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I wouldn't want to go down there now. | 0:00:02 | 0:00:03 | |
Andrew Slorance was a teenager when an accident left him paralysed. | 0:00:03 | 0:00:08 | |
From the age of about 17, | 0:00:08 | 0:00:10 | |
I knew the wheelchair just wasn't as good as it could be. | 0:00:10 | 0:00:14 | |
It was limiting. | 0:00:14 | 0:00:16 | |
Nearly 30 years later, | 0:00:17 | 0:00:19 | |
he's convinced he can create the perfect wheelchair. | 0:00:19 | 0:00:22 | |
I wanted to do something really different, | 0:00:24 | 0:00:26 | |
something that was going to make a difference to other people, | 0:00:26 | 0:00:29 | |
and a difference to me in my own life. | 0:00:29 | 0:00:31 | |
I want him to believe in himself | 0:00:32 | 0:00:35 | |
and to have a stage in his life | 0:00:35 | 0:00:36 | |
that he can look back and say, "That was just bloody fantastic." | 0:00:36 | 0:00:40 | |
This might actually work. This might actually really work. | 0:00:42 | 0:00:46 | |
But it's going to be tough getting the chairs manufactured... | 0:00:46 | 0:00:49 | |
Andrew, this project has been so delayed, because of you. | 0:00:49 | 0:00:52 | |
Because of me? Really? | 0:00:52 | 0:00:53 | |
Oh, yeah. Oh, my! | 0:00:53 | 0:00:55 | |
..finding investors... | 0:00:55 | 0:00:57 | |
Just get them out there on the market | 0:00:57 | 0:00:58 | |
at the price you think you can ultimately sell them for. | 0:00:58 | 0:01:02 | |
..and getting the chair to market. | 0:01:02 | 0:01:04 | |
I lie in bed at night just turning over what we do next, | 0:01:06 | 0:01:10 | |
how we pay the next thing. | 0:01:10 | 0:01:12 | |
I've put the children's lives on hold, so I'm... | 0:01:12 | 0:01:18 | |
..living pretty dangerously, in my own kind of way. | 0:01:20 | 0:01:23 | |
This programme contains some strong language | 0:01:29 | 0:01:36 | |
What do you think when you see them do that? | 0:01:53 | 0:01:56 | |
Do you really think, "God, that looks so enjoyable"? | 0:01:56 | 0:02:00 | |
-You mean jumping in? -Yeah. | 0:02:00 | 0:02:02 | |
No. | 0:02:02 | 0:02:04 | |
Even if I wanted to jump in there and go to the other side, | 0:02:04 | 0:02:07 | |
the wheelchair would still be here. Got to get back to it again. | 0:02:07 | 0:02:11 | |
-Yes. -I always think of the practical side. | 0:02:11 | 0:02:13 | |
All the worries... | 0:02:13 | 0:02:14 | |
It's just always there, you just want to get rid of it. It'd be quite nice. | 0:02:14 | 0:02:19 | |
The biggest defining fact of me is, obviously, I use a chair. | 0:02:22 | 0:02:25 | |
-Do you remember what it used to feel like? -Yeah. | 0:02:25 | 0:02:28 | |
I'm not too keen on the term, "Disabled", | 0:02:28 | 0:02:31 | |
because it just says disabled. | 0:02:31 | 0:02:34 | |
It says, you know, | 0:02:34 | 0:02:36 | |
like the bomb squad disable a bomb, they render it useless. | 0:02:36 | 0:02:40 | |
I don't consider myself disabled, but I have to use the term. | 0:02:40 | 0:02:44 | |
Andrew Slorance was 14 when he fell out of a tree | 0:02:49 | 0:02:52 | |
and broke his back. | 0:02:52 | 0:02:54 | |
I remember falling through the branches, breaking them as I fell. | 0:02:56 | 0:03:02 | |
I must have been paralysed instantly. | 0:03:02 | 0:03:05 | |
Of course, at the beginning, I couldn't believe it. | 0:03:08 | 0:03:11 | |
Thought it was all still a dream. | 0:03:11 | 0:03:13 | |
But of course... | 0:03:14 | 0:03:17 | |
..it's all true. | 0:03:18 | 0:03:21 | |
ANDREW ON TV: 'The doctor said I broke my back, cos I jackknifed | 0:03:21 | 0:03:25 | |
'when I hit the ground.' | 0:03:25 | 0:03:27 | |
Whilst in hospital, he was filmed for a BBC documentary. | 0:03:27 | 0:03:31 | |
It's the first time wife Mary and stepson Owen have seen the film. | 0:03:32 | 0:03:38 | |
TEENAGE ANDREW ON TV: 'And I asked the nurse, | 0:03:38 | 0:03:41 | |
'"Are my legs going to be OK?"' | 0:03:41 | 0:03:42 | |
'And the nurse, at the beginning, pretended she didn't hear me. | 0:03:45 | 0:03:50 | |
'And all the nurses did this.' | 0:03:50 | 0:03:52 | |
-Goodness. -Six months on. | 0:04:09 | 0:04:12 | |
-And then you're so matter-of-fact about it. -Yeah. | 0:04:12 | 0:04:16 | |
'I think people that aren't used to being around people' | 0:04:16 | 0:04:18 | |
in a wheelchair will find it, like, hard not to look at the chair | 0:04:18 | 0:04:22 | |
or the person's legs or, like, ask questions | 0:04:22 | 0:04:26 | |
or have thoughts in their mind about disabled people. | 0:04:26 | 0:04:30 | |
Right, now. Come on. | 0:04:31 | 0:04:33 | |
TEENAGE ANDREW: 'I don't like being pushed. | 0:04:33 | 0:04:35 | |
'I don't like people seeing me being pushed around | 0:04:35 | 0:04:38 | |
'like I was a pram.' | 0:04:38 | 0:04:40 | |
It was very much a feeling at that age that it happened to me | 0:04:41 | 0:04:45 | |
at a young age when I could adapt. | 0:04:45 | 0:04:48 | |
That was the word that was used a lot. "You can adapt to this, Andrew." | 0:04:48 | 0:04:52 | |
Makes you a good thinker. Suffering makes you a good thinker. | 0:04:52 | 0:04:57 | |
You have a lot of time to digest and... | 0:04:57 | 0:05:03 | |
consider. | 0:05:03 | 0:05:04 | |
I think, in that way, being paralysed has helped me quite a lot. | 0:05:06 | 0:05:11 | |
Helped me to see the world in a different perspective. | 0:05:11 | 0:05:16 | |
Wheelchairs are very limiting. | 0:05:18 | 0:05:21 | |
If I take the wheels off, like I would if I was getting in and out of the car.... | 0:05:21 | 0:05:25 | |
There's lots of things that are wrong with the chair. | 0:05:25 | 0:05:28 | |
The first thing is, they all look the same. | 0:05:28 | 0:05:29 | |
'It's...' | 0:05:32 | 0:05:33 | |
It's just a chair, that's all it is. | 0:05:35 | 0:05:37 | |
It's actually quite heavy. | 0:05:37 | 0:05:40 | |
I mean, that's about, on its own, probably about 7kg. | 0:05:40 | 0:05:42 | |
This is a typical wheelchair wheel, | 0:05:42 | 0:05:45 | |
basically just a bike wheel that's had the hub changed | 0:05:45 | 0:05:49 | |
and had this bit held on. Added on. | 0:05:49 | 0:05:51 | |
But it's really difficult to grip, so I have to push the chair | 0:05:51 | 0:05:54 | |
all the time with my hand on the wheel, like this, | 0:05:54 | 0:05:56 | |
which means you're just running your hands on tyres. | 0:05:56 | 0:05:59 | |
The other thing about these aluminium rims | 0:05:59 | 0:06:01 | |
is if I just rub my finger on there for a minute... | 0:06:01 | 0:06:04 | |
it comes off on your fingers. Anything it knocks into, | 0:06:04 | 0:06:07 | |
it will leave this black residue. | 0:06:07 | 0:06:09 | |
And that's that, really. | 0:06:11 | 0:06:13 | |
After 27 years of putting up with this, | 0:06:13 | 0:06:16 | |
Andrew has designed his own wheelchair, | 0:06:16 | 0:06:19 | |
a revolutionary lightweight model he's called Carbon Black. | 0:06:19 | 0:06:23 | |
So here's a picture of the design as it stands right now. | 0:06:23 | 0:06:27 | |
This isn't really going to change now till we've made the prototype. | 0:06:27 | 0:06:30 | |
So here you can see the main difference is this single stem | 0:06:30 | 0:06:34 | |
that runs just down the middle. | 0:06:34 | 0:06:37 | |
That goes behind the user's legs, rather than what you'd normally have | 0:06:37 | 0:06:40 | |
is the two straps going down either side. | 0:06:40 | 0:06:44 | |
Why not have a wheelchair that, you know... | 0:06:49 | 0:06:53 | |
is super, super-sexy looking. | 0:06:53 | 0:06:56 | |
This shot shows how the backrest's got these big cut-outs in it, | 0:06:56 | 0:07:01 | |
which make it very light. | 0:07:01 | 0:07:02 | |
What's the weight, do you think, of your wheelchair? | 0:07:02 | 0:07:05 | |
I'm aiming for about six kilos for the chair. | 0:07:05 | 0:07:07 | |
