:14:15 | |
# Go, go, go, you mixed-up Siciliano | 0:14:15 | 0:14:19 | |
# All you Calabriase, do the mambo like-a crazy. # | 0:14:19 | 0:14:21 | |
Cocktail bars serving the punches, sours and slings, | 0:14:21 | 0:14:25 | |
seen in the movies, started springing up in larger cities. | 0:14:25 | 0:14:28 | |
# Hey mambo! Mambo Italiano! | 0:14:28 | 0:14:31 | |
# Try an enchilada with-a the fishy bacalan | 0:14:31 | 0:14:34 | |
# Hey, goombah, I love-a how you dance the rumba | 0:14:34 | 0:14:37 | |
# But take-a some advice, paisano, learn-a how to mambo, | 0:14:37 | 0:14:42 | |
# If you're gonna be a square, you ain't-a gonna go nowhere. | 0:14:42 | 0:14:46 | |
# Hey, mambo! Mambo Italiano! # | 0:14:46 | 0:14:49 | |
And bistros offering them exotic food | 0:14:49 | 0:14:51 | |
served with a charming splash of Mediterranean eccentricity. | 0:14:51 | 0:14:55 | |
# When you Mambo Italiano. # | 0:14:58 | 0:15:02 | |
But alcohol had other more rebellious uses. | 0:15:09 | 0:15:13 | |
For the beatniks, it was a potent symbol of their non-conformity | 0:15:13 | 0:15:18 | |
with the familiar order of Fifties Britain. | 0:15:18 | 0:15:20 | |
You'll see it in the sort of Soho painters and writers | 0:15:22 | 0:15:24 | |
who inhabited that circle, | 0:15:24 | 0:15:26 | |
that they all seemed to be exploring the darker side of drinking. | 0:15:26 | 0:15:30 | |
Drinking for oblivion, drinking to forget. | 0:15:30 | 0:15:33 | |
Drinking to see how far down and | 0:15:33 | 0:15:38 | |
how much they can demean themselves, as much as drinking in the good | 0:15:38 | 0:15:41 | |
old-fashioned sense that one gets a rosy hue around the drinkers | 0:15:41 | 0:15:46 | |
and it comes into a magic circle of drunkenness. | 0:15:46 | 0:15:49 | |
Making a challenge of his own, but for very different reasons, | 0:16:13 | 0:16:17 | |
was the young, working-class man. | 0:16:17 | 0:16:19 | |
# I can't get no satisfaction | 0:16:22 | 0:16:28 | |
He'd been told he'd never had it so good, but even in this time | 0:16:28 | 0:16:33 | |
of full employment, that didn't feel good enough. | 0:16:33 | 0:16:35 | |
You know, the work had come, people had money in their pockets, | 0:16:37 | 0:16:40 | |
but what had come wasn't the promised Land of Hope and Glory | 0:16:40 | 0:16:43 | |
that the war had been fought for. | 0:16:43 | 0:16:47 | |
We see the young workers beginning to get the fruits of his labours. | 0:16:47 | 0:16:51 | |
It's very much a new generation | 0:16:51 | 0:16:53 | |
from those who gave themselves in sacrifice in the war. | 0:16:53 | 0:16:55 | |
We can please ourselves exactly when we work | 0:16:55 | 0:16:58 | |
and when we don't want to work. | 0:16:58 | 0:16:59 | |
That's the best sort of life. Do what you want, be your own gaffer. | 0:16:59 | 0:17:03 | |
You'll never get me working for a boss. | 0:17:03 | 0:17:06 | |
We don't want no-one forcing us out of bed and having to clock in | 0:17:06 | 0:17:09 | |
and all that game. | 0:17:09 | 0:17:10 | |
We like to work when we feel like working. | 0:17:10 | 0:17:12 | |
The old order of hard work and moderate drinking | 0:17:15 | 0:17:19 | |
handed down from generation to generation was now being rejected. | 0:17:19 | 0:17:24 | |
And we begin to see a new sort of drinking, | 0:17:26 | 0:17:29 | |
they seem to drink in quite a negative way. | 0:17:29 | 0:17:31 | |
They would go out and have their 10 pints on a Friday night | 0:17:31 | 0:17:35 | |
and drink to escape from their work, | 0:17:35 | 0:17:37 | |
as opposed to celebrate life in general. | 0:17:37 | 0:17:40 | |
Whatever men were using the pub for, it was very much their world. | 0:17:42 | 0:17:49 | |
# This is a man's world | 0:17:51 | 0:17:55 | |
# This is a man's world | 0:17:56 | 0:17:59 | |
# But it wouldn't be nothing, nothing, | 0:18:02 | 0:18:06 | |
# Without a woman or a girl. # | 0:18:08 | 0:18:12 | |
Despite frequenting pubs during the war, | 0:18:17 | 0:18:19 | |
women were now being made much less welcome. | 0:18:19 | 0:18:23 | |
They were allowed in, but only under certain terms and conditions. | 0:18:26 | 0:18:31 | |
I think women in pubs were accepted initially | 0:18:34 | 0:18:36 | |
when they were there with their men. | 0:18:36 | 0:18:38 | |
If the man is a regular, and he brings his wife in, | 0:18:38 | 0:18:42 | |
probably on a Saturday night. | 0:18:42 | 0:18:43 | |
When I was growing up, Friday night was when you went out with the lads, | 0:18:43 | 0:18:47 | |
and Saturday night was when you went out with the missus. | 0:18:47 | 0:18:49 | |
And there were rules about it. | 0:18:49 | 0:18:51 | |
And if you went in on your own, as a woman, I think | 0:18:51 | 0:18:55 | |
there would have been raised eyebrows and quite probably some harassment. | 0:18:55 | 0:18:59 | |
Once inside a pub - with her husband, of course - the female | 0:19:01 | 0:19:06 | |
drinker would be expected to stay in her clearly designated area. | 0:19:06 | 0:19:09 | |
# Message understood. # | 0:19:11 | 0:19:14 | |
The pub itself was split into different sections. | 0:19:14 | 0:19:18 | |
Standing at the bar was largely a male preserve. | 0:19:18 | 0:19:24 | |
Men tended to order drinks at the bar. | 0:19:24 | 0:19:27 | |
Women tended to sit, | 0:19:27 | 0:19:28 | |
and they certainly won't go into the vault, which was the men's area. | 0:19:28 | 0:19:32 | |
And in some pubs today you still see evidence, the evidence of those | 0:19:32 | 0:19:38 | |
different parts of the bar, the different uses of pubs. | 0:19:38 | 0:19:42 | |
But there was one area of the pub which women could call their own. | 0:19:44 | 0:19:49 | |
Every pub then, and I remember it clearly, had a snug, | 0:19:50 | 0:19:54 | |
or an off-licence as it was called, which is where the women went. | 0:19:54 | 0:19:58 | |
It was basically a glass door that had stripes on it, and you open that | 0:19:58 | 0:20:03 | |
door, and there was no seat and there was a bench where the barman | 0:20:03 | 0:20:08 | |
would come and sell you drink to take away. | 0:20:08 | 0:20:11 | |
Some pubs in Glasgow didn't even have a ladies' toilet. | 0:20:11 | 0:20:14 | |
Because there was no need for one to be there. | 0:20:14 | 0:20:17 | |
And I used to go with my mum into the off-licence, the snug bit, | 0:20:17 | 0:20:21 | |
and I would try to peer over and see all the men drinking | 0:20:21 | 0:20:25 | |
and she would get a couple of cans of Sweethearts Stout, because it | 0:20:25 | 0:20:29 | |
