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It's one of the most infamous murders of the last century. | 0:00:03 | 0:00:07 | |
The killing of Grigorii Rasputin in St Petersburg in 1916. | 0:00:09 | 0:00:14 | |
Known as a debauched sex-mad monk, | 0:00:22 | 0:00:27 | |
Rasputin believed sinning brought him closer to God. | 0:00:27 | 0:00:31 | |
His mystical healing powers | 0:00:35 | 0:00:38 | |
brought him to the very heart of the Russian monarchy. | 0:00:38 | 0:00:42 | |
Rasputin was supposedly poisoned, | 0:00:45 | 0:00:49 | |
shot, | 0:00:49 | 0:00:51 | |
and drowned | 0:00:51 | 0:00:53 | |
in a plot led by a jealous Russian prince. | 0:00:53 | 0:00:57 | |
What's really interesting is, the rigor mortis has gone. | 0:00:57 | 0:01:01 | |
But former murder detective Richard Cullen | 0:01:01 | 0:01:04 | |
is suspicious of the accepted version of Rasputin's murder. | 0:01:04 | 0:01:08 | |
There is something completely wrong with the facts, | 0:01:08 | 0:01:13 | |
and the detail, | 0:01:13 | 0:01:16 | |
that leads me to think | 0:01:16 | 0:01:18 | |
I need to look more closely into how Rasputin actually died. | 0:01:18 | 0:01:23 | |
It's a trail that takes Cullen thousands of miles. | 0:01:23 | 0:01:27 | |
He uncovers startling new information | 0:01:30 | 0:01:33 | |
linking the British Secret Service with the murder of Rasputin. | 0:01:33 | 0:01:38 | |
This really is damning evidence | 0:01:38 | 0:01:41 | |
that the British were totally wrapped up | 0:01:41 | 0:01:44 | |
in the plot to kill Rasputin. | 0:01:44 | 0:01:46 | |
Now, almost 90 years on, Timewatch reopens the case to ask - | 0:01:46 | 0:01:51 | |
who really killed Rasputin? | 0:01:51 | 0:01:55 | |
This battered and mutilated corpse | 0:02:27 | 0:02:29 | |
was dragged from a frozen river in Russia in the winter of 1916. | 0:02:29 | 0:02:33 | |
It's the body of Grigorii Efimovich Rasputin. | 0:02:35 | 0:02:39 | |
Former commander Richard Cullen | 0:02:44 | 0:02:47 | |
was one of Scotland Yard's most senior officers. | 0:02:47 | 0:02:50 | |
This one-time head of advanced criminal and forensic training | 0:02:50 | 0:02:54 | |
has investigated some of London's most notorious and macabre killings. | 0:02:54 | 0:02:58 | |
At Timewatch's request, Cullen has agreed to reopen this case. | 0:03:00 | 0:03:04 | |
He begins by returning | 0:03:04 | 0:03:06 | |
to the bridge where Rasputin's body was thrown into the river. | 0:03:06 | 0:03:11 | |
From the written evidence and photographs, | 0:03:11 | 0:03:14 | |
I think the blood must have been | 0:03:14 | 0:03:16 | |
on the walkway of the bridge, | 0:03:16 | 0:03:19 | |
as well as a substantial amount of blood and bloodied matting here | 0:03:19 | 0:03:24 | |
on the bridge barrier. | 0:03:24 | 0:03:26 | |
I think the body of Rasputin must have been rested here... | 0:03:32 | 0:03:36 | |
..before being tipped over | 0:03:41 | 0:03:44 | |
into the icy cold waters of the River Nevka. | 0:03:44 | 0:03:48 | |
The following day, | 0:03:54 | 0:03:56 | |
the blood and one of Rasputin's overboots | 0:03:56 | 0:04:00 | |
were actually discovered... | 0:04:00 | 0:04:03 | |
..but it still took a further day for the body to be found. | 0:04:04 | 0:04:08 | |
Richard Cullen has strong links with the Russian police force. | 0:04:16 | 0:04:22 | |
For the past seven years, | 0:04:22 | 0:04:23 | |
he's been part of a British government-funded police initiative | 0:04:23 | 0:04:27 | |
here in St Petersburg, and across the Russian Federation. | 0:04:27 | 0:04:31 | |
He's helping the Russians to train detectives | 0:04:31 | 0:04:34 | |
in advanced forensic techniques. | 0:04:34 | 0:04:36 | |
This is the Russian State Archive. | 0:04:43 | 0:04:47 | |
It's here that millions of valuable documents | 0:04:47 | 0:04:50 | |
from centuries of Russian history are kept under lock and key, | 0:04:50 | 0:04:54 | |
including Rasputin's murder file. | 0:04:54 | 0:04:58 | |
Cullen has been allowed total access to the archives. | 0:04:59 | 0:05:03 | |
With the original murder file, | 0:05:06 | 0:05:09 | |
he embarks on his journey | 0:05:09 | 0:05:10 | |
to uncover the truth about the killing of Rasputin. | 0:05:10 | 0:05:14 | |
It's absolutely fascinating. | 0:05:16 | 0:05:18 | |
These are the original documents that were made on the days | 0:05:18 | 0:05:22 | |
following Rasputin's disappearance and subsequent finding of his body. | 0:05:22 | 0:05:26 | |
This is really, really essential to the investigation. | 0:05:28 | 0:05:31 | |
This is a start of the journey. | 0:05:31 | 0:05:33 | |
This is the evidence that will give us the clues | 0:05:33 | 0:05:36 | |
as to where else we should look | 0:05:36 | 0:05:38 | |
for further information and intelligence relating to the murder. | 0:05:38 | 0:05:42 | |
Every murder investigation follows a pattern. | 0:05:42 | 0:05:46 | |
The aim is to establish the means, motive and opportunity | 0:05:49 | 0:05:54 | |
behind the killing. | 0:05:54 | 0:05:55 | |