The chair I'm using today is about ten. | 0:07:07 | 0:07:09 | |
It's very hard to know, really, how it's going to be like. | 0:07:09 | 0:07:13 | |
You know, we can see... We can see that it looks nice in the CAD, | 0:07:13 | 0:07:19 | |
in the computer, but the day they actually bring the chair out and say, | 0:07:19 | 0:07:22 | |
"There it is, that's it, this is what it's all been about, | 0:07:22 | 0:07:25 | |
"this has been three years of work...", | 0:07:25 | 0:07:28 | |
that's going to be a really big moment. | 0:07:28 | 0:07:31 | |
I don't know. | 0:07:31 | 0:07:32 | |
Andrew and Mary are facing a huge challenge, | 0:07:32 | 0:07:35 | |
which they're recording on video diary. | 0:07:35 | 0:07:38 | |
Three years ago, Andrew gave up his job as a film editor | 0:07:38 | 0:07:40 | |
to concentrate on Carbon Black. | 0:07:40 | 0:07:43 | |
Without any experience in product design, | 0:07:43 | 0:07:46 | |
they'll have to get the chair manufactured, tested and marketed. | 0:07:46 | 0:07:50 | |
It's gone off again. | 0:07:50 | 0:07:51 | |
Today, Andrew is heading to Milton Keynes | 0:08:08 | 0:08:11 | |
to pick up the first working model, or prototype, of Carbon Black | 0:08:11 | 0:08:14 | |
'I lie in my bed at night, | 0:08:24 | 0:08:26 | |
'I look at the wheelchair sitting next to my bed. | 0:08:26 | 0:08:29 | |
'And I can't help myself | 0:08:29 | 0:08:31 | |
'but to replace the chair sitting next to my bed with Carbon Black, | 0:08:31 | 0:08:35 | |
'and try to imagine, "What's this really going to look like?" | 0:08:35 | 0:08:38 | |
'"Is it going to work?" | 0:08:38 | 0:08:40 | |
'"Why has no-one else done a chair like this?"' | 0:08:40 | 0:08:42 | |
FLEETWOOD MAC ON CAR STEREO | 0:08:45 | 0:08:47 | |
You don't know that you've had a good time | 0:08:47 | 0:08:49 | |
till you've listened to Fleetwood Mac, I tell you. | 0:08:49 | 0:08:51 | |
And it sets you up for a good journey, doesn't it, love? | 0:08:51 | 0:08:54 | |
It does. It's our anthem. | 0:08:54 | 0:08:56 | |
MUSIC: "Go Your Own Way" by Fleetwood Mac | 0:08:56 | 0:08:59 | |
'I'm nervous, I think, for Andy.' | 0:09:02 | 0:09:04 | |
I just want it to go well. I want it to go well. | 0:09:05 | 0:09:09 | |
I really want it to happen for him. And... | 0:09:09 | 0:09:13 | |
Cos there's nobody that's struggled more... | 0:09:13 | 0:09:19 | |
in my lifetime that I've known, except for Andy. | 0:09:19 | 0:09:22 | |
You know, his life has been a constant struggle. | 0:09:25 | 0:09:27 | |
I see it every day. And this time, | 0:09:27 | 0:09:33 | |
I want him to believe in himself. | 0:09:33 | 0:09:36 | |
You know, I may be the support, but, "No, YOU did this." | 0:09:36 | 0:09:41 | |
And that's going to be a good day for me. It really is. | 0:09:41 | 0:09:44 | |
# You can go your own way... # | 0:09:44 | 0:09:48 | |
Scottish Enterprise are funding this first prototype. | 0:09:48 | 0:09:51 | |
Andy always says to me... | 0:09:53 | 0:09:56 | |
I don't remember this, but he seems to have it etched in his mind. | 0:09:56 | 0:09:59 | |
Years, when he first started the idea of Carbon Black, | 0:09:59 | 0:10:02 | |
I apparently, quote, said that, "It's never going to work", | 0:10:02 | 0:10:07 | |
and he should just get a normal job. | 0:10:07 | 0:10:09 | |
But no, I think you see Andy putting so much work into it, | 0:10:09 | 0:10:14 | |
so much effort... | 0:10:14 | 0:10:15 | |
I mean, you kind of have to believe it's going to work, you have to put that belief into it. | 0:10:15 | 0:10:20 | |
Inspired by one of the fastest vehicles on four wheels, | 0:10:32 | 0:10:35 | |
Andrew's making his wheelchair from Formula 1 material - carbon fibre. | 0:10:35 | 0:10:40 | |
So he's come to Prodrive, | 0:10:42 | 0:10:44 | |
the company behind Aston Martin's racing team. | 0:10:44 | 0:10:48 | |
That's light, isn't it? That's better. | 0:10:48 | 0:10:51 | |
And the button's absolutely flush. That's exactly how we wanted it. | 0:10:54 | 0:10:58 | |
It's incredibly rigid. | 0:10:58 | 0:11:00 | |
Oh, I'm really chuffed with that. That looks great. | 0:11:00 | 0:11:03 | |
It's going to look pretty funky, isn't it? | 0:11:09 | 0:11:11 | |
-It's going to be awesome. -It's going to look pretty damn good. | 0:11:11 | 0:11:15 | |
This first prototype is being made using a high-tech process | 0:11:16 | 0:11:20 | |
which is hugely labour-intensive. | 0:11:20 | 0:11:23 | |
28 parts have to be moulded separately and then glued together. | 0:11:23 | 0:11:26 | |
It's really happening and it's dawning on me. | 0:11:30 | 0:11:33 | |
This might actually work. This might actually really work, | 0:11:34 | 0:11:38 | |
and I was absolutely buzzing about it. | 0:11:38 | 0:11:41 | |
I'm seeing it completely come together as... | 0:11:41 | 0:11:45 | |
as Carbon Black. | 0:11:45 | 0:11:46 | |
It looks completely revolutionary, the wheels look fantastic, | 0:11:46 | 0:11:50 | |
everything's fitting together properly. | 0:11:50 | 0:11:52 | |
It's all just clicking together, so I'm really optimistic. | 0:11:52 | 0:11:57 | |
Two days later, and the chair is nearly finished. | 0:12:02 | 0:12:05 | |
But there is a problem with the backrest. | 0:12:14 | 0:12:17 | |
It's not latching. | 0:12:17 | 0:12:19 | |
Or that needs to be higher up. | 0:12:20 | 0:12:21 | |
The engineers have forgotten to leave a gap for the seat cushion. | 0:12:21 | 0:12:25 | |
They improvise a solution, made from wood and electrical tape. | 0:12:29 | 0:12:32 | |
British engineering at its best(!) | 0:12:36 | 0:12:38 | |
I think it's the old Heath Robinson school of engineering, this one, isn't it? | 0:12:38 | 0:12:42 | |
To compete with other chairs on the market, | 0:13:00 | 0:13:02 | |
Andrew wants a six kilogram wheelchair. | 0:13:02 | 0:13:05 | |
Some things are over-engineered... | 0:13:05 | 0:13:07 | |
This one is over two-and-a-half kilograms heavier. | 0:13:07 | 0:13:09 | |
Three years since the project began, | 0:13:20 | 0:13:23 | |
he's about to see Carbon Black for the first time. | 0:13:23 | 0:13:26 | |
HE EXHALES | 0:13:45 | 0:13:47 | |
God, it's so weird to see it for real. | 0:13:52 | 0:13:54 | |
Done a really good job. Thank you. | 0:13:54 | 0:13:57 | |
Just takes a little bit of time to get my head round it. | 0:14:01 | 0:14:05 | |
It looks so different to the other chair, doesn't it? | 0:14:05 | 0:14:08 | |
It does look really good. | 0:14:08 | 0:14:10 | |
Next to this one, it's like a new generation, isn't it? | 0:14:10 | 0:14:16 | |
That's what I... That's what I feel like. | 0:14:17 | 0:14:19 | |
It's weird, it feels like it's moving, but maybe it's just flexing. | 0:14:36 | 0:14:39 | |
Flexing, probably. Does it feel fairly-balanced? | 0:14:39 | 0:14:43 | |
It does actually, yeah. | 0:14:43 | 0:14:44 | |
That feels all right. | 0:14:47 | 0:14:49 | |
Hey, I'm using it. | 0:14:51 | 0:14:54 | |
I'm using it. | 0:14:54 | 0:14:55 | |
What's the hold-up? What is he doing? | 0:15:27 | 0:15:30 | |
Andy hasn't told me what he thinks about it, cos he doesn't, you know, | 0:15:33 | 0:15:38 | |
he wants my reaction to be a surprise. | 0:15:38 | 0:15:41 | |
Mary. | 0:15:45 | 0:15:46 | |
-Yes, are you ready? -Yeah. -OK. | 0:15:46 | 0:15:49 | |
Oh, my God! | 0:15:59 | 0:16:01 | |
Stay still. | 0:16:03 | 0:16:05 | |
God, it's... God, I can't believe it's real. | 0:16:13 | 0:16:17 | |
-Fantastic. -Do you think so? | 0:16:18 | 0:16:21 | |
-Oh, my God, can I have a look at the footrest? -Yeah. | 0:16:21 | 0:16:23 | |
-I'll move your feet. -Yeah, go on. | 0:16:23 | 0:16:25 | |
Oh, my God. | 0:16:28 | 0:16:30 | |
Gosh, it's really real. | 0:16:34 | 0:16:37 | |
Oh, my God. | 0:16:38 | 0:16:40 | |
I can't believe it's here. | 0:16:41 | 0:16:42 | |
