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In the closing years of the First World War, this magnificent | 0:00:09 | 0:00:12 | |
country house in the heart of Cheshire was transformed | 0:00:12 | 0:00:14 | |
into a military hospital. | 0:00:14 | 0:00:20 | |
It became a sanctuary from the trenches for almost 300 soldiers. | 0:00:22 | 0:00:26 | |
They'd been shot, blown up, gassed or shell`shocked but here | 0:00:26 | 0:00:30 | |
at Dunham Massey they found a refuge from the terror of warfare. | 0:00:30 | 0:00:38 | |
Imagine you've been injured on the front line ` shot at | 0:01:11 | 0:01:14 | |
by a rapidly firing machine gun, or torn apart by burning shrapnel. | 0:01:14 | 0:01:18 | |
The army medics have done all they can, then you've endured | 0:01:18 | 0:01:21 | |
the trip back to Blighty. | 0:01:21 | 0:01:22 | |
Perhaps you spent days on a thin army mattress, with your body | 0:01:22 | 0:01:26 | |
aching and your nerves screaming. | 0:01:26 | 0:01:29 | |
Then you arrive here ` in these glorious, stately surroundings ` | 0:01:29 | 0:01:33 | |
to be met by aristocratic women who want to look after you. | 0:01:33 | 0:01:37 | |
For the young men returning from the Western Front injured, Dunham Massey | 0:01:37 | 0:01:40 | |
became known as The Safe House. | 0:01:40 | 0:01:48 | |
Within a few weeks of the First World War, | 0:02:10 | 0:02:12 | |
the enormous and unexpected tide of casualties soon overwhelmed | 0:02:12 | 0:02:14 | |
the existing medical facilities ` both at the front and at home. | 0:02:14 | 0:02:18 | |
Many civilian hospitals and public buildings were turned | 0:02:22 | 0:02:25 | |
over to military use. | 0:02:25 | 0:02:27 | |
Stately homes across the country were converted | 0:02:27 | 0:02:29 | |
into convalescent hospitals. | 0:02:29 | 0:02:36 | |
At Dunham, they turned the Salon into | 0:02:37 | 0:02:39 | |
a ward and over the next two years treated a total of 282 soldiers. | 0:02:39 | 0:02:47 | |
They were just "Tommies" ` rank and file working class lads whose | 0:02:47 | 0:02:51 | |
injuries weren't life threatening, but did require medical care. | 0:02:51 | 0:02:55 | |
There were no officers here, so most of the soldiers were entering | 0:02:55 | 0:02:59 | |
a world they'd never seen before, and would probably never see again. | 0:02:59 | 0:03:04 | |
They found themselves being cared for by a trinity | 0:03:15 | 0:03:18 | |
of resourceful women. | 0:03:18 | 0:03:20 | |
There was a determined nurse who nearly drove herself to exhaustion. | 0:03:20 | 0:03:24 | |
A teenager who'd only just left a top`class boarding school | 0:03:24 | 0:03:27 | |
in Berkshire. | 0:03:27 | 0:03:29 | |
And a Victorian Countess who'd married | 0:03:29 | 0:03:30 | |
into a family which could trace its lineage back to the Tudor throne. | 0:03:30 | 0:03:36 | |
Penelope, Lady Stamford had been a widow for seven years by the time | 0:03:36 | 0:03:40 | |
she opened her doors to the troops. | 0:03:40 | 0:03:43 | |
In 1904, at the age of 39, Penelope posed with her children | 0:03:43 | 0:03:47 | |
for portraits by John Ernest Breun (correct). | 0:03:47 | 0:03:50 | |
Roger was the heir to the title, while his sister Jane would find her | 0:03:50 | 0:03:54 | |
teenage years dominated by the war. | 0:03:54 | 0:03:59 | |
She was just 15 when the first shots were fired. | 0:03:59 | 0:04:01 | |
Jane trained as a nurse and helped convert the house into a hospital. | 0:04:01 | 0:04:07 | |
70 years later, towards the end of her life, | 0:04:07 | 0:04:11 | |
Lady Jane recalled how people reacted to the declaration of war. | 0:04:11 | 0:04:16 | |
