Browse content similar to Jaimelee and Lee/Suzanne and Antonio. Check below for episodes and series from the same categories and more!
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Across the nation, our homes are too small... | 0:00:02 | 0:00:04 | |
I can't find space to put my dishes on. | 0:00:04 | 0:00:07 | |
..too dark... | 0:00:07 | 0:00:08 | |
It doesn't feel very happy and relaxing. | 0:00:08 | 0:00:11 | |
..and don't fit our needs. | 0:00:11 | 0:00:13 | |
The only time we have enough space is when we eat outside. | 0:00:13 | 0:00:17 | |
'I'm Piers Taylor | 0:00:17 | 0:00:19 | |
'and I've hand-picked a team a of experts to transform ordinary people's homes. | 0:00:19 | 0:00:26 | |
'From bold changes...' | 0:00:26 | 0:00:27 | |
So this is really expensive. | 0:00:27 | 0:00:29 | |
You're going to do something that costs a lot less. | 0:00:29 | 0:00:31 | |
'..to stunning interior ideas and finishing touches.' | 0:00:31 | 0:00:36 | |
I love this. | 0:00:36 | 0:00:37 | |
-Ah, straight into it. -This is beautiful. | 0:00:37 | 0:00:40 | |
Together, we'll expand the micro-budget ideas from The House That 100K Built | 0:00:40 | 0:00:44 | |
to show you what's possible in any home... | 0:00:44 | 0:00:49 | |
Why didn't we think of that? | 0:00:49 | 0:00:51 | |
..and on any budget. | 0:00:51 | 0:00:52 | |
This is really simple. | 0:00:52 | 0:00:54 | |
This is not designer shelving. | 0:00:54 | 0:00:57 | |
'We'll need every trick of the trade, | 0:00:57 | 0:00:59 | |
'whether we're designing furniture...' | 0:00:59 | 0:01:02 | |
All of that is really just five long scaffold boards. | 0:01:02 | 0:01:04 | |
'..to choosing the right paint to go on the walls...' | 0:01:05 | 0:01:08 | |
But if it's dark and outside it's bright, it will reflect the outside. | 0:01:08 | 0:01:12 | |
'..to prove a limit on your funds...' | 0:01:12 | 0:01:15 | |
You know, this stuff's free. | 0:01:15 | 0:01:17 | |
'..does not mean a limit on your dreams. | 0:01:17 | 0:01:19 | |
This is amazing. I mean, really amazing. | 0:01:19 | 0:01:21 | |
This time, I'm faced with an exceptional challenge. | 0:01:23 | 0:01:27 | |
A disastrous extension that's already defeated its owners. | 0:01:27 | 0:01:32 | |
We've just gone stagnant. We're stuck. | 0:01:32 | 0:01:35 | |
'But will they be willing to take a punt on alternative ideas | 0:01:35 | 0:01:38 | |
'that you won't find on the high street?' | 0:01:38 | 0:01:41 | |
-So what do you reckon? -Looks too plain. | 0:01:41 | 0:01:44 | |
'Meanwhile, change is long overdue for this dilapidated | 0:01:44 | 0:01:48 | |
'and claustrophobic flat.' | 0:01:48 | 0:01:50 | |
It's very challenging to live in house that doesn't fit. | 0:01:50 | 0:01:52 | |
Can it be turned into a spacious and serene family home? | 0:01:52 | 0:01:56 | |
There could be some bad news to be delivered here. | 0:01:56 | 0:01:59 | |
Our first couple this week, Jaimelee and her partner, Lee, | 0:02:12 | 0:02:15 | |
bought their three-bed semi in Sutton Coldfield in 2011, | 0:02:15 | 0:02:19 | |
with plans to turn it into a spacious family home. | 0:02:19 | 0:02:22 | |
The layout didn't work. | 0:02:24 | 0:02:25 | |
We didn't use a lot of rooms, like, we didn't use the back living room. | 0:02:25 | 0:02:29 | |
Everywhere you went there was like a wall in the way. | 0:02:29 | 0:02:32 | |
Lee's a builder by trade, so he did have the skills to rip out walls | 0:02:33 | 0:02:37 | |
and build a large extension on the back, but he didn't have a plan. | 0:02:37 | 0:02:41 | |
We've never had really a vision to do what we are doing. | 0:02:41 | 0:02:46 | |
We're just kind of improvising as we go along. | 0:02:46 | 0:02:48 | |
Sometimes I wish I hadn't started. | 0:02:49 | 0:02:51 | |
But now we've got to the stage where I've, you know, I've gone too far. | 0:02:51 | 0:02:55 | |
Two years since work began, the family are trapped, | 0:02:55 | 0:02:58 | |
living in a building site. | 0:02:58 | 0:03:00 | |
-Just a total struggle, isn't it? -Mm. | 0:03:00 | 0:03:03 | |
We haven't got a cooker, we've got a microwave and a toaster. | 0:03:03 | 0:03:06 | |
-An outside tap. -SHE LAUGHS | 0:03:06 | 0:03:08 | |
The kids just wants to run around, enjoy themselves, | 0:03:08 | 0:03:11 | |
but it's difficult on a building site, really. | 0:03:11 | 0:03:14 | |
We've just gone stagnant. | 0:03:14 | 0:03:16 | |
We're stuck. | 0:03:17 | 0:03:18 | |
I'm on my way to meet Jaimelee and Lee and the biggest surprise | 0:03:25 | 0:03:28 | |
for me is that Lee has started major structural work | 0:03:28 | 0:03:32 | |
without any clear idea around what this extension is going to be like. | 0:03:32 | 0:03:36 | |
The very first rule when designing your home is to consider how | 0:03:37 | 0:03:41 | |
you're going to use the space, long before you start changing it. | 0:03:41 | 0:03:45 | |
-Hello. -Hi, Jaimelee. Nice to meet you. | 0:03:45 | 0:03:48 | |
Ignore this and you could end up with badly planned spaces | 0:03:48 | 0:03:51 | |
that don't suit how you want to live. | 0:03:51 | 0:03:53 | |
-This is it? -Yeah. | 0:03:54 | 0:03:55 | |
So tell me what you're struggling with here. | 0:03:55 | 0:03:58 | |
We're struggling with the layout. | 0:03:58 | 0:04:01 | |
Wouldn't you work that out before you build an extension, typically? | 0:04:01 | 0:04:04 | |
Um, We've never really known what we wanted to do. | 0:04:04 | 0:04:07 | |
Tell me, what in your mind are you planning to use this for? | 0:04:07 | 0:04:12 | |
Somewhere for the kids to be while we're cooking and... | 0:04:12 | 0:04:15 | |
-And where does your kitchen table go? -I don't want a table. | 0:04:15 | 0:04:18 | |
Because to me, | 0:04:18 | 0:04:19 | |
you have a table and you end up just putting clothes on it or junk. | 0:04:19 | 0:04:24 | |
I think the modern way today, I would say | 0:04:24 | 0:04:27 | |
a lot of people eat while watching telly or talking, sitting on the sofa. | 0:04:27 | 0:04:31 | |
Jaime, do you feed your kids on their laps in front of the telly? | 0:04:31 | 0:04:34 | |
-No. -Right. | 0:04:34 | 0:04:36 | |
-I don't want the kitchen... -So there's already some big difference | 0:04:36 | 0:04:40 | |
of opinion about something pretty small, which is a dining table. | 0:04:40 | 0:04:43 | |
I think the biggest surprise for me | 0:04:47 | 0:04:49 | |
is that they don't really know how they want to live. | 0:04:49 | 0:04:52 | |
It's all chaotic and up for grabs. | 0:04:52 | 0:04:55 | |
There's nothing to start building anything from. | 0:04:55 | 0:04:57 | |
I need to help them with everything here, | 0:04:59 | 0:05:01 | |
from structural moves to exterior cladding and final finishes. | 0:05:01 | 0:05:05 | |
But after years of unfocused spending, | 0:05:05 | 0:05:08 | |
they've not got a lot left to fix the house. | 0:05:08 | 0:05:11 | |
So far, we've spent around the £20,000 mark. | 0:05:11 | 0:05:15 | |
Realistically, I'd say about 10,000 to finish the extension. | 0:05:15 | 0:05:20 | |
But they're able to spend more if it gives them what they want. | 0:05:21 | 0:05:25 | |
If you leave it too long, the kids will have grown up | 0:05:25 | 0:05:28 | |
and we're still living in a shell. | 0:05:28 | 0:05:30 | |
If you want to create a home that suits your family, | 0:05:30 | 0:05:33 | |
you need to agree on some common ground. | 0:05:33 | 0:05:35 | |
So I've got a test to flush out the real priorities. | 0:05:35 | 0:05:39 | |
The pair of you aren't quite singing from the same sheet, | 0:05:39 | 0:05:43 | |
so here's a little bit of paper. | 0:05:43 | 0:05:45 | |
Could you just write down for me here, 1-100, how important is it | 0:05:45 | 0:05:49 | |
that you have a table where you can get six chairs around? | 0:05:49 | 0:05:53 | |
OK. | 0:05:53 | 0:05:54 | |
-What do you think that Jaime has written? -90% or 100%. -OK. | 0:05:58 | 0:06:02 | |
-And what do you think...? -It'll be 38% or something like that. -That's really not bad. | 0:06:02 | 0:06:07 | |
-That really isn't bad. So, 28, actually. -Oh. | 0:06:07 | 0:06:10 | |
Even lower. And 100. | 0:06:10 | 0:06:12 | |
-If I was dead against it, my answer to that would be zero. -Yeah, OK. | 0:06:12 | 0:06:17 | |
-So I haven't necessarily got a problem having an area. -Sure. | 0:06:17 | 0:06:22 | |
-It's what happens to the other things you need? -Yes. | 0:06:22 | 0:06:25 | |
I want a beautiful kitchen, nice big space, got somewhere really nice | 0:06:25 | 0:06:29 | |
and cosy to sit, but we've got the great views in the summer | 0:06:29 | 0:06:32 | |
when we open the doors. | 0:06:32 | 0:06:33 | |
That's a lot clearer and easier for me to understand. | 0:06:33 | 0:06:38 | |
You clearly need a kitchen table but sounds like, Lee, you don't | 0:06:38 | 0:06:42 | |
want it to dominate the rest of the house. | 0:06:42 | 0:06:44 | |
And I think you need to be quite bold in order to get this to work, | 0:06:44 | 0:06:48 | |
and if you're not bold, | 0:06:48 | 0:06:49 | |
I think you'll end up living in what feels like a compromise. | 0:06:49 | 0:06:52 | |
Making an open-plan layout work is actually one of the hardest | 0:06:56 | 0:06:59 | |
design challenges to get right. | 0:06:59 | 0:07:02 | |
