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Have you ever dreamt of living in a house built specially for you, | 0:00:02 | 0:00:06 | |
or of renovating the house you already live in? | 0:00:06 | 0:00:08 | |
Then the chances are you'll need an architect to design, | 0:00:11 | 0:00:14 | |
build and transform your home. | 0:00:14 | 0:00:16 | |
My own interior style is just coolness. | 0:00:16 | 0:00:19 | |
We're following some of the nation's architects leading | 0:00:19 | 0:00:22 | |
the way in ground-breaking design. | 0:00:22 | 0:00:25 | |
Oh, yeah! | 0:00:25 | 0:00:26 | |
We'll be with them every step of the way as they battle with builders... | 0:00:28 | 0:00:32 | |
Quick word in his ear, make sure there's no more mishaps. | 0:00:32 | 0:00:35 | |
That's not good. | 0:00:35 | 0:00:37 | |
..and blue prints... | 0:00:37 | 0:00:38 | |
This is the classic sleepless night project if I'm being honest. | 0:00:38 | 0:00:41 | |
..and the clients who hire them... | 0:00:41 | 0:00:43 | |
It's like working with the Chuckle Brothers. | 0:00:43 | 0:00:45 | |
-Ho, ho, ho! -You've got a very strange understanding | 0:00:45 | 0:00:47 | |
of the word "today". | 0:00:47 | 0:00:49 | |
How do you know your calculations are right? | 0:00:49 | 0:00:51 | |
..and draw on their seven years of study... | 0:00:51 | 0:00:53 | |
We'll go with the architects up here, then, I'm afraid. | 0:00:53 | 0:00:56 | |
..to solve everyday problems... | 0:00:56 | 0:00:58 | |
Seriously, this is a serious bad day. | 0:00:58 | 0:01:00 | |
..all in the name of making the properties | 0:01:00 | 0:01:03 | |
we dream of become a reality. | 0:01:03 | 0:01:05 | |
Today, Architect Chris Loyn gets to grips with an amazing, | 0:01:19 | 0:01:23 | |
budget-busting, upside-down house near Cardiff... | 0:01:23 | 0:01:26 | |
It's getting from that concept, that idea that you live | 0:01:26 | 0:01:30 | |
with for years and years and years, you draw it, you work through | 0:01:30 | 0:01:33 | |
the spaces and then suddenly you see it emerging out of the ground. | 0:01:33 | 0:01:36 | |
..where there are serious differences of opinion over style. | 0:01:36 | 0:01:39 | |
I'm telling you what I want. | 0:01:39 | 0:01:41 | |
You tell me what I need to achieve what I want and how much it costs. | 0:01:41 | 0:01:45 | |
And architects Laurence Bowen and Paul Robinson are working | 0:01:46 | 0:01:50 | |
with a family who bought a three-bed house in their dream location. | 0:01:50 | 0:01:53 | |
Buying a house that needed work was the only way | 0:01:53 | 0:01:56 | |
we could afford to stay in this area. | 0:01:56 | 0:01:58 | |
But their plans to finish their ultra-modern | 0:01:58 | 0:02:01 | |
extension before the arrival of baby number two are thrown into jeopardy. | 0:02:01 | 0:02:04 | |
No, I appreciate that you're in a sort of difficult position | 0:02:04 | 0:02:08 | |
cos you're in between the two, but that wasn't what we agreed | 0:02:08 | 0:02:11 | |
when we placed the order. | 0:02:11 | 0:02:12 | |
In the Vale of Glamorgan, Marianne and Jon are building | 0:02:18 | 0:02:21 | |
their for ever home, right next door to their current house. | 0:02:21 | 0:02:25 | |
I suppose doing your own build, it gives you an opportunity to | 0:02:25 | 0:02:28 | |
-do exactly what you want. -That's right. | 0:02:28 | 0:02:30 | |
The project is an amazing | 0:02:30 | 0:02:32 | |
£842,000 upside-down eco house | 0:02:32 | 0:02:34 | |
that is scheduled to take just ten months to complete. | 0:02:34 | 0:02:38 | |
Most importantly, Marianne and Jon have specified that | 0:02:40 | 0:02:44 | |
this hi tech home should work for them for the rest of their lives. | 0:02:44 | 0:02:48 | |
We wanted to move somewhere that was easy to maintain | 0:02:48 | 0:02:51 | |
and was on the flat. | 0:02:51 | 0:02:53 | |
The pressure of delivering the perfect pad | 0:02:53 | 0:02:56 | |
lies on the shoulders of award-winning architect Chris Loyn | 0:02:56 | 0:02:58 | |
and his project designer, James Stroud. | 0:02:58 | 0:03:01 | |
With their reputation for cutting-edge builds, | 0:03:01 | 0:03:03 | |
Chris brought the design... | 0:03:03 | 0:03:05 | |
One important element of the brief was future proofing, if you like. | 0:03:05 | 0:03:09 | |
..and James realises his vision. | 0:03:09 | 0:03:11 | |
I'm in the kitchen, I've just made my morning coffee, | 0:03:11 | 0:03:16 | |
or actually maybe I'd rather more think about | 0:03:16 | 0:03:19 | |
-my evening glass of wine. -Yeah. | 0:03:19 | 0:03:21 | |
It's October, four months into the build. | 0:03:24 | 0:03:26 | |
The steels are up, the block work is done | 0:03:26 | 0:03:29 | |
and Marianne is holding a monthly site meeting in her kitchen. | 0:03:29 | 0:03:32 | |
Has everyone got everything they need? | 0:03:32 | 0:03:34 | |
-Only you want a croissant, Chris. -I'm OK, don't worry about that. | 0:03:34 | 0:03:38 | |
One will come down in time, I'm sure. | 0:03:38 | 0:03:40 | |