had the word "sweetheart" in it, so that was OK for women to drink. | 0:20:29 | 0:20:33 | |
Yet attitudes were slowly changing. | 0:20:37 | 0:20:39 | |
And as women ventured into the pub a little more, | 0:20:39 | 0:20:42 | |
so the pubs started making an effort to accommodate them. | 0:20:42 | 0:20:47 | |
And the results? Carpets, upholstered comfort, | 0:20:48 | 0:20:52 | |
wood carvings, coquetry. | 0:20:52 | 0:20:55 | |
For feminine scenes of civilisation. | 0:20:55 | 0:20:57 | |
In working men's clubs, it was a different matter altogether. | 0:21:01 | 0:21:05 | |
Rules being rules, women were by no means guaranteed membership, | 0:21:05 | 0:21:09 | |
even in the Sixties. | 0:21:09 | 0:21:12 | |
Working men's clubs, as in the name, were for men. Right from the word go. | 0:21:12 | 0:21:17 | |
But even from the word go there was always a debate about | 0:21:17 | 0:21:22 | |
whether women should be allowed in. | 0:21:22 | 0:21:24 | |
Mr Chairman, I'm strongly against the admittance of women | 0:21:24 | 0:21:29 | |
as members to this club. | 0:21:29 | 0:21:30 | |
And some clubs just simply said no, no women at all. | 0:21:30 | 0:21:33 | |
I'm quite definite about that. | 0:21:33 | 0:21:35 | |
Others decided and eventually changed their minds, | 0:21:35 | 0:21:39 | |
and said we'll let them in, but only on certain days | 0:21:39 | 0:21:42 | |
and they have to be accompanied by their father or their husband. | 0:21:42 | 0:21:46 | |
So there were constant negotiations. | 0:21:46 | 0:21:48 | |
It's got to go. This old archaic system whereby the man is the lord, | 0:21:48 | 0:21:51 | |
and the woman the docile servant. | 0:21:51 | 0:21:53 | |
Surely Horton Working's Club will go | 0:21:53 | 0:21:55 | |
and we'll have a Horton Social Institute where a woman | 0:21:55 | 0:21:58 | |
is on the same equality and same lines as a man. | 0:21:58 | 0:22:01 | |
And some women did manage to get in. In some clubs, it was allowed, | 0:22:01 | 0:22:05 | |
but there was always limitations. | 0:22:05 | 0:22:07 | |
Once we have lady members in this club, we will have no rights | 0:22:07 | 0:22:11 | |
at all, unless we make a bylaw to keep them out of the bar. | 0:22:11 | 0:22:15 | |
Some places would say they could come in the club | 0:22:15 | 0:22:17 | |
and sit in that room, but they can't come in this room. | 0:22:17 | 0:22:19 | |
Well, we used to sit in the ladies room, drinking and we were | 0:22:20 | 0:22:26 | |
very lonely and the men were all in the bar, so we decided we'd form | 0:22:26 | 0:22:31 | |
a ladies' darts team, and ever since it's been a great success. | 0:22:31 | 0:22:35 | |
-One ton! -Ooh, well done, Ethel! | 0:22:37 | 0:22:40 | |
Now that women were becoming more accepted in pubs and clubs, | 0:22:42 | 0:22:47 | |
there was the small matter of what they should drink. | 0:22:47 | 0:22:51 | |
Women became a commercial target audience as they started | 0:22:51 | 0:22:55 | |
to enter the workplace and started to earn a bit of independence | 0:22:55 | 0:22:58 | |
and money of their own, they became a target. | 0:22:58 | 0:23:01 | |
So, for example, lager brewers who had failed time | 0:23:01 | 0:23:05 | |
and time again to get men interested in lager said, "Right, | 0:23:05 | 0:23:08 | |
we'll spend millions advertising lager as a woman's drink, | 0:23:08 | 0:23:11 | |
and there were all these ads for things like Carling Black Label | 0:23:11 | 0:23:14 | |
with slogans like, "A blonde for a blonde" - talking down to women. | 0:23:14 | 0:23:19 | |
Then, of course, lager created a rod for their own back, | 0:23:19 | 0:23:22 | |
because when they decided they wanted to sell it to men, | 0:23:22 | 0:23:25 | |
men said it was an effeminate drink, | 0:23:25 | 0:23:27 | |
so they had to spend more money saying, | 0:23:27 | 0:23:29 | |
"No, it wasn't a drink for women, Don't know where you got that idea!" | 0:23:29 | 0:23:32 | |
I think the interesting thing about women's relationship to drink | 0:23:32 | 0:23:35 | |
is the women are far more adventurous than men. | 0:23:35 | 0:23:38 | |
Men, when they go out to drink, | 0:23:38 | 0:23:40 | |
and this is a massive generalisation, but on the whole there tends | 0:23:40 | 0:23:44 | |
to be that idea that men will drink beer or lager or maybe, | 0:23:44 | 0:23:46 | |
if they're feeling a little bit frisky, they might have a Guinness. | 0:23:46 | 0:23:50 | |
Whereas women are going to drink a whole range of drinks potentially. | 0:23:50 | 0:23:54 | |
They might be drinking red or white wine, | 0:23:54 | 0:23:56 | |
might be having a whisky and Coke. | 0:23:56 | 0:23:59 | |
There is that sense that the female market is a market where | 0:23:59 | 0:24:03 | |
you can introduce completely new, | 0:24:03 | 0:24:06 | |
sometimes completely mad, drink items. | 0:24:06 | 0:24:09 | |
It's women who might drink the new things such as Taboo or Mirage. | 0:24:10 | 0:24:14 | |
You might have a Snowball, which was this wonderful, | 0:24:14 | 0:24:18 | |
yucky yellow drink in a round glass with a fake cherry on top. | 0:24:18 | 0:24:22 | |
Pints and pints of eggnog. | 0:24:22 | 0:24:24 | |
-Campari. -A rum and black. | 0:24:24 | 0:24:26 | |
-Babycham. -Babycham. | 0:24:26 | 0:24:28 | |
Babycham, a pear champagne, or perry, was created | 0:24:34 | 0:24:38 | |
by a Somerset businessman trying to ferment fruit juice. | 0:24:38 | 0:24:41 | |
It had crept onto the market in the late 1950s. | 0:24:41 | 0:24:44 | |
Helped by sophisticated television advertising, by the 1960s, | 0:24:48 | 0:24:52 | |
bottles were selling by the million. | 0:24:52 | 0:24:54 | |
I guess the drink that was famous at the time was Babycham. | 0:25:03 | 0:25:06 | |
Certainly my aunty used to drink it | 0:25:06 | 0:25:07 | |
from my earliest memories. | 0:25:07 | 0:25:09 | |
So she must have been drinking it in the Sixties. | 0:25:09 | 0:25:11 | |
I remember Babycham been derided as quite a comical drink, | 0:25:11 | 0:25:15 | |
I guess because it was marketed specifically to women | 0:25:15 | 0:25:19 | |
and it had a cartoon deer on the front, | 0:25:19 | 0:25:22 | |
but when you pour it out now and have it as a perry, | 0:25:22 | 0:25:25 | |
and against other perries, because that's making a comeback, | 0:25:25 | 0:25:28 | |
it's actually quite a decent drink. | 0:25:28 | 0:25:30 | |
WOMAN: Babycham! I'd love a Babycham! | 0:25:36 | 0:25:39 | |
