
Browse content similar to Sir Patrick Moore: Astronomer, Broadcaster and Eccentric. Check below for episodes and series from the same categories and more!
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Did you know there is one place from which you can see, not only Mars and Venus, | 0:00:00 | 0:00:04 | |
but all the other heavenly bodies? | 0:00:04 | 0:00:06 | |
-And where is that, may I ask? -I'm delighted you asked me, | 0:00:06 | 0:00:09 | |
because I'm going to show you! | 0:00:09 | 0:00:11 | |
LAUGHTER | 0:00:11 | 0:00:13 | |
# The stars at night are shining bright | 0:00:15 | 0:00:18 | |
ERIC AND ERNIE: # Deep in the heart of Texas... # | 0:00:18 | 0:00:21 | |
There's no-one else who has been Mr Astronomy | 0:00:21 | 0:00:24 | |
throughout all these years except Mr Patrick Moore. | 0:00:24 | 0:00:27 | |
Sir Patrick Moore. | 0:00:27 | 0:00:28 | |
# Tiptoe through the tulips | 0:00:28 | 0:00:29 | |
# By the window that's where I will be | 0:00:29 | 0:00:33 | |
# Tiptoe through the tulips with me... # | 0:00:33 | 0:00:36 | |
He was a great conveyor of enthusiasm and enjoyment. | 0:00:36 | 0:00:39 | |
# Tiptoe through the tulips | 0:00:39 | 0:00:42 | |
# To the shadow of a willow tree... # | 0:00:42 | 0:00:44 | |
It just happened to be that his subject was the stars. | 0:00:44 | 0:00:48 | |
It could be that at somewhere in the universe, | 0:00:48 | 0:00:50 | |
some being at this very moment | 0:00:50 | 0:00:52 | |
is looking at a television screen and seeing... | 0:00:52 | 0:00:56 | |
Well, good evening and welcome to The Sky At Night. | 0:00:56 | 0:00:58 | |
LAUGHTER | 0:00:58 | 0:01:00 | |
Now, pay attention because I've got my eye on you. | 0:01:00 | 0:01:02 | |
He was a TV icon. | 0:01:02 | 0:01:04 | |
You didn't watch The Sky At Night for the astronomy. | 0:01:04 | 0:01:07 | |
Of course you won't see Vega looking large, | 0:01:07 | 0:01:09 | |
-because no telescope yet built will show a star... -It's gone. | 0:01:09 | 0:01:12 | |
Is it gone? Oh, no. | 0:01:12 | 0:01:15 | |
Just as I got it on the cross wires, it blacked right out. | 0:01:15 | 0:01:17 | |
How absolutely typical, there's nothing we can do about it. | 0:01:17 | 0:01:20 | |
Patrick was a great eccentric and he played on his eccentricity, | 0:01:20 | 0:01:24 | |
and it's why, I think, he became such a household name. | 0:01:24 | 0:01:27 | |
We've really exciting news, | 0:01:27 | 0:01:29 | |
Halley's Comet has been sighted for the first time in over 70 years. Of course... | 0:01:29 | 0:01:33 | |
People who had no interest in astronomy | 0:01:33 | 0:01:35 | |
began to learn and become interested because of his own personality, | 0:01:35 | 0:01:39 | |
they actually looked forward to seeing this crazy man on TV. | 0:01:39 | 0:01:42 | |
Good evening. Well, I'm afraid Burnham's Comet | 0:01:42 | 0:01:45 | |
turned out to be something of a disappointment. | 0:01:45 | 0:01:47 | |
Quite a number of people wrote in to say they managed to see it all right, | 0:01:47 | 0:01:50 | |
but it didn't really come up to expectations... | 0:01:50 | 0:01:54 | |
Sir Patrick Moore was Britain's most famous astronomer, | 0:01:54 | 0:01:58 | |
a much loved eccentric, | 0:01:58 | 0:02:00 | |
he was a fixture on British television since 1957. | 0:02:00 | 0:02:04 | |
I can't, incidentally, resist quoting one letter. | 0:02:04 | 0:02:06 | |