Marianne has a very clear vision of how she wants her new home to | 0:03:41 | 0:03:44 | |
look, so schedules the monthly meeting to keep up-to-date | 0:03:44 | 0:03:47 | |
with how work is progressing and what decisions are being made. | 0:03:47 | 0:03:50 | |
Today, hi tech gadgets for the house are on the agenda. | 0:03:50 | 0:03:53 | |
Home automation. | 0:03:53 | 0:03:55 | |
To be honest with you, this has been a bit frustrating | 0:03:55 | 0:03:57 | |
cos they're saying all this home automation is specialist, | 0:03:57 | 0:04:00 | |
well, speak to me in a language that I can understand, then, and tell me. | 0:04:00 | 0:04:03 | |
I'm telling you what I want. | 0:04:03 | 0:04:05 | |
You tell me what I need to achieve what I want and how much it costs. | 0:04:05 | 0:04:10 | |
With so many different strong opinions about the final result, | 0:04:10 | 0:04:13 | |
the site meetings are crucial for a smooth build. | 0:04:13 | 0:04:16 | |
The purpose of the monthly site meeting is to bring everybody | 0:04:16 | 0:04:20 | |
together - contractor, design team, client - | 0:04:20 | 0:04:23 | |
and you see the growth of the building, of course. | 0:04:23 | 0:04:25 | |
And, erm, that's what architecture is about - | 0:04:25 | 0:04:28 | |
it's getting from that concept, that idea that you live with | 0:04:28 | 0:04:31 | |
for years and years and years, you draw it, you work through | 0:04:31 | 0:04:34 | |
the spaces and then suddenly you see it emerging out of the ground. | 0:04:34 | 0:04:37 | |
We don't make the architecture, the builder makes the architecture. | 0:04:37 | 0:04:41 | |
The trouble is, this time, | 0:04:41 | 0:04:43 | |
builder and architect aren't quite seeing eye-to-eye. | 0:04:43 | 0:04:46 | |
Main contractor John Shields and his team are currently building one | 0:04:46 | 0:04:49 | |
of the key features of this project - | 0:04:49 | 0:04:51 | |
the curved central staircase. | 0:04:51 | 0:04:53 | |
To be able to create the curve, we have to cut every brick | 0:04:53 | 0:04:56 | |
individually in half. | 0:04:56 | 0:04:58 | |
There's about 6,000 bricks in this wall that have all had to be cut by | 0:05:00 | 0:05:03 | |
hand and the bricklayers have taken it | 0:05:03 | 0:05:06 | |
and done a superb job, I must say. | 0:05:06 | 0:05:08 | |
I've never built one like this before. | 0:05:08 | 0:05:10 | |
Erm, it just takes a lot of patience. | 0:05:10 | 0:05:13 | |
It drives you round the bend, literally! | 0:05:13 | 0:05:16 | |
With so much skill and work going into the stairs, | 0:05:17 | 0:05:21 | |
the builders are rightly proud of the finished product, | 0:05:21 | 0:05:23 | |
but the architects have instructed that it should be built | 0:05:23 | 0:05:25 | |
in ugly block-work bricks, | 0:05:25 | 0:05:27 | |
so there's no option but to cover it in render. | 0:05:27 | 0:05:30 | |
We did ask the question to the architect, you know, | 0:05:30 | 0:05:32 | |
why didn't they do it in a face brickwork, but the answer was it's | 0:05:32 | 0:05:35 | |
part of the design, so, you know, it's a shame to cover it up but... | 0:05:35 | 0:05:39 | |
Chris and James are on site to inspect the stairs, | 0:05:39 | 0:05:43 | |
and it seems James is having a crisis of confidence. | 0:05:43 | 0:05:46 | |
-That looks good, doesn't it? -It's got a little... Poking up. -Yeah. | 0:05:46 | 0:05:51 | |
You know, looking at it, the beauty and care they've taken to do | 0:05:51 | 0:05:54 | |
the brick out of it, part of me is wondering whether... | 0:05:54 | 0:06:00 | |
You'd leave it as brick? | 0:06:00 | 0:06:02 | |
It's definitely right as it is, but part of me | 0:06:02 | 0:06:04 | |
feels like would it have been better to do it in brick. | 0:06:04 | 0:06:09 | |
-Too late. -Yeah, it is. I just... yeah. | 0:06:11 | 0:06:14 | |
Changing their minds at this stage is impossible without | 0:06:14 | 0:06:17 | |
incurring huge costs, not to mention the wrath of everyone on site. | 0:06:17 | 0:06:22 | |
James is taking no such chances on the finished look | 0:06:22 | 0:06:25 | |
for the rest of the build. | 0:06:25 | 0:06:26 | |
Have you discussed your idea with Chris, | 0:06:26 | 0:06:30 | |
the whole wall of curtains there? | 0:06:30 | 0:06:32 | |
Yes, I have. | 0:06:32 | 0:06:34 | |
-You happy with that, Chris? -Yep, absolutely. Looks great. | 0:06:34 | 0:06:38 | |
He's going to be choosing curtain material next. | 0:06:38 | 0:06:41 | |
I know. | 0:06:41 | 0:06:43 | |
-Honestly! -I know! Napkins, the lot! | 0:06:43 | 0:06:46 | |
Yeah, seriously. | 0:06:46 | 0:06:47 | |
He's already asked Jon to measure all his furniture and send him | 0:06:47 | 0:06:50 | |
the details so that he can place it in the house. | 0:06:50 | 0:06:52 | |
-In the right places. -Yeah. | 0:06:52 | 0:06:55 | |
It's that level of detail that will elevate the end result. | 0:06:55 | 0:07:00 | |
End result, yeah. | 0:07:00 | 0:07:02 | |
It may be Marianne and Jon's home, it may only be half built, but as | 0:07:02 | 0:07:07 | |
