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Welcome back to Trainspotting Live, our final sure, we're once again | :00:14. | :00:16. | |
celebrating everything to do with the rail network from tunnels to | :00:17. | :00:18. | |
bridges, stations and trains. Train spotters are not stuck in the past | :00:19. | :00:22. | |
but like the rest of us millions of railway enthusiasts they are excited | :00:23. | :00:26. | |
about the dawn of not just a new golden age but a titanium plated | :00:27. | :00:33. | |
carbon fire hydrogen powered era. Tonight we will be looking into the | :00:34. | :00:37. | |
future of Trainspotting with the newest and fastest and most exciting | :00:38. | :00:41. | |
trains on the network including some which are not even officially on the | :00:42. | :00:45. | |
tracks yet. You've already been helping us, we have three to show | :00:46. | :00:46. | |
you. I class 37, it's not the prettiest I | :00:47. | :01:07. | |
have to say. We also have video of a Class 66 hauling a new batch of | :01:08. | :01:20. | |
700's. Tonight our very own Dick Strawbridge has moved to the nation | :01:21. | :01:27. | |
's capital. I am at Clapham Junction, the biggest interchange in | :01:28. | :01:30. | |
the country. Over the course of the next hour more than 160 trains will | :01:31. | :01:35. | |
go through their station. I have my notebook and will bag as many as | :01:36. | :01:41. | |
possible. We will also be showing new Tim Dunn at possibly his most | :01:42. | :01:44. | |
excited ever as he got to ride on the train of the future. This is | :01:45. | :01:51. | |
magnificent! Look at this, and magnificent machine! Isambard | :01:52. | :01:58. | |
Kingdom Brunel. I am a mathematician so I will continue to crunch the | :01:59. | :02:02. | |
numbers and explore how we fit more trains onto this crowded network. A | :02:03. | :02:08. | |
commuter 's nightmare or a train spotters dream? And we have spotters | :02:09. | :02:11. | |
up and down the country and we want you at home to get out once again to | :02:12. | :02:15. | |
join this surge of national sporting. Your challenge tonight is | :02:16. | :02:21. | |
the EMU. I am talking about electrical trains, electrical | :02:22. | :02:27. | |
multiple units. There will be a new holy Grail to find as well. Welcome | :02:28. | :02:29. | |
to Trainspotting Live. We have been delighted that the | :02:30. | :02:42. | |
programme has caught the public 's imagination, and been able to spread | :02:43. | :02:47. | |
our love of Trainspotting country wide. We made front-page news today, | :02:48. | :02:57. | |
during the first programme on Monday I mistakenly said that some | :02:58. | :03:01. | |
wonderful footage of a Class 66 train was just in when in fact it | :03:02. | :03:05. | |
was a beautiful spot which was shot earlier in the year. Sorry for that. | :03:06. | :03:13. | |
Let's get straight to some spots of the InterCity 125 which come in | :03:14. | :03:18. | |
overnight. Bob from the National rail museum is here, let's look at | :03:19. | :03:19. | |
these. Classic location for a photograph. | :03:20. | :03:39. | |
Lovely shot. Beautiful. We have another one here spotted in Perth. | :03:40. | :03:46. | |
We'll have just come over the Highland line and involved | :03:47. | :03:53. | |
magnificent views. The holy grail was the elusive mail train, did we | :03:54. | :03:59. | |
get it? Of course we did. Here it is at Peterborough. All our post. Well | :04:00. | :04:09. | |
done for tracking down the holy Grail. We were so inspired we | :04:10. | :04:13. | |
decided to send our own Tim Dunn with the challenge of finding one | :04:14. | :04:19. | |
live tonight. Or from him later. Tonight we are coming up today and | :04:20. | :04:25. | |
try to spot a series of EMUs. What do they have to do with the railway? | :04:26. | :04:33. | |
They are the way that most people get to work, electrical multiple | :04:34. | :04:39. | |
units, lots of people on them going in and out all over the country. If | :04:40. | :04:45. | |
you want to join the army of life spotters up and down the country and | :04:46. | :04:49. | |
spots EMUs this is what you need look for. | :04:50. | :04:50. | |
The number of an electrical multiple unit - or EMU - can be found | :04:51. | :04:53. | |
either at the front or back end of the unit | :04:54. | :04:56. | |
The number has six digits, the first three denote its class. | :04:57. | :04:59. | |
Classes from 300-399 run off an AC current. | :05:00. | :05:15. | |
While 400-499 signify EMUs of the | :05:16. | :05:16. | |
southern region that need a DC current. | :05:17. | :05:18. | |
500 and above are for EMU classes which run outside of the | :05:19. | :05:21. | |
It is crucial to note the time and place of any spot. | :05:22. | :05:25. | |
Pen, notepad and camera are traditional spotters tools although | :05:26. | :05:27. | |
Only spot from public land, no trespassing, | :05:28. | :05:31. | |
never go on the tracks and no flash photography. | :05:32. | :05:35. | |
Stations are privately owned so if you spot | :05:36. | :05:37. | |
from one let the staff know you are there. | :05:38. | :05:40. | |
Finally an anorak is not obligatory but make sure you dress | :05:41. | :05:43. | |
You know the drill by now, every night we fill up the map with your | :05:44. | :06:00. | |
spots to get a picture of trains around the country, this was Monday, | :06:01. | :06:04. | |
all the Class 66s all over the country. Here we had the first holy | :06:05. | :06:17. | |
Grail, the flying banana. Then on the second day we had the map of | :06:18. | :06:25. | |
125's which go along the line we are on. Not so many appear -- up here. | :06:26. | :06:38. | |
And the mail train roaring up here to Scotland here and so on. Very | :06:39. | :06:44. | |
exciting. Onto today, where are we, we have the EMUs we are spotting, | :06:45. | :06:50. | |
not many coming in, this is Dick Strawbridge in Clapham and Tim Dunn | :06:51. | :07:00. | |
in Stafford. The line is not electrified jet and it will be in a | :07:01. | :07:05. | |
year or so, what we have got is the network down in the south and then | :07:06. | :07:09. | |
around Liverpool, Manchester, then Glasgow and Edinburgh. One or two | :07:10. | :07:13. | |
units are running around Newcastle and so on. It will fill up slowly. | :07:14. | :07:22. | |
Let's have a few EMUs. They are very good. Let's go to Martin in | :07:23. | :07:30. | |
Peterborough. Here is one. That's coming straight through. Rather nice | :07:31. | :07:41. | |
colour scheme. I think we might have another one here, here she is. | :07:42. | :07:43. | |