Watched from 12 o'clock to 5 o'clock in the morning. | 0:02:06 | 0:02:10 | |
Meteors, from the sky, none. | 0:02:10 | 0:02:13 | |
From the wife, plenty. | 0:02:13 | 0:02:15 | |
He inspired generations of astronomers, and I was one of them. | 0:02:15 | 0:02:19 | |
He was also a prolific author, an accomplished musician | 0:02:19 | 0:02:22 | |
and a keen cricket player. | 0:02:22 | 0:02:25 | |
-I was asked to hit for an 11. -An 11. -Yes. | 0:02:25 | 0:02:28 | |
The wretched man hit the ball into the outfield, | 0:02:28 | 0:02:30 | |
it went in a rabbit hole and the fielder forgot to call "lost ball" | 0:02:30 | 0:02:33 | |
by the time it was found, they'd run 11. | 0:02:33 | 0:02:35 | |
Born in 1923, Patrick became hooked on astronomy at the age of six. | 0:02:35 | 0:02:41 | |
An only child, he was educated at home, due to a weak heart | 0:02:41 | 0:02:45 | |
and when war broke out, he lied about his age, faked a medical | 0:02:45 | 0:02:49 | |
and joined the RAF, serving with Bomber Command as a navigator. | 0:02:49 | 0:02:53 | |
You were on active service in the war, weren't you? | 0:02:54 | 0:02:57 | |
Well, I pottered about, not doing very much. | 0:02:57 | 0:02:59 | |
I claim to be the only pupil navigator who pinpointed Bristol when he was actually over Norwich. | 0:02:59 | 0:03:03 | |
War changed Patrick's life in several ways. | 0:03:04 | 0:03:08 | |
His only girlfriend was killed in an air raid | 0:03:08 | 0:03:11 | |
shortly after they were engaged. | 0:03:11 | 0:03:13 | |
He never married. | 0:03:13 | 0:03:14 | |
We were both happy. We had planned to have a son. | 0:03:14 | 0:03:18 | |
It never got started at all. He would have been 60 now. | 0:03:18 | 0:03:22 | |
Yes. I'm a bachelor. | 0:03:22 | 0:03:24 | |
-That really is why you are a bachelor today? -Of course it is. | 0:03:24 | 0:03:27 | |
These things happen, you've got to make the best of a bad job. | 0:03:27 | 0:03:30 | |
She's not there, and that's it. | 0:03:30 | 0:03:32 | |
He never really got over it. | 0:03:32 | 0:03:34 | |
He said that there was never another woman for him, | 0:03:34 | 0:03:38 | |
but he never wanted | 0:03:38 | 0:03:39 | |
another relationship with a woman like that. | 0:03:39 | 0:03:42 | |
He said that was it, that was his one love and he didn't want another. | 0:03:42 | 0:03:45 | |
After the war, Patrick turned down the state grant | 0:03:45 | 0:03:49 | |
he needed to take up a place at Cambridge. | 0:03:49 | 0:03:52 | |
Whilst working as a teacher, | 0:03:52 | 0:03:54 | |
he pursued astronomy in his spare time. | 0:03:54 | 0:03:57 | |
You call yourself an amateur astronomer, I think a lot of people would say | 0:03:57 | 0:04:00 | |
-that you're being unduly modest. -Not a bit of it. | 0:04:00 | 0:04:02 | |
My only role in astronomy these days, if I've got one at all, | 0:04:02 | 0:04:05 | |
is that I do a bit of observing here and there | 0:04:05 | 0:04:07 | |
and I've written some stuff and all I can try and do, really, | 0:04:07 | 0:04:11 | |
is to try and egg on those people who can do far better than I can. | 0:04:11 | 0:04:15 | |
Nonetheless, in 1953, he mapped the surface of the moon | 0:04:16 | 0:04:19 | |
to produce the most comprehensive atlas of the time. | 0:04:19 | 0:04:23 | |
It was Patrick's map which helped the Apollo astronauts | 0:04:24 | 0:04:28 | |