It was the spirit of the time. | 0:04:16 | 0:04:18 | |
Everybody was thrilled. | 0:04:18 | 0:04:19 | |
It's almost unbelievable to think of it now. | 0:04:19 | 0:04:22 | |
We'd won the Boer War and we were going to mince up | 0:04:22 | 0:04:25 | |
the Germans before Christmas. | 0:04:25 | 0:04:30 | |
The whole country was thrilled about it and cheered and cheered | 0:04:30 | 0:04:35 | |
in front of Buckingham Palace. | 0:04:35 | 0:04:37 | |
The excitement and the glamour was simply tremendous | 0:04:37 | 0:04:41 | |
For 19 year old Arthur Topham, a trainee cabinet maker, war leaves | 0:04:49 | 0:04:52 | |
him with a big decision to make. | 0:04:52 | 0:04:54 | |
Should he enlist for overseas duty? | 0:04:54 | 0:04:56 | |
He wants to learn his trade ` but he also likes the Military. | 0:04:56 | 0:05:00 | |
Four years ago, when the world seemed a safer place, | 0:05:00 | 0:05:02 | |
he'd lied about his age and joined the Territorial Force. | 0:05:02 | 0:05:05 | |
Now his friends call him a "Saturday Soldier" | 0:05:05 | 0:05:07 | |
because he only serves part`time. | 0:05:07 | 0:05:09 | |
Arthur knows the Army will soon be asking if he'll volunteer to serve | 0:05:09 | 0:05:12 | |
overseas ` probably at somewhere called Flanders. | 0:05:12 | 0:05:14 | |
As Arthur ponders his future, three`quarters | 0:05:14 | 0:05:16 | |
of a million men are recruited. | 0:05:16 | 0:05:17 | |
As they set off on their great adventure ` believing | 0:05:17 | 0:05:20 | |
they'd be home by Christmas ` the truth was slow to emerge. | 0:05:20 | 0:05:23 | |
They were ill`equipped for modern battle and completely unprepared for | 0:05:23 | 0:05:26 | |
a war that would grind to a halt in the fields of France and Belgium. | 0:05:26 | 0:05:30 | |
For houses like Dunham in 1914, the War was still a long way away, | 0:05:30 | 0:05:34 | |
and life continued with the same ease and opulence that | 0:05:34 | 0:05:35 | |
For houses like Dunham in 1914, the War was still a long way away, | 0:05:41 | 0:05:45 | |
and life continued with the same ease and opulence that | 0:05:45 | 0:05:49 | |
its occupants were used to. | 0:05:49 | 0:05:54 | |
No`one appreciated yet, that hostilities would also signal | 0:05:54 | 0:05:58 | |
the swansong of the British upper classes. | 0:05:58 | 0:06:02 | |
The golden age was drawing to a close, and the Tommies would be at | 0:06:03 | 0:06:07 | |
Dunham to witness the last Hurrah. | 0:06:07 | 0:06:14 | |
In 1914 a house like Dunham Massey would have had | 0:06:14 | 0:06:16 | |
a fairly extensive household staff. | 0:06:17 | 0:06:18 | |
And they still had quite formal roles like footman, | 0:06:18 | 0:06:21 | |
people who were there to look good, rather than to necessarily to do | 0:06:21 | 0:06:26 | |
a lot of the heavy labour. | 0:06:26 | 0:06:28 | |
The butler and the housekeeper were really the key people of the staff. | 0:06:28 | 0:06:31 | |
They had their own spaces. | 0:06:31 | 0:06:33 | |
They might have had the butler's pantry or | 0:06:33 | 0:06:35 | |
the housekeeper's sitting room. | 0:06:35 | 0:06:37 | |
And they had absolute authority in those spaces. | 0:06:37 | 0:06:40 | |
They could summon servants, they could dismiss servants. | 0:06:40 | 0:06:43 | |
You know, their word was law. | 0:06:43 | 0:06:46 | |
So it was a place where discipline was pretty, | 0:06:46 | 0:06:49 | |
pretty firm and a very close eye was kept on the younger servants. | 0:06:49 | 0:06:53 | |
Arthur Topham's decided not to volunteer for service overseas. | 0:07:00 | 0:07:03 | |
Instead, he's hoping to see home defence service only. | 0:07:03 | 0:07:05 | |