The aesthetics of drinking, or of drink, is quite interesting. | 0:25:42 | 0:25:47 | |
The Babycham glass, the Babycham itself, it looks beautiful. | 0:25:49 | 0:25:53 | |
And it's delicate. | 0:25:53 | 0:25:54 | |
If you ever come across those Babycham glasses today, | 0:25:54 | 0:25:58 | |
you'll see they're smaller than you would think. | 0:25:58 | 0:26:00 | |
Smaller than the classic, wide-open champagne glasses. | 0:26:00 | 0:26:04 | |
They're really, really dinky. | 0:26:04 | 0:26:06 | |
And it is their dinkiness alongside the fact that they | 0:26:06 | 0:26:10 | |
are relatively low alcohol, which I think makes them a woman's drink. | 0:26:10 | 0:26:16 | |
# Summertime is with us once again... # | 0:26:18 | 0:26:20 | |
Soon the meagre choice of drinks that Britain had got used to | 0:26:22 | 0:26:26 | |
would change beyond recognition. | 0:26:26 | 0:26:28 | |
# And the cold days of winter are behind us now | 0:26:30 | 0:26:33 | |
# And that the spring time promises all come true. # | 0:26:36 | 0:26:40 | |
The availability of cheap package holidays meant the average man | 0:26:43 | 0:26:47 | |
and woman was now exposed to an abundance of new drinking delight | 0:26:47 | 0:26:51 | |
previously afforded only to the upper classes, in particular, wine. | 0:26:51 | 0:26:56 | |
In the Sixties, when people began to travel abroad, | 0:26:58 | 0:27:02 | |
it changed their views on drinking. | 0:27:02 | 0:27:04 | |
Prior to that, they had only been used to what they saw in Britain, | 0:27:04 | 0:27:08 | |
quite a simple choice of drinks. | 0:27:08 | 0:27:11 | |
Once they got over the Channel and into the continent, | 0:27:13 | 0:27:16 | |
and saw where drinking was much more of a unisexual activity, | 0:27:16 | 0:27:19 | |
people of all ages, and all status, drinking wine, | 0:27:19 | 0:27:22 | |
this changed their attitudes | 0:27:22 | 0:27:23 | |
and they tried to bring it back home with them. | 0:27:25 | 0:27:28 | |
MUSIC AND CLAPPING | 0:27:28 | 0:27:33 | |
Back home, television allowed these new travellers to be bombarded | 0:27:49 | 0:27:54 | |
with adverts promising a taste of the exotica they'd just glimpsed. | 0:27:54 | 0:27:59 | |
# Any time, any place, anywhere | 0:28:02 | 0:28:04 | |
# There's a wonderful taste you can share | 0:28:04 | 0:28:06 | |
# In the right one, the right one | 0:28:08 | 0:28:10 | |
# That's Martini. # | 0:28:10 | 0:28:14 | |
But some aspects of this foreign invasion had more to do | 0:28:16 | 0:28:19 | |
with the Cold War than sunny holidays. | 0:28:19 | 0:28:21 | |
Some of the influence on wine-drinking didn't come | 0:28:25 | 0:28:28 | |
from carefree holiday makers, but from the vast amount of troops | 0:28:28 | 0:28:31 | |
and their families stationed in Germany. | 0:28:31 | 0:28:34 | |
So the first wine market outside let's say the traditional claret, | 0:28:34 | 0:28:39 | |
burgundy-drinking squires and politicians, | 0:28:39 | 0:28:42 | |
had been the troops and their wives who were exposed | 0:28:42 | 0:28:45 | |
to the much weaker, more floral, sweeter, German wines. | 0:28:45 | 0:28:52 | |
One thinks of the later adverts for Blue Nun and Black Tower. | 0:28:52 | 0:28:56 | |
Tonight, I've remembered everything. | 0:28:57 | 0:28:59 | |
I remember Lucy was coming round for a cosy evening | 0:28:59 | 0:29:02 | |
in front of the telly. | 0:29:02 | 0:29:03 | |
I remembered the little eats. | 0:29:03 | 0:29:04 | |
Supper in the oven, phone off the hook, | 0:29:04 | 0:29:07 | |
and, of course, the Black Tower. | 0:29:07 | 0:29:09 | |
Definitely a German white wine worth remembering. | 0:29:09 | 0:29:11 | |
Wunderbar, as they say. | 0:29:11 | 0:29:14 | |
And my guest on Friday Night Live, Leslie Phillips! | 0:29:14 | 0:29:18 | |
Leslie?! | 0:29:18 | 0:29:20 | |
Whatever you forget, don't forget The Black Tower. | 0:29:20 | 0:29:23 | |
LESLIE?! | 0:29:23 | 0:29:25 | |
By the arrival of the 1970s we were becoming much more relaxed | 0:29:28 | 0:29:31 | |
about how we were drinking. | 0:29:31 | 0:29:34 | |
And now there was more choice, everyone could enjoy a bit more. | 0:29:34 | 0:29:38 | |
Then, there was George Best. | 0:29:39 | 0:29:43 | |
MUSIC: "Whisky in the Jar" by Thin Lizzy | 0:29:45 | 0:29:47 | |
Best was the first celebrity footballer, but he would become | 0:29:55 | 0:29:59 | |
as famous for his drinking as for his wizardry on the field. | 0:29:59 | 0:30:03 | |
He came from a family who were steeped in alcohol. | 0:30:06 | 0:30:09 | |
His mother was an alcoholic and died of the disease. | 0:30:09 | 0:30:12 | |
He's seen it around him as a kid. | 0:30:12 | 0:30:14 | |
He'd come from the Protestant area of East Belfast | 0:30:14 | 0:30:17 | |
where there was a lot of drinking. | 0:30:17 | 0:30:19 | |
When he got more money | 0:30:19 | 0:30:22 | |
than he, or almost anyone else in the country had ever dreamed of, | 0:30:22 | 0:30:26 | |
when he got the adulation, | 0:30:26 | 0:30:28 | |
when he got the screaming girls, he didn't know how to cope with it. | 0:30:28 | 0:30:32 | |
And we have to be sympathetic here. | 0:30:32 | 0:30:34 | |
There were no rules. How would you cope with it? | 0:30:34 | 0:30:37 | |
# Wait for my daddy-o | 0:30:37 | 0:30:40 | |
# There's whiskey in the jar-o... # | 0:30:40 | 0:30:43 | |
In 1972, aged just 25, | 0:30:50 | 0:30:54 | |
Best walked out on his Manchester United team-mates | 0:30:54 | 0:30:58 | |
and decamped to Marbella. | 0:30:58 | 0:31:00 | |
There he participated in the sort of drinking | 0:31:00 | 0:31:04 | |
which would one day be his undoing. | 0:31:04 | 0:31:06 | |
By his own admission, he would wake up mid-morning, | 0:31:10 | 0:31:14 | |
have a couple of shandies - this was purely, as he put it, | 0:31:14 | 0:31:19 | |
just to clear his head. | 0:31:19 | 0:31:21 | |
Then as the morning drew on, he would have little wine, | 0:31:21 | 0:31:25 | |
then as lunchtime drew further on, | 0:31:25 | 0:31:28 | |
he would have quite a few beers. | 0:31:28 | 0:31:31 | |
Then, as you do, he would go and sleep it off, | 0:31:31 | 0:31:35 | |
waking up just in time for the afternoon, | 0:31:35 | 0:31:38 | |
where this fantastic athlete would then go onto the hard stuff, | 0:31:38 | 0:31:42 | |
ie vodka, | 0:31:42 | 0:31:43 | |
which at the time was his favourite spirit, | 0:31:43 | 0:31:46 | |
and he'd go to bars frequented by tourists. | 0:31:46 | 0:31:48 | |
Ironically, because he was quiet drunk, a functioning alcoholic, | 0:31:48 | 0:31:53 | |
