Browse content similar to QE2 - The Final Voyage. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In 1967, at John Brown's Yard in Glasgow, | 0:00:02 | 0:00:05 | |
a newly-built ship launched a remarkable 40-year love story. | 0:00:05 | 0:00:11 | |
The QE2 captured the heart of the nation. | 0:00:11 | 0:00:13 | |
An empress of the seas, she became a great British icon | 0:00:13 | 0:00:18 | |
and the most famous liner in the world. | 0:00:18 | 0:00:22 | |
The marketing slogan in the 60s when this ship came out, | 0:00:22 | 0:00:25 | |
was, "Ships have been boring too long". | 0:00:25 | 0:00:27 | |
The QE2 has got the most magnificent bow profile. | 0:00:27 | 0:00:32 | |
The ship has got extremely elegant hull lines. | 0:00:32 | 0:00:36 | |
The QE2 was state of the art design and technology, | 0:00:36 | 0:00:40 | |
and she quickly established herself as the stylish and fashionable way to cross the Atlantic. | 0:00:40 | 0:00:46 | |
It was right at the cutting edge and rather than being some vintage piece that you'd see | 0:00:46 | 0:00:52 | |
in some Austin Powers movie, it's cool 60s, as opposed to cheesy 60s, and that's the important thing. | 0:00:52 | 0:00:57 | |
She was so cool that the top stars of the day couldn't get enough. | 0:00:57 | 0:01:03 | |
They all wanted to be seen on the QE2. | 0:01:03 | 0:01:06 | |
Pure scale, pure engineering, pure grace, pure balance. | 0:01:06 | 0:01:10 | |
A floating piece of symmetry. | 0:01:10 | 0:01:13 | |
I don't think you can help but feel proud to be British | 0:01:15 | 0:01:18 | |
with something that is so... beautiful, so iconic. | 0:01:18 | 0:01:24 | |
To be aboard the Queen, I should have been living in steerage. | 0:01:24 | 0:01:28 | |
But there I was in first class and I loved it all. | 0:01:28 | 0:01:33 | |
The legendary lady has established some impressive records during her four decades of service. | 0:01:33 | 0:01:39 | |
She has sailed more than 5.5 million miles, | 0:01:39 | 0:01:43 | |
carried more than 2.5 million passengers and crossed the Atlantic a staggering 800 times. | 0:01:43 | 0:01:49 | |
She has also survived terrorists threats and war. | 0:01:49 | 0:01:53 | |
She'll be sadly missed by a lot of the people who went on her, | 0:01:53 | 0:01:58 | |
certainly the boys who sailed on her to war, because it holds our last real abiding memories of our friends. | 0:01:58 | 0:02:04 | |
Timewatch joins the 2,700 crew and passengers on board as the QE2 | 0:02:04 | 0:02:10 | |
leaves Britain for the last time and glides gracefully into retirement. | 0:02:10 | 0:02:15 | |
FOG HORN SOUNDS | 0:02:31 | 0:02:33 | |
On November 11th 2008, Britain's most famous ship | 0:02:42 | 0:02:47 | |
cast off from her home port of Southampton for the very last time. | 0:02:47 | 0:02:51 | |
The QE2 has been in and out of the port over 700 times, in her 40 year career. | 0:02:51 | 0:02:59 | |
Her final voyage from Southampton to Dubai will take 16 days, | 0:03:01 | 0:03:06 | |
calling at Lisbon and Gibraltar, | 0:03:06 | 0:03:08 | |
then across the Mediterranean Sea to Rome and Naples. | 0:03:08 | 0:03:12 | |
From there she'll head south to the island of Malta | 0:03:12 | 0:03:15 | |
and on to Alexandria in Egypt, | 0:03:15 | 0:03:17 | |
before negotiating the Suez Canal one last time. | 0:03:17 | 0:03:20 | |
Her final resting place will be Dubai | 0:03:20 | 0:03:23 | |
where she will be converted to a floating hotel. | 0:03:23 | 0:03:25 | |
Tickets for the final voyage sold out in just 35 minutes. | 0:03:36 | 0:03:40 | |
For the 1,700 passengers lucky enough to get one, they can look forward to two weeks of luxury, | 0:03:40 | 0:03:46 | |
elegance, relaxation and some of the finest dining afloat on what has become the nation's favourite ship. | 0:03:46 | 0:03:53 | |
Ladies and gentlemen, the master of the QE2, Captain Ian McNaught. | 0:03:53 | 0:03:58 | |
APPLAUSE | 0:03:58 | 0:04:00 | |
Thank you very much, ladies and gentlemen. | 0:04:02 | 0:04:05 | |
Welcome to the Queen's Room. As always on the QE2, it's my personal | 0:04:05 | 0:04:08 | |
pleasure and privilege to welcome you on board for this final voyage. | 0:04:08 | 0:04:14 | |
What a great send-off from the city of Southampton. I hope you enjoyed that. | 0:04:14 | 0:04:18 | |
APPLAUSE | 0:04:18 | 0:04:20 | |
Not a dry eye in the house, I think. A very special evening indeed | 0:04:20 | 0:04:24 | |
and a fitting end to the last home port call for this ship. | 0:04:24 | 0:04:29 | |
Anyway, on behalf of not just us here on the dance floor but all 1,000 who | 0:04:29 | 0:04:33 | |
make up the ship's company of this, the most famous ship in the world, | 0:04:33 | 0:04:37 | |
all I'm going to say is, enjoy this great ship because there never will be another one, so enjoy it. | 0:04:37 | 0:04:44 | |
For the passengers and crew, this journey brings to an end a long and eventful relationship | 0:04:51 | 0:04:57 | |
with what many call the most beautiful ship in the world. | 0:04:57 | 0:05:02 | |
I think really it's all a question of scale. | 0:05:05 | 0:05:08 | |
And it's quite difficult to appreciate the scale | 0:05:08 | 0:05:11 | |
when you're so close. | 0:05:11 | 0:05:13 | |
But then you get, for the first time, to look down a corridor and then you realise she's really big. | 0:05:13 | 0:05:20 | |
Because the corridors are like streets. | 0:05:20 | 0:05:22 | |
I think it's one of the post-war symbols of Britain. | 0:05:22 | 0:05:27 | |
It ranks as one of those things | 0:05:27 | 0:05:29 | |
that people recognise and stood a little taller when they saw it | 0:05:29 | 0:05:35 | |
sailing across the world. "Ooh, look, the QE2!" | 0:05:35 | 0:05:40 | |
Probably the most important word that for me sums up the QE2 is glamorous. | 0:05:40 | 0:05:46 | |
I walk on and it's like putting on an old pair of slippers. | 0:05:47 | 0:05:52 | |
You feel comfortable with it. | 0:05:52 | 0:05:54 | |
Probably because we know our way round | 0:05:54 | 0:05:56 | |
but we know everything about the ship, or a lot about the ship. | 0:05:56 | 0:06:00 | |
Perhaps more than some people. But I always feel at home. | 0:06:00 | 0:06:05 | |
What is special about QE2 is, of course, its mystique. | 0:06:05 | 0:06:08 | |
It was actually built and formed in a period | 0:06:08 | 0:06:11 | |
when there was still a great deal of romance attached | 0:06:11 | 0:06:15 | |
to the transatlantic liners. | 0:06:15 | 0:06:18 | |
People feel personally involved with the ship for some reason, | 0:06:20 | 0:06:24 | |
there's like a magic spell cast upon them when they come here. | 0:06:24 | 0:06:27 | |
It comes over everyone. | 0:06:27 | 0:06:29 | |
The story of the QE2 begins in the early 1960s. | 0:06:35 | 0:06:39 | |
She was a state of the art vessel, a masterpiece of British engineering. | 0:06:39 | 0:06:44 | |
The specially designed turbines and twin propellers would make her one of the fastest ships afloat. | 0:06:44 | 0:06:50 | |
But few people realised that the QE2 came close to not making it off the drawing board. | 0:06:50 | 0:06:55 | |
For a while it appeared that it might remain a dream in the designers' minds. | 0:06:55 | 0:07:00 | |
It was the dawn of the space age and the Cunard's two big liners, Queen Elizabeth | 0:07:00 | 0:07:05 | |
and Queen Mary, were coming to the end of their working lives. | 0:07:05 | 0:07:08 | |
A replacement would soon be urgently needed. | 0:07:08 | 0:07:12 | |
There was a big debate about what the role of this new ship | 0:07:13 | 0:07:16 | |