The first job here is to start making this space fit their needs. | 0:07:02 | 0:07:06 | |
I think the key is to create three distinct areas | 0:07:06 | 0:07:09 | |
for cooking, dining and relaxing. | 0:07:09 | 0:07:12 | |
To make the most of the area at the back of the house, | 0:07:12 | 0:07:15 | |
I think they should square off this porch and utility room. | 0:07:15 | 0:07:18 | |
This would give them a spacious kitchen with an island | 0:07:18 | 0:07:21 | |
and that all-important family table. | 0:07:21 | 0:07:24 | |
To make this more than just a dumping ground, | 0:07:24 | 0:07:26 | |
the table must become the heart of their home, | 0:07:26 | 0:07:29 | |
a special place the family won't want to leave. | 0:07:29 | 0:07:32 | |
And the naturally darker section in the middle of the house | 0:07:32 | 0:07:35 | |
should become an intimate snug, centred around a fireplace. | 0:07:35 | 0:07:39 | |
But to achieve all this, | 0:07:39 | 0:07:41 | |
Lee will need to unpick two years of big structural changes. | 0:07:41 | 0:07:45 | |
Tell me what you think about doing that? | 0:07:47 | 0:07:50 | |
Just flows more. It works. | 0:07:50 | 0:07:53 | |
I can see it working, it's now me trying to... | 0:07:53 | 0:07:57 | |
-Build it. -Yeah. -OK. | 0:07:57 | 0:08:00 | |
-No pressure then. -So you want me to alter... -Hang on, hang on. | 0:08:01 | 0:08:05 | |
I think that Jaime wants you to alter... | 0:08:05 | 0:08:08 | |
I want you to stop looking at it and thinking, "Oh, the work." | 0:08:08 | 0:08:12 | |
Yeah, OK, honestly, I do look at it and think, | 0:08:12 | 0:08:15 | |
"Well, there's quite a bit there." | 0:08:15 | 0:08:17 | |
-But it's weeks of hell for 40 years of gain. -Yeah. | 0:08:17 | 0:08:21 | |
'Indecision has plagued this build. | 0:08:22 | 0:08:25 | |
'I only hope I've given them enough focus to realise there's | 0:08:26 | 0:08:29 | |
'an incredible family home within their reach.' | 0:08:29 | 0:08:31 | |
Just four days later, the build gets under way. | 0:08:38 | 0:08:42 | |
Lee starts by constructing a wall to square off the back of the house. | 0:08:42 | 0:08:46 | |
Any significant work that we do to our homes must be approved | 0:08:46 | 0:08:49 | |
and signed off by Building Control. | 0:08:49 | 0:08:52 | |
I need to kind of build up the wall, | 0:08:52 | 0:08:54 | |
and once that's kind of done, I can concentrate on taking | 0:08:54 | 0:08:57 | |
walls down inside to open up into this space. | 0:08:57 | 0:09:01 | |
But as I've only got the weekends to work on it, | 0:09:01 | 0:09:03 | |
just a Sunday, really, | 0:09:03 | 0:09:05 | |
then I'm going as much as I can in the time I've got. | 0:09:05 | 0:09:08 | |
This is all familiar territory for Lee, | 0:09:10 | 0:09:12 | |
but I want to push him on the interior design | 0:09:12 | 0:09:15 | |
and I've got a building in mind that is packed full | 0:09:15 | 0:09:17 | |
of extraordinary ideas. | 0:09:17 | 0:09:19 | |
As your life changes, your needs evolve | 0:09:24 | 0:09:27 | |
and family space becomes really important. | 0:09:27 | 0:09:30 | |
But when you're designing a family space, | 0:09:30 | 0:09:32 | |
often there are conflicting needs and conflicting pressures. | 0:09:32 | 0:09:35 | |
Jaimelee and Lee aren't the only people feeling that pressure. | 0:09:35 | 0:09:39 | |
In north-west London, civil servant Suzanne is desperate for change. | 0:09:40 | 0:09:45 | |
Life in her flat with husband, sales advisor Antonio | 0:09:45 | 0:09:48 | |
and two-year-old daughter Sophia, is tough. | 0:09:48 | 0:09:51 | |
When I moved in here, it was a bachelorette pad. | 0:09:52 | 0:09:55 | |
As our relationship progressed, we started living together. | 0:09:55 | 0:10:00 | |
Sophia... | 0:10:00 | 0:10:01 | |
Then, I suddenly realised that the flat was great for me, | 0:10:01 | 0:10:09 | |
but might not be great when I'm looking to build that family. | 0:10:09 | 0:10:13 | |
It's very challenging to live in a house that doesn't fit. | 0:10:15 | 0:10:18 | |
All the rooms come off one corridor. | 0:10:20 | 0:10:22 | |
So the first problem is that Suzanne can't keep an eye on her daughter. | 0:10:22 | 0:10:26 | |
I would love to be able to be in the kitchen and still see Sophia | 0:10:28 | 0:10:32 | |
if she's playing in the lounge. | 0:10:32 | 0:10:34 | |
It's making the day to day running of the home more cumbersome, | 0:10:35 | 0:10:39 | |
because I've always got to check on Sophia. | 0:10:39 | 0:10:42 | |
Next is the small, dilapidated bathroom. | 0:10:42 | 0:10:45 | |
The bathroom, at the moment, is not working for us. | 0:10:47 | 0:10:49 | |
It's not practical for our way of life. | 0:10:49 | 0:10:53 | |
I believe my wife would like to have a space | 0:10:53 | 0:10:56 | |
where she could actually get a little bit of pampering. | 0:10:56 | 0:11:00 | |
In desperation, they brought a bath months ago. | 0:11:01 | 0:11:04 | |
But Suzanne and Antonio can't agree on a new layout. | 0:11:04 | 0:11:08 | |
So it's abandoned in Sophia's bedroom. | 0:11:08 | 0:11:10 | |
SHE LAUGHS | 0:11:12 | 0:11:13 | |
Look at it! It's not practical. | 0:11:13 | 0:11:15 | |
I mean, I justify it because it's temporary. | 0:11:15 | 0:11:20 | |
But it's awkward. | 0:11:20 | 0:11:21 | |
Beyond awkward. | 0:11:21 | 0:11:22 | |
Helping me transform these homes are my hand-picked team of architects. | 0:11:27 | 0:11:31 | |
Each challenged to create extraordinary spaces | 0:11:31 | 0:11:34 | |
with ordinary budgets. | 0:11:34 | 0:11:36 | |
And taking on the challenge of Suzanne and Antonio's flat | 0:11:37 | 0:11:41 | |
is Gurmeet Sian. | 0:11:41 | 0:11:42 | |
-Hi, I'm Gurmeet. -How are you doing? Nice to meet you. | 0:11:45 | 0:11:48 | |
-Hello. -Antonio. My wife, Suzanne. | 0:11:48 | 0:11:50 | |
-Suzanne, lovely to meet you. I'm Gurmeet. -Thanks for coming. | 0:11:50 | 0:11:53 | |
Great to be here. | 0:11:53 | 0:11:54 | |
Show me around. | 0:11:54 | 0:11:55 | |
-Yes. -Wow. | 0:11:58 | 0:11:59 | |
So, this is the bathroom that we need to do. | 0:11:59 | 0:12:01 | |
It's a tight space, yes. | 0:12:01 | 0:12:03 | |
I'm quite surprised how small it is. | 0:12:03 | 0:12:06 | |
There's exposed pipework here and you want to sort that out. | 0:12:06 | 0:12:10 | |
Messy exposed pipes and a grid of tiles on the walls and floor | 0:12:12 | 0:12:15 | |
make it feel smaller, as does poor lighting. | 0:12:15 | 0:12:18 | |
Bathrooms are often the smallest room in the house, | 0:12:18 | 0:12:21 | |
and Gurmeet will need to find tricks to make this feel bigger. | 0:12:21 | 0:12:25 | |
What kind of space do you want this to be for you? | 0:12:25 | 0:12:28 | |
I want to feel relaxed, chilled, calm, serene. | 0:12:28 | 0:12:33 | |
Sophia needs a bath and I want this to be a pampering space. | 0:12:33 | 0:12:37 | |
I want this to be... | 0:12:37 | 0:12:39 | |
-It's going to be your special spiritual temple to Suzanne. -Yeah! | 0:12:39 | 0:12:44 | |
But to make this a relaxing haven, | 0:12:44 | 0:12:46 | |
Gurmeet needs to find enough space for a bath in this tiny room. | 0:12:46 | 0:12:50 | |
The next problem to tackle is the flat layout. | 0:12:50 | 0:12:54 | |
It's strange, because it's actually a really generously sized flat. | 0:12:54 | 0:12:58 | |
And you have a really nice corridor. | 0:12:58 | 0:13:00 | |
But because there's no relationship in terms of views | 0:13:00 | 0:13:03 | |
or line of sight, | 0:13:03 | 0:13:04 | |
it makes the flat look a little bit smaller than what it is. | 0:13:04 | 0:13:07 | |
So the challenge is trying to work out where we can find little areas | 0:13:07 | 0:13:11 | |
where we can get a glimpse of something else. | 0:13:11 | 0:13:14 | |
They have £10,000 in savings to make this flat work for the family. | 0:13:15 | 0:13:20 | |
But how do you make it feel bigger | 0:13:20 | 0:13:21 | |
when you can't extend in any direction? | 0:13:21 | 0:13:24 | |
Gurmeet needs to look at everything, from the furniture... | 0:13:24 | 0:13:28 | |
These settees are dominating this is based. | 0:13:28 | 0:13:31 | |
..to hidden corners. | 0:13:31 | 0:13:32 | |
Oh, my word! | 0:13:32 | 0:13:33 | |
We need to bring this cupboard back into the life of the flat. | 0:13:33 | 0:13:37 | |
As one of London's most exciting young architects, | 0:13:37 | 0:13:40 | |
Gurmeet is well placed to make the most out of small spaces. | 0:13:40 | 0:13:44 | |
But this is an extremely tight budget. | 0:13:44 | 0:13:46 | |
Any home renovation gets expensive quick. | 0:13:48 | 0:13:51 | |
But Suzanne and Antonio may have already wasted money. | 0:13:51 | 0:13:54 | |
Just my own mind, how long this bath is... | 0:13:54 | 0:13:58 | |
I don't think it's going to fit. | 0:13:59 | 0:14:02 | |
Moment of truth. | 0:14:02 | 0:14:03 | |
Ah. | 0:14:05 | 0:14:06 | |
There could be some bad news to be delivered here. | 0:14:06 | 0:14:09 | |
The one thing that really struck me is how the bath is currently here, | 0:14:11 | 0:14:16 | |
and the idea is to get it into this room now. | 0:14:16 | 0:14:20 | |
Now, I know that that bath doesn't fit into that room at the moment. | 0:14:20 | 0:14:23 | |
Right. | 0:14:23 | 0:14:25 | |
Which I know you perhaps don't want to hear. | 0:14:25 | 0:14:27 | |