The first task for Cullen is to put together a profile of the victim. | 0:05:58 | 0:06:03 | |
This is our victim, Grigorii Rasputin, | 0:06:09 | 0:06:12 | |
sadistically murdered aged 47 in December 1916. | 0:06:12 | 0:06:17 | |
So what do we know about Rasputin and his life? | 0:06:17 | 0:06:22 | |
Rasputin was born in a remote Siberian village in 1869 | 0:06:22 | 0:06:27 | |
into a family of illiterate peasant farmers. | 0:06:27 | 0:06:31 | |
He was a wild youth | 0:06:31 | 0:06:32 | |
who was regularly drunk and often accused of theft. | 0:06:32 | 0:06:36 | |
But his life took an unexpected turn | 0:06:38 | 0:06:41 | |
when he spent several months in a monastery. | 0:06:41 | 0:06:44 | |
It was the beginning of his life as a self-styled holy man. | 0:06:44 | 0:06:48 | |
Among his powers, he claimed to be able to heal the sick. | 0:06:50 | 0:06:54 | |
After more than a decade of preaching, | 0:06:56 | 0:06:59 | |
his reputation had spread to the capital, St Petersburg. | 0:06:59 | 0:07:03 | |
He finally made his entrance in 1903. | 0:07:04 | 0:07:07 | |
The enigmatic monk became a celebrity around St Petersburg. | 0:07:12 | 0:07:16 | |
He was a newsworthy character, | 0:07:19 | 0:07:21 | |
and was a favourite subject for the local press. | 0:07:21 | 0:07:25 | |
He began mixing in the highest circles of St Petersburg society. | 0:07:25 | 0:07:29 | |
Eventually, it was this that was to secure his access | 0:07:29 | 0:07:32 | |
to the heart of the Russian Royal Family. | 0:07:32 | 0:07:35 | |
After his introduction to the ruling Tsar Nicholas | 0:07:43 | 0:07:47 | |
and his wife the Tsarina, | 0:07:47 | 0:07:49 | |
Rasputin became a regular visitor to the palace. | 0:07:49 | 0:07:53 | |
Alexei, their only son and heir to the throne, | 0:07:54 | 0:07:57 | |
suffered from haemophilia - | 0:07:57 | 0:07:59 | |
regular bleeding fits that could have killed him at any time. | 0:07:59 | 0:08:03 | |
In her despair, the Tsarina became dependent on Rasputin. | 0:08:05 | 0:08:10 | |
She had total belief in his alleged powers. | 0:08:10 | 0:08:13 | |
Chto zhe delat'?! Poshli kogo-nibud'! Poshli kogo-nibud'! | 0:08:13 | 0:08:16 | |
Whenever the attacks occurred, | 0:08:16 | 0:08:18 | |
Rasputin would be instantly summoned to the child's side. | 0:08:18 | 0:08:21 | |
HE RECITES A RUSSIAN PRAYER | 0:08:21 | 0:08:25 | |
On several occasions, it appeared he saved the young boy's life. | 0:08:52 | 0:08:56 | |
So Rasputin was becoming increasingly powerful. | 0:09:03 | 0:09:07 | |
He was wired into Russian society | 0:09:07 | 0:09:09 | |
and was already starting to influence policy making. | 0:09:09 | 0:09:13 | |
But what about his private life? | 0:09:13 | 0:09:15 | |
This famous photo fascinatingly gives us an insight | 0:09:15 | 0:09:19 | |
into another side of Rasputin's private life. | 0:09:19 | 0:09:22 | |
From the moment that he arrived in St Petersburg, | 0:09:22 | 0:09:26 | |
he held this almost magnetic attraction for aristocratic women. | 0:09:26 | 0:09:29 | |
They flocked to be at his side. | 0:09:29 | 0:09:31 | |
It was a situation that he really revelled in. | 0:09:31 | 0:09:34 | |
Rasputin's interest in women was not confined to the upper classes. | 0:09:40 | 0:09:46 | |
Rumours abounded of his frequent visits to the city's bath houses, | 0:09:46 | 0:09:51 | |
where he would enjoy the pleasures of local prostitutes. | 0:09:51 | 0:09:54 | |
Women weren't his only vice. | 0:09:57 | 0:10:00 | |
Rasputin also had a well-documented passion for drinking. | 0:10:02 | 0:10:08 | |
He was a frequent fixture in many of the city's drinking houses. | 0:10:08 | 0:10:13 | |
He soon became infamous for his drunken debauchery. | 0:10:17 | 0:10:20 | |
But his behaviour began to turn the press against him. | 0:10:24 | 0:10:27 | |
They now lampooned Rasputin in political cartoons. | 0:10:29 | 0:10:32 | |
He was seen as a crazed and malevolent manipulator | 0:10:32 | 0:10:36 | |
of his patrons, the Russian Royal Family. | 0:10:36 | 0:10:39 | |
In the Russian parliament, | 0:10:39 | 0:10:41 | |
those opposed to Rasputin began to refer to him as "Dark Forces". | 0:10:41 | 0:10:46 | |
The situation became so serious | 0:10:48 | 0:10:51 | |
that Rasputin was placed under 24-hour surveillance by the Okhrana, | 0:10:51 | 0:10:55 | |
the Tsar's secret police. | 0:10:55 | 0:10:57 | |
The political situation in Russia was becoming critical. | 0:10:59 | 0:11:03 | |
By 1916, Russia was on the brink of revolution, | 0:11:03 | 0:11:07 | |
and WWI had been raging for two years. | 0:11:07 | 0:11:10 | |
Hundreds of thousands of Russian soldiers | 0:11:13 | 0:11:16 | |
were fighting the Germans in a bitter conflict. | 0:11:16 | 0:11:19 | |
Russia was being attacked on the Eastern Front, | 0:11:19 | 0:11:24 | |
a line that stretched over 1,000 miles from north to south. | 0:11:24 | 0:11:28 | |
The war was not going well for Russia. | 0:11:30 | 0:11:33 | |
The situation became so serious | 0:11:33 | 0:11:35 | |
that the Tsar now took personal control of his armies in the field. | 0:11:35 | 0:11:39 | |
