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These lethal shells are being filled with high explosives | 0:00:06 | 0:00:10 | |
at a critical point in World War I. | 0:00:10 | 0:00:13 | |
They were definitely working flat out | 0:00:14 | 0:00:16 | |
to produce as many shells as they could. | 0:00:16 | 0:00:19 | |
To halt production would have spelled catastrophe for the troops. | 0:00:19 | 0:00:23 | |
You can see why it happened. | 0:00:23 | 0:00:24 | |
You can see the pressure on people to produce the shells. | 0:00:24 | 0:00:26 | |
For reasons still unclear, | 0:00:26 | 0:00:29 | |
the building where high explosives were mixed blew up. | 0:00:29 | 0:00:32 | |
The whole of the place was in a state of chaos, people screaming... | 0:00:35 | 0:00:40 | |
I looked towards Chilwell | 0:00:40 | 0:00:43 | |
and I saw the wall of black smoke rising to the sky. | 0:00:43 | 0:00:47 | |
The explosion on that hot summer's evening killed and injured | 0:00:49 | 0:00:52 | |
more people than anywhere else on the Home Front in a single incident. | 0:00:52 | 0:00:58 | |
Vital war work was brought to a standstill | 0:00:58 | 0:01:01 | |
only while they buried their dead. | 0:01:01 | 0:01:03 | |
And to tell the story, we have film of the factory, | 0:01:04 | 0:01:07 | |
just discovered in a garden shed. | 0:01:07 | 0:01:10 | |
A mile from Chilwell, the station at Attenborough | 0:01:26 | 0:01:29 | |
had its platform extended to cope with the huge munitions workforce - | 0:01:29 | 0:01:33 | |
around 10,000 men and women by 1918. | 0:01:33 | 0:01:38 | |
They got off the train, many of them here at Attenborough, | 0:01:38 | 0:01:41 | |
and they were starting work at six o'clock. | 0:01:41 | 0:01:44 | |
12 hours lay in front of them, | 0:01:44 | 0:01:47 | |
handling very dangerous explosives, | 0:01:47 | 0:01:50 | |
because this was the Home Front. | 0:01:50 | 0:01:52 | |
Modern warfare demands artillery shells. | 0:01:57 | 0:02:01 | |
Today, production is efficient and safe. | 0:02:01 | 0:02:03 | |
It's also adaptable to cope with unpredicted demand. | 0:02:03 | 0:02:07 | |
There's an extra capacity, the third shift, if you like, | 0:02:08 | 0:02:12 | |
that's available to produce higher volumes. | 0:02:12 | 0:02:15 | |
-Are you ready for war? -Yeah. | 0:02:15 | 0:02:18 | |
I mean, the surety of supply | 0:02:18 | 0:02:20 | |
is one of the most important things to the MoD, | 0:02:20 | 0:02:22 | |
and having investment in facilities like this | 0:02:22 | 0:02:25 | |
enhances the surety of supply. | 0:02:25 | 0:02:27 | |
But at the start of the First World War the military leaders | 0:02:30 | 0:02:33 | |
were expecting a mobile conflict, with cavalry charges, | 0:02:33 | 0:02:37 | |
not trenches and machine guns. | 0:02:37 | 0:02:40 | |
There were British officers who visited the American Civil War, | 0:02:40 | 0:02:43 | |
in the 1860s, where trench warfare was around | 0:02:43 | 0:02:46 | |
and machine guns were around. They considered that to be an aberration. | 0:02:46 | 0:02:50 | |
We thought it would be a much more | 0:02:50 | 0:02:51 | |
open war, as the Boer War was, | 0:02:51 | 0:02:55 | |
where there'd be a lot more movement. | 0:02:55 | 0:02:56 | |
The shell shortage led to a political crisis at home in 1915 | 0:02:59 | 0:03:04 | |
and David Lloyd George became head of the new Munitions Ministry. | 0:03:04 | 0:03:08 | |
He grasped the scale of the crisis, | 0:03:09 | 0:03:12 | |
and that the war would be lost without shells. | 0:03:12 | 0:03:15 | |
The Ministry of Munitions is set up | 0:03:15 | 0:03:17 | |
and one of the first things they do within a year is they create | 0:03:17 | 0:03:19 | |
73 new ammunition factories that made everything from | 0:03:19 | 0:03:23 | |
raw explosive to empty shells and then the national filling factories, | 0:03:23 | 0:03:26 | |
which Chilwell was one - Number 6 Filling Factory - | 0:03:26 | 0:03:29 | |
