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Us Brits have a passion for property | 0:00:02 | 0:00:04 | |
and of course our national obsession is house prices. | 0:00:04 | 0:00:08 | |
-How much to buy? -You're looking at about 1.7 million for an apartment like this. | 0:00:08 | 0:00:13 | |
But housing is about so much more than bricks and mortar. | 0:00:13 | 0:00:17 | |
Look at the smile on my face. | 0:00:17 | 0:00:20 | |
It's about who we are and how we choose to live. | 0:00:20 | 0:00:23 | |
75 years since the Beveridge report vowed to rebuild Britain's housing... | 0:00:26 | 0:00:32 | |
Slums must go. | 0:00:32 | 0:00:33 | |
..we are opening the doors to Britain's home truths... | 0:00:33 | 0:00:36 | |
From council houses... | 0:00:38 | 0:00:39 | |
..to suburban semis. | 0:00:39 | 0:00:41 | |
High rises... | 0:00:41 | 0:00:42 | |
..to country pads... | 0:00:42 | 0:00:44 | |
In fact, anywhere we call home. | 0:00:44 | 0:00:46 | |
..to find out if three-quarters of a century later, | 0:00:46 | 0:00:49 | |
we really have built a better place to live. | 0:00:49 | 0:00:53 | |
As the presenter of Escape To The Country and Wanted Down Under, | 0:01:07 | 0:01:11 | |
I have met loads of people who just wanted to run away | 0:01:11 | 0:01:14 | |
'and start a new life somewhere else. | 0:01:14 | 0:01:17 | |
'And I always know how they feel. | 0:01:17 | 0:01:19 | |
'But escaping for me isn't to a countryside pad, | 0:01:19 | 0:01:23 | |
'let alone a different continent. | 0:01:23 | 0:01:25 | |
'No, I find freedom by leaving the city | 0:01:25 | 0:01:27 | |
'and going back to my old home town of Herne Bay.' | 0:01:27 | 0:01:31 | |
I love this journey. | 0:01:31 | 0:01:33 | |
I commuted up to London every single day for about a year | 0:01:33 | 0:01:36 | |
and on the way home, after Gillingham, if you glimpse, | 0:01:36 | 0:01:39 | |
if you look out just past the hills, | 0:01:39 | 0:01:41 | |
you could actually see the sea and on a good day, | 0:01:41 | 0:01:44 | |
you could smell it and then I knew I was nearly home. | 0:01:44 | 0:01:49 | |
And this is what it looks like. | 0:01:49 | 0:01:51 | |
Now, to the outsider, | 0:01:51 | 0:01:53 | |
this place may look pretty traditional | 0:01:53 | 0:01:55 | |
and even a little bit old-fashioned, | 0:01:55 | 0:01:58 | |
but I want to show you how, in its day, | 0:01:58 | 0:02:00 | |
it was an example of revolutionary town planning | 0:02:00 | 0:02:03 | |
and was, in fact, one of Britain's early new towns. | 0:02:03 | 0:02:06 | |
'First, though, I have arrived. | 0:02:06 | 0:02:08 | |
'Yes, I'm home.' | 0:02:08 | 0:02:09 | |
MUSIC: Shang-A-Lang by Bay City Rollers | 0:02:14 | 0:02:17 | |
Every time I return to this place, | 0:02:17 | 0:02:19 | |
I get that sense of having escaped the stresses of my life in the city. | 0:02:19 | 0:02:23 | |
And it's not just me, it's done the same for generations of visitors. | 0:02:23 | 0:02:27 | |
Back in the late '60s and '70s, | 0:02:27 | 0:02:30 | |
traditional seaside towns like Herne Bay were still all the rage, | 0:02:30 | 0:02:35 | |
offering hard-working families the chance to get away from it all | 0:02:35 | 0:02:38 | |
for a week by the coast. | 0:02:38 | 0:02:40 | |
They were also where teenagers liked to hang out playing the amusements, | 0:02:40 | 0:02:45 | |
something I have never tired of. | 0:02:45 | 0:02:47 | |
Yes! | 0:02:49 | 0:02:52 | |
'For those of us who lived here full-time, | 0:02:52 | 0:02:54 | |
'you can imagine how this carefree spirit ran through us like a stick of rock.' | 0:02:54 | 0:02:59 | |
Look at the smile on my face. | 0:02:59 | 0:03:01 | |
This is my old road. | 0:03:01 | 0:03:04 | |
I moved in when I was three. | 0:03:04 | 0:03:06 | |
It is a cul-de-sac. | 0:03:06 | 0:03:08 | |
We used to play on this road all the time, no worries about cars. | 0:03:08 | 0:03:11 | |
One of my best friends lived there. | 0:03:11 | 0:03:15 | |
And ahead of us... | 0:03:15 | 0:03:16 | |
..is my old house. I haven't been here for years. | 0:03:17 | 0:03:21 | |
Up this road. And there she is. | 0:03:21 | 0:03:24 | |
And that's my parents' room up there. | 0:03:24 | 0:03:27 | |
And they extended it. They had two rooms and I was right at the end, | 0:03:27 | 0:03:32 | |
single room, as you do, | 0:03:32 | 0:03:33 | |
never would have had a double bed in a child's room. | 0:03:33 | 0:03:36 | |
Had all my posters up on the wall. | 0:03:36 | 0:03:39 | |
I loved this house. | 0:03:40 | 0:03:42 | |
It's got a certain innocence about it. | 0:03:42 | 0:03:44 | |
My parents paid just under £7,000 for this property. | 0:03:44 | 0:03:48 | |
Now what's it worth? | 0:03:48 | 0:03:50 | |
I don't know. 300, 350,000, it's got to be, hasn't it? | 0:03:50 | 0:03:54 | |
It's extraordinary. | 0:03:54 | 0:03:57 | |
MUSIC: Blue Monday by New Order | 0:03:57 | 0:04:00 | |
Not that I spent that much time at home. | 0:04:00 | 0:04:03 | |
I was more likely to be found on the promenade, | 0:04:03 | 0:04:05 | |
roller-skating with my friends or flirting with boys. | 0:04:05 | 0:04:09 | |
Little did I know at the time, of course, | 0:04:09 | 0:04:12 | |
but seaside towns like Herne Bay | 0:04:12 | 0:04:14 | |
were about to go into serious decline | 0:04:14 | 0:04:16 | |
as cheap foreign travel replaced the traditional family holiday. | 0:04:16 | 0:04:20 | |
And as the '70s gave way to the '80s, | 0:04:20 | 0:04:22 | |
a lot of younger people took the opportunity to seek their fortune | 0:04:22 | 0:04:26 | |
in the Big Smoke. | 0:04:26 | 0:04:27 | |
I should know - I was one of them. | 0:04:27 | 0:04:30 | |
I'd started a career in the music business, | 0:04:30 | 0:04:33 | |
eventually working with people like the Spice Girls and Simon Cowell. | 0:04:33 | 0:04:36 | |
But living in amongst the pollution, | 0:04:36 | 0:04:39 | |
noise and general chaos of the concrete jungle, | 0:04:39 | 0:04:41 | |
I learned to escape back to the simplicity of my little town | 0:04:41 | 0:04:45 | |
and the people whom I loved most, | 0:04:45 | 0:04:47 | |
like my sister, Shelley, and best friend, Krista. | 0:04:47 | 0:04:50 | |
While they get the kettle on, | 0:04:50 | 0:04:52 | |
I'm raiding Mum's attic for some old keepsakes to help jog our memories | 0:04:52 | 0:04:55 | |
of what it was like to live here. | 0:04:55 | 0:04:57 | |
Whereabouts is it? Is it with these old cards? | 0:04:57 | 0:05:00 | |
No. It's on the other side, it's in a blue box. | 0:05:00 | 0:05:03 | |
-Can you see it? -Is it this one? -That's the one. | 0:05:03 | 0:05:07 | |
-The memory bank. -Oh, yes, I'll be careful with that then. | 0:05:07 | 0:05:10 | |
Now, Nana bought me this. | 0:05:14 | 0:05:17 | |
She did. Yes. Look. | 0:05:17 | 0:05:19 | |
I never looked like that whenever I did ballet. | 0:05:19 | 0:05:22 | |
You've kept these and I didn't realise I'd done it, actually. | 0:05:22 | 0:05:25 | |
All the exams. | 0:05:25 | 0:05:26 | |
Roller-skating, I got up to grade four. | 0:05:26 | 0:05:30 | |
I don't know whether she still works. | 0:05:30 | 0:05:32 | |
Shall we try? | 0:05:32 | 0:05:33 | |
MUSIC PLAYS | 0:05:33 | 0:05:34 | |
She does. | 0:05:34 | 0:05:36 | |
Look! | 0:05:36 | 0:05:37 | |
Oh! | 0:05:38 | 0:05:40 | |
-Makes me a bit emotional. -Yes. | 0:05:41 | 0:05:43 | |
Aw! | 0:05:45 | 0:05:46 | |
We'll close her up. | 0:05:46 | 0:05:48 | |
I'm not the only one stepping down memory lane today. | 0:05:51 | 0:05:53 | |
I wonder what Krista and Shelley have dug up. | 0:05:53 | 0:05:56 | |
What are you two looking at there? Oh, dear. | 0:05:56 | 0:05:59 | |
Really bad photographs. | 0:05:59 | 0:06:00 | |
