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This programme contains scenes of Repetitive Flashing Images | 0:00:02 | 0:00:06 | |
He's the only person in Northern Ireland ever did all the local politicians, | 0:00:06 | 0:00:10 | |
and now with his demise there's nobody to take that mantle on. | 0:00:10 | 0:00:14 | |
He brought a bit of light relief into the political process. | 0:00:15 | 0:00:18 | |
He brought a bit of humour and put a smile on people's faces. | 0:00:18 | 0:00:21 | |
I like to say it was a caricature, | 0:00:22 | 0:00:24 | |
maybe he didn't think it was a caricature. | 0:00:24 | 0:00:27 | |
He was just class, you know, and it just seems so strange that... | 0:00:30 | 0:00:37 | |
it's not going to happen again, you know. | 0:00:37 | 0:00:40 | |
Sean Crummey changed the face of political satire in Northern Ireland. | 0:00:51 | 0:00:56 | |
He was a gifted observer, writer and impressionist | 0:00:56 | 0:01:00 | |
who took events at Stormont as his raw material | 0:01:00 | 0:01:03 | |
and shaped them into his own surreal narrative. | 0:01:03 | 0:01:06 | |
His lampoons could be uncomfortably close to the mark, | 0:01:06 | 0:01:11 | |
but the targets of his wit loved it, and his finest achievement, | 0:01:11 | 0:01:15 | |
the radio and TV series The Folks On The Hill, | 0:01:15 | 0:01:18 | |
became the programme no politician could afford to miss. | 0:01:18 | 0:01:21 | |
From the political comedies of Aristophanes in ancient Athens | 0:01:22 | 0:01:27 | |
through to the French satirists such as Aristide Bruant, | 0:01:27 | 0:01:32 | |
lampooning of political figures has been a healthy facet of everyday life. | 0:01:32 | 0:01:36 | |
However, I do not expect to be ridiculed in any way in The Folks On The Hill. | 0:01:36 | 0:01:41 | |
It was a bit like Burns, | 0:01:41 | 0:01:42 | |
"That God the giftie gie us to see ourselves as others see us." | 0:01:42 | 0:01:47 | |
And you saw, or got an insight into, | 0:01:47 | 0:01:49 | |
what the public genuinely had of your character. | 0:01:49 | 0:01:53 | |
In my case, it was sort of the man who knew everything. | 0:01:53 | 0:01:55 | |
First case, please, Clerk of the Court Ford. | 0:01:55 | 0:01:59 | |
The people vs Robert McCartney, M'lud. | 0:01:59 | 0:02:02 | |
What treachery is this? | 0:02:02 | 0:02:03 | |
You are charged that you did knowingly and repeatedly | 0:02:03 | 0:02:06 | |
-behave in a condescending manner. -To whom?! | 0:02:06 | 0:02:09 | |
Well, to everyone, M'lud. | 0:02:09 | 0:02:12 | |
He captured a degree of disdain that I had | 0:02:12 | 0:02:14 | |
for some of the political players, for their ability and principles. | 0:02:14 | 0:02:19 | |
I have merely, over a period of many years, | 0:02:19 | 0:02:22 | |
brought my considerable intellect to bear | 0:02:22 | 0:02:25 | |
on a great number of questions of public interest | 0:02:25 | 0:02:27 | |
in order to help those less fortunate than myself - | 0:02:27 | 0:02:31 | |
id est, everyone. | 0:02:31 | 0:02:33 | |
'In a sense, he captured that by having me' | 0:02:33 | 0:02:36 | |
as a sort of third party who was with him, looking at the scene. | 0:02:36 | 0:02:40 | |
DOORBELL | 0:02:40 | 0:02:41 | |
Who goes there? | 0:02:41 | 0:02:43 | |
Durkan, Mark Durkan. Leader of the SDLP. | 0:02:43 | 0:02:47 | |
Yes, I know who you are, | 0:02:47 | 0:02:48 | |
I'm just deciding whether to grant you admittance or not. | 0:02:48 | 0:02:51 | |
Look, this is ridiculous, Bob. | 0:02:51 | 0:02:53 | |
Enter. | 0:02:53 | 0:02:55 | |
It's easier to see the Pope than you. | 0:02:55 | 0:02:57 | |
Well, I would suggest that the Bishop of Rome | 0:02:57 | 0:02:59 | |
has a much less onerous workload than myself. | 0:02:59 | 0:03:02 | |
'His advice centre scenes with me as the person who was offering the advice' | 0:03:02 | 0:03:06 | |
and the suppliants, as it were, knocking on the door. | 0:03:06 | 0:03:08 | |
'They didn't get much time, | 0:03:08 | 0:03:10 | |
'and if they didn't get to the point quickly they were dismissed.' | 0:03:10 | 0:03:14 | |
Right, your time's up for this session. | 0:03:14 | 0:03:16 | |
In the meantime, I would recommend that you read | 0:03:16 | 0:03:19 | |
chapter three of the Ars Poetica by Horace - good day. | 0:03:19 | 0:03:22 | |
Oh, for heaven's sake. | 0:03:22 | 0:03:24 | |
'That was part of the image' | 0:03:24 | 0:03:26 | |
he created for me, someone who had, shall we say - | 0:03:26 | 0:03:30 | |
it might be a bit harsh - didn't suffer fools gladly? | 0:03:30 | 0:03:35 | |
And he wasn't entirely incorrect in that. | 0:03:35 | 0:03:39 | |
Before his full-time comedy career, | 0:03:39 | 0:03:43 | |
Sean spent 17 years as a teacher at De La Salle College in West Belfast. | 0:03:43 | 0:03:48 | |
His breakthrough into broadcasting came | 0:03:48 | 0:03:51 | |