that married up the empty shell and the raw explosive | 0:03:29 | 0:03:32 | |
to fill high explosive shells. | 0:03:32 | 0:03:34 | |
Brought in to help was the unlikely figure of Viscount Chetwynd. | 0:03:38 | 0:03:42 | |
Godfrey John Boyle was 51, and had been a cowboy in Texas. | 0:03:44 | 0:03:49 | |
A sheriff. A pioneer. But also a civil engineer. | 0:03:49 | 0:03:53 | |
His granddaughter is Philippa Luard. | 0:03:54 | 0:03:57 | |
They were also building bridges out there, being engineers | 0:03:57 | 0:04:01 | |
as well as cooks and cowboys. | 0:04:01 | 0:04:04 | |
In the early 1900s - this is 1906 - | 0:04:04 | 0:04:07 | |
he was breeding Dexter cattle, Berkshire pigs. | 0:04:07 | 0:04:13 | |
In the late summer of 1915, | 0:04:17 | 0:04:19 | |
Lord Chetwynd set out from Nottingham | 0:04:19 | 0:04:21 | |
and found a site for his shell filling factory at Chilwell. | 0:04:21 | 0:04:25 | |
He sketched his design for the plant. | 0:04:25 | 0:04:28 | |
It was not too close to a main rail head, | 0:04:28 | 0:04:32 | |
so he couldn't blow the railway up, but he had access to it. | 0:04:32 | 0:04:36 | |
There weren't too many people living there, so if it blew up | 0:04:36 | 0:04:39 | |
there weren't going to be devastating casualties. | 0:04:39 | 0:04:43 | |
The land was on the main Nottingham Derby road, which he had rerouted, | 0:04:44 | 0:04:48 | |
and built the shell filling factory in fields below a wooded hillside. | 0:04:48 | 0:04:53 | |
He was not going to be tied by red tape. | 0:04:53 | 0:04:56 | |
Anybody who tried to interfere with him was seen off very firmly. | 0:04:56 | 0:04:59 | |
And that's how he was able to build Chilwell so quickly. | 0:04:59 | 0:05:02 | |
Lord Chetywnd also realised that he needed to employ women | 0:05:05 | 0:05:09 | |
because so many skilled men had enlisted. | 0:05:09 | 0:05:12 | |
8th of January they filled the first shell. It's not long. | 0:05:14 | 0:05:18 | |
In this vast space, the filled shell store, | 0:05:24 | 0:05:27 | |
the ammunition was ready and waiting to go to the front. | 0:05:27 | 0:05:30 | |
Women worked here and were filmed for propaganda | 0:05:30 | 0:05:33 | |
to emphasise their importance in the process. | 0:05:33 | 0:05:36 | |
Something never seen before World War I - | 0:05:38 | 0:05:41 | |
a woman in a boiler suit. Because it was practical - | 0:05:41 | 0:05:44 | |
the long skirts got caught in all the equipment | 0:05:44 | 0:05:47 | |
and they're putting on rubber boots | 0:05:47 | 0:05:49 | |
because people were terrified there would be a spark of any sort. | 0:05:49 | 0:05:54 | |
You got out a wooden mallet. You just bashed it. | 0:05:58 | 0:06:02 | |
This was a shell heading for the front that...was going to explode. | 0:06:02 | 0:06:07 | |
They were being patriotic, they were doing their bit for the country. | 0:06:10 | 0:06:14 | |
Huge incentive to these girls | 0:06:14 | 0:06:17 | |
who've never, ever been asked to do anything before like this. | 0:06:17 | 0:06:21 | |
They felt they were part of the whole effort | 0:06:21 | 0:06:25 | |
to keep the men at the front | 0:06:25 | 0:06:26 | |
and keep them supplied with weapons and ammunition. | 0:06:26 | 0:06:30 | |
The long shifts caused problems. Many women were reported to pass out | 0:06:33 | 0:06:37 | |
after 12 hours continuous work without eating. | 0:06:37 | 0:06:41 | |
Lord Chetwynd, mindful of efficient production, came up with a solution. | 0:06:41 | 0:06:47 | |
His staff occasionally fainted, which was very dangerous. | 0:06:47 | 0:06:51 | |
He sacked them on day one and on day two he took them on again | 0:06:51 | 0:06:55 | |
at a reduced wage. | 0:06:55 | 0:06:57 | |
But he gave them a free breakfast | 0:06:57 | 0:07:00 | |
and they eat as much as they liked. | 0:07:00 | 0:07:02 | |
Chilwell also had its own band, which gave lunchtime concerts and, | 0:07:06 | 0:07:10 | |
