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MUSIC: TRUMPET SOLO | 0:00:22 | 0:00:25 | |
The Queen Mary is the oldest surviving Transatlantic liner, | 0:00:25 | 0:00:29 | |
one of the great ships that plied the ocean routes at high speed, | 0:00:29 | 0:00:33 | |
in old world luxury and in all weathers. | 0:00:33 | 0:00:36 | |
A little bit of England floating across the Atlantic. | 0:00:36 | 0:00:39 | |
She now rests in gentle retirement in the warm sunshine of Long Beach, California | 0:00:41 | 0:00:45 | |
as a hotel and tourist attraction. | 0:00:45 | 0:00:47 | |
The Queen Mary is a reminder of the post-war decades when national pride and prestige were at stake | 0:00:50 | 0:00:54 | |
as countries competed to build the most magnificent ships on the great ocean routes. | 0:00:54 | 0:01:01 | |
Come on in, come on in. | 0:01:01 | 0:01:04 | |
This was the social and shopping area for the first class passengers. | 0:01:04 | 0:01:13 | |
And only for... the first class passengers. | 0:01:13 | 0:01:20 | |
Before the jet age, liners carried passengers and goods en masse across the oceans from A to B. | 0:01:20 | 0:01:28 | |
They linked the world, essentially, and they made the modern world possible. | 0:01:28 | 0:01:32 | |
The Americans, with the steamship, United States had the fastest. | 0:01:32 | 0:01:39 | |
The Dutch had the elegant, Rotterdam, | 0:01:39 | 0:01:41 | |
the Italians the sleek Michelangelo | 0:01:41 | 0:01:43 | |
and the French had the France as their supreme symbol of national culture and cuisine. | 0:01:43 | 0:01:50 | |
Great ships that, like the Queen Mary, were envied, admired and even loved. | 0:01:50 | 0:01:56 | |
The coming of the jet liner and the '60s assault on class and privilege | 0:01:59 | 0:02:03 | |
should have swept this world away, but somehow it clung on. | 0:02:03 | 0:02:07 | |
Today, more people than ever travel on big ships, ships that have a modern take on glamour and romance. | 0:02:07 | 0:02:15 | |
The beauty of the ships is that they are technological masterpieces. | 0:02:16 | 0:02:21 | |
Each has a character and personality of their own | 0:02:21 | 0:02:25 | |
and they become much loved by the people who travel in them. | 0:02:25 | 0:02:30 | |
And one great liner still travels the North Atlantic. | 0:02:30 | 0:02:34 | |
Against the odds, the Queen Mary 2 carries on in the grand tradition of the long gone liners of old. | 0:02:36 | 0:02:43 | |
# Gonna take a sentimental journey Gonna... # | 0:02:51 | 0:02:58 | |
As peace dawned after the Second World War, Britain alone was ready | 0:02:58 | 0:03:02 | |
to reopen the great sea route between the old and new worlds, | 0:03:02 | 0:03:06 | |
firm in the belief that pre-war elegance and glamour | 0:03:06 | 0:03:10 | |
could be seamlessly welded to a post-war world. | 0:03:10 | 0:03:12 | |
MUSIC: FANFARE PLAYS | 0:03:14 | 0:03:18 | |
ARCHIVE: On July 29th, the Mary left Southampton on a two day trial in the Channel. | 0:03:24 | 0:03:30 | |
From Captain C G Illingworth downwards, to a crew of 1260, | 0:03:30 | 0:03:36 | |
everybody was busy getting used to their jobs on the reconverted liner. | 0:03:36 | 0:03:40 | |
BBC cameras on board recorded these typical scenes. | 0:03:40 | 0:03:45 | |
Soon, everything was going on much as it did in the pre-war days, | 0:03:45 | 0:03:50 | |
and as it will on many Atlantic crossing in the future. | 0:03:50 | 0:03:53 | |
At the end of the Second World War, Cunard's Queen Mary and Queen Elizabeth practically had the | 0:03:53 | 0:03:59 | |
Atlantic to themselves, | 0:03:59 | 0:04:00 | |
they were the last of the large, prestigious liners | 0:04:00 | 0:04:04 | |
to have survived intact from the 1930s with their original owners. | 0:04:04 | 0:04:08 | |
With the Elizabeth and the Mary, the Cunard Line had both the largest and fastest liners afloat. | 0:04:12 | 0:04:18 | |
And with their associations with royalty, they were an ad-man's dream. | 0:04:18 | 0:04:24 | |
For a few short years, these ships maintained the illusion that Britain still ruled the waves. | 0:04:24 | 0:04:31 | |
The Queen Mary had a real aura, | 0:04:31 | 0:04:34 | |
there was a whole generation of people who absolutely adored her. | 0:04:34 | 0:04:39 | |
She had that glorious rich timber interior. | 0:04:52 | 0:04:56 | |
Slightly old-fashioned, when it was put in. | 0:04:56 | 0:05:01 | |
It appealed to the class of people she was built to attract. | 0:05:01 | 0:05:06 | |
I do have a strong affection for the Queen Mary, the first Queen Mary, | 0:05:06 | 0:05:11 | |
which of course is now in Long Beach | 0:05:11 | 0:05:13 | |
as a floating hotel, convention centre and all the rest of it. | 0:05:13 | 0:05:17 | |
And when you go there, you see this huge black hull | 0:05:17 | 0:05:21 | |
with literally millions of rivets. | 0:05:21 | 0:05:24 | |
She wasn't welded, she was riveted, | 0:05:24 | 0:05:27 | |
and these three, huge Cunard red funnels. | 0:05:27 | 0:05:30 | |
And, you go on board and it is like stepping back | 0:05:30 | 0:05:34 | |
into the 1930s and 1940s when she was in her heyday, | 0:05:34 | 0:05:38 | |
when she was the fastest passenger ship in the world. | 0:05:38 | 0:05:42 | |
Are we ready, guys? Very good, this way please. | 0:05:42 | 0:05:47 | |
This is the behind-the-scenes, yes. | 0:05:47 | 0:05:49 | |
If you get one of the original cabins if you stay at the hotel, | 0:05:49 | 0:05:54 | |
again you can imagine yourself in the 1930s. | 0:05:54 | 0:05:59 | |
The taps, tap for salt water as well as fresh water. | 0:05:59 | 0:06:04 | |
A myriad of taps on this huge bath, rather than just a shower. | 0:06:04 | 0:06:11 | |
It is a wonderful experience. | 0:06:11 | 0:06:14 | |
FLUSHING | 0:06:14 | 0:06:17 | |
Also, in the bathrooms at that time, the towel racks where electrically heated. | 0:06:17 | 0:06:21 | |
When you stepped out of the tub, | 0:06:21 | 0:06:26 | |
you would have a nice, warm towel to wrap yourself in. | 0:06:26 | 0:06:32 | |
During the war, the United States had to rely on the great Cunard | 0:06:32 | 0:06:36 | |
liners to move her army across the Atlantic for the D-Day landings. | 0:06:36 | 0:06:40 | |
Her war record is phenomenal. | 0:06:40 | 0:06:43 | |
In July of 1943, | 0:06:43 | 0:06:45 | |
she carried 16,683 human beings. | 0:06:45 | 0:06:50 | |
That still stands as the largest number of human beings ever | 0:06:50 | 0:06:54 | |
transported on one vessel in the history of the world. | 0:06:54 | 0:06:57 | |
In the growing chill of the Cold War, America wanted her own independent means of moving armies. | 0:07:02 | 0:07:08 | |
A ship that, like the two Queens could transport whole divisions, | 0:07:08 | 0:07:13 | |
so fast that no submarine could threaten her. | 0:07:13 | 0:07:15 | |
In 1952, she launched the largest American passenger ship ever built. | 0:07:18 | 0:07:23 | |
The SS United States. | 0:07:23 | 0:07:25 | |
A passenger liner that could be converted within 18 hours to work as a troopship. | 0:07:25 | 0:07:30 | |
Winston Churchill said that the Cunard Queens during the war | 0:07:30 | 0:07:36 | |
collectively shortened the war by nearly a year | 0:07:36 | 0:07:39 | |
because of their huge transport potential. | 0:07:39 | 0:07:42 | |
And certainly after the war, the Americans seized on this | 0:07:42 | 0:07:46 | |
and decided they had to have a ship of their own. | 0:07:46 | 0:07:49 | |
So funds were appropriated and directed to the United States Lines | 0:07:49 | 0:07:54 | |
to build a new troopship come liner which was the SS United States. | 0:07:54 | 0:07:59 | |
DANCE MUSIC PLAYS | 0:07:59 | 0:08:03 | |