It took him away from St Petersburg, | 0:11:42 | 0:11:44 | |
and effectively left the Tsarina in charge. | 0:11:44 | 0:11:47 | |
With the Tsar out of the capital, | 0:11:53 | 0:11:55 | |
Rasputin now had the undivided attention of the Tsarina. | 0:11:55 | 0:11:59 | |
He claimed he was anxious | 0:11:59 | 0:12:01 | |
to end the senseless slaughter of ordinary Russians, | 0:12:01 | 0:12:04 | |
in contrast to the aristocracy's pro-war views. | 0:12:04 | 0:12:08 | |
Spasibo tebe, matyukha. | 0:12:08 | 0:12:11 | |
By this stage, Rasputin wasn't doing himself any favours at all, | 0:12:14 | 0:12:19 | |
and he wasn't winning any friends amongst the aristocracy. | 0:12:19 | 0:12:22 | |
Here he was, | 0:12:22 | 0:12:23 | |
almost a member of the inner sanctum of the Royal Family | 0:12:23 | 0:12:27 | |
with unfettered access to the Tsar and Tsarina. | 0:12:27 | 0:12:30 | |
Politically, he'd become so powerful, | 0:12:30 | 0:12:33 | |
he had placed many of his friends | 0:12:33 | 0:12:35 | |
in the highest positions in both the government and in the church. | 0:12:35 | 0:12:39 | |
The nobility were right to be afraid of him. | 0:12:39 | 0:12:43 | |
Rasputin was effectively eroding their power base. | 0:12:43 | 0:12:47 | |
The motive for an aristocratic plot seems clear enough. | 0:12:54 | 0:12:58 | |
The upstart monk was becoming too powerful. | 0:12:58 | 0:13:02 | |
The next task in the investigation is to walk through the events | 0:13:02 | 0:13:06 | |
of the murder night as told in the accepted version. | 0:13:06 | 0:13:09 | |
Cullen visits the scene of the crime, the Yusupov Palace, | 0:13:12 | 0:13:16 | |
in 1916, home to Rasputin's self-confessed murderer, | 0:13:16 | 0:13:21 | |
Prince Felix Yusupov. | 0:13:21 | 0:13:22 | |
The Yusupov family were one of the wealthiest in the whole of Russia. | 0:13:24 | 0:13:29 | |
It was this amazing affluence that they felt was threatened | 0:13:29 | 0:13:33 | |
by Rasputin's increasingly powerful position. | 0:13:33 | 0:13:37 | |
Today the scene of the crime is a major tourist attraction. | 0:13:37 | 0:13:41 | |
We're in Felix Yusupov's study. | 0:13:43 | 0:13:47 | |
In the accepted version of events around Rasputin's death, | 0:13:47 | 0:13:50 | |
this is known as the conspirators' room. | 0:13:50 | 0:13:53 | |
In this room are the four other conspirators to the murder. | 0:13:53 | 0:13:57 | |
Sitting on my left is Purishkevich, a member of the Russian parliament. | 0:13:57 | 0:14:01 | |
On my right by the door is Dr Lazavert. | 0:14:01 | 0:14:05 | |
His role in the conspiracy was to grate the cyanide into the cakes | 0:14:05 | 0:14:09 | |
that Rasputin was allegedly to eat. | 0:14:09 | 0:14:12 | |
At the far end of the table is Grand Duke Dmitri Pavlovich, | 0:14:12 | 0:14:16 | |
the favourite cousin of the Tsar and at one time engaged to Olga, | 0:14:16 | 0:14:21 | |
the Tsar's eldest daughter. | 0:14:21 | 0:14:24 | |
By the window we have Lieutenant Sukhotin. | 0:14:24 | 0:14:26 | |
We know very little about him, | 0:14:26 | 0:14:29 | |
except he was a good friend of Felix Yusupov. | 0:14:29 | 0:14:32 | |
And it's Prince Felix Yusupov's memoirs | 0:14:34 | 0:14:37 | |
that provide us with the accepted version of the murder of Rasputin. | 0:14:37 | 0:14:41 | |
'My head was a whirl of thoughts during my last drive to Rasputin's. | 0:14:53 | 0:14:58 | |
'My object was to keep Rasputin in good humour and to clear his mind of all suspicion.' | 0:15:01 | 0:15:08 | |
Otets Grigorii! Dozhdalis'. | 0:15:12 | 0:15:16 | |
THEY CHAT | 0:15:21 | 0:15:25 | |
Prince Yusupov had deliberately befriended Rasputin | 0:15:32 | 0:15:36 | |
so he could lure him to his home without his guards. | 0:15:36 | 0:15:40 | |
'I felt disgusted and ashamed at the thought of the vile means | 0:15:50 | 0:15:54 | |
'and appalling deception with which I was luring this man to my home.' | 0:15:54 | 0:15:59 | |
'On entering the house, I heard my friends' voices.' | 0:16:04 | 0:16:07 | |
Upstairs, the conspirators waited. | 0:16:12 | 0:16:15 | |
Downstairs in the dining room, | 0:16:15 | 0:16:18 | |
cakes and wine for Rasputin had been laced with cyanide. | 0:16:18 | 0:16:22 | |
'Does he suspect anything, I wondered. | 0:16:24 | 0:16:29 | |
'But there and then, I decided that in any case he should not leave the house alive.' | 0:16:29 | 0:16:34 | |
'Rasputin stopped to listen. | 0:16:39 | 0:16:42 | |
' "What is going on ?" | 0:16:42 | 0:16:44 | |
' "My wife has friends with her, they will go away soon." | 0:16:44 | 0:16:47 | |
'I took the plate of poison cakes and passed them to him. | 0:16:51 | 0:16:56 | |
'I had only one idea in my head - to make him drink wine | 0:16:58 | 0:17:02 | |
'out of those poisoned glasses, and eat the poisoned cakes.' | 0:17:02 | 0:17:07 | |
' "They're too sweet", he said. | 0:17:15 | 0:17:17 | |
'I stood before him and followed each movement he made, expecting every moment to be his last.' | 0:17:19 | 0:17:26 | |