when a colleague approached a well-known radio presenter. | 0:03:51 | 0:03:54 | |
The first time I heard the name Sean Crummey was in the mid-1980s. | 0:03:54 | 0:03:58 | |
I was presenting shows on Downtown Radio at the time, | 0:03:58 | 0:04:01 | |
and I got a call from a friend called Michael Stewart | 0:04:01 | 0:04:03 | |
who said he knew this very funny bloke. | 0:04:03 | 0:04:06 | |
I said, "Yeah, I hear that all the time." | 0:04:06 | 0:04:08 | |
He said, "No, no, this guy is unassuming, he's clever, | 0:04:08 | 0:04:11 | |
"he's funny, you need to meet him," so I did. | 0:04:11 | 0:04:14 | |
He did some voices, he showed me how clever he was in an instant, | 0:04:14 | 0:04:18 | |
and I realised, this guy has something. | 0:04:18 | 0:04:21 | |
From that day for six or seven years, | 0:04:21 | 0:04:25 | |
Sean Crummey was a regular feature on any radio show I did on Downtown. | 0:04:25 | 0:04:28 | |
DEEP VOICE: And now to the man of the moment - Alex 'Hurricane' Higgins... | 0:04:28 | 0:04:32 | |
Sean worked part-time on the comedy circuit under the stage name Johnny Day. | 0:04:32 | 0:04:37 | |
ALEX HIGGINS VOICE: No, I think Dennis still takes the death threat quite seriously, | 0:04:37 | 0:04:42 | |
you know, because last week we were playing an exhibition game | 0:04:42 | 0:04:46 | |
and I missed a red, and I turned to Dennis and said, "Your shot, Dennis," | 0:04:46 | 0:04:53 | |
and he hid under the table. | 0:04:53 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
But soon his more famous friends were urging him | 0:04:56 | 0:04:59 | |
to give up the day job. | 0:04:59 | 0:05:00 | |
I remember saying, "Sean, did you ever think of leaving | 0:05:00 | 0:05:03 | |
"teaching behind, maybe give this a go as a profession?" | 0:05:03 | 0:05:06 | |
He said he was toying with the idea, but wasn't convinced. | 0:05:06 | 0:05:09 | |
He never fully believed in himself, Sean - he was a very modest man. | 0:05:09 | 0:05:12 | |
Merry Christmas! Merry Christmas! | 0:05:15 | 0:05:18 | |
'I first met Sean' | 0:05:18 | 0:05:19 | |
about 1998 when we did our first Give My Head Peace Christmas special, | 0:05:19 | 0:05:23 | |
'and he played a priest who ended up being hugged by Uncle Andy, | 0:05:23 | 0:05:27 | |
'for various reasons that I'll not go into. | 0:05:27 | 0:05:29 | |
'I ended up sitting with him about three in the morning, | 0:05:29 | 0:05:32 | |
'and he came across as a lovely fellow.' | 0:05:32 | 0:05:34 | |
I knew him as Johnny Day before that | 0:05:34 | 0:05:36 | |
and he was talking about this stage, 1988, going full-time. | 0:05:36 | 0:05:39 | |
Come in, Barry McGuigan... | 0:05:39 | 0:05:41 | |
HIGH PITCHED VOICE: Thanks very much, Robert... | 0:05:41 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:45 | |
Really delighted to be given this opportunity, of trying my wee chat show. | 0:05:45 | 0:05:50 | |
As you said, I made a total b...shambles out of it last time. | 0:05:50 | 0:05:54 | |
'A lot of people spoke to him and said,' | 0:05:54 | 0:05:56 | |
if you took a sabbatical out of the teaching, | 0:05:56 | 0:05:59 | |
you could earn as much money doing the voices as teaching. | 0:05:59 | 0:06:02 | |
So he gave it a lot of thought and indeed he did do it, | 0:06:02 | 0:06:04 | |
he took a sabbatical, and at the end of the year we said, "Well, Sean?" | 0:06:04 | 0:06:08 | |
And he said, "I didn't do too bad." | 0:06:08 | 0:06:09 | |
"I'll have another go," and he took another year out, | 0:06:09 | 0:06:12 | |
and eventually after that he decided to give teaching up altogether. | 0:06:12 | 0:06:16 | |
He never looked back, did he? | 0:06:16 | 0:06:17 | |
AS BARRY MCGUIGAN: Jimmy Stewart, you're very welcome. | 0:06:17 | 0:06:21 | |
JIMMY STEWART: Aww, thank you very much, son, | 0:06:21 | 0:06:23 | |
it's mighty good of you to ask me along, see? | 0:06:23 | 0:06:26 | |
HIGH-PITCHED: Heeheheee! | 0:06:26 | 0:06:27 | |
LAUGHTER | 0:06:27 | 0:06:29 | |
I don't enjoy insulting people or offending people, you know, | 0:06:29 | 0:06:33 | |
I just want to make people laugh. | 0:06:33 | 0:06:35 | |
By 2001, a year after Sean left teaching, | 0:06:35 | 0:06:40 | |
The Folks On The Hill was a major success on radio. | 0:06:40 | 0:06:44 | |
Three years after that it took on a new dimension | 0:06:44 | 0:06:47 | |
when it moved to television. | 0:06:47 | 0:06:50 | |
The decision was made to do an animated series, and Liam O'Neill, | 0:06:50 | 0:06:53 | |
who worked in our graphics department at that time, | 0:06:53 | 0:06:56 | |
kind of led the charge with that. | 0:06:56 | 0:06:58 | |
Really talented, built lots of fantastic characters. | 0:06:58 | 0:07:01 | |
And the challenge was to turn round 15 minutes of animation each week, because it had to be topical. | 0:07:01 | 0:07:07 | |
