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Across the nation, architects are building, designing and transforming the homes we live in. | 0:00:02 | 0:00:06 | |
One day, I'm going to live in a house like this | 0:00:06 | 0:00:07 | |
and not just do it for others. | 0:00:07 | 0:00:09 | |
We're following some of those | 0:00:09 | 0:00:10 | |
leading the way in groundbreaking design. | 0:00:10 | 0:00:13 | |
Their jaw would drop if they saw that. | 0:00:13 | 0:00:16 | |
I can't believe it. | 0:00:16 | 0:00:17 | |
We'll be with them every step of the way as they battle with | 0:00:19 | 0:00:22 | |
builders, blue prints and the clients who hire them. | 0:00:22 | 0:00:25 | |
You've got a very strange understanding of the word today. | 0:00:25 | 0:00:29 | |
Whoa, whoa, whoa! | 0:00:29 | 0:00:31 | |
That's not good. | 0:00:31 | 0:00:32 | |
-It's like working with the Chuckle Brothers. -Ho, ho, ho! | 0:00:32 | 0:00:35 | |
We're with them as they draw on their seven years of training | 0:00:35 | 0:00:38 | |
to solve everyday problems... | 0:00:38 | 0:00:39 | |
Quick word in his ear, make sure there's no more mishaps. | 0:00:39 | 0:00:42 | |
He's come in on an angle and ripped up the road, | 0:00:42 | 0:00:45 | |
but he's now ripped his exhaust pipe off. | 0:00:45 | 0:00:49 | |
Oh, man! | 0:00:49 | 0:00:50 | |
I've said many prayers. | 0:00:53 | 0:00:54 | |
That's amazing. | 0:00:54 | 0:00:56 | |
That's a pretty incredible difference, isn't it? | 0:00:56 | 0:00:59 | |
The fixings alone cost 17 grand. | 0:00:59 | 0:01:01 | |
..all in the name of making the properties we dream of a reality. | 0:01:04 | 0:01:08 | |
Today, architect Bobby Halliday faces challenging deadlines | 0:01:21 | 0:01:25 | |
and last minute crises as he juggles ten bespoke houses that | 0:01:25 | 0:01:29 | |
all need to finish on time. | 0:01:29 | 0:01:31 | |
Yesterday, this was built, it was looking fantastic. | 0:01:31 | 0:01:34 | |
HAMMERING | 0:01:34 | 0:01:36 | |
Unfortunately, there was an issue. | 0:01:36 | 0:01:39 | |
And architect David has to step in when an Edwardian townhouse | 0:01:39 | 0:01:42 | |
extension in Edinburgh threatens to overwhelm a young family. | 0:01:42 | 0:01:46 | |
I'm absolutely terrified of living in this house for the next six months. | 0:01:46 | 0:01:51 | |
The house-building industry is back in business, | 0:01:54 | 0:01:57 | |
growing at its fastest rate in more than a decade. | 0:01:57 | 0:02:00 | |
In Stirlingshire, local architect Bobby Halliday | 0:02:00 | 0:02:03 | |
forged his reputation on bespoke new builds and ambitious extensions. | 0:02:03 | 0:02:08 | |
I want to put something cool in here, something snazzy. | 0:02:08 | 0:02:12 | |
His latest project is a much bigger beast. | 0:02:12 | 0:02:14 | |
He's converting an old farm steading into ten new homes. | 0:02:14 | 0:02:18 | |
The project here is to renovate where possible, | 0:02:18 | 0:02:23 | |
but, in actual fact, all of the steading has had to be demolished. | 0:02:23 | 0:02:27 | |
Three years ago, he spotted the potential of this old farm steading. | 0:02:28 | 0:02:33 | |
You can see Stirling Castle in the background on the eastern | 0:02:33 | 0:02:37 | |
side of the steading, you can see the Wallace Monument, | 0:02:37 | 0:02:40 | |
so it's a really nice location. | 0:02:40 | 0:02:42 | |
Bobby drew up plans, convinced an investor to come on board, | 0:02:43 | 0:02:47 | |
and 12 months ago the build started. | 0:02:47 | 0:02:50 | |
The houses are at different stages, meaning Bobby is dealing with | 0:02:50 | 0:02:53 | |
deadlines... | 0:02:53 | 0:02:54 | |
They have to move in. Failure is no option. | 0:02:54 | 0:02:57 | |
..disasters... | 0:02:57 | 0:02:59 | |
If I can't get it done tomorrow, | 0:02:59 | 0:03:01 | |
the house won't get a completion certificate. | 0:03:01 | 0:03:03 | |
We can't issue the completion until that is done. | 0:03:03 | 0:03:06 | |
..and the new home owners wanting to move in. | 0:03:06 | 0:03:08 | |
-Excellent. Thank you, Bobby. -You're welcome. -That's great. | 0:03:08 | 0:03:11 | |
This development is hugely ambitious, with a large farmhouse | 0:03:12 | 0:03:16 | |
and nine smaller units, each with a unique layout and demanding owner. | 0:03:16 | 0:03:21 | |
Bobby is involved at every step of the way as architect | 0:03:21 | 0:03:24 | |
and project manager. | 0:03:24 | 0:03:25 | |
The budget for the construction is £2 million. | 0:03:25 | 0:03:28 | |
That's in addition to the £400,000 cost of the plot. | 0:03:28 | 0:03:31 | |
Once finished, the properties will sell for between £165,000 | 0:03:31 | 0:03:35 | |