No. I'm sorry! | 0:14:27 | 0:14:30 | |
Did you measure? | 0:14:30 | 0:14:33 | |
We'll have to dig in a little bit into the wall. | 0:14:33 | 0:14:35 | |
You may have to dig in a little bit more than you think into the wall. | 0:14:35 | 0:14:40 | |
I think that a potential for this bathroom to become the luxury room | 0:14:40 | 0:14:46 | |
that you dream of is to make this storeroom part of this bathroom, | 0:14:46 | 0:14:51 | |
as in make this bathroom bigger. | 0:14:51 | 0:14:53 | |
OK. | 0:14:53 | 0:14:54 | |
This is actually opening new horizons. | 0:14:54 | 0:14:56 | |
That's great news, though. | 0:14:56 | 0:14:57 | |
Yeah, it's sounding good to me. | 0:14:57 | 0:15:00 | |
Knocking through to the cupboard will almost double the size | 0:15:00 | 0:15:04 | |
of the bathroom, allowing the bath to fit underneath the window. | 0:15:04 | 0:15:07 | |
Bringing more light into any space will help it feel bigger, | 0:15:08 | 0:15:11 | |
so Gurmeet suggests replacing the cupboard door with a window, | 0:15:11 | 0:15:14 | |
improving the bathroom AND the dark hallway. | 0:15:14 | 0:15:17 | |
His next idea is a bold one. | 0:15:18 | 0:15:20 | |
We can have some kind of opening between this kitchen | 0:15:20 | 0:15:26 | |
and this wall, so that not only can you see from room to room, | 0:15:26 | 0:15:30 | |
but actually, when you're stood here, | 0:15:30 | 0:15:32 | |
you'll get a glimpse all the way through that kitchen window, | 0:15:32 | 0:15:35 | |
which is quite a powerful vision, actually. | 0:15:35 | 0:15:38 | |
I'm seeing that working, actually. | 0:15:38 | 0:15:40 | |
-Yeah. -Look at your face! You're excited about that! | 0:15:40 | 0:15:44 | |
The kitchen hatch is an idea that has fallen out of fashion, | 0:15:45 | 0:15:49 | |
but it could transform this flat. | 0:15:49 | 0:15:52 | |
I don't suggest that this becomes a place that | 0:15:52 | 0:15:54 | |
you can actually walk through. | 0:15:54 | 0:15:56 | |
I can picture it, it'd be lovely. | 0:15:56 | 0:15:58 | |
Um... | 0:15:58 | 0:15:59 | |
There's a question in my mind about budget. | 0:15:59 | 0:16:03 | |
It's going to be tricky and a real challenge, | 0:16:04 | 0:16:07 | |
but I do think that it can be done. | 0:16:07 | 0:16:10 | |
Gurmeet's ideas have gone down well | 0:16:12 | 0:16:14 | |
but it's up to the couple to come up with a final plan they agree on. | 0:16:14 | 0:16:18 | |
Having got the relevant permissions to change the flat, | 0:16:20 | 0:16:23 | |
the builders start work on the bathroom. | 0:16:23 | 0:16:26 | |
Gurmeet's recommended gutting it completely and starting again, | 0:16:27 | 0:16:31 | |
with the new enlarged space that includes the covered area. | 0:16:31 | 0:16:34 | |
But whilst at work, Antonio has second thoughts over the layout | 0:16:37 | 0:16:41 | |
and stops the builders a few hours in. | 0:16:41 | 0:16:44 | |
Suzanne arrives home to find a job half done. | 0:16:46 | 0:16:49 | |
Oh, my! | 0:16:50 | 0:16:52 | |
OK. Oh, gosh. | 0:16:52 | 0:16:54 | |
Oh, dear. | 0:16:55 | 0:16:56 | |
It's not a good start. | 0:16:57 | 0:16:59 | |
The builders were all ready to go today. | 0:16:59 | 0:17:02 | |
And then Antonio had his reservations. | 0:17:04 | 0:17:08 | |
SHE SIGHS | 0:17:10 | 0:17:12 | |
He's a man that needs time to think... | 0:17:12 | 0:17:14 | |
..and needs to visualise it, but we can't turn back now. | 0:17:15 | 0:17:19 | |
We've got no bathroom, so we need to just face up and get on with it now. | 0:17:19 | 0:17:25 | |
Tonight will be the night for him to make a decision. | 0:17:25 | 0:17:28 | |
Over the last three weeks Lee has opened up the back | 0:17:35 | 0:17:38 | |
of the house to create space for their new family kitchen diner. | 0:17:38 | 0:17:42 | |
Jamielee and Lee have been lost in a world of | 0:17:43 | 0:17:46 | |
conventional domestic back extensions. | 0:17:46 | 0:17:49 | |
But I need to blow their mind with something that's | 0:17:49 | 0:17:52 | |
way out of the ordinary, that's way beyond what they've already seen, | 0:17:52 | 0:17:55 | |
and encourage them to really be quite radical with their own space. | 0:17:55 | 0:17:59 | |
So I'm taking them to a place full of fresh ideas | 0:17:59 | 0:18:02 | |
for the inside AND the outside of their home. | 0:18:02 | 0:18:05 | |
Nestled into a hillside, | 0:18:08 | 0:18:10 | |
this misshapen studio is as far as you can get | 0:18:10 | 0:18:13 | |
from the typical four walls and a roof and a bog-standard finish. | 0:18:13 | 0:18:17 | |
Myrtle Cottage Garden Studio was built for £150,000. | 0:18:19 | 0:18:24 | |
So immediately you can see it sits very beautifully in this bit of landscape, doesn't it? | 0:18:25 | 0:18:29 | |
-It does, yes. -But it's a very modern building. -Yes. | 0:18:29 | 0:18:32 | |
What I like is the earthy kind of colour. | 0:18:32 | 0:18:34 | |
So this is patinated copper, that actually is amazingly beautiful. | 0:18:34 | 0:18:38 | |
If you feel that, it doesn't feel like you think it would. | 0:18:38 | 0:18:41 | |
No, it feels smooth compared to... | 0:18:41 | 0:18:43 | |
-I actually thought it would feel a bit more rough. -Me too. | 0:18:43 | 0:18:45 | |
-How about you, Jamielee, what do you think? -I like this. | 0:18:45 | 0:18:48 | |
This is quite a bold statement. | 0:18:48 | 0:18:49 | |
And I need to kind of get past that and kind of look at | 0:18:49 | 0:18:53 | |
different options and what kind of materials we can use. | 0:18:53 | 0:18:57 | |
'The patinated copper is a premium product | 0:18:57 | 0:18:59 | |
'and this exterior cost over £14,000.' | 0:18:59 | 0:19:03 | |
The labour element of this, cos it's quite a specialist thing, | 0:19:03 | 0:19:06 | |
is expensive, but actually | 0:19:06 | 0:19:07 | |
there's no reason that you couldn't find something you can do. | 0:19:07 | 0:19:10 | |
I think the finish is great, and I definitely think it'd be | 0:19:10 | 0:19:14 | |
something we could possibly work with on the house. | 0:19:14 | 0:19:17 | |
So, nothing about this space is conventional. | 0:19:23 | 0:19:26 | |
There's no regular walls. | 0:19:26 | 0:19:28 | |
All the windows are at an angle. | 0:19:28 | 0:19:30 | |
Everything's been thought through. So what do you think? | 0:19:30 | 0:19:33 | |
It's not normal and that's what's nice about it. | 0:19:33 | 0:19:35 | |
-There's just this great quality of space, isn't there? -Yes. | 0:19:35 | 0:19:38 | |
'I want to unpick the tricks that have been used in this small space.' | 0:19:39 | 0:19:43 | |
So this floor is very beautiful, isn't it? | 0:19:44 | 0:19:46 | |
This is a dark concrete, so this has a pigment in it. | 0:19:46 | 0:19:49 | |
I like the floor. | 0:19:49 | 0:19:51 | |
I had my eyes on that when we walked in. | 0:19:51 | 0:19:53 | |
'Polished concrete flooring like this costs from around | 0:19:53 | 0:19:56 | |
'£100 per square metre | 0:19:56 | 0:19:58 | |
'and it's the dark, reflective finish that works so well. | 0:19:58 | 0:20:01 | |
'You could achieve a similar look for less by using | 0:20:01 | 0:20:04 | |
'concrete-effect ceramic tiles or even floor paint.' | 0:20:04 | 0:20:08 | |
And with the colours and the contrast between the wood, | 0:20:08 | 0:20:11 | |
goes really well as well. | 0:20:11 | 0:20:13 | |
This one material that wraps this back wall is very nice. | 0:20:13 | 0:20:17 | |
This is oak floorboards cut down in half and then roughed up. | 0:20:17 | 0:20:22 | |
Wood on the walls adds texture and evokes a feeling of warmth | 0:20:23 | 0:20:27 | |
far beyond what could be achieved with just paint. | 0:20:27 | 0:20:30 | |
But it's nice with this black reveal | 0:20:31 | 0:20:33 | |
that goes into where the wood burner is. | 0:20:33 | 0:20:35 | |
-Yes, that makes it feel a big space. -It does. | 0:20:35 | 0:20:38 | |
I like the window seat with the glass above. | 0:20:38 | 0:20:42 | |
-It's beautiful, isn't it? -Yes. | 0:20:42 | 0:20:44 | |
And it's beautiful the way this oak goes all the way up to that glass. | 0:20:44 | 0:20:47 | |
It just lets so much light in. | 0:20:47 | 0:20:50 | |
'Stonewood Design have carefully planned every inch of this space. | 0:20:51 | 0:20:55 | |
'The best spot for a stove is always at the heart of a room. | 0:20:56 | 0:21:00 | |
'Here a snug seat has been placed alongside. | 0:21:00 | 0:21:03 | |
'A desk then runs the full length of the studio, | 0:21:03 | 0:21:06 | |
'creating a place to sit and work, or simply enjoy the views.' | 0:21:06 | 0:21:10 | |
This is the same material as the wall the other side, | 0:21:10 | 0:21:13 | |
just polished instead of being left rough. | 0:21:13 | 0:21:15 | |
So this has been really expensive. | 0:21:15 | 0:21:17 | |
You're going to do something that costs a lot less, | 0:21:17 | 0:21:19 | |
but actually you could end up, because of your knowledge | 0:21:19 | 0:21:22 | |
and your skill, doing something that was equally polished. | 0:21:22 | 0:21:24 | |
It's definitely given me some thought of, you know, what I can do. | 0:21:24 | 0:21:28 | |
It's just kind of putting it into practice now and experimenting. | 0:21:28 | 0:21:33 | |
So this is a beautiful secret room. | 0:21:34 | 0:21:36 | |