Aw! SHE LAUGHS | 0:16:52 | 0:16:54 | |
-Do you want to see it without me in it? -Yeah. | 0:16:54 | 0:16:57 | |
A few minutes away from where Andrew now lives is his old family home. | 0:17:09 | 0:17:13 | |
DOG BARKS Dogs do react oddly to wheelchairs. | 0:17:13 | 0:17:16 | |
There's the house where I grew up, in this house here. | 0:17:18 | 0:17:22 | |
Yeah, I spent a lot of time here getting used to being in a wheelchair. | 0:17:27 | 0:17:30 | |
I think there's a picture of me on my first day back at school, | 0:17:30 | 0:17:34 | |
back at Nairn Academy, after I'd been paralysed. | 0:17:34 | 0:17:38 | |
I'll never forget it, ever. | 0:17:45 | 0:17:47 | |
I felt guilt, anger... | 0:17:47 | 0:17:51 | |
wishing it had been me. | 0:17:51 | 0:17:53 | |
That somehow we had destroyed his life, | 0:17:56 | 0:17:59 | |
he would never have teenage years. | 0:17:59 | 0:18:01 | |
My bedroom was round the side of the house, on the other side. | 0:18:02 | 0:18:06 | |
But after my accident, my bedroom was moved to that bay window, | 0:18:06 | 0:18:11 | |
just above that roof there, that was my bedroom, cos it was bigger, | 0:18:11 | 0:18:15 | |
and you could get a wheelchair round it, with a through-floor lift | 0:18:15 | 0:18:19 | |
that you wound by hand. It took you up on a kind of platform. | 0:18:19 | 0:18:23 | |
This is the only way of taking it up to my bedroom. | 0:18:25 | 0:18:27 | |
Pull this down, and I just wind this handle, and I can go up. | 0:18:27 | 0:18:31 | |
Soon, Andrew began to form ideas of a perfect wheelchair. | 0:18:33 | 0:18:36 | |
I wouldn't call it an obsession, | 0:18:38 | 0:18:39 | |
but he's had this idea in his head since his accident, really. | 0:18:39 | 0:18:43 | |
He began talking about the chairs being big and heavy | 0:18:46 | 0:18:49 | |
and ugly and industrial, and we just all thought it was a pipe dream. | 0:18:49 | 0:18:53 | |
October, 2010, | 0:19:01 | 0:19:03 | |
and the first prototype needs to be put through its paces. | 0:19:03 | 0:19:06 | |
It's way lighter than getting the other one out. | 0:19:07 | 0:19:10 | |
It's a chance to test out a design feature unique to Carbon Black. | 0:19:13 | 0:19:17 | |
LEDs. | 0:19:17 | 0:19:19 | |
-What does it look like? -It's so dark I can't actually see you. | 0:19:21 | 0:19:24 | |
But they don't look stupid, doesn't look like a mobile Christmas tree? | 0:19:24 | 0:19:28 | |
No, no, it's not like that at all. If you had more of them... | 0:19:28 | 0:19:31 | |
-Strobing. -Yeah! | 0:19:31 | 0:19:32 | |
They're quite bright from here. | 0:19:32 | 0:19:35 | |
I think it's still promising. We can work on it. | 0:19:35 | 0:19:37 | |
And I do. I think it's an excellent idea. | 0:19:37 | 0:19:40 | |
Carbon Black. Showing you the way ahead! | 0:19:40 | 0:19:42 | |
Carbon Black. Glow as you go! | 0:19:42 | 0:19:45 | |
Glow as you go, that's good! | 0:19:45 | 0:19:46 | |
THEY LAUGH | 0:19:46 | 0:19:49 | |
-That was good, wasn't it? -That was good. -It's got to be said. | 0:19:50 | 0:19:53 | |
And I'm looking, I don't know whether it's the tyres | 0:19:55 | 0:19:59 | |
or it's actually the carbon wheels, | 0:19:59 | 0:20:01 | |
but they're reverberating. Not too bad. | 0:20:01 | 0:20:04 | |
Over the next few weeks, they test the wheelchair | 0:20:05 | 0:20:08 | |
in everyday situations. | 0:20:08 | 0:20:10 | |
It's actually not too bad. It's all right. | 0:20:13 | 0:20:15 | |
It's still quite slow. But this is quite a good test, | 0:20:18 | 0:20:20 | |
because I'm really pushing on the wheels quite hard. | 0:20:20 | 0:20:24 | |
-Mm-hm. -There's a lot of resistance against them. | 0:20:24 | 0:20:27 | |
-I think this is going quite well. -Are you happy? -Yeah. | 0:20:27 | 0:20:31 | |
-I used to come down here as a kid. -Did you? -Come down here on my bike. | 0:20:32 | 0:20:37 | |
If I can't do that, there's something seriously wrong. | 0:20:37 | 0:20:40 | |
This is where I do get a bit scared, not because of going up a curb, | 0:20:40 | 0:20:44 | |
just cos I hope the wheels can take it. | 0:20:44 | 0:20:46 | |
'This is the start of...' | 0:20:49 | 0:20:51 | |
These are really small curbs. | 0:20:51 | 0:20:53 | |
'..you know, maybe the beginning of the business of it. | 0:20:53 | 0:20:58 | |
'I'm positive. I'm feeling very positive.' | 0:20:58 | 0:21:00 | |
It's a feeling of elation, but for me, there's, you know, | 0:21:00 | 0:21:04 | |
there's a small little element of being scared, | 0:21:04 | 0:21:09 | |
being scared of, "What does that mean for us? | 0:21:09 | 0:21:12 | |
"What does that mean for us as a family?" | 0:21:12 | 0:21:14 | |
-OK, OK. -OK. | 0:21:16 | 0:21:19 | |
-You've got a front caster problem. -Yeah. -OK. | 0:21:19 | 0:21:24 | |
I don't want to do much to it, because we're going to have to get you back, aren't we? | 0:21:24 | 0:21:28 | |
-Yeah. Let's get back. -It's a minor hiccup. | 0:21:28 | 0:21:31 | |
The front caster has come loose. | 0:21:31 | 0:21:33 | |
OK. Do you want to take this one back? | 0:21:33 | 0:21:36 | |
But there is a far greater issue. | 0:21:36 | 0:21:38 | |
With such high-end manufacturing costs, | 0:21:38 | 0:21:42 | |
Carbon Black will have to sell for £20,000. | 0:21:42 | 0:21:45 | |
More than eight times the price of the average wheelchair. | 0:21:45 | 0:21:49 | |
I think if Carbon Black was priced at about kind of £4,000 or £5,000, | 0:21:50 | 0:21:56 | |
I think we would be overwhelmed with people interested. | 0:21:56 | 0:21:59 | |
But what I don't know is, | 0:22:00 | 0:22:02 | |
are there 200 people that'll pay £20,000 for a wheelchair? | 0:22:02 | 0:22:06 | |
The answer really has to be yes, but... | 0:22:06 | 0:22:08 | |
..it's a gamble. | 0:22:09 | 0:22:11 | |
And what would be the life span of the chair, then? | 0:22:12 | 0:22:15 | |
I would replace my chair every two to three years. | 0:22:15 | 0:22:18 | |
And I wouldn't expect someone to get more from Carbon Black. | 0:22:19 | 0:22:23 | |
Too many cooks in the kitchen! | 0:22:42 | 0:22:43 | |
Andrew, his three stepchildren and Mary are getting ready for Christmas. | 0:22:43 | 0:22:48 | |
This is all mine. That's the only beer there is! | 0:22:48 | 0:22:50 | |
The first prototype has thrown up issues with the front forks, | 0:22:54 | 0:22:58 | |
the casters, and the backrest, which broke off completely, | 0:22:58 | 0:23:02 | |
so he needs to make a second. | 0:23:02 | 0:23:05 | |
But on top of the grants, | 0:23:05 | 0:23:07 | |
he's already spent £50,000 of his own money. | 0:23:07 | 0:23:09 | |
He can no longer afford to work with Prodrive. | 0:23:11 | 0:23:14 | |
It's nearly three months to the day since we picked up the chair, | 0:23:16 | 0:23:20 | |
and the project's been absolutely static for all that time. | 0:23:20 | 0:23:24 | |
-That'll do, come round. -Christmas is ruined! | 0:23:24 | 0:23:26 | |
GIRL: It's overdressed! > | 0:23:26 | 0:23:27 | |
Why is that 100 shades of wrong? | 0:23:27 | 0:23:30 | |
-GIRL: Cos it's too gold. -Cos you put red and gold together? | 0:23:30 | 0:23:32 | |
It's two together, you can't do that, that's wrong. | 0:23:32 | 0:23:36 | |
The couple have just been awarded a further grant by Highlands And Islands Enterprise | 0:23:36 | 0:23:40 | |
to make a second prototype. | 0:23:40 | 0:23:42 | |
But they'll have to find an extra £20,000. | 0:23:42 | 0:23:46 | |
Andrew has no option but to remortgage the family home. | 0:23:46 | 0:23:50 | |
I've now put in every penny I can find. | 0:23:50 | 0:23:53 | |
So this is it, this is the last phase of the development, | 0:23:53 | 0:23:57 | |
and what comes out at the end of this phase has got to be the end product, | 0:23:57 | 0:24:01 | |
and it's got to be on the market very soon. | 0:24:01 | 0:24:05 | |