project designer, James has his own vision of what the finished product | 0:07:07 | 0:07:10 | |
will look like, down to the last tap, light fitting and door handle. | 0:07:10 | 0:07:14 | |
There's one room in particular that he has very firm views on. | 0:07:14 | 0:07:18 | |
-I'm your kitchen units. -Yeah, that's what I thought. -Yeah? | 0:07:18 | 0:07:21 | |
And then you've got the window is exactly half of this, so you've | 0:07:21 | 0:07:25 | |
got that half is the island and this half is the glass, so... | 0:07:25 | 0:07:28 | |
Yeah. So the wall is there, so if the island ran into the wall... | 0:07:28 | 0:07:32 | |
It would mean that if you wanted | 0:07:32 | 0:07:33 | |
to get something off the dining table... | 0:07:33 | 0:07:36 | |
-You'd have to walk round. -Yeah. -Yeah, yeah. | 0:07:36 | 0:07:38 | |
Marianne's point was, so if you've got a party going on or | 0:07:39 | 0:07:41 | |
-something like that... -You want people to stay out of the kitchen. | 0:07:41 | 0:07:44 | |
Yeah, you don't want people all flooding round, | 0:07:44 | 0:07:46 | |
so why not close it off and have a dead end? | 0:07:46 | 0:07:49 | |
The hotly-debated topic is the kitchen layout. | 0:07:49 | 0:07:52 | |
Marianne has brought on board a kitchen designer, | 0:07:52 | 0:07:55 | |
who's fighting against James' central island scheme | 0:07:55 | 0:07:58 | |
and wants to connect all the worktops to the wall. | 0:07:58 | 0:08:00 | |
All James can do is try and show Marianne the error of her ways. | 0:08:00 | 0:08:04 | |
I think once you close something off, it's closed off. | 0:08:04 | 0:08:08 | |
Whereas, if you are having a party | 0:08:08 | 0:08:10 | |
and you want to, you know, defend your zone... | 0:08:10 | 0:08:13 | |
You can put something there. | 0:08:13 | 0:08:15 | |
A couple of stools there will stop people coming in. | 0:08:15 | 0:08:17 | |
Once you've done it, then you haven't got the option. | 0:08:17 | 0:08:20 | |
-If, you know, for example... -I tell you what you could do. | 0:08:20 | 0:08:22 | |
-You could have one of these things, what are they called? -Trolley! | 0:08:22 | 0:08:25 | |
-Yes! -You know in your window, you keep the trolley in the window. | 0:08:25 | 0:08:30 | |
Yeah, and then I wheel it out. Yeah, over here, that's right! | 0:08:30 | 0:08:36 | |
It's only by acting it out that you come across the problems. | 0:08:36 | 0:08:41 | |
It's a wonderful idea! | 0:08:41 | 0:08:43 | |
I don't know where we're up to now! | 0:08:43 | 0:08:45 | |
No, we're not doing it. We've decided not to do it. | 0:08:45 | 0:08:47 | |
-That's why... -No, we haven't decided not to do it. | 0:08:47 | 0:08:50 | |
We've come up with a trolley! | 0:08:50 | 0:08:51 | |
-We've now got three options instead of two. -Right. | 0:08:51 | 0:08:55 | |
So there's closed, open and the trolley option. | 0:08:55 | 0:08:57 | |
Yeah. I know. | 0:08:57 | 0:08:59 | |
James might think he has the upper hand in the kitchen island debate, | 0:08:59 | 0:09:03 | |
but just down the road in a kitchen showroom, | 0:09:03 | 0:09:05 | |
there's a man who has equally strong ideas. | 0:09:05 | 0:09:08 | |
I think kitchens is quite a specialist market, | 0:09:08 | 0:09:10 | |
so whilst an architect - he'd do a fantastic job - | 0:09:10 | 0:09:13 | |
equally, you know, it's probably best to leave kitchen design | 0:09:13 | 0:09:18 | |
down to the specialists. | 0:09:18 | 0:09:20 | |
While kitchen wars wage on in Wales, | 0:09:23 | 0:09:26 | |
in Winchester, a very different kitchen extension is being put in. | 0:09:26 | 0:09:29 | |
Lisa Matthews and David Pope moved into their Edwardian | 0:09:29 | 0:09:32 | |
end-of-terrace house in a sought-after conservation area | 0:09:32 | 0:09:35 | |
3½ years ago and were soon joined | 0:09:35 | 0:09:38 | |
by their daughter, two-year-old Farrah. | 0:09:38 | 0:09:40 | |
So we did all of the first floor ourselves, including the bathroom - | 0:09:40 | 0:09:43 | |
all of the plumbing, building the walls, taking out the chimney, | 0:09:43 | 0:09:48 | |
structural alterations. And then for the loft extension, we did | 0:09:48 | 0:09:52 | |
employ a builder to do that cos Farrah had arrived by that point. | 0:09:52 | 0:09:56 | |
Buying a house that needed work was the only way | 0:09:56 | 0:09:59 | |
we could afford to stay in this area | 0:09:59 | 0:10:01 | |
because there's so much demand for these houses. | 0:10:01 | 0:10:04 | |
So when this one came up that | 0:10:04 | 0:10:06 | |
needed completely refurbishing, we kind of jumped on the chance. | 0:10:06 | 0:10:09 | |
But with Lisa six months pregnant, the two reception rooms | 0:10:09 | 0:10:12 | |
and pokey kitchen just isn't enough for their growing family. | 0:10:12 | 0:10:16 | |
The upstairs back bedroom, which is normally the spare bedroom, | 0:10:16 | 0:10:20 | |
it's really in a state of chaos at the moment. | 0:10:20 | 0:10:23 | |
Both structural engineers, their working life sees them | 0:10:23 | 0:10:26 | |
designing everything from opera houses to shopping centres. | 0:10:26 | 0:10:29 | |