There you are. | 0:06:01 | 0:06:02 | |
It's the bubble perms that get me. | 0:06:04 | 0:06:05 | |
Bobby socks. | 0:06:05 | 0:06:07 | |
Growing up here was I think lovely. | 0:06:07 | 0:06:10 | |
-It was great. -Looking back, did you enjoy it? | 0:06:10 | 0:06:14 | |
It was always sunny, I think. | 0:06:14 | 0:06:15 | |
That's what I always remember. | 0:06:15 | 0:06:17 | |
We were always at the beach. | 0:06:17 | 0:06:20 | |
Either at your beach hut or we were down at the sailing club. | 0:06:20 | 0:06:23 | |
Or roller-skating. | 0:06:23 | 0:06:24 | |
Early courting days. | 0:06:24 | 0:06:26 | |
You know I was always known as Nicki's sister. | 0:06:26 | 0:06:29 | |
And I would have been Nicki's friend. | 0:06:29 | 0:06:32 | |
-No! -You were always very popular. | 0:06:34 | 0:06:35 | |
No, you were. | 0:06:35 | 0:06:37 | |
I think you're being a bit generous there. | 0:06:37 | 0:06:39 | |
I've been going around looking at other towns to see what makes a town. | 0:06:39 | 0:06:44 | |
Why do you think Herne Bay is so special? | 0:06:44 | 0:06:46 | |
Well, it's got history to it. | 0:06:46 | 0:06:48 | |
It's got a beautiful seafront. | 0:06:48 | 0:06:51 | |
We've got the promenade which you can walk all the way along. | 0:06:51 | 0:06:53 | |
We've still got our pier and it is still used | 0:06:53 | 0:06:56 | |
and it's beautiful now with the helter-skelter on it. | 0:06:56 | 0:06:59 | |
People don't like to move into London - | 0:06:59 | 0:07:00 | |
they want to stay here, I think. | 0:07:00 | 0:07:02 | |
We're close to the countryside as well. | 0:07:02 | 0:07:05 | |
We got the sea and the countryside, we're so lucky. | 0:07:05 | 0:07:07 | |
We were very lucky growing up here, weren't we? | 0:07:07 | 0:07:10 | |
-Definitely. -The great thing is we all want to come back when we can | 0:07:10 | 0:07:14 | |
and most importantly, we're all friends. | 0:07:14 | 0:07:17 | |
Still to this day. | 0:07:17 | 0:07:18 | |
That will never change. | 0:07:18 | 0:07:20 | |
OK, so my home truth is of escape to a simpler, | 0:07:23 | 0:07:26 | |
healthier and yes, nostalgic way of life. | 0:07:26 | 0:07:28 | |
And that's something that the founders of Herne Bay | 0:07:28 | 0:07:31 | |
wouldn't have found surprising at all. | 0:07:31 | 0:07:33 | |
In fact, it's how this place was planned and designed, | 0:07:33 | 0:07:37 | |
to provide a retreat for workers, | 0:07:37 | 0:07:39 | |
wanting to escape their often-difficult lives in the industrial city. | 0:07:39 | 0:07:43 | |
In many ways, it was one of the country's first new towns. | 0:07:43 | 0:07:47 | |
Hi, Colleen. | 0:07:49 | 0:07:50 | |
-Hello, Nicki. -Lovely to meet you. | 0:07:50 | 0:07:53 | |
Which is certainly the view of local historian, | 0:07:53 | 0:07:55 | |
Colleen Ashwin-Keen, whom I'm meeting at one | 0:07:55 | 0:07:57 | |
of my roller-skating haunts, the old bandstand. | 0:07:57 | 0:08:00 | |
So when did Herne Bay as I know it really come into its own? | 0:08:00 | 0:08:04 | |
People were starting to come to Herne Bay in the late 1700s | 0:08:04 | 0:08:08 | |
and there was a gentleman, Mr Burge, | 0:08:08 | 0:08:12 | |
who gathered together some speculators | 0:08:12 | 0:08:15 | |
and they decided to build a new town. | 0:08:15 | 0:08:18 | |
I must admit, I didn't realise that Herne Bay was a new town. | 0:08:18 | 0:08:21 | |
Yes, I have a plan which I can show you. | 0:08:21 | 0:08:23 | |
They planned it round three squares - Hanover Square, | 0:08:25 | 0:08:28 | |
Brunswick Square and Oxendon Square. | 0:08:28 | 0:08:30 | |
It sounds very posh, doesn't it? | 0:08:30 | 0:08:33 | |
They were trying to attract holiday-makers, | 0:08:33 | 0:08:37 | |
because a lot of the houses, | 0:08:37 | 0:08:39 | |
when you look at the old census returns, were boarding houses. | 0:08:39 | 0:08:43 | |
It was at the time when sea bathing was becoming very popular. | 0:08:43 | 0:08:48 | |
And Herne Bay was renowned for its healthy air. | 0:08:48 | 0:08:53 | |
Yes, absolutely. | 0:08:53 | 0:08:54 | |
It still is healthy today. | 0:08:54 | 0:08:56 | |
They also had a consortium and sold shares in the pier. | 0:08:56 | 0:09:01 | |
I think the development of the town, they were making money. | 0:09:01 | 0:09:05 | |
Certainly business-minded. | 0:09:05 | 0:09:06 | |
MUSIC: Enola Gay by Orchestral Manoeuvres In The Dark | 0:09:06 | 0:09:09 | |
And the story was the same across the land, from Blackpool to Bognor, | 0:09:09 | 0:09:12 | |
all offering workers and their families a chance to escape the industrial cities, | 0:09:12 | 0:09:16 | |
to a healthier, more relaxed place. | 0:09:16 | 0:09:19 | |
But seaside resorts are only the first chapter | 0:09:20 | 0:09:22 | |
in Britain's new town story. | 0:09:22 | 0:09:24 | |
Others were to follow, | 0:09:24 | 0:09:26 | |
including utopian social experiments, | 0:09:26 | 0:09:29 | |
bold government plans and even the town built by royalty. | 0:09:29 | 0:09:33 | |
MUSIC: Personal Jesus by Depeche Mode | 0:09:33 | 0:09:37 | |
I want to know more about the home truths of these places, | 0:09:37 | 0:09:40 | |
to see if they offer the same sense of escape | 0:09:40 | 0:09:43 | |
that I find in Herne Bay | 0:09:43 | 0:09:45 | |
and so I'm off on a road trip. | 0:09:45 | 0:09:47 | |
My first stop is the pretty little town of Letchworth in Hertfordshire. | 0:09:47 | 0:09:51 | |
With its quaint thatched cottages and tree-lined streets, | 0:09:54 | 0:09:57 | |
this place looks like it should be on the front of a chocolate box, | 0:09:57 | 0:10:00 | |
but actually when it comes to new town planning, | 0:10:00 | 0:10:03 | |
it's about as revolutionary as you can get. | 0:10:03 | 0:10:05 | |
Letchworth is Britain's first garden city. | 0:10:05 | 0:10:08 | |
Built at the beginning of the 20th century, | 0:10:13 | 0:10:15 | |
Letchworth was one man's radical plan of how people could escape | 0:10:15 | 0:10:19 | |
the slum conditions of the city. | 0:10:19 | 0:10:22 | |
His name was Ebenezer Howard, | 0:10:22 | 0:10:23 | |
but he was no Scrooge, | 0:10:23 | 0:10:25 | |
because unlike the businessmen who built Britain's seaside towns, | 0:10:25 | 0:10:28 | |
his plan wasn't to make money - oh no. | 0:10:28 | 0:10:32 | |
He was interested in a full-scale social experiment. | 0:10:32 | 0:10:35 | |
Now, he was so passionate about his idea, | 0:10:37 | 0:10:39 | |
he's written it all down in this book and just flicking through | 0:10:39 | 0:10:43 | |
his views on town hall and expenses of management, schools, sewage, | 0:10:43 | 0:10:48 | |
park and roads, interest, | 0:10:48 | 0:10:50 | |
all in here but one thing that really caught my eye, | 0:10:50 | 0:10:53 | |
and I'm going to paraphrase it, is this. | 0:10:53 | 0:10:56 | |
Human society and the beauty of nature are meant to be enjoyed together, | 0:10:56 | 0:11:00 | |
as man and woman, | 0:11:00 | 0:11:02 | |
by their varied gifts and faculties supplement each other, | 0:11:02 | 0:11:05 | |
so should town and country. | 0:11:05 | 0:11:08 | |
Beautiful words, great idea, but what's it like to actually live here? | 0:11:08 | 0:11:13 | |
Well, back at the beginning, | 0:11:23 | 0:11:25 | |
it certainly would have been for a particular type of person, | 0:11:25 | 0:11:27 | |
that's for sure. For starters, | 0:11:27 | 0:11:29 | |
pubs and inns were banned from serving alcohol to the workers. | 0:11:29 | 0:11:32 | |
It built Britain's first roundabout, which is still here. | 0:11:32 | 0:11:36 | |
And community allotments were established | 0:11:36 | 0:11:38 | |
in the hope that people would | 0:11:38 | 0:11:39 | |