In true American tradition, this baby was fast and a real gas guzzler. | 0:08:03 | 0:08:07 | |
On her maiden voyage, she smashed the Atlantic record known as the Blue Riband, taking 10 hours off | 0:08:07 | 0:08:13 | |
the Queen Mary's time and set a record for a passenger liner which remains unchallenged to this day. | 0:08:13 | 0:08:20 | |
The main attraction of the United States was her speed. | 0:08:22 | 0:08:25 | |
The accommodation was very modern, very tastefully decorated, | 0:08:25 | 0:08:30 | |
but in comparison to the Queens and | 0:08:30 | 0:08:33 | |
the other great ships of state, it was rather austere. | 0:08:33 | 0:08:37 | |
As a small boy, naval architect, Stephen Payne was captured on home | 0:08:39 | 0:08:44 | |
cine film when the mighty United States sailed into Southampton. | 0:08:44 | 0:08:48 | |
On sea trials, it's rumoured that that ship achieved some 45 knots. | 0:08:49 | 0:08:54 | |
When you are equate knots to mph, it is over 50 mph. | 0:08:54 | 0:08:59 | |
I always enjoy saying to my American friends that had that ship been sailing down | 0:08:59 | 0:09:06 | |
an American highway in the 1950s, she would've got a speeding ticket! | 0:09:06 | 0:09:11 | |
Designed for military action, she was fitted with aircraft-carrier engines and fire-resistant asbestos | 0:09:13 | 0:09:20 | |
to replace the opulent panelling of the Cunard Queens. | 0:09:20 | 0:09:24 | |
The only wood onboard the United States was said to be the piano and the butcher's block. | 0:09:24 | 0:09:29 | |
What the United States had in terms of speed, | 0:09:29 | 0:09:33 | |
I'm afraid she didn't match | 0:09:33 | 0:09:36 | |
the Queen Mary in terms of luxury. | 0:09:36 | 0:09:38 | |
BELL RINGS | 0:09:38 | 0:09:40 | |
Luxury was what the Queen Mary was about and in first class, it was about as good as it gets. | 0:09:44 | 0:09:51 | |
ARCHIVE: 150 chefs cooking for critical, hungry mouths. | 0:09:51 | 0:09:54 | |
Fare-paying passengers eating their money's worth all the way, | 0:09:54 | 0:09:59 | |
taking five days off and putting 14lbs on. | 0:09:59 | 0:10:03 | |
Good evening, ladies and gentlemen. | 0:10:03 | 0:10:05 | |
Hope I see you in good health tonight and I hope good appetite? | 0:10:05 | 0:10:09 | |
I must congratulate you gentlemen on your choice of ladies. | 0:10:13 | 0:10:18 | |
REFINED LAUGHTER | 0:10:18 | 0:10:20 | |
ARCHIVE: Now, what is it like aboard? | 0:10:21 | 0:10:24 | |
Like the society she was built for, the Queen Mary is rigidly divided by class. | 0:10:24 | 0:10:30 | |
First class, cabin class and tourist. | 0:10:30 | 0:10:34 | |
Only money makes it possible to rise from one class to another. | 0:10:34 | 0:10:38 | |
That is the segregation gate, madam. | 0:10:38 | 0:10:40 | |
I don't think you can mix | 0:10:42 | 0:10:45 | |
Claridges and the Regent Palace can you really? I suppose you can... | 0:10:45 | 0:10:50 | |
But if you are in the Regent Palace, you are in the Regent Palace, if you are in Claridges, it's Claridges! | 0:10:52 | 0:10:56 | |
ARCHIVE: If you want to travel first class, you can have a small cabin with no porthole for £178. | 0:10:56 | 0:11:03 | |
But a suite for two people is over £1,000 one way! | 0:11:03 | 0:11:09 | |
If you don't feel up to the first class, there is the cabin class at the rear of the ship, | 0:11:09 | 0:11:14 | |
gently vibrating over the propeller shafts. | 0:11:14 | 0:11:17 | |
This costs £120 or so. | 0:11:17 | 0:11:20 | |
Squeezed up in the bows there is room for 560 tourist passengers. | 0:11:20 | 0:11:25 | |
# It was sad when the great ship went down to the bottom of the husbands and wives, children... # | 0:11:25 | 0:11:31 | |
ARCHIVE: There, you can get a cabin for just under £100, | 0:11:31 | 0:11:35 | |
but you'll will probably have to share for five days. | 0:11:35 | 0:11:37 | |
# Oh, it was sad, it was sad... # | 0:11:37 | 0:11:41 | |
RATTLING OF COCKTAIL MIXERS | 0:11:41 | 0:11:43 | |
Life in the first class can be a round of cocktail parties beginning with the captain's reception. | 0:11:43 | 0:11:50 | |
Good evening Mrs Keegan, welcome, nice to see you. | 0:11:50 | 0:11:54 | |
Captain Simmons, Mrs Keegan. | 0:11:54 | 0:11:56 | |
-How do you do? -Good evening, sir. How do you do? Would you like to both come through... | 0:11:59 | 0:12:02 | |
I believe basically there are three different kinds of people, yes. | 0:12:02 | 0:12:07 | |
You take a menu to a first class passenger, he knows exactly what he wants. He can pick out... | 0:12:07 | 0:12:12 | |
things and doesn't require much explanation of the dishes. | 0:12:12 | 0:12:16 | |
But if you show it to a great majority of the tourist passengers, | 0:12:16 | 0:12:19 | |
you show them the menu and they say, what is this? | 0:12:19 | 0:12:22 | |
If it is in French, they don't understand the menu properly. | 0:12:22 | 0:12:25 | |
Which is quite in order, everybody is happy to serve them. | 0:12:25 | 0:12:29 | |
But you do find they are definitely different. | 0:12:29 | 0:12:32 | |
ARCHIVE: Up in the first class, you can eat when you like, what you like | 0:12:38 | 0:12:41 | |
and as much as you like. | 0:12:41 | 0:12:44 | |
-A Waldorf salad... -And I'll have the artichokes. | 0:12:44 | 0:12:51 | |
-I think I'll have the ribs of beef. -Ribs of beef. | 0:12:51 | 0:12:57 | |
Very well done, you know. | 0:12:57 | 0:12:59 | |
-Well done. -Cremated? -Yes. | 0:12:59 | 0:13:02 | |
You couldn't even fly across the Atlantic in those days, so you had the cream | 0:13:02 | 0:13:06 | |
of the world's traffic, if you like, | 0:13:06 | 0:13:09 | |
the European, American, the British traffic travelling. | 0:13:09 | 0:13:14 | |
You had all the government officials, actors, actresses, the chairmen of the big companies, | 0:13:14 | 0:13:20 | |
both American, European and even the Russians used to travel with us in the main suites. | 0:13:20 | 0:13:27 | |
I don't think you would have such a gathering anywhere in the world as you did in those days. | 0:13:27 | 0:13:31 | |
It used to be terribly chic and fun, | 0:13:31 | 0:13:34 | |
I am snobby enough to like it. | 0:13:34 | 0:13:36 | |
Everyone dressed for dinner. | 0:13:36 | 0:13:38 | |
Nowadays people come down in the most extraordinary clothes. | 0:13:38 | 0:13:42 | |
Every night looks like a fancy dress party and... | 0:13:42 | 0:13:47 | |
it used to be such fun. It was chic. | 0:13:47 | 0:13:50 | |
Ladies, gentlemen, boys and girls, | 0:13:50 | 0:13:55 | |
enter! | 0:13:55 | 0:13:57 | |
You have just entered... | 0:13:57 | 0:14:01 | |
one of the most beautiful rooms | 0:14:01 | 0:14:06 | |
on board this ship. | 0:14:06 | 0:14:10 | |
She is three decks high. | 0:14:10 | 0:14:14 | |
This room was filled with overstuffed chairs and couches. | 0:14:14 | 0:14:18 | |
During the day, passengers would come into this room to socialise with other passengers | 0:14:18 | 0:14:24 | |
or just listen to music. | 0:14:24 | 0:14:28 | |
Now, at that time, dinner was never, ever served in this room, | 0:14:28 | 0:14:34 | |
but promptly at 4:00pm each day, tea was served. | 0:14:34 | 0:14:40 | |
After the tea was served, they would play games such as...bingo. | 0:14:40 | 0:14:47 | |
ARCHIVE: Eyes down, look in, think lucky, you'll be lucky. | 0:14:47 | 0:14:51 | |
The first lucky number, 2-0, 20. | 0:14:51 | 0:14:55 | |
Blind 60, 6-0, 60. | 0:14:55 | 0:14:59 | |
Two little ducks on the water, 22. | 0:14:59 | 0:15:03 | |
ALL: Quack, quack! | 0:15:03 | 0:15:05 | |
The '50s were golden years for the Cunard Line, as post-war austerity blossomed into post-war boom. | 0:15:10 | 0:15:18 | |
Soon, every nation desired a share of the prestige and the profits. | 0:15:20 | 0:15:26 | |