he's get regularly, repeatedly, annoyed by the drunken antics | 0:31:53 | 0:31:57 | |
of his fellow bar-dwellers. | 0:31:57 | 0:31:59 | |
So, he'd go back to his hotel, | 0:31:59 | 0:32:03 | |
ironically called The Skull Hotel, in Marbella, | 0:32:03 | 0:32:06 | |
and he would go to their cocktail bar where he would have a few nightcaps. | 0:32:06 | 0:32:11 | |
George Beat's downfall would prove great business on Fleet Street, | 0:32:14 | 0:32:19 | |
feeding an ever-hungry print media. | 0:32:19 | 0:32:22 | |
# Show me the way | 0:32:22 | 0:32:25 | |
# To the next whisky bar | 0:32:25 | 0:32:28 | |
# Oh, don't ask why | 0:32:28 | 0:32:32 | |
# Oh, don't ask why | 0:32:32 | 0:32:33 | |
# Show me the way | 0:32:33 | 0:32:36 | |
# To the next whisky bar | 0:32:36 | 0:32:39 | |
# Oh, don't ask why... # | 0:32:39 | 0:32:41 | |
With circulation through the roof and expense accounts to match, | 0:32:41 | 0:32:45 | |
journalists, not adverse to the odd snifter themselves, | 0:32:45 | 0:32:49 | |
went out drinking to epic proportions. | 0:32:49 | 0:32:52 | |
# I tell you we must die, | 0:32:53 | 0:32:56 | |
# I tell you | 0:32:56 | 0:32:58 | |
# I tell you | 0:32:58 | 0:32:59 | |
I tell you we must die... # | 0:32:59 | 0:33:02 | |
Fleet Street was boozy | 0:33:02 | 0:33:04 | |
and the whole notion of the long lunch | 0:33:04 | 0:33:07 | |
was not something that was made up. | 0:33:07 | 0:33:09 | |
People would disappear at one and not come back till four, | 0:33:09 | 0:33:13 | |
or not come back at all, and people would have two bottles of wine, | 0:33:13 | 0:33:17 | |
three bottles of wine over lunch, plus...a martini, | 0:33:17 | 0:33:23 | |
plus a gin and tonic, plus a something to get going on | 0:33:23 | 0:33:27 | |
and people would then more or less drink through the day. | 0:33:27 | 0:33:30 | |
In the newspaper world, or any media world, | 0:33:30 | 0:33:33 | |
there are a fantastic amount of functions and events | 0:33:33 | 0:33:36 | |
that kick off around 6, 6.30, | 0:33:36 | 0:33:38 | |
so you could just more or less barrel on into them. | 0:33:38 | 0:33:40 | |
I can remember quite a lot of days | 0:33:40 | 0:33:43 | |
where I'd be slightly sloshed more or less from one onwards. | 0:33:43 | 0:33:47 | |
It was a hugely drinking culture. | 0:33:47 | 0:33:49 | |
You look back and you think, how did people get any work done? | 0:33:49 | 0:33:53 | |
There's a lovely epigram in Ancient Greece which is that, | 0:33:55 | 0:33:58 | |
"If a man sticks to drinking water, he'll never write anything wise, | 0:33:58 | 0:34:02 | |
"but wine is a horse upon asses | 0:34:02 | 0:34:03 | |
"which carries the bard to the skies." | 0:34:03 | 0:34:06 | |
For those working on Fleet Street | 0:34:07 | 0:34:09 | |
like the celebrated journalist James Cameron, | 0:34:09 | 0:34:12 | |
dinking wasn't considered a luxury but a prerequisite for work. | 0:34:12 | 0:34:17 | |
I find drinking a certain amount is a necessary corollary to working. | 0:34:19 | 0:34:25 | |
There must be a chemical factor involved in this, I daresay. | 0:34:25 | 0:34:30 | |
I mean, I'm by no means a lush, | 0:34:30 | 0:34:33 | |
but I know that if I suddenly find myself with a job to do | 0:34:33 | 0:34:36 | |
in a hell of a hurry and I haven't got a drink, I'm in dead stuchk. | 0:34:36 | 0:34:40 | |
I think that anyone who writes and likes a drink | 0:34:40 | 0:34:44 | |
creates a romantic relationship | 0:34:44 | 0:34:46 | |
between alcohol consumption and creativity. | 0:34:46 | 0:34:49 | |
I see it terms of a graph | 0:34:49 | 0:34:52 | |
of creativity versus alcohol consumption | 0:34:52 | 0:34:55 | |
and there's a band in this graph where you hit creative heights | 0:34:55 | 0:34:59 | |
after you've been loosened up by a few drinks. | 0:34:59 | 0:35:02 | |
You think, I'll keep it going, | 0:35:02 | 0:35:03 | |
and you push it too far out the other end, drink too much, | 0:35:03 | 0:35:06 | |
and you've lost it, you can't write anything. | 0:35:06 | 0:35:09 | |
Journalists would go to extraordinary lengths | 0:35:09 | 0:35:12 | |
to keep the creative juices flowing. | 0:35:12 | 0:35:15 | |
It seems nothing could keep the hack from his pint. | 0:35:15 | 0:35:19 | |
Drinking in Northern Ireland during the Troubles | 0:35:22 | 0:35:25 | |
was a trial and a test | 0:35:25 | 0:35:28 | |
for the most hardened boozer, quite frankly. | 0:35:28 | 0:35:32 | |
I remember once being in a hotel at the bar on the first floor | 0:35:32 | 0:35:36 | |
and two masked men came in, as they did in those days, | 0:35:36 | 0:35:40 | |
and planted something on the bar and said, | 0:35:40 | 0:35:43 | |
"You've got half an hour to get out," | 0:35:43 | 0:35:45 | |
which was how they did it then. | 0:35:45 | 0:35:47 | |
And I said, "Oh, we've got time for another pint of Guinness." | 0:35:47 | 0:35:50 | |
I looked up and the barmaid had gone, | 0:35:50 | 0:35:53 | |
as you might imagine, so there was no other pint of Guinness. | 0:35:53 | 0:35:56 | |
In fact, it was an hour and a half before the pub blew up, | 0:35:56 | 0:35:59 | |
so I would have had time for two or three more pints. | 0:35:59 | 0:36:03 | |
Pushing the excesses of Fleet Street's consumption levels | 0:36:07 | 0:36:11 | |
to the limit was the Spectator journalist, Jeffrey Bernard. | 0:36:11 | 0:36:14 | |
His column tracing his own alcoholic exploits | 0:36:15 | 0:36:19 | |
was described by another writer as, | 0:36:19 | 0:36:22 | |
"A suicide note in weekly instalments." | 0:36:22 | 0:36:26 | |
I pour myself a drink, which seems to lubricate the typewriter, | 0:36:26 | 0:36:30 | |
and it certainly makes me feel less inhibited. | 0:36:30 | 0:36:34 | |
It was probably abut 1975, I think, that I met Jeffrey | 0:36:34 | 0:36:41 | |
and we used to... | 0:36:41 | 0:36:42 | |
I was drinking pretty heavily by then. | 0:36:42 | 0:36:45 | |
I was drinking a lot of whisky, lot of spirits, lot of vodka. | 0:36:45 | 0:36:49 | |
Um... | 0:36:49 | 0:36:50 | |
I think it takes one to know one and we both recognised in each other | 0:36:50 | 0:36:54 | |
that we liked drinking, | 0:36:54 | 0:36:56 | |
we liked drinking pretty seriously, and we used to go drinking. | 0:36:56 | 0:37:00 | |
Large vodka and orange, please. | 0:37:02 | 0:37:05 | |
It was a ferocious drinking club culture | 0:37:05 | 0:37:08 | |
in which Jeffrey was an extraordinary character | 0:37:08 | 0:37:11 | |
because, despite the level of the drinking, | 0:37:11 | 0:37:14 | |