become self-sufficient, producing their own food to eat and distribute. | 0:11:39 | 0:11:43 | |
These are still going today. | 0:11:43 | 0:11:46 | |
That's why I've arranged to meet Victoria Axel | 0:11:46 | 0:11:48 | |
to tell me more about the early days of Letchworth. | 0:11:48 | 0:11:50 | |
One of the key reasons they chose Letchworth is because it was part | 0:11:50 | 0:11:53 | |
of the Great Northern Railway line | 0:11:53 | 0:11:55 | |
and they knew that they could bring factories up from London, | 0:11:55 | 0:11:58 | |
which is exactly what did happen. | 0:11:58 | 0:12:00 | |
It became a very successful industrial town. | 0:12:00 | 0:12:03 | |
It is very unique in terms of how it uses its finances, | 0:12:03 | 0:12:07 | |
the money raised through business interest, | 0:12:07 | 0:12:10 | |
farming and commercial interest | 0:12:10 | 0:12:11 | |
gets ploughed back into the community, | 0:12:11 | 0:12:13 | |
which makes it unique. | 0:12:13 | 0:12:15 | |
I am loving the green spaces, the leafiness, the allotments, | 0:12:15 | 0:12:18 | |
but as the community grows, how do you balance the countryside element? | 0:12:18 | 0:12:24 | |
Howard talked about having a limit to towns so the idea | 0:12:24 | 0:12:26 | |
would be that a town would grow | 0:12:26 | 0:12:28 | |
and when it reached its maximum size, | 0:12:28 | 0:12:30 | |
another town would be built nearby, but in the modern era, | 0:12:30 | 0:12:34 | |
that has become a lot more difficult for people to reproduce. | 0:12:34 | 0:12:38 | |
But it was incredibly influential and there are places that look very | 0:12:38 | 0:12:41 | |
similar to Letchworth throughout the globe - you can see them in Australia, | 0:12:41 | 0:12:44 | |
Finland, Germany and they all borrow an element of that garden city | 0:12:44 | 0:12:49 | |
element, that you see trees, | 0:12:49 | 0:12:52 | |
more space between houses and that has been amazingly successful as a town planning model. | 0:12:52 | 0:12:58 | |
Letchworth might not have been originally built to make money, | 0:12:59 | 0:13:02 | |
but if you wanted to live here today, | 0:13:02 | 0:13:04 | |
then it would certainly cost you a pretty penny. | 0:13:04 | 0:13:07 | |
The average price for a detached house is over half a million pounds, | 0:13:07 | 0:13:11 | |
which I guess goes to prove that utopia comes at a price. | 0:13:11 | 0:13:14 | |
What I really want to know is, what's it like to live here? | 0:13:16 | 0:13:19 | |
So I'm off to meet Diane, who has been a Letchworthian for 40 years. | 0:13:23 | 0:13:27 | |
Her house has been here even longer. | 0:13:27 | 0:13:30 | |
In fact, it was built right at the start of this new garden city's life. | 0:13:30 | 0:13:33 | |
Look at that door knocker. | 0:13:36 | 0:13:38 | |
So cute! | 0:13:38 | 0:13:39 | |
Hello. | 0:13:39 | 0:13:41 | |
-Hello. -How are you? | 0:13:41 | 0:13:43 | |
-Good, thanks. -You have a splendid-looking home, don't you? | 0:13:43 | 0:13:46 | |
Thank you very much. Come on in. | 0:13:46 | 0:13:48 | |
I would love to take a look. | 0:13:48 | 0:13:49 | |
Thank you. | 0:13:49 | 0:13:51 | |
Aww. Now, this is beautiful. | 0:13:52 | 0:13:55 | |
How long have you lived here? | 0:13:55 | 0:13:56 | |
25 years. | 0:13:57 | 0:13:59 | |
-When was the house built? -Have a seat. | 0:13:59 | 0:14:01 | |
-1907. -It's gorgeous. | 0:14:03 | 0:14:05 | |
Gorgeous. So Diane, tell me, | 0:14:05 | 0:14:07 | |
why did you decide to move to Letchworth Garden City? What was the appeal? | 0:14:07 | 0:14:11 | |
I just came down here for a job that I'd been told about | 0:14:11 | 0:14:14 | |
and it sounded good, a teaching job in a boarding school, | 0:14:14 | 0:14:18 | |
only vegetarian boarding school in the country. | 0:14:18 | 0:14:20 | |
Really? That's very progressive. | 0:14:20 | 0:14:23 | |
Yeah, I loved it. | 0:14:23 | 0:14:24 | |
For the first three years, I was teaching there, | 0:14:24 | 0:14:27 | |
I lived on the premises, | 0:14:27 | 0:14:29 | |
which is why I managed to save up to buy a house, really. | 0:14:29 | 0:14:33 | |
This house dates back to when Letchworth was just first in | 0:14:33 | 0:14:36 | |
-development. -Yes, it was within the first ten years of it beginning. | 0:14:36 | 0:14:40 | |
So, it must have been very different than. | 0:14:40 | 0:14:43 | |
It must have felt really spread out. | 0:14:43 | 0:14:45 | |
It still feels quite spread out. | 0:14:45 | 0:14:47 | |
The initial idea was plenty of garden space | 0:14:47 | 0:14:50 | |
so every single person could grow food to feed their family. | 0:14:50 | 0:14:54 | |
Do you think Ebenezer Howard - and we do love that name - | 0:14:54 | 0:14:57 | |
do you think he would be proud if he came back and saw what's happened | 0:14:57 | 0:15:00 | |
to Letchworth since he had these creative amazing ideas? | 0:15:00 | 0:15:04 | |
Yes. I think he would. | 0:15:04 | 0:15:06 | |
The big contention at the moment is the green belt. | 0:15:08 | 0:15:11 | |
With the modern government demands for new housing, | 0:15:11 | 0:15:15 | |
there's a real danger that we might lose that green belt, | 0:15:15 | 0:15:18 | |
especially in the North, | 0:15:18 | 0:15:20 | |
so Ebenezer Howard would not be pleased about that. | 0:15:20 | 0:15:23 | |
But I reckon he would be pretty pleased | 0:15:25 | 0:15:27 | |
about how his original vision has held up here in Letchworth. | 0:15:27 | 0:15:31 | |
Thanks to it, Diane and the residents | 0:15:31 | 0:15:33 | |
have found their escape in a beautiful corner of the country. | 0:15:33 | 0:15:37 | |
But garden cities were only ever going to accommodate a certain small | 0:15:37 | 0:15:40 | |
portion of Britain's ever-growing population. | 0:15:40 | 0:15:44 | |
If the chance to escape the overcrowded cities was to be expanded to all, | 0:15:44 | 0:15:48 | |
then a bigger, bolder plan was needed. | 0:15:48 | 0:15:50 | |
Especially in the wake of what happened next to Britain's housing. | 0:15:50 | 0:15:53 | |
AIR-RAID SIREN SOUNDS | 0:15:55 | 0:15:57 | |
-NEWSREEL: -The spread of fire through the narrow streets | 0:16:00 | 0:16:03 | |
was helped by a strong south-west wind | 0:16:03 | 0:16:06 | |
and in places, the flames raced along as fast as a man could run. | 0:16:06 | 0:16:09 | |
The blitz of World War II | 0:16:10 | 0:16:11 | |
destroyed more than four million homes across the whole of the country, | 0:16:11 | 0:16:16 | |
from Belfast to Hull, Glasgow to Cardiff, | 0:16:16 | 0:16:19 | |
and of course London. | 0:16:19 | 0:16:21 | |
And yet, in its wake, | 0:16:21 | 0:16:23 | |
it gave the government an opportunity to rebuild and offer an escape route | 0:16:23 | 0:16:26 | |
from bomb-damaged slum-ridden cities. | 0:16:26 | 0:16:29 | |
The 1946 New Towns Act allowed areas to be designated for development | 0:16:29 | 0:16:34 | |
and teams of planners set about creating super-sized garden cities | 0:16:34 | 0:16:39 | |
for a modern generation. | 0:16:39 | 0:16:41 | |
My, this is a grand way to start the day. | 0:16:41 | 0:16:43 | |
Our town was going to be a good place to work in. | 0:16:43 | 0:16:46 | |
And a grand place to live in. | 0:16:46 | 0:16:48 | |
With plenty of open spaces. | 0:16:48 | 0:16:50 | |
Of course, there'd have to be an attractive town centre, too, | 0:16:50 | 0:16:53 | |
with plenty of room for folks to meet. | 0:16:53 | 0:16:55 | |
Good shops, a posh theatre, cinemas, | 0:16:55 | 0:16:57 | |
a concert hall, and a Civic Centre. | 0:16:57 | 0:16:59 | |
Stevenage was the first to be developed under the scheme | 0:17:04 | 0:17:06 | |
and over the coming decades, 28 new towns were built all over Britain. | 0:17:06 | 0:17:11 | |