was going to be and there were Commons committees and all sorts. | 0:07:16 | 0:07:20 | |
Everybody, every man and dog | 0:07:20 | 0:07:21 | |
had a view of what the ship should be and there were those who | 0:07:21 | 0:07:25 | |
wanted a Queen Elizabeth replacement or a Queen Mary replacement and those who wanted a cruise ship. | 0:07:25 | 0:07:29 | |
Originally Cunard wanted a pure-bred ocean liner like The United States or The France or any of these other | 0:07:30 | 0:07:39 | |
large post-war flagships | 0:07:39 | 0:07:40 | |
but with the advent of jet air travel there had to be a re-think. | 0:07:40 | 0:07:45 | |
Cunard came up with a clever solution. | 0:07:45 | 0:07:48 | |
Their new liner would have two roles. | 0:07:48 | 0:07:51 | |
In the summer, it would sail the north Atlantic route to New York, | 0:07:51 | 0:07:55 | |
but in winter it would be a cruise ship, taking in destinations | 0:07:55 | 0:07:59 | |
such as the Mediterranean, the Caribbean | 0:07:59 | 0:08:01 | |
and eventually round the world. | 0:08:01 | 0:08:04 | |
That simple brief had a huge impact on the design of the ship. | 0:08:04 | 0:08:07 | |
They wanted it to go through the Panama Canal | 0:08:07 | 0:08:10 | |
and they wanted it to go across the Atlantic, and to some extent the two requirements are incompatible. | 0:08:10 | 0:08:16 | |
So they had this problem, they wanted it to go through the Panama Canal, | 0:08:16 | 0:08:20 | |
it had to fit through that, but it had to be tough enough, strong enough | 0:08:20 | 0:08:24 | |
and big enough to handle the Atlantic, when it got rough because even in the summer you get storms. | 0:08:24 | 0:08:29 | |
And the demands of being both a cruise ship | 0:08:29 | 0:08:32 | |
and a transatlantic liner, would define how the new ship would look. | 0:08:32 | 0:08:36 | |
As QE2 was to be a combined ocean liner and cruise ship, | 0:08:36 | 0:08:41 | |
she should have a kind of yacht-like appearance. | 0:08:41 | 0:08:44 | |
She was also going to be somewhat smaller than the existing Cunard flagships but taller as well. | 0:08:44 | 0:08:51 | |
So it was very important that she wouldn't appear top heavy. | 0:08:51 | 0:08:56 | |
Therefore the hull lines, the paintwork, the superstructure | 0:08:56 | 0:09:01 | |
details had to be very, very carefully thought through. | 0:09:01 | 0:09:05 | |
In the summer of 1964, Cunard put the construction of the ship out to tender. | 0:09:05 | 0:09:11 | |
All the big shipyards of the day were invited to pitch for the work. | 0:09:11 | 0:09:15 | |
Among them, the famous names of Harland and Wolff in Belfast, Cammell Laird in Liverpool, | 0:09:15 | 0:09:20 | |
Swan Hunter on the Tyne and the troubled John Brown's shipyard on the Clyde. | 0:09:20 | 0:09:26 | |
John Brown's bid was typical of a contractor who was struggling. | 0:09:26 | 0:09:30 | |
It was cheaper than everybody else's and it turned out that there was actually no profit margin, | 0:09:30 | 0:09:35 | |
and that's a problem for any big project if there's no profit margin. | 0:09:35 | 0:09:38 | |
People always underestimate costs so there's always a budgetary issue at the back of it. | 0:09:38 | 0:09:44 | |
And the second thing was that John Brown's put in a bid for completion | 0:09:44 | 0:09:48 | |
in May '68, when everybody else had put in a bid for about November '68. | 0:09:48 | 0:09:52 | |
So they were up against timescale problems and budgetary problems right from day one. | 0:09:52 | 0:09:57 | |
Construction began on the new vessel in 1965. | 0:09:57 | 0:10:00 | |
In engineering terms, the ship introduced many innovations. | 0:10:00 | 0:10:04 | |
The most controversial was to build the entire superstructure out of aluminium. | 0:10:04 | 0:10:09 | |
The decision to use aluminium in the way they did as a big structural... | 0:10:09 | 0:10:13 | |
It was part of the structural strength of the ship, | 0:10:13 | 0:10:17 | |
was a big, big call. | 0:10:17 | 0:10:19 | |
My Dad's neck was on the block if it hadn't worked. | 0:10:19 | 0:10:23 | |
He knew it was going to shorten the life of the ship | 0:10:23 | 0:10:26 | |
because aluminium has a limited life just as it does on aeroplanes. | 0:10:26 | 0:10:29 | |
But it's lasted 40 years and it's done pretty well. | 0:10:29 | 0:10:33 | |
But it wasn't just the radical use of new materials that caught the imagination. | 0:10:38 | 0:10:43 | |
The ship was designed to take people's breath away. | 0:10:43 | 0:10:48 | |
The QE2 has got the most magnificent bow profile. | 0:10:48 | 0:10:54 | |
The ship has got extremely elegant hull lines. | 0:10:54 | 0:10:57 | |
Because, of course, she was primarily an ocean liner. | 0:10:57 | 0:11:01 | |
She had to cut through the water as efficiently as possible and with as little motion as possible. | 0:11:01 | 0:11:06 | |
So she's got a very slender entry and then the bow soars up towards the forward mooring deck. | 0:11:06 | 0:11:13 | |
She's got a whale back above that, that is to say that the lines of the bow sweep up | 0:11:13 | 0:11:18 | |
towards the superstructure creating a kind of knife-edge sheer | 0:11:18 | 0:11:23 | |
which gives her a very dynamic appearance. | 0:11:23 | 0:11:27 | |
She is very symmetrical. | 0:11:27 | 0:11:29 | |
The proportions are brilliant. | 0:11:29 | 0:11:32 | |
However she was designed, and I'm sure it took years of preparation, | 0:11:32 | 0:11:36 | |
the lines and the symmetry they do hold you, | 0:11:36 | 0:11:39 | |
they are pleasing, they put you at ease. | 0:11:39 | 0:11:42 | |
With symmetry, it's a way of nature saying, | 0:11:42 | 0:11:44 | |
"All is well with the world". | 0:11:44 | 0:11:46 | |
The wonderful thing, I think, about the QE2 is its shape. | 0:11:46 | 0:11:50 | |
It's immediately recognisable and it immediately says... "cruise liner" | 0:11:50 | 0:11:57 | |
as opposed to so many of the holiday cruise ships, | 0:11:57 | 0:12:03 | |
which really are just floating tower blocks. | 0:12:03 | 0:12:06 | |
Whereas the QE2 had those beautiful lines, | 0:12:06 | 0:12:10 | |
the kind of lines that you could quite see a yacht designer | 0:12:10 | 0:12:15 | |
sitting down at a desk drawing what, for him or her, | 0:12:15 | 0:12:19 | |
was the perfection of shape to cut through the water. | 0:12:19 | 0:12:23 | |
FOG HORN SOUNDS | 0:12:23 | 0:12:26 | |
At noon our position was 46 degrees, | 0:12:29 | 0:12:32 | |
40 minutes north and 007 degrees 37 minutes west, | 0:12:32 | 0:12:36 | |
which places us some 265 nautical miles west | 0:12:36 | 0:12:41 | |
of the French port of La Rochelle. | 0:12:41 | 0:12:43 | |
Among the 1,700 passengers on board | 0:12:45 | 0:12:48 | |
are QE2 die-hards Bob Andrews and Frances Spires. | 0:12:48 | 0:12:53 | |
For them, the final voyage is a chance to look back over a 20-year love affair with the ship. | 0:12:53 | 0:12:59 | |
My first feeling was I felt so proud that I was going to be on her | 0:12:59 | 0:13:03 | |
because she does look like a Queen, in my opinion. | 0:13:03 | 0:13:07 | |
Her lines are beautiful, she's just stunning and every time you see her | 0:13:07 | 0:13:11 | |
if you go ashore and you see her sitting there, I get goose bumps. | 0:13:11 | 0:13:15 | |
It makes you feel proud to look back at her and think, "Gosh, I'm on that". | 0:13:15 | 0:13:21 | |
We affectionately call her "the old rust-bucket" but it's just a colloquial thing we use, | 0:13:21 | 0:13:27 | |