In the '50s, Manhattan became a parking lot for the finest liners the world had ever seen - | 0:15:29 | 0:15:35 | |
the national flag carriers, the ships of state. | 0:15:35 | 0:15:39 | |
So, there was enormous competition between the great lines | 0:15:39 | 0:15:43 | |
to see who could have the best ships and the ships that showed the better face of their countries of origin. | 0:15:43 | 0:15:50 | |
The SS Rotterdam was the first of a new breed of European ships to carry their nation's flag and pride. | 0:15:50 | 0:15:57 | |
The Holland America lines, succeeded not on speed or size, | 0:15:57 | 0:16:02 | |
but by designing a dual-purpose ship that was at least a decade ahead of its time. | 0:16:02 | 0:16:07 | |
The watchwords at the time were size and speed. | 0:16:07 | 0:16:10 | |
You were either the biggest or you were the fastest. | 0:16:10 | 0:16:13 | |
The Dutch said, no, that era is over | 0:16:13 | 0:16:17 | |
and what they planned was a smaller ship, | 0:16:17 | 0:16:22 | |
by today's standards a very small ship, although in her day she was in the top 10, but only just. | 0:16:22 | 0:16:29 | |
And she wasn't particularly fast, she was designed to do the trip from Rotterdam to New York, | 0:16:29 | 0:16:35 | |
I think in seven or eight days, | 0:16:35 | 0:16:37 | |
rather than the four and a half to five from Southampton that Cunard were doing. | 0:16:37 | 0:16:43 | |
The Dutch alone seemed to see the future. | 0:16:44 | 0:16:47 | |
A future where the liner crossing had less importance and the real profits lay in cruising. | 0:16:47 | 0:16:54 | |
With the Rotterdam, the Dutch had re-cast the role of the liner, | 0:16:54 | 0:16:58 | |
but everyone else continued playing yesterday's game. | 0:16:58 | 0:17:01 | |
The Italians dressed their national colours on the sleek Michelangelo and her companion, the Raffaello. | 0:17:04 | 0:17:10 | |
Bold and beautiful ships designed for a new Italian Renaissance. | 0:17:10 | 0:17:16 | |
The Italian line was very proud to represent the best of post-war Italian design. | 0:17:16 | 0:17:23 | |
The top architects were commissioned to design the ships - | 0:17:23 | 0:17:26 | |
and they had a wonderful mix of minimalism with Italian flamboyance. | 0:17:26 | 0:17:33 | |
But more than any other nation, it was de Gaulle's France | 0:17:36 | 0:17:40 | |
that wished to recreate the pre-war glory of its ocean liners. | 0:17:40 | 0:17:44 | |
All French hopes were placed in one showpiece ship called simply, the France. | 0:17:44 | 0:17:51 | |
The longest in the world by just four feet. | 0:17:51 | 0:17:54 | |
It was a ship for the rich and the fashionable in their bijou apartment suites. | 0:17:58 | 0:18:03 | |
2000 passengers pampered by over 1200 crew. | 0:18:03 | 0:18:07 | |
The French Line ships were legendary. | 0:18:07 | 0:18:10 | |
It was said more seagulls followed French Line ships than | 0:18:10 | 0:18:14 | |
of any other company, hoping to catch delectable bits of haute cuisine thrown out from the galley. | 0:18:14 | 0:18:21 | |
I think this was terrifically important to France, | 0:18:23 | 0:18:27 | |
the country itself, its culture, its design values, | 0:18:27 | 0:18:30 | |
its engineering, were there to be seen. | 0:18:30 | 0:18:33 | |
Very much, the France was very much | 0:18:33 | 0:18:36 | |
a national flag carrier in that truest sense of a ship of state. | 0:18:36 | 0:18:41 | |
She was very, very much a statement of France afloat. | 0:18:41 | 0:18:46 | |
Originally they were going to build two fairly modestly-sized liners, | 0:18:46 | 0:18:51 | |
but during the de Gaulle era, | 0:18:51 | 0:18:53 | |
there really was the need for some great nationalist, prestigious project. | 0:18:53 | 0:19:00 | |
And he chose the building of a great new liner | 0:19:00 | 0:19:03 | |
which became the SS France, which entered service in 1962. | 0:19:03 | 0:19:09 | |
FRENCH COMMENTARY | 0:19:09 | 0:19:13 | |
But even as these bold, new ships enjoyed their maiden voyages, dark clouds appeared overhead. | 0:19:13 | 0:19:20 | |
Jet aircraft started to cross the Atlantic non-stop in hours rather than days. | 0:19:20 | 0:19:26 | |
The jet age was a body blow for the Atlantic liner companies. | 0:19:26 | 0:19:30 | |
At first they didn't know how to respond. | 0:19:30 | 0:19:34 | |
They'd been coining money during the 1950s, | 0:19:34 | 0:19:37 | |
suddenly just over a decade later, passenger numbers were dropping off. | 0:19:37 | 0:19:42 | |
I think what's sometimes forgotten in those early days of airline travel, it was extremely expensive. | 0:19:42 | 0:19:49 | |
What happened was, the early airliners were taking out the first class passengers | 0:19:49 | 0:19:56 | |
and it was the first class passengers, essentially, who were paying the profits. | 0:19:56 | 0:20:03 | |
# Volare, oh, oh... # | 0:20:03 | 0:20:07 | |
Even in the late 1960s, Cunard were attempting to operate a year-round Transatlantic service. | 0:20:07 | 0:20:15 | |
And certainly in the latter years of their life, the Queen Mary and the Queen Elizabeth, | 0:20:15 | 0:20:20 | |
sailing in the middle of winter would sail with more crew members than they had passengers on board. | 0:20:20 | 0:20:26 | |
Chic travel had moved to the skies. | 0:20:28 | 0:20:31 | |
A new term was coined, the jet set for a group of the rich | 0:20:31 | 0:20:34 | |
and famous who lived La Dolce Vita in New York, London, Paris or Rome. | 0:20:34 | 0:20:40 | |
The whole imagery of air travel began to dominate the culture. | 0:20:40 | 0:20:46 | |
So liners began to look increasingly dowdy, no matter how modern the ships themselves were. | 0:20:46 | 0:20:53 | |
That was a real problem. Suddenly, young boys wanted to be airline pilots | 0:20:53 | 0:20:59 | |
rather than work on ships, for example, because that whole culture was the fashionable thing. | 0:20:59 | 0:21:06 | |
Although the Transatlantic lines enjoy the prestige, | 0:21:10 | 0:21:13 | |
the other great sea routes were where most of the money was made. | 0:21:13 | 0:21:17 | |
The routes to Australia and New Zealand were popular, lucrative | 0:21:17 | 0:21:20 | |
and effectively out of reach of long-range jets for the next decade. | 0:21:20 | 0:21:25 | |
From the early '60s onwards, the premier ship on the six week route to Australia was P&O's Canberra. | 0:21:25 | 0:21:31 | |
The Peninsular and Orient Line had great success serving these long-distance passengers. | 0:21:33 | 0:21:39 | |
Longer routes such as the routes from the UK to South Africa | 0:21:39 | 0:21:44 | |
and the route down to Australia were still viable. | 0:21:44 | 0:21:50 | |
Now, these ships were still liners in the true sense, | 0:21:50 | 0:21:53 | |
but they were quite different from the Atlantic liners because they had to travel further distances | 0:21:53 | 0:21:58 | |
before refuelling and they also carried, invariably, a lot more cargo than the Transatlantic ships. | 0:21:58 | 0:22:05 | |
Liners went all over the world, just as airlines today. | 0:22:05 | 0:22:10 | |
And looking at this from a British perspective, throughout the whole period of the Empire, | 0:22:10 | 0:22:17 | |
the way civil servants and visitors and friends and families travelled around the world was by liner. | 0:22:17 | 0:22:24 | |
So whilst the Transatlantic routes had the prestige, it had the famous liners, | 0:22:24 | 0:22:30 | |
they were in the minority, most liners weren't on the transatlantic route. | 0:22:30 | 0:22:35 | |
Some of the most popular liners featured the lavender-coloured hulls and black and red funnels | 0:22:36 | 0:22:41 | |
of the Union Castle Line. | 0:22:41 | 0:22:43 | |
