
Browse content similar to Royal Victoria Hospital. Check below for episodes and series from the same categories and more!
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100 years ago, this stretch of Southampton Water was | 0:00:02 | 0:00:05 | |
black with ships. | 0:00:05 | 0:00:07 | |
It was the First World War and they were carrying troops back | 0:00:07 | 0:00:11 | |
and forth from the Western Front. | 0:00:11 | 0:00:14 | |
Packed into hospital ships were thousands of wounded soldiers. | 0:00:14 | 0:00:18 | |
They were brought here to Netley, | 0:00:19 | 0:00:21 | |
a village on the south coast of Hampshire. | 0:00:21 | 0:00:23 | |
At the time it was the location for the largest military hospital | 0:00:23 | 0:00:27 | |
ever built. A vast Victorian edifice, sprawling along the shore. | 0:00:27 | 0:00:33 | |
For some it would be a place of peace and recuperation. | 0:00:33 | 0:00:36 | |
For others it became a prison, a place of shadows and nightmares. | 0:00:38 | 0:00:41 | |
In this programme I will be discovering previously unseen | 0:00:43 | 0:00:46 | |
letters, hospital records | 0:00:46 | 0:00:48 | |
and fragile photographs that offer a glimpse into the primitive | 0:00:48 | 0:00:52 | |
and sometimes brutal world of medicine during the First World War. | 0:00:52 | 0:00:57 | |
Our most famous war poet, Wilfred Owen, was a patient here. | 0:00:57 | 0:01:01 | |
What happened to him shaped some of his best work. | 0:01:01 | 0:01:04 | |
We'll find out how. | 0:01:04 | 0:01:05 | |
'And with the help of experts' | 0:01:07 | 0:01:08 | |
we'll investigate disturbing new | 0:01:08 | 0:01:11 | |
evidence that reveals what really happened here. | 0:01:11 | 0:01:13 | |
-This is a faked scene. -Unbelievable. | 0:01:15 | 0:01:17 | |
The story of this hospital reveals the true | 0:01:17 | 0:01:22 | |
impact of the First World War and its horrors, re-enacted here, | 0:01:22 | 0:01:26 | |
on the shores of the south coast of England. | 0:01:26 | 0:01:29 | |
'My name is Philip Hoare. I grew up close by, | 0:01:46 | 0:01:49 | |
'and I still swim here every day.' | 0:01:49 | 0:01:52 | |
I learned about this place from my mother. | 0:02:00 | 0:02:03 | |
As a young girl, her father, | 0:02:03 | 0:02:05 | |
my grandfather, who'd served | 0:02:05 | 0:02:06 | |
in the First World War, used to take her on Saturday outings to Netley. | 0:02:06 | 0:02:12 | |
She remembered peering through the gates of this huge military | 0:02:12 | 0:02:15 | |
compound, seeing what looked like grown men being | 0:02:15 | 0:02:18 | |
wheeled about in prams. | 0:02:18 | 0:02:20 | |
In fact, they were the paralysed victims of the war, | 0:02:21 | 0:02:24 | |
still languishing here in the 1920s. | 0:02:24 | 0:02:26 | |
Later, as a reprobate teenager, | 0:02:29 | 0:02:31 | |
I trespassed in the grim buildings of the hospital's lunatic asylum. | 0:02:31 | 0:02:36 | |
What I saw told me that this place was anything but a playground. | 0:02:37 | 0:02:41 | |
In fact, it was one of the darkest sites you could imagine. | 0:02:42 | 0:02:45 | |
Its stories, mysteries and ghosts, | 0:02:46 | 0:02:48 | |
inspired me to write a book, | 0:02:48 | 0:02:51 | |
in which I sought to bring the building | 0:02:51 | 0:02:53 | |
and its history back to life. | 0:02:53 | 0:02:55 | |
Because the hospital has been demolished, | 0:02:57 | 0:03:00 | |
it's hard to imagine how huge this place was. | 0:03:00 | 0:03:03 | |
To do that you need a lot of imagination or a little help. | 0:03:03 | 0:03:06 | |
One quarter of a mile long, with 1,000 beds, | 0:03:10 | 0:03:12 | |
this imperial edifice was a tribute to Victorian ambition. | 0:03:12 | 0:03:17 | |
30 million bricks were used to build it. | 0:03:17 | 0:03:20 | |
It was the largest brick building of its age. | 0:03:20 | 0:03:23 | |
Behind the hospital a Red Cross extension housed another | 0:03:23 | 0:03:27 | |
2,500 beds. | 0:03:27 | 0:03:29 | |
There were officers' quarters, | 0:03:29 | 0:03:31 | |
a railway station, stables and gasworks. | 0:03:31 | 0:03:33 | |
It was a town in its own right. | 0:03:33 | 0:03:36 | |
And tucked away out of sight was D Block, the first | 0:03:37 | 0:03:40 | |
purpose-built military asylum. | 0:03:40 | 0:03:42 | |