They plan to use their wealth of experience to project manage | 0:10:29 | 0:10:33 | |
the next stage of their development, | 0:10:33 | 0:10:35 | |
but they've given the job of designing the new extension | 0:10:35 | 0:10:37 | |
to Poole-based architects Laurence Bowen and Paul Robinson. | 0:10:37 | 0:10:40 | |
Obviously, they needed more space. | 0:10:40 | 0:10:43 | |
A quite common request that we get is sort of to create an open plan | 0:10:43 | 0:10:46 | |
living-dining sort of family room, | 0:10:46 | 0:10:48 | |
and that was what they wanted as well. | 0:10:48 | 0:10:51 | |
What they also wanted to address was that the existing house had | 0:10:51 | 0:10:54 | |
no real connection to the rear garden. | 0:10:54 | 0:10:57 | |
Paul and Laurence have a reputation for working with properties in | 0:10:57 | 0:11:00 | |
conservation areas, which meant they were a perfect fit for this job. | 0:11:00 | 0:11:04 | |
They've come up with an elegant design that pleases both | 0:11:04 | 0:11:07 | |
the clients and the planners. | 0:11:07 | 0:11:08 | |
Paul has designed a wooden clad rear extension, | 0:11:10 | 0:11:13 | |
housing a new kitchen-diner. | 0:11:13 | 0:11:15 | |
This will link to the main house via a play room, which in turn | 0:11:15 | 0:11:18 | |
leads onto an open-plan living area. | 0:11:18 | 0:11:20 | |
It looks simple, but actually there's quite a lot to it | 0:11:20 | 0:11:24 | |
to get it right. | 0:11:24 | 0:11:25 | |
Ra! | 0:11:25 | 0:11:27 | |
As project managers, David and Lisa will need | 0:11:27 | 0:11:30 | |
all their wits about them if they're to bring the single-storey | 0:11:30 | 0:11:32 | |
extension in on their £55,000 budget | 0:11:32 | 0:11:35 | |
and tight three-month schedule. | 0:11:35 | 0:11:37 | |
Project managing will save them valuable cash, | 0:11:37 | 0:11:40 | |
but the budget still has to cover the cost of the build, | 0:11:40 | 0:11:43 | |
the new kitchen and the architect's design fees. | 0:11:43 | 0:11:46 | |
And with Lisa due to give birth just four weeks after the completion | 0:11:46 | 0:11:49 | |
date, Paul and Laurence's plans for their living space need to | 0:11:49 | 0:11:52 | |
stay on schedule, especially | 0:11:52 | 0:11:53 | |
since the family are living on site during the build to save money. | 0:11:53 | 0:11:57 | |
It means moving things around because we can't have | 0:11:57 | 0:12:00 | |
everything plumbed in at once, so we have to unpl... | 0:12:00 | 0:12:03 | |
If I want to do a load of laundry, I have to un-plumb the dishwasher, | 0:12:03 | 0:12:07 | |
re-plumb the washing machine in, and we've got this | 0:12:07 | 0:12:09 | |
kind of temporary arrangement of waste pipes and buckets and things | 0:12:09 | 0:12:14 | |
under here. So we chop and change, and hope it doesn't leak too much. | 0:12:14 | 0:12:18 | |
Living with a toddler on site isn't easy either. | 0:12:18 | 0:12:21 | |
"Those cables are still live", etc. "Don't play with that saw." | 0:12:21 | 0:12:26 | |
"Take that screwdriver out your mouth." | 0:12:26 | 0:12:29 | |
To add to the pressure, in an attempt to keep costs down even | 0:12:30 | 0:12:33 | |
further, David is trying to do as much of the work as he can himself. | 0:12:33 | 0:12:37 | |
So here we've got the results of last weekend's activity, which | 0:12:37 | 0:12:40 | |
was removing yet another chimney, | 0:12:40 | 0:12:42 | |
which was about 500 bricks and about another 60 rubble sacks | 0:12:42 | 0:12:47 | |
and the loss of another two or 3kg in weight. | 0:12:47 | 0:12:51 | |
Because Lisa and David are trying to save money, Paul and Laurence | 0:12:51 | 0:12:55 | |
have taken on a very different role to Chris and James in Wales. | 0:12:55 | 0:12:58 | |
Now this project is starting on site, we're not really | 0:12:58 | 0:13:01 | |
involved in the project management - David and Lisa | 0:13:01 | 0:13:04 | |
have chosen to take that role themselves. | 0:13:04 | 0:13:07 | |
They understand the drawings | 0:13:07 | 0:13:09 | |
and they understand the sequencing of works on site, so we will | 0:13:09 | 0:13:13 | |
just be there for any support really, that David and Lisa need. | 0:13:13 | 0:13:17 | |
But project managing your own extension, | 0:13:17 | 0:13:19 | |
especially when you're heavily pregnant, isn't easy. | 0:13:19 | 0:13:22 | |
No, I appreciate you're in a sort of difficult position | 0:13:22 | 0:13:26 | |
cos you're in between the two, but, as you can understand, | 0:13:26 | 0:13:29 | |
that wasn't what we agreed when we placed the order, so... | 0:13:29 | 0:13:32 | |
I've just had a call from the doors to say they're going to be | 0:13:32 | 0:13:35 | |
12 days late. | 0:13:35 | 0:13:38 | |
But the problem with the doors is that until the doors are in, | 0:13:38 | 0:13:41 | |
we can't screed the floor, then the screed takes three weeks | 0:13:41 | 0:13:44 | |
to dry. When you put the timber floor down, | 0:13:44 | 0:13:46 | |