Many of his contemporaries who went to France have already been killed | 0:07:05 | 0:07:09 | |
in the Battles of Mons and Ypres. | 0:07:09 | 0:07:11 | |
It's clear that within months even this reluctant soldier's unit will | 0:07:11 | 0:07:14 | |
soon be embarking for France. | 0:07:14 | 0:07:18 | |
He leaves his work wondering if he'll ever return. | 0:07:20 | 0:07:25 | |
3,500 miles away a huge snow storm is sweeping Canada. | 0:07:33 | 0:07:37 | |
In the city of London, Ontario a young man just two years | 0:07:37 | 0:07:40 | |
older than Arthur is also wondering what life has in store for him. | 0:07:40 | 0:07:45 | |
Carl Brodie is a bank clerk who lives with | 0:07:45 | 0:07:48 | |
his mother and two sisters. | 0:07:48 | 0:07:50 | |
By January 1916 his mind is set. | 0:07:50 | 0:07:55 | |
Brodie joins up, agreeing to serve overseas with | 0:07:55 | 0:07:57 | |
the Canadian Expeditionary Force. | 0:07:57 | 0:08:00 | |
With a flourish of his signature, the blue`eyed, fair haired Brodie | 0:08:00 | 0:08:03 | |
is a new recruit. | 0:08:03 | 0:08:07 | |
By March he's leaving for Liverpool on the first leg | 0:08:07 | 0:08:10 | |
of his journey to the battlefield. | 0:08:10 | 0:08:12 | |
He sails aboard the steam ship Missanabie | 0:08:12 | 0:08:19 | |
with fellow members of the 43rd Canadian Field Artillery. | 0:08:19 | 0:08:21 | |
By the time he reaches France on the 14 July 1916 he's in the middle of | 0:08:21 | 0:08:26 | |
one of history's bloodiest battles. | 0:08:26 | 0:08:27 | |
The Somme. | 0:08:27 | 0:08:34 | |
The Somme wasn't a single battle ` but a series that lasted | 0:08:53 | 0:08:57 | |
until November 1916. | 0:08:57 | 0:08:59 | |
On the first day, 20 thousand British troops were killed, | 0:08:59 | 0:09:06 | |
and 30,000 were injured. | 0:09:06 | 0:09:07 | |
It was the bloodiest day in the history of the British Army. | 0:09:07 | 0:09:10 | |
The details would have reached Dunham by newspaper ` | 0:09:10 | 0:09:13 | |
and it's likely that Lady Stamford would have read them here in her | 0:09:13 | 0:09:16 | |
parlour and that romantic vision of war that she'd had two years earlier | 0:09:16 | 0:09:20 | |
would have quickly disappeared. | 0:09:20 | 0:09:21 | |
It may have been the news of the carnage that stirred her | 0:09:21 | 0:09:24 | |
into action. | 0:09:24 | 0:09:28 | |
Lady Stamford was the President of the Altrincham division | 0:09:36 | 0:09:39 | |
of the British Red Cross, and was charged with developing | 0:09:39 | 0:09:42 | |
local convalescent hospitals. | 0:09:42 | 0:09:45 | |
In a letter to her son in 1916 she suggests using Dunham ` | 0:09:45 | 0:09:49 | |
but in a particular way. | 0:09:49 | 0:09:54 | |
She writes to Lord Stamford and suggests that it should become | 0:09:54 | 0:09:57 | |
a hospital for officers because it wouldn't really do for Tommies. | 0:09:57 | 0:10:00 | |
We don't know what happened to change ` or whether anything did | 0:10:00 | 0:10:04 | |
happen to change her mind ` or whether the Red Cross decided that | 0:10:04 | 0:10:07 | |
it didn't need an Officers' hospital but it needed somewhere for Tommies | 0:10:07 | 0:10:11 | |
who were coming from the front ` or whether Lord Stamford who was | 0:10:11 | 0:10:14 | |
a bit liberal in his tendencies that actually he would prefer Dunham | 0:10:14 | 0:10:17 | |
to be a hospital for Tommies. | 0:10:17 | 0:10:19 | |
But we know that by 1917 when the doors opened it was Tommies | 0:10:19 | 0:10:22 | |
and non`commissioned Officers ` so privates | 0:10:22 | 0:10:24 | |