Ships that ran a scheduled service on the South Atlantic routes to South Africa. | 0:22:43 | 0:22:48 | |
Union Castle, it ran like clockwork, literally. | 0:22:48 | 0:22:52 | |
It was always said that when the Union Castle vessel blew her parting whistle at, | 0:22:52 | 0:22:58 | |
I think was a 4pm on a Thursday, Southampton could set their watch by it. | 0:22:58 | 0:23:03 | |
A purserette on the Edinburgh Castle during the '60s was Ann Haynes. | 0:23:04 | 0:23:09 | |
Welcome to my bureau, my little office of Union Castle treasures. | 0:23:09 | 0:23:14 | |
Pictures, various items of happiness and memorabilia in here. | 0:23:14 | 0:23:20 | |
And of course, one of my favourite items is... | 0:23:20 | 0:23:23 | |
my curtain. | 0:23:23 | 0:23:25 | |
A lovely gift from a friend in South Africa, but he and his wife only gave me the one curtain, | 0:23:25 | 0:23:30 | |
but isn't it lovely with all of the various Union Castle ships on it. | 0:23:30 | 0:23:34 | |
Another treasure I like... | 0:23:34 | 0:23:37 | |
is an advertising item from the 1960s. | 0:23:37 | 0:23:42 | |
If I want to say I'm leaving on the Edinburgh Castle on a particular Friday, | 0:23:42 | 0:23:47 | |
I can put the Edinburgh Castle against the day of the week for Southampton | 0:23:47 | 0:23:52 | |
and then discover where the rest of the fleet are. | 0:23:52 | 0:23:55 | |
It was an exciting adventure on a liner and we were on a voyage, | 0:24:15 | 0:24:21 | |
going from point A, to point B, C and D and back again. | 0:24:21 | 0:24:25 | |
The true liner voyage, I think. | 0:24:25 | 0:24:27 | |
The cargo was varied. | 0:24:27 | 0:24:30 | |
I've got records showing that things like heifers, | 0:24:30 | 0:24:34 | |
cows and horses and lots of animals were carried on deck. | 0:24:34 | 0:24:38 | |
Locomotives, railway locomotives were carried, all sorts of things. | 0:24:38 | 0:24:42 | |
Wool from South Africa came to the UK and one of the cargoes, of course, | 0:24:42 | 0:24:47 | |
was gold bullion which came from South Africa. | 0:24:47 | 0:24:50 | |
I didn't know about this for a long time, | 0:24:50 | 0:24:52 | |
just shows how secret it was. I didn't know about things like that. | 0:24:52 | 0:24:57 | |
I was told if I could lift one, I could have one. | 0:24:57 | 0:25:01 | |
You probably know how heavy they are, so of course I couldn't lift one. | 0:25:01 | 0:25:05 | |
A favourite ritual on the Union Castle Line was celebrating the crossing of the equator. | 0:25:06 | 0:25:12 | |
One of the ceremonies that took part on the Union Castle ships was crossing the line. | 0:25:15 | 0:25:20 | |
It was very much look forward to. | 0:25:20 | 0:25:22 | |
So there would be King Neptune, his queen who was usually a male, | 0:25:22 | 0:25:27 | |
with things in strategic places and weird and wonderful costumes. | 0:25:27 | 0:25:32 | |
There would be a policeman in a little tiny policeman's hat. | 0:25:32 | 0:25:36 | |
All the victims for the crossing of the line ceremonies were volunteers. | 0:25:36 | 0:25:40 | |
They knew they were going to get covered in revolting-looking things. | 0:25:40 | 0:25:44 | |
You have transgressed and upset the King! | 0:25:44 | 0:25:48 | |
King Neptune asked you to come here and account for your sins. | 0:25:48 | 0:25:53 | |
Put in a chair and put on a table, but everybody got a certificate | 0:25:53 | 0:25:57 | |
with their name on, signed by King Neptune and the date. | 0:25:57 | 0:26:00 | |
Lovely certificates. | 0:26:00 | 0:26:02 | |
Ann sailed her last voyage on the Edinburgh Castle in 1967. | 0:26:04 | 0:26:08 | |
For her, an era had passed. | 0:26:08 | 0:26:11 | |
The late '60s were also pivotal years in the lives of the transatlantic ships. | 0:26:13 | 0:26:18 | |
First the jumbo jet and then Concorde captured most of the passengers | 0:26:20 | 0:26:26 | |
who would have travelled by ship a decade earlier. | 0:26:26 | 0:26:29 | |
The final blow is the onset of the 747. | 0:26:29 | 0:26:33 | |
When flying becomes a mass market and pretty well everybody who could have afforded to cross the Atlantic | 0:26:33 | 0:26:40 | |
on a liner can afford to cross the Atlantic on an airliner. | 0:26:40 | 0:26:43 | |
And then the liner becomes an anachronism. | 0:26:43 | 0:26:48 | |
It is the end of that era. | 0:26:48 | 0:26:50 | |
No passenger line could escape the new economic reality. | 0:26:53 | 0:26:56 | |
Cunard had two ageing ships in the Queens, Mary and Elizabeth. | 0:26:56 | 0:27:01 | |
Ships designed in the '30s for a world now gone. | 0:27:01 | 0:27:04 | |
They were old-fashioned and expensive to run. | 0:27:04 | 0:27:08 | |
The much-loved Queen Mary bowed out in style in a long, valedictory voyage to her new home | 0:27:08 | 0:27:14 | |
in Long Beach, California. | 0:27:14 | 0:27:16 | |
The Queen Mary was out at sea for 31 years, she is here in Long Beach now for 42 years. | 0:27:16 | 0:27:22 | |
So, she has become | 0:27:22 | 0:27:24 | |
a part of Long Beach history longer than she was out at sea. | 0:27:24 | 0:27:28 | |
She is literally responsible for putting Long Beach on the map as a convention town. | 0:27:28 | 0:27:33 | |
If you say, Long Beach anywhere in the world, people say Queen Mary. | 0:27:33 | 0:27:37 | |
It you say Queen Mary anywhere in the world, people say Long Beach. | 0:27:37 | 0:27:40 | |
She has had good days and bad days, money has been spent to try and keep her up. | 0:27:40 | 0:27:48 | |
She is still a very, very fine representation of one of the old ships of state. | 0:27:48 | 0:27:53 | |
ARCHIVE: On the quayside, even an American-style celebration | 0:27:53 | 0:27:57 | |
is dwarfed by the huge bulk of the old lady herself. | 0:27:57 | 0:28:01 | |
The final commanding captain of the Queen Mary, Captain John Treasure Jones. | 0:28:01 | 0:28:08 | |
As the very last captain serving with Cunard of the Queen Mary you brought her here. | 0:28:11 | 0:28:17 | |
What sort of experience did you find that last voyage? | 0:28:17 | 0:28:20 | |
I found the last of voyage a thrilling experience in many ways. | 0:28:20 | 0:28:25 | |
Because I knew I was bringing the ship on an adventurous voyage, | 0:28:25 | 0:28:28 | |
if you like, round Cape Horn to a home where I felt she would be appreciated and | 0:28:28 | 0:28:33 | |
become the jewel of the port of Long Beach and the centre of the harbour. | 0:28:33 | 0:28:38 | |
So I didn't feel bad about it, in fact I was delighted to bring her here. | 0:28:38 | 0:28:43 | |
From time to time during rough weather, | 0:28:43 | 0:28:47 | |
the Queen Mary would rock and she would roll! | 0:28:47 | 0:28:52 | |
And she would rock and she would roll! | 0:28:52 | 0:28:55 | |
And if the passengers became seasick, looked a bit green | 0:28:55 | 0:29:01 | |
about the face, they could look into the peach plate mirrors, | 0:29:01 | 0:29:08 | |
see a healthy complexion | 0:29:08 | 0:29:13 | |
and hopefully feel just a wee bit better! | 0:29:13 | 0:29:19 | |
The Queen Elizabeth was always considered the Mary's dowdy sister. | 0:29:22 | 0:29:26 | |
She was the unsung partner in the famous double act. | 0:29:26 | 0:29:30 | |
Elizabeth was an altogether more modern ship than the Queen Mary. | 0:29:30 | 0:29:33 | |
She had benefited from at least a decade's design development. | 0:29:33 | 0:29:39 | |
On board, however, | 0:29:39 | 0:29:40 | |
there is a bit of a paradox because the Queen Elizabeth was | 0:29:40 | 0:29:43 | |
actually slightly more conservative in her design than the Queen Mary. | 0:29:43 | 0:29:49 | |
She didn't have the Queen Mary's... | 0:29:49 | 0:29:52 | |
cult following, to put it in a modern parlance. | 0:29:52 | 0:29:56 | |