you can't put the kitchen units in until the timber floor is down, | 0:13:46 | 0:13:49 | |
so it's going to knock on to everything else. | 0:13:49 | 0:13:51 | |
Project managing their own build means that Lisa | 0:13:51 | 0:13:54 | |
and David are responsible for making sure everything arrives on time | 0:13:54 | 0:13:57 | |
and on budget. | 0:13:57 | 0:13:59 | |
This news could dash any hope | 0:13:59 | 0:14:00 | |
they have of being in before the baby arrives. | 0:14:00 | 0:14:03 | |
Back in the Vale of Glamorgan, things are really taking shape. | 0:14:10 | 0:14:13 | |
Clients Jon and Marianne are building their dream home. | 0:14:13 | 0:14:16 | |
They want a hi tech house that will sit snugly | 0:14:16 | 0:14:18 | |
into the Welsh countryside. | 0:14:18 | 0:14:21 | |
It's November and they need to get the building | 0:14:21 | 0:14:23 | |
watertight before the winter takes hold. | 0:14:23 | 0:14:26 | |
The first step is to give the house a roof, but not any old roof. | 0:14:26 | 0:14:30 | |
Their architect Chris has given them a highly-insulated living roof. | 0:14:30 | 0:14:35 | |
One of the reasons that we love flat roofs, apart from the aesthetic, | 0:14:36 | 0:14:40 | |
the cleanliness of the aesthetic is, | 0:14:40 | 0:14:41 | |
if you've got to have a roof, why not use that space? | 0:14:41 | 0:14:45 | |
It becomes... | 0:14:45 | 0:14:47 | |
It's another floor, a complete new floor | 0:14:47 | 0:14:50 | |
so it makes perfect sense to us always to | 0:14:50 | 0:14:53 | |
get up here and use it. | 0:14:53 | 0:14:57 | |
Laying a watertight flat roof that can take | 0:14:57 | 0:14:59 | |
the weight of a garden takes great skill and care. | 0:14:59 | 0:15:03 | |
But there's another aspect of the build altogether that's bothering | 0:15:05 | 0:15:08 | |
Marianne. | 0:15:08 | 0:15:10 | |
I still haven't chosen the kitchen and it is seriously driving me mad. | 0:15:10 | 0:15:15 | |
Unlike his client, | 0:15:17 | 0:15:18 | |
project designer James knows exactly how the kitchen should look. | 0:15:18 | 0:15:23 | |
In my head and in Chris' head, | 0:15:23 | 0:15:25 | |
the kitchen is designed and it has been for years. | 0:15:25 | 0:15:29 | |
If there was a final decision, | 0:15:29 | 0:15:31 | |
then I think it would be my decision, I think. | 0:15:31 | 0:15:36 | |
But it might not. Maybe it would be James', I don't know. | 0:15:36 | 0:15:39 | |
It's a bank of units and an island. | 0:15:39 | 0:15:42 | |
But Marianne is not convinced. | 0:15:42 | 0:15:44 | |
Flying in the face of James' vision, | 0:15:44 | 0:15:47 | |
she has called in the expertise of kitchen designer Martyn Harris. | 0:15:47 | 0:15:50 | |
He's pushing to do away with James' island and join the work surface | 0:15:50 | 0:15:54 | |
to the wall, cutting off the kitchen from the living area. | 0:15:54 | 0:15:57 | |
It's very difficult to answer whether an architect is, | 0:15:57 | 0:16:01 | |
um... | 0:16:01 | 0:16:02 | |
..really up to speed with what's happening in the kitchen market | 0:16:04 | 0:16:07 | |
and the products and the way in which a kitchen can be designed. | 0:16:07 | 0:16:09 | |
I think kitchens is quite a specialist market, | 0:16:09 | 0:16:12 | |
so whilst they do a fantastic job, equally, you know, it's | 0:16:12 | 0:16:17 | |
probably best to leave kitchen design down to the specialist. | 0:16:17 | 0:16:22 | |
Ultimately, it's going to come down to the clients' decision. | 0:16:22 | 0:16:25 | |
By all means, we'll suggest things | 0:16:25 | 0:16:26 | |
and try to guide people into a situation, | 0:16:26 | 0:16:29 | |
but it is always their house at the end of the day | 0:16:29 | 0:16:32 | |
and, you know, overall, | 0:16:32 | 0:16:35 | |
it won't make too much difference to the project, I tell myself. | 0:16:35 | 0:16:41 | |
Today, Marianne has decided to bring the kitchen battle to the fore. | 0:16:41 | 0:16:45 | |
She's meeting up with both James and Martyn to see if a solution | 0:16:45 | 0:16:48 | |
can be found, even if it takes knocking their heads together. | 0:16:48 | 0:16:52 | |
Martyn's the kitchen designer, and he's passionate | 0:16:52 | 0:16:55 | |
about the kitchen, and James is an architect, but he wants | 0:16:55 | 0:17:00 | |
to have a say in the kitchen as well so I think it will be interesting. | 0:17:00 | 0:17:05 | |
James has been trying to persuade Marianne to have a kitchen island, | 0:17:05 | 0:17:08 | |
whereas designer Martyn had been pushing to join the work surface | 0:17:08 | 0:17:11 | |
into what he likes to call a peninsula. | 0:17:11 | 0:17:14 | |
-Lovely to see you. -Nice to see you. This is Martyn. | 0:17:14 | 0:17:16 | |
-I don't think you've met. -Hi James, nice to meet you. | 0:17:16 | 0:17:19 | |
We've spoke a lot on the phone, but never met. | 0:17:19 | 0:17:21 | |
They may not have met, but James has been e-mailing Martyn, | 0:17:21 | 0:17:24 | |
encouraging him to come up with a compromise. | 0:17:24 | 0:17:26 | |
But James has no idea if his reasoning has fallen on deaf | 0:17:26 | 0:17:29 | |