We think we have much to be proud of, | 0:17:11 | 0:17:13 | |
having launched the boldest single experiment in national housing to be | 0:17:13 | 0:17:17 | |
undertaken anywhere on Earth since the end of the Second World War. | 0:17:17 | 0:17:20 | |
It was a time of great optimism. | 0:17:22 | 0:17:24 | |
It was felt if you got housing right, | 0:17:24 | 0:17:27 | |
you could fix many of society's problems. | 0:17:27 | 0:17:29 | |
When we first came, there were many couples setting up home, | 0:17:29 | 0:17:33 | |
starting their families, and there were children everywhere. | 0:17:33 | 0:17:35 | |
And the town has grown with the children. | 0:17:35 | 0:17:37 | |
It is a progress, with families and the town. | 0:17:37 | 0:17:40 | |
But it was the place I'm off to next on my road trip that was a real | 0:17:45 | 0:17:48 | |
tipping point for new towns, not that it was a town at all. | 0:17:48 | 0:17:52 | |
Oh, no, this was a new city. | 0:17:52 | 0:17:55 | |
A home of your own in Milton Keynes. | 0:17:55 | 0:17:58 | |
Given the green light in 1967, | 0:17:58 | 0:18:00 | |
Milton Keynes' original designers | 0:18:00 | 0:18:02 | |
declared proudly that no building would | 0:18:02 | 0:18:04 | |
be taller than the tallest tree. | 0:18:04 | 0:18:07 | |
For the moment, it's a muddy battle ground, peopled by bulldozers, graders, | 0:18:07 | 0:18:11 | |
navvies, carpenters and bricklayers, but gradually, | 0:18:11 | 0:18:14 | |
it will be coloured in by acres of spanking new houses and freshly | 0:18:14 | 0:18:17 | |
tarmacked streets. | 0:18:17 | 0:18:20 | |
One man who was here from near the start was urban planner David Locke. | 0:18:20 | 0:18:24 | |
That's a nice plan for sort of Tivoli gardens of Milton Keynes | 0:18:24 | 0:18:28 | |
that never quite happened. | 0:18:28 | 0:18:30 | |
David was one of the men who made sure Milton Keynes | 0:18:30 | 0:18:33 | |
really packed a punch. | 0:18:33 | 0:18:35 | |
The one that pushes the new town idea to its ultimate limits | 0:18:35 | 0:18:38 | |
is the new city of Milton Keynes. | 0:18:38 | 0:18:40 | |
It's the Muhammad Ali of the new towns. | 0:18:40 | 0:18:42 | |
This is the plan for Milton Keynes, which is a world-famous sort of icons. | 0:18:42 | 0:18:47 | |
Of what's called a lazy grid - it isn't a gridiron, | 0:18:47 | 0:18:50 | |
like you get in North America, it is following the topography. | 0:18:50 | 0:18:53 | |
You've got the north-south routes, | 0:18:53 | 0:18:56 | |
Watling Street, West Coast main line, | 0:18:56 | 0:18:58 | |
Grand Union Canal, M1, and they stitched them across, | 0:18:58 | 0:19:02 | |
so these are city roads but they are also wide enough to take trams, | 0:19:02 | 0:19:06 | |
so if some future generation ever want to put one in, | 0:19:06 | 0:19:09 | |
they've got all the main services down there. | 0:19:09 | 0:19:11 | |
Also, there was room to put planting | 0:19:11 | 0:19:14 | |
to keep the noise of traffic and air pollution out of where people live. | 0:19:14 | 0:19:18 | |
So the purples are factories, aren't they? | 0:19:18 | 0:19:20 | |
All spread out. | 0:19:20 | 0:19:21 | |
Yeah. The employment is spread all over the city, | 0:19:21 | 0:19:23 | |
so that there's no rush to work in the morning and a rush home at night. | 0:19:23 | 0:19:27 | |
But the planners of Milton Keynes weren't just concerned with the day-to-day running of things, | 0:19:28 | 0:19:32 | |
they also had their sights set on the future. | 0:19:32 | 0:19:35 | |
It calls itself the first new city. | 0:19:35 | 0:19:37 | |
It's got everything going for it, | 0:19:37 | 0:19:39 | |
from Coca-Cola and Volkswagen to the Open University. | 0:19:39 | 0:19:42 | |
There's even talk of having the Olympic Games before long. | 0:19:42 | 0:19:45 | |
The spirit that was very carefully engendered was that we were all in this together. | 0:19:45 | 0:19:50 | |
We were all in Milton Keynes. | 0:19:50 | 0:19:52 | |
It was a book to be written and we were part of the writing of the book. | 0:19:52 | 0:19:55 | |
There must have been such a sense of pride. | 0:19:55 | 0:19:58 | |
Every week, a new thing would happen, a new thing would open, | 0:19:58 | 0:20:02 | |
and it was often the biggest or the latest or the shiniest, | 0:20:02 | 0:20:05 | |
the first snow dome, the first multiplex cinema, | 0:20:05 | 0:20:08 | |
the first McDonald's outside London, whatever it was, you see, | 0:20:08 | 0:20:12 | |
and our concert bowl, the red balloon adverts on TV, | 0:20:12 | 0:20:15 | |
this was all part of this sense | 0:20:15 | 0:20:16 | |
that we were actually making something very, very special. | 0:20:16 | 0:20:19 | |
I so remember these ads. | 0:20:22 | 0:20:24 | |
Three, two, one. | 0:20:24 | 0:20:29 | |
Wouldn't it be nice if all cities were like Milton Keynes? | 0:20:33 | 0:20:37 | |
MUSIC: 2-4-6-8 Motorway by the Tom Robinson Band | 0:20:38 | 0:20:42 | |
After finding out some of the theory, | 0:20:44 | 0:20:47 | |
I'm off to see how this new town has worked in practice, | 0:20:47 | 0:20:49 | |
so I'm getting a tour with early resident pioneer Lee Scriven. | 0:20:49 | 0:20:53 | |
Can I just say, I don't know whether I'm going north, south, east...? | 0:20:53 | 0:20:56 | |
-Go right. -I have no... | 0:20:56 | 0:20:58 | |
Yeah, you can get lost. Even I get lost. | 0:20:58 | 0:21:00 | |
-"Go left at the roundabout." Which one? -Yeah, yeah. | 0:21:00 | 0:21:02 | |
Lee moved here as a teenager in 1974. | 0:21:04 | 0:21:07 | |
More than 40 years later, his family are still here. | 0:21:07 | 0:21:10 | |
# And it's 2-4-6-8, ain't never too late | 0:21:10 | 0:21:14 | |
# Me and my radio truckin' on through the night... # | 0:21:15 | 0:21:19 | |
So, Lee, what age were you when you moved to Milton Keynes? | 0:21:19 | 0:21:21 | |
14. I actually moved in the week of my birthday. | 0:21:21 | 0:21:26 | |
-Did you? -I was quite excited... | 0:21:26 | 0:21:28 | |
-Were you? -Yeah, I was actually going to be moving to this space-age city, | 0:21:28 | 0:21:32 | |
you know. You may recall at the time, you had Space 1999 on the telly, | 0:21:32 | 0:21:37 | |
Thunderbirds and Joe 90, and you really felt you were moving to a Gerry... | 0:21:37 | 0:21:41 | |
To a town built by Gerry Anderson. | 0:21:41 | 0:21:43 | |
You know, it was really exciting. | 0:21:43 | 0:21:45 | |
But it came as a bit of a shock when we finally got here in 1974, | 0:21:45 | 0:21:49 | |
I'd made it to Milton Keynes but Milton Keynes hadn't been made. | 0:21:49 | 0:21:54 | |
No! There was hardly anything here? | 0:21:54 | 0:21:56 | |
When we came here, them trees were about three foot to four foot high, | 0:21:56 | 0:22:00 | |
so it was just... | 0:22:00 | 0:22:02 | |
You did see everything and there was nothing really to see, | 0:22:02 | 0:22:04 | |
other than dust, mud of a building site, or farmland. | 0:22:04 | 0:22:08 | |
Compared to, you know, people have gone it's like the old Wild West, | 0:22:08 | 0:22:12 | |
frontier town, but believe me, in the early '70s, it really was. | 0:22:12 | 0:22:16 | |
There was dust... There was tumbleweeds going down the road because there | 0:22:16 | 0:22:20 | |
was nothing else, you know? | 0:22:20 | 0:22:22 | |
This road we are calling up now, left or right, basically, | 0:22:22 | 0:22:24 | |
it all went up within a five-year period. | 0:22:24 | 0:22:26 | |
-Did they? -And that's a lot of houses. | 0:22:26 | 0:22:29 | |
And it wasn't just houses they were building up this time. | 0:22:29 | 0:22:32 | |
No, they were revolutionising how we shopped too. | 0:22:32 | 0:22:36 | |
So, this is the city centre that we are coming through. | 0:22:36 | 0:22:39 | |