When I first started to work on the history of the hospital there were | 0:03:43 | 0:03:47 | |
very few official records to document it. | 0:03:47 | 0:03:50 | |
But now, a remarkable collection has come to light. | 0:03:50 | 0:03:53 | |
A series of very rare postcards. | 0:03:53 | 0:03:55 | |
Many photographers worked at the hospital, | 0:03:57 | 0:03:59 | |
producing postcards which patients could send home to loved ones. | 0:03:59 | 0:04:04 | |
These sepia images reveal snapshots of life here. | 0:04:04 | 0:04:07 | |
Traction wards with rows of shattered limbs. | 0:04:07 | 0:04:11 | |
Doctors in their surgeries. | 0:04:11 | 0:04:13 | |
Operating theatres | 0:04:13 | 0:04:14 | |
and new therapies such as whirlpool baths for amputees. | 0:04:14 | 0:04:18 | |
These poignant photographs help tell the story of Netley's | 0:04:20 | 0:04:24 | |
hospital. One which spans 100 years of warfare. | 0:04:24 | 0:04:27 | |
The hospital was founded in 1856. | 0:04:30 | 0:04:32 | |
After Queen Victoria visited Fort Pitt in Chatham which is | 0:04:32 | 0:04:36 | |
where the Crimean War veterans were being treated. | 0:04:36 | 0:04:39 | |
The conditions were appalling so Her Majesty decreed a splendid | 0:04:39 | 0:04:43 | |
new hospital should be built for her brave soldiers. | 0:04:43 | 0:04:46 | |
But the building was mired in controversy from the very beginning. | 0:04:47 | 0:04:51 | |
The whole design of the place seemed to go against modern medical | 0:04:51 | 0:04:54 | |
architecture. | 0:04:54 | 0:04:55 | |
Those great long corridors separated the men in their wards | 0:04:55 | 0:04:59 | |
from the sunny seaside aspect of the place. | 0:04:59 | 0:05:02 | |
When they showed the plans to Florence Nightingale she was aghast. | 0:05:02 | 0:05:05 | |
She said, "You might as well take 1,100 men out on | 0:05:05 | 0:05:08 | |
"Salisbury Plain each year and shoot them, as put them in this building." | 0:05:08 | 0:05:13 | |
In fact, history would prove her correct. | 0:05:13 | 0:05:16 | |
Fast forward 150 years and the site is now a much-loved country park. | 0:05:18 | 0:05:23 | |
But the people who work here are still discovering Netley's past. | 0:05:23 | 0:05:26 | |
Richard Gough knows a few of Netley's secrets. | 0:05:27 | 0:05:30 | |
So what is this building then, Richard? | 0:05:30 | 0:05:32 | |
It used to be the powerhouse. And it used to run all the | 0:05:32 | 0:05:37 | |
electricity to the hospital. | 0:05:37 | 0:05:40 | |
We think it was run with steam engines. | 0:05:40 | 0:05:42 | |
-Very big steam engines. -It's an amazing building. | 0:05:42 | 0:05:45 | |
What's this horrible looking contraption? | 0:05:45 | 0:05:47 | |
That's an iron lung. | 0:05:47 | 0:05:48 | |
These were used for people suffering from polio, weren't they? | 0:05:48 | 0:05:51 | |
Polio, lung damage. I wouldn't want to be in one, let's put it like that. | 0:05:51 | 0:05:55 | |
Looks like a metal coffin. | 0:05:55 | 0:05:56 | |
I though it looked like an aeroplane, but anyway. | 0:05:56 | 0:05:58 | |
PHILIP LAUGHS | 0:05:58 | 0:05:59 | |
But you must know the real secrets of the hospital, | 0:05:59 | 0:06:02 | |
-working here for quite a long time. -Some of them. | 0:06:02 | 0:06:04 | |
Underneath us, there's supposed to be half a tank underneath our feet. | 0:06:04 | 0:06:07 | |
Under here? | 0:06:07 | 0:06:08 | |
-Yes, but whether it's there or not, I don't know. -Oh, my God. | 0:06:08 | 0:06:12 | |
The hospital had its own dedicated pier built in 1856 | 0:06:20 | 0:06:23 | |
by Eugenius Birch. | 0:06:23 | 0:06:24 | |
The man responsible for the piers at Brighton and Bournemouth. | 0:06:24 | 0:06:27 | |
Unfortunately, it was totally useless. | 0:06:27 | 0:06:30 | |
It didn't go out far enough to receive | 0:06:30 | 0:06:32 | |
the troops from the ambulance ships. | 0:06:32 | 0:06:34 | |
And so a dedicated railway line was built from Southampton | 0:06:34 | 0:06:38 | |
docks into the hospital itself. | 0:06:38 | 0:06:40 | |
The pier, by now, was a place of resort and refuge. | 0:06:40 | 0:06:43 | |
A place to recuperate. | 0:06:43 | 0:06:45 | |
You can see from these wonderful postcards, the veterans, | 0:06:45 | 0:06:50 | |
the wounded soldiers, taking the sun and the sea air. | 0:06:50 | 0:06:54 | |