It's a renegotiation! | 0:07:07 | 0:07:09 | |
-Review! -Renegotiation! | 0:07:09 | 0:07:10 | |
-Review! -Renegotiation! | 0:07:10 | 0:07:13 | |
It's an unnecessary and potentially cataclysmic form of political procrastination | 0:07:13 | 0:07:18 | |
which fills me with a sense of almost apoplectic indignation. | 0:07:18 | 0:07:21 | |
ALL: What?! | 0:07:21 | 0:07:23 | |
After you appeared on Folks On The Hill | 0:07:23 | 0:07:26 | |
your profile went up substantially, | 0:07:26 | 0:07:28 | |
so from a political point of view, who would complain? | 0:07:28 | 0:07:31 | |
I knew where Jimbo Allister lived. | 0:07:31 | 0:07:34 | |
I knew where everybody lived. | 0:07:34 | 0:07:37 | |
THUNDER | 0:07:37 | 0:07:39 | |
I like to keep saying it was a caricature, | 0:07:39 | 0:07:42 | |
'maybe he didn't think it was a caricature.' | 0:07:42 | 0:07:44 | |
What is your name and why have you come here? | 0:07:44 | 0:07:46 | |
The name's Bond, Geoffrey Bond. | 0:07:46 | 0:07:49 | |
I simply came to pay my respects, Professor Goldrim. | 0:07:49 | 0:07:53 | |
I see. | 0:07:53 | 0:07:54 | |
Ha! You fool! | 0:07:56 | 0:07:58 | |
Did you think you could trick me that easily? | 0:07:58 | 0:08:01 | |
I knew you were a securocrat as soon as you walked in! | 0:08:01 | 0:08:04 | |
I'm not! I don't even know what a securocrat is, honestly! | 0:08:04 | 0:08:08 | |
'Securocrats became...' | 0:08:08 | 0:08:09 | |
..a perfect description, I think, of those in the system | 0:08:09 | 0:08:13 | |
who'd been there for 40 years and really didn't want them to change too much. | 0:08:13 | 0:08:18 | |
I just want to help you in your quest for world domination. | 0:08:18 | 0:08:21 | |
Nonsense! I do not seek world domination! | 0:08:21 | 0:08:24 | |
In fact, I wish to share power. | 0:08:24 | 0:08:26 | |
What Sean did was, he invented personalities, largely, for a lot of these people. | 0:08:26 | 0:08:31 | |
He had their voices, | 0:08:31 | 0:08:32 | |
and then he developed a back story, if you like, | 0:08:32 | 0:08:36 | |
a whole rounded personality, | 0:08:36 | 0:08:38 | |
and invented a parallel world that happened to be Stormont, | 0:08:38 | 0:08:42 | |
but in fact was a place of his own imaginings, very much, | 0:08:42 | 0:08:45 | |
and loosely connected to reality but had something to say about it. | 0:08:45 | 0:08:49 | |
-Son? -Yes, Dad? -Do you know why I've called you in today? | 0:08:49 | 0:08:52 | |
-Is it about increasing my pocket money, Dad? -No, Son, it's not. | 0:08:52 | 0:08:56 | |
'It was comic genius, it was so simple,' | 0:08:56 | 0:08:59 | |
but yet so penetrating in its humour and where it actually got, | 0:08:59 | 0:09:02 | |
and I think that was probably the magic of it. | 0:09:02 | 0:09:05 | |
I've had myself cloned and an exact replica of myself reproduced. | 0:09:05 | 0:09:09 | |
Identical in every way, except, of course, the height. | 0:09:09 | 0:09:13 | |
Does he talk? | 0:09:13 | 0:09:14 | |
Of course I talk, and let me assure you | 0:09:14 | 0:09:16 | |
I will continue to talk, whether you want to listen to me or not... | 0:09:16 | 0:09:21 | |
'I would watch it with my dad, or listen on the radio if travelling together. | 0:09:21 | 0:09:24 | |
'We met Sean several times, whenever he did Party events for us. | 0:09:24 | 0:09:27 | |
'Sean was a gentle man, a gentle giant,' | 0:09:27 | 0:09:29 | |
An unassuming teacher, then stepped into character, | 0:09:29 | 0:09:32 | |
then wham! All this humour just came out, | 0:09:32 | 0:09:35 | |
'and it was incredible.' | 0:09:35 | 0:09:36 | |
It's power share, but not as we know it. | 0:09:36 | 0:09:40 | |
'He had us caricatured in this room. | 0:09:40 | 0:09:42 | |
'Behind my desk was the union flag, and of course, more importantly,' | 0:09:42 | 0:09:45 | |
was the partition down the middle of the room. | 0:09:45 | 0:09:48 | |
I should be able to walk over there any time I like without... | 0:09:48 | 0:09:52 | |
ALARM | 0:09:52 | 0:09:53 | |
-..that happening. -I know, it's ridiculous, so it is! | 0:09:53 | 0:09:56 | |
And Gerry on the other side... | 0:09:56 | 0:09:58 | |
Would you turn that silly thing off, now?! | 0:09:58 | 0:10:00 | |
We'll come over whenever we like, right?! | 0:10:00 | 0:10:03 | |
If humour is to be funny it has to capture - | 0:10:03 | 0:10:06 | |
in a picture or a cartoon or in just a few words - 1,000 words. | 0:10:06 | 0:10:12 | |
-Right, I think it is time for the full works, Junior. -Go, Dad. | 0:10:12 | 0:10:16 | |
LOUD ALARM | 0:10:16 | 0:10:20 | |
Stop it, Ian! We're sorry! Turn it off! | 0:10:20 | 0:10:22 | |
Anyone else behind such a popular show | 0:10:22 | 0:10:25 | |
might have become a household name, | 0:10:25 | 0:10:28 | |