'Adding a few surprises to your home is a great way to add interest | 0:21:38 | 0:21:42 | |
'and fun. The perfect place to do it is often a small bathroom. | 0:21:42 | 0:21:45 | |
'Here they've used polished copper as a total contrast | 0:21:47 | 0:21:50 | |
'to the pale wood outside. | 0:21:50 | 0:21:52 | |
'You could easily achieve a similar look with metallic paint.' | 0:21:52 | 0:21:56 | |
The natural colour is really nice. | 0:21:57 | 0:22:01 | |
And you just get that natural light there, which is just enough. | 0:22:01 | 0:22:04 | |
'I need to find a way to bring some of the tricks seen here | 0:22:05 | 0:22:08 | |
'into Jamielee and Lee's extension. | 0:22:08 | 0:22:11 | |
'Finding low-cost materials will be key, | 0:22:11 | 0:22:13 | |
'but I also need to ensure that the all-important family seating area | 0:22:13 | 0:22:17 | |
'doesn't end up as a dumping ground.' | 0:22:17 | 0:22:19 | |
This is a beautiful place to sit and linger, isn't it? | 0:22:19 | 0:22:22 | |
With that sky above us and the view beyond. | 0:22:22 | 0:22:25 | |
-It is, it's lovely. -Nice and peaceful. | 0:22:25 | 0:22:27 | |
Has it changed your perspective, coming here, | 0:22:27 | 0:22:29 | |
in terms of what you might do at your place? | 0:22:29 | 0:22:31 | |
100%. It's inspiring. | 0:22:31 | 0:22:33 | |
Even sitting here with the woodwork and using the same material but in | 0:22:33 | 0:22:36 | |
a different way, this has definitely opened my eyes about what we can do. | 0:22:36 | 0:22:40 | |
I think you now need to become experimental with | 0:22:40 | 0:22:42 | |
what you do with the actual space, | 0:22:42 | 0:22:44 | |
but also then the materials you use to define that space. | 0:22:44 | 0:22:48 | |
'It's been amazing seeing them really come alive and get this, | 0:22:50 | 0:22:53 | |
'and really understand why this building is so good.' | 0:22:53 | 0:22:56 | |
I was worried that Lee would be quite defensive about | 0:22:56 | 0:22:59 | |
his own work, but actually he's so open-minded, | 0:22:59 | 0:23:02 | |
and seeing the lessons in this building, | 0:23:02 | 0:23:06 | |
really understood how he needed to move his own game on. | 0:23:06 | 0:23:09 | |
Back in north London, weeks have passed, | 0:23:15 | 0:23:18 | |
and there's still no firm decision | 0:23:18 | 0:23:20 | |
on the final design for the bathroom. | 0:23:20 | 0:23:22 | |
I showed you all these pictures yesterday - | 0:23:22 | 0:23:25 | |
why am I having to show you all these things again? | 0:23:25 | 0:23:28 | |
-Because you change your mind. -You are so wrong! | 0:23:28 | 0:23:31 | |
-I'm not changing my mind. -Yes, you do. | 0:23:33 | 0:23:36 | |
Antonio, what has been happening is I've made a decision, | 0:23:36 | 0:23:39 | |
I've talked to you about it. | 0:23:39 | 0:23:40 | |
When the builders have come to install the plan, | 0:23:40 | 0:23:43 | |
you are like, "Oh, I don't like any of this," | 0:23:43 | 0:23:46 | |
and you delay the job and you've done this on a few occasions. | 0:23:46 | 0:23:49 | |
Mm-hm. | 0:23:49 | 0:23:51 | |
I need you to be working with me and making these decisions with me. | 0:23:51 | 0:23:56 | |
Are you done? | 0:23:56 | 0:23:57 | |
It's a classic mistake. | 0:23:58 | 0:24:00 | |
If you can't agree on a layout, the build will inevitably get delayed. | 0:24:00 | 0:24:04 | |
The sanctuary Suzanne craves feels further away than ever. | 0:24:04 | 0:24:07 | |
I don't want to do the tears, | 0:24:07 | 0:24:10 | |
um... | 0:24:10 | 0:24:12 | |
and I do feel the strain | 0:24:12 | 0:24:14 | |
and it's taking its toll. | 0:24:14 | 0:24:16 | |
Gurmeet and I urgently need to get this build back on track. | 0:24:22 | 0:24:26 | |
I think it is a big worry, Antonio just choosing to stop | 0:24:27 | 0:24:30 | |
this build willy-nilly, | 0:24:30 | 0:24:32 | |
because actually builders really do need somebody to be decisive | 0:24:32 | 0:24:35 | |
and they don't need people changing things partway through. | 0:24:35 | 0:24:38 | |
In a way it's soul destroying to come up with a design | 0:24:38 | 0:24:42 | |
and take inspiration from Suzanne and Antonio | 0:24:42 | 0:24:45 | |
and get them involved, get them emotionally involved, | 0:24:45 | 0:24:48 | |
and there seems to be a stumbling block there. | 0:24:48 | 0:24:52 | |
Suzanne and Antonio are in danger of ending up with a set of bodges | 0:24:52 | 0:24:56 | |
rather than something that is a complete vision. | 0:24:56 | 0:24:59 | |
I think they need to see somewhere that's really clear, | 0:24:59 | 0:25:01 | |
and is a beautiful, consolidated piece of architecture | 0:25:01 | 0:25:05 | |
and maybe that will convince them to really hold their nerve here. | 0:25:05 | 0:25:08 | |
I want Suzanne and Antonio to understand that every | 0:25:09 | 0:25:12 | |
design choice they make about their interior matters. | 0:25:12 | 0:25:16 | |
And today I'm going to show them a flat that's about the same size | 0:25:16 | 0:25:19 | |
as theirs, but feels about twice as big, through clever architecture. | 0:25:19 | 0:25:24 | |
This maisonette in east London makes a big impact, | 0:25:29 | 0:25:32 | |
despite its modest footprint of 72 square metres. | 0:25:32 | 0:25:35 | |
-Oh. -Oh. | 0:25:39 | 0:25:41 | |
One of the things that I really like here is that this | 0:25:41 | 0:25:44 | |
whole kitchen is designed to feel like a pod, | 0:25:44 | 0:25:47 | |
a bit of joinery that's put into the corner of a big room, | 0:25:47 | 0:25:50 | |
so your sense is not that this room is this big, but your room is | 0:25:50 | 0:25:54 | |
actually as big as the corners of the floor plate, and then this | 0:25:54 | 0:25:58 | |
is just something that sits calmly and beautifully in the corner. | 0:25:58 | 0:26:01 | |
All you can see is windows and feel space, | 0:26:01 | 0:26:04 | |
there's nothing seems to be... | 0:26:04 | 0:26:07 | |
obstructing your ability to stretch out or to look at things. | 0:26:07 | 0:26:10 | |
I can see the light in the kitchen, the light of the door. | 0:26:10 | 0:26:13 | |
I can see the lights behind me. | 0:26:13 | 0:26:15 | |
The way it's organised just seems very spacious. | 0:26:15 | 0:26:18 | |
'The choice of furniture here, all on lightweight legs, | 0:26:20 | 0:26:23 | |
'allows expanses of flooring to run underneath, | 0:26:23 | 0:26:26 | |
'making the room feel bigger. | 0:26:26 | 0:26:27 | |
'Mid-20th-century furniture is often in this style | 0:26:28 | 0:26:32 | |
'and modern interpretations are widely available. | 0:26:32 | 0:26:34 | |
'It's a design trick worth remembering when | 0:26:34 | 0:26:37 | |
'you're furnishing a small room.' | 0:26:37 | 0:26:39 | |
I think the architect who did this, his idea for this was that this | 0:26:39 | 0:26:43 | |
was like an apple, so everything on the outside was one colour | 0:26:43 | 0:26:47 | |
and when you bit into it, everything inside was the same colour. | 0:26:47 | 0:26:50 | |
There's a beautiful clarity and legibility to this. | 0:26:50 | 0:26:54 | |
When these hatches were done originally, either in Victorian times | 0:26:57 | 0:27:00 | |
or in the '60s, they were mean little things | 0:27:00 | 0:27:02 | |
that you passed a plate through. | 0:27:02 | 0:27:04 | |
They weren't so big that you could just fit your whole body through. | 0:27:04 | 0:27:07 | |
Just fantastic, isn't it? | 0:27:07 | 0:27:09 | |
This is very clever. | 0:27:12 | 0:27:14 | |
'Every square inch of every piece of storage | 0:27:14 | 0:27:17 | |
'has also been carefully considered.' | 0:27:17 | 0:27:19 | |
Bathroom. | 0:27:19 | 0:27:20 | |
'The home owners have invested in more expensive materials | 0:27:20 | 0:27:23 | |
'for the worktop and cupboard fronts.' | 0:27:23 | 0:27:25 | |
All the surfaces that you touch are all steel | 0:27:26 | 0:27:29 | |
and then the handles are all steel. | 0:27:29 | 0:27:31 | |
The splashbacks are steel, this hood is steel, | 0:27:31 | 0:27:33 | |
and it really binds everything together. | 0:27:33 | 0:27:36 | |
'This stainless steel worktop cost an eye-watering £530 per square metre, | 0:27:36 | 0:27:41 | |
'but you can find cheaper alternatives on the high street. | 0:27:41 | 0:27:44 | |
'A tip here is to invest in materials that you touch every day.' | 0:27:44 | 0:27:49 | |
I like the fact that it makes you want to touch it. | 0:27:49 | 0:27:53 | |
It's lovely. | 0:27:53 | 0:27:55 | |
This is a kind of bamboo ply and this is expensive stuff. | 0:27:55 | 0:27:59 | |
I mean, this is about £135 for a sheet, | 0:27:59 | 0:28:03 | |
so there are cheaper boards that are veneered boards of veneered ply | 0:28:03 | 0:28:08 | |
or something that you can use that would be half the price of this. | 0:28:08 | 0:28:11 | |
It looks like it cost a lot of money. | 0:28:11 | 0:28:13 | |
But it's the finishing, I mean, that's the bit. | 0:28:13 | 0:28:15 | |
That's where you need to make the investment. | 0:28:15 | 0:28:18 | |
The material is beautiful | 0:28:18 | 0:28:19 | |
but it's the way materials come together that make a big difference. | 0:28:19 | 0:28:23 | |
I think the message really is don't be afraid of things | 0:28:23 | 0:28:27 | |
that have real scale in a small space. | 0:28:27 | 0:28:29 | |