-OK... -THEY CHEER | 0:24:07 | 0:24:11 | |
That's nice. | 0:24:11 | 0:24:13 | |
Andrew has found a new local manufacturer | 0:24:25 | 0:24:28 | |
who has worked with some top names in Formula 1. | 0:24:28 | 0:24:31 | |
James Urquhart says he can manufacture Carbon Black | 0:24:38 | 0:24:41 | |
for a quarter of the price. | 0:24:41 | 0:24:44 | |
How light is that? | 0:24:44 | 0:24:46 | |
-It's pretty light, isn't it? -It's going to be lighter when you're done with it. | 0:24:46 | 0:24:50 | |
This means Andrew could get the retail price down to £10,000. | 0:24:50 | 0:24:55 | |
This is the moulds here. | 0:24:55 | 0:24:57 | |
It's just basically all been bunged into a box, hasn't it? | 0:24:57 | 0:24:59 | |
It's just been thrown in, yeah. | 0:24:59 | 0:25:02 | |
-So that's the footrest, that's the top of the footrest? -Yeah. | 0:25:02 | 0:25:07 | |
To help keep the costs down, | 0:25:07 | 0:25:09 | |
Andrew has instructed James to use these original moulds, or tooling, | 0:25:09 | 0:25:14 | |
created by the first company. | 0:25:14 | 0:25:16 | |
In fact, there's more tooling than I thought there was. | 0:25:16 | 0:25:19 | |
There is quite a bit of tooling here. | 0:25:19 | 0:25:21 | |
Expensive stuff. | 0:25:21 | 0:25:23 | |
There's about forty grand's worth of tooling in there. | 0:25:23 | 0:25:26 | |
But that's to Formula 1 prices. | 0:25:26 | 0:25:30 | |
Yet the chair built using these is flawed. | 0:25:31 | 0:25:34 | |
-It does looks on a bit of an angle. -It does. | 0:25:35 | 0:25:37 | |
-OK, but that's an issue. -Yeah, that is one to check. | 0:25:37 | 0:25:42 | |
With money tight, | 0:25:43 | 0:25:44 | |
he's set James a deadline of 12 weeks to make the second prototype. | 0:25:44 | 0:25:49 | |
-How it's looking, James? -Yeah, it's all right, yeah. | 0:25:50 | 0:25:53 | |
Does it all makes sense? | 0:25:53 | 0:25:55 | |
Yeah, just going to have to have a proper look through it all | 0:25:55 | 0:25:57 | |
-and see how it all goes together, really. -Have a seat. | 0:25:57 | 0:26:02 | |
The Enterprise Agency has also provided a business mentor. | 0:26:02 | 0:26:06 | |
It's so light. That's the thing. It's absolutely so light. | 0:26:08 | 0:26:11 | |
This is business start-up. | 0:26:11 | 0:26:14 | |
This is business start-up at its absolute sharp end, | 0:26:14 | 0:26:18 | |
and in the middle of a recession as well. | 0:26:18 | 0:26:20 | |
Where I would be nervous for Andy | 0:26:21 | 0:26:23 | |
is that he has got a very, very expensive product. | 0:26:23 | 0:26:27 | |
That means that he has got to go and find the customers | 0:26:27 | 0:26:31 | |
who are going to spend that amount of money, across the world. | 0:26:31 | 0:26:34 | |
This place is dedicated to the chair, and that's really cool. | 0:26:34 | 0:26:38 | |
I feel like I'm, you know, I'm now working with someone | 0:26:38 | 0:26:41 | |
that's going to be really focused on doing the best for the product. | 0:26:41 | 0:26:44 | |
-Yeah, sure. -Rather than trying to make the quickest buck. | 0:26:44 | 0:26:48 | |
Carbon Black is finally on track for a launch in spring, 2011. | 0:26:51 | 0:26:56 | |
Early February, and progress is proving painfully slow. | 0:27:14 | 0:27:17 | |
Things are very up and down, you know. | 0:27:19 | 0:27:22 | |
I'm confused, Andy's confused. | 0:27:24 | 0:27:26 | |
Since Christmas, everything that could go wrong has gone wrong. | 0:27:26 | 0:27:31 | |
Andy is spending copious amounts of time at the unit, | 0:27:33 | 0:27:39 | |
trying to almost, you know, walk him through this. | 0:27:39 | 0:27:43 | |
And that's creating an awful lot of pressure for the pair of us. | 0:27:43 | 0:27:47 | |
This chair was supposed to be done for the end of March, | 0:27:47 | 0:27:52 | |
beginning of April. | 0:27:52 | 0:27:54 | |
Have we got tape, James, or even your measuring...? | 0:27:56 | 0:28:00 | |
Despite this, Andrew continues developing ideas | 0:28:00 | 0:28:03 | |
for the second prototype. | 0:28:03 | 0:28:05 | |
-You're going to want it... -200, we said, wasn't it? Yeah. | 0:28:05 | 0:28:07 | |
If there was a quick-release mechanism, you could almost... | 0:28:07 | 0:28:11 | |
And then it would just click in there. | 0:28:11 | 0:28:13 | |
'He's blaming me for the delays. | 0:28:13 | 0:28:15 | |
'Although we're trying to push on and do the best that we could,' | 0:28:15 | 0:28:18 | |
and there was a lot of changes within the stages that... | 0:28:18 | 0:28:22 | |
Well, there were indecisive changes | 0:28:23 | 0:28:26 | |
in terms of things were getting changed on the backrest etc | 0:28:26 | 0:28:31 | |
that slowed the project right down. | 0:28:31 | 0:28:34 | |
-Pivoted here... -Yeah. | 0:28:34 | 0:28:36 | |
..on a screw. | 0:28:36 | 0:28:37 | |
When things keep changing, it's hard to keep up | 0:28:37 | 0:28:39 | |
when the goalposts keep getting moved. | 0:28:39 | 0:28:42 | |
Plans to start selling the chair in seven weeks have to be put on hold. | 0:28:43 | 0:28:47 | |
-We'll keep it fairly brief, cos it's too frickin' cold. -Yeah. | 0:28:49 | 0:28:53 | |
We're nearly at February 14, | 0:28:54 | 0:28:56 | |
and we're still not quite signed off stage one. | 0:28:56 | 0:28:58 | |
-It's been quite a... -It's been a struggle up to here. -Yeah. | 0:28:58 | 0:29:02 | |
I think both of us have perhaps not been as proactive as we could have been. | 0:29:02 | 0:29:07 | |
And obviously, I'm having a bit more input... | 0:29:07 | 0:29:09 | |
But timetables aren't the only issue. | 0:29:09 | 0:29:11 | |
But I mean, if we're waiting on carbon coming, | 0:29:11 | 0:29:14 | |
that's obviously a total basic fundamental we're going to have to have. | 0:29:14 | 0:29:19 | |
It is. I'll make sure I'm ordering it at least six weeks in advance. | 0:29:19 | 0:29:22 | |
Is that the lead-time, six weeks? | 0:29:22 | 0:29:24 | |
I mean, I have seen it take up to six weeks before. | 0:29:24 | 0:29:27 | |
I mean, that would kill us. | 0:29:27 | 0:29:28 | |
We might need to think of a contingency plan. | 0:29:28 | 0:29:32 | |
The decision to delay selling begins to affect everyone. | 0:29:42 | 0:29:46 | |
SHE LAUGHS | 0:29:46 | 0:29:49 | |
Oh, my God. Are you kidding?! | 0:29:55 | 0:29:57 | |
'I worry about the stress levels round the family.' | 0:29:58 | 0:30:00 | |
I lie in bed at night just turning over what we do next, | 0:30:00 | 0:30:05 | |
how we pay the next thing. | 0:30:05 | 0:30:08 | |
How long have I got before it becomes just too tough? | 0:30:08 | 0:30:12 | |
Well, I thought I'd give those guys an advantage | 0:30:15 | 0:30:18 | |
and get the best player to see if he can be just as good from a wheelchair. | 0:30:18 | 0:30:22 | |
So that's what I'm doing. | 0:30:22 | 0:30:24 | |
You're very limited for swing back. | 0:30:26 | 0:30:28 | |
-HE GROANS -Right, OK. | 0:30:31 | 0:30:34 | |
HE LAUGHS | 0:30:35 | 0:30:37 | |
CHEERING AND GROANING | 0:30:39 | 0:30:42 | |
Andy's put years into Carbon Black, | 0:30:42 | 0:30:46 | |
and all of his focus is into it, so he hasn't had a job. | 0:30:46 | 0:30:49 | |
And I mean, there's only so long you can go without working | 0:30:49 | 0:30:52 | |
until, you know, money starts to run out and things start to get tight. | 0:30:52 | 0:30:56 | |
Family life's kind of taken a back seat to the chair, if you like. | 0:30:56 | 0:31:00 | |
I think Sophie, especially, | 0:31:01 | 0:31:03 | |
she's in her last year of secondary school now, it's a big year, | 0:31:03 | 0:31:07 | |
she's got exams, she's hoping to go to university after, | 0:31:07 | 0:31:12 | |
and I kind of think that it's tough on her, | 0:31:12 | 0:31:15 | |
because she's not getting help with her, well, not getting as much help | 0:31:15 | 0:31:18 | |