Pender we have a photograph from someone as | :07:44. | :07:57. | |
well. From Glasgow Central. It's got the saltire literary, could be going | :07:58. | :08:05. | |
to Edinburgh -- livery. Electrical multiple unit, it has the power on | :08:06. | :08:10. | |
the train, it is derived from electricity and it's either derived | :08:11. | :08:16. | |
from the third rail or the overhead. Each carriage is driven along by it, | :08:17. | :08:23. | |
there are only a few trailer cars. That's the state right now we will | :08:24. | :08:26. | |
talk about next year in a moment. Let's go to Martin in Peterborough, | :08:27. | :08:32. | |
are you Trainspotting? Yes, we are in Peterborough and it's been | :08:33. | :08:37. | |
brilliant this afternoon. Very busy indeed. What are you looking for? We | :08:38. | :08:43. | |
are looking at allsorts, in the last hour we have had ten Class 66 diesel | :08:44. | :08:49. | |
engines running on a variety of freight. But the highlight for me | :08:50. | :08:54. | |
this evening, a train I haven't seen for a long time was the Scotsman. | :08:55. | :08:58. | |
Right now we have a high-speed train coming in behind us. The Scotsman | :08:59. | :09:06. | |
train only runs mainly in Scotland, it's the luxury train, you pay | :09:07. | :09:13. | |
?10,000 to be on it for seven days. Behind you was on the east Coast | :09:14. | :09:20. | |
mainline presumably? Yes, that is coming down from the north in | :09:21. | :09:25. | |
towards King's Cross. What have you seen earlier today? Earlier today we | :09:26. | :09:32. | |
saw a class 91 amongst many other. Right back here it is! Class 9110 | :09:33. | :09:41. | |
yes? Yes, it commemorates the pollen from the First World War. It was | :09:42. | :09:47. | |
rebranded and it works up and down the east Coast Main line every | :09:48. | :09:50. | |
single day -- the fallen from the First World War. Tonights holy | :09:51. | :10:01. | |
Grail, we want you to spot this, the magnificent 91 110. The battle of | :10:02. | :10:10. | |
Memorial flight, why is it called that? This is amassed piece, it's a | :10:11. | :10:16. | |
locomotive that is the fastest Briton has ever had, 161 miles an | :10:17. | :10:22. | |
hour. Thank you for sending us that picture Philip. Send us your | :10:23. | :10:31. | |
pictures, any updates on social media or e-mail. | :10:32. | :10:40. | |
It's all very well for us to bang on about trains and the railways but | :10:41. | :10:46. | |
this new age needs new fresh blood. We sent our very own veteran extra | :10:47. | :10:52. | |
bridge too severed valley to search out the next generation of | :10:53. | :10:57. | |
enthusiasts. -- our very own veteran, Dick Strawbridge. Too | :10:58. | :11:04. | |
there is a lot to love in a beautifully restored old engine. She | :11:05. | :11:13. | |
was built in 1938 and in their day engines like this were the cutting | :11:14. | :11:17. | |
edge of design and technology. They take specialist skill and knowledge | :11:18. | :11:27. | |
to keep old engines like this live. The Heritage skills training Academy | :11:28. | :11:31. | |
works to pass on that expertise to a new generation. The workers! Max and | :11:32. | :11:42. | |
Christopher R apprentice engineers. Apprentices how long have you been | :11:43. | :11:47. | |
working here? Two and a half years for me. Almost three years. How long | :11:48. | :11:55. | |
is the apprenticeship? Four years in total. How did you choose to work on | :11:56. | :12:02. | |
the trains, is it a passion? It is, I blame Thomas the Tank Engine for | :12:03. | :12:06. | |
starting it. I can relate to the Fat controller! Are you train spotters? | :12:07. | :12:14. | |
It's just enjoyment really. It's more a fascination, sort of a | :12:15. | :12:18. | |
fascination, I wouldn't want to go too far but we find them pleasing to | :12:19. | :12:22. | |
watch and look at. Do you get the Mickey taken out of you? There is | :12:23. | :12:27. | |
some stigma but once you start showing your mates and taking them | :12:28. | :12:31. | |
to actually see an engine then they start to understand. Seeing what you | :12:32. | :12:36. | |
do they step back and think that's quite something to be involved with. | :12:37. | :12:43. | |
Do you have a favourite train? I would say whatever is easiest to | :12:44. | :12:48. | |
look after! The first thing you work on tends to be the one that sticks | :12:49. | :12:58. | |
in your mind. Other people will have something else. You do realise... I | :12:59. | :13:05. | |
just said the numbers and everything. You have just become a | :13:06. | :13:10. | |
spotter. And you did it so naturally. It's not the be all and | :13:11. | :13:15. | |
end all of our railway heritage of course. How are we doing? At one of | :13:16. | :13:22. | |
the newest shades of its kind retired diesel engines are also | :13:23. | :13:29. | |
preserved and these also attract young enthusiasts. We are draining | :13:30. | :13:36. | |
out the coolant. You are volunteers? And you can come and train the | :13:37. | :13:40. | |
coolant? They trust you with that already? I have been doing it for | :13:41. | :13:46. | |
years. What do you enjoy? I just like getting out of the house. What | :13:47. | :13:53. | |
is your favourite? This one, it is my baby. Class 37's, they can go any | :13:54. | :14:03. | |
where in the country. Are these kids really motivated by a love of their | :14:04. | :14:08. | |
heritage they are preserving? At the end of the day it's best to preserve | :14:09. | :14:14. | |
everything because its history. What do you think the future is of the | :14:15. | :14:18. | |
trains out on our mainline is now, will you be working on those in | :14:19. | :14:23. | |
future? It's a possibility but it also comes down to what Network Rail | :14:24. | :14:27. | |
want in the future as well. But I think with the way British people | :14:28. | :14:31. | |
are I think they will want to keep it because it's one of those things | :14:32. | :14:35. | |
where we are a bit nuts for trains and the idea of keeping things great | :14:36. | :14:37. | |
and being patriotically. Keep your tweets coming in and your | :14:38. | :14:53. | |
video, all these spots - marvellous. We had a tweet from Reading station. | :14:54. | :14:58. | |
He spotted a class 458523. I think it's a class 43 EMU, at 3 minutes | :14:59. | :15:09. | |
past 8. Steven Hughes spotted a rare class 6 EMU on to East Anglia East | :15:10. | :15:19. | |
Anglia Sudbury line. We were going to go live to Dick in Clapham but | :15:20. | :15:28. | |
we've lost him. This is what he sent a few moments ago. 377s the trains | :15:29. | :15:31. | |