like other factories, had its own ladies football team. | 0:07:10 | 0:07:15 | |
They had sports fields, they had a band, they had amusements | 0:07:15 | 0:07:20 | |
as well as work. He knew that was essential. | 0:07:20 | 0:07:24 | |
In the north-east of England, shell casings were made at Birtley, | 0:07:27 | 0:07:31 | |
another munitions community which grew up for a different reason. | 0:07:31 | 0:07:35 | |
Only recently was the original factory reduced to rubble. | 0:07:36 | 0:07:40 | |
But when it stood in 1916 it was uniquely staffed by Belgians. | 0:07:40 | 0:07:45 | |
Most were injured soldiers, | 0:07:47 | 0:07:49 | |
brought across the Channel to help the war effort. | 0:07:49 | 0:07:52 | |
Their homes were purpose built on a self contained estate. | 0:07:52 | 0:07:56 | |
It was a very strange situation. | 0:07:58 | 0:08:00 | |
Nobody could actually define what it was. | 0:08:00 | 0:08:03 | |
One writer said it was "Not quite a part of Belgium, | 0:08:03 | 0:08:07 | |
"but certainly not a total part of Britain." | 0:08:07 | 0:08:10 | |
And it was referred to as a "colony"? | 0:08:10 | 0:08:12 | |
Yes, the Belgians called it their colony. | 0:08:12 | 0:08:16 | |
It was a garden city. | 0:08:16 | 0:08:19 | |
It was neatly laid out with rows of houses - they were called the "huts" | 0:08:19 | 0:08:24 | |
by the locals - all with gas, | 0:08:24 | 0:08:28 | |
water, electric light | 0:08:28 | 0:08:31 | |
and indoor loos. | 0:08:31 | 0:08:33 | |
They had their own shop and it still stands. | 0:08:33 | 0:08:37 | |
One of only two buildings left of what was called Elisabethville. | 0:08:39 | 0:08:44 | |
These men, though, | 0:08:44 | 0:08:46 | |
85% of them were wounded, | 0:08:46 | 0:08:50 | |
therefore somehow incapacitated, | 0:08:50 | 0:08:53 | |
produced over 2.5 million shells | 0:08:53 | 0:08:58 | |
at a rate far better than any other munitions factory in the land. | 0:08:58 | 0:09:03 | |
The shells casings were sent by rail from Birtley to be filled with TNT | 0:09:03 | 0:09:08 | |
made in the mixing house at Chilwell. | 0:09:08 | 0:09:11 | |
Bob Foster was its foreman. | 0:09:11 | 0:09:13 | |
You've got the TNT coming up from one place | 0:09:13 | 0:09:17 | |
and the nitrate of ammonia coming up from another. | 0:09:17 | 0:09:21 | |
Onto the conveyer vans. | 0:09:21 | 0:09:22 | |
When your machines were full, you'd drop them into your mixer, | 0:09:22 | 0:09:25 | |
which was the floor below. | 0:09:25 | 0:09:28 | |
Lord Chetwynd's Chilwell was by far the biggest mixing operation | 0:09:28 | 0:09:33 | |
in the country. He ensured that TNT was produced on a massive scale. | 0:09:33 | 0:09:38 | |
Chetwynd's technique fascinates even today's experts. | 0:09:44 | 0:09:48 | |
Taking basic machinery that was used for crushing coal or milling flour | 0:09:48 | 0:09:52 | |
and putting together a slightly Heath Robinson construction | 0:09:52 | 0:09:56 | |
to create two separate milling plants - | 0:09:56 | 0:09:59 | |
one that milled TNT, one that milled ammonium nitrate - | 0:09:59 | 0:10:02 | |
ladle the dry mix into a shell | 0:10:02 | 0:10:05 | |
and then a hydraulic press would then press it down. | 0:10:05 | 0:10:10 | |
I've seen in some instances women with wooden mallets | 0:10:10 | 0:10:13 | |
actually doing this to get the powder down. | 0:10:13 | 0:10:16 | |
They'd knock it down and it created that pocket, which is where | 0:10:16 | 0:10:19 | |
the explosive is going to sit and where the fuse'll sit eventually | 0:10:19 | 0:10:22 | |
when it gets ready to fit with its fuse. | 0:10:22 | 0:10:24 | |
The Nottingham plant produced most of the high explosive shells | 0:10:26 | 0:10:30 | |
fired at the commencement of the Battle of the Somme. | 0:10:30 | 0:10:33 | |
Despite the huge barrage, there were many duds, | 0:10:33 | 0:10:37 | |