he still managed to write his column for the Spectator | 0:37:14 | 0:37:17 | |
and he still managed to be a genius. | 0:37:17 | 0:37:20 | |
I tried to get all my work done by 11. | 0:37:20 | 0:37:23 | |
There are always deadlines to meet | 0:37:23 | 0:37:25 | |
and I make mine opening time, whatever the editors may say. | 0:37:25 | 0:37:29 | |
There's a sense of urgency about lunchtime drinking that I like. | 0:37:29 | 0:37:33 | |
In the evening, people are just plundering time. | 0:37:33 | 0:37:37 | |
If I arrive at the Coach & Horses at 12 and not 11, | 0:37:37 | 0:37:40 | |
Tom Baker tells me that I'm late for work. | 0:37:40 | 0:37:43 | |
I think most people lead lives of such annihilating boredom, | 0:37:48 | 0:37:52 | |
paralysed by the awfulness of life, | 0:37:52 | 0:37:54 | |
that being in an alehouse drinking with a few acquaintances | 0:37:54 | 0:37:57 | |
and talking a load of rubbish half the time is a tremendous relief. | 0:37:57 | 0:38:01 | |
It's marginally less worse than not being, I suppose. | 0:38:01 | 0:38:04 | |
Yeah. Most people are bored out of their minds, aren't they? | 0:38:04 | 0:38:07 | |
Like Jeffrey Bernard, the dark extremes of heavy drinking | 0:38:07 | 0:38:13 | |
would lead his friend, Rosie Boycott, into alcoholism. | 0:38:13 | 0:38:17 | |
I was a heavy drinker, I liked to drink, | 0:38:18 | 0:38:21 | |
I liked to drink with the boys, I liked getting drunk, actually. | 0:38:21 | 0:38:26 | |
I liked the feeling of getting drunk. | 0:38:26 | 0:38:28 | |
But then, as the years went by, the drink got the upper hand on me | 0:38:28 | 0:38:33 | |
and it was no longer me running the drink, it was the drink running me. | 0:38:33 | 0:38:37 | |
I started to have blackouts, I smashed my car once, | 0:38:37 | 0:38:41 | |
I ended up in some very difficult compromising positions | 0:38:41 | 0:38:45 | |
and then I went into a treatment centre. | 0:38:45 | 0:38:48 | |
In the House of Commons, | 0:38:51 | 0:38:53 | |
professional drinking of another kind was taking place. | 0:38:53 | 0:38:57 | |
Here the combination of alcohol and power proved a heady mixture, | 0:38:57 | 0:39:02 | |
lubricating the kind of political gaffes | 0:39:02 | 0:39:04 | |
the Westminster press lobby was only too happy to write up. | 0:39:04 | 0:39:08 | |
Chris Moncrieff is the chief lobby correspondent | 0:39:11 | 0:39:14 | |
of the Press Association, Britain's national news agency | 0:39:14 | 0:39:17 | |
that supplies stories to virtually every newspaper | 0:39:17 | 0:39:20 | |
and radio and television station in Britain. | 0:39:20 | 0:39:22 | |
You know, if you needed to interview an MP, | 0:39:26 | 0:39:30 | |
a couple of pints of beer would always loosen him up, soften him up, | 0:39:30 | 0:39:35 | |
and very often if I needed quotes late at night, | 0:39:35 | 0:39:39 | |
I would go down to one of the more rowdy bars in the House of Commons, | 0:39:39 | 0:39:45 | |
because I'd know that by 11 or midnight | 0:39:45 | 0:39:48 | |
a lot of the MPs would be, excuse the phrase, | 0:39:48 | 0:39:52 | |
pie-eyed and they would pretty well say anything you wanted them to say. | 0:39:52 | 0:39:56 | |
It was really like taking candy from kids. | 0:39:56 | 0:39:58 | |
I suppose I should be ashamed of it, but I'm not. | 0:39:58 | 0:40:02 | |
I once went down late at night to the Strangers Bar | 0:40:03 | 0:40:07 | |
to get a quote and this chap came out. | 0:40:07 | 0:40:12 | |
He gave me a quote on whatever it was. | 0:40:12 | 0:40:15 | |
I filed it and went home, that was about midnight. | 0:40:15 | 0:40:18 | |
I got phoned up about three or four in the morning by this self-same MP. | 0:40:18 | 0:40:23 | |
He said, "Did we have a conversation last night?" | 0:40:23 | 0:40:27 | |
I said, "Well, yes, we did." | 0:40:27 | 0:40:29 | |
He said, "I've had the BBC on, they want me to go on | 0:40:29 | 0:40:32 | |
"as a result of some quote that appeared on the PA. | 0:40:32 | 0:40:35 | |
"They want me to go on the Today programme." | 0:40:35 | 0:40:38 | |
I said, "Oh, good." | 0:40:38 | 0:40:40 | |
He said, "Can you actually - sorry about this - remind me | 0:40:40 | 0:40:43 | |
"what I was talking about and what the subject was?" | 0:40:43 | 0:40:46 | |
So, I told him and he said, "Could you also just remind me | 0:40:46 | 0:40:50 | |
"what my view is on this matter, please?" | 0:40:50 | 0:40:53 | |
And he went on and was a hit. | 0:40:53 | 0:40:54 | |
Hello? Anybody at home? | 0:40:59 | 0:41:02 | |
Of course, you didn't need to be at work to have a glass at your side. | 0:41:04 | 0:41:08 | |
A new explosion in entertaining at home was now under way. | 0:41:08 | 0:41:12 | |
Be an angel, could you, gin and bitter lemon? | 0:41:15 | 0:41:20 | |
And it wasn't just the middle classes enjoying this. | 0:41:22 | 0:41:26 | |
Everyone was benefiting from easy access to an abundance of alcohol. | 0:41:26 | 0:41:32 | |
'If you can't pop out to the off-licence, | 0:41:32 | 0:41:35 | |
'why not let the off-licence pop out to you? | 0:41:35 | 0:41:38 | |
'Enjoy your drinks at home the Davenports way. | 0:41:38 | 0:41:40 | |
'There's magnificent beers - | 0:41:40 | 0:41:42 | |
'they should be, we've been brewing them for over 130 years - | 0:41:42 | 0:41:45 | |
'and wines, spirits, pop and squash, | 0:41:45 | 0:41:47 | |
'all at the right sort of prices and brought direct to your door.' | 0:41:47 | 0:41:52 | |
Homes are just nicer places to spend time | 0:41:52 | 0:41:55 | |
and entertaining your friends in your home | 0:41:55 | 0:41:59 | |
is increasingly something that you want to do. | 0:41:59 | 0:42:02 | |
You've got a nice house, you want to have people round to your house, | 0:42:02 | 0:42:06 | |
you will entertain them by feeding them and providing alcohol. | 0:42:06 | 0:42:10 | |
The idea of having a drinks cabinet | 0:42:10 | 0:42:12 | |
so that when people come round to your house | 0:42:12 | 0:42:15 | |
you don't just have a rogue bottle of wine | 0:42:15 | 0:42:17 | |
that you happened to have got from the supermarket that day, | 0:42:17 | 0:42:21 | |
you've got a range of items which you can offer somebody | 0:42:21 | 0:42:24 | |
according to their taste. | 0:42:24 | 0:42:26 | |
The pretensions of the home drinks cabinet | 0:42:26 | 0:42:28 | |
were excruciatingly satirised | 0:42:28 | 0:42:30 | |
in Mike Leigh's comedy of manners, Abigail's Party. | 0:42:30 | 0:42:33 | |