Right by the pier and next to it is this tree. | 0:06:54 | 0:06:56 | |
In the image you can see it's about six foot high. | 0:06:56 | 0:07:00 | |
Now, it's a massive, fully grown pine tree. | 0:07:00 | 0:07:04 | |
A real marker of the passage of time of the years between then and now. | 0:07:04 | 0:07:08 | |
During the First World War the hospital railway station was | 0:07:18 | 0:07:21 | |
working at full pitch. | 0:07:21 | 0:07:22 | |
Sometimes three trains a day would arrive from the Western Front. | 0:07:22 | 0:07:26 | |
Bringing the casualties with the mud and blood of war still on them. | 0:07:26 | 0:07:29 | |
You can still see the train tracks embedded in the tarmac. | 0:07:29 | 0:07:32 | |
But just imagine how busy this place would have been | 0:07:32 | 0:07:35 | |
when a train arrived. | 0:07:35 | 0:07:37 | |
An alarm bell would go. | 0:07:37 | 0:07:39 | |
Everyone would stop work and run to come | 0:07:39 | 0:07:40 | |
and help bring the wounded off the trains. | 0:07:40 | 0:07:42 | |
A nurse working here wrote vividly about the patients | 0:07:44 | 0:07:46 | |
arriving at the station. | 0:07:46 | 0:07:48 | |
"Outside the bad cases were unloaded. | 0:07:50 | 0:07:52 | |
"The men. Men with chunks of steel in their lungs | 0:07:52 | 0:07:55 | |
"and bowels were vomiting great gobs of blood. | 0:07:55 | 0:07:59 | |
"A splendid boy of Black Watch was but a living trunk. | 0:07:59 | 0:08:04 | |
"Both his arms and legs had been shattered. | 0:08:04 | 0:08:08 | |
"Men without noses and brains throbbing through open scalps." | 0:08:08 | 0:08:13 | |
So I have a postcard here which shows the hospital with the | 0:08:17 | 0:08:21 | |
station at the back. You can see the train tracks running here so I | 0:08:21 | 0:08:25 | |
guess that's the line of the tracks there. | 0:08:25 | 0:08:29 | |
Which runs right into here. | 0:08:29 | 0:08:31 | |
Which must mean... | 0:08:31 | 0:08:33 | |
You can see, actually, there's the tower rising up through | 0:08:33 | 0:08:38 | |
the pediment of the hospital, the back of the chapel. | 0:08:38 | 0:08:43 | |
So the railway line and station actually run straight along there. | 0:08:43 | 0:08:47 | |
Extraordinary if you can imagine that suddenly coming back | 0:08:47 | 0:08:52 | |
out of the past and all those men, all those troops. | 0:08:52 | 0:08:56 | |
Amazing scene, really. | 0:08:56 | 0:08:58 | |
It was one of these ambulance trains that brought a young soldier | 0:08:59 | 0:09:04 | |
named James Roberts to Netley. | 0:09:04 | 0:09:07 | |
Six months earlier, | 0:09:07 | 0:09:09 | |
20-year-old Jim had graduated as an officer from Sandhurst. | 0:09:09 | 0:09:12 | |
He'd had a privileged Edwardian upbringing of horses and cricket. | 0:09:14 | 0:09:19 | |
Jim and his sister Hilda had grown up close to one another, | 0:09:20 | 0:09:24 | |
having lost their mother as children. | 0:09:24 | 0:09:26 | |
'Hilda's nephew, John Woolmer, | 0:09:28 | 0:09:30 | |
'only recently discovered his aunt Hilda's diary.' | 0:09:30 | 0:09:33 | |
This is the entry in 1916. | 0:09:34 | 0:09:38 | |
"Then Jim had another leave. | 0:09:38 | 0:09:41 | |
"He said he wanted to spend it in London | 0:09:41 | 0:09:43 | |
"and not waste time travelling to Westow. We spent it hectically. | 0:09:43 | 0:09:47 | |
"Theatres, meals out, anything to forget the horrors at the front. | 0:09:47 | 0:09:51 | |
"Jim knew a big battle was planned. | 0:09:51 | 0:09:54 | |
"And I think he knew he might not come back. | 0:09:54 | 0:09:57 | |
"When the time came and his leave was up, | 0:09:57 | 0:09:59 | |
"I was the only one he allowed to come to the station. | 0:09:59 | 0:10:03 | |
"But not even me onto the platform. | 0:10:03 | 0:10:07 | |
"Then the Battle of the Somme started." | 0:10:07 | 0:10:11 | |
And that's where she finished her diary. | 0:10:11 | 0:10:14 | |
She didn't write anything more although she lived for another | 0:10:14 | 0:10:17 | |
70 years. | 0:10:17 | 0:10:18 | |
Aged just 20, Jim found himself in charge of defending | 0:10:23 | 0:10:26 | |
an infamous area of ground called High Wood. | 0:10:26 | 0:10:29 | |
So many men had died here that the troops had nicknamed it, | 0:10:30 | 0:10:33 | |
"the rottenest place on the Western Front." | 0:10:33 | 0:10:35 | |