'He looked at me and I seemed to hear him say, "You see ?" | 0:17:36 | 0:17:40 | |
' "It doesn't matter how you try, | 0:17:40 | 0:17:43 | |
' "you can't do me any harm." ' | 0:17:43 | 0:17:46 | |
The poison didn't seem to be working. | 0:17:46 | 0:17:49 | |
Panicked and fearful | 0:17:50 | 0:17:52 | |
of what he believed were Rasputin's mystical powers, | 0:17:52 | 0:17:56 | |
Yusupov returned to the conspirators with the news. | 0:17:56 | 0:17:59 | |
' "The poison has had no effect", I said. | 0:18:14 | 0:18:18 | |
'We began to discuss what to do next.' | 0:18:20 | 0:18:22 | |
'Finally, I took the gun and went down to the dining room.' | 0:18:31 | 0:18:35 | |
Nakonets Skol'ko ya v podvale sidet' odin budu?! | 0:18:46 | 0:18:49 | |
'"God give me strength to end it all", I thought. | 0:18:49 | 0:18:53 | |
'A streak of lightning seemed to run through my body.' | 0:18:53 | 0:18:56 | |
BOOM ECHOES | 0:18:56 | 0:18:59 | |
Yusupov returned to the conspirators' room | 0:19:02 | 0:19:06 | |
satisfied that the job was done. | 0:19:06 | 0:19:08 | |
Oh, slava Bogu! | 0:19:10 | 0:19:13 | |
Slava Bogu! | 0:19:13 | 0:19:15 | |
But when they questioned him whether Rasputin was finally dead... | 0:19:15 | 0:19:19 | |
Yusupov began to have doubts | 0:19:22 | 0:19:24 | |
-as to whether the shot had in fact been fatal. -V chem delo? | 0:19:24 | 0:19:29 | |
-'I was suddenly seized by a vague feeling of alarm.' -V chem delo?! | 0:19:29 | 0:19:33 | |
'I was overwhelmed by the desire to go down to the dining room. | 0:19:33 | 0:19:37 | |
'Rasputin lay motionless.' | 0:19:40 | 0:19:43 | |
Up until this point, everything in Prince Yusupov's memoirs seems fine. | 0:19:54 | 0:20:00 | |
But from now on, things become increasingly complicated. | 0:20:00 | 0:20:04 | |
Yusupov tells us that one of the other principal conspirators, | 0:20:04 | 0:20:07 | |
Vladimir Purishkevich, | 0:20:07 | 0:20:09 | |
now becomes more heavily involved in the plot. | 0:20:09 | 0:20:12 | |
Ya vas sprashivayu - v chem delo? | 0:20:15 | 0:20:18 | |
'The eyes of Rasputin, greenish and snake-like, | 0:20:27 | 0:20:31 | |
'fixed themselves upon me. | 0:20:31 | 0:20:33 | |
'I tried to tear myself away, but his iron clutch held me with incredible strength. | 0:20:35 | 0:20:40 | |
'I rushed upstairs, calling on Purishkevich !' | 0:20:43 | 0:20:47 | |
'Rasputin made a final leap towards the door. | 0:20:48 | 0:20:52 | |
'He was like a wounded animal. Purishkevich rushed after him.' | 0:20:52 | 0:20:58 | |
So now we have two guns and two killers. | 0:21:04 | 0:21:09 | |
Vladimir Pureshkevich also wrote his account | 0:21:09 | 0:21:12 | |
of the events of that evening. | 0:21:12 | 0:21:15 | |
I compared the memoirs of these two men | 0:21:15 | 0:21:18 | |
and found a substantial number of major and important inconsistencies. | 0:21:18 | 0:21:23 | |
Two examples of this are - | 0:21:23 | 0:21:26 | |
Yusupov says he returned to the conspirators' room | 0:21:26 | 0:21:30 | |
where he was handed a pistol by one of his fellow conspirators. | 0:21:30 | 0:21:35 | |
Purishkevich says that Yusupov returned to the room, | 0:21:35 | 0:21:39 | |
went to his desk and took his own pistol from the desk drawer. | 0:21:39 | 0:21:43 | |
Later on, Purishkevich says that after he shot Rasputin in the yard, | 0:21:43 | 0:21:49 | |
he stood by the body for several minutes. He did not see Yusupov. | 0:21:49 | 0:21:54 | |
Yusupov said he was present in the yard. | 0:21:54 | 0:21:58 | |
The inconsistencies are such | 0:21:58 | 0:22:01 | |
that is impossible to reconcile the accounts of these two men. | 0:22:01 | 0:22:05 | |
With no body to examine, the next best thing for a murder detective | 0:22:20 | 0:22:25 | |
is access to the autopsy pictures. | 0:22:25 | 0:22:27 | |
A full record of them | 0:22:32 | 0:22:33 | |
is now held at St Petersburg's Museum of Political History. | 0:22:33 | 0:22:37 | |
Thank you very much. | 0:22:37 | 0:22:40 | |
Although selected prints have been published, | 0:22:40 | 0:22:43 | |
the full set has never been released. | 0:22:43 | 0:22:46 | |
What's really interesting is, the rigor mortis has gone. | 0:22:47 | 0:22:51 | |
I suppose this was 36 hours after he was taken from the water. | 0:22:51 | 0:22:56 | |
If you actually... | 0:22:56 | 0:22:59 | |
compare that with a photograph of him being taken from the Nevka, | 0:22:59 | 0:23:05 | |
his body is deep frozen. | 0:23:05 | 0:23:08 | |
And he'd have had to have been thawed out | 0:23:08 | 0:23:11 | |
in a relatively short period of time. | 0:23:11 | 0:23:14 | |
I've now obtained good copy photographs | 0:23:37 | 0:23:40 | |
of the original post-mortem and scenes of crime. | 0:23:40 | 0:23:44 | |
The first photograph shows a bullet wound | 0:23:44 | 0:23:47 | |
to the left-hand side of the body, just below the chest. | 0:23:47 | 0:23:51 | |
This wound is consistent | 0:23:51 | 0:23:53 | |
with the wound that Yusupov says he caused in the basement. | 0:23:53 | 0:23:58 | |
The second photograph | 0:24:05 | 0:24:07 | |