and £600,000. | 0:03:35 | 0:03:37 | |
They've set themselves a target of just 18 months to get all | 0:03:37 | 0:03:40 | |
houses built and hopefully turn around a £500,000 profit. | 0:03:40 | 0:03:44 | |
So the programme really is to get these houses, | 0:03:46 | 0:03:49 | |
get the purchasers in really every three weeks. | 0:03:49 | 0:03:54 | |
As architect, Bobby likes to find a buyer for his houses as early | 0:03:55 | 0:03:58 | |
into the build as possible | 0:03:58 | 0:04:00 | |
so that he can design the property around his client's needs and wants. | 0:04:00 | 0:04:04 | |
And that's exactly what he's doing for Brendan Emery | 0:04:04 | 0:04:06 | |
and his Indonesian wife Rosella, proud new owners of Plot 6. | 0:04:06 | 0:04:10 | |
We're at Stirling Castle which is the best view | 0:04:12 | 0:04:14 | |
for my new building, which is just fantastic. | 0:04:14 | 0:04:17 | |
It's putting the roots down, really. | 0:04:17 | 0:04:19 | |
This is where we want to build a family home for me | 0:04:19 | 0:04:21 | |
and my wife and any future new family that come along, | 0:04:21 | 0:04:25 | |
and we couldn't have got a better location if we tried. | 0:04:25 | 0:04:29 | |
Brendan met his wife Rosella whilst they were working for the same pharmaceutical company in Indonesia. | 0:04:29 | 0:04:34 | |
Romance blossomed and they were married last June. | 0:04:34 | 0:04:38 | |
She's now living here full-time | 0:04:38 | 0:04:40 | |
and she's taking her time to settle in, but she's getting used | 0:04:40 | 0:04:44 | |
to the climate - coming from tropical Indonesia to very chilly Scotland | 0:04:44 | 0:04:48 | |
is quite a culture shock, never mind the language or the accent, | 0:04:48 | 0:04:52 | |
but, yeah, she's really looking forward to living here as well. | 0:04:52 | 0:04:55 | |
I think she's really looking forward to getting into a new house | 0:04:55 | 0:04:59 | |
and putting her mark on it. | 0:04:59 | 0:05:01 | |
After coming over to see the empty plot of land, Rosella has had | 0:05:01 | 0:05:04 | |
to go back to Indonesia to work out her contract and organise her visa | 0:05:04 | 0:05:08 | |
and won't be back for the first six months of the build, leaving Brendan | 0:05:08 | 0:05:11 | |
and Bobby with the responsibility of creating the perfect marital home. | 0:05:11 | 0:05:15 | |
Currently looking at the plans for Brendan and Rosella's house, | 0:05:15 | 0:05:19 | |
one requirement of Brendan's was that he needed a study | 0:05:19 | 0:05:22 | |
so we've given him a nice small study and we've still managed | 0:05:22 | 0:05:25 | |
to give them three double bedrooms with a main bathroom and an en-suite. | 0:05:25 | 0:05:30 | |
It looks great. | 0:05:30 | 0:05:31 | |
So far, Brendan and Rosella's house is still in the structural | 0:05:32 | 0:05:36 | |
stage of the build with the bespoke interior work still to be started. | 0:05:36 | 0:05:41 | |
Brendan's come to meet Bobby on site to check on progress. | 0:05:41 | 0:05:44 | |
-All the windows and doors are now all in. -Excellent. | 0:05:44 | 0:05:46 | |
All the partitions are in and most of the partitions are all sheeted with plasterboard. | 0:05:46 | 0:05:50 | |
Fantastic. | 0:05:50 | 0:05:52 | |
This is a nice double bedroom. | 0:05:52 | 0:05:54 | |
-This is going to be your office. -Yep. -Study in here. | 0:05:54 | 0:05:56 | |
That's looks great. The door looks brilliant. | 0:05:56 | 0:05:58 | |
That's the doorway here that we actually saw outside which looks fantastic. | 0:05:58 | 0:06:02 | |
You can actually see the view that you'll get. And you can see the castle. | 0:06:02 | 0:06:05 | |
That was a good choice putting that there. | 0:06:05 | 0:06:07 | |
-I think this is a great idea. -Yeah, brilliant idea. | 0:06:07 | 0:06:09 | |
Being able to walk through the rooms of the house is a big step forward | 0:06:09 | 0:06:13 | |
for Brendan, but it's not just his opinion that's going to matter. | 0:06:13 | 0:06:17 | |
Yeah, really pleased, and my other half, she's in Asia | 0:06:17 | 0:06:20 | |
at the moment so she's not seen this since it was really just a shell, | 0:06:20 | 0:06:23 | |
the foundations so a few pictures, a few e-mails will update her. | 0:06:23 | 0:06:27 | |
Yeah, keep her going. | 0:06:27 | 0:06:28 | |
Brendan may be happy, but Indonesia is a long way from a cold, | 0:06:28 | 0:06:32 | |
muddy building site in Scotland. | 0:06:32 | 0:06:34 | |
His new wife was last here in the summer. | 0:06:34 | 0:06:36 | |
It's now mid-winter and she's only seen images of the building. | 0:06:36 | 0:06:40 | |
When she does arrive, disaster strikes for Bobby. | 0:06:40 | 0:06:44 | |