Jim wrote home to his sister, | 0:10:37 | 0:10:39 | |
"What an awful time we have just had. | 0:10:39 | 0:10:41 | |
"It started just as soon as the snow began to melt. Icy cold water poured | 0:10:41 | 0:10:46 | |
"down the trenches which came over the top of my waders. Then the | 0:10:46 | 0:10:51 | |
"Huns started blowing in our trenches which mixed with water | 0:10:51 | 0:10:55 | |
"had made thick mud. | 0:10:55 | 0:10:57 | |
"At 2:30am we were relieved and | 0:10:57 | 0:10:59 | |
"most of us had to leave our boots behind. | 0:10:59 | 0:11:02 | |
"How much longer the brigade staff | 0:11:02 | 0:11:05 | |
"expects the men to carry on like this, | 0:11:05 | 0:11:08 | |
"I do not know." | 0:11:08 | 0:11:09 | |
Hilda wrote back to Jim, but he was never to receive | 0:11:09 | 0:11:13 | |
the letter. On the 14th July, he was ordered to attack the Germans. | 0:11:13 | 0:11:18 | |
During the battle, Jim was shot in the back. | 0:11:18 | 0:11:21 | |
He was taken to a nearby clearing station, | 0:11:22 | 0:11:25 | |
bandaged up and rushed back to Netley. | 0:11:25 | 0:11:28 | |
The surgeons battled to save Jim's life, but he died six days later. | 0:11:28 | 0:11:33 | |
Tucked away in the quiet grounds of Netley Hospital is its cemetery. | 0:11:35 | 0:11:39 | |
It was here that Jim was buried. | 0:11:39 | 0:11:41 | |
His nephew is visiting the grave for the first time. | 0:11:41 | 0:11:44 | |
Lt James Thursby Roberts. | 0:11:50 | 0:11:53 | |
2nd Battalion, Queen's Guard. | 0:11:53 | 0:11:55 | |
Only son of Major Herbert Roberts of Westow. | 0:11:55 | 0:11:59 | |
It's very, very moving. I didn't know a great deal about my half-uncle | 0:12:01 | 0:12:06 | |
because my aunt was so shattered by his death she didn't | 0:12:06 | 0:12:11 | |
talk much about him. | 0:12:11 | 0:12:13 | |
But it's very moving to come here and to see this | 0:12:13 | 0:12:17 | |
and to realise what the end was for him and so many, many others. | 0:12:17 | 0:12:23 | |
The medics who treated Jim on the front line were | 0:12:26 | 0:12:29 | |
trained at Aldershot in Hampshire. | 0:12:29 | 0:12:31 | |
This footage, filmed 100 years ago, | 0:12:31 | 0:12:33 | |
shows the Royal Army Medical Corps drilling on the parade ground. | 0:12:33 | 0:12:37 | |
YELLING | 0:12:37 | 0:12:40 | |
Nowadays they do things differently. | 0:12:43 | 0:12:45 | |
4 Medical Regiment are part of today's Royal Army Medical Corps. | 0:12:50 | 0:12:54 | |
They still train here in Aldershot. | 0:12:54 | 0:12:56 | |
So what do they make of the 1914 footage? | 0:12:58 | 0:13:01 | |
Stretchers look the same. | 0:13:02 | 0:13:04 | |
-Are they the same? Are they, really? -They've evolved slightly. | 0:13:04 | 0:13:08 | |
Ours are collapsible and | 0:13:08 | 0:13:10 | |
more lightweight material so we can take them on patrol with us. | 0:13:10 | 0:13:14 | |
You'd find casualties would be rolling around screaming, as well. | 0:13:15 | 0:13:18 | |
Whereas they're just sat quite nicely for them. | 0:13:18 | 0:13:20 | |
That's not going to happen. | 0:13:20 | 0:13:21 | |
It's harder when they're writhing about on the floor to treat them. | 0:13:21 | 0:13:25 | |
I guess the other key thing is they don't have a Chinook | 0:13:25 | 0:13:28 | |
-waiting for them. -That's a horse and cart, isn't it? | 0:13:28 | 0:13:33 | |
Exactly. | 0:13:33 | 0:13:34 | |
From point of injury to a hospital with surgeons, doctors, | 0:13:34 | 0:13:39 | |
you're looking at maybe 30 minutes. Sometimes quicker than that. | 0:13:39 | 0:13:43 | |
30 minutes. During the First World War it could have taken two days | 0:13:43 | 0:13:47 | |
to reach Netley. | 0:13:47 | 0:13:49 | |
And by the middle of the war its wards were full-to-bursting. | 0:13:49 | 0:13:53 | |
Even the corridors were lined with beds. | 0:13:53 | 0:13:55 | |
The strict hospital regime varied only on one day of the week, | 0:13:56 | 0:14:01 | |
on Sunday, in the chapel. | 0:14:01 | 0:14:02 | |
You had to be almost on death's door | 0:14:15 | 0:14:17 | |
if you were to be excused Sunday worship in Netley's chapel. | 0:14:17 | 0:14:22 | |
It's a wonderful space, | 0:14:23 | 0:14:25 | |
the stained glass windows, the inscriptions, the pulpit. | 0:14:25 | 0:14:28 | |