-Would you like a drink? -Yes, please. -What would you like? | 0:42:35 | 0:42:37 | |
-Bacardi and coke, please. -Ice and lemon? -Yes, please. -Great. Angela? | 0:42:37 | 0:42:42 | |
-Have you got gin? -Gin and tonic? -Please. -Ice and lemon? -Yes, please. | 0:42:42 | 0:42:46 | |
Great. Laurence, would you like to get the drinks, please? | 0:42:46 | 0:42:49 | |
Tony would like a Bacardi and coke | 0:42:49 | 0:42:52 | |
with ice and lemon, | 0:42:52 | 0:42:53 | |
Angela would like gin and tonic with ice and lemon | 0:42:53 | 0:42:56 | |
-and I'd like a little fill-up. OK? -Fine. -Thanks. | 0:42:56 | 0:43:00 | |
Not all drinking at home was quite so aspirational, though. | 0:43:00 | 0:43:04 | |
Women started to drink more in the house, | 0:43:04 | 0:43:08 | |
and there would be a women's drinking party | 0:43:08 | 0:43:11 | |
and my mum and her friends would come round | 0:43:11 | 0:43:13 | |
and they would bring cans of beer | 0:43:13 | 0:43:15 | |
and then they would sing | 0:43:15 | 0:43:17 | |
really sad, sad... | 0:43:17 | 0:43:19 | |
# A man broke my heart... # | 0:43:19 | 0:43:22 | |
Those songs. And I used to think, | 0:43:22 | 0:43:24 | |
"There must be happy songs. Abba's... Sing an Abba song." "No." | 0:43:24 | 0:43:28 | |
It all had to be... # He broke... | 0:43:28 | 0:43:31 | |
# Cos I'm crazy for feeling so blue. # | 0:43:31 | 0:43:34 | |
And the woman sang these maudlin, sad, sad songs. | 0:43:34 | 0:43:38 | |
There was one wee women I remember. She got up and sang... | 0:43:38 | 0:43:41 | |
# Beneath the snowy mantle far away... # | 0:43:41 | 0:43:43 | |
And all the women went, "There'd better be a death in this song." | 0:43:43 | 0:43:47 | |
While the women were at home, the men were out, | 0:43:50 | 0:43:54 | |
together, watching football and drinking. | 0:43:54 | 0:43:58 | |
We would catch the train | 0:44:04 | 0:44:06 | |
and we would arrive, as much as we could, | 0:44:06 | 0:44:08 | |
to places in time for opening time. | 0:44:08 | 0:44:12 | |
Then we would drink, quite heavily, | 0:44:12 | 0:44:14 | |
not so much me, cos I was more there as a mascot. | 0:44:14 | 0:44:18 | |
I was much younger than them | 0:44:18 | 0:44:20 | |
and certainly not the hardy drinker that the guys I was going with were. | 0:44:20 | 0:44:23 | |
And for two, three, four hours before the match, | 0:44:23 | 0:44:26 | |
they would drink steadily. | 0:44:26 | 0:44:28 | |
They'd go to the game. At the game, it was possible | 0:44:28 | 0:44:30 | |
to buy alcohol in most grounds in those days. | 0:44:30 | 0:44:35 | |
Then we would return. There would be drinking on the train, | 0:44:35 | 0:44:38 | |
and if we weren't travelling too far away, we'd get back in time | 0:44:38 | 0:44:42 | |
for last orders and have a couple of nightcaps. | 0:44:42 | 0:44:45 | |
And much like the unwritten codes of male drinking 30 years earlier, | 0:44:46 | 0:44:50 | |
here, the young were being guided by the old. | 0:44:50 | 0:44:54 | |
Going on these football trips was a fantastic rite of passage. | 0:44:55 | 0:45:01 | |
It introduced me to drink in quite a gentle way. | 0:45:01 | 0:45:03 | |
I personally was always looked after. | 0:45:03 | 0:45:06 | |
I was not allowed to drink too much. | 0:45:06 | 0:45:08 | |
There was always the firm metaphorical hand on my shoulder | 0:45:08 | 0:45:12 | |
which would stop me from drinking and embarrassing everybody. | 0:45:12 | 0:45:15 | |
But when those codes collapsed, the result was very ugly. | 0:45:20 | 0:45:24 | |
I remember a time at Oldham when they played my team, | 0:45:28 | 0:45:31 | |
Sheffield Wednesday, and there was a riot. | 0:45:31 | 0:45:33 | |
Sheffield Wednesday supporters have been banned | 0:45:33 | 0:45:36 | |
from attending the club's next four away games following the riot | 0:45:36 | 0:45:39 | |
at Oldham Athletic on September 6th. | 0:45:39 | 0:45:42 | |
It was quite frightening. | 0:45:42 | 0:45:44 | |
It was quite a frightening experience for everyone. | 0:45:44 | 0:45:47 | |
There were an awful lot of arrests, | 0:45:47 | 0:45:49 | |
and everyone arrested had been drinking. | 0:45:49 | 0:45:53 | |
They weren't nasty people. | 0:45:53 | 0:45:55 | |
They weren't particularly violent people. | 0:45:55 | 0:45:58 | |
They were mild people who turned violent | 0:45:58 | 0:46:01 | |
under the influence of alcohol, | 0:46:01 | 0:46:04 | |
allied to the tribalism that football brings. | 0:46:04 | 0:46:08 | |
In Glasgow, the problem was even worse. | 0:46:09 | 0:46:13 | |
The Cup Final of 1980 between Celtic and Rangers | 0:46:13 | 0:46:16 | |
would provide the breaking point. | 0:46:16 | 0:46:18 | |
REPORTER: Celtic's fans, drawn mainly from Glasgow's Catholic population, | 0:46:18 | 0:46:23 | |
stormed over the ineffective barricades onto the pitch | 0:46:23 | 0:46:26 | |
to taunt Rangers' mainly Protestant supporters at the other end. | 0:46:26 | 0:46:31 | |
They counter-attacked. | 0:46:31 | 0:46:32 | |
The violence so close to the surface of this long rivalry spilled over | 0:46:32 | 0:46:36 | |
into the worst football riot here in living memory. | 0:46:36 | 0:46:39 | |
Football supporters play a big part in the drinking culture in Glasgow. | 0:46:43 | 0:46:48 | |
Every single time there was an Old Firm match, | 0:46:48 | 0:46:51 | |
Rangers versus Celtic, | 0:46:51 | 0:46:52 | |
domestic violence goes up by about 80% on those days. | 0:46:52 | 0:46:56 | |
So, it's a frightening aspect. | 0:46:56 | 0:46:58 | |
I'm sure I've got an ulcer somewhere to this day, worrying about it. | 0:46:58 | 0:47:01 | |
The 1980 Scottish Cup Final | 0:47:01 | 0:47:05 | |
would become famous as the match | 0:47:05 | 0:47:07 | |
which led to a total match-day ban on alcohol in Scottish football. | 0:47:07 | 0:47:12 | |
England would follow suit five years later. | 0:47:13 | 0:47:17 | |
Elsewhere, drinking patterns were changing. | 0:47:21 | 0:47:25 | |
Young men with money in their pockets | 0:47:25 | 0:47:27 | |
had a new drink of choice. | 0:47:27 | 0:47:28 | |
Two pints of lager and a packet of crisps, please. | 0:47:28 | 0:47:33 | |
Two pints of lager and a packet of crisps, please. | 0:47:33 | 0:47:37 | |
I'll have two pints of lager | 0:47:37 | 0:47:38 | |
and a packet of crisps, and pickled onions | 0:47:38 | 0:47:41 | |
and a bit of cheese, please, thank you. | 0:47:41 | 0:47:43 | |
Lager exploded in about 1976 | 0:47:44 | 0:47:46 | |
from a very small base to start growing really rapidly, | 0:47:46 | 0:47:51 | |