I mean, I think in a way, you need to use bigger things | 0:28:29 | 0:28:32 | |
sometimes in a small space. | 0:28:32 | 0:28:33 | |
If this was a small hatch and the doors were all small and mean | 0:28:33 | 0:28:36 | |
and normal, then actually it would feel much more confined and cramped. | 0:28:36 | 0:28:41 | |
Definitely going to be a plus to have the hatch | 0:28:43 | 0:28:46 | |
and being able to interact with people through the hatch. | 0:28:46 | 0:28:50 | |
What I found exciting with Gurmeet's original plans | 0:28:50 | 0:28:53 | |
was when from the hallway we could get a bit off the kitchen window, | 0:28:53 | 0:28:58 | |
we could see through into the bathroom. | 0:28:58 | 0:29:00 | |
Now being in a space where they've done that really effectively, | 0:29:00 | 0:29:03 | |
that's what's creating the excitement, | 0:29:03 | 0:29:05 | |
saying it can be done and it can be done really well. | 0:29:05 | 0:29:07 | |
'Suzanne and Antonio seem convinced. | 0:29:08 | 0:29:10 | |
'Now Gurmeet needs to find low-cost ways to bring these ideas into their home.' | 0:29:10 | 0:29:15 | |
In Sutton Coldfield, building work is progressing, | 0:29:26 | 0:29:29 | |
and as there's no way Jamielee and the kids can stay in the house, | 0:29:29 | 0:29:33 | |
they've moved in with her parents. | 0:29:33 | 0:29:35 | |
It was just getting a bit difficult with the dust | 0:29:35 | 0:29:37 | |
and not having a kitchen, which is too much, | 0:29:37 | 0:29:40 | |
especially with more walls coming down. | 0:29:40 | 0:29:43 | |
But with the family split apart, | 0:29:43 | 0:29:45 | |
old divisions are creeping back in. | 0:29:45 | 0:29:47 | |
Following their trip to the studio, | 0:29:47 | 0:29:49 | |
Lee is fired up by cladding the exterior in copper, | 0:29:49 | 0:29:53 | |
but Jamielee has her heart set on the table and seating area bathed in light. | 0:29:53 | 0:29:58 | |
Lee's very focused on the cladding on the back at the moment. | 0:29:58 | 0:30:01 | |
I'm a bit concerned about that because, to me, | 0:30:01 | 0:30:04 | |
that's not as important as a seating area. | 0:30:04 | 0:30:07 | |
I'd like to get the cladding done, I would. | 0:30:07 | 0:30:10 | |
I don't really want to compromise on that. | 0:30:11 | 0:30:14 | |
I want copper. | 0:30:14 | 0:30:16 | |
I've had a few discussions about that. | 0:30:16 | 0:30:18 | |
Obviously, I'm all for that but I don't think it's as important | 0:30:18 | 0:30:22 | |
as certain things inside. But... | 0:30:22 | 0:30:25 | |
I'm sure we'll come to an agreement with that. | 0:30:26 | 0:30:29 | |
It's vital this build doesn't get derailed by competing priorities. | 0:30:30 | 0:30:35 | |
I'm back in the Midlands to try | 0:30:35 | 0:30:37 | |
and find a way to ensure they both get what they want. | 0:30:37 | 0:30:39 | |
Their budget is already under pressure and they've spent | 0:30:39 | 0:30:42 | |
£6,500 on building materials and ordering a new kitchen. | 0:30:42 | 0:30:46 | |
-So how is it all going? -Yes, it's going all right. | 0:30:46 | 0:30:49 | |
-It's layout, and how we're going to finish things. -Sure. | 0:30:49 | 0:30:52 | |
It's going to make a big difference | 0:30:52 | 0:30:53 | |
-when that wall comes out, isn't it? -Yes. A massive difference. | 0:30:53 | 0:30:56 | |
Shall we get this lot cleaned out of the way? | 0:30:57 | 0:30:59 | |
-I'll give you a hand, then we can have a look at it. -Thank you. | 0:30:59 | 0:31:02 | |
'It's great that Lee is motivated to push on with the plan. | 0:31:04 | 0:31:08 | |
'The first thing I want to do is help him make the table | 0:31:08 | 0:31:11 | |
'and seating area work.' | 0:31:11 | 0:31:12 | |
Lee's yet to plasterboard the ceiling, so this is my opportunity | 0:31:15 | 0:31:19 | |
to get more light into this family space that's so important to Jaimelee. | 0:31:19 | 0:31:23 | |
I guess I thought here in particular what we could do is | 0:31:23 | 0:31:26 | |
play with the shape of the ceiling to make it a bit more | 0:31:26 | 0:31:30 | |
folded and faceted. If the ceiling was that shape, | 0:31:30 | 0:31:33 | |
you can see already... | 0:31:33 | 0:31:35 | |
You can see the light on it straightaway, yeah. | 0:31:35 | 0:31:37 | |
It would bounce that around. | 0:31:37 | 0:31:39 | |
The question for us is how do we finish it? | 0:31:39 | 0:31:41 | |
We could just do one surface that folded along the back there. | 0:31:41 | 0:31:45 | |
Changing the shape of the ceiling will direct the light down onto | 0:31:48 | 0:31:51 | |
the table area, making it the focus of the room, which Jaimelee wants. | 0:31:51 | 0:31:56 | |
-Already you can see how much more interesting this space is. -Yes. | 0:31:58 | 0:32:01 | |
Actually, I think this could feel amazing. | 0:32:01 | 0:32:05 | |
Straightaway it's a goer for me. I like it. | 0:32:05 | 0:32:07 | |
-I think I've always struggled with trying to experiment. -Yeah. | 0:32:11 | 0:32:14 | |
Now you have kind of pushed me in an experimental way, I can see it. | 0:32:14 | 0:32:19 | |
If it didn't work, I'd say it didn't. | 0:32:19 | 0:32:20 | |
There is nothing like just seeing what it's like, | 0:32:20 | 0:32:24 | |
having a go at trying things out. | 0:32:24 | 0:32:26 | |
'Lee has a new-found passion for his home. | 0:32:28 | 0:32:31 | |
'I want to help get his vision for the exterior too.' | 0:32:31 | 0:32:34 | |
So we need to talk about the outside. | 0:32:34 | 0:32:36 | |
The metal we saw the other day was fantastic, wasn't it? | 0:32:38 | 0:32:41 | |
Yes, it's getting the right kind of grade of copper. | 0:32:41 | 0:32:44 | |
-I would have it unfinished so it's nice and sharp. -Beautiful. | 0:32:44 | 0:32:47 | |
The only thing is, | 0:32:47 | 0:32:49 | |
-it's got to be at the right kind of price to work with. -Sure. | 0:32:49 | 0:32:53 | |
Copper's expensive. The idea he saw at the studio cost 14 grand. | 0:32:53 | 0:32:58 | |
I've got to find a way to do it on a fraction of that. | 0:32:58 | 0:33:02 | |
Finding a way to finish | 0:33:03 | 0:33:04 | |
this as effectively as possible will be critical. | 0:33:04 | 0:33:07 | |
In London, Suzanne and Antonio's build is finally moving forward. | 0:33:13 | 0:33:17 | |
After months of waiting, at long last the bath is about to go in. | 0:33:18 | 0:33:23 | |
Isn't it really sad to get excited about seeing a few legs | 0:33:23 | 0:33:27 | |
getting put on a bit of steel. | 0:33:27 | 0:33:28 | |
Suzanne and Antonio are learning the lessons to make this bathroom | 0:33:31 | 0:33:33 | |
feel bigger. | 0:33:33 | 0:33:35 | |
They are adding large white tiles to the walls | 0:33:36 | 0:33:40 | |
and plan to box in all pipes and avoid clutter with built in storage. | 0:33:40 | 0:33:44 | |
But she also wants them to add some well-judged luxury. | 0:33:47 | 0:33:51 | |
Today I am taking Suzanne | 0:33:51 | 0:33:52 | |
and Antonia to a place where I think is a great inspirational point. | 0:33:52 | 0:33:57 | |
They are heading to a specialist materials store in central London. | 0:33:57 | 0:34:00 | |
It's packed with thousands of products not normally | 0:34:00 | 0:34:03 | |
found in mass-market DIY shops. | 0:34:03 | 0:34:06 | |
A treasure trove for designers and architects, | 0:34:06 | 0:34:09 | |
shops like these welcome members of the public too. | 0:34:09 | 0:34:12 | |
-Ah! Straight into it. -I love this. | 0:34:12 | 0:34:14 | |
'I want them to remember the design lesson about investing | 0:34:14 | 0:34:17 | |
'your money in the things you touch on a daily basis.' | 0:34:17 | 0:34:20 | |
This is beautiful. | 0:34:20 | 0:34:22 | |
Gurmeet wants to spend on a part of the bathroom | 0:34:22 | 0:34:24 | |
they'll touch every day - the floor. | 0:34:24 | 0:34:28 | |
With the grid of cold tiles gone, | 0:34:28 | 0:34:30 | |
he wants them to consider one expanse of rubber flooring. | 0:34:30 | 0:34:34 | |
This is rubber flooring. | 0:34:34 | 0:34:36 | |
It comes in some beautiful colours, some rich colours. | 0:34:36 | 0:34:39 | |
-I like this. -That's definitely the one. | 0:34:39 | 0:34:42 | |
Flooring like this is £25 per square metre. | 0:34:42 | 0:34:45 | |
You want to give a bit of a wow factor. | 0:34:45 | 0:34:48 | |
From an architectural point of view, | 0:34:48 | 0:34:49 | |
rubber flooring would be seamless, a beautiful rich colour. It | 0:34:49 | 0:34:52 | |
will always stay that colour as well and light will be bouncing off it. | 0:34:52 | 0:34:57 | |
Is there any other more economical solution? | 0:34:57 | 0:35:00 | |
Is it worth to pursue that? | 0:35:00 | 0:35:02 | |
I suppose that you could perhaps explore vinyl flooring | 0:35:02 | 0:35:06 | |
which may be £10 per square metre cheaper. | 0:35:06 | 0:35:09 | |
Not even that much, so over 5 square metres you maybe save £50. | 0:35:09 | 0:35:14 | |
This is where that extra £50 really goes a long way. | 0:35:14 | 0:35:18 | |
-It does make sense. -Great. | 0:35:18 | 0:35:21 | |
The biggest eye-opener was the way that we could actually get to | 0:35:23 | 0:35:29 | |
a few more exquisite finishes without spending much money. | 0:35:29 | 0:35:32 | |
That's clever. | 0:35:32 | 0:35:34 | |
I don't think they were expecting this type of trip. It's given them | 0:35:34 | 0:35:38 | |