ears or if Martyn has taken his wish for an island on board. | 0:17:29 | 0:17:33 | |
Is this ending up with a wider island than we had? | 0:17:33 | 0:17:36 | |
-Yes. And that's all doable? -Absolutely. -In one material. | 0:17:36 | 0:17:40 | |
So it's a continent? It's not an island, it's a continent! | 0:17:40 | 0:17:43 | |
Yes, basically. | 0:17:43 | 0:17:45 | |
It's huge, but, I mean, it's fantastic - | 0:17:46 | 0:17:49 | |
it's given you all the work surface space you want. | 0:17:49 | 0:17:51 | |
-Is that a winning point for you? -He's so pleased, look at him! | 0:17:51 | 0:17:56 | |
I am quite happy about that. | 0:17:56 | 0:17:57 | |
-There will be nothing to touch it. -Absolutely. | 0:17:57 | 0:18:00 | |
-It will be the ultimate kitchen... -Yeah. -..in the ultimate home. | 0:18:00 | 0:18:03 | |
-Yeah. Aw, thanks for that, Martyn. -You're welcome, any time. | 0:18:03 | 0:18:05 | |
-Thank you. -We'll catch up again soon. | 0:18:05 | 0:18:07 | |
And the island's not too big that I can't reach the centre of it, is it? | 0:18:07 | 0:18:11 | |
No, I don't think so. | 0:18:11 | 0:18:13 | |
Like I said, I was really confident that, having discussed it with | 0:18:13 | 0:18:17 | |
everyone in the office, that the island was the best way to go. | 0:18:17 | 0:18:20 | |
-It was just making sure that we get... -It was just finding a way | 0:18:20 | 0:18:23 | |
-that we got enough work... -Yeah, exactly, | 0:18:23 | 0:18:24 | |
and to make sure that you get the sink you need | 0:18:24 | 0:18:27 | |
-and everything like that. -Yeah, yeah. It's workable. | 0:18:27 | 0:18:29 | |
OK, see you, then. | 0:18:29 | 0:18:30 | |
It seems James' off-the-book negotiations have averted | 0:18:30 | 0:18:33 | |
a crisis in Wales. | 0:18:33 | 0:18:35 | |
In Winchester, the modern kitchen extension for Lisa and David's | 0:18:37 | 0:18:40 | |
Edwardian house is powering ahead. | 0:18:40 | 0:18:42 | |
Architects Paul and Laurence pride themselves on combining old and new. | 0:18:42 | 0:18:46 | |
Today, they're heading to the Purbecks in Dorset to | 0:18:46 | 0:18:49 | |
look around one of the first projects they completed together - | 0:18:49 | 0:18:52 | |
another modern extension on an old property. | 0:18:52 | 0:18:54 | |
You know, it is nice to do new build houses, | 0:18:54 | 0:18:57 | |
but we did set ourselves out that, you know, | 0:18:57 | 0:19:00 | |
good design should be accessible to everyone | 0:19:00 | 0:19:03 | |
and to do somebody's extension or | 0:19:03 | 0:19:06 | |
re-design somebody's kitchen that could all equally be designed. | 0:19:06 | 0:19:09 | |
The cottage had been converted into two holiday lets. | 0:19:13 | 0:19:16 | |
Paul and Laurence's client wanted to return it to one family home. | 0:19:16 | 0:19:21 | |
The thing that we tried to do was basically just, | 0:19:21 | 0:19:23 | |
with an extension and a refurb, try | 0:19:23 | 0:19:25 | |
and pull the whole building back together so that it flowed | 0:19:25 | 0:19:29 | |
and it could be used by a family, really, as one home. | 0:19:29 | 0:19:33 | |
Paul and Laurence sacrificed a bedroom, | 0:19:35 | 0:19:37 | |
taking out the ceiling and putting in supersized windows to | 0:19:37 | 0:19:40 | |
create a light-filled kitchen-diner with a double-height ceiling space | 0:19:40 | 0:19:44 | |
that links into the new glass extension. | 0:19:44 | 0:19:47 | |
As with all projects, | 0:19:49 | 0:19:51 | |
it becomes about how spaces function, | 0:19:51 | 0:19:55 | |
how you flow from one space to the next, | 0:19:55 | 0:19:57 | |
what the daylight is doing, how the spaces open up onto the garden. | 0:19:57 | 0:20:01 | |
I mean, that was a big key design factor in Winchester. It was | 0:20:01 | 0:20:05 | |
reconnecting the existing house to the garden. | 0:20:05 | 0:20:07 | |
And that's what we've achieved here as well. | 0:20:07 | 0:20:10 | |
Their client paid £610,000 for the cottage | 0:20:10 | 0:20:14 | |
and spent a further £180,000 on the extension and refurbishment, | 0:20:14 | 0:20:18 | |
giving them a traditional home with a twist. | 0:20:18 | 0:20:21 | |
We had a bit of a laugh when we did the table... | 0:20:24 | 0:20:26 | |
..cos... | 0:20:28 | 0:20:30 | |
everyone thought that originally I got the scale wrong. | 0:20:30 | 0:20:34 | |
-I think it's spot-on! -I think it's spot-on. | 0:20:34 | 0:20:37 | |
It's the sort of thing I need in my garden. | 0:20:37 | 0:20:39 | |
I think it's weathered really nicely. | 0:20:41 | 0:20:44 | |
I guess it's completely dictated by how many friends you've got. | 0:20:44 | 0:20:50 | |
Back in Winchester, Paul and Laurence's most recent project | 0:20:50 | 0:20:53 | |
isn't going so smoothly. Because it's a conservation area, they need | 0:20:53 | 0:20:58 | |
planning approval for the exterior wooden cladding Paul has specified | 0:20:58 | 0:21:01 | |
in his designs. | 0:21:01 | 0:21:03 | |
Lisa gives birth in four weeks. | 0:21:03 | 0:21:05 | |