She didn't quite hit it with the punters in the same way. | 0:29:56 | 0:30:00 | |
Compared with Queen Mary, she was less warm, less comforting. | 0:30:00 | 0:30:06 | |
The Queen Elizabeth, she was sold to a Chinese businessman, CY Tung. | 0:30:06 | 0:30:12 | |
He decided to buy the ship and rebuild her as a floating university. | 0:30:12 | 0:30:17 | |
His idea was to sail the ship on long cruises with passengers and students. | 0:30:17 | 0:30:24 | |
The ship was undergoing a huge rebuilding programme whilst anchoring at Hong Kong and towards the end | 0:30:24 | 0:30:30 | |
of that process in January 1972, the ship suddenly caught fire. | 0:30:30 | 0:30:36 | |
The final death throes of this once great ship were reported by Blue Peter's Valerie Singleton. | 0:30:38 | 0:30:44 | |
'Soon, the whole ship was alight and despite all the efforts of | 0:30:44 | 0:30:47 | |
'the Hong Kong Fire Brigade, it became obvious the liner was doomed. | 0:30:47 | 0:30:52 | |
'For five days and nights she blazed and television viewers | 0:30:52 | 0:30:56 | |
'all over the world were appalled by these pictures.' | 0:30:56 | 0:30:58 | |
She caught fire in several places at once, so it's assumed it was the work of arsonists. | 0:30:58 | 0:31:05 | |
And, as with the Normandy in New York during the war, | 0:31:05 | 0:31:09 | |
so much water was poured onto the ship to put out the fire that it made the ship unstable | 0:31:09 | 0:31:16 | |
and so she rolled over and sank and was subsequently scrapped. | 0:31:16 | 0:31:20 | |
It takes a long time to cut up and carry away 83,500 tons of ocean liner. | 0:31:20 | 0:31:27 | |
But every day she gets just a little bit smaller and soon even this rusting hulk will disappear. | 0:31:27 | 0:31:33 | |
It's rumoured the salvage is being sold across the border to mainland China. | 0:31:33 | 0:31:38 | |
It's odd to think that the imperial grandeur of RMS Queen Elizabeth | 0:31:38 | 0:31:42 | |
will end her days as scrap in communist China. | 0:31:42 | 0:31:45 | |
This is the Blue Peter annual from 1972, which I received as a youngster for Christmas that year. | 0:31:45 | 0:31:53 | |
If we open up, one of the articles here is about the Queen Elizabeth, | 0:31:53 | 0:31:58 | |
Queen of the seas. | 0:31:58 | 0:32:00 | |
And the very last paragraph reads, | 0:32:00 | 0:32:02 | |
"It was a sad moment for everybody who loves great ships. | 0:32:02 | 0:32:06 | |
"The Queen Elizabeth was the last of a great age, | 0:32:06 | 0:32:10 | |
a super liner and nothing like her will ever be built again". | 0:32:10 | 0:32:14 | |
It just so happened at the time we were learning to write letters of complaint at school | 0:32:14 | 0:32:20 | |
and my English teacher, Miss Bootle, she said the most important letter you can learn to write | 0:32:20 | 0:32:26 | |
is a letter of complaint. | 0:32:26 | 0:32:27 | |
So I wrote for my homework, a letter of complaint to Blue Peter saying when I grew up I wanted | 0:32:27 | 0:32:35 | |
to design and build a new ship that would rival Queen Elizabeth. | 0:32:35 | 0:32:39 | |
So, I sent it into Blue Peter and lo and behold I received, by return, | 0:32:39 | 0:32:45 | |
the blue Blue Peter badge. | 0:32:45 | 0:32:48 | |
I was rather upset that they didn't give me a gold badge, I must say, I was rather precocious. | 0:32:48 | 0:32:55 | |
Cunard had the confidence to commission a new ship | 0:32:55 | 0:33:00 | |
to replace the retired Queens, Mary and Elizabeth. | 0:33:00 | 0:33:03 | |
Like the Rotterdam, she would be dual purpose, a liner and a cruise ship. | 0:33:03 | 0:33:08 | |
I name this ship, Queen Elizabeth the Second. | 0:33:11 | 0:33:14 | |
CHEERING AND APPLAUSE | 0:33:14 | 0:33:16 | |
The Queen Elizabeth 2, or QE2 as she is commonly known, | 0:33:18 | 0:33:21 | |
became the flagship of the Cunard line for nearly 40 years. | 0:33:21 | 0:33:26 | |
From 1969 to 2008, she was the most famous British liner of the modern age. | 0:33:26 | 0:33:31 | |
Sleek and spacious, she was built to take Cunard into a new era. | 0:33:31 | 0:33:36 | |
The big difference physically between the liner and | 0:33:36 | 0:33:39 | |
the cruise ship is that the line has to be significantly stronger | 0:33:39 | 0:33:43 | |
than the cruise ship, because it has to be able to be driven hard through bad weather. | 0:33:43 | 0:33:48 | |
The bow of a liner is much finer, much more like an arrow | 0:33:48 | 0:33:52 | |
and again it's to push its way through that rough weather. | 0:33:52 | 0:33:57 | |
All those things combined amount to about a 40% increase in the price of the ship. | 0:33:57 | 0:34:03 | |
So if you build a cruise ship and a liner of the same size, the liner would probably cost you about | 0:34:03 | 0:34:09 | |
40% more and that's a big premium to pay to call your ship a liner. | 0:34:09 | 0:34:15 | |
The QE2 really, in many ways was the bridge between Transatlantic | 0:34:15 | 0:34:21 | |
liners of the traditional kind and modern day cruise ships. | 0:34:21 | 0:34:25 | |
She was potentially able to operate as a two class ship, | 0:34:25 | 0:34:29 | |
equally as a one class ship. | 0:34:29 | 0:34:31 | |
She had all the facilities one would expect of a modern cruise ship. | 0:34:31 | 0:34:35 | |
She was like a modern hotel on board, her design was extremely progressive. | 0:34:35 | 0:34:41 | |
She was rather jet age and also in many ways, space age, | 0:34:41 | 0:34:46 | |
both in her external design and internal outfitting. | 0:34:46 | 0:34:50 | |
There were 50 luxury suites, and 300 deluxe cabins. | 0:34:55 | 0:34:58 | |
The QE2 was much more a floating hotel than a means of transport. | 0:34:58 | 0:35:03 | |
The new ship attracted a visit from Blue Peter. | 0:35:05 | 0:35:09 | |
PETER PURVES: 'After a fabulous lunch, I changed my clothes to go to the engine room | 0:35:09 | 0:35:13 | |
'as I thought it would be very dirty, | 0:35:13 | 0:35:15 | |
'but it looked more like Mission Control at Cape Kennedy than on board a liner. | 0:35:15 | 0:35:19 | |
'There were dials, meters, switches, knobs by the dozen, each one controlling or | 0:35:19 | 0:35:23 | |
'metering some part of the engine, so a constant check could be made by the control room's computer.' | 0:35:23 | 0:35:28 | |
'On the bridge I met the captain of the QE2.' | 0:35:31 | 0:35:34 | |
-Good afternoon, Captain Warwick, John Noakes of Blue Peter. -How do you do? | 0:35:34 | 0:35:38 | |
The QE2 also had the unique distinction of being | 0:35:38 | 0:35:40 | |
the only Cunard liner to be captained by both father and son. | 0:35:40 | 0:35:44 | |
A huge great wheel, a relic from the past also. | 0:35:44 | 0:35:48 | |
The wheel was right on top of the rudder. | 0:35:48 | 0:35:50 | |
I first stepped aboard the QE2 | 0:35:50 | 0:35:53 | |
to visit my father when it was at Kingston, Jamaica on a cruise. | 0:35:53 | 0:35:59 | |
This was the very first time I'd been aboard the ship | 0:35:59 | 0:36:01 | |
and I just couldn't believe what I saw, a fantastic modern ship and | 0:36:01 | 0:36:05 | |
it left me with the burning ambition to be captain of it one day. | 0:36:05 | 0:36:10 | |
And I achieved my goal in 1990 when I was appointed Relief Master. | 0:36:10 | 0:36:15 | |
But for the Dutch, the Americans and the French, the Atlantic game was up. | 0:36:20 | 0:36:25 | |
In 1969, the Rotterdam with her advanced design moved exclusively | 0:36:25 | 0:36:29 | |
into cruising and was a sought after ship for the next 30 years. | 0:36:29 | 0:36:34 | |
But there was no escape for the gas-guzzling United States, | 0:36:34 | 0:36:38 | |
brute economics sank her as a going concern. | 0:36:38 | 0:36:41 | |