and non`commissioned Officers that were coming here to Dunham. | 0:10:24 | 0:10:27 | |
On the 23 April 1917, Lady Stamford penned | 0:10:27 | 0:10:29 | |
a short note to her son Roger. | 0:10:29 | 0:10:32 | |
In it she told him the news they'd all been waiting for: | 0:10:32 | 0:10:35 | |
"This evening a telephone message came through ` "Expect 16 patients | 0:10:39 | 0:10:42 | |
tomorrow at 11.30" This great house had at last become a hospital. | 0:10:42 | 0:10:53 | |
Medical staff and domestic servants were anxious but ready, as the first | 0:10:58 | 0:11:01 | |
convoy of injured arrived. | 0:11:01 | 0:11:07 | |
The first patient to be admitted was Private Thomas Hibbits of the | 0:11:26 | 0:11:29 | |
Royal Irish Rifles. | 0:11:29 | 0:11:30 | |
His regiment had seen action at the Somme. | 0:11:30 | 0:11:34 | |
He was sent to Dunham to recover from Trenchfoot ` | 0:11:34 | 0:11:37 | |
a painful condition stemming from weeks standing | 0:11:37 | 0:11:39 | |
in the quagmire that was the front. | 0:11:39 | 0:11:45 | |
the soldiers presented with. | 0:11:45 | 0:11:49 | |
Shrapnel wounds, bullet wounds, shellshock, men recovering | 0:11:49 | 0:11:51 | |
from gassing as well. | 0:11:51 | 0:12:06 | |
Lady Stamford oversaw the running of the hospital and appointed Sister | 0:12:06 | 0:12:09 | |
Catherine Bennett, as the Matron. | 0:12:09 | 0:12:13 | |
Most of the nurses came from the Voluntary Aid Detachment ` | 0:12:13 | 0:12:16 | |
an organisation of middle and upper class civilian women. | 0:12:16 | 0:12:20 | |
One of them was Lady Stamford's daughter, Jane who became a VAD | 0:12:20 | 0:12:23 | |
as soon as she left school. | 0:12:23 | 0:12:28 | |
I think the staff would have been very excited about the prospect of | 0:12:28 | 0:12:32 | |
incoming wounded, also to do their duty but quite exciting to have them | 0:12:32 | 0:14:30 | |
Arthur Topham and Carl Brodie are now fighting in the Battle of Arras. | 0:14:30 | 0:14:35 | |
The two soldiers ` who've never met ` are within 16 miles of each other | 0:14:35 | 0:14:39 | |
at the village of Bullecourt. | 0:14:39 | 0:14:46 | |
These pictures are taken on 3rd May 1917 near the village. | 0:14:46 | 0:14:50 | |
On the same day, Topham is struck in the face, arms and legs by shrapnel. | 0:14:50 | 0:14:56 | |
Soon afterwards, Gunner Brodie is also seriously wounded in the arm. | 0:14:56 | 0:15:00 | |
Their traumatic journey to Dunham is under way. | 0:15:00 | 0:15:05 | |
When a soldier was wounded on the battlefield | 0:15:05 | 0:15:07 | |
in northern France or Flanders his first task would be to dress his own | 0:15:07 | 0:15:11 | |
wound with a first field dressing. | 0:15:11 | 0:15:13 | |
He would then be picked up by stretcher bearers ` there could be | 0:15:13 | 0:15:16 | |
a long wait before that happened. | 0:15:16 | 0:15:18 | |
A doctor would treat him, he'd have morphine | 0:15:18 | 0:15:20 | |
and anti`tetanus serum before being put in a motor ambulance. | 0:15:20 | 0:15:24 | |
At the Casualty Clearing Station he would have emergency surgery | 0:15:24 | 0:15:26 | |
and then he'd be put in a hospital train and taken to a Base Hospital | 0:15:26 | 0:15:31 | |
on the coast of northern France. | 0:15:31 | 0:15:34 | |
And then he'd be put on a hospital ship, and then put | 0:15:34 | 0:15:37 | |
into another hospital train and brought to a place like this. | 0:15:37 | 0:15:40 | |
The Stamford Hospital. | 0:15:40 | 0:15:42 | |
So the transport of troops to the front, the transport of ammunition | 0:15:42 | 0:15:45 | |
and supplies to the trenches was given a higher priority than the | 0:15:45 | 0:15:49 | |