-Is it? -And this was the most important building really in Milton Keynes' history. | 0:22:39 | 0:22:44 | |
Sounds a bit sad that a shopping mall, as it is now, | 0:22:44 | 0:22:46 | |
would be one of the most important buildings... | 0:22:46 | 0:22:49 | |
-It's all glass. -Yeah, | 0:22:49 | 0:22:50 | |
I think it's quite beautiful actually | 0:22:50 | 0:22:52 | |
but people might find that a bit sad. | 0:22:52 | 0:22:54 | |
But I actually love it, I love the steel and the glass. | 0:22:54 | 0:22:57 | |
Once that place opened, | 0:22:57 | 0:22:58 | |
you really felt that you'd moved to that space-age city. | 0:22:58 | 0:23:01 | |
Milton Keynes had something that nowhere else had got and boy, | 0:23:01 | 0:23:05 | |
did the locals like that. | 0:23:05 | 0:23:06 | |
Centre MK was opened in 1979 by newly-elected Prime Minister Margaret Thatcher. | 0:23:09 | 0:23:14 | |
It was designed to be a complete town centre under one roof | 0:23:14 | 0:23:18 | |
with 130 shops and six department stores. | 0:23:18 | 0:23:22 | |
Today, of course, all British towns have supersized malls like this, | 0:23:22 | 0:23:26 | |
but Milton Keynes broke the mould. | 0:23:26 | 0:23:28 | |
In the years since Lee and his family arrived here, | 0:23:29 | 0:23:32 | |
Milton Keynes has grown to the size of a city with a population of over a quarter of a million. | 0:23:32 | 0:23:37 | |
But for those early pioneers, | 0:23:37 | 0:23:39 | |
it must have been a giant leap of faith moving here, | 0:23:39 | 0:23:42 | |
with little more to welcome them than a gift from the development corporation. | 0:23:42 | 0:23:47 | |
The corporation give a tree voucher | 0:23:47 | 0:23:48 | |
to all new tenants when they move in, all right? | 0:23:48 | 0:23:50 | |
Take it along to any of the garden centres that are listed... | 0:23:50 | 0:23:54 | |
Suppose we wanted two, do we get another voucher? | 0:23:54 | 0:23:56 | |
No, you don't. I'm afraid, it's one voucher per house. | 0:23:56 | 0:24:00 | |
New job, new home, new life. | 0:24:00 | 0:24:03 | |
Lee's family also got a tree | 0:24:04 | 0:24:06 | |
and it's still in the back garden of his mum's house. | 0:24:06 | 0:24:10 | |
Well, Elsie and Lee, you must have been one of the first families | 0:24:10 | 0:24:13 | |
to move in here in Milton Keynes. | 0:24:13 | 0:24:15 | |
What year did you buy this house? | 0:24:15 | 0:24:17 | |
-1974. -'74, and can I be a bit cheeky? | 0:24:17 | 0:24:21 | |
Can you remember what you paid for it? | 0:24:21 | 0:24:23 | |
-This house? -Yeah. -It was 12,500. | 0:24:23 | 0:24:26 | |
And what did you sell the one in Walthamstow for? | 0:24:26 | 0:24:29 | |
-10,000. -So, it was quite a bit more, wasn't it? | 0:24:29 | 0:24:32 | |
Do you know what this might be worth now? | 0:24:32 | 0:24:33 | |
We think it might be in the region of 240, 250. | 0:24:33 | 0:24:37 | |
And Walthamstow? | 0:24:37 | 0:24:39 | |
About 450, 500. | 0:24:39 | 0:24:42 | |
I bet that caught in the back of your throat, didn't it? | 0:24:42 | 0:24:44 | |
But think how many happy years you've had here. | 0:24:44 | 0:24:46 | |
I have no regrets about that. | 0:24:46 | 0:24:48 | |
Worth remembering what we were moving from. | 0:24:48 | 0:24:51 | |
The house was damp, it was cold, it was old, | 0:24:51 | 0:24:53 | |
and I don't think my mum will mind, | 0:24:53 | 0:24:55 | |
there was rats at times and it was London. | 0:24:55 | 0:24:59 | |
We were working-class people and to be able to move into a house like | 0:24:59 | 0:25:01 | |
this, with central heating, showers, baths, I mean... | 0:25:01 | 0:25:04 | |
It was, you know, pretty phenomenal. | 0:25:05 | 0:25:07 | |
And even at the age of 14, I found it quite exciting. | 0:25:07 | 0:25:10 | |
Obviously, the early days, it wasn't what you expected, | 0:25:10 | 0:25:14 | |
but did you ever consider going back to London? | 0:25:14 | 0:25:17 | |
No, never. Never. Never thought of moving back. | 0:25:17 | 0:25:19 | |
-You just knew? -No, no going back. | 0:25:19 | 0:25:21 | |
I don't think many... I don't know about you. | 0:25:21 | 0:25:23 | |
-No, I never thought it, no. -And in the street, | 0:25:23 | 0:25:25 | |
I've got many friends and neighbours, | 0:25:25 | 0:25:28 | |
which is one of the reasons I sort of don't want to move | 0:25:28 | 0:25:30 | |
because I'm very close friends with several of them... | 0:25:30 | 0:25:32 | |
And in fact every week on a Thursday night, | 0:25:32 | 0:25:35 | |
about eight of us meet in someone's house. | 0:25:35 | 0:25:38 | |
Years ago, we used to do keep fit but we don't do that any more. | 0:25:38 | 0:25:42 | |
My mother's generation and perhaps my generation combined, | 0:25:43 | 0:25:47 | |
that made Milton Keynes. | 0:25:47 | 0:25:49 | |
-Yeah. -You know, the architects laid the foundation, | 0:25:49 | 0:25:52 | |
but the residents made Milton Keynes what it is today. | 0:25:52 | 0:25:54 | |
OK, confession time. | 0:25:57 | 0:25:59 | |
I'm in two minds about Milton Keynes, if I'm totally honest. | 0:25:59 | 0:26:03 | |
Unlike Herne Bay or Letchworth, | 0:26:03 | 0:26:04 | |
the emphasis of this 1960s new town planning | 0:26:04 | 0:26:07 | |
was on the super-sized and futuristic, rather than the small and nostalgic. | 0:26:07 | 0:26:12 | |
Yes, trees and parks soften edges | 0:26:12 | 0:26:14 | |
but they are as much about hiding concrete as getting residents back to nature. | 0:26:14 | 0:26:18 | |
By the 1980s, others were thinking this too, | 0:26:18 | 0:26:21 | |
including one rather special VIP | 0:26:21 | 0:26:24 | |
with an interest in architecture | 0:26:24 | 0:26:27 | |
and he wasn't afraid of speaking his mind. | 0:26:27 | 0:26:30 | |
We've got so used over the last 40 or 50 years to looking at planning | 0:26:30 | 0:26:33 | |
and building and design, local urban design, in one particular way. | 0:26:33 | 0:26:37 | |
Like, you only build housing estates, which always have cul-de-sacs. | 0:26:37 | 0:26:41 | |
The point I feel we ought to re-examine again... | 0:26:41 | 0:26:45 | |
..is how to design on a traditional basis again. | 0:26:47 | 0:26:50 | |
MUSIC: Just Can't Get Enough by Depeche Mode | 0:26:50 | 0:26:54 | |
Prince Charles' vision of a community fit for the 21st century | 0:26:54 | 0:26:58 | |
is Poundbury. Built on 250 acres of Duchy farmland on the outskirts of | 0:26:58 | 0:27:03 | |
Dorchester, it's currently home to over 3,000 people. | 0:27:03 | 0:27:07 | |
Now, the houses may look like they are from the good old days | 0:27:07 | 0:27:09 | |
but they've actually all been built within the last 25 years. | 0:27:09 | 0:27:14 | |
Prince Charles was busy, | 0:27:14 | 0:27:15 | |
so my tour guide is a leading figure of Poundbury's Resident Association, | 0:27:15 | 0:27:18 | |
Fran Leaper. | 0:27:18 | 0:27:20 | |
Fran, lovely to meet you. | 0:27:20 | 0:27:22 | |
Hello, Nicki, and welcome to Poundbury. | 0:27:22 | 0:27:24 | |
This is my first time. | 0:27:24 | 0:27:26 | |
And first impressions are impressive. | 0:27:26 | 0:27:29 | |
I wasn't expecting to see a building like that. | 0:27:29 | 0:27:31 | |
It looks like it could be in Vienna. | 0:27:31 | 0:27:33 | |
It is gorgeous, isn't it? | 0:27:33 | 0:27:35 | |
We love the yellow and actually in the evening sun, it lights up. | 0:27:35 | 0:27:39 | |
It's illuminated. | 0:27:39 | 0:27:42 | |
It is impressive, it's on such a large scale, | 0:27:42 | 0:27:45 | |
it comes across as being very grand as well. | 0:27:45 | 0:27:49 | |
This is the centre of Poundbury, so this is grand. | 0:27:49 | 0:27:51 | |
Beyond it, and moving out to the north and the east, | 0:27:51 | 0:27:56 | |