with her studies from the parents as maybe she should be. | 0:31:18 | 0:31:22 | |
They can't focus on her and the chair at the same time, | 0:31:22 | 0:31:24 | |
and unfortunately, the chair's winning out, | 0:31:24 | 0:31:26 | |
so she's kind of being left on her own a little bit, you know. | 0:31:26 | 0:31:30 | |
March 1st. | 0:31:40 | 0:31:42 | |
There has been little progress made over the last three months. | 0:31:42 | 0:31:46 | |
I'm mad. | 0:31:49 | 0:31:51 | |
I'm really, really upset about it. | 0:31:51 | 0:31:54 | |
I expected the new company to be on the ball big-time. | 0:31:56 | 0:32:01 | |
Hopes that James would manufacture a far cheaper Carbon Black | 0:32:02 | 0:32:06 | |
haven't been realised. | 0:32:06 | 0:32:07 | |
Had it. Absolutely had it. | 0:32:12 | 0:32:14 | |
Had it with this wheelchair, I've had it with the whole project. | 0:32:14 | 0:32:18 | |
Just sick to the back teeth of it. | 0:32:18 | 0:32:20 | |
I was OK till this afternoon, and Mary got very upset this afternoon. | 0:32:22 | 0:32:27 | |
And that's kind of pushed me over the edge a little bit. | 0:32:27 | 0:32:31 | |
Cos I've just been bottling it and bottling all the stress, | 0:32:31 | 0:32:33 | |
and she just cracked, totally cracked this afternoon. | 0:32:33 | 0:32:36 | |
She just sat down on the sofa and just broke down. | 0:32:36 | 0:32:38 | |
Said, "I can't do this anymore." | 0:32:38 | 0:32:40 | |
Some of them are still with the pattern cutter, | 0:32:45 | 0:32:49 | |
-so we'll have to get them sent back up. -I was kind of expecting that last week. | 0:32:49 | 0:32:53 | |
Yeah, but he hasn't sent them up... | 0:32:53 | 0:32:55 | |
You take everything out the box, and we'll put it back in the box. | 0:32:55 | 0:32:59 | |
OK, two sets of LEDs. | 0:32:59 | 0:33:01 | |
-There's three sets in there. -There's three sets. | 0:33:01 | 0:33:04 | |
Quick releases, two. | 0:33:04 | 0:33:05 | |
-Power strips. -Have the other switch come? | 0:33:05 | 0:33:09 | |
Well, it's not arrived, but there's no need for it | 0:33:09 | 0:33:11 | |
because you signed that off already, so it's what we agreed on. | 0:33:11 | 0:33:16 | |
It's not what we agreed on at all, is it? | 0:33:16 | 0:33:18 | |
I mean, last time I saw you, there were... | 0:33:18 | 0:33:21 | |
you said they're sending the other one because they've only got... | 0:33:21 | 0:33:24 | |
Well, I'm only telling you what they're telling me. | 0:33:24 | 0:33:26 | |
-I'm pushing them to send stuff to me. -Bullshit. | 0:33:26 | 0:33:30 | |
Andrew, you're talking... Andrew, this project has been so delayed | 0:33:30 | 0:33:34 | |
-because of you. -Because of me? Really? | 0:33:34 | 0:33:37 | |
Andrew and James have decided to part ways. | 0:33:39 | 0:33:42 | |
But this is not the first company that Andrew has dealt with, | 0:33:42 | 0:33:45 | |
or the second. | 0:33:45 | 0:33:48 | |
In fact, it's the fourth. | 0:33:48 | 0:33:49 | |
I don't think Andrew really appreciates actually how much | 0:33:50 | 0:33:53 | |
we've put into this, you know, and how much extra effort | 0:33:53 | 0:33:58 | |
behind the scenes that goes on. | 0:33:58 | 0:34:00 | |
And I just feel that he doesn't see half of it, | 0:34:00 | 0:34:02 | |
so he probably thinks there's not very much progress, | 0:34:02 | 0:34:04 | |
when we're really actually doing quite a lot here | 0:34:04 | 0:34:07 | |
to try and make this work for him, you know. | 0:34:07 | 0:34:09 | |
I didn't know developing a new product was going to be | 0:34:12 | 0:34:15 | |
as time-consuming, as expensive and as hard as this has been. | 0:34:15 | 0:34:19 | |
You're totally reliant on the engineers and the designers and... | 0:34:19 | 0:34:25 | |
..all the other people that are involved with this to do their bit. | 0:34:26 | 0:34:30 | |
But it's not their project. They're just doing their job. | 0:34:30 | 0:34:34 | |
With no manufacturer on board, | 0:34:46 | 0:34:48 | |
Andrew decides to push ahead with the marketing. | 0:34:48 | 0:34:51 | |
Today, he's having publicity photos taken | 0:34:54 | 0:34:56 | |
by one of the UK's leading brand photographers, Richard Foster. | 0:34:56 | 0:35:01 | |
Intriguing beast. | 0:35:04 | 0:35:06 | |
Intriguing beast, that's a good name for it! | 0:35:06 | 0:35:09 | |
It's actually a much more elegant piece of design | 0:35:09 | 0:35:13 | |
than I was expecting. | 0:35:13 | 0:35:14 | |
You can't give something first time out ten-out-of-ten, but I'd definitely give it a nine. | 0:35:14 | 0:35:19 | |
Would you mind...? Yeah, keep going round. That's so much better. | 0:35:22 | 0:35:28 | |
SHUTTER CLICKS | 0:35:28 | 0:35:30 | |
I don't know the market he's selling to. | 0:35:30 | 0:35:34 | |
I know sort of what's happened to me, | 0:35:34 | 0:35:37 | |
but I don't know how many other people are in a wheelchair | 0:35:37 | 0:35:40 | |
with the money to spend | 0:35:40 | 0:35:41 | |
on that object of, you know, desirability. | 0:35:41 | 0:35:44 | |
There's something very beautiful if you come down here | 0:35:46 | 0:35:48 | |
and look at that. Really, you know, it's quite exceptional. | 0:35:48 | 0:35:52 | |
You haven't held back. You've designed everything, even redesigned the wheel. | 0:35:52 | 0:35:57 | |
I think it's designed for people with maybe a little more movement | 0:35:57 | 0:36:01 | |
than myself. I think I'd fall out the back quite quick. | 0:36:01 | 0:36:04 | |
So before your accident, would you have been running around doing all this yourself? | 0:36:04 | 0:36:09 | |
Yeah, much better. I actually concentrate on the photographs now, | 0:36:09 | 0:36:12 | |
-not running up and down. -It works quite well, doesn't it? | 0:36:12 | 0:36:15 | |
Yeah. Far harder work... | 0:36:15 | 0:36:17 | |
Richard Foster is the only other wheelchair user | 0:36:17 | 0:36:20 | |
ever to have seen Carbon Black. | 0:36:20 | 0:36:22 | |
Andrew has based the design on his own needs. | 0:36:22 | 0:36:25 | |
Perhaps arrogantly, I feel I know what needs to be done. | 0:36:25 | 0:36:30 | |
I am the market study. | 0:36:31 | 0:36:33 | |
I've had 28 years using a chair, and my take on it is, | 0:36:33 | 0:36:37 | |
if I have the problems I have with existing chairs, then so do others. | 0:36:37 | 0:36:42 | |
There we go. | 0:36:42 | 0:36:44 | |
I mean, words can't say enough, can they? | 0:36:47 | 0:36:50 | |
Night and day. Chalk and cheese. | 0:36:50 | 0:36:51 | |
It now doesn't matter whether I go to a user group | 0:36:54 | 0:36:58 | |
and they tell me they don't like it, because I'll carry on regardless. | 0:36:58 | 0:37:03 | |
-How are you doing, sir? -Hi, Gary. -How's tricks? -How are you? | 0:37:08 | 0:37:12 | |
Nearly four years on, and Carbon Black is still not on sale. | 0:37:12 | 0:37:16 | |
Andrew's meeting his business mentor Gary for some advice. | 0:37:18 | 0:37:22 | |
Good bacon rolls, that's the main thing you get in here. | 0:37:23 | 0:37:26 | |
Get some products, get out there and show it to folk. | 0:37:28 | 0:37:31 | |
-And even if it turns out to be a market research... -Mm-hm. | 0:37:31 | 0:37:37 | |
..you know, sort of day out or two days out, | 0:37:37 | 0:37:40 | |
where everybody comes on and says, "Well, yeah, I like, I'd buy it, | 0:37:40 | 0:37:43 | |
"but I'd only buy it if..." And if you get 99 out of 100 people | 0:37:43 | 0:37:47 | |
coming up and saying, "It needs this," | 0:37:47 | 0:37:50 | |
then at least you know that... | 0:37:50 | 0:37:52 | |
See, I know there are things that it does need. | 0:37:52 | 0:37:55 | |
I know that this backrest is too small for some people to use. | 0:37:55 | 0:37:59 | |
That's what you think. | 0:37:59 | 0:38:01 | |
What you need to do is go and find out what everybody else thinks as well. | 0:38:01 | 0:38:04 | |