return of wounded down`the`line. | 0:15:50 | 0:15:54 | |
Three weeks after being seriously wounded, Topham arrives at Dunham. | 0:16:00 | 0:16:03 | |
Brodie is admitted a few days later. | 0:16:03 | 0:16:06 | |
Their details meticulously recorded by staff. | 0:16:06 | 0:16:10 | |
The two patients soon strike up a friendship. | 0:16:10 | 0:16:12 | |
Despite being foreigners to one another, they have much in common, | 0:16:12 | 0:16:16 | |
not least their survival at Arras. | 0:16:16 | 0:16:19 | |
You see people in the same photographs together so they became | 0:16:19 | 0:16:22 | |
close friends we can only presume? | 0:16:22 | 0:16:24 | |
Um, I think they do. | 0:16:24 | 0:16:26 | |
If you spend two months in the same place sharing the same room | 0:16:26 | 0:16:29 | |
with someone you'd either want... | 0:16:29 | 0:16:31 | |
to throttle them, or you'd become good friends with | 0:16:31 | 0:16:33 | |
them, I should think. | 0:16:33 | 0:16:36 | |
And I'm sure many friendships were formed within these four walls. | 0:16:36 | 0:16:43 | |
MUSIC: Duettino ` Sull'aria from The Marriage Of Figaro. | 0:16:43 | 0:17:41 | |
It's so peaceful, | 0:17:42 | 0:17:44 | |
you can't hear anyone at all. | 0:17:44 | 0:17:45 | |
And just to be away from the noise, the hell, the shrieking noise | 0:17:45 | 0:17:49 | |
of the Western Front and just be here to have your own time, and | 0:17:49 | 0:17:53 | |
actually it's time devoted to you ` it's not for the Battalion, it's not | 0:17:53 | 0:17:57 | |
for your Division, it's for you... | 0:17:57 | 0:17:58 | |
It's for you to get better. | 0:17:58 | 0:18:00 | |
It must have been almost quite unusual for a lot of them, | 0:18:00 | 0:18:03 | |
they'd probably never really had time just for themselves. | 0:18:03 | 0:18:06 | |
And so it would have been just wonderful. | 0:18:06 | 0:18:10 | |
Within a month nearly 50 soldiers had been admitted. | 0:18:14 | 0:18:17 | |
Some of the household staff helped treat | 0:18:17 | 0:18:19 | |
the patients ` working alongside the voluntary aid detachment nurses. | 0:18:19 | 0:18:24 | |
One housemaid did fall in love and escape to a new life | 0:18:24 | 0:18:27 | |
as the wife of one of the soldiers. | 0:18:28 | 0:18:30 | |
Sergeant Percy Chaplin was looked after by Mabel Doody ` | 0:18:30 | 0:18:33 | |
they married two years after the war and moved to Essex | 0:18:33 | 0:18:36 | |
where Percy became a fishmonger. | 0:18:36 | 0:18:40 | |
The reason we know so much about the Dunham hospital is the family | 0:18:40 | 0:18:44 | |
here rarely threw anything away. | 0:18:44 | 0:18:46 | |
Their archive goes back to long before the start of the | 0:18:46 | 0:18:49 | |
First World War, and even includes old electricity bills. | 0:18:49 | 0:18:53 | |
Sorting the useless from the fascinating became a labour of love. | 0:18:53 | 0:18:59 | |
We've been working on the project for about two years | 0:18:59 | 0:19:02 | |
in total from start to finish. | 0:19:02 | 0:19:03 | |
Katie Taylor from the National Trust is responsible for the historical | 0:19:03 | 0:19:06 | |
collection at Dunham Massey. | 0:19:06 | 0:19:08 | |
The recreation of the hospital has been done | 0:19:08 | 0:19:10 | |
by a team of 500 volunteers. | 0:19:10 | 0:19:13 | |
It involved researching our soldiers, | 0:19:13 | 0:19:15 | |
researching what the household was doing, researching what Lady | 0:19:15 | 0:19:17 | |
Stamford and Lady Jane were doing, as well as looking at how we could | 0:19:17 | 0:19:21 | |
replicate some of the original items so that people could use them. | 0:19:21 | 0:19:24 | |