but Sean let his characters do the talking | 0:10:28 | 0:10:30 | |
while he preferred life behind-the-scenes. | 0:10:30 | 0:10:33 | |
When we were doing the Kelly Show, even shows round the country, | 0:10:33 | 0:10:36 | |
Sean would be waiting in the wings, and he was terrified, | 0:10:36 | 0:10:39 | |
he hated coming on to do it. | 0:10:39 | 0:10:41 | |
Sean was happiest when sitting in a small room writing the stuff. | 0:10:41 | 0:10:45 | |
That's where his main strength was. | 0:10:45 | 0:10:47 | |
But he didn't realise just how brilliant he was at some of the voices. | 0:10:47 | 0:10:50 | |
VERY SLOW VOICE: Oh, hello, everyone. | 0:10:50 | 0:10:53 | |
My name's Michael, and I'm looking for someone to have a good laugh with. | 0:10:53 | 0:10:58 | |
I can tell you that in here you weren't anybody | 0:10:58 | 0:11:01 | |
unless you were on Folks On The Hill. | 0:11:01 | 0:11:03 | |
Helloooo? | 0:11:03 | 0:11:04 | |
Feeling sorry for yourself? | 0:11:04 | 0:11:07 | |
Who are you?! | 0:11:07 | 0:11:09 | |
I'm Michael, your guardian angel. | 0:11:09 | 0:11:12 | |
I know certain colleagues who went lobbying the BBC | 0:11:12 | 0:11:14 | |
to get on Folks On The Hill and weren't successful. | 0:11:14 | 0:11:17 | |
There are lots of people worse off than you, you know, David. | 0:11:17 | 0:11:21 | |
Just think of Mark, and Bob, and Fordy. | 0:11:21 | 0:11:25 | |
'I didn't cringe,' | 0:11:25 | 0:11:26 | |
but I thought, "Gee, I'm not really like that," | 0:11:26 | 0:11:29 | |
then my family would say, "Yeah, it's not far away." | 0:11:29 | 0:11:31 | |
Daphne! Daphne! Everything's going to be all right! | 0:11:31 | 0:11:35 | |
'The hook he had for me was the voice, | 0:11:35 | 0:11:37 | |
'and he slowed that right down' | 0:11:37 | 0:11:39 | |
and had me talking in a very slow voice. | 0:11:39 | 0:11:42 | |
People would stop me in the street to talk to me at that type of speed. | 0:11:42 | 0:11:45 | |
He's not answering, let's all just go home. | 0:11:45 | 0:11:48 | |
'He then portrayed me in sort of a Hammer House Of Horror,' | 0:11:48 | 0:11:51 | |
and I was living in a castle with a big cellar, | 0:11:51 | 0:11:54 | |
and everybody was frightened to come to the door. | 0:11:54 | 0:11:57 | |
McGimpsey, where are you? | 0:11:57 | 0:11:59 | |
GHOSTLY ECHOING: I'm down in the cellar... | 0:11:59 | 0:12:02 | |
Why don't you all come and join me? | 0:12:02 | 0:12:05 | |
Michael, stop this, you're frightening everyone, come up at once! | 0:12:05 | 0:12:08 | |
Yes, leader? | 0:12:08 | 0:12:10 | |
Argh! | 0:12:10 | 0:12:11 | |
Totally unexpected, watching one Friday night with my wife | 0:12:11 | 0:12:14 | |
and this comes up and suddenly I'm Dracula | 0:12:14 | 0:12:16 | |
and I think, "Where did he get this from?" | 0:12:16 | 0:12:18 | |
There was that emphasising the points, creating the caricature. | 0:12:18 | 0:12:22 | |
Very, very clever. | 0:12:22 | 0:12:23 | |
# Could you never see a doctor | 0:12:23 | 0:12:26 | |
# Could you never get a bed? | 0:12:26 | 0:12:28 | |
# Did the NHS just let you down | 0:12:28 | 0:12:30 | |
# And drive you off your head? | 0:12:30 | 0:12:31 | |
# Were you ever stuck in A&E | 0:12:31 | 0:12:33 | |
# For 14 hours or more? | 0:12:33 | 0:12:35 | |
# Did they ask you if you're broken arm was really all that sore? # | 0:12:35 | 0:12:38 | |
I met Sean on a number of occasions. | 0:12:38 | 0:12:40 | |
I sat in dinners where he stood up and did his repertoire, | 0:12:40 | 0:12:43 | |
including me, and everybody's looking round at me | 0:12:43 | 0:12:46 | |
to see how I'm reacting, and of course I enjoyed it. | 0:12:46 | 0:12:49 | |
EVIL LAUGHTER | 0:12:51 | 0:12:53 | |
Some of us used to suspect | 0:12:53 | 0:12:55 | |
that Sean had some kind of mole in the Northern Ireland office | 0:12:55 | 0:12:57 | |
who was feeding him all the material they were gathering from various conversations, | 0:12:57 | 0:13:04 | |
but I think he probably was just very astute observer | 0:13:04 | 0:13:06 | |
of human behaviour and had a very keen political antenna. | 0:13:06 | 0:13:10 | |
Did someone mention my name? | 0:13:12 | 0:13:14 | |
Ah, Dr Paisley, thank goodness! | 0:13:14 | 0:13:16 | |
These two are looking to give in to Sinn Fein and have you | 0:13:16 | 0:13:20 | |
sit in Stormont as First Minister with Martin McGuinness as your Deputy! | 0:13:20 | 0:13:24 | |
What?! No! I can't believe it! | 0:13:24 | 0:13:28 | |
I expressly said I would let my old friend Marty be First Minister, | 0:13:28 | 0:13:33 | |
and I would serve as his Deputy! | 0:13:33 | 0:13:35 | |
They're playing with your mind! | 0:13:35 | 0:13:37 | |
He had the luxury of not actually being in the middle of events, | 0:13:37 | 0:13:41 | |
in the sense that everyday political observers like myself are too close to it sometimes, | 0:13:41 | 0:13:47 | |