are everywhere. This is a really busy station and I've got maim | :15:32. | :15:37. | |
problems trying to keep up. This platform alone there's 15 trains an | :15:38. | :15:41. | |
hour. That's nearly maximum capacity. We've got 17 platforms | :15:42. | :15:46. | |
here. Clapham Junction, we are talking about the best part of 2,000 | :15:47. | :15:51. | |
trains per day. That's not that surprising, because at the station | :15:52. | :15:58. | |
24 million passengers a year. That's just absolutely phenomenal. I've got | :15:59. | :16:04. | |
no idea how I'm supposed to collect them all. Thank you Dick. We have | :16:05. | :16:10. | |
200 years of rail heritage in this country, but the latest design is | :16:11. | :16:16. | |
getting the pulse of every enthusiast racing. The newest | :16:17. | :16:22. | |
high-speed train in the UK launches commercially next year. Tim Dunn was | :16:23. | :16:27. | |
among the first to clap eyes on it. It's remarkable, a train like this | :16:28. | :16:33. | |
in 2016 can still pull the cameras in. She's coming in now, Britain's | :16:34. | :16:40. | |
newest high-speed train. For someone like myself who finds railways | :16:41. | :16:43. | |
fascinating and believes railways are the future of transport in this | :16:44. | :16:49. | |
country, this is quite remarkable. This has drawn a crowd of people. | :16:50. | :16:58. | |
This is magnificent! Look at this, a truly magnificent machine. Isambard | :16:59. | :17:03. | |
Kingdom Brunel. Absolutely stunning. Here we go. We're on! | :17:04. | :17:14. | |
We'll find out later just how excited Tim got about riding on that | :17:15. | :17:20. | |
new train, on the cutting edge of design. Throughout our rail history | :17:21. | :17:24. | |
designers and engineers have had to innovate and break new ground | :17:25. | :17:31. | |
constantly. Perhaps the greatest designer of all kind was Isambard | :17:32. | :17:36. | |
Kingdom Brunel. 175 years ago he designed and built the Great Western | :17:37. | :17:41. | |
Railway to link the port of Bristol to London. It's one of the most | :17:42. | :17:46. | |
iconic railway lines in the country. At Didcot this centre is dedicated | :17:47. | :17:54. | |
to Great Western Railway, so who else to talk to than the curator. | :17:55. | :17:58. | |
Roger, what did Brunel represent? He was well ahead of his time, in that | :17:59. | :18:02. | |
he tried to design a high-speed railway line from London to Bristol | :18:03. | :18:08. | |
with the onset of using his steamships to carry people onwards | :18:09. | :18:11. | |
to the US of A. It was really the first true passenger high speed | :18:12. | :18:13. | |
railway in the country. What was important about the geography of it? | :18:14. | :18:19. | |
He managed to devise the line so it went from London to Bristol. | :18:20. | :18:22. | |
Virtually as flat as possible, and with minimal curves. He couldn't go | :18:23. | :18:29. | |
straight? Why not? He could, but there were various hills. But he | :18:30. | :18:33. | |
managed to get round them in the best way they could, which allowed | :18:34. | :18:39. | |
to locomotives at that time to go as fast as they could. An amazing an | :18:40. | :18:51. | |
amazing chap, and he built tunnels and bridges. As Jeremy Clarkson | :18:52. | :18:56. | |
said, one of the greatest Britons of all time. Brunel was obsessed with | :18:57. | :19:01. | |
getting everything right, particularly a smooth and fast | :19:02. | :19:09. | |
service. To test how good his and everyone's route was, people drew | :19:10. | :19:13. | |
circles. The better the circle, the smoother the line. Just look at | :19:14. | :19:19. | |
these. You can see the circles he was drawing on his broad gauge | :19:20. | :19:23. | |
railways. He wrote, the time is not far off when we should be able to | :19:24. | :19:30. | |
take your coffee and write while going noiselessly and smoothly at 45 | :19:31. | :19:35. | |
miles an hour. All of those engineering innovations over a cup | :19:36. | :19:39. | |
of coffee. Good for Brunel. Hannah is just down there to talk us | :19:40. | :19:46. | |
through another idea. I'm standing on it, Peter. This is a closed | :19:47. | :19:51. | |
museum and not an open track. This is what you will see up and down the | :19:52. | :19:56. | |
country. This track is what's called a standard gauge. Rails that are 4 | :19:57. | :20:01. | |
foot 8-and-a-half inches apart. But this here is what Brunel wanted us | :20:02. | :20:10. | |
to have, a 7 foot and a quarter inch gauge. Don't forget the quarter | :20:11. | :20:13. | |
inch. Brunel, who was a brilliant engineer, a logic behind this. One | :20:14. | :20:18. | |
of the reasons was you can have a more favourable centre of mass with | :20:19. | :20:23. | |
a broader gauge. This loco for example, imagine that this is a | :20:24. | :20:26. | |
standard modern width, and the centre of mass on this is right | :20:27. | :20:32. | |
here. That's average position of the mass in the logo. It is where the | :20:33. | :20:38. | |
gravity acts from. The force of gravity is going to act downwards. | :20:39. | :20:43. | |
But if there's a big gust of wind. If this vertical line falls outside | :20:44. | :20:48. | |
of this base, the loco is going to topple over. This will be fine | :20:49. | :20:52. | |
there. But as soon as it goes past that point, it will fall over. But | :20:53. | :20:58. | |
compare that to the broad gauge. Because it's much wider you can have | :20:59. | :21:03. | |
a boiler that sits a lot lower, but it is also going to have a lot lower | :21:04. | :21:10. | |
centre of mass. Understand makes, that means rather that it takes an | :21:11. | :21:14. | |
awful lot more for this line to go outside of the base of the train. At | :21:15. | :21:19. | |
small angles this loco is a lot more stable. Brunel was right about this. | :21:20. | :21:23. | |
Broader bases and lower centres of gravity are a lot more stable. If | :21:24. | :21:30. | |
you think what a rugby player does when they are tackled, spread their | :21:31. | :21:34. | |
legs wide to lower their centre of gravity, this was a great idea, but | :21:35. | :21:37. | |
unfortunately Brunel was too late with it. There was too much momentum | :21:38. | :21:41. | |
behind the standard gauge, and economics got in the way. Eventually | :21:42. | :21:44. | |
the stability that Brunel was after came about in some other ways. What | :21:45. | :21:49. | |
about that cup of coughee on a modern train that brine was up of | :21:50. | :21:55. | |