Brendan and Rosella decide the kitchen is in the wrong place | 0:06:44 | 0:06:46 | |
and everything has to be dismantled. | 0:06:46 | 0:06:48 | |
Yesterday, this was built. It was looking fantastic. | 0:06:48 | 0:06:54 | |
Unfortunately, there's an issue. | 0:06:54 | 0:06:56 | |
Liz and Bruce Casely bought their three-storey, Edwardian townhouse | 0:07:03 | 0:07:07 | |
in Edinburgh two years ago. | 0:07:07 | 0:07:08 | |
Now, they've decided to extend out into the garden | 0:07:08 | 0:07:11 | |
and install a new, bigger, state-of-the-art kitchen. | 0:07:11 | 0:07:14 | |
This is a wonderful house. | 0:07:15 | 0:07:17 | |
We've got lots and lots of space but the kitchen area just doesn't | 0:07:17 | 0:07:21 | |
work so we can't have two or four children having dinner together. | 0:07:21 | 0:07:26 | |
You're always in the way in the kitchen and so opening that out and | 0:07:26 | 0:07:29 | |
making a new modern area is really key to really enjoying the house. | 0:07:29 | 0:07:35 | |
The idea behind the project really | 0:07:35 | 0:07:37 | |
is to make some more family living space | 0:07:37 | 0:07:40 | |
in an old, Victorian, terraced house. | 0:07:40 | 0:07:42 | |
The couple have chosen Edinburgh-based, award-winning architect | 0:07:48 | 0:07:51 | |
David Blaikie to design their new kitchen and extension. | 0:07:51 | 0:07:54 | |
Effectively, it's reorganising the back, | 0:07:56 | 0:07:59 | |
the ground floor back areas of a three-storey, terraced house. | 0:07:59 | 0:08:04 | |
What the client is after is to combine the existing kitchen | 0:08:04 | 0:08:10 | |
with the existing dining area... | 0:08:10 | 0:08:13 | |
..open up through the back elevation of the house to the back | 0:08:15 | 0:08:18 | |
wall of the house, extend out in this area and then it was | 0:08:18 | 0:08:23 | |
thought that we should actually push out, further out into the garden | 0:08:23 | 0:08:27 | |
with this, what we're calling the winter garden so it's | 0:08:27 | 0:08:30 | |
an unheated, fully-glazed external space which looks down the garden. | 0:08:30 | 0:08:36 | |
Liz and Bruce are expecting to pay around £200,000 for their new | 0:08:36 | 0:08:40 | |
kitchen and glazed garden room extension, | 0:08:40 | 0:08:42 | |
£46,000 for the kitchen, £154,000 to cover the cost of all | 0:08:42 | 0:08:47 | |
the building work, total decoration and the architect's design fees. | 0:08:47 | 0:08:51 | |
It will take six months to complete. | 0:08:51 | 0:08:54 | |
It should be a relatively straightforward project, | 0:08:54 | 0:08:57 | |
but David's clients are at loggerheads over the build. | 0:08:57 | 0:09:00 | |
There's an element of uncertainty, I think, about how, | 0:09:00 | 0:09:05 | |
in what shape or what form the project is going to move | 0:09:05 | 0:09:07 | |
forward so we just need to discuss whether it's all going to be done | 0:09:07 | 0:09:11 | |
in one go or trying to look at splitting it down into two phases. | 0:09:11 | 0:09:16 | |
On a project like this, | 0:09:16 | 0:09:17 | |
all the major building works would normally be completed before | 0:09:17 | 0:09:20 | |
the most expensive fixtures and fittings, like the kitchen, | 0:09:20 | 0:09:23 | |
are put in, to avoid any damage to the final finishes, | 0:09:23 | 0:09:26 | |
but Liz has other ideas. | 0:09:26 | 0:09:28 | |
I'm absolutely terrified of living in this house | 0:09:28 | 0:09:31 | |
for the next six months with builders and dust and dirt, | 0:09:31 | 0:09:36 | |
and with two small children, | 0:09:36 | 0:09:38 | |
I'm hoping to be away as much as possible. | 0:09:38 | 0:09:41 | |
She wants to get her kitchen up and running before any of the other work | 0:09:41 | 0:09:44 | |
is done to cause minimum disruption to her and her family's life. | 0:09:44 | 0:09:49 | |
I like the idea of getting the first bit done so that we can use | 0:09:49 | 0:09:53 | |
the kitchen, whereas the other part of the work will just take so much longer. | 0:09:53 | 0:09:57 | |
You know, doing it in two phases, it will take overall longer | 0:09:57 | 0:10:00 | |
and there probably are additional costs. | 0:10:00 | 0:10:02 | |
I suppose I'm slightly concerned about the fact that we start | 0:10:02 | 0:10:06 | |
the project, we do first half in the kitchen | 0:10:06 | 0:10:09 | |
-and all the men go off site. -Yeah. | 0:10:09 | 0:10:11 | |
And then it's a hassle to get them | 0:10:11 | 0:10:13 | |
all back on and get everything all finished off, so do you just | 0:10:13 | 0:10:16 | |
take the pain in one fell swoop rather than doing it in stages? | 0:10:16 | 0:10:20 | |