and so he's taking a step back from all the minutiae | 0:13:47 | 0:13:50 | |
and he can see the big picture and he's looking ahead, | 0:13:50 | 0:13:53 | |
and he's also having a bit of fun. | 0:13:53 | 0:13:54 | |
He's saying to himself, "What if?" | 0:13:54 | 0:13:56 | |
And sometimes the 'what if' did happen. | 0:13:56 | 0:13:58 | |
I don't believe this is happening! | 0:13:58 | 0:14:00 | |
The Shinners have put something in the water! | 0:14:00 | 0:14:05 | |
Peter! Peter, wake up! | 0:14:05 | 0:14:07 | |
Oh, It was all just a dream. | 0:14:07 | 0:14:09 | |
I was dreaming Dr Paisley had done the deal | 0:14:09 | 0:14:12 | |
and we were now political bedfellows with the Shinners! | 0:14:12 | 0:14:14 | |
And what's wrong with that, Peter? | 0:14:14 | 0:14:16 | |
Aaaargh! | 0:14:16 | 0:14:19 | |
What you doing around here, Attwood? | 0:14:22 | 0:14:24 | |
I-I was just looking at the gardens. | 0:14:24 | 0:14:27 | |
I-I-I was thinking a few dahlias would be nice over there. | 0:14:27 | 0:14:31 | |
'You needed somebody...' | 0:14:31 | 0:14:33 | |
..from outside the political system in order to comment, | 0:14:33 | 0:14:38 | |
for us all to realise that we were big fish in a small fishbowl. | 0:14:38 | 0:14:42 | |
You're not wanted round here, Attwood, right? | 0:14:42 | 0:14:45 | |
OK, I was just leaving. | 0:14:45 | 0:14:47 | |
Wait a minute. Give us your odds. | 0:14:47 | 0:14:49 | |
-What? -You know what we mean. | 0:14:49 | 0:14:51 | |
But I don't have any money on me. | 0:14:51 | 0:14:53 | |
Not only did he take us all down a peg or two, he also made | 0:14:53 | 0:14:58 | |
telling points about the character and content of our politics | 0:14:58 | 0:15:03 | |
in a way that at times probably said to us to catch ourselves on. | 0:15:03 | 0:15:07 | |
-Hand what over? -It's all right, it's nothing. | 0:15:07 | 0:15:10 | |
-Just a misunderstanding. -That's right. | 0:15:10 | 0:15:13 | |
It was just a misunderstanding. No hassle. Come on, lads. | 0:15:13 | 0:15:17 | |
Go on, clear off and leave him alone or you'll have me | 0:15:17 | 0:15:19 | |
-to deal with. -Thanks, Mark. | 0:15:19 | 0:15:23 | |
Give us your odds, Attwood, now. | 0:15:23 | 0:15:25 | |
Hello. Hello. | 0:15:25 | 0:15:26 | |
This is George W Bush calling you all the way from Texas. | 0:15:26 | 0:15:30 | |
-I don't believe it. Hello, how are you? -I'm just fine... | 0:15:30 | 0:15:35 | |
Despite his tough workload, Sean lent his talents to projects | 0:15:35 | 0:15:37 | |
by old friends, including the man better known as May McFetridge. | 0:15:37 | 0:15:42 | |
I know you've been appearing there at the Grand Ole Opry | 0:15:42 | 0:15:45 | |
House for two decades which must sometimes feel like 20 years. | 0:15:45 | 0:15:49 | |
LAUGHTER | 0:15:49 | 0:15:51 | |
It seems strange to me that I never hear him | 0:15:51 | 0:15:53 | |
when we were playing golf and he hits a good shot, "Oh, yes. Yes, a fine shot." | 0:15:53 | 0:16:00 | |
Or when he putts a long putt in and he would do Gerry Adams. | 0:16:00 | 0:16:04 | |
You could say, "Do Seve Ballesteros". He was just class. | 0:16:04 | 0:16:08 | |
'We used him in our stage shows cos he did the best Gerry Adams. | 0:16:08 | 0:16:12 | |
'You know Da's always on the phone to Gerry Adams. | 0:16:12 | 0:16:15 | |
'His only payment he wanted was a bottle of Rioja.' | 0:16:15 | 0:16:17 | |
He wouldn't swear. He refused to say the F word which I'm afraid I sometimes use | 0:16:17 | 0:16:21 | |
in live shows, but he refused. | 0:16:21 | 0:16:22 | |
And in a very nice way, not an offensive way, he'd say, | 0:16:22 | 0:16:25 | |
"Do you mind if I use a different word rather than the F word?" | 0:16:25 | 0:16:28 | |
and that's just typical of Sean. He did things his own way and gently got on with it. | 0:16:28 | 0:16:32 | |
Welcome to David Ford, The Alliance Party leader who's the first | 0:16:32 | 0:16:36 | |
guest on our new phone-in programme. | 0:16:36 | 0:16:38 | |
The Alliance Party is the only party... | 0:16:38 | 0:16:41 | |
It would be worse to not be lampooned than to be lampooned. | 0:16:41 | 0:16:44 | |
To be thought significant enough is always very exciting | 0:16:44 | 0:16:46 | |
for anybody in that position. | 0:16:46 | 0:16:48 | |
The lines are now open and we await the first call. | 0:16:48 | 0:16:51 | |
'Whether you spoke too much, whether people wanted to speak to you.' | 0:16:51 | 0:16:54 | |
He twisted those to where the lampoon was funny without getting to the point where it was nasty. | 0:16:54 | 0:17:00 | |
We have our first caller. | 0:17:00 | 0:17:01 | |
-Hello, you're through to David Ford, what's your question? -'Hello.' | 0:17:01 | 0:17:04 | |
-Hello. -'Hello.' -Hello, David Ford here, how can I help? | 0:17:04 | 0:17:07 | |