a lot of impetus to push on through. | 0:35:38 | 0:35:41 | |
I think I've got a very clear vision for the bathroom now. | 0:35:41 | 0:35:44 | |
If I could see the flat coming together, that's exciting. | 0:35:44 | 0:35:47 | |
It's all systems go now. | 0:35:47 | 0:35:49 | |
In the London flat, Antonio is ripping out the old kitchen. | 0:35:53 | 0:35:57 | |
Feeling inspired, the couple have chosen to invest in a new kitchen | 0:35:57 | 0:36:01 | |
and have decided it is worth upping their budget from 10 to 15K. | 0:36:01 | 0:36:05 | |
It feels really good to have my hands stuck in at this stage. | 0:36:06 | 0:36:09 | |
It's also a big day for the key move in Gurmeet's plan. | 0:36:11 | 0:36:15 | |
The builders begin to cut out a hatch to link the kitchen | 0:36:15 | 0:36:18 | |
and the lounge. | 0:36:18 | 0:36:20 | |
The hatch will give Suzanne | 0:36:21 | 0:36:22 | |
the connection with her daughter she's been longing for. | 0:36:22 | 0:36:26 | |
I was a wee bit emotional when it opened | 0:36:35 | 0:36:38 | |
because all I was thinking of was Sophia...in the spaces. | 0:36:38 | 0:36:42 | |
Now I can interact with Sophia. | 0:36:43 | 0:36:45 | |
Even if she's in the lounge, | 0:36:45 | 0:36:47 | |
I can be supervising what she's doing. It feels good. | 0:36:47 | 0:36:50 | |
Seeing this, I can think, "Yes, I can see how this is going to work." | 0:36:50 | 0:36:55 | |
It feels nice. | 0:36:55 | 0:36:56 | |
Back in Sutton Coldfield, Jaimelee and Lee | 0:37:01 | 0:37:04 | |
have started to solve the problems of finishing their building site. | 0:37:04 | 0:37:08 | |
They've found some cheap flooring online. | 0:37:08 | 0:37:10 | |
At the moment we've spent 1,300 on it. | 0:37:10 | 0:37:13 | |
They've bought 80 square metres of floorboards | 0:37:13 | 0:37:16 | |
salvaged from an old mill, but it's clinging to its industrial past, | 0:37:16 | 0:37:20 | |
so Jaimelee has roped in dad Pete to help. | 0:37:20 | 0:37:22 | |
Have you noticed how Lee does all the exciting jobs and you and me | 0:37:22 | 0:37:25 | |
get to do the really dirty ones? | 0:37:25 | 0:37:27 | |
Reclaimed materials are a great way to add character to your home, | 0:37:29 | 0:37:32 | |
but they can require time and effort to make good. | 0:37:32 | 0:37:35 | |
We've had a few problems with laying it. | 0:37:39 | 0:37:41 | |
We've got to square off all the edges to get it to butt up. | 0:37:41 | 0:37:44 | |
The timbers aren't all the same size. | 0:37:44 | 0:37:47 | |
Some are a lot of thinner than others, | 0:37:47 | 0:37:49 | |
where they've had more wear in the mill. | 0:37:49 | 0:37:51 | |
The floor is proving more expensive than the couple hoped. | 0:37:53 | 0:37:57 | |
That's like a banana. | 0:37:57 | 0:37:59 | |
Underlay and levelling compound have doubled the bill to | 0:37:59 | 0:38:02 | |
over £2,500. | 0:38:02 | 0:38:04 | |
They've committed to spending more than 10K to get this house done, | 0:38:04 | 0:38:07 | |
but I want to save them as much as I can on the copper for the exterior. | 0:38:07 | 0:38:12 | |
The copper I showed Lee is very expensive, | 0:38:15 | 0:38:17 | |
so usually unthinkable on a low-cost project. | 0:38:17 | 0:38:20 | |
But I have found a metal wholesaler in nearby Walsall | 0:38:20 | 0:38:24 | |
which might make it possible. | 0:38:24 | 0:38:26 | |
-Hey, guys. -Beautiful, isn't it? | 0:38:27 | 0:38:29 | |
The reason I brought you here is that this is a place | 0:38:29 | 0:38:32 | |
where you can get it as cheaply as possible. | 0:38:32 | 0:38:34 | |
You can get access to wholesalers like this all over the country. | 0:38:34 | 0:38:38 | |
They usually stock a much wider range of metal products | 0:38:38 | 0:38:41 | |
than a building supplier. | 0:38:41 | 0:38:43 | |
It comes in lots of different thicknesses. | 0:38:43 | 0:38:46 | |
Shall we lay that out on this? | 0:38:47 | 0:38:49 | |
'These thin copper sheets cost just over £45 a square metre, | 0:38:49 | 0:38:53 | |
'much cheaper than the high-end stuff. | 0:38:53 | 0:38:56 | |
'Using a tile design could also be a cost-saving trick.' | 0:38:56 | 0:39:00 | |
-Let's lay out these and see how it looks. -It looks nice. | 0:39:01 | 0:39:04 | |
-There's different light on it if you change it the other way. -Yeah. | 0:39:04 | 0:39:07 | |
-It's great, isn't it? -Yeah. | 0:39:09 | 0:39:11 | |
You've got quite a small surface area, so I think you might | 0:39:11 | 0:39:13 | |
need quite small pieces. | 0:39:13 | 0:39:15 | |
There's a stack over here I can grab and we can have a play with these. | 0:39:15 | 0:39:18 | |
'Buying large sheets of copper means more wastage | 0:39:19 | 0:39:22 | |
'when cutting them to size. | 0:39:22 | 0:39:25 | |
'Using small tiles can reduce this and they can be easier to fit.' | 0:39:25 | 0:39:28 | |
This is thicker than you would use. | 0:39:31 | 0:39:33 | |
But actually, it's quite a nice proportion. | 0:39:33 | 0:39:37 | |
-Yeah, you get more detail, don't you? -You do. -No, I do like that. | 0:39:37 | 0:39:41 | |
-I actually like it more than the big sheets. -Yeah. | 0:39:41 | 0:39:44 | |
It looks too plain, in a sense, that does. I think that... | 0:39:44 | 0:39:47 | |
-I think that looks perfect. -Yes, it does. | 0:39:47 | 0:39:49 | |
What do you reckon? You'll use this? | 0:39:49 | 0:39:51 | |
-I think so. I think I like the, um... -Smaller pieces? -Yeah. | 0:39:51 | 0:39:55 | |
Great, I can't wait to see it. | 0:39:55 | 0:39:57 | |
It's been wonderful to see Lee's progress from somebody who did | 0:40:00 | 0:40:04 | |
things in quite a conventional ways through to somebody | 0:40:04 | 0:40:07 | |
that now is totally prepared to think outside of the box. | 0:40:07 | 0:40:10 | |
There's still quite a long way to go. | 0:40:10 | 0:40:13 | |
The danger is that they do things that they already know. | 0:40:13 | 0:40:16 | |
I think everywhere they need to keep pushing the boundaries. | 0:40:16 | 0:40:20 | |
In London, work on the flat intensifies and at last Suzanne | 0:40:24 | 0:40:28 | |
can begin to think about interior details and final finishing. | 0:40:28 | 0:40:32 | |
It is the final push and I am loving seeing it come together. | 0:40:32 | 0:40:36 | |
I've lived in dust and dirt for quite some time, | 0:40:36 | 0:40:40 | |
so it starts becoming more rewarding when you see things take shape. | 0:40:40 | 0:40:44 | |
The glass has been fitted in the new window between bathroom | 0:40:47 | 0:40:50 | |
and hallway, and storage units are being installed in the lounge. | 0:40:50 | 0:40:54 | |
Bespokely-made to utilise every inch of the dividing wall, | 0:40:54 | 0:40:58 | |
it's another design trick that can make a room feel bigger. | 0:40:58 | 0:41:01 | |
Having pushed their budget to 15K, they need to save where they can. | 0:41:04 | 0:41:08 | |
Antonio does the prep work ready for the electrician to rewire the kitchen. | 0:41:08 | 0:41:13 | |
I think my wife deserves a nice place to come home to. | 0:41:13 | 0:41:16 | |
She works very hard. It takes its toll. It is difficult at the moment. | 0:41:16 | 0:41:21 | |
There is still a long way to go | 0:41:21 | 0:41:23 | |
and the couple have yet to add the touches of colour and luxury | 0:41:23 | 0:41:27 | |
that could make the flat the relaxing haven they're desperate for. | 0:41:27 | 0:41:31 | |
Will it come together to become their dream home at last? | 0:41:31 | 0:41:34 | |
Over five months since he first visited, Gurmeet has returned | 0:41:40 | 0:41:43 | |
to find out if Suzanne and Antonio have managed to realise his ideas | 0:41:43 | 0:41:47 | |
to turn the dark and impractical flat into a spacious, light-filled home. | 0:41:47 | 0:41:52 | |
-Hi. -Hello. -How are you doing? Nice to see you. -Nice to see you. | 0:41:52 | 0:41:56 | |
-I'm really well. -How are you doing? Are you excited? | 0:41:56 | 0:42:00 | |
Yeah. Exhausted more. | 0:42:00 | 0:42:03 | |
-OK... I can't wait to see the results. Shall we have a look? -Yes. | 0:42:03 | 0:42:08 | |
Previously, the flat was divided by a long corridor, | 0:42:11 | 0:42:14 | |
the space was gloomy and uninviting. | 0:42:14 | 0:42:16 | |
-Wow! What a transformation. -Yes. | 0:42:20 | 0:42:23 | |
The first thing I noticed, that window. I'm so glad you did it. | 0:42:26 | 0:42:30 | |
-I hope you are as well. -We are very glad. | 0:42:30 | 0:42:32 | |
The frosted glass panel has replaced the old covered door, | 0:42:35 | 0:42:38 | |
a simple move that has had a dramatic effect. | 0:42:38 | 0:42:41 | |
-The morning is awesome here. -Really? The sun comes straight through. | 0:42:41 | 0:42:45 | |
Yes, from everywhere. Basically, we don't need to have the lights on. | 0:42:45 | 0:42:49 | |
It makes it worth getting out of bed for. | 0:42:49 | 0:42:51 | |
Keeping a watchful eye on toddler Sophia had been impossible | 0:42:52 | 0:42:56 | |
and family life was played out across separate rooms. | 0:42:56 | 0:42:59 | |
So has Gurmeet's big idea of a hatch to link the spaces changed all that? | 0:42:59 | 0:43:04 | |
Wow! What a transformation. This is incredible. How do you guys feel? | 0:43:11 | 0:43:15 | |