They've just been given the news that it's going to be eight weeks | 0:21:05 | 0:21:08 | |
before they'll get a decision. | 0:21:08 | 0:21:09 | |
Although Paul isn't overseeing the build, | 0:21:09 | 0:21:11 | |
any planning issues are down to him, so he's back on site. | 0:21:11 | 0:21:16 | |
I think it's ridiculous that it's eight weeks. | 0:21:16 | 0:21:18 | |
I spoke to the Planning Officer | 0:21:18 | 0:21:22 | |
and said that you were pressing ahead on site anyway, | 0:21:22 | 0:21:24 | |
regardless, but it is as we have always shown on our drawings. | 0:21:24 | 0:21:28 | |
Backs against the wall, David and Lisa have been forced to take a | 0:21:28 | 0:21:32 | |
risk and put the cladding up without having planning permission in place. | 0:21:32 | 0:21:36 | |
If the planners don't agree to the wooden cladding, it will | 0:21:36 | 0:21:38 | |
have to come down, which would cost this cash-strapped couple a fortune. | 0:21:38 | 0:21:42 | |
It is still a risk though, and it's a risk that we're taking on. | 0:21:42 | 0:21:45 | |
Yeah. | 0:21:45 | 0:21:46 | |
But there's not really anything else we can do here. | 0:21:46 | 0:21:48 | |
The bigger risk is that we don't have the thing | 0:21:48 | 0:21:51 | |
finished for Christmas. | 0:21:51 | 0:21:52 | |
We can't not install the cladding because until the walls are clad, | 0:21:52 | 0:21:56 | |
they could still be getting damp and we can't plaster on the inside. | 0:21:56 | 0:21:59 | |
If we can't plaster, we can't put the floor down. | 0:21:59 | 0:22:01 | |
If we can't put the floor down, we can't install a kitchen and, | 0:22:01 | 0:22:04 | |
-you know... -It delays everything. -Yeah. | 0:22:04 | 0:22:06 | |
It's a frustrating time for everyone, | 0:22:06 | 0:22:08 | |
but a not-uncommon situation for Paul and his partner Laurence. | 0:22:08 | 0:22:12 | |
Fundamentally, I think it's | 0:22:12 | 0:22:15 | |
the people with the design expertise, | 0:22:15 | 0:22:19 | |
visionary thinking, | 0:22:19 | 0:22:21 | |
ultimately don't make those decisions, it goes to somebody | 0:22:21 | 0:22:24 | |
else, and they're just looking at Planning policies. They may | 0:22:24 | 0:22:28 | |
not even have any design education, and they're making the decisions. | 0:22:28 | 0:22:32 | |
So, I think that puts a stop to a lot more sort of forward thinking, | 0:22:32 | 0:22:38 | |
creative architecture and design in this country. | 0:22:38 | 0:22:42 | |
But there is some good news - with a bit of foot stamping from Lisa, | 0:22:42 | 0:22:47 | |
the doors arrive on site, be it eleven days later than scheduled. | 0:22:47 | 0:22:50 | |
That door... One of the edge of the panels between the bi-fold | 0:22:50 | 0:22:54 | |
-doors is right in the middle of the coridoor. -It is. | 0:22:54 | 0:22:57 | |
That is a complete fluke. That's quite good. | 0:22:57 | 0:22:59 | |
It was designed, wasn't it?! That's architecture. | 0:22:59 | 0:23:02 | |
Yes, yeah sorry... That's Paul's specific detail, yeah! | 0:23:02 | 0:23:05 | |
It's the last day where we're going to be so cold, hopefully. | 0:23:08 | 0:23:10 | |
So as of the end of today, if all the doors fit, | 0:23:10 | 0:23:13 | |
we'll be watertight, draught proof. | 0:23:13 | 0:23:16 | |
Still no heating, but it'll be better than basically living outdoors. | 0:23:16 | 0:23:20 | |
-You can still see your breath in here. -Yeah. | 0:23:20 | 0:23:24 | |
A month later and the family are gearing up for Christmas. | 0:23:29 | 0:23:32 | |
-Reindeer! -It is. | 0:23:32 | 0:23:35 | |
# Have a shiny nose! # | 0:23:35 | 0:23:38 | |
David is desperately trying to get the new kitchen installed and | 0:23:38 | 0:23:42 | |
the build finished off before the imminent arrival of baby number two. | 0:23:42 | 0:23:45 | |
-David's been working really hard. -Like a glove. | 0:23:45 | 0:23:48 | |
He's been fitting the kitchen and the appliances | 0:23:48 | 0:23:51 | |
and doing the flooring. | 0:23:51 | 0:23:54 | |
I had this great plan that I was going to help do the floor | 0:23:54 | 0:23:57 | |
cos there's this old wives' tale that scrubbing floors is good | 0:23:57 | 0:23:59 | |
for preparing the baby, to get them into the right position for birth. | 0:23:59 | 0:24:02 | |
I spent about four hours on the first day, which was fine, | 0:24:02 | 0:24:05 | |
and then the second day, I just thought, "Do you know what, | 0:24:05 | 0:24:08 | |
"I can't be doing this!" | 0:24:08 | 0:24:09 | |
We're, what, four weeks away from having another child. | 0:24:09 | 0:24:14 | |
Everything's been focused on getting this finished, | 0:24:14 | 0:24:16 | |
but the focus is going to shift massively very soon. | 0:24:16 | 0:24:21 | |
The race is on to get the build finished in time. | 0:24:21 | 0:24:25 | |
It's been four months since structural engineers | 0:24:30 | 0:24:32 | |
Lisa and David started the building project that would | 0:24:32 | 0:24:35 | |
turn their house into the home of their dreams. | 0:24:35 | 0:24:38 | |