You can imagine the men sitting in the balconies around us | 0:14:28 | 0:14:31 | |
or in the stalls listening to probably an interminable sermon. | 0:14:31 | 0:14:36 | |
In fact, behind the organ here we | 0:14:36 | 0:14:38 | |
found graffiti scratched in by bored soldiers | 0:14:38 | 0:14:41 | |
whiling away the time. | 0:14:41 | 0:14:42 | |
150 feet high, Netley's tower was once a vast water reservoir. | 0:14:44 | 0:14:49 | |
Nowadays it offers great vistas, | 0:14:50 | 0:14:52 | |
if you've got the energy to climb to the top. | 0:14:52 | 0:14:55 | |
It's an amazing view from up here. | 0:15:02 | 0:15:05 | |
The whole of Southampton Water spread before you. | 0:15:05 | 0:15:08 | |
The port and the refinery. | 0:15:08 | 0:15:10 | |
And the sense of this great waterway and then this amazing | 0:15:10 | 0:15:14 | |
hospital straddling the whole of this eastern side of the water. | 0:15:14 | 0:15:19 | |
As a kind of counterpoint to the industry going on around it. | 0:15:19 | 0:15:24 | |
Sometimes when the grass goes brown in the summer, it dies away and | 0:15:24 | 0:15:29 | |
you can see the foundations of the hospital coming up out of the site. | 0:15:29 | 0:15:36 | |
Almost like a ghostly nuclear shadow of the building it once was. | 0:15:36 | 0:15:41 | |
This sprawling site had | 0:15:41 | 0:15:43 | |
expanded in response to the exponential spread of the war. | 0:15:43 | 0:15:48 | |
As result of the desperate shortage of beds, the British Red Cross | 0:15:48 | 0:15:52 | |
had set up a wooden hutted camp at the rear of the building. | 0:15:52 | 0:15:56 | |
Unlike the main hospital, now 50 years old, the Red Cross | 0:15:57 | 0:16:00 | |
hospital was modern, comfortable and offered innovative treatments. | 0:16:00 | 0:16:04 | |
Some of these images really tell extraordinary stories. | 0:16:05 | 0:16:08 | |
You can see the faces of the men. | 0:16:08 | 0:16:10 | |
Rather haunted, probably by the experiences they've been through. | 0:16:10 | 0:16:14 | |
But here one gets the impression, compared to the main brick | 0:16:14 | 0:16:18 | |
hospital, of a happier place. | 0:16:18 | 0:16:21 | |
A place where there's a kind of community life. | 0:16:21 | 0:16:24 | |
But not all the images from this place were happy | 0:16:24 | 0:16:26 | |
and this is perhaps one of the most gruesome images, to my mind. | 0:16:26 | 0:16:30 | |
A series of sometimes double amputees perched on chairs | 0:16:30 | 0:16:37 | |
and stools, arranged like a fairground sideshow in a way. | 0:16:37 | 0:16:41 | |
And this image really speaks to the | 0:16:41 | 0:16:44 | |
true horror of the First World War. | 0:16:44 | 0:16:46 | |
Many of the soldiers in the Red Cross hospital were | 0:16:47 | 0:16:50 | |
cared for by VADs, short for Voluntary Aid Detachment, | 0:16:50 | 0:16:54 | |
or as the troops fondly called them, very adaptable dames | 0:16:54 | 0:16:58 | |
since they did almost every job. | 0:16:58 | 0:17:00 | |
Can I have a cup of tea and a glass of water | 0:17:01 | 0:17:03 | |
and a piece of bread pudding...? | 0:17:03 | 0:17:04 | |
'Judy Stokes was just a teenager | 0:17:04 | 0:17:06 | |
'when she joined the VADs in the Second World War.' | 0:17:06 | 0:17:08 | |
The first thing we had to do was go | 0:17:08 | 0:17:10 | |
through what we called the Chamber of Horrors. | 0:17:10 | 0:17:13 | |
These were photographs of all the worst patients to see | 0:17:13 | 0:17:16 | |
if you could take it. | 0:17:16 | 0:17:18 | |
Not every girl could. She probably had talents in another direction. | 0:17:18 | 0:17:23 | |
So we had to see whether you could take it without reaction. | 0:17:23 | 0:17:28 | |
These men were already damaged physically. | 0:17:28 | 0:17:31 | |
So you had to think of what was happening to them mentally. | 0:17:31 | 0:17:35 | |
When families came to visit and brought photographs of what | 0:17:35 | 0:17:39 | |
some of these men had looked like, heartbreaking. | 0:17:39 | 0:17:42 | |
Absolutely heartbreaking. | 0:17:42 | 0:17:44 | |
So we were not only nurses, we were also shoulders to cry on. | 0:17:44 | 0:17:49 | |
We were kids one day and women the next. | 0:17:49 | 0:17:52 | |
Sometimes all the nurses could do was to comfort the dying men. | 0:18:01 | 0:18:06 | |