Losing 3 million a year, she was taken away for a refit and never returned to passenger service. | 0:36:41 | 0:36:48 | |
The sudden loss of America's rocket ship left her devoted passengers high and dry. | 0:36:52 | 0:36:59 | |
There are always some people who would always go by ship. | 0:36:59 | 0:37:03 | |
I still get letters from people asking whether or not they can | 0:37:03 | 0:37:07 | |
travel as a passenger, even in these container ships we are operating. | 0:37:07 | 0:37:11 | |
They still want to run in a ship, | 0:37:11 | 0:37:13 | |
but as far as operating a passenger ship the size of the United States, | 0:37:13 | 0:37:18 | |
I rather doubt whether we could even assemble a crew. | 0:37:18 | 0:37:23 | |
The type of crew we had to operate that ship again, because | 0:37:23 | 0:37:27 | |
a lot of these people have retired, | 0:37:27 | 0:37:30 | |
a lot of them have died off and a lot of them have gone elsewhere. | 0:37:30 | 0:37:33 | |
I don't think she'll ever go to sea. | 0:37:33 | 0:37:36 | |
At one point she was towed across to Turkey to have her asbestos removed. | 0:37:36 | 0:37:41 | |
Of course, being an American ship | 0:37:41 | 0:37:43 | |
she was absolutely stuffed with asbestos for fireproofing reasons. | 0:37:43 | 0:37:47 | |
The job was done, but the owners couldn't pay, | 0:37:47 | 0:37:51 | |
so in lieu of money, they paid by allowing the scrappers to take her life boats away | 0:37:51 | 0:37:57 | |
which were made of aluminium and the davits. | 0:37:57 | 0:38:00 | |
So the remains of the United States, the gutted shell was towed back | 0:38:00 | 0:38:06 | |
across the Atlantic and she now lies as a hulk in Philadelphia. | 0:38:06 | 0:38:10 | |
Finally, even the world's longest ship, the France, the ultimate symbol of national pride would fall. | 0:38:12 | 0:38:19 | |
In 1974, with her 10 million subsidy removed by the French government, | 0:38:19 | 0:38:25 | |
her owners were forced to concede that her days on the Atlantic run over. | 0:38:25 | 0:38:29 | |
France was laid up in Le Havre, her home port for several years | 0:38:29 | 0:38:34 | |
before she was bought by Norwegian Caribbean Lines. | 0:38:34 | 0:38:38 | |
They had her rebuilt as the SS Norway. | 0:38:38 | 0:38:43 | |
She was a very successful cruise ship for many years in a modified | 0:38:43 | 0:38:49 | |
form and has only recently been finally retired and sent for scrap. | 0:38:49 | 0:38:54 | |
As the France, this ship was the last of the ocean greyhounds. | 0:38:54 | 0:38:57 | |
Built for speed and to dash across the North Atlantic in competition with other great liners. | 0:38:57 | 0:39:03 | |
But in these days of rising oil prices, it's a recipe for economic disaster. | 0:39:03 | 0:39:07 | |
Perhaps the most curious fate of all befell the France's predecessor, the Ile de France. | 0:39:09 | 0:39:13 | |
The Ile de France was a very significant ship | 0:39:15 | 0:39:18 | |
in that she was the first, | 0:39:18 | 0:39:21 | |
effectively the first passenger ship to introduce the new Art Deco style. | 0:39:21 | 0:39:27 | |
She continued in service until | 0:39:27 | 0:39:30 | |
the late 1950s when she was sold for scrap to Japanese firm in Osaka. | 0:39:30 | 0:39:36 | |
But, it was the early days of the disaster movies and before they scrapped her, | 0:39:36 | 0:39:43 | |
the Japanese hired her out to an American film studio who were making a film called, The Last Voyage. | 0:39:43 | 0:39:50 | |
ARCHIVE: 1500 carefree passengers, happily unaware of a note to the captain. | 0:39:54 | 0:39:59 | |
They sent the ship out to sea | 0:39:59 | 0:40:02 | |
and created various explosions inside and on the open decks, | 0:40:02 | 0:40:07 | |
sent the forward funnel crashing down onto the bridge. | 0:40:07 | 0:40:11 | |
All realistic and I think the film won Oscars for the special effects | 0:40:11 | 0:40:16 | |
because they weren't made up, they were actually real. | 0:40:16 | 0:40:20 | |
You could see this great ship being destroyed for the purposes of the film. | 0:40:20 | 0:40:24 | |
Hold it, the piano's gonna fall! | 0:40:31 | 0:40:33 | |
CRASHING | 0:40:33 | 0:40:35 | |
EXPLOSION AND SCREAMS | 0:40:44 | 0:40:46 | |
Help! | 0:40:46 | 0:40:48 | |
Poor Dorothy Malone, the star of the film, spends about three quarters of the film up to her neck in water. | 0:40:48 | 0:40:54 | |
It's very difficult to give a good acting performance under those circumstances, I should've thought. | 0:40:54 | 0:40:59 | |
TRAILER: Never before has the screen flamed with adventure and suspense so real. | 0:40:59 | 0:41:05 | |
Every dramatic moment was filmed at fever pitch, entirely aboard the world's most glamorous luxury liner. | 0:41:05 | 0:41:10 | |
Hurry it up, for God's sake! | 0:41:10 | 0:41:12 | |
I can't hold her out of the water much longer. | 0:41:12 | 0:41:15 | |
-The telephone cord! -SHE SCREAMS | 0:41:21 | 0:41:23 | |
She was then partially sunk for the finale of the film. | 0:41:28 | 0:41:32 | |
The French were absolutely scandalised by the use of the Ile de France in this film, | 0:41:34 | 0:41:40 | |
and they ensured that all references to Ile de France were very carefully erased. | 0:41:40 | 0:41:45 | |
In fact in the film, the ship is given the name Claridon. | 0:41:45 | 0:41:49 | |
I think that she was so much a ship of the movie age, | 0:41:49 | 0:41:53 | |
so many famous film stars had travelled on her, | 0:41:54 | 0:41:58 | |
her decor was so much before the war, | 0:41:58 | 0:42:01 | |
so much Fred Astaire and Ginger Rogers, | 0:42:01 | 0:42:05 | |
that maybe that was a suitable final role for this great ship, | 0:42:05 | 0:42:11 | |
a starring role in a big-budget movie. | 0:42:11 | 0:42:15 | |
Not all liners met such a dramatic end. | 0:42:15 | 0:42:18 | |
Most were adapted for the expanding cruising market. | 0:42:18 | 0:42:21 | |
In 1981, Robert Robinson took a slow boat to Madeira. | 0:42:24 | 0:42:29 | |
The ship was the former liner, the Canberra. | 0:42:29 | 0:42:32 | |
It was now supposedly a one class ship, but reminders of the old days weren't hard to find. | 0:42:32 | 0:42:37 | |
Where some passengers had every convenience, some had very few. | 0:42:37 | 0:42:42 | |
Did you know you were in for this? I mean you're four strangers. | 0:42:42 | 0:42:46 | |
Can you switch the radio off please? | 0:42:47 | 0:42:49 | |
You knew in for this kind of chummery? | 0:42:52 | 0:42:55 | |
It's economics. | 0:42:55 | 0:42:57 | |
A single cabin would have cost another £200 extra. | 0:42:59 | 0:43:02 | |
But I wanted the company. | 0:43:02 | 0:43:04 | |
I like the company and this is where you get it. | 0:43:04 | 0:43:07 | |
It was company I was after. | 0:43:07 | 0:43:09 | |
Perhaps this situation wasn't quite the company I was looking forward to. | 0:43:09 | 0:43:12 | |
Fairly early on in the cruise, | 0:43:12 | 0:43:15 | |
people tend to split into two fairly well demarcated groups. | 0:43:15 | 0:43:20 | |
The people in the cheaper cabins, the old Second Class, | 0:43:20 | 0:43:23 | |
tend to congregate at the Alice Springs at lunchtime. | 0:43:23 | 0:43:26 | |
The Alice Springs is the casual bar where people sit in shirtsleeves | 0:43:26 | 0:43:29 | |
and the old classic Blackpool in the braces syndrome. | 0:43:29 | 0:43:32 | |
# I want to play a little game with you | 0:43:32 | 0:43:37 | |
# A little game that should be made for two... # | 0:43:37 | 0:43:40 | |
There are the people who live up in the front end of the ship, | 0:43:40 | 0:43:44 | |
the old First Class, the days of the Raj still sort of lives on up there. | 0:43:44 | 0:43:49 | |
ROBERT ROBINSON: As it were at the top end, the Commodore hosts a cocktail party on his private deck. | 0:43:50 | 0:43:56 | |