you will have smaller-scale dwellings and indeed, | 0:27:56 | 0:28:00 | |
some of them will be village scale. | 0:28:00 | 0:28:01 | |
In fact, one of them planned... | 0:28:01 | 0:28:03 | |
There's a small development of thatched houses. | 0:28:03 | 0:28:05 | |
If Milton Keynes was offering people an escape into the future, | 0:28:07 | 0:28:11 | |
then there is no doubt about it, | 0:28:11 | 0:28:13 | |
Poundbury lets them escape into the past. | 0:28:13 | 0:28:16 | |
These are great. Every single property to me looks different. | 0:28:16 | 0:28:21 | |
-They are different. -Look how clean everywhere is. | 0:28:21 | 0:28:24 | |
I'm pleased you think so. | 0:28:24 | 0:28:25 | |
-Yeah. -Because people are passionate about making sure there's no litter. | 0:28:25 | 0:28:28 | |
So, Fran, what kind of person lives here? | 0:28:29 | 0:28:32 | |
We have a reputation in some places of being the toffs on the hill, | 0:28:32 | 0:28:36 | |
would you believe? But all sorts of people live here. | 0:28:36 | 0:28:40 | |
There's not only private houses and apartments, | 0:28:40 | 0:28:43 | |
there's a 35% of a mixture of social, which is subsidised housing, | 0:28:43 | 0:28:49 | |
and affordable housing, | 0:28:49 | 0:28:51 | |
which is a lot of shared ownership schemes coming up as well. | 0:28:51 | 0:28:54 | |
And along this road, you see examples of that very clearly. | 0:28:54 | 0:28:59 | |
But you cannot spot the difference. | 0:28:59 | 0:29:02 | |
-No. -The whole point of Poundbury is it's pepper-potted | 0:29:02 | 0:29:05 | |
and the building standard is just the same. | 0:29:05 | 0:29:08 | |
So everybody is delighted at being here, from the build quality, | 0:29:08 | 0:29:12 | |
it's really, really super. | 0:29:12 | 0:29:13 | |
It seems Prince Charles might have pulled it off. | 0:29:14 | 0:29:18 | |
25 years ago... | 0:29:18 | 0:29:19 | |
..all this was a mere dream. | 0:29:20 | 0:29:22 | |
To most people, a completely mad dream. | 0:29:23 | 0:29:27 | |
Houses here get snapped up with an average price of £310,000. | 0:29:28 | 0:29:33 | |
But living under royal approval does have consequences. | 0:29:33 | 0:29:37 | |
It's not every one that can say Prince Charles is their landlord. | 0:29:37 | 0:29:40 | |
This is very true. | 0:29:40 | 0:29:41 | |
Poundbury is unique. | 0:29:41 | 0:29:43 | |
It is. It is. | 0:29:43 | 0:29:44 | |
Now, I'm sure there's some myths and rules that are attached to it. | 0:29:44 | 0:29:48 | |
Would I be allowed to live here? | 0:29:48 | 0:29:49 | |
-Even you, Nicki. -Even me. | 0:29:49 | 0:29:51 | |
So, what's this? | 0:29:51 | 0:29:53 | |
This is a little booklet to tell people about some of the myths, | 0:29:53 | 0:29:56 | |
remind them of the rules, and about living in Poundbury. | 0:29:56 | 0:29:59 | |
Can I have a look? So, where are the rules? | 0:29:59 | 0:30:02 | |
They are in the back. There are 17 stipulations. | 0:30:02 | 0:30:05 | |
-Oh, here we go. -Which everybody signed up to. | 0:30:05 | 0:30:07 | |
I like number one. Not without the consent of his Royal Highness | 0:30:07 | 0:30:10 | |
to paint or decorate the exterior of the property, | 0:30:10 | 0:30:13 | |
otherwise than in the same colour or colours as the property here | 0:30:13 | 0:30:17 | |
previously painted. | 0:30:17 | 0:30:18 | |
So, no pink door, then? | 0:30:18 | 0:30:20 | |
Surprisingly, there is one. | 0:30:20 | 0:30:22 | |
-Oh, is there? -Yes. | 0:30:22 | 0:30:24 | |
Yes, the idea is that your new house | 0:30:24 | 0:30:27 | |
is part of a palette of colours and | 0:30:27 | 0:30:30 | |
you should ask permission before you paint your front door. | 0:30:30 | 0:30:32 | |
But people have varied it slightly | 0:30:32 | 0:30:34 | |
and so long as it's tasteful, it's OK. | 0:30:34 | 0:30:36 | |
-We don't mind. -Even a pink door. | 0:30:36 | 0:30:37 | |
How about this one? | 0:30:37 | 0:30:38 | |
I'm not allowed... Oh, this is good. | 0:30:38 | 0:30:40 | |
I'm not allowed to hang my washing out in my back garden. | 0:30:40 | 0:30:43 | |
I never know where this idea came from, | 0:30:43 | 0:30:45 | |
but a lot of people seem to think | 0:30:45 | 0:30:47 | |
you are not allowed to put a washing line out. Of course you can. | 0:30:47 | 0:30:50 | |
We are very practical, and there is even an aerial picture | 0:30:50 | 0:30:53 | |
showing somebody with some washing out. | 0:30:53 | 0:30:56 | |
Myth... Myth busted. | 0:30:56 | 0:30:58 | |
-Myth busted, totally. -Myth busted. | 0:30:58 | 0:31:00 | |
Satellite dishes, that's an interesting one. | 0:31:00 | 0:31:02 | |
FRAN INHALES SHARPLY | 0:31:02 | 0:31:03 | |
-I've touched a nerve. -Absolutely not. | 0:31:03 | 0:31:06 | |
-No? -No satellite dishes at all. | 0:31:06 | 0:31:08 | |
Because of maintaining the... | 0:31:08 | 0:31:11 | |
-Look. -The look of the public realm. | 0:31:11 | 0:31:14 | |
You are so passionate about Poundbury, you must love living here. | 0:31:14 | 0:31:18 | |
I do love living here. | 0:31:18 | 0:31:20 | |
It's a fantastic community. | 0:31:20 | 0:31:22 | |
I'm the happiest I've been in my whole life, since I've come to live here. | 0:31:22 | 0:31:25 | |
It's a lovely, lovely community. | 0:31:25 | 0:31:27 | |
I mean, it has been so beautifully designed, | 0:31:27 | 0:31:30 | |
but it's also got to be about the people. | 0:31:30 | 0:31:32 | |
It is, but the people wouldn't have come if it hadn't been such a beautiful design. | 0:31:32 | 0:31:37 | |
'OK, well, let's meet' | 0:31:38 | 0:31:39 | |
some of those people. | 0:31:39 | 0:31:41 | |
I've decided to put in a shift at the local cafe, the Engine Room. | 0:31:41 | 0:31:45 | |
You need to put that underneath there... | 0:31:45 | 0:31:47 | |
'But before serving anyone, however, | 0:31:47 | 0:31:49 | |
'I'd better learn how to make a posh coffee.' | 0:31:49 | 0:31:52 | |
-And then a bit of froth? -That's it. | 0:31:52 | 0:31:54 | |
'Something tells me that what they drink around here.' | 0:31:54 | 0:31:57 | |
Trying to do an artistic design, but it's not really working. | 0:31:57 | 0:32:02 | |
You know what, perhaps I'll just stick to cleaning tables. | 0:32:02 | 0:32:05 | |
Not bad for a first attempt, but I think I know my limitations. | 0:32:05 | 0:32:10 | |
BELL PINGS | 0:32:10 | 0:32:12 | |
'Right, time to meet the punters and find out more about the town | 0:32:16 | 0:32:20 | |
'created by royalty.' | 0:32:20 | 0:32:21 | |
Did the little one enjoy it? | 0:32:21 | 0:32:24 | |
Yeah, look at that smiley face. | 0:32:24 | 0:32:26 | |
So, Kelly, what's it like as a young person living here in Poundbury? | 0:32:26 | 0:32:30 | |
I've just graduated from university, | 0:32:30 | 0:32:32 | |
so I been living in Plymouth for the last three years, | 0:32:32 | 0:32:34 | |
so it's very much a change. | 0:32:34 | 0:32:36 | |
Poundbury is very quiet. | 0:32:36 | 0:32:38 | |
It's a very nice place, but for a 21-year-old, | 0:32:38 | 0:32:40 | |
there's not much to do here. | 0:32:40 | 0:32:42 | |
-There we are. -Thank you very much. | 0:32:42 | 0:32:44 | |
Did it ever go through your mind or concern you that because it is | 0:32:44 | 0:32:48 | |
a new area, a new-build, there wouldn't be that community feel? | 0:32:48 | 0:32:51 | |
We were invited for drinks, weren't we? | 0:32:51 | 0:32:53 | |
As soon as we... As soon as we moved into our square, | 0:32:53 | 0:32:56 | |
we had a little thing through the door from people who had been there | 0:32:56 | 0:32:59 | |
recently and said come and join us, so there is a community spirit. | 0:32:59 | 0:33:03 | |
We haven't looked at it at any time and said we would want to live | 0:33:03 | 0:33:06 | |