I personally used to sit and hold their hands. | 0:18:06 | 0:18:08 | |
Just give the odd squeeze to let them know they weren't alone. | 0:18:08 | 0:18:12 | |
But some of them were so young, younger then we were. | 0:18:12 | 0:18:18 | |
I was thinking of my brother. | 0:18:21 | 0:18:23 | |
How I would like him to be treated. | 0:18:23 | 0:18:25 | |
And do the same for somebody else's brother. | 0:18:26 | 0:18:28 | |
In 1917, one of the injured soldiers arriving at Netley was Wilfred Owen, | 0:18:30 | 0:18:35 | |
destined to achieve immortality as Britain's most celebrated war poet. | 0:18:35 | 0:18:40 | |
Dr Jane Potter from Oxford has been studying his letters. | 0:18:41 | 0:18:44 | |
Wilfred had been hit by a shell on the front line. | 0:18:45 | 0:18:48 | |
Exhibiting signs of erratic behaviour, | 0:18:48 | 0:18:50 | |
he was sent to Netley, from where he wrote home to his mother, Susan. | 0:18:50 | 0:18:54 | |
"We are on Southampton Water, pleasantly placed but not | 0:18:55 | 0:18:58 | |
"so lovely a coast as Etretat. | 0:18:58 | 0:19:01 | |
"They kept me in bed all day yesterday but I got up for an hour | 0:19:01 | 0:19:04 | |
"and went out today. | 0:19:04 | 0:19:06 | |
"Only to be recaught and put back to | 0:19:06 | 0:19:08 | |
"bed for the inspection of a specialist." | 0:19:08 | 0:19:11 | |
It's tantalising for me, having grown up next to Netley, to | 0:19:11 | 0:19:14 | |
think of the greatest war poet wandering through. | 0:19:14 | 0:19:18 | |
How do you think it influenced his poetry, if at all? | 0:19:18 | 0:19:21 | |
Owen was so good at absorbing his surroundings. | 0:19:21 | 0:19:24 | |
And turning that into his letters and obviously into his poetry. | 0:19:24 | 0:19:29 | |
If we have a look at Mental Cases, he starts out with, | 0:19:29 | 0:19:32 | |
"Who are these? | 0:19:32 | 0:19:34 | |
"Why sit they here in twilight? | 0:19:34 | 0:19:36 | |
"Wherefore rock they. | 0:19:36 | 0:19:37 | |
"Purgatorial shadows. | 0:19:37 | 0:19:39 | |
"Drooping tongues from jaws that slob their relish. | 0:19:39 | 0:19:43 | |
"Baring teeth that leer like skulls' teeth wicked." | 0:19:43 | 0:19:47 | |
And he goes on in much more graphic detail | 0:19:47 | 0:19:49 | |
and that's his depiction of what he was seeing. | 0:19:49 | 0:19:52 | |
What he was seeing in his own dreams, as well. | 0:19:52 | 0:19:55 | |
So it was a combination of his own personal experience | 0:19:55 | 0:19:58 | |
and those around him. | 0:19:58 | 0:20:00 | |
Wilfred only spent a few days at Netley being | 0:20:01 | 0:20:03 | |
assessed for shell shock. | 0:20:03 | 0:20:05 | |
Others were not so lucky. | 0:20:05 | 0:20:07 | |
Hello, Professor, nice to meet you. | 0:20:07 | 0:20:09 | |
'Even now, we know very little about the treatment given to | 0:20:09 | 0:20:12 | |
'patients suffering from shell shock. | 0:20:12 | 0:20:14 | |
'But one piece of surviving footage offers precious clues.' | 0:20:15 | 0:20:18 | |
In the Pathe archives, | 0:20:19 | 0:20:21 | |
there's a remarkable film called War Neuroses, shot here at Netley. | 0:20:21 | 0:20:26 | |
The film was produced by Major Arthur Hurst | 0:20:26 | 0:20:28 | |
of the Royal Army Medical Corps, seen here on the right. | 0:20:28 | 0:20:31 | |
They show servicemen being treated for a variety of bizarre, | 0:20:32 | 0:20:36 | |
psychosomatic disorders. | 0:20:36 | 0:20:37 | |
But many in the Army suspected these victims of malingering or | 0:20:38 | 0:20:41 | |
even cowardice. | 0:20:41 | 0:20:43 | |
Alarmed at the number of mentally damaged soldiers arriving | 0:20:44 | 0:20:47 | |
at Netley, the government wanted Hurst to make a film proving | 0:20:47 | 0:20:50 | |
shell shock was treatable. | 0:20:50 | 0:20:52 | |
In effect, it was a propaganda exercise. | 0:20:52 | 0:20:56 | |
Professor Edgar Jones of King's College London has been | 0:20:56 | 0:20:59 | |
studying the footage. | 0:20:59 | 0:21:00 | |
One of Hurst's ideas was that shell shocked patients were | 0:21:01 | 0:21:04 | |
particularly suggestible. | 0:21:04 | 0:21:06 | |
So you could re-educate them using theatre, | 0:21:06 | 0:21:09 | |
using the hospital as a stage. | 0:21:09 | 0:21:11 | |
And it was his power as a doctor, laying on of hands that would | 0:21:11 | 0:21:16 | |