coughee on a modern train that brine was after you've dump -- what about | :21:56. | :22:02. | |
that cup of coffee on a modern train that Brunel was after about. The | :22:03. | :22:06. | |
secret is that trains can tilt into a curve. So here is a train that is | :22:07. | :22:16. | |
bolt up right and it is going around the curve in this direction. You | :22:17. | :22:28. | |
have gravity pulling it downwards, and you also have a centre of force | :22:29. | :22:33. | |
pushing it out. That's why when you are in a car you slide outwards. The | :22:34. | :22:39. | |
net effect of these two forces is one that acts. What a tilting train | :22:40. | :22:47. | |
does is align that carriage to the direction of that net force. That | :22:48. | :22:51. | |
means that it feels like that force is pushing you and your coffee into | :22:52. | :22:53. | |
the floor. This is an example of what's | :22:54. | :22:57. | |
happening in a tilting carriage. You've got your gravity, your force, | :22:58. | :23:03. | |
your diagonal net force. But this time is carriage is aligned with | :23:04. | :23:06. | |
that force. That's a slightly extreme example. We don't really get | :23:07. | :23:10. | |
carriages that tilt that much. Weirdly, if you get this perfectly | :23:11. | :23:13. | |
right and utility that carriage in that direction like they did in the | :23:14. | :23:17. | |
original tilting trains, the APTs the, it makes people feel a bit | :23:18. | :23:23. | |
sick. You see yourself going around the corner, you expect to be pushed | :23:24. | :23:29. | |
to the side. And when you are not, your body ends up freaking out. So | :23:30. | :23:43. | |
the new tilting trains, the Pendolinos don't. | :23:44. | :23:46. | |
One of the awkward parts about the brine were the two different gauges. | :23:47. | :23:54. | |
At certain point in the country you have to transfer goods from a | :23:55. | :23:59. | |
standard gauge freight train into a broad gauge freight train or vice | :24:00. | :24:05. | |
versa. They built transfer sheds to show that process. | :24:06. | :24:08. | |
So here is a standard gauge train waiting to receive goods or | :24:09. | :24:12. | |
passengers and here is the broad gauge. What happens? There would be | :24:13. | :24:16. | |
lots of people here, certainly when dealing with goods or freight | :24:17. | :24:21. | |
trains. Lots of people carrying the parcels from one train to the other. | :24:22. | :24:27. | |
The time it took became unbearable really. Extraordinary. Is it sad we | :24:28. | :24:34. | |
lost the broad gauge? It was inevitable. Inevitably it couldn't | :24:35. | :24:40. | |
last because of that break of gauge, which meant that you had to move | :24:41. | :24:45. | |
goods from one place to another. But if he had survived the broad gauge | :24:46. | :24:52. | |
beyond 1890, would we be happier and more comfortable and calm in broad | :24:53. | :25:02. | |
gauge trains? We believe so. Looking forward, our trains would have been | :25:03. | :25:06. | |
going a lot feast, possibly without the need for brand-new railway | :25:07. | :25:10. | |
lines. Brunel was talking about going at 45 miles an hour. Bob, | :25:11. | :25:17. | |
looking at what Brunel would make of today's railways, what do you think | :25:18. | :25:23. | |
would have said, and what about the future? He would have been for High | :25:24. | :25:27. | |
Speed 2 and Maglev. Knowing brunette he would have some odd side views as | :25:28. | :25:33. | |
well to throw into the mix. They that a lot with his career. An | :25:34. | :25:38. | |
extraordinary man Brunel. You owe everything to him here. Without him | :25:39. | :25:43. | |
we wouldn't be here. Brunel was part of a revolution commune cation. | :25:44. | :25:47. | |
Across the country railways were letting us to send letters and | :25:48. | :25:52. | |
parcels faster than before, with the original mail train running in 1830 | :25:53. | :25:58. | |
on the Liverpool and Manchester railway. Yesterday we sent you task | :25:59. | :26:02. | |
of tracking down its modern ancestors and you did. Today it's | :26:03. | :26:09. | |
Tim's turn. How are you doing? I'm here in not so sunny Stafford | :26:10. | :26:12. | |
tonight on the platforms. I was here to see one of the unusual trains on | :26:13. | :26:20. | |
the British network, the class 325 EMU, the mail train. That hasn't | :26:21. | :26:29. | |
come through but we've seen two classes. Built at Crewe a few years | :26:30. | :26:33. | |
ago, and two came chuntering through earlier today. While waiting for it. | :26:34. | :26:44. | |
However, we have also had just earlier than that, the mail train. A | :26:45. | :26:48. | |
little bit earlier than expected, as all the best things do. That came on | :26:49. | :26:58. | |
board and came whizzing past about 10 minutes ago, ahead of schedule. | :26:59. | :27:05. | |
Straight past us and the people on the platform tonight. | :27:06. | :27:07. | |
This this station was rebuilt. This is a modern station under the wires. | :27:08. | :27:12. | |
The entire route was rebuilt as part of the BR modernisation plan of the | :27:13. | :27:21. | |
1950s. In 1962 this re-opened in a modernist, brutalist style. We spent | :27:22. | :27:25. | |
some time at the station looking at the details. It is built of | :27:26. | :27:28. | |
concrete. Not necessarily what everyone enjoys, but I rather | :27:29. | :27:34. | |
enjoyed it. A lot of famous trains on this route. We've had the Royal | :27:35. | :27:42. | |
Scot and the Coronation Scot, and the tilting APT. The in 1936 this | :27:43. | :27:53. | |
route was made famous by WH Auden's poem about the night mail. At that | :27:54. | :27:58. | |
time it was a different place to it is now. That mail train tonight was | :27:59. | :28:01. | |
different to the original night mail, in 1936. Back then the railway | :28:02. | :28:04. | |
was something of a social network, perhaps the first, connecting people | :28:05. | :28:08. | |
and places and families with mail and messages. This mail train has | :28:09. | :28:13. | |
gone through. Through. In all its red and yellow glory. That's full of | :28:14. | :28:19. | |
second class rail from Scotland to London. If you also see any more | :28:20. | :28:24. | |
trains tonight, whether you see that mail train go past, maybe 15 minutes | :28:25. | :28:32. | |
early, e-mail us or go to the website or Twitter on the last night | :28:33. | :28:36. | |
of Trainspotting Live. We've got three tweets here. Alex Lewis, 8.19, | :28:37. | :28:46. | |
he has seen a 465180 at Kidbrooke. That'sen EMU. X Lewis, 8.19, he has | :28:47. | :28:53. | |