So all the bed side lockers you can see | 0:19:24 | 0:19:27 | |
around the room are based on this original one, were all made by our | 0:19:27 | 0:19:31 | |
volunteers, the woodwork was done by our volunteers and the locker covers | 0:19:31 | 0:19:34 | |
were made by volunteers as well. | 0:19:34 | 0:19:36 | |
The bedspreads were all made by volunteers to replicate | 0:19:36 | 0:19:38 | |
as close as possible the originals. | 0:19:38 | 0:19:40 | |
We're really lucky at Dunham that the family left us a huge archive | 0:19:40 | 0:19:43 | |
as well as a massive amount of information regarding the | 0:19:43 | 0:19:46 | |
collections that remain in the house which really helped us to create | 0:19:46 | 0:19:49 | |
something that we feel is really true to what would have | 0:19:49 | 0:19:52 | |
happened here back in 1917. | 0:19:52 | 0:19:54 | |
To find out more, I've come to Deansgate in the centre | 0:19:54 | 0:19:58 | |
of Manchester to one of the most beautiful libraries in the world. | 0:19:58 | 0:20:07 | |
You've spent years working with all these papers. | 0:20:31 | 0:20:33 | |
I mean how many people keep that amount of information ` | 0:20:33 | 0:20:37 | |
and that was a good thing from your point of view, wasn't it? | 0:20:37 | 0:20:41 | |
Absolutely. | 0:20:41 | 0:20:43 | |
They were born hoarders, I think. | 0:20:43 | 0:20:45 | |
Born archivists almost so they threw nothing away. | 0:20:45 | 0:20:48 | |
Erm....they | 0:20:48 | 0:20:49 | |
had the space, partly it was a case that they didn't need to throw | 0:20:49 | 0:20:54 | |
things away, but also I think it was all part of this business of having | 0:20:54 | 0:20:58 | |
an awareness of their historical importance so they wanted to | 0:20:58 | 0:21:00 | |
preserve their place in history for future generations. The archive | 0:21:00 | 0:21:06 | |
arrived here in the late 1970s and very little happened to it | 0:21:06 | 0:21:11 | |
until I was appointed in 1989. | 0:21:11 | 0:21:14 | |
So I was confronted with boxes and boxes and shelves | 0:21:14 | 0:21:17 | |
of uncatalogued, fairly chaotic, papers and it was quite a daunting | 0:21:17 | 0:21:21 | |
task to try and put some order to this archive and then catalogue it. | 0:21:21 | 0:21:28 | |
And can people come and look at this or not? | 0:21:28 | 0:21:31 | |
Absolutely. | 0:21:31 | 0:21:31 | |
The archive is here to be used like all our collections and the | 0:21:31 | 0:21:35 | |
Stamford papers are very well used. | 0:21:35 | 0:21:37 | |
One of our most frequently accessed archives. | 0:21:37 | 0:21:40 | |
It's a standard autograph book which has been used as a souvenir | 0:21:40 | 0:21:44 | |
album by many of the patients at the Stamford Military Hospital. | 0:21:44 | 0:21:49 | |
And it contains photographs of them sitting in the grounds... | 0:21:49 | 0:21:58 | |
Gosh, it's rather lovely that, isn't it? | 0:21:58 | 0:22:00 | |
And so many of the photographs show soldiers who | 0:22:00 | 0:22:02 | |
really they look like teenagers. | 0:22:02 | 0:22:04 | |
Look it says here, "May Good Fortune Always Be With | 0:22:04 | 0:22:06 | |
Nurse Grey", and she's depicted as an angel there, isn't she? | 0:22:06 | 0:22:09 | |
That's right, yes and every care was taken of them. | 0:22:09 | 0:22:12 | |
They were in this beautiful secluded place. | 0:22:12 | 0:22:14 | |
It must have been a paradise compared to the horrors they had | 0:22:14 | 0:22:17 | |
experienced in the trenches. | 0:22:17 | 0:22:21 | |
It's a really lovely piece of archive actually, isn't it? | 0:22:21 | 0:22:23 | |
It is. | 0:22:23 | 0:22:28 | |