No, the point is, is if we do this all in one go, | 0:10:20 | 0:10:23 | |
this will all be out of action for six months. | 0:10:23 | 0:10:26 | |
With a stalemate on how to proceed, | 0:10:27 | 0:10:29 | |
David needs some kind of a solution if he's even to start the build. | 0:10:29 | 0:10:33 | |
-What happens if we were to do the whole lot, OK? -Hmm. | 0:10:33 | 0:10:38 | |
Day one, the builders come in and they come in and they knock down | 0:10:38 | 0:10:43 | |
-the wall here, they put some plasterboard up or whatever across here. -Yep. | 0:10:43 | 0:10:48 | |
The kitchen man comes in, installs the kitchen. OK? | 0:10:48 | 0:10:51 | |
We can now use our kitchen and the men can start working out here. | 0:10:51 | 0:10:56 | |
That wasn't the way that we talked about it before. | 0:10:58 | 0:11:01 | |
I know, but I'm just thinking why can't you do it that way around? | 0:11:01 | 0:11:04 | |
So it's effectively a two-phase project in one phase? | 0:11:04 | 0:11:08 | |
-Right. -Yep. | 0:11:08 | 0:11:09 | |
It's not the normal order of a contract | 0:11:09 | 0:11:11 | |
but there's nothing to say it can't happen in that way. | 0:11:11 | 0:11:14 | |
A compromise has been reached. | 0:11:14 | 0:11:16 | |
Liz's hi-tech kitchen will be created first with | 0:11:16 | 0:11:19 | |
the extension being built around it, | 0:11:19 | 0:11:21 | |
shielded by a partition. It's an expensive way of doing it, | 0:11:21 | 0:11:24 | |
and there are risks that the new kitchen could get damaged but Liz is happy. | 0:11:24 | 0:11:29 | |
That was an interesting sort of contrast between the practical | 0:11:29 | 0:11:32 | |
look at how it works | 0:11:32 | 0:11:33 | |
and the more sort of nurturing, caring aspect of how the project might work. | 0:11:33 | 0:11:37 | |
The compromise that we've reached, I think, is probably the right one. | 0:11:37 | 0:11:40 | |
The day has finally come for the building work to start. | 0:11:49 | 0:11:52 | |
A team has arrived to remove the old kitchen which is being recycled. | 0:11:52 | 0:11:56 | |
Bruce has been called away abroad on business. | 0:11:56 | 0:11:58 | |
Liz decides to beat a hasty retreat to her parents | 0:11:58 | 0:12:01 | |
and leave the builders to it. | 0:12:01 | 0:12:03 | |
We need to be out of here | 0:12:07 | 0:12:08 | |
because it is going to be mental for the next two weeks. | 0:12:08 | 0:12:11 | |
They're knocking out the back wall and I really don't want to be | 0:12:11 | 0:12:15 | |
here with the two children so we thought we'd head off | 0:12:15 | 0:12:17 | |
down to the coast and come back and hopefully be in a better place. | 0:12:17 | 0:12:22 | |
The family may have escaped for now but when they return, | 0:12:24 | 0:12:27 | |
their decision to stay in the house whilst work is carried out | 0:12:27 | 0:12:30 | |
looks like it might be coming back to bite them. | 0:12:30 | 0:12:33 | |
For Liz, her new kitchen can't come soon enough. | 0:12:33 | 0:12:35 | |
It would just be nice to get out of this room. | 0:12:35 | 0:12:38 | |
We find that we are doing everything in here. | 0:12:38 | 0:12:40 | |
Playing with the kids, watching television in the evening, cooking. | 0:12:40 | 0:12:43 | |
It's like living in a bedsit. | 0:12:43 | 0:12:45 | |
In Stirlingshire, the big day has arrived for Bobby and Brendan. | 0:12:49 | 0:12:52 | |
Rosella has flown back from Indonesia | 0:12:52 | 0:12:54 | |
and will be seeing her new home for the first time since it | 0:12:54 | 0:12:57 | |
was just a set of muddy foundations three and a half months ago. | 0:12:57 | 0:13:01 | |
Hey, how are you? | 0:13:01 | 0:13:02 | |
Hi. I'm good. | 0:13:02 | 0:13:04 | |
It's good to see you. It's good to see you. | 0:13:04 | 0:13:07 | |
Brendan has put his heart and soul into the build | 0:13:07 | 0:13:09 | |
and hopes his wife likes it as much as he does. | 0:13:09 | 0:13:12 | |
-Wow. -So here we are. | 0:13:13 | 0:13:16 | |
It's great. This is my drawers. | 0:13:17 | 0:13:21 | |
Yours or mine? | 0:13:21 | 0:13:23 | |
It looks totally different. It's been three and a half months. | 0:13:23 | 0:13:27 | |
We will be getting them to put the lights in for each... | 0:13:30 | 0:13:33 | |
Yeah, the lights will go up. | 0:13:33 | 0:13:34 | |
Yeah, he'll cut that and put in little downlights. | 0:13:34 | 0:13:37 | |
It's a huge move for Rosella, | 0:13:37 | 0:13:39 | |
but the building seems to have the seal of approval Bobby hoped for. | 0:13:39 | 0:13:42 | |
All she saw the last time was the concrete slab, and now she's come | 0:13:42 | 0:13:46 | |
back to Scotland. I just get the impression that she's bowled over. | 0:13:46 | 0:13:52 | |