landing in the mud among the barbed wire and failing to destroy it. | 0:10:37 | 0:10:41 | |
The Germans were able to dig in and resist the attack | 0:10:45 | 0:10:48 | |
at a cost on both sides of tens of thousands of lives. | 0:10:48 | 0:10:53 | |
There's evidence the government knew about the fuse problem | 0:10:55 | 0:10:58 | |
in the months before the Somme. | 0:10:58 | 0:11:01 | |
Right about 1917, | 0:11:01 | 0:11:02 | |
new fuses came in and two things changed the game for the artillery. | 0:11:02 | 0:11:07 | |
One was the ability to better predict | 0:11:07 | 0:11:10 | |
how and where the shell would end up, | 0:11:10 | 0:11:13 | |
because we had calculated how barrels had begun to wear. | 0:11:13 | 0:11:17 | |
So we could time time-fused to actually have them | 0:11:17 | 0:11:20 | |
function above the ground. And the direct action fuses, | 0:11:20 | 0:11:23 | |
the fuses that actually required to hit something to set the fuse off, | 0:11:23 | 0:11:27 | |
became much more sensitive through the incorporation of new technology. | 0:11:27 | 0:11:32 | |
The Munitionettes were the poster girls of the war effort, | 0:11:36 | 0:11:39 | |
frequently photographed and filmed. | 0:11:39 | 0:11:41 | |
Production hit extraordinary heights but how effective were the shells? | 0:11:46 | 0:11:50 | |
This is an example of a high explosive shell used to produce | 0:11:52 | 0:11:57 | |
a large quantity of fragments from when it explodes. | 0:11:57 | 0:12:00 | |
It was filled with high explosive, usually in this case it was | 0:12:00 | 0:12:03 | |
filled with lidite, one of the earlier forms of high explosive. | 0:12:03 | 0:12:06 | |
And when it functions, all that fragmentation | 0:12:06 | 0:12:09 | |
is created from the actual body of the shell itself. | 0:12:09 | 0:12:12 | |
That's a very nasty sight, isn't it? Just...bits. | 0:12:15 | 0:12:19 | |
Yes, and scattered over quite a wide area as well. | 0:12:19 | 0:12:22 | |
So, as you can imagine, those smaller bits, | 0:12:22 | 0:12:25 | |
which will move at very high velocity, quite high speed, | 0:12:25 | 0:12:28 | |
you know, have got a lot of energy, | 0:12:28 | 0:12:29 | |
when those hit you are going to cause horrible injuries. | 0:12:29 | 0:12:32 | |
-And they're hot as well, aren't they? -And hot, yes. | 0:12:32 | 0:12:34 | |
Shells meant danger at home as well, and not just the risk of explosion. | 0:12:39 | 0:12:44 | |
They wear masks and gloves. | 0:12:46 | 0:12:48 | |
At the time they thought this would prevent any problems. | 0:12:48 | 0:12:53 | |
These were girls who were known to us now as "canary girls." | 0:12:53 | 0:12:58 | |
Because their skin turned yellow. | 0:12:58 | 0:13:00 | |
And their hair went a sort of orangey colour. | 0:13:00 | 0:13:03 | |
And they were absorbing poison. | 0:13:03 | 0:13:06 | |
And several of them died. | 0:13:08 | 0:13:10 | |
They got sick quite often but such was the rate of work that | 0:13:10 | 0:13:16 | |
they'd be back soon after a couple of days rest. | 0:13:16 | 0:13:19 | |
Throughout the war across the country there were huge blasts | 0:13:22 | 0:13:25 | |
at munitions factories, heard for miles, the night sky like daylight. | 0:13:25 | 0:13:31 | |
It was said you could read the newspaper by the light of some | 0:13:31 | 0:13:34 | |
factories that burned all night. | 0:13:34 | 0:13:37 | |
What was left? Very little. | 0:13:37 | 0:13:39 | |
Oh, goodness. There were explosions. | 0:13:42 | 0:13:45 | |
There were accidents. | 0:13:45 | 0:13:46 | |
And here they are in all their formal mob caps | 0:13:46 | 0:13:50 | |
and little badges and... munitions dresses. | 0:13:50 | 0:13:54 | |
At the funeral. | 0:13:54 | 0:13:56 | |
To reinforce confidence in the factories, | 0:13:59 | 0:14:02 | |
and underline their national significance, King George V | 0:14:02 | 0:14:06 | |