shows a bullet wound to the right-hand side of Rasputin's back. | 0:24:07 | 0:24:12 | |
Now this could be consistent with Purishkevich's story | 0:24:12 | 0:24:17 | |
of having shot Rasputin in the courtyard. | 0:24:17 | 0:24:20 | |
But on closer examination, | 0:24:26 | 0:24:28 | |
this bears all the hallmarks of a close-contact wound - | 0:24:28 | 0:24:33 | |
starring around the edge of the wound | 0:24:33 | 0:24:36 | |
and a sooty deposit around the edges. | 0:24:36 | 0:24:39 | |
This means that this wound is inconsistent | 0:24:39 | 0:24:42 | |
with Purishkevich's story. | 0:24:42 | 0:24:44 | |
Purishkevich has Rasputin way across the courtyard | 0:24:47 | 0:24:51 | |
at the point that he fires the gun. | 0:24:51 | 0:24:53 | |
But now Cullen is confronted with evidence | 0:24:59 | 0:25:02 | |
that seems to have no explanation at all. | 0:25:02 | 0:25:05 | |
The third wound is to Rasputin's forehead. | 0:25:05 | 0:25:09 | |
Now, neither Yusupov nor Purishkevich | 0:25:09 | 0:25:11 | |
mention a wound being inflicted to the forehead. | 0:25:11 | 0:25:15 | |
With neither Yusupov nor Purishkevich claiming credit | 0:25:17 | 0:25:21 | |
for the shot to the head, | 0:25:21 | 0:25:22 | |
what is the truth behind the mysterious third wound ? | 0:25:22 | 0:25:27 | |
It's time to bring in some Russian assistance. | 0:25:27 | 0:25:32 | |
During his many years working with the Police Academy in St Petersburg, | 0:25:49 | 0:25:54 | |
Cullen has come across many promising young detectives. | 0:25:54 | 0:25:57 | |
One of the best is Ilya Gavrilov. | 0:26:02 | 0:26:05 | |
Ilya has been enlisted by Cullen to assist with his investigation. | 0:26:07 | 0:26:11 | |
Cullen now has reason to suspect that a third, unidentified gun | 0:26:14 | 0:26:19 | |
may have been used in the killing of Rasputin. | 0:26:19 | 0:26:24 | |
What Cullen needs is something more conclusive | 0:26:27 | 0:26:30 | |
that will help to confirm the theory. | 0:26:30 | 0:26:33 | |
'Ladies and gentlemen, welcome to express train number one, | 0:26:42 | 0:26:47 | |
'departing from platform five.' | 0:26:47 | 0:26:51 | |
Cullen and Ilya are bound for Moscow. | 0:27:01 | 0:27:05 | |
Ilya has uncovered a story | 0:27:13 | 0:27:14 | |
that leading pathologist Professor Vladimir Zharov | 0:27:14 | 0:27:18 | |
carried out a detailed study of Rasputin's death 10 years ago. | 0:27:18 | 0:27:22 | |
As one of Russia's principal investigators, | 0:27:22 | 0:27:25 | |
Professor Zharov had access to all relevant documents. | 0:27:25 | 0:27:28 | |
His report, however, was never published. | 0:27:28 | 0:27:32 | |
But Ilya has learned that it confirmed the possibility | 0:27:32 | 0:27:36 | |
of a third gun, linked to a third killer. | 0:27:36 | 0:27:38 | |
-This way ? -Yes. | 0:27:46 | 0:27:48 | |
Professor, I read a translation | 0:27:48 | 0:27:51 | |
that said you and two of your colleagues | 0:27:51 | 0:27:55 | |
carried out a re-investigation of Rasputin's death. | 0:27:55 | 0:27:58 | |
It suggests that a third person was actually involved in the murder. | 0:27:58 | 0:28:03 | |
How did you come to that conclusion? | 0:28:03 | 0:28:05 | |
ILYA TRANSLATES INTO RUSSIAN | 0:28:05 | 0:28:08 | |
My...ne daem otsenku... | 0:28:08 | 0:28:11 | |
Professor Zharov told Cullen | 0:28:11 | 0:28:14 | |
that microscopic measurements of the entry wounds | 0:28:14 | 0:28:17 | |
proved that the three bullet holes were different sizes. | 0:28:17 | 0:28:20 | |
It all pointed to a third gun. | 0:28:20 | 0:28:23 | |
Believing that Yusupov and Purishkevich | 0:28:23 | 0:28:26 | |
did both shoot at Rasputin, | 0:28:26 | 0:28:29 | |
Professor Zharov concluded that a third person could be involved. | 0:28:29 | 0:28:33 | |
Which wound does he think is from the unknown gun ? | 0:28:33 | 0:28:36 | |
Is it the wound to the head ? | 0:28:36 | 0:28:38 | |
ILYA TRANSLATES | 0:28:38 | 0:28:41 | |
ZHAROV REPLIES | 0:28:47 | 0:28:51 | |
Yes, probably this one in the centre of the forehead. | 0:28:51 | 0:28:55 | |
The leading pathologist in Russia | 0:28:56 | 0:28:58 | |
had confirmed that a third gun fired the bullet in the head. | 0:28:58 | 0:29:02 | |
The precision of this third shot, | 0:29:06 | 0:29:08 | |
directly in the centre of Rasputin's forehead, | 0:29:08 | 0:29:11 | |
had all the hallmarks of an assassin. | 0:29:11 | 0:29:14 | |
For Cullen, this was a pivotal moment. | 0:29:16 | 0:29:19 | |
He was now on the trail of a professional killer. | 0:29:19 | 0:29:22 | |
It's a trail that leads him back to St Petersburg. | 0:29:24 | 0:29:28 | |
At the time of Rasputin's murder, | 0:29:34 | 0:29:37 | |
St Petersburg was Russia's capital city. | 0:29:37 | 0:29:39 | |
As WWI raged, spies of all the great powers | 0:29:48 | 0:29:52 | |
came here to monitor events and attempts to influence them. | 0:29:52 | 0:29:55 | |
Among them, the British Secret Service had a base here. | 0:29:58 | 0:30:02 | |
Ilya is about to reveal to Cullen a crucial link | 0:30:12 | 0:30:16 | |
between the British Secret Service and Rasputin's murder. | 0:30:16 | 0:30:20 | |