anywhere else. We are really happy here. | 0:33:06 | 0:33:08 | |
I've got some puddings here. | 0:33:08 | 0:33:10 | |
-Here we go. -That's mine. -That one's yours. OK. | 0:33:10 | 0:33:12 | |
And then we have the honeycomb here. | 0:33:12 | 0:33:13 | |
Who is honeycomb? So, who are locals, who is residents here? | 0:33:13 | 0:33:16 | |
-We are. -We live in Poundbury. | 0:33:16 | 0:33:18 | |
We are convincing them later as well. | 0:33:18 | 0:33:20 | |
-Are you? And how long have you lived here? -16 months. | 0:33:20 | 0:33:23 | |
-So, new residents. -Well, most people are, aren't they, really? | 0:33:23 | 0:33:27 | |
You could be here for ever and there is a cemetery the other side. | 0:33:27 | 0:33:31 | |
You know, it's just... | 0:33:31 | 0:33:33 | |
And I'd love to come back in 100 years' time and I think this whole vision | 0:33:33 | 0:33:37 | |
will have worked out. | 0:33:37 | 0:33:39 | |
Right, here's your tea. | 0:33:39 | 0:33:40 | |
Hello, boys. | 0:33:40 | 0:33:42 | |
-Hello. -Hello. | 0:33:42 | 0:33:43 | |
Do you live locally? | 0:33:43 | 0:33:44 | |
Do you live in Poundbury? | 0:33:44 | 0:33:45 | |
Do you? With mummy? | 0:33:45 | 0:33:47 | |
How long has mummy been living here then? | 0:33:47 | 0:33:49 | |
We've lived here four and a half years now. | 0:33:49 | 0:33:51 | |
I see a lot of elderly, | 0:33:51 | 0:33:52 | |
but are there plenty of young families in the area? | 0:33:52 | 0:33:55 | |
Yeah, I think it's great. I mean, when I came here, I joined a mums' group. | 0:33:55 | 0:33:58 | |
I now help run the mums' group. | 0:33:58 | 0:34:00 | |
And every week, we have two or three new families moving in. | 0:34:00 | 0:34:03 | |
Local schools are on our doorstep. | 0:34:03 | 0:34:05 | |
And just really friendly, really. | 0:34:05 | 0:34:07 | |
Really nice place. Lovely neighbours. | 0:34:07 | 0:34:09 | |
Parks. So, for us, it works really well. | 0:34:09 | 0:34:12 | |
MUSIC: 2-4-6-8 Mororway by the Tom Robinson Band | 0:34:14 | 0:34:17 | |
I have to be honest, when I was thinking about new towns, | 0:34:19 | 0:34:22 | |
I probably was a little bit... A little bit sniffy about them. | 0:34:22 | 0:34:25 | |
My idea, my preconceived idea, was they were going to be quite clinical, | 0:34:25 | 0:34:29 | |
quite cold, everything thought out, | 0:34:29 | 0:34:32 | |
but was there going to be any heart, | 0:34:32 | 0:34:34 | |
any soul of the community? | 0:34:34 | 0:34:36 | |
And in actual fact, driving around and experiencing them first-hand, | 0:34:36 | 0:34:41 | |
I am impressed. | 0:34:41 | 0:34:43 | |
Lush, green. | 0:34:43 | 0:34:44 | |
People really embrace where they live. | 0:34:44 | 0:34:47 | |
They are very proud and let's all be honest, | 0:34:47 | 0:34:50 | |
we all want a little bit of Utopia, don't we? | 0:34:50 | 0:34:53 | |
MUSIC: Rocks by Primal Scream | 0:34:53 | 0:34:56 | |
So, what's the future of new towns? | 0:35:04 | 0:35:06 | |
Do they still offer that vision of escape or have they had their day? | 0:35:06 | 0:35:10 | |
Well, the answer to that is "absolutely not". | 0:35:10 | 0:35:13 | |
Because a brand-new garden city, the first in over 100 years, | 0:35:13 | 0:35:17 | |
is currently being constructed. | 0:35:17 | 0:35:19 | |
It's called Ebbsfleet. | 0:35:19 | 0:35:21 | |
Now, there's not much to look at | 0:35:21 | 0:35:22 | |
at the moment but the government has high hopes for this place | 0:35:22 | 0:35:26 | |
as the model for a new type of new town. | 0:35:26 | 0:35:29 | |
To find out more, I'm meeting Kevin McGeough and Paul Spooner, | 0:35:29 | 0:35:33 | |
two of the men in charge of building this new new town. | 0:35:33 | 0:35:36 | |
They've invited me to the top of Ebbsfleet Observatory | 0:35:36 | 0:35:40 | |
and I have to say, it provides a commanding view | 0:35:40 | 0:35:42 | |
of a new town rising from the quarries that | 0:35:42 | 0:35:45 | |
used to be here. | 0:35:45 | 0:35:47 | |
This is incredible. | 0:35:47 | 0:35:49 | |
I didn't realise just quite how large the whole site is. | 0:35:49 | 0:35:52 | |
It is the most impressive view, | 0:35:52 | 0:35:55 | |
the birth, the start of a new town. | 0:35:55 | 0:35:59 | |
So, in the UK over the last 250 years, | 0:35:59 | 0:36:00 | |
we've delivered some of the best new places in the world, | 0:36:00 | 0:36:03 | |
in terms of planning new communities and also some of the less successful places. | 0:36:03 | 0:36:06 | |
So, our job here at Ebbsfleet Garden City is to make sure we make | 0:36:06 | 0:36:09 | |
the best of the really good examples | 0:36:09 | 0:36:11 | |
in the UK and avoid some of the lessons of the worst. | 0:36:11 | 0:36:13 | |
It is a large area. | 0:36:13 | 0:36:15 | |
I mean, it's going to take 15,000 homes when it's completed. | 0:36:15 | 0:36:18 | |
That's around 40,000 people. | 0:36:18 | 0:36:20 | |
But if you look out there, you can see all the diggers on the site now, | 0:36:20 | 0:36:23 | |
we've got a range of houses being built. | 0:36:23 | 0:36:25 | |
In the far distance, a local housing association | 0:36:25 | 0:36:27 | |
is building affordable homes, | 0:36:27 | 0:36:29 | |
so those are homes that are shared ownership, | 0:36:29 | 0:36:31 | |
so if you have the ability to get a mortgage of about £100,000, | 0:36:31 | 0:36:35 | |
you can buy a share, a major share in that property | 0:36:35 | 0:36:37 | |
and you can actually get on the housing ladder in the garden city. | 0:36:37 | 0:36:40 | |
But I suppose in a way, it's getting the balance right, you know, | 0:36:40 | 0:36:43 | |
making sure the developers, | 0:36:43 | 0:36:45 | |
who are going to want to build as many homes as possible, | 0:36:45 | 0:36:48 | |
but balancing that with somewhere that people want to live. | 0:36:48 | 0:36:50 | |
Well, I think the important thing really is about having the quality green space, | 0:36:50 | 0:36:54 | |
so within the new garden city, we are going to have seven new city parks. | 0:36:54 | 0:36:57 | |
You can see just in the distance here is what will become the new city park, a massive park, | 0:36:57 | 0:37:02 | |
similar to Primrose Hill in London, | 0:37:02 | 0:37:04 | |
we almost see it as Central Park in New York. | 0:37:04 | 0:37:06 | |
So, what we are talking about here is having a city in a garden. | 0:37:06 | 0:37:09 | |
The similarities to both Herne Bay and old garden cities goes further. | 0:37:09 | 0:37:13 | |
As we've seen, they promised people the chance to escape | 0:37:13 | 0:37:16 | |
to a healthier place. | 0:37:16 | 0:37:18 | |
Well, Ebbsfleet has a twist on that same idea. | 0:37:18 | 0:37:22 | |
So, the NHS have come up with a new programme called the healthy new towns. | 0:37:22 | 0:37:25 | |
There are going to be ten pilots across the country. | 0:37:25 | 0:37:27 | |
And from those ten pilots, they want to learn about, you know, | 0:37:27 | 0:37:29 | |
what can we rethink a place, what can it be like to live here, | 0:37:29 | 0:37:32 | |
can we encourage people to have healthier lifestyles, | 0:37:32 | 0:37:35 | |
can we deliver health in a different way? | 0:37:35 | 0:37:36 | |
So, we are going to provide new tram-like buses that connect up | 0:37:36 | 0:37:39 | |
different parts of the garden city | 0:37:39 | 0:37:41 | |
and encourage people to take the bus, | 0:37:41 | 0:37:42 | |
rather than getting their cars. To walk to the station, | 0:37:42 | 0:37:45 | |
to cycle down beautiful new green corridors we are creating. | 0:37:45 | 0:37:47 | |
So, we are creating a place that is going to encourage that healthy living | 0:37:47 | 0:37:50 | |