enable these men to get better. | 0:21:16 | 0:21:18 | |
We can see this scene here where he's got the man to remove | 0:21:18 | 0:21:21 | |
most of his clothes. | 0:21:21 | 0:21:22 | |
He's got just a loincloth. | 0:21:22 | 0:21:24 | |
One of the ideas behind that is it's more scientific, | 0:21:24 | 0:21:27 | |
so you can see the outline of his body against a plain screen. | 0:21:27 | 0:21:31 | |
But another idea is to make the man deliberately vulnerable | 0:21:31 | 0:21:35 | |
so he's more suggestible and more able to be re-educated in this | 0:21:35 | 0:21:39 | |
vulnerable state. | 0:21:39 | 0:21:41 | |
When Edgar examined the film in closer detail, | 0:21:43 | 0:21:45 | |
he discovered it was not quite what it seemed. | 0:21:45 | 0:21:48 | |
This scene apparently shows Sergeant Bissett in a state of invalidity. | 0:21:50 | 0:21:56 | |
He's bent double, walking with sticks. | 0:21:56 | 0:21:58 | |
And the inter-title says it's September, 1917. | 0:21:58 | 0:22:01 | |
In the next scene he's described as being almost cured two months later. | 0:22:01 | 0:22:07 | |
But if we look very carefully at the background, | 0:22:08 | 0:22:11 | |
we can see the same group of nurses, | 0:22:11 | 0:22:13 | |
the same column of smoke coming out of the chimney from the hut behind. | 0:22:13 | 0:22:17 | |
So Hurst has ordered him to recreate his illness to demonstrate | 0:22:19 | 0:22:22 | |
the effectiveness of his treatment. | 0:22:22 | 0:22:25 | |
This is a faked scene. | 0:22:25 | 0:22:27 | |
Unbelievable. | 0:22:27 | 0:22:29 | |
Many of these seemingly | 0:22:29 | 0:22:31 | |
"miracle cures" were only temporary and did not last. | 0:22:31 | 0:22:34 | |
What we think is happening is in 1918 he was able to promise servicemen | 0:22:36 | 0:22:41 | |
that if they got better, he could discharge them from the Army. | 0:22:41 | 0:22:46 | |
So it was in their interest to say their symptoms had gone away | 0:22:46 | 0:22:50 | |
because then they could get a much better paid job in a munitions | 0:22:50 | 0:22:54 | |
factory and they weren't haunted by the fear | 0:22:54 | 0:22:57 | |
that they would have to go back to the front line. | 0:22:57 | 0:23:00 | |
And possibly be killed. | 0:23:00 | 0:23:01 | |
That is absolutely extraordinary. | 0:23:01 | 0:23:05 | |
Clearly, soldiers suffering from shell shock got mixed | 0:23:05 | 0:23:08 | |
treatments at Netley, to say the least. | 0:23:08 | 0:23:10 | |
But those suffering complex | 0:23:11 | 0:23:13 | |
and misunderstood mental illnesses fared even worse. | 0:23:13 | 0:23:16 | |
Often referred to as "mental cases", | 0:23:17 | 0:23:19 | |
they were assessed in a separate unit, set discreetly | 0:23:19 | 0:23:23 | |
away from the main hospital, known by the sinister name of D Block. | 0:23:23 | 0:23:27 | |
D Block was a kind of clearing house, | 0:23:27 | 0:23:29 | |
where soldiers' fate would be decided. | 0:23:29 | 0:23:32 | |
Between going home, going | 0:23:32 | 0:23:34 | |
to a dreaded lunatic asylum or, even worse, being sent back to the front. | 0:23:34 | 0:23:40 | |
In charge was Captain Frederick Clindening, a colonial | 0:23:40 | 0:23:43 | |
officer with no psychiatric training and little sympathy for his charges. | 0:23:43 | 0:23:47 | |
'Author Dr Peter Barnham discovered some of his notes | 0:23:48 | 0:23:52 | |
'he made on patients.' | 0:23:52 | 0:23:54 | |
"He is dull, plaintive and stupid, speech thick." | 0:23:54 | 0:23:57 | |
Captain Clindening was, if you like, old army. | 0:23:57 | 0:24:02 | |
He was already in his 40s when the war started. | 0:24:02 | 0:24:06 | |
"He is intensely dull and stupid. | 0:24:06 | 0:24:08 | |
"His attitude and manner are not convincing. Much of this is put on." | 0:24:08 | 0:24:13 | |
That's classic Clindening. | 0:24:13 | 0:24:16 | |
Much of this is put on. | 0:24:16 | 0:24:17 | |
He had this sense that even stupidity is put on. | 0:24:17 | 0:24:23 | |
In 1914, a German prisoner of war named Otto Scholz arrived at Netley. | 0:24:23 | 0:24:29 | |
What happened to him is still wreathed in mystery. | 0:24:29 | 0:24:32 | |
'Indeed, we wouldn't know anything about Otto and his links with | 0:24:34 | 0:24:37 | |
'Clindening if it weren't for the man I'm meeting today. | 0:24:37 | 0:24:41 | |