It was always touch and go whether they'd get it | 0:24:38 | 0:24:40 | |
finished in time for the arrival of their new baby. | 0:24:40 | 0:24:42 | |
Their architect Paul is on his way to find out. | 0:24:42 | 0:24:45 | |
-Hi, David. -Afternoon, Paul. -Good to see you. -Come in. -Thank you. | 0:24:46 | 0:24:50 | |
Four months ago, David | 0:24:50 | 0:24:52 | |
and Lisa's house had two small sitting rooms and a cramped kitchen. | 0:24:52 | 0:24:56 | |
Thanks to a final push from David, the build was completed | 0:24:59 | 0:25:02 | |
on schedule and on budget. | 0:25:02 | 0:25:04 | |
They now have a beautiful open-plan sitting room | 0:25:05 | 0:25:08 | |
and a play area where the old kitchen once was. | 0:25:08 | 0:25:11 | |
And down at garden level, their new kitchen with its large glass doors | 0:25:12 | 0:25:16 | |
is full of light. | 0:25:16 | 0:25:17 | |
And it turns out the extension isn't the only new thing in Lisa | 0:25:18 | 0:25:21 | |
and David's life - | 0:25:21 | 0:25:22 | |
baby Ellis has made a well-timed appearance. | 0:25:22 | 0:25:25 | |
So was it all a bit frantic with baby arriving | 0:25:25 | 0:25:28 | |
-and trying to finish the building? -It was really frantic. | 0:25:28 | 0:25:31 | |
I think we got the central heating back about three days | 0:25:31 | 0:25:33 | |
-before he arrived. -Yep. -And did you manage to get everything finalised, | 0:25:33 | 0:25:37 | |
-ready for Christmas? -Yeah. We had Christmas lunch here. | 0:25:37 | 0:25:40 | |
We had our roast turkey in our new oven, in our new kitchen. | 0:25:40 | 0:25:44 | |
Obviously, the kids have got an area where they can play | 0:25:47 | 0:25:50 | |
and we can have a bit more of our own space, but also they can engage | 0:25:50 | 0:25:53 | |
with the outside when it's not quite so wet and windy out there. | 0:25:53 | 0:25:57 | |
And also, extending back, it gave you that connection to the garden. | 0:25:57 | 0:26:03 | |
The way it sits at the lower level is what makes such a big | 0:26:03 | 0:26:06 | |
difference for actually engaging with the garden. | 0:26:06 | 0:26:09 | |
Beforehand, you had to walk out at this point | 0:26:09 | 0:26:12 | |
and then kind of walk down some steps and get into the garden. | 0:26:12 | 0:26:16 | |
-Yeah. -So you didn't feel that connected, whereas now, | 0:26:16 | 0:26:19 | |
although the garden isn't turfed just yet, | 0:26:19 | 0:26:22 | |
you can already feel it coming into your house. | 0:26:22 | 0:26:25 | |
And you get that view right from the moment you walk back there, | 0:26:25 | 0:26:28 | |
where you're aware that you've got this almost slight glimpse | 0:26:28 | 0:26:31 | |
-through to the garden. -It just entices you through. | 0:26:31 | 0:26:33 | |
It gives you a glimpse that there's something beyond this room | 0:26:33 | 0:26:36 | |
that maybe looks a little bit different. | 0:26:36 | 0:26:39 | |
How much time do you spend in this room now? | 0:26:43 | 0:26:46 | |
Lots. Huge amount. | 0:26:46 | 0:26:49 | |
Yeah, yeah. We can sit around the table. | 0:26:49 | 0:26:50 | |
The kids can play down there. I can sit on the sofa. | 0:26:50 | 0:26:53 | |
Someone can cook dinner at the same time, | 0:26:53 | 0:26:55 | |
and it brings together all of those facets into that nice big | 0:26:55 | 0:27:00 | |
social space, which we were always looking for. | 0:27:00 | 0:27:02 | |
So it has changed, doing this work to your house, | 0:27:02 | 0:27:05 | |
it has kind of changed the way you live. | 0:27:05 | 0:27:07 | |
-Completely, yeah. -Yeah, absolutely. | 0:27:07 | 0:27:10 | |
The aspiration of an architect is really to enhance people's | 0:27:11 | 0:27:16 | |
lives and to be able to do that by enhancing the space that | 0:27:16 | 0:27:20 | |
they're living in, it's a good feeling, | 0:27:20 | 0:27:22 | |
when you get that right. | 0:27:22 | 0:27:24 | |
I think that was the biggest | 0:27:24 | 0:27:27 | |
and hardest project we've taken on outside of our jobs. | 0:27:27 | 0:27:30 | |
I find it difficult to say | 0:27:30 | 0:27:32 | |
cos I think having babies is quite hard. It's harder! | 0:27:32 | 0:27:36 | |
-You're putting them in "project" box, are you? -Yeah! | 0:27:36 | 0:27:40 | |
How are you doing on the budget for that one? | 0:27:42 | 0:27:45 | |
The coffee and cake budget is out the window. | 0:27:45 | 0:27:48 | |
The problem now is that the really lovely new bit makes all | 0:27:51 | 0:27:56 | |
the bits we'd already refurbished look like they need doing again. | 0:27:56 | 0:27:59 | |
Oh, does it? Oh, no, don't say that! | 0:27:59 | 0:28:02 | |
-Really?! -Well, maybe, yeah. -Oh, dear. | 0:28:03 | 0:28:06 | |
That's not what I wanted to hear! | 0:28:08 | 0:28:11 | |
Next time, an ugly '80's house gets a total facelift. | 0:28:15 | 0:28:19 | |
It was the most un-modernised house that we'd seen. | 0:28:19 | 0:28:23 | |
And in Wales, disaster strikes. | 0:28:23 | 0:28:25 | |
We've had some bad news. | 0:28:25 | 0:28:27 | |
Unfortunately, Marianne is now in hospital. | 0:28:27 | 0:28:32 |