but she's far from that. Everyone bangs on about the new ships | 0:13:27 | 0:13:32 | |
that have super swimming pools and all the rest of it. | 0:13:32 | 0:13:36 | |
When we first came on here it had about five pools and they've removed all but two of them now | 0:13:36 | 0:13:41 | |
but having said that, it's still a wonderful, wonderful ship and it's a real class liner. | 0:13:41 | 0:13:47 | |
Bob runs his own sawmill and Frances is a former world Latin American dance champion. | 0:13:47 | 0:13:55 | |
It's their 42nd voyage, and like many of the QE2 regulars, it's an experience they never tire of. | 0:13:55 | 0:14:01 | |
They're seasoned travellers and they know all her discreet charms. | 0:14:01 | 0:14:07 | |
On this ship, you can sunbathe aft so when you're sailing, particularly on sea days, | 0:14:07 | 0:14:14 | |
when you're sailing, if you're laying there out on deck, | 0:14:14 | 0:14:18 | |
you can see the wake and you can see the movement of her stern | 0:14:18 | 0:14:24 | |
and it's just fabulous, just laying there just simply watching that. | 0:14:24 | 0:14:29 | |
As well as the beautiful lines of the ship, the original interiors were just as stunning. | 0:14:29 | 0:14:36 | |
The accommodation was of a standard never seen before on a British liner. | 0:14:36 | 0:14:40 | |
'The moment you enter the world of QE2, you're conscious that this is an altogether different ship. | 0:14:40 | 0:14:46 | |
'There's colour...' | 0:14:46 | 0:14:48 | |
'..style...' | 0:14:52 | 0:14:54 | |
We associate cruises with middle-aged cheese | 0:14:57 | 0:15:00 | |
with some kind of cheesy easy-listening crooners being on it. | 0:15:00 | 0:15:05 | |
And then everything about the whole way that the QE2 was presented | 0:15:05 | 0:15:09 | |
was clearly done with real design savvy | 0:15:09 | 0:15:11 | |
from the designers they chose who were at the cutting edge and world famous designers too, | 0:15:11 | 0:15:16 | |
using Conran fabrics to actually thinking about the user in a way | 0:15:16 | 0:15:22 | |
that we don't often. Even today we struggle to think about the users. | 0:15:22 | 0:15:26 | |
This ship was a radical change. | 0:15:26 | 0:15:28 | |
It really was a ship of the 60s and the marketing slogan in the 60s | 0:15:28 | 0:15:32 | |
when the ship came out was, "Ships have been boring too long" | 0:15:32 | 0:15:36 | |
and there's a picture of the QE2. | 0:15:36 | 0:15:38 | |
And it really was a massive step forward so it was the first modern passenger liner in the world. | 0:15:38 | 0:15:45 | |
But for the new ship to get to this stage she first had to go | 0:15:45 | 0:15:50 | |
through a painful and disruptive construction period. | 0:15:50 | 0:15:53 | |
Delays, strikes and technical challenges made for a painful birth. | 0:15:53 | 0:15:59 | |
There were a lot of difficulties at that yard at the time. | 0:15:59 | 0:16:03 | |
There were a lot of difficulties in the British shipbuilding industry. | 0:16:03 | 0:16:07 | |
First of all, there were so many different trades. | 0:16:07 | 0:16:11 | |
And there were a lot of minor labour disputes and when one trade was in dispute | 0:16:11 | 0:16:15 | |
the other trades couldn't get at the work that they were supposed to do | 0:16:15 | 0:16:19 | |
and that sort of thing. | 0:16:19 | 0:16:20 | |
Furthermore, I think one has to recognise that many of the men knew | 0:16:20 | 0:16:26 | |
that when the ship was finished there wouldn't be any more jobs. | 0:16:26 | 0:16:30 | |
John Brown's didn't have a very big order book | 0:16:30 | 0:16:34 | |
and they... were not anxious to finish the job. | 0:16:34 | 0:16:40 | |
The shipyard admitted in early 1967 that the new ship was already six months behind schedule. | 0:16:40 | 0:16:46 | |
In the summer of that year, all the major trades working on the new ship went on strike. | 0:16:46 | 0:16:53 | |
It was disastrous for Cunard and for the Government. | 0:16:53 | 0:16:56 | |
I remember going up at five o'clock one morning in the shipyard and some | 0:16:56 | 0:17:01 | |
question of absenteeism was raised | 0:17:01 | 0:17:03 | |
and one guy shouted at me, "Well, if you had to work in the cold, | 0:17:03 | 0:17:07 | |
"early in the morning in January with no covered place to do your work, you'd have the same problem" | 0:17:07 | 0:17:13 | |
and it was a very valid point, you see. | 0:17:13 | 0:17:16 | |
The Trade Unions were made up of very, very skilled people and were treated... | 0:17:16 | 0:17:21 | |
Well, really ignored, or when anything happened | 0:17:21 | 0:17:24 | |
they were the cause of the trouble and it made me very angry, that. | 0:17:24 | 0:17:28 | |
What people don't realise or don't emphasise, QE2 was built by the workforce, | 0:17:28 | 0:17:32 | |
it wasn't built by the managing directors, or by the bank, | 0:17:32 | 0:17:35 | |
or by the Government, and these guys were the most highly skilled people | 0:17:35 | 0:17:39 | |
in the world and very little reference has been made in the coverage to the steel workers, | 0:17:39 | 0:17:44 | |
the welders, the shipwrights, the people who actually built the ship. | 0:17:44 | 0:17:50 | |
Despite the setbacks, the new ship was launched on September 20th 1967. | 0:17:50 | 0:17:56 | |
Launch days were like Hogmanay. | 0:17:56 | 0:17:59 | |
When the QE2 was launched there were parties in the streets, | 0:17:59 | 0:18:05 | |
people were simply delighted that they'd got the ship | 0:18:05 | 0:18:08 | |
to the appropriate level of completion for launching on time. | 0:18:08 | 0:18:12 | |
Now up until that point she was known under her code name of Q4 | 0:18:12 | 0:18:19 | |
and there was great anticipation as to what the ship would eventually be named. | 0:18:19 | 0:18:25 | |
Because she was a direct replacement for the retired Queen Elizabeth | 0:18:32 | 0:18:37 | |
the decision had been taken to also call the new ship Queen Elizabeth. | 0:18:37 | 0:18:41 | |
However when the time for the naming ceremony arrived, Her Majesty surprised everyone. | 0:18:41 | 0:18:47 | |
I name this ship Queen Elizabeth the second. | 0:18:47 | 0:18:51 | |
Some people in Scotland weren't particularly happy about that | 0:18:51 | 0:18:55 | |
because of course our present Queen is only Queen Elizabeth the first, north of the border. | 0:18:55 | 0:19:01 | |
May God bless her and all who sail in her. | 0:19:01 | 0:19:06 | |
But Cunard got round this situation | 0:19:06 | 0:19:09 | |
simply by giving the vessel the number two in Arabic, | 0:19:09 | 0:19:12 | |
so she became the QE2, Queen Elizabeth 2, much more modern and much more snappy. | 0:19:12 | 0:19:18 | |
As the newly-christened QE2 slipped into the Clyde | 0:19:49 | 0:19:53 | |
she carried the hopes of Cunard and their attempts to revolutionise the passenger liner industry. | 0:19:53 | 0:19:59 | |
40 years on, it's fair to say | 0:20:00 | 0:20:03 | |
that the experiment was a resounding success. | 0:20:03 | 0:20:05 | |
'A very good morning, ladies and gentlemen, | 0:20:08 | 0:20:10 | |
'this is the officer of the watch speaking from the bridge. | 0:20:10 | 0:20:12 | |
'This is to advise all passengers on the open deck | 0:20:12 | 0:20:15 | |
'that in approximately two minutes time, | 0:20:15 | 0:20:17 | |
'the ship's whistles will be sounded to indicate noon.' | 0:20:17 | 0:20:19 | |
It's a beautiful morning in Lisbon for the QE2's first port of call on her final voyage. | 0:20:28 | 0:20:33 | |