Number 49, mate, with fried rice. | 0:17:07 | 0:17:11 | |
I got suggestions from my family, they never knew I could sing | 0:17:11 | 0:17:14 | |
so well as when I had a stringless guitar standing underneath | 0:17:14 | 0:17:17 | |
the street lamp, and those little ditties were always amusing. | 0:17:17 | 0:17:20 | |
# My name is David Ford-by I'm a cheeky sort of chap | 0:17:20 | 0:17:24 | |
# I play me little banjo and I wear me little cap | 0:17:24 | 0:17:28 | |
# I keep me eye on the DUP and the Shinners when I can | 0:17:28 | 0:17:35 | |
# But I really think our country is going down the pan. # | 0:17:35 | 0:17:39 | |
It was always good to see people like Gerry Kelly or Peter Robinson | 0:17:39 | 0:17:42 | |
being given an absolutely spot-on hard time, because I believe | 0:17:42 | 0:17:46 | |
he got nearly everybody else right, but he just didn't quite get me. | 0:17:46 | 0:17:49 | |
Wahey, you have to laugh! | 0:17:49 | 0:17:52 | |
Topical comedy demands a constant supply of fresh material, | 0:17:55 | 0:18:00 | |
although the team on The Folks On The Hill expanded in later years, | 0:18:00 | 0:18:03 | |
scripting it initially was largely a solo effort. | 0:18:03 | 0:18:06 | |
The standard was extremely high, but also the turnover was immense. | 0:18:06 | 0:18:09 | |
He did ten years of Folks On The Hill on the radio, | 0:18:09 | 0:18:12 | |
we did about four or five years on the television. | 0:18:12 | 0:18:15 | |
That's a huge volume of material to go through. | 0:18:15 | 0:18:17 | |
He's to be hugely admired, and he didn't perhaps get the respect | 0:18:17 | 0:18:21 | |
he deserved for being able to do that week in, week out. | 0:18:21 | 0:18:24 | |
I just know there's peace over the rainbow. | 0:18:24 | 0:18:28 | |
-Where am I?! I'm lost. -Hello. -Who are you? | 0:18:36 | 0:18:39 | |
I'm Jeffrey, one of the munchkin men. | 0:18:39 | 0:18:40 | |
If you need to see the wizard, just follow the Orange Brick Road. | 0:18:40 | 0:18:44 | |
The fact that you made it on to Folks On The Hill was | 0:18:44 | 0:18:46 | |
success in itself. | 0:18:46 | 0:18:48 | |
I didn't mind in the slightest the way in which the portrayal went. | 0:18:48 | 0:18:53 | |
-Niall, of N2, a cover of Sinn... -What was that, Adams? | 0:18:53 | 0:19:00 | |
I was just trying a new spell, Professor. | 0:19:00 | 0:19:03 | |
You haven't learned it very well. Your pronunciation is dreadful. | 0:19:03 | 0:19:06 | |
-God's sake, the Latin ones were hard enough. -Trying to turn yourself into a democrat, were you, Adams? | 0:19:06 | 0:19:11 | |
No, actually, I was trying to shrink you but I see someone beat me to it. | 0:19:11 | 0:19:15 | |
If people could have a laugh at Folks On The Hill it helped reduce | 0:19:15 | 0:19:19 | |
the level of tension that there would have been at Stormont, | 0:19:19 | 0:19:23 | |
so all in all I think it was a good thing. | 0:19:23 | 0:19:26 | |
'Sometimes perhaps a bit close to the bone in terms of the humour, | 0:19:26 | 0:19:32 | |
'maybe closer to the truth than some people might have hoped.' | 0:19:32 | 0:19:35 | |
Ah, the Thane of Lagan Valley. The noble Jeffrey, he has come. | 0:19:35 | 0:19:40 | |
Hail good sirs, let us eat and drink our fill for a great victory | 0:19:40 | 0:19:45 | |
was won upon Westminster Field. | 0:19:45 | 0:19:47 | |
Aye, and men shall ever speak of Upper Bann | 0:19:47 | 0:19:50 | |
wherein thy former friend did meet his end. | 0:19:50 | 0:19:53 | |
Trimble's end was Jeffrey's deed, was it not thus, my lords? | 0:19:53 | 0:19:58 | |
Not mine, nay, though I shed no tears 'tis true. | 0:19:58 | 0:20:01 | |
Overall very professional, very well done, and extremely humorous. | 0:20:01 | 0:20:06 | |
-You have supped with the Devil, sir. -'Tis a lie. | 0:20:06 | 0:20:09 | |
This witchcraft is in their minds alone, judge. | 0:20:09 | 0:20:13 | |
What know these folk of God, I say? | 0:20:13 | 0:20:16 | |
He blasphemes. He damns himself by his words. | 0:20:16 | 0:20:20 | |
-Repent and save yourself, David. -Get stuffed, Jeffrey. | 0:20:20 | 0:20:23 | |
I remember one Christmas sitting watching Folks On The Hill | 0:20:23 | 0:20:26 | |
and my two daughters were in the room | 0:20:26 | 0:20:28 | |
and were keeping an eye on what was on the TV and there was this | 0:20:28 | 0:20:34 | |
'moment when I was portrayed as metamorphosing | 0:20:34 | 0:20:38 | |
into Daniel O'Donnell.' | 0:20:38 | 0:20:40 | |
Och, now, told you, honest to God, this is desperate, it really is. | 0:20:40 | 0:20:47 | |
Did you hear that, Peter? | 0:20:47 | 0:20:48 | |
They were appalled and were thinking, "How are we going to go back | 0:20:48 | 0:20:51 | |
"to school after the Christmas holidays when people see this?" | 0:20:51 | 0:20:55 | |