And what of Topham and Brodie, the two soldiers | 0:22:39 | 0:22:41 | |
which fate had brought together? | 0:22:41 | 0:22:44 | |
By September 1917 both men have recovered and are discharged | 0:22:44 | 0:22:48 | |
from Dunham. | 0:22:48 | 0:22:50 | |
Brodie heads to a training camp in Hampshire to rebuild | 0:22:50 | 0:22:52 | |
his strength and prepare again for the Western Front. | 0:22:52 | 0:22:57 | |
Arthur Topham returns to France ` one of his three brothers was | 0:22:57 | 0:23:00 | |
killed in action a few weeks ago, and another was shot in the arm. | 0:23:00 | 0:23:04 | |
Now, he's back where he started ` Cambrai just a few miles from Arras. | 0:23:04 | 0:23:09 | |
He's been promoted to Lance Sergeant. | 0:23:09 | 0:23:14 | |
On the 11th of October ` exactly a month before Armistice, | 0:23:20 | 0:23:24 | |
he was involved in vicious hand`to`hand combat, as the Allies | 0:23:24 | 0:23:28 | |
advanced two miles ` an enormous distance for the First World War. | 0:23:28 | 0:23:36 | |
There have been numerous battles at Cambrai but now in the closing | 0:23:39 | 0:23:42 | |
days of the war, the Allies are on the point of liberating it. | 0:23:42 | 0:23:46 | |
The fighting is almost done. | 0:23:46 | 0:23:48 | |
And soldiers are beginning to think the unthinkable ` about going home. | 0:23:48 | 0:23:54 | |
Arthur Topham was a cabinet maker who'd wanted to stay | 0:23:54 | 0:23:57 | |
at home but instead went to fight for his country. | 0:23:57 | 0:24:00 | |
He'd been restored to health by women who'd given up | 0:24:00 | 0:24:03 | |
their time and their home. | 0:24:03 | 0:24:05 | |
But by the end of that day he was dead ` his body falling in | 0:24:05 | 0:24:09 | |
a foreign field far from home ` one of the last casualties of the war. | 0:24:09 | 0:24:14 | |
It was his 23rd birthday. | 0:24:14 | 0:24:22 | |
But the story doesn't end there, and it's thanks to the family at Dunham | 0:24:36 | 0:24:40 | |
who never threw anything away. | 0:24:40 | 0:24:44 | |
Deep in the vaults of the John Rylands Library a series | 0:24:45 | 0:24:48 | |
of letters was recently discovered that tells us what happened to | 0:24:48 | 0:24:52 | |
Gunner Carl Brodie, the smiling Canadian who'd spent | 0:24:52 | 0:24:55 | |
months in hospital with Topham. | 0:24:55 | 0:24:58 | |
In 1917 he's gone back to his unit, He's about to be sent off to France. | 0:24:58 | 0:25:02 | |
It's quite a poignant letter because he's comparing the | 0:25:02 | 0:25:06 | |
tranquillity of Dunham Massey with the horrors he's going to face. | 0:25:06 | 0:25:11 | |
in France. | 0:25:11 | 0:25:13 | |
His mother has also written from Canada and she emphasises | 0:25:13 | 0:25:21 | |
the distance, the physical distance between her and her son. | 0:25:21 | 0:25:24 | |
This camp is a fairly good one with lots of amusements ` | 0:25:24 | 0:25:27 | |
not to much work and good food. | 0:25:27 | 0:25:29 | |
so we do that fare too badly. | 0:25:29 | 0:25:31 | |
Please tell Nurse Grey that I'm not starving yet. | 0:25:31 | 0:25:33 | |
Kindly remember me to Sister Bennett and the other nurses. | 0:25:33 | 0:25:36 | |
His mother has | 0:25:36 | 0:25:37 | |
also written from Canada. | 0:25:37 | 0:25:38 | |
She emphasises the physical distance between her and her son. | 0:25:38 | 0:25:41 | |
And she's thanking Lady Stamford. | 0:25:41 | 0:25:42 | |
My heart was at rest while he was there away from he danger zone. | 0:25:42 | 0:25:46 | |
He has told me so much about your beautiful home and surroundings... | 0:25:46 | 0:25:49 | |
I remain sincerely yours, Margaret Montgomery Brodie. So he's | 0:25:49 | 0:25:52 | |