seen a 465180 at Kidbrooke. That'sen EMU. -- that's an EMU. Dan C on | :28:54. | :29:01. | |
Twitter at 8.20 as a class 350 at western Milton and a class 390 EMU | :29:02. | :29:06. | |
seen by Oliver Griggs at Birmingham New Street. That was at a quarter | :29:07. | :29:11. | |
past 8. It is not just the railways themselves affected by technological | :29:12. | :29:17. | |
advances, new technology is helping the world of the enthusiast. And | :29:18. | :29:24. | |
that's the Oxford line spinning past, probably giving us a hoot as | :29:25. | :29:30. | |
he knows we are live in the transfer shed! We'll look now at a model | :29:31. | :29:41. | |
maker. All aboard! My name is Will Jarman and I'm a railway modeller | :29:42. | :29:49. | |
and artist and designer too, so I'm a bit of a create Ivan rack I | :29:50. | :29:54. | |
suppose. What you see, it is a model of Victoria bridge, which was once | :29:55. | :29:59. | |
the biggest single-span bridge in the world. Back in the Victorian | :30:00. | :30:01. | |
era. About 200 yards It's a bit like how a builder would | :30:02. | :30:27. | |
make the foundations of a house. Piece by piece it prints a cake the | :30:28. | :30:36. | |
cake shop. I have measured out the floor plan, I haven't measured the | :30:37. | :30:45. | |
roof. You can guess by counting bricks and measuring the proportions | :30:46. | :30:49. | |
of the windows. It works out about right. It's a bit like standing on a | :30:50. | :30:53. | |
platform taking down numbers but I have gone and taken down the | :30:54. | :30:56. | |
measurements of a building instead. It's like being a sculptor without | :30:57. | :31:01. | |
any rock and you're on a computer screen. It probably took about two | :31:02. | :31:05. | |
hours to get that made and then straight into the machine. Every | :31:06. | :31:12. | |
good models should include a model of the person that made it so I am | :31:13. | :31:17. | |
present in the scene. If you look amongst the trees you can see a man | :31:18. | :31:21. | |
with an odd looking jacket and a camera and that's me. People respond | :31:22. | :31:27. | |
to it as much as a painting. Which in a slightly pretentious way is | :31:28. | :31:32. | |
quite pleasing. Wonderful to see someone like that. Well done. Some | :31:33. | :31:45. | |
tweets coming in. Clapham Junction at 11 minutes past eight. Another | :31:46. | :31:55. | |
scene for four for passing through. Another sending us a class 319 in | :31:56. | :32:03. | |
Salford heading towards Manchester. And now I think we are going to see | :32:04. | :32:07. | |
some pictures we have been sent, a class three to two at Leeds. Thanks | :32:08. | :32:15. | |
for that. Give as a quick description. 322, I think it's very | :32:16. | :32:24. | |
appropriate it at Leeds as it was built there. That kind of train | :32:25. | :32:31. | |
might be going down the air Valley, might be going across to Oakley. | :32:32. | :32:41. | |
Wesley Centre is one as well from entry -- Wesley sent us one. -- from | :32:42. | :32:47. | |
Aintree. What a great site. We are holding | :32:48. | :33:05. | |
up, your spots coming in, a lot on the Brighton line which is vital. | :33:06. | :33:12. | |
And one going down to Kent. And here they are going up the east coast. | :33:13. | :33:18. | |
Quite a lot from the North as well. Yes but this is not a lecture five, | :33:19. | :33:27. | |
Manchester, Leeds. -- this is not electrified, Manchester, Leeds. We | :33:28. | :33:34. | |
are going to Edinburgh to see what's happening. How are you doing? What | :33:35. | :33:44. | |
is happening? We saw quite a few trains arrive, and 91 from King's | :33:45. | :33:48. | |
Cross, the service from Penzance, probably one of the longest journeys | :33:49. | :33:52. | |
on the network today from Penzance to Glasgow Central in just under 12 | :33:53. | :33:59. | |
hours. That's terrific. In Scotland you have EMUs all over the place. | :34:00. | :34:04. | |
Yes, they are starting to come out now. This was one earlier today. | :34:05. | :34:13. | |
That is Scott Riddell? Yeah. One has to say, the steam trains | :34:14. | :34:30. | |
were more beautiful than all this stuff? Yes, in years gone by you | :34:31. | :34:38. | |
would have the coronation arriving, then in the 1950s there was a decent | :34:39. | :34:42. | |
service which you can find on YouTube, very interesting to take | :34:43. | :34:47. | |
you back to the day and lets you see Edinburgh Waverley as it was years | :34:48. | :34:54. | |
ago. Thank you. Trainspotting is a quintessentially British passion, or | :34:55. | :34:58. | |
is it? Are American cousins seem to take it to the next level? This | :34:59. | :35:06. | |
infamous clip that you will see when fired all, it's a long way removed | :35:07. | :35:11. | |
from our more dignified enthusiasm on these shores. Take a look at | :35:12. | :35:17. | |
that! All my guard! Listen to that horn! All my | :35:18. | :35:35. | |
oh my guard! LAUGHTER Incredible. Dick, you are an | :35:36. | :35:50. | |
enthusiastic man, what did you think of that? I love it. I appreciate it | :35:51. | :35:58. | |
when we see something new. Slight technical problems here at Clapham | :35:59. | :36:03. | |
but we are having a ball. Trainspotting is quite difficult | :36:04. | :36:06. | |
here but I'm getting the hang of it. Earlier on today I got some really | :36:07. | :36:15. | |
good guidance. 87 for. That is a 455. What excites you about the | :36:16. | :36:25. | |
EMUs? I like the different colours of the different operators, we have | :36:26. | :36:30. | |
all these different colours. I get a bit confused and that will be a | :36:31. | :36:33. | |
theme going through today, that was a big one, two together. Yeah, two | :36:34. | :36:42. | |
in multiple. How do you collect the numbers? You just have to be careful | :36:43. | :36:47. | |
as they come through. Get the front and the tail. I don't see a | :36:48. | :36:56. | |
notebook? I have got our camera, I can slow it down, see it frame by | :36:57. | :37:01. | |
frame to get the tiny numbers. I will keep my eyes open, this place | :37:02. | :37:07. | |
is manic. That's a 450 going towards London Waterloo. 020. | :37:08. | :37:20. | |
I've missed one. Another 455. What do you do with the numbers as you | :37:21. | :37:32. | |
collect them? It seems like it's cheating to do that? I film them. I | :37:33. | :37:43. | |
missed another one! I film them and edit the videos, take the numbers | :37:44. | :37:47. | |
and I have a website where I keep a log of everyone I have seen and went | :37:48. | :37:51. | |
to the video I have made. Does it count as me seeing it if I watch | :37:52. | :37:55. | |