thanks mainly to the really funny TV adverts. | 0:47:51 | 0:47:55 | |
But by the '80s, it wasn't just a new trend, | 0:47:55 | 0:47:57 | |
it was becoming increasingly commonplace. | 0:47:57 | 0:48:00 | |
It's what young men would go out and drink. | 0:48:00 | 0:48:02 | |
It became a symbol of affluence, a symbol of a new generation. | 0:48:02 | 0:48:06 | |
Ever since the first attempts | 0:48:07 | 0:48:10 | |
to introduce lager onto the mass market, | 0:48:10 | 0:48:13 | |
it had been regarded as the enemy of beer. | 0:48:13 | 0:48:16 | |
THEY CHANT: Save real beer! Save real beer! | 0:48:16 | 0:48:20 | |
In its infancy, it was considered to be | 0:48:20 | 0:48:23 | |
a foreign drop that wouldn't satisfy a man. | 0:48:23 | 0:48:27 | |
It lacked all of the cultural associations of ale and bitter, | 0:48:27 | 0:48:32 | |
and people were outright suspicious of it. | 0:48:32 | 0:48:35 | |
But now young men were looking to distance themselves | 0:48:36 | 0:48:39 | |
from the old traditions, | 0:48:39 | 0:48:40 | |
and in crisp, fresh lager, they found the perfect fix. | 0:48:40 | 0:48:44 | |
G'day. They're really nice people in this pub. | 0:48:46 | 0:48:48 | |
If you don't fancy a pint of Foster's, | 0:48:48 | 0:48:52 | |
they'll make you a nice mug of coffee. | 0:48:52 | 0:48:56 | |
They were funny, they made you laugh. And they were irreverent. | 0:48:56 | 0:48:59 | |
They referenced other advertising | 0:48:59 | 0:49:01 | |
and in a way tore down the fourth wall | 0:49:01 | 0:49:04 | |
between the viewer and the telly. | 0:49:04 | 0:49:06 | |
It became part of our culture and part of our language. | 0:49:06 | 0:49:09 | |
"Refreshes the parts other beers cannot reach." | 0:49:09 | 0:49:11 | |
"I bet he drinks Carling Black Label." | 0:49:11 | 0:49:14 | |
These all entered the vernacular. | 0:49:14 | 0:49:17 | |
I thought you had to wear a tie to get in here. | 0:49:18 | 0:49:20 | |
In an age when image was everything, | 0:49:20 | 0:49:23 | |
lager provided an identity for those who lacked one. | 0:49:23 | 0:49:26 | |
It even gave them a new leader. | 0:49:26 | 0:49:28 | |
'Life in a Bavarian forest was boring. | 0:49:28 | 0:49:31 | |
'The big event was me and Ronnie Rabbit | 0:49:31 | 0:49:34 | |
'watching a leaf fall down.' | 0:49:34 | 0:49:36 | |
-A leaf! I saw a leaf! -Hey. | 0:49:36 | 0:49:38 | |
'Then one day, | 0:49:38 | 0:49:40 | |
'I discovered Hofmeister lager with a picture of my grandpa on it...' | 0:49:40 | 0:49:44 | |
The advertisers did very detailed research | 0:49:44 | 0:49:48 | |
into who their target audience was. | 0:49:48 | 0:49:51 | |
It was young men of the drinking age, but only just, | 0:49:51 | 0:49:55 | |
who were insecure, who liked to hang out in packs, | 0:49:55 | 0:49:58 | |
and who wanted a leader who they could look up to. | 0:49:58 | 0:50:02 | |
And then they formulated someone in a bear suit | 0:50:02 | 0:50:04 | |
who would fulfil these aspirations. | 0:50:04 | 0:50:06 | |
He was better at darts. He got the girls. "Follow the bear." | 0:50:06 | 0:50:09 | |
'The moral is...' | 0:50:09 | 0:50:11 | |
Being clearly identified with the other men in your pack | 0:50:11 | 0:50:15 | |
was essential, creating a whole subculture of conformity. | 0:50:15 | 0:50:19 | |
'Follow the bear.' | 0:50:19 | 0:50:20 | |
When I've spoken to guys who go out drinking from that culture, | 0:50:22 | 0:50:25 | |
they will say, "We go out, there are eight of us, | 0:50:25 | 0:50:28 | |
"and we have eight bottles of Becks. | 0:50:28 | 0:50:30 | |
"That's what we have. That's our round. | 0:50:30 | 0:50:32 | |
"Sometimes, we might get adventurous | 0:50:32 | 0:50:34 | |
"and have eight bottles of Bud instead." | 0:50:34 | 0:50:36 | |
But no-one can break that group code. | 0:50:36 | 0:50:38 | |
The difference between Bud and Becks is trifling to most of us, | 0:50:38 | 0:50:41 | |
but these tiny differences take on huge significance in a culture | 0:50:41 | 0:50:45 | |
where everything down to your cuff buttons is scrutinised | 0:50:45 | 0:50:49 | |
and is a symbol of the pack that you're in. | 0:50:49 | 0:50:52 | |
Away from the conspicuous consumption of lager, | 0:50:57 | 0:51:00 | |
in one of the country's most deprived areas, | 0:51:00 | 0:51:03 | |
a form of extreme drinking was taking place. | 0:51:03 | 0:51:06 | |
My husband and I ran this pub, and it was down in the East End, | 0:51:06 | 0:51:12 | |
which is a wee bit different from where I was born. | 0:51:12 | 0:51:15 | |
It was not a kind of pub where men dressed up in suits | 0:51:15 | 0:51:18 | |
and came out for a sing-song. It was hardcore alcoholics. | 0:51:18 | 0:51:21 | |
You were lucky if some of these men were dressed. | 0:51:21 | 0:51:23 | |
It was just proper hardcore wine drinkers. | 0:51:23 | 0:51:27 | |
And when I say wine, I don't mean, "Oh, that's a lovely rose." | 0:51:27 | 0:51:30 | |
I mean, "If I don't drink this, I'll be drinking methylated spirits." | 0:51:30 | 0:51:34 | |
The area had been run down, really run down. | 0:51:35 | 0:51:37 | |
In fact, there was no street lighting at that point. I remember thinking, | 0:51:37 | 0:51:41 | |
"This is like a post-apocalyptic scene from some movie." | 0:51:41 | 0:51:47 | |
The tenements had all been pulled down. It was just broken streets, | 0:51:47 | 0:51:51 | |
and this pub stood with nothing round it, no street lights. | 0:51:51 | 0:51:56 | |
It might have been a time warp. | 0:51:56 | 0:51:58 | |
WOMAN SINGS > | 0:52:00 | 0:52:02 | |
# And now if you should see... # | 0:52:06 | 0:52:10 | |
This was drinking to escape, drinking to forget. | 0:52:10 | 0:52:13 | |
But even in these circumstances, | 0:52:13 | 0:52:15 | |
it could take on a bizarrely exotic air. | 0:52:15 | 0:52:18 | |
Babycham was a big hit. | 0:52:20 | 0:52:21 | |
And it's a lethal combination - nobody knew it - brandy and Babycham. | 0:52:21 | 0:52:25 | |
Women thought that was a dinky drink to have. | 0:52:25 | 0:52:27 | |
Brandy and Babycham is easily like a Molotov cocktail. | 0:52:27 | 0:52:31 | |
Folk speak Spanish and don't remember their life | 0:52:31 | 0:52:34 | |
after brandy and Babycham, yet people thought, | 0:52:34 | 0:52:37 | |
"I'll have a wee brandy and Babycham." | 0:52:37 | 0:52:39 | |
It was like, "Yeah, you might get pregnant," | 0:52:39 | 0:52:42 | |
but that was a crazy drink. | 0:52:42 | 0:52:43 | |
There was a great trend for cocktails. | 0:52:44 | 0:52:48 | |