For Captain McNaught and his crew, it's a time of intense concentration as they guide the 70,000 tonne ship | 0:20:33 | 0:20:40 | |
through a delicate yet graceful manoeuvre to her berth on the quayside. | 0:20:40 | 0:20:44 | |
The pilot boat will come out and then he'll embark on the port side. | 0:20:44 | 0:20:48 | |
Once he's on board we'll speed up a little bit to about eight or nine knots | 0:20:48 | 0:20:51 | |
and we'll make our way to the centre of the bridge where you can see the tugs waiting for us. | 0:20:51 | 0:20:56 | |
After we've gone underneath the bridge, because it's a flood tide, | 0:20:56 | 0:20:59 | |
we'll turn the ship round in the middle of the river and then come back onto the berth | 0:20:59 | 0:21:03 | |
which is just on the other side of the bridge. | 0:21:03 | 0:21:05 | |
The Master of the QE2, Captain Ian McNaught, has been with Cunard for nearly 22 years. | 0:21:10 | 0:21:16 | |
He's been the ship's captain since 2003. | 0:21:16 | 0:21:21 | |
There is no day when you think, "Oh, gosh, I wish I wasn't here", | 0:21:21 | 0:21:26 | |
I don't think that ever happens, to be honest. | 0:21:26 | 0:21:29 | |
So I think people do hold this ship in great esteem and in great fondness as well | 0:21:29 | 0:21:36 | |
and they've seen it from its birth and here it is at the end of its working career as a liner, | 0:21:36 | 0:21:41 | |
so I think there is this nostalgia for it. | 0:21:41 | 0:21:44 | |
Each time QE2 puts into port, it's a big event. | 0:21:46 | 0:21:50 | |
People all over the world are attracted by the beautiful lines of the ship. | 0:21:50 | 0:21:54 | |
And it's always been that way, ever since her first transatlantic voyage to New York back in 1969. | 0:21:54 | 0:22:01 | |
She made that first crossing in just a little over four days | 0:22:01 | 0:22:05 | |
and a flotilla of small craft were waiting to greet | 0:22:05 | 0:22:08 | |
the new queen of the seas as she was escorted to her berth. | 0:22:08 | 0:22:12 | |
New York Mayor John Lindsay declared it QE2 Day in the city | 0:22:12 | 0:22:16 | |
and the love affair with this beautiful ship had begun. | 0:22:16 | 0:22:19 | |
MUSIC: "20th Century Boy" by T Rex | 0:22:19 | 0:22:22 | |
# Ow! | 0:22:22 | 0:22:24 | |
# Ah! | 0:22:31 | 0:22:34 | |
# Friends say it's fine | 0:22:38 | 0:22:40 | |
# Friends say it's good | 0:22:40 | 0:22:42 | |
# Everybody says it's just like Rock and Roll | 0:22:42 | 0:22:46 | |
# Ah! | 0:22:46 | 0:22:49 | |
# Ah! | 0:22:49 | 0:22:52 | |
# I move like a cat | 0:22:52 | 0:22:54 | |
# Charge like a ram | 0:22:54 | 0:22:56 | |
# Sting like a bee | 0:22:56 | 0:22:58 | |
# Babe, I wanna be your man... # | 0:22:58 | 0:23:01 | |
The QE2 attracted stars from the beginning. | 0:23:02 | 0:23:05 | |
Peter Sellers, Lynn Redgrave and Ringo Starr were among the first big names to get on board. | 0:23:05 | 0:23:13 | |
Later, David Bowie, Rod Stewart | 0:23:13 | 0:23:15 | |
and Hollywood legend Tony Curtis all sampled the QE2 experience. | 0:23:15 | 0:23:21 | |
I enjoyed the ship itself. | 0:23:21 | 0:23:23 | |
I remember going on little tours of it, we'd be in the hallways | 0:23:23 | 0:23:30 | |
of the corridors at topside and first class, | 0:23:30 | 0:23:34 | |
beautiful finished wood, you know, | 0:23:34 | 0:23:37 | |
polished every day and then we'd go on one section that went down some stairs... | 0:23:37 | 0:23:44 | |
..then another hallway, then some more stairs | 0:23:45 | 0:23:49 | |
and the next thing you know you could tell the difference of the class. | 0:23:49 | 0:23:53 | |
It's quintessentially English, it's almost snobby in the sense | 0:23:53 | 0:23:57 | |
there's a deck for people who pay a certain amount of money, a deck for people who pay and then below deck. | 0:23:57 | 0:24:03 | |
Whereas if you go on most modern liners you all dine | 0:24:03 | 0:24:06 | |
in six or seven dining rooms but they're for everybody. | 0:24:06 | 0:24:09 | |
So in that way it's a very British ship. | 0:24:09 | 0:24:12 | |
The upper classes, the middle classes and the lower classes, | 0:24:12 | 0:24:15 | |
they clearly still believe in. However much you laugh about it, they still believe in it. | 0:24:15 | 0:24:20 | |
One of the things that created the passion on the QE2 | 0:24:20 | 0:24:23 | |
by people who've been repeat visitors year in and year out, | 0:24:23 | 0:24:27 | |
is the fact that when they went on board, | 0:24:27 | 0:24:29 | |
you know, it was like joining a family. | 0:24:29 | 0:24:32 | |
And they had this remarkable ability for either knowing your name or quickly remembering your name. | 0:24:32 | 0:24:39 | |
So they would greet you as though you were coming back into a rather exclusive club. | 0:24:39 | 0:24:45 | |
That's what it was in many ways. | 0:24:45 | 0:24:47 | |
I don't think you can help but feel proud to be British | 0:24:47 | 0:24:52 | |
with something that is so beautiful, so iconic, | 0:24:52 | 0:24:57 | |
so... perfect in every way. | 0:24:57 | 0:25:02 | |
From a passenger's point of view there are so many things that made the QE2 perfection. | 0:25:02 | 0:25:07 | |
From an engineer's point of view it made it perfection, they did something that was very very special. | 0:25:07 | 0:25:13 | |
The man charged with ensuring that all the celebrities who sample the pleasures of the QE2 | 0:25:13 | 0:25:18 | |
have a five star stay is hotel manager, John Duffy. | 0:25:18 | 0:25:22 | |
Good evening. | 0:25:22 | 0:25:23 | |
He has been on the QE2 for 27 years. | 0:25:23 | 0:25:26 | |
This is the top suite. | 0:25:26 | 0:25:29 | |
People in the past who have stayed up here are people like Rod Stewart, | 0:25:29 | 0:25:34 | |
quite regularly on transatlantics, | 0:25:34 | 0:25:37 | |
David Bowie, George C Scott, Dean Martin and his entourage stayed up here. | 0:25:37 | 0:25:41 | |
It's a very exclusive area, it's not a walk-through area at all, | 0:25:41 | 0:25:45 | |
so it's very, very quiet and passengers can be very much alone up here. | 0:25:45 | 0:25:50 | |
Up in the penthouses we have butler service and obviously it's a very personalised service up here | 0:25:50 | 0:25:57 | |
which can include unpacking, packing facilities for the guests | 0:25:57 | 0:26:01 | |
and just about on-call all the day for whatever the guest requires. | 0:26:01 | 0:26:05 | |
If we go through here, it's a private dining area if guests so wish | 0:26:05 | 0:26:11 | |
and up the stairs here, we have a lounge area | 0:26:11 | 0:26:16 | |
and a winter garden and out to the forward balcony. | 0:26:16 | 0:26:21 | |
The ship itself is so loved by so many people that going around the ship you can feel | 0:26:21 | 0:26:28 | |
how the passengers are feeling very sad at this time | 0:26:28 | 0:26:32 | |
because it's going. This is where they've always come to for their vacations, for their holidays. | 0:26:32 | 0:26:37 | |
For some of them it's even been their winter home, they've done the world cruise year after year after year, | 0:26:37 | 0:26:43 | |
and the fact that it's going is very emotional really to these people. | 0:26:43 | 0:26:47 | |
FOG HORN SOUNDS | 0:26:51 | 0:26:54 | |
'This is the bridge. Good morning ladies and gentlemen, in approximately 15 minutes' time, | 0:26:59 | 0:27:04 | |
'all water-tight doors on decks five, six, seven and eight will be closed for testing purposes.' | 0:27:04 | 0:27:11 | |
As her career progressed, the QE2 became a very traditional ocean liner | 0:27:12 | 0:27:17 | |