but also discourage people from using the car. | 0:37:50 | 0:37:52 | |
Kevin, you are going to change people's lives, aren't you? | 0:37:52 | 0:37:55 | |
You are going to change the way they live their lives. | 0:37:55 | 0:37:57 | |
Are you feeling the pressure? | 0:37:57 | 0:37:59 | |
Do you have a sense of pride that you're involved with it? | 0:37:59 | 0:38:01 | |
Fantastically. I grew up in one of the last new towns, Craigavon in Northern Ireland, | 0:38:01 | 0:38:06 | |
and to have 50 years later an opportunity to help | 0:38:06 | 0:38:08 | |
build and shape a new place, Ebbsfleet garden city, | 0:38:08 | 0:38:11 | |
is to me the best job I could possibly have anywhere. | 0:38:11 | 0:38:13 | |
It's what I've always wanted to do. | 0:38:13 | 0:38:15 | |
It's a great opportunity and I want to make sure we make the most of it. | 0:38:15 | 0:38:17 | |
The exciting thing is to create the momentum around housing that we need | 0:38:17 | 0:38:20 | |
in this country but a really affordable mixed range of housing here for | 0:38:20 | 0:38:24 | |
everybody and secondly, to work on the whole place, | 0:38:24 | 0:38:27 | |
to create something that is really special. | 0:38:27 | 0:38:29 | |
I'm encouraged by the talk at Ebbsfleet. | 0:38:33 | 0:38:36 | |
It seems the vision of what created places like Letchworth, Milton Keynes, | 0:38:36 | 0:38:40 | |
and Poundbury are safe in the hands | 0:38:40 | 0:38:42 | |
of those building new towns in the future. | 0:38:42 | 0:38:45 | |
A lot has changed, of course. | 0:38:45 | 0:38:46 | |
The plans have become bigger, | 0:38:46 | 0:38:48 | |
more ambitious and more comprehensive than those I saw in my hometown. | 0:38:48 | 0:38:53 | |
And sometimes, they have come with rules that I certainly wouldn't be | 0:38:54 | 0:38:57 | |
happy with. Not to mention all those roundabouts. | 0:38:57 | 0:39:01 | |
Which one? | 0:39:01 | 0:39:03 | |
But what unites the people I've met living in these towns is that they | 0:39:03 | 0:39:06 | |
have all provided that sense of escape to a healthier and, I think, happier | 0:39:06 | 0:39:11 | |
way of life. | 0:39:11 | 0:39:12 | |
Sometimes of course you have to pay for it and so I'm ending my journey | 0:39:12 | 0:39:16 | |
doing something I never tire of, | 0:39:16 | 0:39:19 | |
getting shown round a fancy pad. | 0:39:19 | 0:39:21 | |
And it's back where I started, on the seafront of Herne Bay. | 0:39:21 | 0:39:25 | |
Giving me his sales patter is local estate agent Kieron Whiting. | 0:39:25 | 0:39:29 | |
I'm so keen. | 0:39:30 | 0:39:31 | |
It's lovely, isn't it? | 0:39:33 | 0:39:34 | |
Come on through. | 0:39:35 | 0:39:36 | |
Now, that is what I call a view. | 0:39:38 | 0:39:41 | |
Yeah, it certainly grabs you as soon as you walk in through the door. | 0:39:41 | 0:39:44 | |
It's a lovely site. | 0:39:44 | 0:39:45 | |
You actually completely forget about your accommodation. | 0:39:45 | 0:39:47 | |
That's the beauty of it. Ultimately, that is what you are paying for, | 0:39:47 | 0:39:50 | |
-isn't it? -Open-plan living, which isn't the norm in Herne Bay, is it? | 0:39:50 | 0:39:54 | |
No, it's certainly a more modern approach to living | 0:39:54 | 0:39:56 | |
but certainly more popular now. | 0:39:56 | 0:39:58 | |
Particularly in properties like this is where you want to | 0:39:58 | 0:40:01 | |
maximise the view and also the light and airy accommodation, | 0:40:01 | 0:40:04 | |
you are not going to get that in a standard Herne Bay property. | 0:40:04 | 0:40:07 | |
This is really one of a kind. | 0:40:07 | 0:40:08 | |
Yeah. | 0:40:08 | 0:40:10 | |
Time for the tour. | 0:40:12 | 0:40:13 | |
OK, here we have the master suite. | 0:40:16 | 0:40:17 | |
Again, bifolding doors. | 0:40:18 | 0:40:20 | |
This is lovely. This is just like a second living room, in my opinion. | 0:40:20 | 0:40:23 | |
South-facing, so it's going to literally bask in sunshine throughout the day. | 0:40:23 | 0:40:26 | |
-It's lovely. -Kieron, this is like role reversal. | 0:40:26 | 0:40:28 | |
You're taking me round, | 0:40:28 | 0:40:30 | |
rather than me taking you on showing you the houses. | 0:40:30 | 0:40:32 | |
It feels odd but I'm liking it. I'm liking it being on this site. | 0:40:32 | 0:40:35 | |
'Well, that's the tour over. | 0:40:35 | 0:40:37 | |
'Now for the bit you've all been waiting for.' | 0:40:37 | 0:40:40 | |
How much is this apartment on the market for? | 0:40:40 | 0:40:42 | |
This penthouse apartment is on the market for £495,000. | 0:40:42 | 0:40:46 | |
Is it? Just shy of half a million. | 0:40:46 | 0:40:48 | |
That's quite a lot of money. | 0:40:48 | 0:40:50 | |
So, how much would an average house be here? | 0:40:50 | 0:40:52 | |
Average house, terms of your typical 1930s three-bed semi, around 275, 300. | 0:40:53 | 0:41:00 | |
That's really good to hear. | 0:41:00 | 0:41:02 | |
Do people want to live in a seaside town all over again? | 0:41:02 | 0:41:04 | |
Definitely so. The market is incredibly buoyant at the moment. | 0:41:04 | 0:41:07 | |
-Is it? -Particularly over the last 18 months to two years. | 0:41:07 | 0:41:10 | |
So, Kieron, if I could build eight of these along the seafront, | 0:41:10 | 0:41:13 | |
would you be able to sell them tomorrow? | 0:41:13 | 0:41:15 | |
Yes, I would be your best friend. | 0:41:15 | 0:41:17 | |
Would you? | 0:41:17 | 0:41:19 | |
This home is just so different from where I was brought up but in a way, | 0:41:22 | 0:41:27 | |
that's what you need. | 0:41:27 | 0:41:28 | |
You need towns to keep evolving with each generation, | 0:41:28 | 0:41:32 | |
looking forward rather than always looking back. | 0:41:32 | 0:41:35 | |
But you know what? | 0:41:40 | 0:41:41 | |
Sometimes it's also good to get nostalgic, so before I go, | 0:41:41 | 0:41:45 | |
I've asked my best friend Krista | 0:41:45 | 0:41:47 | |
and my big sister Shelley to meet me on the promenade. | 0:41:47 | 0:41:49 | |
I have a little surprise in store | 0:41:49 | 0:41:51 | |
that should bring the memories flooding back. | 0:41:51 | 0:41:54 | |
Right, girls. Fancy a quick roller-skate? | 0:41:55 | 0:41:58 | |
The pavilion is not even there any more. | 0:41:58 | 0:42:01 | |
-What's wrong with this? -You're kidding. | 0:42:01 | 0:42:03 | |
Yeah. How many years since we last roller-skated? | 0:42:03 | 0:42:06 | |
30? Are you up for the challenge? | 0:42:06 | 0:42:08 | |
-Yeah. -I don't think I've got much in the way of balance. | 0:42:08 | 0:42:11 | |
No, I'll be straight off. | 0:42:11 | 0:42:12 | |
Right. Try those. | 0:42:12 | 0:42:13 | |
Thank you. | 0:42:13 | 0:42:14 | |
-Come on then. -Oh, no. -We are going to have fun, aren't we? | 0:42:19 | 0:42:23 | |
Was this your idea, Nicki? | 0:42:23 | 0:42:25 | |
Yeah. Thought it be nice to reminisce down memory lane. | 0:42:25 | 0:42:28 | |
I feel like the Terminator. | 0:42:28 | 0:42:30 | |
All the gear, no idea. | 0:42:31 | 0:42:34 | |
Come on, then. | 0:42:34 | 0:42:38 | |
MUSIC: Modern Girl by Sheena Easton | 0:42:38 | 0:42:42 | |
This is going to be a long skate, isn't it? | 0:42:42 | 0:42:45 | |
This way? Hold on to me. Ready? | 0:42:45 | 0:42:47 | |
'Memories might be flooding back but the legs are definitely rusty.' | 0:42:47 | 0:42:53 | |
Oh, look, I've got the railing. | 0:42:53 | 0:42:55 | |
Look, I can do it. | 0:42:57 | 0:43:00 | |
'You know, looking at new towns has made me look deeper into what really | 0:43:00 | 0:43:03 | |
'matters to me about Herne Bay and it's this - | 0:43:03 | 0:43:06 | |
'towns are made by people | 0:43:06 | 0:43:08 | |
'and as long as planners remember that, we'll be OK.' | 0:43:08 | 0:43:12 | |
THEY CHEER | 0:43:12 | 0:43:13 |