your video? That depends what rules you are playing by? You have seen it | :37:56. | :38:01. | |
just not in the flesh. I just think I have two practice more. Practice | :38:02. | :38:07. | |
makes perfect. I have this very proud spot, Mark, what is the newest | :38:08. | :38:15. | |
thing you have seen? The class 700, brand-new train. When you get to be | :38:16. | :38:22. | |
my age what are you going to remember as being the most important | :38:23. | :38:27. | |
train of your youth? Probably something like the 700, it's one of | :38:28. | :38:30. | |
the most advanced trains they have ever had. It's something to see how | :38:31. | :38:38. | |
the technology changes. When it comes to capturing the trains what | :38:39. | :38:42. | |
about the old trains, are you interested in them as much? I like | :38:43. | :38:48. | |
the new ones because they are sleek and modern and comfortable, the best | :38:49. | :38:53. | |
we have had. It's nice to to see whether future is to be. I am | :38:54. | :38:57. | |
feeling the pressure a little bit here because... I don't have any | :38:58. | :39:06. | |
700's in my book! LAUGHTER For heavens sake, enough of this | :39:07. | :39:12. | |
modern stuff. Some people want a look back, some people continue to | :39:13. | :39:15. | |
look back and preserve the past including my next guest. You have | :39:16. | :39:20. | |
been collecting lots of tickets, how many do you have? I don't know, it | :39:21. | :39:27. | |
must be about 3500 so. Show us your favourite. This one from south | :39:28. | :39:34. | |
Wales, it closed in 1964. On the right is the Great Western Railway, | :39:35. | :39:45. | |
very much in enlarged form. This ticket was issued at few weeks | :39:46. | :39:54. | |
before the line was closed. This is 000, the first of the series and | :39:55. | :40:02. | |
probably the only one in existence. This one was issued in 1869 Ron | :40:03. | :40:07. | |
Crouch end on the Northern Heights line which closed in 1954. It was | :40:08. | :40:15. | |
issued for a parliamentary journey at the minimum fare of one old penny | :40:16. | :40:22. | |
per mile. That was stipulated by the railway regulation act. Why are they | :40:23. | :40:30. | |
all pretty colours? Every tickets, Edwards as though it has its place | :40:31. | :40:35. | |
of origin and then the destination on the ticket. The coloured | :40:36. | :40:42. | |
generally indicated the class, first, second and third. And there | :40:43. | :40:49. | |
are various prints to indicate validity for children, returns, all | :40:50. | :40:53. | |
sorts of things like that. Over here we have an example of a much later | :40:54. | :40:59. | |
ticket, one of series printed in 1970 for train spotters. Very much | :41:00. | :41:06. | |
an enlarged version, this is the original. A series of seven of these | :41:07. | :41:11. | |
produced, each displaying a class of locomotive that you could see at | :41:12. | :41:16. | |
Reading station. On the back of the ticket, technical details about the | :41:17. | :41:21. | |
locomotive concerned. Have you had to pay for each one you took a | :41:22. | :41:29. | |
ticket from? You paid to get on the platform. It was a bit more than the | :41:30. | :41:34. | |
regular rate for a platform ticket. How long will you keep doing this? | :41:35. | :41:42. | |
Till you are 70, 80, 90? I am already passed 70! Until I can do it | :41:43. | :41:49. | |
any longer. Are the valuable? Some of them have value. I would not part | :41:50. | :41:55. | |
with the first one I should you. An exclusive ticket that any rail | :41:56. | :41:58. | |
enthusiast would get their hands on is the one which allowed Tim Dunn to | :41:59. | :42:03. | |
write the super express train. We rejoin him as he tries to contain | :42:04. | :42:06. | |
himself for the short journey between Reading and London. Three | :42:07. | :42:14. | |
rows in on the left-hand side. Thank you very much. Free | :42:15. | :42:20. | |
lets look in the goody bag. A colouring book, that's what irony | :42:21. | :42:34. | |
want. Fabulous. -- that's what I really want. What else have we got? | :42:35. | :42:44. | |
Top Trumps. Lovely. This is the kind of blockbuster I want to come to. | :42:45. | :42:54. | |
Completely smoothly, without sound. Completely silent. Almost completely | :42:55. | :42:58. | |
silent. We are celebrating and that's the | :42:59. | :43:12. | |
rail benefit. The speed at which it accelerates. It gets to 105 mph a | :43:13. | :43:18. | |
whole minute faster than 125 ever could and that is fantastic because | :43:19. | :43:21. | |
it means journey times are cut and you can fit more trains onto the | :43:22. | :43:27. | |
same piece of line. The class 800 is made in Japan but will be assembled | :43:28. | :43:33. | |
in County Durham, Britain's first rail manufacturing facility for 150 | :43:34. | :43:40. | |
years. 59 train sets will travel the great Western and virgin east Coast | :43:41. | :43:48. | |
mainline. We are now approaching London Paddington. The first time | :43:49. | :43:54. | |
this train has been into the station. I hope you are enjoying | :43:55. | :44:01. | |
this first-ever trip. We have just arrived at London Paddington on | :44:02. | :44:05. | |
Britain's newest express train. London Paddington where I first came | :44:06. | :44:09. | |
to look at trains with my dad, to come and look at 125's. And here we | :44:10. | :44:14. | |
are arriving on its replacement. William. -- brilliant. And the day | :44:15. | :44:23. | |
just gets better, they even let me into the cab. This is truly | :44:24. | :44:31. | |
computerised, so far beyond anything I have seen in a locomotive. How | :44:32. | :44:39. | |
complex is it to drive? Not at all, once you are used to the system and | :44:40. | :44:42. | |
you have two interact with the screen on the right-hand side, the | :44:43. | :44:47. | |
TMS, that the driver machine interface. Login to that before you | :44:48. | :44:51. | |
drive it and that monitors everything on the train that is | :44:52. | :44:55. | |
going on. If you get a fault it tells you and how to rectify it. | :44:56. | :44:57. | |
That was magnificent wasn't it? Our Holy Grail challenge to you | :44:58. | :45:10. | |
tonight is red hot. 15 minutes to go and nobody yet has told us they've | :45:11. | :45:19. | |
seen the 91110 speeding up the East Coast mainline. That's the challenge | :45:20. | :45:23. | |
for you. Tim, today you bagged that rare beast the mail train. Surely | :45:24. | :45:27. | |
there is nothing left for you to spot is there? I think I have | :45:28. | :45:35. | |