and one of her most eagerly awaited events happens every afternoon at precisely 4 o'clock. | 0:27:17 | 0:27:24 | |
There's places in the world which are famous for afternoon tea, | 0:27:24 | 0:27:27 | |
Reid's in Madeira, The Ritz in London and the QE2 at sea. | 0:27:27 | 0:27:33 | |
We probably do... in fact I know we do far more | 0:27:33 | 0:27:36 | |
than they do because we can do about 1,000 on any one afternoon at sea. | 0:27:36 | 0:27:41 | |
But it's still very well served and very well presented and passengers really do love it. | 0:27:41 | 0:27:46 | |
At four o'clock or just about, | 0:27:46 | 0:27:50 | |
the doors are opened and they're allowed to come in and they come in with their trays, white gloves, | 0:27:50 | 0:27:56 | |
with their trays, come along, say, "Hello" to you, | 0:27:56 | 0:27:59 | |
"Good afternoon, how are you today? Would you like tea, coffee?" | 0:27:59 | 0:28:04 | |
Off they go out the back and come along with their teapots and then they come to you and you pass | 0:28:04 | 0:28:11 | |
them your cup, or they will actually go and pick your cup up for you, fill your cup, back on the table. | 0:28:11 | 0:28:17 | |
They serve all the hot drinks first | 0:28:17 | 0:28:20 | |
and then they'll come round with the platters of sandwiches. | 0:28:20 | 0:28:26 | |
And then after that, there's the delicious cakes. | 0:28:28 | 0:28:32 | |
HER HUSBAND LAUGHS | 0:28:32 | 0:28:34 | |
-The too-delicious cakes. -Not forgetting the scones. | 0:28:34 | 0:28:37 | |
Not forgetting the scones with the jam which most people have to have, | 0:28:37 | 0:28:43 | |
and the cakes change, every day there's something different. | 0:28:43 | 0:28:47 | |
Their job is to make you relaxed and at ease | 0:28:53 | 0:28:57 | |
and to enjoy the whole afternoon tea experience. | 0:28:57 | 0:29:01 | |
Although life on the QE2 is all about elegance, grace and endless pampering for the passengers, | 0:29:01 | 0:29:07 | |
it hasn't been like that through her entire career. | 0:29:07 | 0:29:11 | |
In 1982, life for the ocean liner changed dramatically as she received a signal to return to Southampton | 0:29:11 | 0:29:18 | |
for a completely different sort of mission. | 0:29:18 | 0:29:21 | |
"Your vessel, Queen Elizabeth 2, is requisitioned by the Secretary of State for Trade | 0:29:21 | 0:29:26 | |
"under the Requisitioning of Ships order 1982 | 0:29:26 | 0:29:29 | |
"and you are accordingly required to place her at his disposal forthwith." | 0:29:29 | 0:29:34 | |
Six weeks into the Falklands Conflict, with the country relying | 0:29:34 | 0:29:38 | |
on her speed and potential as a troop carrier, | 0:29:38 | 0:29:41 | |
the QE2 was taken out of commercial service and sent to war. | 0:29:41 | 0:29:45 | |
I don't think requisitioning the QE2 was as big a deal then | 0:29:45 | 0:29:50 | |
as it is thought to be now. | 0:29:50 | 0:29:53 | |
But it still caused some comment, | 0:29:53 | 0:29:57 | |
not least by Margaret Thatcher. | 0:29:57 | 0:29:59 | |
She, I think, was rather surprised and not perhaps best pleased | 0:29:59 | 0:30:06 | |
when she discovered that the military felt that they hadn't got enough troops down there. | 0:30:06 | 0:30:12 | |
She'd always been worried whether we'd have enough troops and equipment to do the job. | 0:30:12 | 0:30:18 | |
They came to her and said, "We really have to reinforce, and quickly, | 0:30:18 | 0:30:24 | |
"and we're proposing to take up the QE2 from trade", as the phrase has it. | 0:30:24 | 0:30:29 | |
She does say in her memoirs that she did query whether it was wise to send such | 0:30:29 | 0:30:36 | |
a prominent and well-known and indeed you might say beloved ship | 0:30:36 | 0:30:42 | |
down on a military mission. | 0:30:42 | 0:30:45 | |
All future sailings were cancelled by Cunard, | 0:30:45 | 0:30:48 | |
as there was no way of predicting how long the conflict might last. | 0:30:48 | 0:30:51 | |
Work began immediately on transforming the famous ocean liner into a troop ship. | 0:30:51 | 0:30:59 | |
They chopped big parts of the stern off | 0:30:59 | 0:31:01 | |
to accommodate helicopter landing platforms, | 0:31:01 | 0:31:05 | |
which were lifted on and welded in place. | 0:31:05 | 0:31:07 | |
On the foredeck, we had a helicopter landing platform as well. | 0:31:07 | 0:31:10 | |
We loaded hundreds and hundreds of tonnes of ammunition down in the foredeck. | 0:31:10 | 0:31:15 | |
We built a secret radio room for the intelligence reports coming in from Whitehall. | 0:31:15 | 0:31:22 | |
We covered over the carpets with hardboard, took a lot of the valuables away. | 0:31:22 | 0:31:28 | |
They even took the caviar away. I don't know why, but they did. | 0:31:28 | 0:31:32 | |
3,000 soldiers boarded the QE2 for the journey to the South Atlantic. | 0:31:35 | 0:31:39 | |
Some of them would not return. | 0:31:39 | 0:31:41 | |
For others, it would change the rest of their lives. | 0:31:41 | 0:31:46 | |
I can't actually remember the point at which we found out | 0:31:48 | 0:31:52 | |
we were gonna be sailing to the Falklands on the QE2, | 0:31:52 | 0:31:56 | |
apart from when we arrived in Southampton. | 0:31:56 | 0:31:59 | |
There was this huge ship, huge to us, because we'd only been involved | 0:31:59 | 0:32:04 | |
with military ships at this point and we'd never seen anything of the size or of the majestic beauty of her. | 0:32:04 | 0:32:10 | |
She really was a lovely ship to behold. | 0:32:10 | 0:32:13 | |
The QE2 set sail from Southampton on May 12th 1982. | 0:32:26 | 0:32:31 | |
She took just 16 days to reach her destination in the South Atlantic. | 0:32:31 | 0:32:36 | |
You didn't have an awful lot of free time until the evenings | 0:32:36 | 0:32:39 | |
because obviously, if you give soldiers too much free time, they'll get up to mischief... and we did, | 0:32:39 | 0:32:46 | |
I suppose. We found where the beer was all hidden and found an access to that and a way back again, | 0:32:46 | 0:32:54 | |
which upset a lot of people, because blokes were getting drunk then, and that always can lead to problems. | 0:32:54 | 0:33:01 | |
But, on the whole, our time was filled and we were never that bored | 0:33:01 | 0:33:06 | |
and we had a pretty good time going down. | 0:33:06 | 0:33:10 | |
More than 70% of QE2's crew volunteered to go with the ship. | 0:33:10 | 0:33:14 | |
Used to serving passengers, they now found themselves going to war. | 0:33:14 | 0:33:18 | |
I think the Argentines were looking for us, definitely. | 0:33:18 | 0:33:23 | |
As luck has it, when we moved on down to South Georgia, a lot of cloud | 0:33:23 | 0:33:28 | |
and fog came in so we were lucky we weren't seen from the skies. | 0:33:28 | 0:33:33 | |
We wasn't allowed to use radar | 0:33:33 | 0:33:36 | |
because they could pick up the signal and recognise who we was, | 0:33:36 | 0:33:40 | |
so we actually went through ice fields without radar. | 0:33:40 | 0:33:44 | |
And everybody rushed outside. It was freezing cold outside, | 0:33:46 | 0:33:50 | |
but everybody's standing there in sweatshirts. | 0:33:50 | 0:33:53 | |
You're just looking at these wonderful... | 0:33:53 | 0:33:56 | |
They're almost these ice cathedrals and they were crystal blue. | 0:33:56 | 0:34:01 | |
It was just spectacular. | 0:34:01 | 0:34:03 | |
You sailed through in millpond calm. The only thing making waves was us. | 0:34:03 | 0:34:07 | |
But the reality of the war left those in charge under no illusions | 0:34:07 | 0:34:11 | |