They saw them in videos like Club Tropicana. | 0:52:48 | 0:52:51 | |
# Club Tropicana, drinks are free | 0:52:51 | 0:52:55 | |
# Fun and sunshine There's enough for everyone... # | 0:52:55 | 0:52:59 | |
Every single '80s pop video had a woman with a cocktail | 0:52:59 | 0:53:02 | |
or champagne glass, and everybody wanted to try it. | 0:53:02 | 0:53:05 | |
So, what the marketeers did | 0:53:05 | 0:53:08 | |
is they sent you a cocktail in a silver plastic bottle | 0:53:08 | 0:53:12 | |
that you shook and poured. | 0:53:12 | 0:53:14 | |
You weren't even allowed to make it yourself in case you got it wrong. | 0:53:14 | 0:53:18 | |
And it was all very pink and grey and silver, with cherries, | 0:53:18 | 0:53:22 | |
the wee cherry. | 0:53:22 | 0:53:23 | |
Women loved anything. | 0:53:23 | 0:53:26 | |
I suppose it's a sense of, "We can drink alcohol. | 0:53:26 | 0:53:29 | |
"As long as it tastes like custard then it's fine." | 0:53:29 | 0:53:33 | |
With the arrival of the 1990s, | 0:53:45 | 0:53:47 | |
the mood of the country changed again, | 0:53:47 | 0:53:49 | |
and with it, the drinking habits of young people. | 0:53:49 | 0:53:54 | |
This time, the rules of drinking | 0:53:54 | 0:53:56 | |
would be transformed beyond all recognition. | 0:53:56 | 0:54:00 | |
The '90s was quite a hedonistic decade when we look back on it, | 0:54:03 | 0:54:07 | |
not just with drink, but a lot of other things as well. In '93, '94, | 0:54:07 | 0:54:11 | |
the amount we were drinking briefly plummeted | 0:54:11 | 0:54:13 | |
as people were switching to recreational drugs. | 0:54:13 | 0:54:16 | |
The whole ecstasy and rave culture | 0:54:16 | 0:54:18 | |
had a massive impact on what we were drinking. | 0:54:18 | 0:54:20 | |
The drinks industry countered that with alcopops, | 0:54:27 | 0:54:29 | |
and started to get us onto spirits much earlier. | 0:54:29 | 0:54:32 | |
There used to be this transition | 0:54:32 | 0:54:34 | |
where you would start drinking something sweet, cider, | 0:54:34 | 0:54:37 | |
lager and lime, lager and blackcurrant. | 0:54:37 | 0:54:39 | |
Then you'd get onto bitter as you got more mature. | 0:54:39 | 0:54:42 | |
In your 30s, you'd go onto wine and spirits. | 0:54:42 | 0:54:44 | |
And suddenly you had people starting their drinking careers at 17, 18, | 0:54:44 | 0:54:49 | |
drinking quite hard spirits | 0:54:49 | 0:54:51 | |
and getting into big alcohol consumption a lot earlier. | 0:54:51 | 0:54:55 | |
Around '97, '98, you see the term "binge drinking" | 0:54:55 | 0:54:58 | |
appearing in the press for the first time. | 0:54:58 | 0:55:00 | |
MUSIC: "Cigarettes And Alcohol" by Oasis | 0:55:00 | 0:55:04 | |
SIREN BLARES | 0:55:04 | 0:55:06 | |
Now, the unwritten checks and balances | 0:55:09 | 0:55:12 | |
that had governed British drinking for years were being discarded. | 0:55:12 | 0:55:17 | |
This was over-indulgence on a scale not seen before, | 0:55:17 | 0:55:21 | |
and it was happening on the high street. | 0:55:21 | 0:55:25 | |
# Is it my imagination | 0:55:25 | 0:55:28 | |
# Or have I finally found something worth living for? # | 0:55:28 | 0:55:35 | |
I do remember, come the middle of the '90s, | 0:55:38 | 0:55:41 | |
when I was editing the Independent on Sunday, | 0:55:41 | 0:55:43 | |
we started to look then | 0:55:43 | 0:55:45 | |
at the fact that drink was suddenly making a massive impact | 0:55:45 | 0:55:48 | |
on society in a public way, and in ways that it had never done before. | 0:55:48 | 0:55:54 | |
The boast when I was a teenager was, | 0:56:00 | 0:56:02 | |
"Oh, I can have ten pints and still walk in a straight line." | 0:56:02 | 0:56:05 | |
The thing that changed in the late '90s | 0:56:05 | 0:56:08 | |
was glorifying drunken excess | 0:56:08 | 0:56:10 | |
and actually being cool if you're on the floor, | 0:56:10 | 0:56:12 | |
puking your guts up. Don't know where that came from. | 0:56:12 | 0:56:15 | |
# ..make it happen | 0:56:15 | 0:56:18 | |
# You gotta make it happen | 0:56:18 | 0:56:21 | |
# You've gotta make it happen... # | 0:56:21 | 0:56:24 | |
The ugly side to British drinking had always been kept locked away. | 0:56:24 | 0:56:28 | |
Now it was right there in front of us. | 0:56:28 | 0:56:31 | |
Roughly 10% of any society has some degree of problem with alcohol, | 0:56:34 | 0:56:38 | |
and roughly 5% of a society is alcoholic. | 0:56:38 | 0:56:42 | |
That seems to be true in most countries, | 0:56:42 | 0:56:44 | |
and probably is the figure that is true and has remained true. | 0:56:44 | 0:56:48 | |
What's happened is that | 0:56:48 | 0:56:49 | |
that 10% is in your face now. It's visible. | 0:56:49 | 0:56:54 | |
But for all the bad behaviour | 0:56:55 | 0:56:57 | |
that seems the modern face of British drinking, | 0:56:57 | 0:57:00 | |
we might not be the nation of excessive drinkers we think we are. | 0:57:00 | 0:57:05 | |
The real extent of our alcohol intake is quite unexpected. | 0:57:05 | 0:57:09 | |
People are drinking about the same | 0:57:11 | 0:57:13 | |
as they did at the turn of the 20th century. | 0:57:13 | 0:57:16 | |
We drink now about what we did in 1900. | 0:57:16 | 0:57:18 | |
It's gone through a great dip in the middle. | 0:57:18 | 0:57:20 | |
For 100 years, | 0:57:28 | 0:57:30 | |
our relationship with alcohol has been constantly changing. | 0:57:30 | 0:57:34 | |
We've run the gauntlet with measures to curb our drinking. | 0:57:34 | 0:57:38 | |
We fought for our country when the barrels were nearly dry. | 0:57:38 | 0:57:42 | |
We've had rows about who should drink, and what they should drink. | 0:57:42 | 0:57:46 | |
We've travelled the globe looking for new tastes. | 0:57:46 | 0:57:51 | |
We've drunk at home, and at work, drunk to remember, and to forget. | 0:57:51 | 0:57:57 | |
And at the end of all that, we're right back where we started, | 0:57:57 | 0:58:01 | |
drinking what we did 100 years ago. | 0:58:01 | 0:58:05 | |
I think that we often focus on the downsides of alcohol. | 0:58:11 | 0:58:14 | |
But actually, for various people at various points in their lives, | 0:58:14 | 0:58:18 | |
it is very pleasurable. | 0:58:18 | 0:58:21 | |
It's a really pleasurable thing to do, | 0:58:21 | 0:58:23 | |
and it can take you to a place that you don't otherwise go, | 0:58:23 | 0:58:29 | |
which is sometimes a nice place to go! | 0:58:29 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:58 | |
E-mail [email protected] | 0:58:58 | 0:59:01 |