-We are pleased. -We are very pleased with it. It makes a big difference. | 0:43:15 | 0:43:19 | |
Yes. It feels just bright and spacious, it feels bigger. | 0:43:19 | 0:43:23 | |
We're really pleased. | 0:43:23 | 0:43:24 | |
The light coming through into the kitchen, | 0:43:26 | 0:43:28 | |
living room, but also bleeding on into the lobby as well. | 0:43:28 | 0:43:32 | |
I think such a big move and a bold move as well. | 0:43:32 | 0:43:36 | |
We didn't realise that it would affect us this much. | 0:43:36 | 0:43:39 | |
It's very, very good. | 0:43:39 | 0:43:42 | |
Let me go round. Hi! | 0:43:42 | 0:43:45 | |
You can see each other. | 0:43:45 | 0:43:47 | |
I realised it made a difference when Sophia was playing around here. | 0:43:47 | 0:43:52 | |
She was like, "Mummy, mummy!" to get my attention. So I came over, | 0:43:52 | 0:43:57 | |
stood where you are now and said, "Yes, Sophia," and started talking. | 0:43:57 | 0:44:01 | |
She was surprised. "Oh, yes! We can see each other now." | 0:44:01 | 0:44:04 | |
So there is that feeling of being connected, | 0:44:04 | 0:44:06 | |
regardless of where we are. | 0:44:06 | 0:44:07 | |
I can always have a glimpse of where she is and that feels really nice. | 0:44:07 | 0:44:11 | |
Other design ideas increase the sense of space in the flat. | 0:44:14 | 0:44:17 | |
Bespoke storage hides the clutter of family life | 0:44:17 | 0:44:21 | |
and bulky sofa's gone, lightweight furniture allows views throughout. | 0:44:21 | 0:44:26 | |
Although not part of Gurmeet's original plan, | 0:44:26 | 0:44:28 | |
the couple have completely redone the kitchen. | 0:44:28 | 0:44:31 | |
I'm looking around the kitchen. | 0:44:34 | 0:44:36 | |
I really love the way you've added that dash of colour. | 0:44:36 | 0:44:39 | |
I think the way you've opened up this space, | 0:44:40 | 0:44:43 | |
colour concentrated on a wall allows the space also to be defined. | 0:44:43 | 0:44:48 | |
This is a kitchen. | 0:44:48 | 0:44:50 | |
It's a completely different function to that room. | 0:44:50 | 0:44:52 | |
As well as looking beautiful with the white grout, I think | 0:44:55 | 0:44:58 | |
it looks really sharp. | 0:44:58 | 0:44:59 | |
The old bathroom was cramped, dilapidated, lacked storage | 0:45:01 | 0:45:05 | |
and didn't even fit a bath. | 0:45:05 | 0:45:07 | |
Gurmeet encouraged them to knock through to the cupboard | 0:45:07 | 0:45:10 | |
and use tricks to make it feel bigger. | 0:45:10 | 0:45:13 | |
Has it created the sanctuary Suzanne craved? | 0:45:13 | 0:45:15 | |
-Wow. A lot bigger and different. -Yes, definitely. | 0:45:24 | 0:45:29 | |
This was supposed to be your luxury space, | 0:45:31 | 0:45:34 | |
where you shut the door and you get away from it all. | 0:45:34 | 0:45:37 | |
-Do you think you have finally got your sanctuary? -This feels lovely. | 0:45:37 | 0:45:41 | |
What makes me happy is for every little spot, I think | 0:45:41 | 0:45:46 | |
about the little decisions that are made along the way, | 0:45:46 | 0:45:49 | |
and it feels good to see it all come together. | 0:45:49 | 0:45:52 | |
And I like the way, actually, that it's quite a simple, | 0:45:52 | 0:45:54 | |
clean design, and there's so little clutter | 0:45:54 | 0:45:57 | |
because, actually, you have dedicated storage space. | 0:45:57 | 0:46:00 | |
I don't think you anticipated having anything other than | 0:46:03 | 0:46:06 | |
tiles for the floor. | 0:46:06 | 0:46:07 | |
The floor is going to be stood on every single day, | 0:46:07 | 0:46:10 | |
and it is sometimes underrated. | 0:46:10 | 0:46:12 | |
I'm really glad you went for something a little bit | 0:46:12 | 0:46:15 | |
outside of the box. | 0:46:15 | 0:46:16 | |
Well, it was once we went to the inspiration of it, | 0:46:16 | 0:46:20 | |
and I saw the flooring potential there. | 0:46:20 | 0:46:24 | |
Then to go back to the tiles didn't seem like an option. | 0:46:24 | 0:46:27 | |
I knew I wanted something with a bit of colour, so that's nice. | 0:46:27 | 0:46:30 | |
The floor provides the perfect pop of colour in this space. | 0:46:32 | 0:46:36 | |
Suzanne and Antonio chose to invest more of their savings to | 0:46:38 | 0:46:41 | |
completely transform the flat. | 0:46:41 | 0:46:44 | |
Once we started considering what the impact of having that hatch | 0:46:44 | 0:46:49 | |
would mean on the overall space, we realised we had to extend | 0:46:49 | 0:46:54 | |
the budget in order for us to bring the whole of the flat together. | 0:46:54 | 0:46:58 | |
So, all in all, for everything, we brought it in at 15K. | 0:46:58 | 0:47:02 | |
They did Gurmeet's plan for 10K, but I think the additional | 0:47:04 | 0:47:07 | |
spend on a new kitchen and storage units is a good move | 0:47:07 | 0:47:10 | |
because they can now remain in the flat for many more years. | 0:47:10 | 0:47:14 | |
It feels homely, it feels like our place, it | 0:47:14 | 0:47:17 | |
doesn't feel like a transitional home any more, it feels like ours. | 0:47:17 | 0:47:20 | |
I think, fundamentally, we've brought a family closer together, really. | 0:47:23 | 0:47:27 | |
The transformation that has occurred in a few months has just been incredible. | 0:47:27 | 0:47:32 | |
Back in the Midlands, Jamielee | 0:47:39 | 0:47:41 | |
and Lee now need to tackle two of the most critical parts of the entire project, | 0:47:41 | 0:47:45 | |
the copper cladding and the family table and seating area. | 0:47:45 | 0:47:48 | |
Despite money pressures, Jamielee is determined to make that | 0:47:51 | 0:47:54 | |
all-important family table the heart of their home. | 0:47:54 | 0:47:58 | |
For the top, she's chosen a material that is more associated with | 0:47:58 | 0:48:02 | |
the office pinboard than modern furniture - cork. | 0:48:02 | 0:48:06 | |
We seen the cork tabletop months before we started doing | 0:48:06 | 0:48:09 | |
the extension, and we quite liked the idea. | 0:48:09 | 0:48:12 | |
We actually seen it in the shop. | 0:48:12 | 0:48:15 | |
The tabletop cost just £100 from a self-assembly furniture store. | 0:48:15 | 0:48:20 | |
As well as being naturally water repellent, cork is a sustainable | 0:48:20 | 0:48:23 | |
material as it is harvested from the bark of a tree, which grows back. | 0:48:23 | 0:48:27 | |
For the base, she is planning to use old sewing machine table legs, | 0:48:29 | 0:48:33 | |
-which have been languishing in the shed for years. -Finally using them. | 0:48:33 | 0:48:37 | |
And Lee has sort of left the colouring, doing them, up to me. | 0:48:37 | 0:48:40 | |
I'm going to spray them up, make them look nice, | 0:48:43 | 0:48:46 | |
and then Lee is going to drill them to the table. | 0:48:46 | 0:48:49 | |
No-one else is going to have anything like this at the moment, | 0:48:49 | 0:48:52 | |
we don't think. | 0:48:52 | 0:48:54 | |
So it is definitely something that's new and unique for our house, | 0:48:54 | 0:48:57 | |
which is good. | 0:48:57 | 0:48:59 | |
Lee is at work cladding the exterior back wall with copper. | 0:49:01 | 0:49:05 | |
I'm going to drill the copper plate | 0:49:07 | 0:49:09 | |
and then attach it with copper nails. | 0:49:09 | 0:49:12 | |
I am going to experiment as I go along | 0:49:12 | 0:49:15 | |
and hopefully get what I want. I've kind of got in my head what I want. | 0:49:15 | 0:49:18 | |
But to actually do it is something else. | 0:49:20 | 0:49:24 | |
So, hopefully just kind of get it right the first time. | 0:49:24 | 0:49:28 | |
He's gambling more than £1,000 on the exterior. | 0:49:30 | 0:49:34 | |
I only hope his make-it-up-as you-go-along approach pays off. | 0:49:34 | 0:49:38 | |
I haven't kind of figured out how far I'm going to come across. | 0:49:38 | 0:49:41 | |
The couple have grafted long and hard to try | 0:49:43 | 0:49:46 | |
and finish the extension, and there's still a long way to go. | 0:49:46 | 0:49:50 | |
Will they succeed in turning it into a purposeful, welcoming family home? | 0:49:50 | 0:49:54 | |
That's all right, isn't it? | 0:49:56 | 0:49:57 | |
Four months after my first visit, | 0:50:05 | 0:50:06 | |
I'm back in Sutton Coldfield to see the result. | 0:50:06 | 0:50:10 | |
When I first came here, Jamielee and Lee were completely divided - | 0:50:11 | 0:50:15 | |
they just couldn't agree what this newly extended house should include. | 0:50:15 | 0:50:20 | |
Previously, the extension was an abandoned building site, | 0:50:20 | 0:50:23 | |
and the couple lacked focus. | 0:50:23 | 0:50:25 | |
'My plan gave them defined areas to cook, eat and relax in. | 0:50:27 | 0:50:31 | |
'So have they pulled it off?' | 0:50:31 | 0:50:33 | |
Hi, Lee, how are you doing? | 0:50:33 | 0:50:35 | |
-How are you doing, you all right? -Good to see you. -Come on in. | 0:50:35 | 0:50:38 | |
My God, I can't believe it. | 0:50:38 | 0:50:40 | |
-It's like a completely different house. -Yeah. | 0:50:48 | 0:50:51 | |
-It has opened it up, hasn't it? -It's amazing, yeah. | 0:50:51 | 0:50:54 | |
-It feels three times the size, and totally different, doesn't it? -Yes. | 0:50:56 | 0:51:01 | |
I think it is just more light as well. | 0:51:01 | 0:51:03 | |
Is this what you had hoped for? | 0:51:03 | 0:51:05 | |
A lot more than I was expecting, I think. | 0:51:05 | 0:51:07 | |