as to just how serious a target the QE2 was. | 0:34:11 | 0:34:15 | |
I'm sure that if the Argentine had sunk | 0:34:15 | 0:34:19 | |
and if they could have done, my guess is they would, | 0:34:19 | 0:34:22 | |
but I don't think they had the resources once the Belgrano had gone. | 0:34:22 | 0:34:26 | |
If they could have sunk it, they'd have received a boost, | 0:34:26 | 0:34:31 | |
but that was the risk that had to be taken. | 0:34:31 | 0:34:34 | |
As the QE2 neared her destination, the war raged in the South Atlantic. | 0:34:34 | 0:34:39 | |
In a four-day period towards the end of May, three British ships, | 0:34:39 | 0:34:44 | |
HMS Ardent, Antelope and Coventry, were all sunk, | 0:34:44 | 0:34:49 | |
with heavy loss of life. | 0:34:49 | 0:34:51 | |
It was now time for Simon and the soldiers from the QE2 | 0:34:51 | 0:34:55 | |
to play their part in the conflict. | 0:34:55 | 0:34:58 | |
We got the shout, "Everybody back to their rooms! Get your kit together!" | 0:34:58 | 0:35:03 | |
Then we were told we were disembarking. | 0:35:03 | 0:35:06 | |
We were gonna jump off the QE2, which is easy when it's going like that. | 0:35:06 | 0:35:10 | |
You judge jumping down onto something coming up to meet you, is relatively straightforward. | 0:35:10 | 0:35:15 | |
Doing it the other way round, jumping off something, going into another vehicle... totally different. | 0:35:15 | 0:35:20 | |
We had our rucksacks, in military parlance, Bergens, and we jumped through the door. | 0:35:20 | 0:35:25 | |
The idea was to catch hold of the rope strop that was hanging down and swing yourself in, | 0:35:25 | 0:35:31 | |
but I missed that and it caught the back of my Bergen and threw me back out the doorway. | 0:35:31 | 0:35:36 | |
HE LAUGHS | 0:35:36 | 0:35:37 | |
It's one of those moments when your life starts to flash before your eyes! | 0:35:37 | 0:35:41 | |
This wonderful big marine who was standing there, I've no idea who he was, | 0:35:41 | 0:35:46 | |
caught hold of my webbing and pulled me back through the doorway. | 0:35:46 | 0:35:51 | |
It was at that point that I was willing to French kiss a marine. | 0:35:51 | 0:35:56 | |
Never before, never since, but it was at that point. | 0:35:56 | 0:35:59 | |
It was a very nervous moment | 0:35:59 | 0:36:00 | |
because there was no way I would have survived. I'd have gone into the water. | 0:36:00 | 0:36:05 | |
We had three minutes maximum in those freezing waters. I'd have been dead. | 0:36:05 | 0:36:09 | |
Three weeks after arriving in the Falklands, | 0:36:12 | 0:36:15 | |
Simon Weston was caught up in one of the worst attacks | 0:36:15 | 0:36:18 | |
on British soldiers during the conflict. | 0:36:18 | 0:36:21 | |
The troop ship Sir Galahad was bombed in Bluff Cove. | 0:36:23 | 0:36:27 | |
Simon suffered 49% burns and very nearly died. | 0:36:27 | 0:36:32 | |
It was just a very, very poignant moment of history for Britain, | 0:36:36 | 0:36:42 | |
because it was our land, fought for, and the war was won. | 0:36:42 | 0:36:47 | |
And I just think that the QE2's part in it was immense | 0:36:50 | 0:36:55 | |
and she... | 0:36:55 | 0:36:56 | |
..she'll be sadly missed by a lot of the people who went on her, certainly the boys who sailed on her to war... | 0:36:58 | 0:37:05 | |
because it holds our last real abiding memories of our friends. | 0:37:05 | 0:37:11 | |
So the luxury liner returns from war, carrying hundreds of survivors | 0:37:11 | 0:37:16 | |
from three British warships sunk in the South Atlantic. | 0:37:16 | 0:37:20 | |
Just as she was the perfect solution for getting troops | 0:37:20 | 0:37:23 | |
down to the war zone, the QE2 also became the ideal way of getting some of the casualties back to Britain. | 0:37:23 | 0:37:29 | |
The world's most famous liner had survived the war and was now on her way home. | 0:37:29 | 0:37:35 | |
On 11th June, as she passed the Needles lighthouse on the Isle of Wight, the Royal Yacht Britannia | 0:37:35 | 0:37:41 | |
came alongside, with the Queen Mother standing on deck to welcome back both the troops and the ship. | 0:37:41 | 0:37:48 | |
It was absolutely incredible to have the Queen Mother come up the river | 0:37:48 | 0:37:54 | |
with us and the Royal Yacht. | 0:37:54 | 0:37:56 | |
You know, it doesn't normally happen! | 0:37:56 | 0:37:59 | |
CHEERING | 0:37:59 | 0:38:02 | |
Well, the amount of heads bobbing up and down, you couldn't see a spare space anywhere on the shore. | 0:38:05 | 0:38:11 | |
It was completely covered with bodies and heads and waving flags. | 0:38:11 | 0:38:16 | |
I mean, it was really outstanding. | 0:38:16 | 0:38:19 | |
Shortly after returning home, it became apparent that the QE2's | 0:38:19 | 0:38:23 | |
exertions in the South Atlantic had taken its toll. | 0:38:23 | 0:38:26 | |
After the Falklands War, of course, she had severe mechanical problems. | 0:38:30 | 0:38:35 | |
During her Falklands service, she'd been driven exceptionally hard. | 0:38:35 | 0:38:39 | |
By the mid-1980s, she was somewhat unreliable. | 0:38:39 | 0:38:44 | |
She suffered numerous mechanical breakdowns. | 0:38:44 | 0:38:48 | |
So the decision was taken that she should be re-engined instead as a diesel electric ship. | 0:38:48 | 0:38:53 | |
On October 20th 1986, the QE2 made her final voyage as a steam liner. | 0:38:53 | 0:39:00 | |
Crossing the Atlantic, she was Cunard's final link in 146 years of steam-powered ships. | 0:39:00 | 0:39:07 | |
The QE2's powerful steam turbines had taken her a total | 0:39:07 | 0:39:11 | |
of over 2.5 million miles, equivalent to 120 times around the world. | 0:39:11 | 0:39:17 | |
'We are currently on a course of 110 degrees, | 0:39:24 | 0:39:27 | |
'making a good speed of 25.5 knots. | 0:39:27 | 0:39:29 | |
'Throughout the rest of the day and evening, we expect to maintain our current south-easterly course, | 0:39:29 | 0:39:35 | |
'making our way across the southern Mediterranean towards Egypt and Alexandria.' | 0:39:35 | 0:39:40 | |
As the QE2 makes her way south across the Mediterranean Sea, | 0:39:40 | 0:39:44 | |
the busiest part of the ship is in full swing. | 0:39:44 | 0:39:48 | |
The kitchens on the QE2 turn out a staggering 7,000 meals a day, | 0:39:48 | 0:39:54 | |
prepared by over 100 chefs. | 0:39:54 | 0:39:57 | |
It's amazing, you know, how smooth this goes. | 0:39:59 | 0:40:01 | |
There's no screaming, no shouting. | 0:40:01 | 0:40:04 | |
We do not shout and scream here. | 0:40:04 | 0:40:06 | |
It's the wrong way to go. Everybody's concentrated. | 0:40:06 | 0:40:09 | |
If you need something, you speak to the chef. | 0:40:09 | 0:40:11 | |
The passengers or guests should not suffer for whatever reason. | 0:40:24 | 0:40:28 | |
If he turns around and says, "I've changed my mind from the sirloin steak. I want the salmon"... | 0:40:28 | 0:40:34 | |
It happens quite often. The passenger looks at the menu and says, "Give me the steak." | 0:40:34 | 0:40:39 | |
Then the other passenger has the salmon. | 0:40:39 | 0:40:42 | |
"That looks good! I should have chosen the salmon." | 0:40:42 | 0:40:48 | |
The waiter says, "It's not a problem". | 0:40:48 | 0:40:51 | |
He says, "I need urgently a salmon". | 0:40:51 | 0:40:53 | |
Here you can see the flow. There's the sous-chef here, then the order comes in. | 0:40:59 | 0:41:05 | |
The vegetable, that comes this, then comes the meat, and it moves on more and then it goes out there. | 0:41:05 | 0:41:11 | |
So you have a flow. It really is a line service. That's what we do. | 0:41:11 | 0:41:17 | |