Every time I come in, it still blows me away. | 0:13:52 | 0:13:55 | |
The staircase is in, the walls in, the heating is in. | 0:13:55 | 0:13:58 | |
It's now the fun stuff really, picking the tiles | 0:13:58 | 0:14:00 | |
and doing the decor. Yeah? | 0:14:00 | 0:14:03 | |
Yeah. Yay, that's my part. | 0:14:03 | 0:14:06 | |
Rosella and Brendan's house is moving forward at a great pace. | 0:14:13 | 0:14:16 | |
Donald, are you OK? | 0:14:16 | 0:14:18 | |
The underfloor heating and screed poured floor have been laid | 0:14:20 | 0:14:23 | |
and the fantastic new kitchen is in, or at least it was. | 0:14:23 | 0:14:27 | |
This lot here is Brendan's kitchen. | 0:14:29 | 0:14:32 | |
Until yesterday, this was built. It was looking fantastic. | 0:14:32 | 0:14:36 | |
HAMMERING Unfortunately, | 0:14:36 | 0:14:39 | |
there's an issue, which you can hear in the background. | 0:14:39 | 0:14:43 | |
The kitchen is too far forward by around 300mm, | 0:14:43 | 0:14:50 | |
so Brendan was adamant that that size had to be... The position | 0:14:50 | 0:14:56 | |
of the worktop had to be moved back to allow his dining room in. | 0:14:56 | 0:15:00 | |
It's one of these things. | 0:15:00 | 0:15:02 | |
You know, the client really gets what he wants | 0:15:02 | 0:15:04 | |
so we had to dismantle it yesterday. | 0:15:04 | 0:15:06 | |
It's a difficult job. | 0:15:06 | 0:15:08 | |
Plumber Monty has to relocate the water supply from under | 0:15:08 | 0:15:10 | |
the island but with Rosella's requested underfloor heating system | 0:15:10 | 0:15:13 | |
buried under inches of screed, he's having to rely | 0:15:13 | 0:15:16 | |
on a combination of deduction and guesswork to avoid puncturing it. | 0:15:16 | 0:15:20 | |
It's warm here. | 0:15:20 | 0:15:21 | |
It gradually gets colder so that tells me that there will be | 0:15:21 | 0:15:25 | |
pipes up here, but I can't imagine they would be running | 0:15:25 | 0:15:28 | |
close to the water services so... | 0:15:28 | 0:15:31 | |
It takes two days to dismantle the kitchen, dig up the floor | 0:15:35 | 0:15:38 | |
and move the island. | 0:15:38 | 0:15:40 | |
But for Brendan, it's worth the extra time and hassle. | 0:15:40 | 0:15:43 | |
-Let's go. That's much better, isn't it? -Yeah. | 0:15:43 | 0:15:46 | |
You've got that extra foot now. | 0:15:46 | 0:15:47 | |
It was like a foot over here so if you can imagine | 0:15:47 | 0:15:51 | |
the dining room table and chairs would be kind of there so it would have | 0:15:51 | 0:15:56 | |
meant that the breakfast bar stools would've kind of been too close. | 0:15:56 | 0:16:01 | |
I think because you spend a lot of time and energy | 0:16:01 | 0:16:04 | |
putting it together you feel like you're just being pernickety | 0:16:04 | 0:16:08 | |
but actually it's quite important, so it's good to have it come back. | 0:16:08 | 0:16:12 | |
-Happy, Mrs Emery? -Yes. You can see from my face. | 0:16:12 | 0:16:16 | |
After getting married a year ago, | 0:16:18 | 0:16:20 | |
buying the house off-plan six months ago, | 0:16:20 | 0:16:23 | |
five months of building work, ripping the kitchen out | 0:16:23 | 0:16:26 | |
and moving continents, it's the big day. | 0:16:26 | 0:16:29 | |
Come on, guys, let's celebrate! | 0:16:29 | 0:16:31 | |
Brendan and Rosella finally get the keys to their new home. | 0:16:31 | 0:16:36 | |
The modern kitchen is striking and because they moved the island, | 0:16:36 | 0:16:39 | |
there's plenty of space for the dining table. | 0:16:39 | 0:16:42 | |
The feature curved wall links the kitchen and sitting room. | 0:16:42 | 0:16:45 | |
Upstairs, there are four bedrooms, one en-suite and one bathroom. | 0:16:45 | 0:16:49 | |
-That's for your fridge. -Thank you. | 0:16:51 | 0:16:53 | |
And this is for you. OK? Everything is done. | 0:16:53 | 0:16:59 | |
My job is finished. | 0:16:59 | 0:17:00 | |
So, it's really up to you guys just to live in here | 0:17:00 | 0:17:03 | |
and live happily ever after. | 0:17:03 | 0:17:05 | |
And, erm. It's cool, it's good. It's real big smiles! | 0:17:06 | 0:17:14 | |
This is my wardrobe. | 0:17:15 | 0:17:18 | |
That's a good view. | 0:17:18 | 0:17:21 | |
That's an awesome view. | 0:17:21 | 0:17:23 | |
I feel very grateful. The house is just beautiful. | 0:17:23 | 0:17:30 | |
Brendan has done many things to make our life become more beautiful. | 0:17:30 | 0:17:36 | |
He works so hard to make this. | 0:17:36 | 0:17:38 | |
It's hard to describe. I'm sorry. | 0:17:38 | 0:17:40 | |
It is emotional because it's been a project that we've dealt | 0:17:40 | 0:17:43 | |
with for over a year, you know. | 0:17:43 | 0:17:45 | |