ventured into the plant at Chilwell, a proud Lord Chetwynd at his side. | 0:14:06 | 0:14:10 | |
The visit of the King to Chilwell, | 0:14:10 | 0:14:13 | |
which was in the Illustrated London News. | 0:14:13 | 0:14:15 | |
"The Duke of Connaught has his spurs removed | 0:14:15 | 0:14:18 | |
"before entering the danger zone." | 0:14:18 | 0:14:20 | |
By the summer of 1918, the tide of war was turning, | 0:14:25 | 0:14:28 | |
and the British called for more shells for a final major push. | 0:14:28 | 0:14:34 | |
It's increasingly more and more explosives being used, | 0:14:34 | 0:14:36 | |
much more artillery being used to try and overcome the deadlock | 0:14:36 | 0:14:40 | |
of trench warfare. | 0:14:40 | 0:14:41 | |
At that time, 17-year-old Alec Clarke was working at Chilwell. | 0:14:41 | 0:14:46 | |
He said they were working continuously, | 0:14:46 | 0:14:48 | |
as there was this big push or battle going on. | 0:14:48 | 0:14:51 | |
And I don't know whether they did work 24 hours, I'm not sure on that. | 0:14:51 | 0:14:55 | |
But they were definitely working flat-out to produce as many shells | 0:14:55 | 0:14:58 | |
as they could. | 0:14:58 | 0:15:00 | |
The 1st of July 1918 was a hot summer evening. | 0:15:00 | 0:15:04 | |
All of a sudden the ground fairly shuddered underneath me. | 0:15:06 | 0:15:10 | |
EXPLOSION | 0:15:12 | 0:15:14 | |
You couldn't see nothing to start with cos it was | 0:15:16 | 0:15:19 | |
so dense with smoke and choked with powder. | 0:15:19 | 0:15:22 | |
You were all as black as tinkers. | 0:15:22 | 0:15:24 | |
And here are some horrifying pictures | 0:15:27 | 0:15:29 | |
of the mixing house explosion. | 0:15:29 | 0:15:32 | |
And what could be worse than to blow up the mixing house, | 0:15:32 | 0:15:35 | |
for heaven's sake? | 0:15:35 | 0:15:36 | |
I rang up Lord Chetwynd. Be about ten to quarter past seven. | 0:15:36 | 0:15:40 | |
And told him what had happened, the mixing house had blown out. | 0:15:40 | 0:15:44 | |
And he couldn't really believe it at the time. | 0:15:44 | 0:15:47 | |
So, he said, "Are you sure?" | 0:15:47 | 0:15:49 | |
I said, "Yes, milord, absolutely." | 0:15:49 | 0:15:51 | |
He said, "Oh, my God, I'm on my way." | 0:15:51 | 0:15:54 | |
My Aunt Eve, his daughter, | 0:15:56 | 0:15:58 | |
she was about ten at the time of the explosion. | 0:15:58 | 0:16:03 | |
She was in bed | 0:16:03 | 0:16:06 | |
and he came into her room, stroked her hair | 0:16:06 | 0:16:11 | |
and kissed her and said nothing and went out again. | 0:16:11 | 0:16:16 | |
And she knew something terrible had happened. | 0:16:16 | 0:16:19 | |
She'd obviously heard the blast. | 0:16:19 | 0:16:21 | |
A camera captures some of the Chilwell workforce, | 0:16:25 | 0:16:29 | |
many of whom would not survive the explosion. | 0:16:29 | 0:16:32 | |
139 died and hundreds were injured. | 0:16:32 | 0:16:36 | |
David Clarke's father was in the power station. | 0:16:38 | 0:16:42 | |
The whole of the roof of the building had come in. | 0:16:42 | 0:16:46 | |
The machines then were racing away due to the loss of load. | 0:16:46 | 0:16:51 | |
When he came round he'd been thrown on the floor. | 0:16:51 | 0:16:54 | |
And he was covered in bits of debris from the building and the roof. | 0:16:54 | 0:16:58 | |
And he was completely uninjured | 0:16:58 | 0:17:00 | |
but there was nobody else left of the staff. | 0:17:00 | 0:17:02 | |
They'd all disappeared. | 0:17:02 | 0:17:04 | |
Alec Clarke's subsequent actions led him to become | 0:17:04 | 0:17:07 | |
the youngest person ever to be awarded the OBE, | 0:17:07 | 0:17:11 | |
then a civilian award for bravery. | 0:17:11 | 0:17:13 | |
Basically, he shut the power station down. | 0:17:13 | 0:17:16 | |
I, who appeared to be the only one available at that time, | 0:17:16 | 0:17:20 | |
proceeded to close down the sets as best possible. | 0:17:20 | 0:17:25 | |
And the whole of the place was in a state of chaos. | 0:17:25 | 0:17:30 | |