In case you have fundamentally misread the market. | 0:38:04 | 0:38:07 | |
I think you're right. I think I've got quite bogged down | 0:38:07 | 0:38:11 | |
in trying to reduce the weight, | 0:38:11 | 0:38:13 | |
and keep the weight down and keep it down. | 0:38:13 | 0:38:15 | |
The danger is you'll keep on trying to make it perfect in your own mind. | 0:38:15 | 0:38:19 | |
You don't need the perfect wheelchair, just one 200 people a year will buy. | 0:38:19 | 0:38:22 | |
That's it. It's come to the crunch. | 0:38:22 | 0:38:26 | |
HE LAUGHS It's too scary! | 0:38:26 | 0:38:28 | |
I know it's scary, but that's it, now you've got to go | 0:38:28 | 0:38:30 | |
and find out if everybody else likes your baby as well. | 0:38:30 | 0:38:33 | |
That's it. | 0:38:33 | 0:38:34 | |
Urged by Gary, Andrew decides to launch Carbon Black | 0:38:34 | 0:38:38 | |
at a major disability road show in just eight weeks. | 0:38:38 | 0:38:41 | |
I do think it's easy for Gary to say, "Oh, just be there. | 0:38:42 | 0:38:46 | |
"If you commit to being there, it'll all be good. | 0:38:46 | 0:38:49 | |
"You'll find out." | 0:38:49 | 0:38:50 | |
And he's right, but I've got to find the money to do it. | 0:38:50 | 0:38:52 | |
After the fallout with James, | 0:39:00 | 0:39:02 | |
Andrew started working with a new company in Leicestershire. | 0:39:02 | 0:39:05 | |
It's a really exciting day that hopefully this is it. | 0:39:09 | 0:39:15 | |
This is the second and final chair to be made | 0:39:15 | 0:39:21 | |
before I can actually get Carbon Black onto the market. | 0:39:21 | 0:39:24 | |
-Andrew. -Good to see you again. -You too, are you well? | 0:39:26 | 0:39:30 | |
-Yeah, not so bad. -Safe journey down, good journey? | 0:39:30 | 0:39:32 | |
Yeah, it was all right. Getting used to it again. | 0:39:32 | 0:39:35 | |
-Yeah, well, this is it. -535 miles this time. | 0:39:35 | 0:39:38 | |
Well worth it, I think. | 0:39:38 | 0:39:39 | |
There's a lot of progress since you were down here last time. | 0:39:39 | 0:39:41 | |
Andrew wants to sell Carbon Black for £10,000. | 0:39:41 | 0:39:46 | |
He's instructed Jamie Smith to make a second prototype | 0:39:46 | 0:39:49 | |
from the original moulds made over a year ago. | 0:39:49 | 0:39:52 | |
-There we are, eh? Fantastic. -Yeah. | 0:39:52 | 0:39:55 | |
I think the level of finish can, well, without a shadow of a doubt, be improved. | 0:39:56 | 0:40:02 | |
-Time frame now is just trying to get it... -Looks pretty good, though. | 0:40:02 | 0:40:05 | |
..trying to get it done, basically. | 0:40:05 | 0:40:07 | |
He's still hoping for a 6kg wheelchair. | 0:40:07 | 0:40:10 | |
How light is that? | 0:40:10 | 0:40:12 | |
The first prototype weighed 8.66 kilograms. | 0:40:16 | 0:40:19 | |
Oh, no. | 0:40:20 | 0:40:22 | |
Quirky. | 0:40:25 | 0:40:26 | |
I'm surprised at that. | 0:40:26 | 0:40:29 | |
It's actually not far off where we were before. | 0:40:29 | 0:40:34 | |
At 8.77 kilograms, this prototype is heavier. | 0:40:34 | 0:40:37 | |
-Still sticking to your 6kg chair? -Yep. -Yeah? In six weeks? | 0:40:40 | 0:40:46 | |
-Yep. -OK. | 0:40:46 | 0:40:48 | |
-If you can afford it, anyway. -Oh, that's the clause, isn't it? | 0:40:48 | 0:40:51 | |
Yeah! | 0:40:51 | 0:40:53 | |
Back in Nairn, he's discovered another problem. | 0:40:57 | 0:41:01 | |
The bonding has cracked along the line there, | 0:41:02 | 0:41:06 | |
which is exactly the same thing that happened to the first chair | 0:41:06 | 0:41:09 | |
made by Prodrive. | 0:41:09 | 0:41:10 | |
And although that's taking quite a lot of strength for me | 0:41:10 | 0:41:13 | |
just to actually move that, I don't want to shear it off. | 0:41:13 | 0:41:18 | |
I'm tempted to use the chair and see if it breaks, | 0:41:18 | 0:41:20 | |
cos I need to be able to do that... | 0:41:20 | 0:41:22 | |
I wondered whether it was like a design flaw, almost. | 0:41:22 | 0:41:25 | |
Erm... | 0:41:25 | 0:41:27 | |
I hope not. Hope it's not a design flaw, cos these parts are all tooled | 0:41:28 | 0:41:32 | |
and to change them's going to be expensive. | 0:41:32 | 0:41:35 | |
I thought that, you know, we'd just make the first chair | 0:41:35 | 0:41:38 | |
and if I spent so much time designing it, it would all be hunky-dory | 0:41:38 | 0:41:42 | |
and everything would be great. "Let's sell this thing." | 0:41:42 | 0:41:45 | |
But actually, another... | 0:41:45 | 0:41:48 | |
This second prototype's still got issues. | 0:41:48 | 0:41:50 | |
A lot of the problems have been resolved, but... | 0:41:50 | 0:41:53 | |
there's going to have to be third one. | 0:41:53 | 0:41:54 | |
A third one before I can confidently say, "Now we're there." | 0:41:54 | 0:41:58 | |
Andrew's back in London, looking for further investment. | 0:42:01 | 0:42:05 | |
He's heard about a less labour-intensive manufacturing process | 0:42:05 | 0:42:08 | |
that would make an even cheaper Carbon Black. | 0:42:08 | 0:42:11 | |
But he'd need to buy new moulds. | 0:42:11 | 0:42:13 | |
-Sorry, do you work in here? -Yes. -How do I get in here? | 0:42:14 | 0:42:18 | |
I'll put the front wheels on and you can help up the step, OK? | 0:42:24 | 0:42:27 | |
He's meeting top entrepreneur Deborah "Dragons' Den" Meaden. | 0:42:27 | 0:42:30 | |
And one more... OK. | 0:42:30 | 0:42:32 | |
-Oh, yeah. Oh, my goodness. -Yes. | 0:42:32 | 0:42:35 | |
And I won't ask you to lift this one, but it's quite a lot heavier than that one. | 0:42:35 | 0:42:39 | |
I might have to take my shoes off, because these high heels were not meant for lifting. | 0:42:39 | 0:42:43 | |
Well, A - it's awkward to lift, because... | 0:42:43 | 0:42:46 | |
-Because the seat just moves, it's just fabric. -Yeah. | 0:42:46 | 0:42:48 | |
-There is a handle there. -Oh, is there? Oh, gosh, | 0:42:48 | 0:42:50 | |
that's very different. | 0:42:50 | 0:42:52 | |
And that couple of kilograms does actually make quite a lot of difference. | 0:42:52 | 0:42:56 | |
It just feels like using a bus now. | 0:42:56 | 0:42:58 | |
And that is, you know, that, to be absolutely fair, | 0:42:58 | 0:43:03 | |
eight kilograms is pretty, you know... | 0:43:03 | 0:43:05 | |
There are a lot of chairs around that weight. | 0:43:05 | 0:43:07 | |
There are some that are less than that. | 0:43:07 | 0:43:09 | |
Cos your target weight was six kilograms, wasn't it? | 0:43:09 | 0:43:12 | |
The target is six. | 0:43:12 | 0:43:13 | |
-I don't know that we're going to achieve that without new tooling. -OK. | 0:43:13 | 0:43:16 | |
The carbon fibre company says we can do it, | 0:43:16 | 0:43:19 | |
but we need to make it in once piece. But we need a good amount of money | 0:43:19 | 0:43:23 | |
to make the tooling. | 0:43:23 | 0:43:24 | |
-So, if you did have the new tooling... -Mm-hm. | 0:43:24 | 0:43:28 | |
..you could sell this for...? | 0:43:28 | 0:43:30 | |
I reckon we could sell it for about six. | 0:43:30 | 0:43:33 | |
Just get them out there on the market for the price | 0:43:33 | 0:43:36 | |
-you think you can ultimately sell them for... -Yeah. | 0:43:36 | 0:43:39 | |
..and see how quickly they sell. | 0:43:39 | 0:43:41 | |
And there's nothing like saying, "Do you know, three months, I've sold ten of them. | 0:43:41 | 0:43:45 | |
"I've sold 100 of them. I've sold, two, three..." | 0:43:45 | 0:43:48 | |
Whatever it is. That just helps me make my decision | 0:43:48 | 0:43:51 | |
to say, "This isn't risky, there's a market." | 0:43:51 | 0:43:53 | |
So right now, you would think this is risky? | 0:43:53 | 0:43:55 | |
That's a difficult thing for me to hear right now. | 0:43:57 | 0:44:00 | |
I am at a very scary time. I'm completely skint. | 0:44:00 | 0:44:03 | |
To have someone in front of you that's got all that money | 0:44:03 | 0:44:06 | |