It's more than what we expected, so it's just huge credit to Bobby and his team. | 0:17:45 | 0:17:49 | |
I am ecstatically happy that it's turned out really, really well. | 0:17:49 | 0:17:53 | |
It looks great, these people are really happy. I think it's a happy ending. | 0:17:53 | 0:17:58 | |
Another happy client | 0:17:59 | 0:18:00 | |
and another property signed off on Bobby's steading. | 0:18:00 | 0:18:03 | |
In Edinburgh, architect David Blaikie is working | 0:18:07 | 0:18:09 | |
on the renovation and extension | 0:18:09 | 0:18:11 | |
of a three-storey town house for Liz and Bruce. | 0:18:11 | 0:18:13 | |
One of the key features of their build | 0:18:15 | 0:18:17 | |
is the glass winter garden room which will push out into their garden and bring light | 0:18:17 | 0:18:21 | |
and warmth into the building. | 0:18:21 | 0:18:23 | |
Just down the road is one of David's former clients | 0:18:25 | 0:18:27 | |
and an example of exactly what David can deliver. | 0:18:27 | 0:18:31 | |
Margaret, hi. Thanks very much. | 0:18:31 | 0:18:33 | |
Owners John and Margaret Tiller bought the two-bed, ground-floor | 0:18:36 | 0:18:39 | |
flat six years ago when they downsized | 0:18:39 | 0:18:42 | |
from a large house in North Berwick. | 0:18:42 | 0:18:44 | |
The glass box request from the client, you know, | 0:18:47 | 0:18:50 | |
from the first meeting we've created that. | 0:18:50 | 0:18:53 | |
We haven't made it a complete glass box | 0:18:53 | 0:18:55 | |
because there's too much heat loss during the winter | 0:18:55 | 0:18:58 | |
and too much heat gain during the summer, | 0:18:58 | 0:19:00 | |
so we've kept the solid, insulated roof | 0:19:00 | 0:19:02 | |
but to compensate for that, we introduced this glazing slot up here | 0:19:02 | 0:19:08 | |
which allows the light to flood in and to be reflected in and filtered | 0:19:08 | 0:19:12 | |
in at different times of the day and different times of the year. | 0:19:12 | 0:19:16 | |
The build cost around £150,000 and has given John | 0:19:16 | 0:19:20 | |
and Margaret their dream home. | 0:19:20 | 0:19:22 | |
Something that I say to clients a lot when I'm in the early | 0:19:23 | 0:19:26 | |
stage of projects is that I would like to give them something | 0:19:26 | 0:19:30 | |
that every day they walk into it and they say, "Yeah, this is good." | 0:19:30 | 0:19:35 | |
Well, you've succeeded. | 0:19:35 | 0:19:36 | |
A few doors along, Liz and Bruce Caseley's glass extension | 0:19:36 | 0:19:40 | |
is still a long way off. | 0:19:40 | 0:19:42 | |
It's been two weeks since work started. | 0:19:42 | 0:19:44 | |
Going against convention, Liz was determined to have her new | 0:19:44 | 0:19:47 | |
state-of-the-art kitchen installed before the main extension, | 0:19:47 | 0:19:51 | |
but husband Bruce convinced her to tackle both parts at the same time. | 0:19:51 | 0:19:56 | |
With Liz and the kids staying at her parents', Bruce has just | 0:19:56 | 0:19:58 | |
returned home from a two-week business trip and is seeing the extent of the | 0:19:58 | 0:20:02 | |
build and meeting lead contractor Brian for the first time. | 0:20:02 | 0:20:06 | |
-Wow. -Hi, I'm Brian. | 0:20:06 | 0:20:09 | |
I realise we have met. I saw you once before. In there, right. | 0:20:09 | 0:20:13 | |
I've literally just flown in from Hong Kong this morning. | 0:20:13 | 0:20:16 | |
-I've been away for two weeks. Any problems so far? -No, I never have problems. | 0:20:16 | 0:20:21 | |
All good. I'm now back living here. | 0:20:21 | 0:20:24 | |
-On that side of the house. Thank you. -No problem. | 0:20:26 | 0:20:29 | |
Brian may be a man of few words but he makes up for it with action. | 0:20:32 | 0:20:36 | |
He and his men have already taken down several massive | 0:20:36 | 0:20:39 | |
supporting walls to the building and installed seven steel beams | 0:20:39 | 0:20:42 | |
and six upright supports to ensure it doesn't collapse. | 0:20:42 | 0:20:45 | |
We put the beam up this morning and then inserted the pad stone | 0:20:45 | 0:20:50 | |
and we've made it secure and now what we're doing is we're tying it in up above | 0:20:50 | 0:20:55 | |
the beam now, so when that all sets, it will be structurally sound again. | 0:20:55 | 0:21:01 | |
It'll be solid. | 0:21:01 | 0:21:02 | |
With the steels in, the builders now remove sections of the outside wall | 0:21:02 | 0:21:06 | |
to create the new opening for the extension which will be built later. | 0:21:06 | 0:21:09 | |
Architect David and his colleague | 0:21:12 | 0:21:14 | |
stop by to see how work is progressing. | 0:21:14 | 0:21:17 | |
So you reckon Monday this wall will be down? On Monday, Tuesday. | 0:21:17 | 0:21:21 | |