But I was laughing, and hurting my sides laughing, | 0:20:55 | 0:20:59 | |
because it was just brilliant humour, | 0:20:59 | 0:21:02 | |
and you have to take it in the way it's intended. | 0:21:02 | 0:21:06 | |
# I want to dance with you | 0:21:06 | 0:21:09 | |
# I want to dance you right across the floor... # | 0:21:09 | 0:21:13 | |
Help! Quickly, someone help! | 0:21:13 | 0:21:14 | |
Away from politics, real or imagined, | 0:21:16 | 0:21:19 | |
Sean could be relied on to add extra personality to any big occasion. | 0:21:19 | 0:21:23 | |
When Graeme McDowell won the US Open I was charged | 0:21:23 | 0:21:26 | |
with providing the entertainment. | 0:21:26 | 0:21:28 | |
I thought no better man than golf-crazy Sean Crummey | 0:21:28 | 0:21:32 | |
who came down. It was a wonderful evening | 0:21:32 | 0:21:34 | |
because Sean took charge of the microphone and welcomed Graeme home. | 0:21:34 | 0:21:38 | |
Now we're going over to South Africa to join Nelson Mandela. | 0:21:38 | 0:21:41 | |
Nelson Mandela. | 0:21:41 | 0:21:43 | |
(MIMICS MANDELA) Greetings from South Africa. | 0:21:43 | 0:21:46 | |
I send my congratulations across the world to Graeme McDowell | 0:21:46 | 0:21:51 | |
on this fantastic achievement even though you beat Ernie Els. | 0:21:51 | 0:21:57 | |
Graeme and some of his friends from America were doubled over laughing. | 0:21:57 | 0:22:01 | |
Then Sean turned it upside down and started to do Graeme himself. | 0:22:01 | 0:22:05 | |
(MIMICS MCDOWELL) After Celtic Manor I knew my game was on fire | 0:22:05 | 0:22:08 | |
and I just wanted to get the putter... | 0:22:08 | 0:22:10 | |
CHEERING | 0:22:10 | 0:22:13 | |
'At this stage, not only his friend, the entire room | 0:22:13 | 0:22:16 | |
'just collapsed in hysterical laughter. | 0:22:16 | 0:22:18 | |
'None moreso than Graeme himself who thought it was brilliant. | 0:22:18 | 0:22:22 | |
As you guys know I grew up on the east side of Portrush | 0:22:22 | 0:22:26 | |
and I was like any other kid doing crazy things, | 0:22:26 | 0:22:30 | |
hopping on the back of the garbage truck, and... | 0:22:30 | 0:22:33 | |
LAUGHTER | 0:22:33 | 0:22:35 | |
..practising my putting on the sidewalk. It was awesome. | 0:22:35 | 0:22:37 | |
Hello, Jim Allister here with another of my little broadcasts. | 0:22:43 | 0:22:50 | |
Ever since I told my loyal supporters that | 0:22:50 | 0:22:52 | |
I had gone all virtual my website has been positively inundated with | 0:22:52 | 0:22:58 | |
hits, as I believe they're called. | 0:22:58 | 0:23:00 | |
Very often now when people learn that I am available 24/7 online they | 0:23:00 | 0:23:07 | |
say, "You tube", and I tell them to keep a civil tongue in their head. | 0:23:07 | 0:23:12 | |
'He lampooned us all. He lampooned me from time to time.' | 0:23:12 | 0:23:15 | |
Sometimes as the arch conspirator he would line me up | 0:23:15 | 0:23:20 | |
on occasions with Bob McCartney | 0:23:20 | 0:23:22 | |
and had us on some far flung ancient radio system conspiring together | 0:23:22 | 0:23:28 | |
as if we were something out of the French Resistance. | 0:23:28 | 0:23:32 | |
Snowy Owl to Bald Eagle. Snowy Owl to Bald Eagle. Are you reading me? | 0:23:32 | 0:23:38 | |
Bald Eagle to Snowy Owl, reading you loud and clear. | 0:23:40 | 0:23:44 | |
-'Why are you called Snowy Owl?' -I would have thought that was self-evident. | 0:23:44 | 0:23:52 | |
Snowy because of my thatch of luxuriant white hair, | 0:23:52 | 0:23:55 | |
and Owl because it is synonymous with wisdom | 0:23:55 | 0:23:58 | |
and has been since the days of the ancient Greeks | 0:23:58 | 0:24:01 | |
when Athena the Goddess of Wisdom | 0:24:01 | 0:24:04 | |
had as one of her numerous symbols the owl. | 0:24:04 | 0:24:07 | |
I am Bald Eagle because I too am a fearsome and proud predator? | 0:24:07 | 0:24:13 | |
No, because you are bald. | 0:24:13 | 0:24:15 | |
He realised in a sense I was a bit of a John The Baptist to Allister. | 0:24:15 | 0:24:19 | |
We were cast in this role of a sort of resistance to this | 0:24:19 | 0:24:23 | |
overwhelming drive for a result. | 0:24:23 | 0:24:26 | |
What else have you to tell me? | 0:24:26 | 0:24:28 | |
If the DUP puts forward a candidate against me | 0:24:28 | 0:24:31 | |
the Unionist vote will be split three ways, | 0:24:31 | 0:24:34 | |
the Shinners will gain an extra seat and then the DUP will be blamed. Ha-ha! | 0:24:34 | 0:24:39 | |
-And you'd lose your seat. -Oh, crap, I hadn't thought of that. | 0:24:40 | 0:24:45 | |
I will go and work on Plan B. Over and out. | 0:24:45 | 0:24:49 | |
It was more than comedy. It was in itself political commentary | 0:24:49 | 0:24:54 | |
done in a comic fashion | 0:24:54 | 0:24:56 | |
and he was a talent we probably won't see the like of again in that regard. | 0:24:56 | 0:25:03 | |