Richard, do you see over there, that yellow building in front of us ? | 0:30:26 | 0:30:30 | |
This is Yusupov Palace. | 0:30:30 | 0:30:31 | |
And over there, there is Hotel Astoria, | 0:30:31 | 0:30:35 | |
where British Secret Service was based. | 0:30:35 | 0:30:38 | |
Ilya also tells Cullen that at the time of Rasputin's murder, | 0:30:41 | 0:30:46 | |
there were persistent rumours | 0:30:46 | 0:30:48 | |
that the British Secret Service was somehow involved in the plot. | 0:30:48 | 0:30:51 | |
Could the man that Cullen is looking for be British ? | 0:31:01 | 0:31:05 | |
He recalled that a certain Englishman | 0:31:09 | 0:31:12 | |
mysteriously appears on the scene late in Yusupov's memoirs. | 0:31:12 | 0:31:16 | |
A character by the name of Oswald Rayner | 0:31:20 | 0:31:22 | |
arrives at the time of the murder. | 0:31:22 | 0:31:25 | |
He's described as a friend | 0:31:25 | 0:31:27 | |
that Prince Yusupov had met at Oxford University. | 0:31:27 | 0:31:30 | |
Could this be the third man ? | 0:31:32 | 0:31:34 | |
Cullen returns to England on the trail of Oswald Rayner. | 0:31:34 | 0:31:39 | |
He soon discovers that Oswald has a surviving nephew - Gordon Rayner. | 0:31:53 | 0:31:59 | |
He was a very secretive, | 0:31:59 | 0:32:03 | |
distant person. | 0:32:03 | 0:32:05 | |
He never spoke, to my knowledge, | 0:32:05 | 0:32:08 | |
even to those of his generation, of his time in Russia. | 0:32:08 | 0:32:12 | |
It is now pretty clear that he was working for the SIS - | 0:32:12 | 0:32:16 | |
the Secret Intelligence Service, | 0:32:16 | 0:32:18 | |
the forerunner of MI6. | 0:32:18 | 0:32:20 | |
Unfortunately, he burnt his papers, | 0:32:20 | 0:32:25 | |
so there is nothing in the family records | 0:32:25 | 0:32:28 | |
to say exactly what he'd been up to. | 0:32:28 | 0:32:32 | |
When he died, we learned from his obituary, which had been written by, | 0:32:32 | 0:32:36 | |
I think, his mother's cousin, | 0:32:36 | 0:32:39 | |
that, um...Oswald had been in the Palace | 0:32:39 | 0:32:43 | |
the night Rasputin was murdered. | 0:32:43 | 0:32:47 | |
Gordon Rayner has really set the alarm bells ringing - | 0:32:56 | 0:33:01 | |
the fact that his uncle was a secret service officer in St Petersburg. | 0:33:01 | 0:33:06 | |
He was working for the SIS, the forerunner of MI6. | 0:33:06 | 0:33:10 | |
And that...he burnt all his records | 0:33:10 | 0:33:15 | |
of his time in Russia. | 0:33:15 | 0:33:17 | |
The big question is - why, and what was in them ? | 0:33:17 | 0:33:21 | |
'I think what I need to do now is make some enquiries to find out | 0:33:26 | 0:33:32 | |
'what the British Secret Service was doing in St Petersburg at the time of Rasputin's murder.' | 0:33:32 | 0:33:38 | |
Andrew Cook is a leading expert on the history of the Secret Service. | 0:33:47 | 0:33:51 | |
He's been researching Rasputin's death intensively. | 0:33:51 | 0:33:54 | |
Cullen wants to know if Oswald Rayner and the other agents | 0:33:56 | 0:34:00 | |
would have been concerned about Rasputin. | 0:34:00 | 0:34:03 | |
They certainly would. | 0:34:03 | 0:34:05 | |
Principally why would be down to the influence | 0:34:05 | 0:34:09 | |
that they would have seen him having directly on the Tsar, | 0:34:09 | 0:34:13 | |
the Tsarina, the Russian court, the decision-making process in Russia. | 0:34:13 | 0:34:18 | |
We know as well, | 0:34:18 | 0:34:19 | |
through the papers of the St Petersburg secret service station, | 0:34:19 | 0:34:24 | |
that in their regular reports back to London, | 0:34:24 | 0:34:28 | |
they are referring to Rasputin in code or shorthand | 0:34:28 | 0:34:32 | |
as "Dark Forces". | 0:34:32 | 0:34:34 | |
From your extensive research, was there a particular key player | 0:34:34 | 0:34:39 | |
among British agents in St Petersburg at this time ? | 0:34:39 | 0:34:43 | |
I think one key figure in particular is John Scale. | 0:34:43 | 0:34:47 | |
He seems to have been intricately wired into the upper echelons | 0:34:47 | 0:34:53 | |
of Russian society | 0:34:53 | 0:34:54 | |
at court level, at government level, at diplomatic level. | 0:34:54 | 0:34:58 | |
He's very much into taking the bull by the horns, | 0:34:58 | 0:35:02 | |
going out into the field, running missions himself, | 0:35:02 | 0:35:05 | |
so, to me, he's certainly one of the key players. | 0:35:05 | 0:35:09 | |
He died in 1947, | 0:35:09 | 0:35:13 | |
and he has a surviving daughter, | 0:35:13 | 0:35:16 | |
who I believe is 91 years old and lives in Scotland. | 0:35:16 | 0:35:20 | |
I wondered if John Scale's daughter will have any recollections | 0:35:27 | 0:35:33 | |
of her father's time as an agent in the British Secret Service, | 0:35:33 | 0:35:38 | |
or whether she'll remember anything. | 0:35:38 | 0:35:41 | |
He went to Russia and learned Russian, | 0:35:50 | 0:35:54 | |
but I don't think he was on the Secret Service when he went there. | 0:35:54 | 0:35:58 | |
But he certainly was later on, | 0:35:58 | 0:36:00 | |