OK, I think that's fantastic progress from a week and a half ago. | 0:21:21 | 0:21:26 | |
The next stage is to remove the wall dividing the original kitchen | 0:21:26 | 0:21:30 | |
and dining room. | 0:21:30 | 0:21:31 | |
David's design stipulated that the cornice work should be | 0:21:31 | 0:21:34 | |
preserved which is making the job trickier for the builders. | 0:21:34 | 0:21:38 | |
We took extra special care cutting the line in there when we were | 0:21:38 | 0:21:41 | |
going across the plaster and made sure we didn't damage it in any way. | 0:21:41 | 0:21:48 | |
It's not just a simple case of leathering it. | 0:21:48 | 0:21:51 | |
You can't hit it too hard otherwise the whole thing might fall with it. | 0:21:51 | 0:21:56 | |
A day later, the dividing wall is down just in time | 0:22:05 | 0:22:08 | |
for Liz's return home from her parents in Kent. | 0:22:08 | 0:22:11 | |
The change is incredible. | 0:22:12 | 0:22:14 | |
We've gone up which has given us an awful lot of space | 0:22:14 | 0:22:17 | |
and a real feeling of light. | 0:22:17 | 0:22:19 | |
Obviously opening up the back here is just fantastic. | 0:22:19 | 0:22:23 | |
The opening at the back of the house will lead into the new extension. | 0:22:23 | 0:22:26 | |
-Very good. Cornice still in one piece? -Yep. -Incredible. | 0:22:30 | 0:22:34 | |
It's a pretty substantial bit of engineering, isn't it? | 0:22:34 | 0:22:37 | |
The steelwork that's in there is holding up | 0:22:38 | 0:22:41 | |
the two storeys above it and is also helping hold up | 0:22:41 | 0:22:44 | |
the stonework in the houses to both sides of it as well so there | 0:22:44 | 0:22:48 | |
are three properties that that steelwork is helping to support at the moment. | 0:22:48 | 0:22:52 | |
Now that all the structural steelwork is in | 0:22:52 | 0:22:55 | |
and the openings have been formed, the electrician and the plumbers | 0:22:55 | 0:23:00 | |
and the plasterers will come in next and make good that whole space. | 0:23:00 | 0:23:04 | |
Get all the services in ready for the kitchen to be fitted | 0:23:04 | 0:23:06 | |
and then there's a temporary hoarding that is going to | 0:23:06 | 0:23:09 | |
infill that gap there, and that will allow the guys to continue | 0:23:09 | 0:23:13 | |
constructing the second part of the project | 0:23:13 | 0:23:15 | |
while the client is cooking in her new kitchen, so everybody is happy. | 0:23:15 | 0:23:19 | |
With the build well on its way, | 0:23:21 | 0:23:23 | |
David can turn his attention to the actual kitchen | 0:23:23 | 0:23:26 | |
Liz and Bruce have ordered from bespoke kitchen designer Malcolm. | 0:23:26 | 0:23:30 | |
The average spend on a new kitchen is £8,000, | 0:23:30 | 0:23:33 | |
but Liz and Bruce have bought a handmade kitchen costing £46,000. | 0:23:33 | 0:23:39 | |
The decisions that we're making now we wouldn't normally make | 0:23:39 | 0:23:42 | |
until nearer the end of the project, | 0:23:42 | 0:23:44 | |
but because of the way this project is organized and because Liz | 0:23:44 | 0:23:47 | |
wants the kitchen installed and up and running at a much earlier | 0:23:47 | 0:23:52 | |
point in the project, so it is sort of turned on its head in many ways. | 0:23:52 | 0:23:55 | |
Malcolm's team has assembled the kitchen in the workshop | 0:23:55 | 0:23:58 | |
so David can see how it's shaping up. | 0:23:58 | 0:24:00 | |
One of David's requests is for blue LED ribbon lighting | 0:24:00 | 0:24:04 | |
all the way around the units to give them the illusion of floating. | 0:24:04 | 0:24:08 | |
But the plan seems to have changed. | 0:24:08 | 0:24:10 | |
Do you really want it underneath? | 0:24:10 | 0:24:13 | |
I just think, you know, the purity of this thing on the wall, | 0:24:13 | 0:24:16 | |
you know, it's got wall all round about it. | 0:24:16 | 0:24:18 | |
Of course this was how I'd originally done it | 0:24:18 | 0:24:21 | |
and then I changed it. | 0:24:21 | 0:24:23 | |
I still don't understand why you changed it! | 0:24:23 | 0:24:25 | |
I wasn't about, I was away skiing when you... | 0:24:25 | 0:24:29 | |
Exactly, well because we're going to have LEDs - one under each | 0:24:29 | 0:24:32 | |
one of these, I really thought it was a bit of overload. | 0:24:32 | 0:24:34 | |
It just strikes me that it should really have... | 0:24:34 | 0:24:37 | |
you should really continue, even if it's just the warm white. | 0:24:37 | 0:24:41 | |
This means a lot to David. | 0:24:41 | 0:24:43 | |
OK, all right. I'll do it. | 0:24:43 | 0:24:45 | |
Go on. It will look much better. | 0:24:45 | 0:24:46 | |
It would be much better. | 0:24:46 | 0:24:48 | |