I mean, what's nice is that it isn't just open-plan. | 0:51:10 | 0:51:13 | |
I mean, you've got very key spaces in here, haven't you? | 0:51:13 | 0:51:16 | |
Before, the centre of the house was dingy and purposeless. | 0:51:18 | 0:51:22 | |
This was the poor relation, the bit in the middle that we | 0:51:22 | 0:51:25 | |
didn't quite know what to do with, and it was dark. It was sort of no-man's-land. | 0:51:25 | 0:51:28 | |
But now it makes total sense, doesn't it? | 0:51:28 | 0:51:30 | |
Yeah, we have essentially doubled the size of the living room. | 0:51:30 | 0:51:34 | |
The log burner is a welcoming focal point, and the exposed | 0:51:35 | 0:51:39 | |
brick of the chimney breast helps define the space and costs nothing. | 0:51:39 | 0:51:43 | |
They look great just left exactly as they are. | 0:51:44 | 0:51:47 | |
-Yeah, you don't even need to touch them. -We like... | 0:51:47 | 0:51:49 | |
Yeah, the ruggedness of it, I think. | 0:51:49 | 0:51:51 | |
But I think they work really well with | 0:51:51 | 0:51:53 | |
-the crispness of the white paint and the plastering. -Yes. | 0:51:53 | 0:51:56 | |
The extension ceiling was in danger of being bog-standard. | 0:51:59 | 0:52:04 | |
I saw an opportunity here to use it to get more light in the room, | 0:52:04 | 0:52:07 | |
and encourage Lee to angle it to direct | 0:52:07 | 0:52:10 | |
light down into the kitchen and dining area. | 0:52:10 | 0:52:13 | |
So, has it worked? | 0:52:13 | 0:52:15 | |
Wow, this ceiling looks amazing. | 0:52:22 | 0:52:24 | |
Those two roof lights now look totally intentional and perfect. | 0:52:24 | 0:52:28 | |
I remember I was holding up those batons up there | 0:52:28 | 0:52:31 | |
and wondering whether it would work, | 0:52:31 | 0:52:33 | |
but actually it looks better than I could ever have imagined, actually. | 0:52:33 | 0:52:37 | |
Lee has added his own twist to this ceiling - | 0:52:40 | 0:52:42 | |
some LED lights costing just £25. | 0:52:42 | 0:52:46 | |
In the evening, we've got some more light that shines up it. | 0:52:46 | 0:52:48 | |
It is still making a feature of it in the evening and the dark. | 0:52:48 | 0:52:53 | |
My biggest structural move was to encourage the couple to incorporate | 0:52:53 | 0:52:56 | |
the space occupied by the utility room and position the kitchen here. | 0:52:56 | 0:53:01 | |
Because of course there was this wall here before, wasn't there? | 0:53:05 | 0:53:08 | |
-Yes. -And this was space that was a very long, thin utility. -That's right. | 0:53:08 | 0:53:13 | |
But it works so well, doesn't it? | 0:53:13 | 0:53:15 | |
Having learned the lesson from the studio visit, | 0:53:19 | 0:53:21 | |
they've taken every opportunity to get light into the room. | 0:53:21 | 0:53:25 | |
But it's such a nice space - this is beautiful. | 0:53:25 | 0:53:27 | |
It is full of light and you've added in that big roof light up there. | 0:53:27 | 0:53:31 | |
-That's right. -And it's really, really effective. | 0:53:31 | 0:53:34 | |
I mean, what's great is you've got so much space, | 0:53:37 | 0:53:39 | |
but it doesn't just feel like a big open barn, it feels | 0:53:39 | 0:53:42 | |
like a house with these beautiful, delightful light-filled spaces. | 0:53:42 | 0:53:47 | |
Critically, you've got this beautiful sitting area. | 0:53:49 | 0:53:52 | |
-And a kitchen table. -Yes, we sit there most evenings. | 0:53:52 | 0:53:56 | |
-Every night now as a family. -And you eat there? | 0:53:56 | 0:53:58 | |
Yeah, eat there. | 0:53:58 | 0:54:00 | |
The base of the seating area was created using | 0:54:00 | 0:54:03 | |
self-assembly wall units, | 0:54:03 | 0:54:05 | |
and are topped with the same cork as the quirky home-made dining table. | 0:54:05 | 0:54:09 | |
-This cork looks great. -Yes, it is lovely. | 0:54:09 | 0:54:11 | |
We were looking at different ideas for the kitchen island, and we come | 0:54:11 | 0:54:15 | |
across the tabletops and thought that would be perfect for this area. | 0:54:15 | 0:54:20 | |
I remember when I first came here, | 0:54:24 | 0:54:26 | |
I asked you both how important | 0:54:26 | 0:54:30 | |
it was to have a kitchen table. | 0:54:30 | 0:54:34 | |
Now that you've got it, if I asked you both again, | 0:54:34 | 0:54:36 | |
how important would you say this is? | 0:54:36 | 0:54:38 | |
Now we've got it, you realise how much you need it. | 0:54:38 | 0:54:41 | |
After all the hard work we've put in, you don't want the kids | 0:54:41 | 0:54:44 | |
walking around with food, or at their table, | 0:54:44 | 0:54:47 | |
and it's important to be together. | 0:54:47 | 0:54:48 | |
It's better that you've built in this, rather than having chairs around it. | 0:54:48 | 0:54:52 | |
You've actually made this seating area | 0:54:52 | 0:54:55 | |
part of the architecture of this space. | 0:54:55 | 0:54:57 | |
'The bench seats that fit right up against the walls are a very | 0:54:59 | 0:55:02 | |
'efficient use of space. | 0:55:02 | 0:55:04 | |
'Jaimelee and Lee increased the scope and budget of this project | 0:55:05 | 0:55:08 | |
'since I first met them.' | 0:55:08 | 0:55:10 | |
How much have you spent? | 0:55:10 | 0:55:13 | |
We've just spent under 17,000. | 0:55:13 | 0:55:16 | |
I've never had a problem spending more if it's something I want. | 0:55:16 | 0:55:19 | |
-It had to be the right... -Yeah, it has to be right. | 0:55:19 | 0:55:22 | |
You know, I can always go cheaper | 0:55:22 | 0:55:24 | |
on getting different materials. | 0:55:24 | 0:55:26 | |
If it's not what we want, we were never going to be happy with it. | 0:55:26 | 0:55:29 | |
That's where we had to kind of do things. | 0:55:29 | 0:55:32 | |
We've got to get it just to what we want and be happy with it. | 0:55:32 | 0:55:35 | |
Here also, you've done work that you probably thought you weren't going to do originally. | 0:55:35 | 0:55:39 | |
-Yeah. -Oh, yeah. -You made a new bit of building. -Yeah, yeah. | 0:55:39 | 0:55:42 | |
You've got a much bigger kitchen | 0:55:42 | 0:55:44 | |
and you've made this built-in seating area. | 0:55:44 | 0:55:46 | |
There's also some work that you have got as well as the things that you thought you were going to do. | 0:55:46 | 0:55:50 | |
There is still one thing I haven't seen and I think that's outside. | 0:55:50 | 0:55:54 | |
I'm wondering whether you've done the copper cladding. | 0:55:54 | 0:55:58 | |
This looks amazing. | 0:56:04 | 0:56:06 | |
-It's nice, isn't it? -It's fantastic. | 0:56:07 | 0:56:09 | |
I think it just gives you a total different kind of character, really. | 0:56:11 | 0:56:15 | |
This will age, as well, In seven years' time it can be green. | 0:56:15 | 0:56:18 | |
It looks really tactile. | 0:56:18 | 0:56:19 | |
-Can I have a closer look at it? -Yeah. | 0:56:19 | 0:56:22 | |
'Having fallen in love with the £14,000 cladding on the studio, | 0:56:23 | 0:56:27 | |
'this cost him just 1,400.' | 0:56:27 | 0:56:29 | |
-It's a very soft metal, copper, isn't it? -Yes. | 0:56:30 | 0:56:34 | |
This looks like you've used quite a thick copper. | 0:56:34 | 0:56:37 | |
This copper is 1.5mm thick. | 0:56:37 | 0:56:39 | |
That now gives it a totally different character, | 0:56:39 | 0:56:42 | |
than just one big sheet of copper. | 0:56:42 | 0:56:44 | |
For you, have you enjoyed the whole process, the questioning | 0:56:44 | 0:56:48 | |
the way you were doing things and trying new ways? | 0:56:48 | 0:56:50 | |
Yeah, definitely. It's pulled me out of my comfort zone | 0:56:50 | 0:56:54 | |
and I'm now kind of wanting to try even more materials. | 0:56:54 | 0:56:59 | |
It's all been plusses on my side, really. | 0:56:59 | 0:57:02 | |
Jaimelee and Lee's home is now one where they can welcome family | 0:57:04 | 0:57:08 | |
and friends, a far cry from the disused building site of old. | 0:57:08 | 0:57:12 | |
-Cheers! -Cheers! -Cheers! | 0:57:12 | 0:57:14 | |
Jaimelee and Lee, well done. | 0:57:14 | 0:57:16 | |
Initially, Lee had built a very straightforward extension | 0:57:20 | 0:57:25 | |
that just moved the space out without really thinking about | 0:57:25 | 0:57:28 | |
how they could use all of the space in the ground floor of their house. | 0:57:28 | 0:57:32 | |
Like many people, he and Jaimelee thought open plan meant NO plan, | 0:57:32 | 0:57:38 | |
but they've learnt that giving each area a purpose was the key to | 0:57:38 | 0:57:42 | |
making this family house work for them. | 0:57:42 | 0:57:44 | |
Though the house is open plan, each space has its own character | 0:57:44 | 0:57:49 | |
and I think that's really successful. | 0:57:49 | 0:57:51 | |
Next time... | 0:57:59 | 0:58:01 | |
There's a radical idea to create more space... | 0:58:01 | 0:58:04 | |
Your room, as it is, would disappear. | 0:58:04 | 0:58:07 | |
..as we break new ground in an old Post Office. | 0:58:07 | 0:58:10 | |
There's a lot left to do, that's worrying me at the minute. | 0:58:10 | 0:58:13 | |
I help one couple rip it out and redesign. | 0:58:13 | 0:58:16 | |
They make these out of something beautiful and interesting, | 0:58:16 | 0:58:19 | |
but can they pull it off? | 0:58:19 | 0:58:20 | |
Frankly, we've about blown our budget. | 0:58:20 | 0:58:22 |