Doing 7,000-8,000 meals a day, you need to know what you're doing. | 0:41:17 | 0:41:21 | |
How much have you done so far? | 0:41:21 | 0:41:23 | |
-298. -Already? | 0:41:23 | 0:41:25 | |
-Yes. -Wow! OK. | 0:41:25 | 0:41:28 | |
The real challenge for Bernhard is that this is fine dining at sea. | 0:41:28 | 0:41:34 | |
So, when the QE2 hits stormy weather, he knows exactly what to expect from his chefs and waiters. | 0:41:34 | 0:41:41 | |
If you work on a ship and you are employed, you're a crew member, you're not seasick. It doesn't exist. | 0:41:41 | 0:41:48 | |
You took a job on board and obviously the ship is moving, so you cannot say, "Sorry, I'm seasick". | 0:41:48 | 0:41:55 | |
You have to go and work in a hotel shore side or something. | 0:41:55 | 0:41:59 | |
But it's not a big deal, really, no. | 0:41:59 | 0:42:02 | |
For me as a chef, it looks like very well-organised chaos, | 0:42:10 | 0:42:15 | |
but that's what it should be, you know? | 0:42:15 | 0:42:18 | |
The food is exceptional and the service is exceptional. | 0:42:26 | 0:42:30 | |
You're served by the same person, who takes care of you and who, | 0:42:30 | 0:42:34 | |
over a period of two weeks or ten days, you really get to know. | 0:42:34 | 0:42:37 | |
It's more like a family. | 0:42:37 | 0:42:39 | |
You're all part of a big family. | 0:42:39 | 0:42:42 | |
The evening meal is the highlight of the day. | 0:42:42 | 0:42:44 | |
We've got a lovely table, nice people. | 0:42:44 | 0:42:47 | |
On this ship, of course, it's pretty well collar and tie every night, | 0:42:47 | 0:42:51 | |
DJs probably for half the cruise. | 0:42:51 | 0:42:53 | |
If you wish to dine in a proper dining room or dining hall, you have to dress for dinner. | 0:42:53 | 0:42:59 | |
The food they served me was nice enough. | 0:42:59 | 0:43:02 | |
The waiter would come and put down and stand above me and they had | 0:43:02 | 0:43:08 | |
the menu and I'd say, "I'd like a corned beef sandwich | 0:43:08 | 0:43:13 | |
"with a Pepsi cola and some apple pie". | 0:43:13 | 0:43:17 | |
Then he'd go away and come back, or a supervisor would come back | 0:43:18 | 0:43:22 | |
and say, "Mr Curtis, we don't have any corned beef sandwiches." | 0:43:22 | 0:43:27 | |
I'd say, "What have you got?" | 0:43:27 | 0:43:29 | |
He'd say, "We don't serve sandwiches". | 0:43:29 | 0:43:32 | |
Each time I went to sit down, I made a little game of it. | 0:43:32 | 0:43:37 | |
They enjoyed it and I did too. | 0:43:37 | 0:43:40 | |
FOG HORN SOUNDS | 0:43:40 | 0:43:42 | |
'At noon, our position was 33 degrees, 28 minutes north | 0:43:48 | 0:43:52 | |
'and 22 degrees, 33 minutes east, which places us 38 nautical miles | 0:43:52 | 0:43:58 | |
'north of the Libyan coast.' | 0:43:58 | 0:43:59 | |
One of the highlights of the QE2's final voyage to Dubai, is negotiating the Suez Canal. | 0:44:09 | 0:44:16 | |
She begins her slow passage at dawn, as she makes her way | 0:44:17 | 0:44:21 | |
from the Mediterranean through to the Red Sea. | 0:44:21 | 0:44:24 | |
It's just over 100 miles long, | 0:44:24 | 0:44:27 | |
so it's a leisurely trip that takes most of the day. | 0:44:27 | 0:44:32 | |
'Good morning, ladies and gentlemen. This is the captain speaking from the bridge. Welcome to the Suez Canal. | 0:44:32 | 0:44:39 | |
'I'm pleased to say that, having made good speed on passage from Alexandria and arriving promptly | 0:44:39 | 0:44:45 | |
'at the canal limit at 2.30 this morning, we were given permission | 0:44:45 | 0:44:49 | |
'to join the first southbound convoy of the day. | 0:44:49 | 0:44:52 | |
'And by 12.30, we should take up position astern of the French | 0:44:52 | 0:44:57 | |
'navy ship Jean De Vienne, a guided missile destroyer, and the two of us will lead the transit for the final | 0:44:57 | 0:45:03 | |
'40 kilometres of the canal, hopefully clearing the canal at around teatime. | 0:45:03 | 0:45:10 | |
'We will update you on our progress, should anything change | 0:45:10 | 0:45:14 | |
'later on in the morning but, for now, enjoy the scenery of the Suez Canal.' | 0:45:14 | 0:45:19 | |
'Good afternoon, ladies and gentlemen, and another glorious day at sea | 0:45:38 | 0:45:42 | |
'as we head east-north-east towards the Arabian Sea. | 0:45:42 | 0:45:45 | |
'Please take great care if you are outside in the sun but do enjoy the conditions | 0:45:45 | 0:45:50 | |
'at the same time and just remember, back in the UK, it's snowing, heavy frosts and minus temperatures. | 0:45:50 | 0:45:57 | |
'Aren't we lucky to be here, on QE2?' | 0:45:57 | 0:46:00 | |
As the QE2 reaches the coast of Somalia, the on-board security team are quietly on alert. | 0:46:00 | 0:46:07 | |
A supertanker had been hijacked by Somali pirates a few days earlier. | 0:46:07 | 0:46:11 | |
These waters are now among the most dangerous in the world. | 0:46:11 | 0:46:16 | |
As the passengers have fun in the sun, the security team keep a keen eye on the ocean. | 0:46:16 | 0:46:21 | |
We sit down, have a look at the area and decide on a plan of action that we're going to | 0:46:21 | 0:46:26 | |
execute while we transit through that area but, in reality, if we look at the trend, they've | 0:46:26 | 0:46:32 | |
all been slow-moving merchant vessels with a low freeboard. | 0:46:32 | 0:46:35 | |
The QE2, it's got the speed, it's got the height above the water, so we're a very low risk, really. | 0:46:35 | 0:46:42 | |
Even so, the crew of the QE2 are taking no chances. | 0:46:43 | 0:46:47 | |
Special high-intensity audio devices are fitted for extra security. | 0:46:47 | 0:46:53 | |
We certainly would be an interesting prize, the premier cruise ship of the world, the QE2. | 0:46:55 | 0:47:01 | |
It would be spectacular but they wouldn't have much of a chance of getting on board the ship, | 0:47:01 | 0:47:07 | |
never mind keeping up with it. | 0:47:07 | 0:47:09 | |
We are being watched from afar. | 0:47:09 | 0:47:11 | |
Help is at hand. | 0:47:11 | 0:47:12 | |
There's always a little concern in the back of our minds. | 0:47:12 | 0:47:17 | |
The safety of the passengers and crew must be my prime concern at all times. | 0:47:17 | 0:47:21 | |
That overrides everything in the ship. | 0:47:21 | 0:47:24 | |
But we will make a safe passage, there's no doubt about it. | 0:47:25 | 0:47:28 | |
Navigating her way through pirate seas off Somalia | 0:47:28 | 0:47:32 | |
isn't the first time the QE2 has had her security threatened. | 0:47:32 | 0:47:36 | |
In 1972, it was feared that the ship could become a target for terrorists. | 0:47:36 | 0:47:42 | |
On the return leg of a transatlantic voyage, | 0:47:42 | 0:47:45 | |
the QE2 had reached the midway point when the New York office of Cunard | 0:47:45 | 0:47:50 | |
received a bomb threat so serious that the elite Special Boat Service, | 0:47:50 | 0:47:56 | |
the SBS, were called in. | 0:47:56 | 0:47:58 | |
The SBS got a call just before midday. | 0:47:58 | 0:48:03 | |
I was told by my boss to go and look for two people | 0:48:03 | 0:48:06 | |
to parachute to a ship at sea. | 0:48:06 | 0:48:09 | |
About an hour later, we were taken out to an aircraft with | 0:48:09 | 0:48:13 | |
its propellers burning and turning, and there we met Robert Williams with his large pile of equipment. | 0:48:13 | 0:48:19 | |
We were bundled into the aircraft and, when we took off, we were told | 0:48:19 | 0:48:24 | |
we were going on a four and a half hour flight to the QE2, mid-Atlantic. | 0:48:24 | 0:48:29 | |