'Lawyer Simon Daniels was | 0:24:41 | 0:24:42 | |
'so intrigued about the stories surrounding Otto's death that | 0:24:42 | 0:24:45 | |
'he's spent the past 20 years trying to uncover the truth.' | 0:24:45 | 0:24:49 | |
On the 6th of September, 1914, this incredible advance by the German | 0:24:50 | 0:24:54 | |
army which everybody thought was unstoppable, | 0:24:54 | 0:24:57 | |
and certainly the Germans did, | 0:24:57 | 0:25:00 | |
were finally halted at the Marne. | 0:25:00 | 0:25:03 | |
And very painfully pushed back. | 0:25:03 | 0:25:06 | |
Otto was at the very forefront there. His horse fell onto him. | 0:25:06 | 0:25:11 | |
It was not a serious wound. | 0:25:11 | 0:25:13 | |
But it was sufficient for him to get stuck there. | 0:25:13 | 0:25:16 | |
And the French were immediately upon him. | 0:25:16 | 0:25:19 | |
Is the next record of him being at Netley then? | 0:25:19 | 0:25:23 | |
The next record of him is | 0:25:23 | 0:25:25 | |
dying at Netley. | 0:25:25 | 0:25:26 | |
On the 16th December, 1916, two years after he was lightly injured, | 0:25:28 | 0:25:33 | |
Otto was buried here in Netley's cemetery. | 0:25:33 | 0:25:36 | |
His family were told he died from a stomach illness | 0:25:37 | 0:25:39 | |
but the truth was rather different. | 0:25:39 | 0:25:42 | |
His relatives had no idea that a radically different | 0:25:45 | 0:25:47 | |
cause of death had been recorded on Otto's death certificate. | 0:25:47 | 0:25:51 | |
Simon Daniels was able to track down a copy. | 0:25:52 | 0:25:55 | |
I was stunned to read that the cause of death was acute mania. | 0:25:55 | 0:25:58 | |
And that the complication was exhaustion. | 0:26:00 | 0:26:04 | |
Nobody in the history of the human race has ever actually | 0:26:04 | 0:26:09 | |
died from being insane. | 0:26:09 | 0:26:10 | |
And exhaustion in 1916 frequently referred to loss of blood. | 0:26:10 | 0:26:17 | |
And it was that which led me on to further research | 0:26:17 | 0:26:22 | |
when we discovered that experiments were carried out | 0:26:22 | 0:26:26 | |
here at Netley into blood transfusions. | 0:26:26 | 0:26:28 | |
So are you telling me Otto was a human guinea pig? | 0:26:28 | 0:26:31 | |
I'm suggesting the circumstantial evidence was that there were | 0:26:31 | 0:26:36 | |
guinea pigs here at Netley. | 0:26:36 | 0:26:39 | |
If Otto had died by acute mania you would not have expected | 0:26:40 | 0:26:43 | |
the cause of death to be certified by a surgeon. | 0:26:43 | 0:26:47 | |
But the name is Clindening. | 0:26:47 | 0:26:51 | |
That's very interesting because we've heard that name already. | 0:26:51 | 0:26:56 | |
Is that so? | 0:26:56 | 0:26:57 | |
For not being particularly sympathetic towards | 0:26:57 | 0:27:00 | |
the prisoners/patients. | 0:27:00 | 0:27:03 | |
That really has an extremely startling significance in that case. | 0:27:06 | 0:27:10 | |
Really? | 0:27:10 | 0:27:12 | |
Because we just don't have satisfactory | 0:27:12 | 0:27:15 | |
evidence about the conditions in which Otto was held. | 0:27:15 | 0:27:19 | |
It is bizarre that somebody who is apparently lightly wounded | 0:27:19 | 0:27:25 | |
when his horse was shot and fell on top of him would be | 0:27:25 | 0:27:29 | |
here in a military hospital for two and a quarter years and | 0:27:29 | 0:27:35 | |
then dies of acute mania. | 0:27:35 | 0:27:37 | |
There's no doubt Netley has some dark secrets. Ones which may | 0:27:41 | 0:27:45 | |
remain for ever hidden. | 0:27:45 | 0:27:47 | |
But we shouldn't forget that over 100,000 soldiers were treated | 0:27:47 | 0:27:51 | |
here during both world wars. | 0:27:51 | 0:27:53 | |
Most of them made a full recovery, due to the care and attention | 0:27:54 | 0:27:58 | |
they received here, almost in spite of the antiquated building. | 0:27:58 | 0:28:02 | |
After the Second World War the hospital fell into disuse. | 0:28:05 | 0:28:09 | |
And in 1966 the order was given to demolish the building. | 0:28:09 | 0:28:13 | |
Some people regretted the loss. | 0:28:13 | 0:28:14 | |
But nature began to heal the scars of warfare and the past. | 0:28:14 | 0:28:18 | |
And now only the lingering memory of this vast military hospital remains. | 0:28:18 | 0:28:22 |