There could have been more serious injuries to people in the wreckage, | 0:17:30 | 0:17:35 | |
and more extensive damage and the plant would have been | 0:17:35 | 0:17:38 | |
seriously damaged more than it was by the explosion. | 0:17:38 | 0:17:41 | |
This is Lord Chetwynd's own account of that day, | 0:17:45 | 0:17:48 | |
written 24 hours later. | 0:17:48 | 0:17:50 | |
"The staff and employees behaved magnificently. | 0:17:52 | 0:17:55 | |
"They never lost their heads and were at work recovering the wounded | 0:17:55 | 0:17:58 | |
"and injured even before the dust of the explosion had settled." | 0:17:58 | 0:18:01 | |
At the exact site of the explosion, which remains on MoD land, | 0:18:07 | 0:18:11 | |
is the memorial to the Chilwell factory and its workers. | 0:18:11 | 0:18:16 | |
They were very proud of the work that they did here. | 0:18:16 | 0:18:19 | |
-The actual number of shells filled - 19,359,000. -Yes, yes. | 0:18:19 | 0:18:25 | |
-That's extraordinary. -It was. | 0:18:25 | 0:18:28 | |
And after the explosion happened, | 0:18:28 | 0:18:30 | |
they got back to work within four days filling shells, | 0:18:30 | 0:18:35 | |
because the second battle of the Somme was taking place | 0:18:35 | 0:18:37 | |
and they were terribly short of ammunition. | 0:18:37 | 0:18:40 | |
I think he must have felt so guilty. | 0:18:47 | 0:18:49 | |
And quite apart was the effect on production, | 0:18:51 | 0:18:54 | |
which was one train of thought which must have been going through his mind | 0:18:54 | 0:18:57 | |
because it was so essential to have these shells filled. | 0:18:57 | 0:19:02 | |
The dead, the bodies of the people who'd been killed, | 0:19:02 | 0:19:06 | |
and the whole sort of negation of what he'd tried to achieve, | 0:19:06 | 0:19:11 | |
must have been very hard. | 0:19:11 | 0:19:13 | |
Most of those who died were buried in Attenborough churchyard, | 0:19:18 | 0:19:21 | |
only one of them identified. | 0:19:21 | 0:19:23 | |
Paula Hammond, whose father wrote his own description of the blast, | 0:19:25 | 0:19:29 | |
preserves the memory of the disaster | 0:19:29 | 0:19:32 | |
and has come to see the burial record. | 0:19:32 | 0:19:35 | |
Can't imagine 14 coffins and seven coffins here. | 0:19:35 | 0:19:40 | |
I knew that the Chilwell graves, as we call them, | 0:19:40 | 0:19:43 | |
were here in the churchyard, | 0:19:43 | 0:19:45 | |
but it's only when you look at details like this that it just... | 0:19:45 | 0:19:49 | |
I don't know, puts it all into perspective | 0:19:50 | 0:19:53 | |
and what happened in that period of time and how many families | 0:19:53 | 0:19:57 | |
and how many people it affected. | 0:19:57 | 0:19:59 | |
It's just awful. Awful. | 0:20:01 | 0:20:04 | |
Among the dead was Gertrude Cursley, whose name is remembered on a | 0:20:07 | 0:20:12 | |
housing estate which now covers much of what was the shell factory site. | 0:20:12 | 0:20:16 | |
Her relatives have been finding out more about her. | 0:20:18 | 0:20:22 | |
Hello, Kate. Pleased to meet you. Come on through. | 0:20:22 | 0:20:25 | |
To have a photograph taken like that, at the time, she must have felt | 0:20:28 | 0:20:32 | |
very proud of the uniform and the work she was doing. | 0:20:32 | 0:20:35 | |
And even though there were thousands of women working in munitions, | 0:20:35 | 0:20:39 | |
the letter rather gives away that they weren't expecting to say this | 0:20:39 | 0:20:43 | |
-about a woman, doesn't it? -Yes. The papers have been altered. | 0:20:43 | 0:20:47 | |
If you look closely, they're all male orientated, | 0:20:47 | 0:20:51 | |
and the person that's written the relevant details for Gertrude on them | 0:20:51 | 0:20:56 | |
had been altered to "her" rather than "his" in many cases. | 0:20:56 | 0:21:01 | |
And her family was given compensation - | 0:21:01 | 0:21:04 | |