-Liz will be over the moon. -Good. | 0:24:48 | 0:24:50 | |
Meanwhile, Liz is getting to grips with her temporary kitchen | 0:24:56 | 0:24:59 | |
in the corner of her living room. | 0:24:59 | 0:25:02 | |
I've got the fridge out in the corridor and microwave, | 0:25:02 | 0:25:06 | |
toaster, kettle, coffee machine - essential - and a jug of water. | 0:25:06 | 0:25:11 | |
Basically managing from that. | 0:25:11 | 0:25:13 | |
But the brand-new kitchen that Liz has been dreaming of is | 0:25:13 | 0:25:16 | |
tantalizingly close. | 0:25:16 | 0:25:18 | |
So, the sun's out now and the kitchen is going to | 0:25:18 | 0:25:21 | |
be in by the weekend, or at least usable by the weekend. | 0:25:21 | 0:25:25 | |
The floor looks fantastic in there | 0:25:25 | 0:25:27 | |
and we're excited about it all coming together finally. | 0:25:27 | 0:25:30 | |
Outside, the build is at the halfway stage, | 0:25:33 | 0:25:36 | |
but the kitchen going in is a major milestone. | 0:25:36 | 0:25:38 | |
David is back to cast his architectural eye over it. | 0:25:38 | 0:25:41 | |
The dark dining room and kitchen have now been combined | 0:25:45 | 0:25:48 | |
to form this large, open-plan kitchen diner. | 0:25:48 | 0:25:51 | |
With its stone work tops, handmade units and David's | 0:25:53 | 0:25:56 | |
strips of LED blue lighting, it's everything Liz and Bruce wanted. | 0:25:56 | 0:26:00 | |
Is it working well? | 0:26:02 | 0:26:04 | |
-All good so far as you can probably see. -Good. | 0:26:04 | 0:26:06 | |
It's been a long trip, a long journey to get here. | 0:26:06 | 0:26:10 | |
But as of last weekend, we've actually had a working | 0:26:10 | 0:26:13 | |
kitchen which is absolutely fantastic. | 0:26:13 | 0:26:16 | |
All the modern technology including running water which was | 0:26:16 | 0:26:19 | |
quite a novelty for us | 0:26:19 | 0:26:21 | |
and now we've got all of this and it's really, really quite something. | 0:26:21 | 0:26:27 | |
This lighting around the wall units across here works incredibly | 0:26:29 | 0:26:35 | |
well visually, and then the row of bright LEDs underneath just | 0:26:35 | 0:26:39 | |
gives you a really good working surface across there. | 0:26:39 | 0:26:42 | |
It's really impressive at night when it's dark outside | 0:26:42 | 0:26:45 | |
and you're sitting at the dining table | 0:26:45 | 0:26:48 | |
and up here on the units you just have the blue LED lights on there. | 0:26:48 | 0:26:52 | |
It does look like the cabinet's floating. | 0:26:52 | 0:26:53 | |
I pressed hard with the kitchen designer to make sure that | 0:26:57 | 0:27:00 | |
the blue light went right the way around it because originally, it was | 0:27:00 | 0:27:03 | |
just going to be up the sides, over the top, and down again. | 0:27:03 | 0:27:05 | |
But I think to get that full graphic sort of image, I think it | 0:27:05 | 0:27:08 | |
had to come back underneath so I'm glad we bullied him into doing that. | 0:27:08 | 0:27:13 | |
But I think your big light fitting that you've chosen is | 0:27:13 | 0:27:15 | |
really dramatic. It really fills the space well, doesn't it? | 0:27:15 | 0:27:18 | |
Yeah, we're really pleased with it. | 0:27:18 | 0:27:20 | |
It doesn't give off enough light, but it does look lovely. | 0:27:20 | 0:27:23 | |
Yep, no, I think to have got from where we started to this, | 0:27:23 | 0:27:27 | |
you know, halfway through the project is fantastic. | 0:27:27 | 0:27:31 | |
The new kitchen cost £46,000 | 0:27:33 | 0:27:36 | |
and there's still another £154,000 to finish the extension. | 0:27:36 | 0:27:40 | |
Liz and Bruce still have many more weeks of living | 0:27:41 | 0:27:44 | |
on a building site but the end result will be their dream home. | 0:27:44 | 0:27:48 | |
All in all, I think we are delighted with it and I can't | 0:27:48 | 0:27:51 | |
wait to see the finished...well, see and use the finished article. | 0:27:51 | 0:27:57 | |
Next time on Building Dream Homes - in Stirling, architect Bobby takes | 0:28:00 | 0:28:05 | |
on a client whose obsession for four wheels is taken to the extreme. | 0:28:05 | 0:28:09 | |
He just loves his cars. | 0:28:09 | 0:28:10 | |
I love cars. Absolutely love them. | 0:28:10 | 0:28:12 | |
This originally was partly a bedroom facing Stirling Castle. | 0:28:12 | 0:28:18 | |
When the granite floor is down, this will be one posh garage. | 0:28:18 | 0:28:21 | |
And a cottage renovation hits a stumbling block | 0:28:23 | 0:28:25 | |
when the local planning officer pays a visit. | 0:28:25 | 0:28:27 | |
I think we need fewer roof lights | 0:28:27 | 0:28:29 | |
-and I think we need to reduce them in size as well. -Sure. | 0:28:29 | 0:28:31 |