probably reached the peak. This afternoon we managed to see | :45:36. | :45:39. | |
something that summed up the past two evenings here on train train. | :45:40. | :45:46. | |
46115 Scots Guardsman, a steam locomotive, being hauled down south | :45:47. | :45:50. | |
from carn forth so Southall. Two things in the past two nights, a | :45:51. | :45:56. | |
steam locomotive and a class 36 together. By pure coincidence coming | :45:57. | :46:00. | |
down this evening. Some of the enthusiasm that we've been able to | :46:01. | :46:06. | |
show and the people we've been able to depict over the past two | :46:07. | :46:13. | |
evenings, and show people are WHO are not enthusiasts, it is a tryly | :46:14. | :46:18. | |
lovely hobby with lovely people and we've had an awful lot of fun. Thank | :46:19. | :46:23. | |
you Tim. Tim. Your joy and enthusiasm has been a delight to | :46:24. | :46:29. | |
behold. Organising the train time tablings so the trains we enjoy runs | :46:30. | :46:34. | |
on time is something I can't begin to get my head around, so I asked | :46:35. | :46:38. | |
Hannah to do it instead. There are some crucial questions that need | :46:39. | :46:44. | |
answering to keep all of these high speed hi-tech trains running on | :46:45. | :46:48. | |
time. The calculations are incredibly complicated. To | :46:49. | :46:52. | |
understand it you need to get to grips with the principles of railway | :46:53. | :46:57. | |
signalling. That's why I'm here with some traditional-style signals at | :46:58. | :47:01. | |
Didcot Park way. You can see in the background the red is in your | :47:02. | :47:07. | |
direction. The black ones are for trains in the other direction. When | :47:08. | :47:11. | |
they are hang, it is safe to go. When they are horizontal, it means | :47:12. | :47:16. | |
don't go. And you have the points on the track to make sure you don't | :47:17. | :47:18. | |
have two trains merging on the same track. This is controlled from the | :47:19. | :47:24. | |
signal box up here. And today our signaller is Andrew. He's going to | :47:25. | :47:28. | |
explain to me how this works. Hello Andrew. Thank you very much for | :47:29. | :47:33. | |
having us. Tell me, what do the different coloured levers do? The | :47:34. | :47:39. | |
red ones control signals, the black control points and the blue lock | :47:40. | :47:44. | |
things in place, like the points. How do you change the signalling, | :47:45. | :47:49. | |
just pull a lever? Yes, this one, push it towards. Gosh! That's | :47:50. | :47:56. | |
heavier than I was expecting. Yes. You would get some good guns doing, | :47:57. | :48:00. | |
that that's for sure. And changing the points, how do you do that? You | :48:01. | :48:05. | |
have to unlock them first. You have to push the lock back. It is quite | :48:06. | :48:12. | |
stiff. And how do you know when to change what? If you didn't have | :48:13. | :48:20. | |
radio or phone? The signalman would follow the timetable he is given. | :48:21. | :48:27. | |
OK. And I guess this is doable on a timetable if there are only a few | :48:28. | :48:31. | |
trains running a day. But London Bridge at 9 o'clock in the | :48:32. | :48:35. | |
morning... Quite a stressful task. As our railways become Mo crowd, | :48:36. | :48:40. | |
signalling and timetables become more complicated. I went up to | :48:41. | :48:44. | |
Manchester to find out more about it. Network Rail is constantly | :48:45. | :48:51. | |
trying to squeeze out every last bit of capacity in the network. | :48:52. | :48:54. | |
Understand involves scrutinising everything from how quickly | :48:55. | :49:00. | |
passengers get on and off the trains to what the minimum distance can be | :49:01. | :49:04. | |
between the trains on the network. The end result is called the working | :49:05. | :49:08. | |
timetable, which outlines the positions of every train on the | :49:09. | :49:15. | |
track. With around 22,500 train journeys every day, Network Rail | :49:16. | :49:24. | |
employs and Army of the 00 of 300 people to manage this timetable. If | :49:25. | :49:30. | |
you put the timetable it is a heft book and lots of numbers. We use the | :49:31. | :49:34. | |
graphs to represent what we are looking at. Complex graphs like this | :49:35. | :49:41. | |
one covering train movements around Huddersfield are based on time and | :49:42. | :49:44. | |
distance. If you wanted to have a particular train and plot it on this | :49:45. | :49:48. | |
graph, it starts off at a particular station at a certain distance and | :49:49. | :49:53. | |
time, and travels through your network, with let's say at a | :49:54. | :49:58. | |
constant speed. In an ideal world they hatch this pattern, travelling | :49:59. | :50:03. | |
nice and fast, four minutes apart. That's a timetabler's dream. All the | :50:04. | :50:08. | |
trains the same. The problem is you also want slower local trains. On | :50:09. | :50:12. | |
this graph that means a shallower line which crosses those of the | :50:13. | :50:15. | |
faster trains. What that effectively means is you've got two trains at | :50:16. | :50:21. | |
exactly the same point on the rill network at exactly the same time. | :50:22. | :50:25. | |
You really want to avoid that. When you look at them at first think look | :50:26. | :50:30. | |
like aat. When you look at them at first think look like a massive mess | :50:31. | :50:34. | |
- no offence. Yes, they do. Where the lines cross you are talking | :50:35. | :50:36. | |
about two trains being in the same place at the same time? We plan | :50:37. | :50:44. | |
around this to make sure that didn't happen. So you've got a short bit of | :50:45. | :50:47. | |
track where you can fit two trains? Yes. What about this one? That's in | :50:48. | :50:54. | |
the opposite direction. Oh yes. Just checking that you've done your maths | :50:55. | :50:59. | |
correctly. So if you wanted to fit another train in here somewhere, how | :51:00. | :51:04. | |
do you do it? With great difficulty. There's a little bit of space there | :51:05. | :51:10. | |
maybe. Put it through there? You could, have that as a gap. However, | :51:11. | :51:14. | |
you've got a slower train there anyway, so do you want two doing the | :51:15. | :51:18. | |
same thing a couple of minutes apart? Not really. So with these, | :51:19. | :51:22. | |
could you make that a bit faster? You could, but it's still got to | :51:23. | :51:27. | |
pass him somehow, in this stretch here, so unless that one speeds up, | :51:28. | :51:32. | |
as wells that once you are not going to get past. How far in advance are | :51:33. | :51:38. | |