and then I think became part of the household - | 0:36:00 | 0:36:05 | |
he was attached to the Tsar. | 0:36:05 | 0:36:08 | |
I'm sure, from the way he talked, | 0:36:08 | 0:36:10 | |
that he lived in the palace, because he seemed to know them all well. | 0:36:10 | 0:36:14 | |
What were your father's feelings about Rasputin ? | 0:36:14 | 0:36:18 | |
That he had never met anyone with such an aura of evil. | 0:36:18 | 0:36:23 | |
He said it was quite extraordinary. | 0:36:23 | 0:36:26 | |
Wherever he was, you felt this... | 0:36:26 | 0:36:30 | |
Well, evil, I think it was. | 0:36:30 | 0:36:33 | |
And I know my father was with the people who planned his murder. | 0:36:33 | 0:36:39 | |
He wasn't actually there when it happened, | 0:36:39 | 0:36:42 | |
because he was away with the Tsar somewhere, | 0:36:42 | 0:36:45 | |
but he was among the ones who carried it out. | 0:36:45 | 0:36:49 | |
I'm absolutely stunned by what Muriel had to say. | 0:36:56 | 0:36:59 | |
I didn't ever think that British secret agents | 0:36:59 | 0:37:03 | |
were actually involved in a plot to kill Rasputin. | 0:37:03 | 0:37:06 | |
But she was so adamant about the involvement of her father. | 0:37:06 | 0:37:10 | |
He was...with people who... | 0:37:10 | 0:37:15 | |
planned his murder... ..planned his murder... | 0:37:15 | 0:37:18 | |
And the extent of the hatred that he felt for Rasputin... | 0:37:22 | 0:37:26 | |
He had never met anyone | 0:37:26 | 0:37:29 | |
with such an aura of evil. ..evil. | 0:37:29 | 0:37:32 | |
This really adds another dimension to the investigation, | 0:37:35 | 0:37:38 | |
and I need to look at the reasons now, I think, | 0:37:38 | 0:37:41 | |
behind why the British wanted to kill Rasputin. | 0:37:41 | 0:37:44 | |
What would have been in it for them? | 0:37:44 | 0:37:47 | |
As Andrew Cook explained, the answer lay in the politics of WWI. | 0:37:54 | 0:38:00 | |
There's a general feeling, a view held by the British government | 0:38:01 | 0:38:05 | |
that Rasputin is an unhelpful influence. | 0:38:05 | 0:38:08 | |
His views...advice was actually being taken seriously, | 0:38:08 | 0:38:12 | |
and not only being taken seriously, | 0:38:12 | 0:38:15 | |
but was actually being acted on very actively by the Tsar. | 0:38:15 | 0:38:18 | |
The Tsar was now away constantly, | 0:38:20 | 0:38:23 | |
controlling his troops on the Eastern Front. | 0:38:23 | 0:38:26 | |
Back in St Petersburg, the Tsarina was now effectively in charge. | 0:38:28 | 0:38:33 | |
Rasputin took advantage of the situation. | 0:38:35 | 0:38:39 | |
He put pressure on her to get Russia to pull out of the war. | 0:38:39 | 0:38:43 | |
A separate peace deal could mean only one thing | 0:38:44 | 0:38:48 | |
for Britain, France and the Allies, | 0:38:48 | 0:38:51 | |
and that would mean the Germans | 0:38:51 | 0:38:53 | |
would then have the potential to deliver a knockout punch | 0:38:53 | 0:38:57 | |
by moving their troops from the Eastern Front to the Western Front. | 0:38:57 | 0:39:01 | |
If Rasputin had succeeded, | 0:39:04 | 0:39:06 | |
it would have freed up over 350,000 German soldiers. | 0:39:06 | 0:39:10 | |
For the British, it would have been a catastrophe. | 0:39:10 | 0:39:13 | |
With that possibility looming, | 0:39:13 | 0:39:16 | |
Secret Service agents in St Petersburg had a simple solution. | 0:39:16 | 0:39:20 | |
The people on the ground like Scale and Rayner | 0:39:20 | 0:39:24 | |
would have had strong views of their own | 0:39:24 | 0:39:26 | |
in terms of Rasputin's influence, | 0:39:26 | 0:39:29 | |
and they certainly would have felt | 0:39:29 | 0:39:31 | |
that his influence is a very malign one and it comes across equally | 0:39:31 | 0:39:36 | |
that they feel that... it should be removed. | 0:39:36 | 0:39:41 | |
The British motive to kill Rasputin was becoming clear. | 0:39:41 | 0:39:45 | |
And Andrew Cook had uncovered something even more compelling. | 0:39:45 | 0:39:49 | |
Amongst his research papers was a startling piece of new evidence - | 0:39:49 | 0:39:53 | |
a top-secret memo from 1916 that would lead Cullen to the assassin. | 0:39:53 | 0:39:59 | |
This memo provides us with amazing evidence. | 0:39:59 | 0:40:04 | |
It is from one of the secret service agents in St Petersburg | 0:40:04 | 0:40:09 | |
to John Scale, and it says... | 0:40:09 | 0:40:12 | |
"Although matters here have not proceeded entirely to plan, our objective has clearly been achieved. | 0:40:12 | 0:40:19 | |
"Reaction to the demise of "Dark Forces" has been well received by all. | 0:40:19 | 0:40:24 | |
"Rayner is attending to loose ends and will no doubt brief you on your return." | 0:40:24 | 0:40:29 | |
This is damning evidence | 0:40:29 | 0:40:31 | |
that the British were wrapped up in the plot to kill Rasputin. | 0:40:31 | 0:40:35 | |
"Our objective has been achieved." | 0:40:35 | 0:40:38 | |
"Reaction to the demise of "Dark Forces" has been well received by all." | 0:40:38 | 0:40:43 | |
And of the British agents who knew of the plot, | 0:40:43 | 0:40:47 | |