The crew had searched the ship. | 0:48:32 | 0:48:34 | |
They had come up with six packages which coincided exactly | 0:48:34 | 0:48:39 | |
with what the claim was. | 0:48:39 | 0:48:41 | |
Then we needed to find out as much detail about the ship as possible. | 0:48:41 | 0:48:46 | |
The Cunard office had been told that there were two passengers on board | 0:48:46 | 0:48:52 | |
who, when they got a coded message, would then initiate the bombs on board | 0:48:52 | 0:48:59 | |
and they didn't mind if they died. | 0:48:59 | 0:49:01 | |
Once they found her, the SBS team faced the difficult task of getting | 0:49:01 | 0:49:05 | |
from the Hercules onto the QE2, and there was another problem. | 0:49:05 | 0:49:09 | |
Bomb disposal expert Robert Williams had no formal training for parachute jumping. | 0:49:09 | 0:49:14 | |
Coming down, one was extremely busy getting the harness free, | 0:49:14 | 0:49:19 | |
so you can get out of it as soon as you hit the water. | 0:49:19 | 0:49:21 | |
I believe all of us hit in the troughs, so we immediately went under and quite deep. | 0:49:21 | 0:49:28 | |
Then the wave passed over us, so it actually went virtually black. | 0:49:28 | 0:49:32 | |
We bobbed up. Richard was shouting, | 0:49:32 | 0:49:36 | |
"Where are you?" I shouted, "Over here", and waved, | 0:49:36 | 0:49:39 | |
but I didn't realise waving with two hands was an emergency signal. | 0:49:39 | 0:49:43 | |
A launch was sent from the QE2 to pick up the men. | 0:49:43 | 0:49:47 | |
Once on board, Robert Williams set about trying to establish if there really were bombs on the ship. | 0:49:47 | 0:49:53 | |
The passengers had identified their baggage. | 0:49:53 | 0:49:56 | |
However, there were still a few items that had not been identified. | 0:49:56 | 0:50:02 | |
And Robert then went through the normal procedures | 0:50:02 | 0:50:05 | |
and put a disruptor charge through the baggage and blew the cases open. | 0:50:05 | 0:50:11 | |
Following the operation, the team established that the bomb threat had been a hoax. | 0:50:11 | 0:50:16 | |
There were no bombs on board but it highlighted the fact | 0:50:16 | 0:50:20 | |
that the QE2 was such a famous ship she was seen as a prime target. | 0:50:20 | 0:50:25 | |
Back on board the final voyage, the passengers are preparing for the last leg of the QE2's amazing | 0:50:32 | 0:50:38 | |
40 years at sea, before she begins her new life as a floating hotel in Dubai. | 0:50:38 | 0:50:46 | |
I always feel sad when I have to get off this ship, because I don't want to get off, | 0:50:46 | 0:50:50 | |
end of story, never have, from when I first came on her. | 0:50:50 | 0:50:53 | |
I never want to end the holiday on here. | 0:50:53 | 0:50:56 | |
I just don't want to get off. I want to stay on here for ever. | 0:50:56 | 0:51:00 | |
So I'm gonna feel even worse. I don't know how I'm gonna feel. | 0:51:00 | 0:51:05 | |
I know I'm gonna be very emotional. | 0:51:05 | 0:51:07 | |
It's been part of our life, part of our heritage. | 0:51:07 | 0:51:10 | |
Let's have a check, make sure you're all right... | 0:51:10 | 0:51:13 | |
It's another era, isn't it? We're moving into a new era of cruising. | 0:51:13 | 0:51:18 | |
We're losing the greatest cruise ship ever. | 0:51:18 | 0:51:21 | |
It's not just a ship to us. It's... | 0:51:23 | 0:51:26 | |
-A way of life. -Yeah. | 0:51:26 | 0:51:27 | |
-It is. -Our second home. | 0:51:27 | 0:51:30 | |
As the QE2 makes her way to Dubai, there are two other Cunard ships | 0:51:34 | 0:51:38 | |
plying their trade around the world's oceans. | 0:51:38 | 0:51:41 | |
The Queen Mary 2 is the flagship that has taken over QE2's transatlantic tasks. | 0:51:41 | 0:51:46 | |
The other ship is the Queen Victoria. | 0:51:46 | 0:51:50 | |
They'll be joined by a further cruise liner, the new Queen Elizabeth, in 2010. | 0:51:50 | 0:51:57 | |
She'll be a true Cunard Queen. She'll be reminiscent of ocean | 0:51:57 | 0:52:00 | |
liners of the past but with the modern conveniences of a new ship. | 0:52:00 | 0:52:04 | |
She'll have double and triple height spaces, elegance and grandeur, wood and mosaics and marbles. | 0:52:04 | 0:52:10 | |
She'll be a sister ship to Queen Victoria, but with some differences, to give her her own personality. | 0:52:10 | 0:52:16 | |
She really will be another Cunard Queen. | 0:52:16 | 0:52:18 | |
'Good afternoon, ladies and gentlemen. | 0:52:25 | 0:52:27 | |
'Here we are on the final leg of our voyage to Dubai. | 0:52:27 | 0:52:32 | |
'It is exactly 40 years to the day that this ship put to sea. | 0:52:32 | 0:52:36 | |
'Wherever you sail in the future, I do hope you take special and happy memories of this great ship. | 0:52:36 | 0:52:43 | |
'On that note, I shall wish you all a great stay in Dubai and a safe onward journey back home.' | 0:52:43 | 0:52:50 | |
The QE2 has carried millions of passengers around the world in grace and style. | 0:52:50 | 0:52:56 | |
After 40 years' service, the time has come to say goodbye. | 0:52:56 | 0:53:01 | |
As she approaches her final destination, she is escorted | 0:53:01 | 0:53:06 | |
into Dubai by a Royal Navy frigate and, just as on her first voyage, a flotilla of admirers. | 0:53:06 | 0:53:14 | |
The QE2, for me, the memory will be elegance, style, class, | 0:53:15 | 0:53:20 | |
and not all of the liners manage those three. | 0:53:20 | 0:53:25 | |
I really enjoyed it. My father had a tailor's store. | 0:53:25 | 0:53:30 | |
We lived in the back of a tailor's store. | 0:53:30 | 0:53:32 | |
It was very primitive. | 0:53:32 | 0:53:34 | |
So, to be on board the Queen, I should have been living | 0:53:34 | 0:53:37 | |
in steerage, but there I was in first class and I loved it all. | 0:53:37 | 0:53:43 | |
I think, the minute you walk onto the QE2, you get this feeling of glamour, | 0:53:43 | 0:53:49 | |
of being cosseted, of... if you like, another era. | 0:53:49 | 0:53:56 | |
There ain't another one like it. | 0:53:56 | 0:53:58 | |
There isn't going to be another one like it. | 0:53:58 | 0:54:01 | |
It's very, very special. | 0:54:01 | 0:54:03 | |
The people of Dubai give the QE2 a big welcome, just as the people | 0:54:04 | 0:54:09 | |
of Southampton had given her a big send-off 16 days earlier. | 0:54:09 | 0:54:13 | |
The final party on board brings the QE2's life as an ocean liner | 0:54:13 | 0:54:18 | |
to an emotional close. | 0:54:18 | 0:54:20 | |
# For auld lang syne, my dear | 0:54:23 | 0:54:27 | |
# For auld lang syne... # | 0:54:27 | 0:54:33 | |
The day has come. She has served her purpose, she's served it very well. | 0:54:33 | 0:54:38 | |
And it's good that she's going while she's still at the top of her profession. | 0:54:38 | 0:54:43 | |
It is the last great British-built transatlantic liner. | 0:54:43 | 0:54:46 | |
There'll never be another one. | 0:54:46 | 0:54:48 | |
For Captain McNaught, there remains one final duty. | 0:55:02 | 0:55:06 | |
As of 14.05 local meantime, Queen Elizabeth 2, Southampton, | 0:55:06 | 0:55:10 | |
call sign Golf Bravo Tango Tango, | 0:55:10 | 0:55:13 | |
was handed over to Nakheel Dubai | 0:55:13 | 0:55:15 | |
and is now under the management of V Ships Monaco. | 0:55:15 | 0:55:18 | |
All documents and certificates are in good order, | 0:55:18 | 0:55:21 | |
the ship's articles are closed and this log book is now closed. | 0:55:21 | 0:55:24 | |
Signed, Captain A McNaught, Master QE2. | 0:55:24 | 0:55:28 | |
All gone. | 0:55:28 | 0:55:30 |