and is an investor, I would have lapped it up, because I need it. | 0:44:06 | 0:44:11 | |
If there is something that worries me about Andrew, | 0:44:11 | 0:44:15 | |
I think he might be losing his nerve. | 0:44:15 | 0:44:16 | |
The risk with losing confidence is when you're talking to people, | 0:44:16 | 0:44:20 | |
they can feel it. | 0:44:20 | 0:44:22 | |
And confidence is a very attractive thing. | 0:44:22 | 0:44:24 | |
And if he's trying to raise funds, if he's trying to get investors, | 0:44:24 | 0:44:27 | |
if he's trying to convince people to buy his product, | 0:44:27 | 0:44:30 | |
now he needs to be very, very confident about it. | 0:44:30 | 0:44:33 | |
With no investment from Deborah Meaden, | 0:44:49 | 0:44:52 | |
the focus is now on the imminent launch. | 0:44:52 | 0:44:54 | |
What happens on the day if we don't sell one chair? | 0:44:59 | 0:45:03 | |
Or, you know, even if we didn't sell any chairs, | 0:45:03 | 0:45:06 | |
but the interest is really low? | 0:45:06 | 0:45:08 | |
Erm... | 0:45:08 | 0:45:10 | |
You know, what effect is it going to have on me, on Andy, | 0:45:10 | 0:45:13 | |
on our sort of confidence about the chair? | 0:45:13 | 0:45:16 | |
And then, what effect is it going to have on us as a family financially? | 0:45:16 | 0:45:20 | |
It's the evening before the public unveiling of Carbon Black. | 0:45:37 | 0:45:41 | |
Andrew's come to Leicestershire to pick up three wheelchairs | 0:45:46 | 0:45:49 | |
for tomorrow's London launch. | 0:45:49 | 0:45:51 | |
-So is this the... Is this the good one? -Yeah. | 0:45:53 | 0:45:56 | |
This is the fixed one? This is the good one? | 0:45:56 | 0:45:59 | |
It's solid aluminium. | 0:46:01 | 0:46:02 | |
It should have been carbon, really. | 0:46:04 | 0:46:06 | |
You shouldn't actually see... | 0:46:06 | 0:46:07 | |
The other one of these is silver, is gloss. | 0:46:07 | 0:46:10 | |
Hasn't got any heavier. | 0:46:10 | 0:46:12 | |
Weighing in at 8.3kg, | 0:46:13 | 0:46:16 | |
the hope of a 6kg chair hasn't been realised. | 0:46:16 | 0:46:19 | |
Cos this one hasn't got a break lever. | 0:46:19 | 0:46:21 | |
But that's not the only issue. | 0:46:21 | 0:46:24 | |
I'm trying not to find more problems with things | 0:46:26 | 0:46:30 | |
that I think need to be sorted. | 0:46:30 | 0:46:32 | |
But I'm seeing quite a few things. | 0:46:32 | 0:46:34 | |
That's going to have to change, | 0:46:34 | 0:46:36 | |
and that's going to cause a lot of problems. | 0:46:36 | 0:46:38 | |
This chair's got to look absolutely spot on, and that doesn't. | 0:46:40 | 0:46:44 | |
And it doesn't look like a £10,000 chair right now. | 0:46:44 | 0:46:47 | |
Also, one of the three chairs, a lighter display model, | 0:46:47 | 0:46:51 | |
has been damaged. | 0:46:51 | 0:46:53 | |
HE SIGHS | 0:46:53 | 0:46:55 | |
This is not happening. | 0:46:55 | 0:46:57 | |
Well, I can't put this on a stand, on a turntable, under floodlights, | 0:46:59 | 0:47:03 | |
with a cloth sitting over it because we've cracked it. | 0:47:03 | 0:47:07 | |
Oh, Christ, it's chipped on the corners as well. | 0:47:07 | 0:47:09 | |
This is the night before our show. | 0:47:09 | 0:47:12 | |
Not only have we had a disaster with the other chair that's being done, | 0:47:12 | 0:47:15 | |
the one chair that was absolutely immaculate's | 0:47:15 | 0:47:17 | |
been dropped on the floor and cracked. | 0:47:17 | 0:47:19 | |
And now we're trying to fix it with masking tape | 0:47:20 | 0:47:26 | |
and bits of spray paint. | 0:47:26 | 0:47:27 | |
Or drape a cloth over the crack to hide it. | 0:47:29 | 0:47:33 | |
(What? What the fuck?) | 0:47:36 | 0:47:39 | |
It's been the worst day of the whole project. | 0:47:45 | 0:47:47 | |
HE SIGHS | 0:47:50 | 0:47:52 | |
When Jamie said, "I dropped it, the display chair's broken, | 0:47:54 | 0:47:57 | |
"you can't have it...", | 0:47:57 | 0:47:59 | |
I thought he was joking. | 0:47:59 | 0:48:01 | |
I thought he was going to say, "Ha-ha, just joking." | 0:48:01 | 0:48:03 | |
For this to happen at this hour, on this night, | 0:48:08 | 0:48:12 | |
is just more than disappointing. | 0:48:12 | 0:48:14 | |
It's gut-wrenching, to be honest. | 0:48:14 | 0:48:16 | |
If Andrew does get orders for Carbon Black, | 0:48:25 | 0:48:28 | |
he will have to consider a completely new manufacturing process. | 0:48:28 | 0:48:31 | |
-You want to retool? -Yeah. | 0:48:33 | 0:48:35 | |
Yeah. I want to retool as well, but we need orders to retool. | 0:48:35 | 0:48:39 | |
This is not, this is not in any state a part | 0:48:39 | 0:48:43 | |
that you can go into production with for any kind of volume. | 0:48:43 | 0:48:48 | |
No, we don't need to achieve any volumes with the tooling we've got. | 0:48:48 | 0:48:53 | |
We just need to achieve orders and maybe a small run | 0:48:53 | 0:48:58 | |
-of production chairs. -Yeah. | 0:48:58 | 0:49:02 | |
If I come back from the show and I've got ten orders... | 0:49:02 | 0:49:05 | |
If you do get ten orders, then it's imperative that you do retool. | 0:49:05 | 0:49:10 | |
Mm-hm. | 0:49:10 | 0:49:11 | |
-Because it'll make everything work much better, won't it? -Yes. | 0:49:11 | 0:49:15 | |
1.00am. With the launch just hours away, | 0:49:17 | 0:49:21 | |
Andrew heads to London with the patched-up wheelchairs. | 0:49:21 | 0:49:24 | |
After four years and almost £200,000 investment, | 0:49:49 | 0:49:53 | |
Carbon Black finally goes on sale | 0:49:53 | 0:49:55 | |
at one of Britain's biggest disability road shows. | 0:49:55 | 0:49:59 | |
You know, I hope this exhibition goes well. | 0:50:05 | 0:50:07 | |
I've put a lot of effort into it, posters and fliers | 0:50:07 | 0:50:10 | |
and making sure the chair looks good, getting it sprayed, | 0:50:10 | 0:50:13 | |
getting the photos out. | 0:50:13 | 0:50:15 | |
And I don't even know how much work they put into this thing, | 0:50:15 | 0:50:18 | |
but I'll tell you what I do know - how much stress it's caused. | 0:50:18 | 0:50:21 | |
And you can really tell we're moving forward, just taking steps, | 0:50:23 | 0:50:26 | |
steps to get this thing out in the market, get it sold. | 0:50:26 | 0:50:29 | |
And that means cash, and everybody loves cash. | 0:50:29 | 0:50:32 | |
I shall shift myself out of the way. | 0:50:32 | 0:50:34 | |
This is the first time the public will get to see | 0:50:34 | 0:50:37 | |
and try out Carbon Black. | 0:50:37 | 0:50:40 | |
To woo buyers, Andrew is offering a 22% discount. | 0:50:40 | 0:50:44 | |
But with a price tag of £8,000, | 0:50:45 | 0:50:48 | |
it's still the most expensive wheelchair on sale. | 0:50:48 | 0:50:51 | |
-This looks a grand old chair, I'm telling you. -Thank you. -Well done. | 0:50:52 | 0:50:56 | |
Hat off. | 0:50:56 | 0:50:58 | |
I wish I wasn't quadriplegic, I wish I could use one. | 0:50:58 | 0:51:02 | |
But I'd lean and I'd fall out the side, so... | 0:51:02 | 0:51:05 | |
I'm afraid, yeah, you wouldn't get the back support that you've got | 0:51:05 | 0:51:08 | |
-with your chair. -No, but, oh... | 0:51:08 | 0:51:11 | |
What are they retailing at? Are they expensive? | 0:51:11 | 0:51:14 | |
The retail price, normal price would be £10,000. | 0:51:14 | 0:51:16 | |
SHE SCREAMS | 0:51:16 | 0:51:18 | |
But today's offer is £7,800. | 0:51:18 | 0:51:21 | |
Wow! | 0:51:21 | 0:51:22 | |
Well, you can certainly have a shot. Be a little bit careful with it. | 0:51:22 | 0:51:27 | |
It's quite tippy because the centre of gravity on this particular one | 0:51:27 | 0:51:30 | |
is set quite far forward. | 0:51:30 | 0:51:31 | |
The push rim, well, this is the push rim here. | 0:51:34 | 0:51:37 | |
-So basically, you hold...? -Yes. | 0:51:37 | 0:51:39 | |
-Oh, right... -Oh! -Oh. | 0:51:39 | 0:51:41 | |
Oh, I'm terribly sorry. | 0:51:41 | 0:51:43 | |