I wouldn't hear a word against it. | 0:43:56 | 0:43:59 | |
I honestly wouldn't. It's straightforward and I don't think you'd get better value for money. | 0:43:59 | 0:44:05 | |
'While at the other end, it's pub night.' | 0:44:05 | 0:44:07 | |
-So the Irishman walks in... -LAUGHTER | 0:44:07 | 0:44:11 | |
Big Paddy walks in, he says, "Paddy, there's a cabbage and potato a knife, which is the odd one out?" | 0:44:11 | 0:44:16 | |
Paddy says, "Jaysus, sir, I reckon it's the cabbage..." | 0:44:16 | 0:44:20 | |
At the Commodore's party, one of the guest remembers what cruising was like in the '20s. | 0:44:20 | 0:44:25 | |
They made their own amusements. | 0:44:25 | 0:44:27 | |
Appointed a sports committee when they had the first day out, | 0:44:27 | 0:44:33 | |
helped by the senior officers on board. | 0:44:33 | 0:44:38 | |
# Go Johnny, Go | 0:44:38 | 0:44:40 | |
Go, go, Johnny Johnny be good. # | 0:44:40 | 0:44:44 | |
The following year, the Falklands War created new roles for the QE2 and Canberra. | 0:44:52 | 0:44:57 | |
MILITARY PIPING MUSIC PLAYS | 0:44:57 | 0:45:00 | |
Like their predecessors in the Second World War, these welded | 0:45:00 | 0:45:04 | |
leviathans were the only realistic means of transporting an army over long distances in all seas at speed. | 0:45:04 | 0:45:11 | |
They are ready to fight if they have to, but we, in the government, | 0:45:12 | 0:45:15 | |
will do our very, very best to see that that is not necessary. | 0:45:15 | 0:45:19 | |
But if they have to, I know they'll equip themselves with honour. | 0:45:19 | 0:45:22 | |
How do you feel now as the ship is sailing away? | 0:45:22 | 0:45:24 | |
I think I'll be quite tearful in a few moments, actually. | 0:45:24 | 0:45:28 | |
-What about you? -Just about the same, very tearful. | 0:45:28 | 0:45:31 | |
As long as they come back safely, that's the main thing. | 0:45:31 | 0:45:34 | |
It took the QE2 to just 16 days to reach the South Atlantic. | 0:45:42 | 0:45:46 | |
These grand ladies could lift up their skirts when they had to. | 0:45:46 | 0:45:49 | |
The QE2 was kept at arm's length from the Argentinians. | 0:45:52 | 0:45:56 | |
The Canberra was sent into San Carlos Water, in the thick of the action. | 0:45:56 | 0:46:00 | |
She received a heroine's welcome on the return to her home port of Southampton. | 0:46:00 | 0:46:05 | |
By the 1980s, the new cruise ships looked very different from the classic ocean liners of the past. | 0:46:07 | 0:46:13 | |
Whereas as traditional liners had their ladies' retiring rooms and | 0:46:19 | 0:46:24 | |
smoking rooms, and all kinds of spaces for sitting and relaxing, | 0:46:24 | 0:46:28 | |
the modern cruise ship is built around revenue-earning spaces like bars, casinos and shops. | 0:46:28 | 0:46:36 | |
The new purpose-built ships were designed in that way. | 0:46:36 | 0:46:39 | |
It was only in the 1970s when cruising came for the mass market. | 0:46:41 | 0:46:44 | |
That's when various new operators started, like Royal Caribbean Line, | 0:46:44 | 0:46:50 | |
Carnival Cruise Lines, Norwegian Cruise Line. | 0:46:50 | 0:46:54 | |
They brought in specialist ships that were very successful, high-density ships, | 0:46:54 | 0:47:02 | |
that really supported the mass market. | 0:47:02 | 0:47:05 | |
# The Love Boat... # | 0:47:05 | 0:47:08 | |
This new-world was soon attracting drama treatment in the hit television series The Love Boat. | 0:47:15 | 0:47:20 | |
Its glossy take on cruising helped to make floating holidays even more mainstream. | 0:47:20 | 0:47:26 | |
The Love Boat, with its mixture of romance and comedy, | 0:47:26 | 0:47:29 | |
changed middle-America's perception of what went on in cruise ships. | 0:47:29 | 0:47:32 | |
It generated a huge boom in affordable cruising in the USA. | 0:47:38 | 0:47:43 | |
The Love Boat herself was the Pacific Princess, operated by a British company, P&O. | 0:47:43 | 0:47:48 | |
Here they come, out of starting gate. | 0:47:48 | 0:47:50 | |
This hit the imagination of the American public, so that people | 0:47:53 | 0:47:59 | |
maybe in middle-America who had never dreamed, maybe never seen the sea, | 0:47:59 | 0:48:03 | |
suddenly realised that cruising was not for the toffs, it could be fun. | 0:48:03 | 0:48:08 | |
There was always a hint of romance, drama, whatever. | 0:48:08 | 0:48:13 | |
The Love Boat really put mass-market cruising on the map. | 0:48:13 | 0:48:17 | |
One can never underestimate the power of television. | 0:48:17 | 0:48:20 | |
Television was making cruising seem accessible. | 0:48:23 | 0:48:26 | |
Travel programmes were quick to democratise its packaged glamour. | 0:48:26 | 0:48:30 | |
'Parting can be such sweet sorrow, but not for long on a ship like this, | 0:48:30 | 0:48:34 | |
'where you'll soon find plenty of shallow water to drop anchor again.' | 0:48:34 | 0:48:38 | |
The last thing you need in this heat is more heat! | 0:48:38 | 0:48:42 | |
'Good job then there are so many pools like this on board. | 0:48:43 | 0:48:46 | |
'Naturally, a lot of activities are arranged around the pools. | 0:48:51 | 0:48:54 | |
'I found there was still enough space to enjoy your own privacy if you so desired. | 0:48:54 | 0:48:58 | |
'For those that have been before, what's the appeal of a cruising holiday?' | 0:48:58 | 0:49:03 | |
If you get on a beach and you get covered in sand, you get covered in | 0:49:03 | 0:49:06 | |
people, here, your room and shower are just a few yards away, | 0:49:06 | 0:49:10 | |
the bar stewards are passing by every couple of yards, every couple of minutes... | 0:49:10 | 0:49:15 | |
The pool is there to dive into. | 0:49:15 | 0:49:17 | |
It's very easy. | 0:49:17 | 0:49:19 | |
Thank you very much. They tend to do things in style on cruise ships. | 0:49:19 | 0:49:22 | |
This is not a meal, it's a drink - a blue Caribbean. | 0:49:22 | 0:49:24 | |
Normally, you'd have to carry around two wallet loads of money to pay for it. | 0:49:24 | 0:49:28 | |
Like everything else on board, you simply pay for it with a credit card. | 0:49:28 | 0:49:32 | |
Over the last four decades or so, the cruise market has changed very much. | 0:49:32 | 0:49:39 | |
Cruise ships have changed very much. | 0:49:39 | 0:49:42 | |
Most of them are much bigger now, they've much better facilities. | 0:49:42 | 0:49:46 | |
People now very often demand that they should have a balcony outside their cabin. | 0:49:46 | 0:49:51 | |
Also, cruising has become, in real terms, very much cheaper than it was. | 0:49:51 | 0:49:59 | |
How about coming into my room? | 0:49:59 | 0:50:01 | |
This is it. That's the shower room and toilet in there. | 0:50:02 | 0:50:06 | |
You get a fridge, two single beds, there's a television. | 0:50:06 | 0:50:09 | |
You get a telephone and you can actually phone home from the boat. | 0:50:09 | 0:50:13 | |
This particular room has a balcony, which of course costs extra. | 0:50:13 | 0:50:17 | |
It's independently air-conditioned and I'm sure as ship's cabins go, it's quite spacious. | 0:50:17 | 0:50:22 | |
If you have any ideas about bringing the sort of trunks that you see in the movies, well, I'd think twice. | 0:50:22 | 0:50:28 | |
The cruise ship was not a means to transport its passengers, it was now a destination in its own right. | 0:50:28 | 0:50:36 | |
A destination with no revenue stream untapped. | 0:50:36 | 0:50:39 | |
Drinks cost extra, and make Carnival money. | 0:50:42 | 0:50:46 | |
They've found a way to sell as many as possible. | 0:50:46 | 0:50:48 | |
My salary is very small, about 48 a month. | 0:50:48 | 0:50:52 | |
Then you get 15% of all your sales. | 0:50:52 | 0:50:55 | |