the one most closely associated with it is Oswald Rayner. | 0:40:47 | 0:40:52 | |
"Rayner is attending to loose ends and will no doubt brief you on your return." | 0:40:52 | 0:40:56 | |
Richard Cullen's journey was ending in the place were the plot began, | 0:41:02 | 0:41:06 | |
the Astoria Hotel - the former headquarters | 0:41:06 | 0:41:09 | |
of the British Secret Service in St Petersburg. | 0:41:09 | 0:41:13 | |
'This is almost certainly the place where the British would have hatched their plan to kill Rasputin. | 0:41:20 | 0:41:27 | |
'It was here that Oswald Rayner worked as a secret agent | 0:41:27 | 0:41:32 | |
'along with his superior John Scale.' | 0:41:32 | 0:41:36 | |
'It is my belief that it's highly likely that this was a rogue operation, | 0:41:36 | 0:41:41 | |
'carried out without the official sanction of the British Secret Service. With Scale out of the city, | 0:41:41 | 0:41:47 | |
'I believe that Rayner was present on the night to make sure that Rasputin was eliminated.' | 0:41:47 | 0:41:53 | |
From the British Secret Service headquarters, | 0:41:56 | 0:41:59 | |
Cullen makes the short walk back to the scene of the crime. | 0:41:59 | 0:42:02 | |
With all the evidence he has uncovered, | 0:42:08 | 0:42:12 | |
he can now reveal what he believes really happened | 0:42:12 | 0:42:16 | |
in Rasputin's final hours. | 0:42:16 | 0:42:18 | |
There are elements of Prince Yusupov's memoirs | 0:42:18 | 0:42:22 | |
that Cullen doesn't contest. | 0:42:22 | 0:42:25 | |
I do believe that at some time Yusupov did go upstairs | 0:42:25 | 0:42:30 | |
to the conspirators' room and took a pistol. | 0:42:30 | 0:42:34 | |
He came back down to this study. | 0:42:34 | 0:42:37 | |
Yusupov fired the first bullet. | 0:42:37 | 0:42:40 | |
Nakonets! Skol'ko ya v podvale sidet' odin budu?! | 0:42:44 | 0:42:49 | |
The bullet passed through the stomach and into the liver, | 0:42:49 | 0:42:54 | |
causing massive damage. | 0:42:54 | 0:42:56 | |
The second shot, so the original pathologist tells us in 1916, | 0:42:58 | 0:43:04 | |
was fired very shortly afterwards and from close range into the back, | 0:43:04 | 0:43:09 | |
hitting the kidney. | 0:43:09 | 0:43:11 | |
In the accepted version of events, | 0:43:12 | 0:43:15 | |
the second shot is delivered by Purishkevich from a distance. | 0:43:15 | 0:43:20 | |
But the forensics now tell us that it was fired from close range. | 0:43:26 | 0:43:32 | |
CULLEN: I'm certain the second shot, due to its close range | 0:43:35 | 0:43:39 | |
and the fact that it came very quickly after the first, | 0:43:39 | 0:43:42 | |
was actually fired by Purishkevich in the cellar. | 0:43:42 | 0:43:46 | |
ARGH ! | 0:43:46 | 0:43:48 | |
Both of the bullet wounds, individually, | 0:43:52 | 0:43:56 | |
would have been fatal within 10 to 20 minutes. | 0:43:56 | 0:44:00 | |
The shock of being hit by two bullets in quick succession | 0:44:00 | 0:44:05 | |
would have meant that he would have fallen immediately to the floor. | 0:44:05 | 0:44:09 | |
In the accepted version, | 0:44:11 | 0:44:13 | |
we have Rasputin weaving across the courtyard in his attempt to escape. | 0:44:13 | 0:44:18 | |
But the forensic photographs taken by the police at the time | 0:44:18 | 0:44:22 | |
show a dead straight line of blood leading from the main door. | 0:44:22 | 0:44:27 | |
This almost certainly means | 0:44:27 | 0:44:29 | |
that Rasputin's body was carried across the courtyard. | 0:44:29 | 0:44:33 | |
He was wrapped up in linen, | 0:44:34 | 0:44:36 | |
and he was taken from here to the courtyard | 0:44:36 | 0:44:41 | |
in the belief that he was dead. | 0:44:41 | 0:44:44 | |
The conspirators carried him towards the main gate of the courtyard, | 0:44:45 | 0:44:50 | |
where a car was waiting to take him to the Nevka River. | 0:44:50 | 0:44:54 | |
'He was barely alive. He was bleeding profusely from two wounds. | 0:44:56 | 0:45:01 | |
As they approach the gate, | 0:45:04 | 0:45:06 | |
he either groaned, or moved, | 0:45:06 | 0:45:09 | |
and they realised he was still alive. | 0:45:09 | 0:45:13 | |
At that point, | 0:45:21 | 0:45:23 | |
someone with a gun, | 0:45:23 | 0:45:26 | |
of a different calibre from those used before, | 0:45:26 | 0:45:30 | |
appears on the scene | 0:45:30 | 0:45:33 | |
and delivers what was the fatal shot. | 0:45:33 | 0:45:37 | |
It is my belief that Oswald Rayner, | 0:45:37 | 0:45:40 | |
an officer with the British Secret Service, murdered Rasputin. | 0:45:40 | 0:45:45 | |
I believe this pool of blood | 0:45:49 | 0:45:52 | |
marks the spot where Rayner shot Rasputin through the head, | 0:45:52 | 0:45:56 | |
making certain that the murder was complete. | 0:45:56 | 0:45:59 | |
14 months after the murder of Grigorii Rasputin, | 0:46:08 | 0:46:12 | |
Russia did make peace with Germany. | 0:46:12 | 0:46:15 | |
But by then it was too late | 0:46:15 | 0:46:17 | |
to prevent an Allied victory on the Western Front. | 0:46:17 | 0:46:21 | |
The murder of Rasputin had achieved its aim. | 0:46:21 | 0:46:25 |