you working with these usual time tails? Dvance are you working with | :51:39. | :51:43. | |
these usual time tails? -- timetables. We do go 30 years in | :51:44. | :51:52. | |
advance to plan capacity no. So 2040? Yes, we are looking at 2043 | :51:53. | :51:59. | |
now. You can't fix down what the railway will look like in 2043 at | :52:00. | :52:05. | |
this point? No, we take current knowledge, work out the growth and | :52:06. | :52:09. | |
try and plan the best. It is phenomenally complicated. It can be. | :52:10. | :52:14. | |
Very impressive. Thank you. Smashing glimpse of the future. And with | :52:15. | :52:19. | |
trains like Tim's superexpress coming on the network, with the | :52:20. | :52:25. | |
existing stock, it is only going to get even more complicated. Good luck | :52:26. | :52:31. | |
Network Rail. Let's see if anyone has spotted the 9110, the Battle of | :52:32. | :52:37. | |
Britain Memorial Flight. It should but here somewhere. One thing that | :52:38. | :52:41. | |
worries me is the speed of these things. We talk about the new | :52:42. | :52:44. | |
express train, all the excitement, but if they are not going to go any | :52:45. | :52:52. | |
faster than 150s. They cannot. Until we build a new line or deal with our | :52:53. | :52:56. | |
signalling system that will enable more trains on the network. How do | :52:57. | :53:00. | |
you deal with the signalling system? You can go away from having | :53:01. | :53:07. | |
geographically placed mechanical signals and put them in the cab, so | :53:08. | :53:11. | |
the train is controlled from inside the cab. Hannah has some tweets. I | :53:12. | :53:17. | |
have unconfirmed reports that 9110 has just got Peterborough. But it is | :53:18. | :53:24. | |
unconfirmed, no photo. We've got Twitter, Jack Bruce spotted a class | :53:25. | :53:29. | |
320 from Glasgow. That tweet was sent at 2032. We also have Jack | :53:30. | :53:34. | |
Andrews class 390 at Wick. That tweet was sent at 2033. And a class | :53:35. | :53:42. | |
333 spotted at Leeds by Phil Jackson at 2030. A great start. It is time | :53:43. | :53:47. | |
to wrap up our final spot. All choose a favourite spot from the | :53:48. | :53:52. | |
past three shows. Bob, what's yours? The little Network Rail measuring | :53:53. | :53:56. | |
train, the baby brother of the Flying Banana we talked about a lot. | :53:57. | :54:02. | |
There it is close to where I live, in theirs borough. It is just doing | :54:03. | :54:06. | |
its job making sure the line was safe. Hanna? I really like the King | :54:07. | :54:13. | |
Edward on Monday. But I also, my favourite spot is this from Twitter, | :54:14. | :54:19. | |
which is of the Flying Banana peeking around the corner. Lovely. | :54:20. | :54:26. | |
Mine is simple. It is steam for me and it is the Black Five loco in | :54:27. | :54:31. | |
Fort William. Listen to this wonderful locomotive approaching us. | :54:32. | :54:37. | |
Listen to that. And look at the power of the wheels and the | :54:38. | :54:42. | |
connecting rods, the firstons inside. Inside. And the pistons | :54:43. | :54:47. | |
inside. It is fantastic. Dick, we've all done our favourite spots. What | :54:48. | :54:54. | |
about you, what is your favourite spot? We are still trainspotting and | :54:55. | :54:57. | |
Nick is joined me from Doncaster. Nick, we've had a ball. We've been | :54:58. | :55:02. | |
to Doncaster, Swindon, Clapham Junction. We've seen lots of 66s, | :55:03. | :55:11. | |
lots of 91s. Never mind lots of 66s. What was the main one? 66719, | :55:12. | :55:20. | |
Evening Star. It was great. I think that of all the 66s, I've seen them | :55:21. | :55:27. | |
in Swindon and here, that was one of the things, I think I like freight. | :55:28. | :55:32. | |
I don't know if it is noble. What about the Darth Vaders? I think they | :55:33. | :55:37. | |
are a bit scary. We saw a few of these, the 180s at Doncaster. And | :55:38. | :55:41. | |
you saw the 125s that you thought were Darth saiders as well. I got | :55:42. | :55:49. | |
those mixed up. At Swindon the sheer quantity of 43s, but the potential | :55:50. | :55:54. | |
43 was Sir Kenneth Grange. Have you seen it? Not with that name I | :55:55. | :56:00. | |
haven't, but I have seen them all. You've seen them all? Yes. In that | :56:01. | :56:06. | |
livery? No, but I saw them all by 1980. I must have something in my | :56:07. | :56:12. | |
book you haven't seen. What about the new Gatwick ones? I've only seen | :56:13. | :56:18. | |
three. I have seen things he hasn't seen and my book is getting fatter. | :56:19. | :56:24. | |
Thank you to the station staff and to the people looking after that, | :56:25. | :56:28. | |
and most of all the Army of spotters, Nick as well. Well, I do | :56:29. | :56:33. | |
hope you've enjoyed the programme as much as we have. We tried to bring a | :56:34. | :56:37. | |
line through the great sweep of when Britain invented the locomotive to | :56:38. | :56:42. | |
two centuries of change to what the railways are like today. And we've | :56:43. | :56:45. | |
taken a glimpse into the challenges of the future. And we've celebrated | :56:46. | :56:52. | |
the uniquely British and eccentric passion of our train enthusiasts | :56:53. | :57:00. | |
across the country, as well as seeing the best locos. We have time | :57:01. | :57:05. | |
to thank everyone here at Didcot railway station. Thank you to Bob | :57:06. | :57:08. | |
and the National Railway Museum in York and all those people who helped | :57:09. | :57:15. | |
us out with our filming. And we thank the rail enthusiasts, and the | :57:16. | :57:21. | |
keen old trainspotter who called us, sent their photos and footage and | :57:22. | :57:25. | |
have been out there spotting with us. And thank you for joining us and | :57:26. | :57:33. | |
making us nation of supports. Let's have an Army of enthusiasts. We are | :57:34. | :57:37. | |
going to leave you with some to which best footage you've sent us | :57:38. | :57:42. | |
over the last few weeks and the last few epic days. Handbrake is off. | :57:43. | :57:44. | |
Goodbye! I love it to bits. Well spotted, | :57:45. | :59:03. | |
Dick! I can see steam and smoke on the horizon. A truly magnificent | :59:04. | :59:05. | |
sight. SONG: Night and Day by Ella | :59:06. | :59:17. | |
Fitzgerald. Have you recorded anything? Yes. All | :59:18. | :59:34. | |
the Class 66s. You've spent us all of these. Brilliant! There is | :59:35. | :59:48. | |
something nice about that. Oh yes. And divided by 33,000, because | :59:49. | :59:51. | |
imperial units are weird. | :59:52. | :59:55. |