been treated by Lady Stamford and all the nurses there | 0:25:52 | 0:25:55 | |
and then we know he's going back to France which is worrying, but.... | 0:25:55 | 0:25:58 | |
That's right, yes, but there is a happy ending. | 0:25:58 | 0:26:01 | |
He's survived the war and he's now in Rhyl in North Wales waiting | 0:26:01 | 0:26:04 | |
to be repatriated back to Canada. | 0:26:04 | 0:26:08 | |
I'm sure very Canadian soldier will go back to Canada with a feeling | 0:26:08 | 0:26:11 | |
of great respect for the way in which the English people have | 0:26:11 | 0:26:15 | |
thrown their homes open to us and for the kindness we have received. | 0:26:15 | 0:26:18 | |
So it had a happy ending. | 0:26:18 | 0:26:20 | |
It's a lovely story and we only just managed to find that one. | 0:26:20 | 0:26:24 | |
So you sort of think they go off to France | 0:26:24 | 0:26:26 | |
and that could have been the end but that's lovely to see, isn't it? | 0:26:26 | 0:26:30 | |
Yeah. | 0:26:30 | 0:26:30 | |
And there may be many, many stories like that in the archive. | 0:26:30 | 0:26:37 | |
For the soldiers, servants, nurses and the house things would | 0:26:38 | 0:26:42 | |
never be the same again. | 0:26:42 | 0:26:44 | |
No longer a family home with little children | 0:26:44 | 0:26:46 | |
running in the corridors, or wounded soldiers filling the main rooms | 0:26:46 | 0:26:49 | |
the house lost much of its purpose. | 0:26:49 | 0:26:56 | |
The furniture and objects which had formed the wards were put | 0:26:56 | 0:26:59 | |
in store here in the Great Gallery, and just like a memory, left. | 0:26:59 | 0:27:03 | |
When the National Trust took over the house 60 years later, they found | 0:27:03 | 0:27:07 | |
it all just as it had been in 1919. | 0:27:07 | 0:27:12 | |
The world for these people had changed and that the kind of era | 0:27:15 | 0:27:18 | |
of grand country house weekends ` for this family in particular ` | 0:27:18 | 0:27:22 | |
was kind of coming to an end. | 0:27:22 | 0:27:24 | |
And that their way of life was for ever going to be impacted | 0:27:24 | 0:27:27 | |
on what had happened here. | 0:27:27 | 0:27:29 | |
Sister Bennett moved on and worked in the Balkans | 0:27:29 | 0:27:32 | |
for the Serbia Relief Fund. | 0:27:32 | 0:27:34 | |
Lady Jane visited Paris after Armistice, and in later years | 0:27:34 | 0:27:37 | |
married a vicar in Suffolk. | 0:27:37 | 0:27:40 | |
Lady Stamford died in 1959 at the age of 93. | 0:27:40 | 0:27:46 | |
After the Great War she continued to living at Dunham with her son Roger | 0:27:46 | 0:27:50 | |
who became the 10th Earl of Stamford. | 0:27:50 | 0:27:52 | |
And they're buried alongside each at St Mark's Church. | 0:27:52 | 0:27:55 | |
She left behind her a legacy of grateful soldiers who never | 0:27:55 | 0:27:59 | |
forgot their time in her house. | 0:27:59 | 0:28:05 | |
You can hear more fascinating stories from the war with | 0:28:16 | 0:28:19 | |
World War I at home at: | 0:28:19 | 0:28:25 | |
Hello, I'm Ellie Crisell with your 90 second update. | 0:29:05 | 0:29:07 | |
Reports of alleged abuse carried out by Jimmy Savile | 0:29:07 | 0:29:09 | |
now total more than 500. | 0:29:09 | 0:29:11 | |
NSPCC research found most victims were aged between 13 and 15, | 0:29:11 | 0:29:14 | |
but the youngest was just two. | 0:29:14 | 0:29:15 | |
Details in Panorama at 8:30. | 0:29:15 | 0:29:21 | |
A new phase in the Madeleine McCann inquiry. | 0:29:21 | 0:29:23 | |
Police are searching scrubland near where the toddler went missing | 0:29:23 | 0:29:26 | |
in Portugal seven years ago. | 0:29:26 | 0:29:27 |