the equivalent of four years' wages. | 0:21:04 | 0:21:07 | |
They got a total of £200 and it looks, from the compensation form, | 0:21:07 | 0:21:13 | |
that it's based on something like £50 per child. | 0:21:13 | 0:21:19 | |
Well, there are letters here, there's a photograph. | 0:21:19 | 0:21:23 | |
But there's also film, isn't there? Connected to this. | 0:21:23 | 0:21:28 | |
When I was a little boy, my uncle, he worked at Chilwell depot, | 0:21:28 | 0:21:33 | |
and he came by some 35mm film, which wasn't the sort of thing | 0:21:33 | 0:21:37 | |
which the general public would use at that time. | 0:21:37 | 0:21:40 | |
And the story goes that this was found at a jumble sale | 0:21:40 | 0:21:43 | |
or something like that, | 0:21:43 | 0:21:45 | |
and then it was subsequently put into store in his house until he died. | 0:21:45 | 0:21:50 | |
And then my auntie, his wife, put it up in the loft of the bungalow | 0:21:50 | 0:21:56 | |
she moved into as an old age pensioner. | 0:21:56 | 0:22:00 | |
And my cousin was then talking to me about this film. | 0:22:00 | 0:22:03 | |
I said, "I think it might be nitrate film. | 0:22:03 | 0:22:05 | |
"Perhaps we better be a bit careful of this." | 0:22:05 | 0:22:07 | |
So, he took possession of it and put it in his shed. | 0:22:07 | 0:22:10 | |
This is it. Hold it up to the light and you can see men in flat caps | 0:22:13 | 0:22:18 | |
in the shell store, differing from the official government film, | 0:22:18 | 0:22:22 | |
much less formal, more workaday. | 0:22:22 | 0:22:24 | |
The thought of seeing even Gertrude on this film, | 0:22:30 | 0:22:33 | |
cos it would be showing the people working there, no doubt. | 0:22:33 | 0:22:36 | |
It would be wonderful to actually see her walking about. | 0:22:36 | 0:22:39 | |
We've got a still photograph of her | 0:22:39 | 0:22:41 | |
but to actually to be able to see her and other people like her | 0:22:41 | 0:22:44 | |
working in these conditions would be a wonderful thing. | 0:22:44 | 0:22:48 | |
What was the precise reason for the deaths | 0:22:51 | 0:22:54 | |
of Gertrude and 138 others? | 0:22:54 | 0:22:57 | |
Lord Chetwynd said he knew. | 0:22:57 | 0:23:00 | |
It shows the devastation of the huge metal... | 0:23:01 | 0:23:06 | |
huge bits of metal absolutely twisted and blasted. | 0:23:06 | 0:23:11 | |
"The causes of the explosion are obscure. | 0:23:11 | 0:23:16 | |
"I cannot think of anything but sabotage." | 0:23:16 | 0:23:18 | |
Lord Chetwynd's views, though, | 0:23:18 | 0:23:21 | |
conflicted with the evidence at the official inquiry. | 0:23:21 | 0:23:24 | |
1907, the powder manager comes through | 0:23:24 | 0:23:28 | |
and he sees three people stood around one of the mixing buckets. | 0:23:28 | 0:23:33 | |
And one of the guys is the conveyer operator from the very top floor | 0:23:33 | 0:23:36 | |
of the mixing shed. It's a three-storey building. | 0:23:36 | 0:23:38 | |
And he says, "What's happening?" And the conveyer operator says, | 0:23:38 | 0:23:41 | |
"I'm missing a piece of metal from the conveyer belt. | 0:23:41 | 0:23:44 | |
"And we think it might have fallen into the mixing tub." | 0:23:44 | 0:23:47 | |
The mixing tub isn't stopped, it's still grinding, | 0:23:47 | 0:23:50 | |
mixing the amatol mixture. | 0:23:50 | 0:23:53 | |
The powder manager leaves the building | 0:23:53 | 0:23:56 | |
and five minutes later there's a big explosion. | 0:23:56 | 0:23:59 | |
-A bit of metal? -Bit of metal. | 0:24:01 | 0:24:04 | |
Lord Chetwynd disputed this evidence and tried to discredit the witness | 0:24:07 | 0:24:11 | |
in a flurry of correspondence with the government. | 0:24:11 | 0:24:14 | |
He was deeply upset by it | 0:24:17 | 0:24:19 | |
and he was convinced that it was sabotage. | 0:24:19 | 0:24:24 | |
And he named the person concerned. | 0:24:24 | 0:24:27 | |
But they were never able to prove it. | 0:24:27 | 0:24:30 | |