If you don't run, you don't make money. | 0:50:55 | 0:50:57 | |
That's the way it is. | 0:50:57 | 0:50:59 | |
Passenger numbers soared, | 0:51:19 | 0:51:21 | |
by the turn of the century, two important milestones had been passed. | 0:51:21 | 0:51:25 | |
Miami, with easy access to the Caribbean, became the largest passenger port in the world. | 0:51:25 | 0:51:30 | |
And for the first time, the largest passenger vessel afloat wasn't a liner, but a cruise ship. | 0:51:30 | 0:51:36 | |
Cruising is now very big business. | 0:51:39 | 0:51:42 | |
In the course of events, they've gobbled up | 0:51:42 | 0:51:46 | |
a lot of the smaller companies. | 0:51:46 | 0:51:49 | |
Well, I say smaller. | 0:51:49 | 0:51:51 | |
For example, Carnival has taken over Cunard. | 0:51:51 | 0:51:56 | |
One thinks of Cunard as being a big company, but in today's world it was a mere minnow. | 0:51:56 | 0:52:03 | |
More berths at sea at the moment, as we speak were people are sleeping on | 0:52:03 | 0:52:08 | |
cruise ships on the oceans than ever there were back in the liner era. | 0:52:08 | 0:52:13 | |
And in an ironic twist, an old enemy was now a new best friend. | 0:52:14 | 0:52:20 | |
It's strange to consider that the cruise industry today really | 0:52:20 | 0:52:26 | |
does rely on the aeroplane bringing in vast numbers of passengers | 0:52:26 | 0:52:31 | |
from all around the United States, | 0:52:31 | 0:52:34 | |
to the ports of Miami and Fort Lauderdale, New York, and the other areas. | 0:52:34 | 0:52:40 | |
Whereas jet airliners had been disastrous for the liner trades, | 0:52:40 | 0:52:44 | |
they were actually very advantageous for the cruise ship companies | 0:52:44 | 0:52:50 | |
because jet aircraft can fly passengers straight to | 0:52:50 | 0:52:54 | |
sunny departure ports like Miami in shiploads. | 0:52:54 | 0:52:59 | |
In 2008, the two great liners that had pioneered the transition | 0:52:59 | 0:53:03 | |
to cruise ships sailed to their final resting places. | 0:53:03 | 0:53:07 | |
First, the port of Rotterdam in the Netherlands saw her most famous ship come home. | 0:53:07 | 0:53:12 | |
Against all expectations, | 0:53:14 | 0:53:17 | |
and much to my delight, the one ship that was saved from | 0:53:17 | 0:53:23 | |
the '60s era of transatlantic ships of course is the SS Rotterdam. | 0:53:23 | 0:53:27 | |
Back in her home port, the port of her birth, back in Rotterdam. | 0:53:27 | 0:53:33 | |
This ship was just too beautiful to see off to a scrap yard. | 0:53:33 | 0:53:38 | |
So, Rotterdam has finally, after many misadventures, | 0:53:38 | 0:53:44 | |
has finally found her way back to the port of Rotterdam. | 0:53:44 | 0:53:48 | |
There were amazing scenes on 4th August 2008. | 0:53:48 | 0:53:53 | |
I feel so lucky to have been there. | 0:53:53 | 0:53:56 | |
The port was heaving, immense numbers of people turned out! | 0:53:58 | 0:54:04 | |
A huge flotilla accompanied her in. | 0:54:04 | 0:54:08 | |
To be part of it was one of the most extraordinary experiences of my life. | 0:54:08 | 0:54:12 | |
The day that the Rotterdam came back | 0:54:12 | 0:54:17 | |
into our port was a celebration that gives you goose bumps. | 0:54:17 | 0:54:21 | |
It was as if a lost child was welcomed home again. | 0:54:21 | 0:54:25 | |
You can't describe that feeling, that one didn't think about, | 0:54:25 | 0:54:31 | |
but when one saw the emotions of the people here in Rotterdam. | 0:54:31 | 0:54:35 | |
So proud, and so tearful almost, | 0:54:35 | 0:54:39 | |
seeing her back into port, knowing she was going to stay this time. | 0:54:39 | 0:54:44 | |
400 work men are racing against time | 0:54:45 | 0:54:50 | |
to open the ship as a museum and hotel in the summer of 2009. | 0:54:50 | 0:54:53 | |
When restored, all the Rotterdam's period features including the famous Odyssey murals by the Dutch artist, | 0:54:53 | 0:54:59 | |
Nico Nagler, will help preserve the legend that is the Rotterdam for future generations. | 0:54:59 | 0:55:06 | |
Also in 2008, the QE2, once Cunard's flagship, | 0:55:15 | 0:55:19 | |
and for a decade part of the Carnival empire, bowed to the inevitable. | 0:55:19 | 0:55:24 | |
After nearly 40 years on the oceans of the world, | 0:55:24 | 0:55:28 | |
she was sent off in style to drop anchor in her new home of Dubai. | 0:55:28 | 0:55:34 | |
The idea is that her heritage, all the artefacts on board, | 0:55:34 | 0:55:40 | |
will be on display to show future generations just what a great ship the Queen Elizabeth 2 was. | 0:55:40 | 0:55:47 | |
But the story of the ocean liner is not quite over. | 0:55:47 | 0:55:52 | |
In 2004, a new queen was launched, the Queen Mary 2. | 0:55:52 | 0:55:56 | |
Once again, a Cunard ship is the largest, longest and fastest passenger ship afloat. | 0:55:56 | 0:56:03 | |
The dream of the small boy who wrote to Blue Peter... | 0:56:03 | 0:56:07 | |
My brief from my management was simple, I had to design a ship | 0:56:07 | 0:56:13 | |
that could be constructed in the modern era, | 0:56:13 | 0:56:17 | |
using modern materials and modern methods, | 0:56:17 | 0:56:20 | |
that would be able to do the Transatlantic route, and that would | 0:56:20 | 0:56:24 | |
make the same return on investment as if we'd spent the money on building cruise ships for cruise service. | 0:56:24 | 0:56:32 | |
The Queen Mary 2 is an attempt by Cunard to recapture | 0:56:32 | 0:56:38 | |
what they want to promote as being the golden age of liner travel. | 0:56:38 | 0:56:43 | |
Her hull is absolutely that of a liner. | 0:56:43 | 0:56:46 | |
The naval architect Stephen Payne, who designed it, is a very brilliant man. | 0:56:46 | 0:56:51 | |
In designing that vessel, he actually had to look back to ships from the 1960s, to find | 0:56:51 | 0:56:58 | |
the inspiration for a hull form that would be able to sail across the Atlantic quickly all year round. | 0:56:58 | 0:57:06 | |
Up top however, the QM2 is most definitely a cruise ship. | 0:57:06 | 0:57:10 | |
This is a ship that's a high-tech, super modern ship, | 0:57:10 | 0:57:15 | |
dressed in historic fancy clothes. | 0:57:15 | 0:57:18 | |
One of the things they're selling is the heritage. | 0:57:18 | 0:57:21 | |
Although there are now largely American-owned, | 0:57:21 | 0:57:25 | |
they still want to give a rather British atmosphere. | 0:57:25 | 0:57:29 | |
To think something as amazing as this was inspired by Blue Peter! | 0:57:29 | 0:57:33 | |
Steve, I see that you've got a nice nautical tie-pin. | 0:57:35 | 0:57:38 | |
I'd never be without it. | 0:57:38 | 0:57:40 | |
I've something even better than that which I hope you'll never be without. | 0:57:40 | 0:57:43 | |
-Wow! -Yes, it's our highest accolade, a gold Blue Peter badge. | 0:57:43 | 0:57:49 | |
-I'm going to pin it on you. -Wow, that's marvellous! | 0:57:49 | 0:57:52 | |
I bet you didn't think you'd get this as a young child. | 0:57:52 | 0:57:54 | |
-I certainly didn't. -Congratulations. -Thank you, very much indeed. | 0:57:54 | 0:57:58 | |
Ladies, gentlemen, boys and girls. | 0:57:58 | 0:58:04 | |
Have a fantastic day on board the Queen Mary, and thank you | 0:58:06 | 0:58:13 | |
-for coming on board. -APPLAUSE | 0:58:13 | 0:58:15 | |
# Gonna make a sentimental journey | 0:58:17 | 0:58:24 | |
# To renew old memories... | 0:58:24 | 0:58:29 | |
# Got my bag, got my reservation | 0:58:30 | 0:58:34 | |
# Spent each dime I could afford | 0:58:37 | 0:58:38 | |
# Like a child in wild anticipation | 0:58:43 | 0:58:46 | |
# I long to hear that "all aboard". # | 0:58:46 | 0:58:48 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:52 | |
E-mail [email protected] | 0:58:52 | 0:58:54 |