If we just pull you up there. There we go. | 0:51:43 | 0:51:46 | |
Move backwards. That's it. | 0:51:47 | 0:51:49 | |
Are you all right? | 0:51:49 | 0:51:51 | |
-Are you all right there? -I'm fine. -That's OK, you're... | 0:51:51 | 0:51:54 | |
-Yeah, I'm going to... -Just lean forward. | 0:51:54 | 0:51:56 | |
Stay with him, love. | 0:51:58 | 0:52:00 | |
It's a unique look, | 0:52:00 | 0:52:02 | |
and it's very tippy, because of... | 0:52:02 | 0:52:06 | |
I'm not used to it, | 0:52:06 | 0:52:08 | |
because the centre of gravity's different from what I'm used to. | 0:52:08 | 0:52:12 | |
A couple of hours in, and there's a problem. | 0:52:14 | 0:52:17 | |
A jammed axle, apparently, on this caster. | 0:52:19 | 0:52:21 | |
I think someone's tried to put it back in again and has jammed it. | 0:52:25 | 0:52:29 | |
So we can't let anybody try it now anyway. | 0:52:32 | 0:52:34 | |
No-one can try it. All they can do is, | 0:52:34 | 0:52:35 | |
I can hop out of this one and they can try mine. | 0:52:35 | 0:52:39 | |
This one's going through some maintenance at the moment. | 0:52:39 | 0:52:41 | |
Pick this one, cos people have been taking it apart. But this is a wheel, basically. | 0:52:41 | 0:52:45 | |
-I'm actually getting my new wheelchair tomorrow. -Are you? | 0:52:46 | 0:52:49 | |
-So I can't look at this now. -Oh, no! | 0:52:49 | 0:52:51 | |
-It's costing a fortune. Next time. -Yeah. | 0:52:51 | 0:52:54 | |
There we go, it actually comes apart. And then the wheels come off. | 0:52:54 | 0:52:58 | |
It's amazing. | 0:52:58 | 0:52:59 | |
Does look a bit like a space buggy, | 0:52:59 | 0:53:01 | |
and it also doesn't look that secure, | 0:53:01 | 0:53:03 | |
so I wouldn't want to buy it just now. | 0:53:03 | 0:53:05 | |
-It's really, really good, isn't it? -It is, it's fantastic. | 0:53:05 | 0:53:09 | |
Carbon Black gets a lot of interest. | 0:53:10 | 0:53:13 | |
I thought it was very good, very light, | 0:53:13 | 0:53:15 | |
seemed quite comfortable to sit in. | 0:53:15 | 0:53:17 | |
Yeah, a lovely design as well. | 0:53:19 | 0:53:21 | |
Well, we could do a different backrest. This backrest comes off. | 0:53:21 | 0:53:26 | |
But for many, the chair needs adjustments. | 0:53:26 | 0:53:29 | |
-Handles back. -Handles in back, OK. | 0:53:29 | 0:53:31 | |
Just to give opening guards as well, cos I think that's really important. | 0:53:31 | 0:53:35 | |
Maybe if you can do something for his leg... | 0:53:37 | 0:53:40 | |
We would need to look into that and see what we could do. | 0:53:40 | 0:53:44 | |
At last, Carbon Black is launched. | 0:53:44 | 0:53:48 | |
-Are we happy? -Ecstatic. You've got to be ecstatic! Look at all that interest. | 0:53:48 | 0:53:51 | |
-Yes. -Surely you've got to be ecstatic with the amount of press | 0:53:51 | 0:53:54 | |
and the amount of feedback that we've had. | 0:53:54 | 0:53:56 | |
For me, it's proven that wheelchair users like it. | 0:53:56 | 0:53:58 | |
But Andrew and Mary leave with no sales. | 0:54:01 | 0:54:04 | |
Naidex was a whirlwind. | 0:54:08 | 0:54:11 | |
There's been so much preparation into getting it done, | 0:54:13 | 0:54:16 | |
getting ready for it and whoosh, it's done. | 0:54:16 | 0:54:20 | |
And now we're back home, in the cold light of day, | 0:54:20 | 0:54:23 | |
trying to work out how we move forward from there. | 0:54:23 | 0:54:25 | |
I think we need someone else to come in and give us cash and advice. | 0:54:25 | 0:54:32 | |
That's quite a high priority now. | 0:54:32 | 0:54:35 | |
Three months since launching, and Andrew has some great news. | 0:54:39 | 0:54:44 | |
Carbon Black has been nominated for Product Design Of The Year | 0:54:45 | 0:54:49 | |
by London's prestigious Design Museum. | 0:54:49 | 0:54:52 | |
It's been nominated because it has a completely different approach | 0:55:04 | 0:55:07 | |
to what you think a wheelchair should be. | 0:55:07 | 0:55:10 | |
It looks beautiful, and it's very, very neat. | 0:55:10 | 0:55:14 | |
I think it's about time the wheelchair had a bit of glamour, | 0:55:14 | 0:55:18 | |
that it had a bit of wow factor. | 0:55:18 | 0:55:21 | |
It's kind of surreal, really. This is it. | 0:55:21 | 0:55:24 | |
Carbon Black in the London Design Museum, eh? | 0:55:25 | 0:55:28 | |
Yeah, it feels pretty good. | 0:55:29 | 0:55:30 | |
And if this wasn't enough... | 0:55:32 | 0:55:34 | |
You can't stop touching it. It looks so cool. Amazing. | 0:55:34 | 0:55:37 | |
-They sold one! -Yeah. | 0:55:37 | 0:55:39 | |
..it's also got the interest of another former Dragon. | 0:55:40 | 0:55:44 | |
What I will bring to the table for Andy is commercialisation. | 0:55:44 | 0:55:48 | |
You know, he's got the fantastic invention. | 0:55:48 | 0:55:51 | |
But, you know, as I've learnt, | 0:55:51 | 0:55:52 | |
trying to get a product to market, no matter how fantastic the product, is very difficult. | 0:55:52 | 0:55:56 | |
It takes a lot longer than you expect, | 0:55:56 | 0:55:59 | |
so I would be bringing him capital and access to capital. Money. | 0:55:59 | 0:56:04 | |
How do we do this? | 0:56:05 | 0:56:07 | |
I mean, do you see us going to America very quickly, | 0:56:07 | 0:56:10 | |
to our main market? Do we conquer Britain first, what... | 0:56:10 | 0:56:13 | |
We would want to take this international as quickly as possible, | 0:56:13 | 0:56:17 | |
but the first step is to prove it in the UK | 0:56:17 | 0:56:19 | |
and to get the manufacturing price, cost, down | 0:56:19 | 0:56:22 | |
and get the marketing function up, right up. | 0:56:22 | 0:56:25 | |
So, I think we'll get there fairly quickly. | 0:56:25 | 0:56:27 | |
I guess what you're bringing to the table for me | 0:56:27 | 0:56:31 | |
is you're turning my product into a business. | 0:56:31 | 0:56:34 | |
I've had to come to the realisation | 0:56:34 | 0:56:37 | |
that what I've got is a great product, | 0:56:37 | 0:56:39 | |
but it's not a great business. | 0:56:39 | 0:56:41 | |
-I'm very pleased, really pleased to have you on board. -Cheers. Yeah, it's very exciting. | 0:56:41 | 0:56:45 | |
But a deal with Richard Farleigh comes at a cost. | 0:56:47 | 0:56:50 | |
He wants 50% of the business. | 0:56:51 | 0:56:53 | |
I've been doing this for four years. I've put a huge amount of my money | 0:56:55 | 0:57:00 | |
and Mary's money, which was our future, on the line, | 0:57:00 | 0:57:04 | |
and I can't make a mistake now. | 0:57:04 | 0:57:06 | |
I don't want to be the founder | 0:57:06 | 0:57:08 | |
that ended up with the tiny little minority share | 0:57:08 | 0:57:11 | |
of the thing he started while other people made all the cash. | 0:57:11 | 0:57:14 | |
After 24 years of dreaming... | 0:57:20 | 0:57:23 | |
But I don't like being pushed. I don't like people seeing me | 0:57:23 | 0:57:28 | |
being pushed around. | 0:57:28 | 0:57:30 | |
..four years of hard graft... | 0:57:30 | 0:57:33 | |
..Andrew has his perfect chair. | 0:57:34 | 0:57:36 | |
God, it's so weird to see it for real. | 0:57:36 | 0:57:39 | |
I can't believe it's here. | 0:57:39 | 0:57:41 | |
But without further investment, production is on hold. | 0:57:45 | 0:57:49 | |
You watch Dragons' Den and, in the space of three minutes, | 0:57:52 | 0:57:56 | |
a Dragon looks at an idea, talks to the entrepreneur | 0:57:56 | 0:58:00 | |
and shakes hands and it's job done. | 0:58:00 | 0:58:02 | |
Well, it's not really like that, not in the real world. | 0:58:02 | 0:58:06 | |
I've got people registering on the website every day, | 0:58:06 | 0:58:08 | |
wanting a demo of Carbon Black. | 0:58:08 | 0:58:10 | |
And right now I've just got to tell them, "Please, be patient. | 0:58:10 | 0:58:15 | |
"We'll get there." | 0:58:15 | 0:58:16 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 |