Just four months after the blast | 0:24:32 | 0:24:34 | |
the factory closed when victory was declared in November. | 0:24:34 | 0:24:38 | |
Survivors like young Alec Clarke | 0:24:38 | 0:24:40 | |
found it difficult to live with their memories. | 0:24:40 | 0:24:42 | |
It did slightly affect him afterwards. There were... | 0:24:42 | 0:24:45 | |
He did help in getting people out the wreckage. | 0:24:45 | 0:24:48 | |
There were people with terrible injuries and others that | 0:24:48 | 0:24:51 | |
hadn't survived, with limbs missing and things like that. | 0:24:51 | 0:24:55 | |
But he only spoke about that once. | 0:24:55 | 0:24:58 | |
For Peter Cursley this is a first chance to see | 0:25:03 | 0:25:06 | |
the rescued film footage. | 0:25:06 | 0:25:09 | |
Never thought anything would ever come of it. It's such a mess. | 0:25:09 | 0:25:12 | |
Film...normally nitrate would last 60-80 years. | 0:25:12 | 0:25:16 | |
It's sticky cos it might be deteriorating. | 0:25:16 | 0:25:21 | |
If we don't copy it we lose it. | 0:25:21 | 0:25:23 | |
It would deteriorate and there would be nothing left. | 0:25:23 | 0:25:25 | |
The find also includes the original negatives of 1916 film stock. | 0:25:29 | 0:25:34 | |
It's planned to restore the film - it was damaged by water - | 0:25:34 | 0:25:38 | |
by combining the best of the original and the negatives. | 0:25:38 | 0:25:41 | |
But by using 1930s technology | 0:25:44 | 0:25:47 | |
a copy of it can be seen for the first time. | 0:25:47 | 0:25:50 | |
This is a really exciting discovery for us. | 0:25:57 | 0:26:01 | |
Very rarely do we have discoveries like this these days. | 0:26:01 | 0:26:05 | |
Thing is, it could so easily have got thrown away, | 0:26:05 | 0:26:08 | |
cos it looked like so much rubbish, didn't it? | 0:26:08 | 0:26:10 | |
A piece of history in a box nearly lost. | 0:26:10 | 0:26:14 | |
This is one of the most important films I have seen in many years. | 0:26:17 | 0:26:22 | |
It is a major find for the museum. | 0:26:22 | 0:26:26 | |
Perhaps Gertrude Cursley may eventually be found | 0:26:26 | 0:26:30 | |
on the restored film. | 0:26:30 | 0:26:31 | |
Hopefully if we scrutinise the film carefully, we may find her. | 0:26:33 | 0:26:37 | |
She's very distinctive, dark hair. | 0:26:37 | 0:26:40 | |
-She could be in there somewhere. -Mm. | 0:26:40 | 0:26:42 | |
Smiling faces doing their bit for the war. | 0:26:44 | 0:26:48 | |
Perhaps they too might be recognised from family photographs. | 0:26:48 | 0:26:52 | |
Their reward - a royal telegram sent from Buckingham Palace | 0:26:53 | 0:26:57 | |
to Lord Chetwynd from the King. | 0:26:57 | 0:27:00 | |
"His Majesty asks you to thank them | 0:27:00 | 0:27:03 | |
"and tell them how he appreciates the splendid work that they have done, | 0:27:03 | 0:27:09 | |
"by which this glorious victory has been attained." | 0:27:09 | 0:27:15 | |
At Chilwell, they knew they had produced more than half of all | 0:27:15 | 0:27:19 | |
the high explosive shells fired by the British during World War I. | 0:27:19 | 0:27:25 | |
How many hundreds of folks it affected and how brave | 0:27:25 | 0:27:29 | |
they all were. And they were all back at work the next day | 0:27:29 | 0:27:32 | |
after this explosion happened. | 0:27:32 | 0:27:35 | |
You can't even imagine that today. | 0:27:35 | 0:27:38 | |
But they were very brave people hence it was called | 0:27:38 | 0:27:41 | |
the VC Factory because of the brave people who were working there. | 0:27:41 | 0:27:45 | |
Across the country, over a million people | 0:27:50 | 0:27:52 | |
worked in the making of munitions. | 0:27:52 | 0:27:54 | |
There were frequent accidents and explosions but it's the individual | 0:27:54 | 0:27:58 | |
stories which bring home to us that there was both danger | 0:27:58 | 0:28:02 | |
and courage on the Home Front. | 0:28:02 | 0:28:04 | |
MUSIC: TAPS | 0:28:06 | 0:28:10 |