The Folks On The Hill ended its TV run in 2008, but continued on radio. | 0:25:03 | 0:25:09 | |
"Have you seen this, Bobby?" "Please do not refer to me as Bobby. | 0:25:09 | 0:25:13 | |
"In fact, please do not refer to me at all." | 0:25:13 | 0:25:16 | |
A decade on, the original cast of characters had changed radically, | 0:25:16 | 0:25:22 | |
but a painful personal struggle was going on behind the scenes. | 0:25:22 | 0:25:26 | |
Sean became ill at the start of 2011. | 0:25:27 | 0:25:30 | |
Things went very quiet. No more Folks On The Hill for a while. | 0:25:30 | 0:25:34 | |
Sean was getting treatment. | 0:25:34 | 0:25:37 | |
So it was a real joy in the summer of 2011 when Sean was fit enough | 0:25:37 | 0:25:42 | |
to come back to work as it were, though we never called it work, | 0:25:42 | 0:25:45 | |
and we were back in Studio Three, doing lots of impressions. | 0:25:45 | 0:25:49 | |
He'd perfected a few new characters. | 0:25:49 | 0:25:51 | |
We have Tom Elliott now on the political map. | 0:25:51 | 0:25:55 | |
(MIMICS ELLIOTT) Tom is a very interesting character, from Fermanagh | 0:25:55 | 0:25:59 | |
obviously, and I think the people of Northern Ireland are behind me | 0:25:59 | 0:26:03 | |
as I attempt to alienate as many sections of the population as I can. | 0:26:03 | 0:26:07 | |
We were doing six programmes and about two thirds | 0:26:07 | 0:26:10 | |
of the way in, Sean began to feel unwell again, but continued. | 0:26:10 | 0:26:15 | |
'Insisted on doing it. It must have been like an instinct' | 0:26:15 | 0:26:19 | |
because as soon as the red light went on in the studio | 0:26:19 | 0:26:21 | |
he was brilliant and did some really challenging sketches. | 0:26:21 | 0:26:25 | |
Who cares if McGuinness becomes president or not? | 0:26:25 | 0:26:28 | |
(MIMICS MCGUINNESS): The First Minister knows this is not the vote to which I am referring. | 0:26:28 | 0:26:33 | |
I am talking about Janet Devlin on the X Factor. She's the pride of Tyrone, so she is. | 0:26:33 | 0:26:36 | |
He said goodbye to the studio, goodbye to us, | 0:26:36 | 0:26:40 | |
and he died about ten days later. | 0:26:40 | 0:26:44 | |
But his very last radio programme went out the day before he died. | 0:26:44 | 0:26:50 | |
So he kept us laughing right to the end. | 0:26:50 | 0:26:53 | |
-I suppose this place must be full now. -Heh-heh! | 0:26:57 | 0:26:59 | |
What are you laughing at? | 0:26:59 | 0:27:02 | |
I think you've forgotten, | 0:27:02 | 0:27:04 | |
there is one more chap who's gone over the hill as it were. | 0:27:04 | 0:27:07 | |
-Who? -You'll find out soon enough. | 0:27:07 | 0:27:09 | |
-Hey, fellows, look who's here. Ha-ha! -Good grief. | 0:27:10 | 0:27:15 | |
This place looks like Guantanamo Bay. Do I know you? Laura? Laura? | 0:27:15 | 0:27:22 | |
Sean will be remembered as a comic genius, | 0:27:26 | 0:27:29 | |
but to all of us who knew him his real legacy will be the way | 0:27:29 | 0:27:33 | |
he touched the lives of those around him. | 0:27:33 | 0:27:35 | |
He never claimed the limelight when we were together. | 0:27:35 | 0:27:39 | |
We were all just guys together playing a game of golf. | 0:27:39 | 0:27:42 | |
He would listen to a joke every bit as much as tell the joke and he would enjoy our company. | 0:27:42 | 0:27:46 | |
Of all the voices I will miss it will be Sean's own voice | 0:27:46 | 0:27:50 | |
that I'll miss over the years. He was just such a gentleman, was Sean. | 0:27:50 | 0:27:54 | |
It's a tremendous loss because as so often is the case, | 0:27:56 | 0:28:02 | |
people with this sort of talent, and one can think of many | 0:28:02 | 0:28:05 | |
comedians among them, who can bring a bit of joy, a bit of fun, | 0:28:05 | 0:28:10 | |
a bit of laughter to life in general, are cut short. | 0:28:10 | 0:28:16 | |
He will be enormously missed, certainly by me. | 0:28:16 | 0:28:20 | |
I went to his funeral. It was huge. | 0:28:20 | 0:28:24 | |
It was huge out of respect. | 0:28:24 | 0:28:26 | |
He gave back what he gave out which was decent humour, wit, | 0:28:26 | 0:28:32 | |
with a sharp edge, but not anything that would hurt anybody. | 0:28:32 | 0:28:36 | |
When I went up to the wake, the young fellow, Brendan 12 years of age, | 0:28:38 | 0:28:42 | |
says, "I heard what you said on the BBC and I just want to thank you. | 0:28:42 | 0:28:45 | |
"Your words were very kind." That's from a 12 year old. | 0:28:45 | 0:28:48 | |
Then at the funeral... | 0:28:48 | 0:28:50 | |
..his son was just... I mean... | 0:28:58 | 0:29:02 | |
Just a real sound family and a lovely husband and father. | 0:29:02 | 0:29:08 | |
He was all that. We could all take a leaf out of his book. | 0:29:08 | 0:29:14 | |
Subtitles by Red Bee Media Ltd | 0:29:40 | 0:29:42 | |
E-mail [email protected] | 0:29:42 | 0:29:45 |