to land on the moon. | 0:04:28 | 0:04:30 | |
It was a guidance for the Russian space programme as well. | 0:04:30 | 0:04:34 | |
And so this amateur project that had its origins | 0:04:34 | 0:04:39 | |
in casual sketches of the moon then became this shot in the arsenal | 0:04:39 | 0:04:43 | |
for NASA and the Russian space agency to do their things. | 0:04:43 | 0:04:47 | |
Patrick was very proud that the work that he did | 0:04:47 | 0:04:49 | |
had this real fundamental importance in astronomy. | 0:04:49 | 0:04:52 | |
In April 1957, Patrick was asked to front a new television series | 0:04:53 | 0:04:57 | |
about astronomy, and The Sky At Night was born. | 0:04:57 | 0:05:02 | |
Good evening. | 0:05:02 | 0:05:03 | |
It was a great treat, because it was only on once a month. | 0:05:03 | 0:05:06 | |
Mercury and Venus and Mars are all so badly placed | 0:05:06 | 0:05:10 | |
that, to all intents and purposes, they are out of view altogether. | 0:05:10 | 0:05:13 | |
Patrick had a liveliness that was not on a lot of television then. | 0:05:13 | 0:05:17 | |
Jupiter is making quite a brave show | 0:05:17 | 0:05:19 | |
and you can see it in the southern part of the sky, late at night. | 0:05:19 | 0:05:22 | |
You felt you were members of a sort of secret society, late at night | 0:05:22 | 0:05:26 | |
and Patrick was the head boy, guiding us through everything. | 0:05:26 | 0:05:31 | |
First of all, here is a globe to represent Uranus. | 0:05:31 | 0:05:34 | |
And here is a globe to represent the Earth on the same scale | 0:05:34 | 0:05:37 | |
and you can see there's a very considerable difference. | 0:05:37 | 0:05:40 | |
I had a vivid picture of Patrick | 0:05:40 | 0:05:42 | |
staring very intensely out from the screen | 0:05:42 | 0:05:44 | |
and it was riveting. It was just absolutely riveting to say, | 0:05:44 | 0:05:47 | |
"This is what you can see and if you go out there | 0:05:47 | 0:05:50 | |
"you can see this in the sky." | 0:05:50 | 0:05:51 | |
Saturn never has been shown on direct television before | 0:05:51 | 0:05:54 | |
and it's a difficult object. Please don't imagine | 0:05:54 | 0:05:56 | |
you're going to get as large and as detailed a picture | 0:05:56 | 0:05:59 | |
as that very fine drawing that appeared in the Radio Times. | 0:05:59 | 0:06:02 | |
Because that was a drawing | 0:06:02 | 0:06:04 | |
and it's a very different matter from getting a picture on screen. | 0:06:04 | 0:06:07 | |
There it is. Yes, and there is Saturn | 0:06:07 | 0:06:10 | |
for the first time on direct television. You can see... | 0:06:10 | 0:06:12 | |
I was fascinated by astronomy as a kid | 0:06:12 | 0:06:15 | |
and I think really it came from seeing Patrick on The Sky At Night. | 0:06:15 | 0:06:18 | |
It awakened in me this absolute joy | 0:06:18 | 0:06:21 | |
of looking up into the night sky, which I still have, | 0:06:21 | 0:06:23 | |
I still have this childish awe looking at the stars | 0:06:23 | 0:06:27 | |
and I actually decided that rather than be a train driver, | 0:06:27 | 0:06:30 | |
I would be an astronomer. | 0:06:30 | 0:06:32 | |
That's really what I wanted to do, most in the world, alongside music. | 0:06:32 | 0:06:37 | |
The Sky At Night started broadcasting | 0:06:39 | 0:06:41 | |
at the dawn of the space age. | 0:06:41 | 0:06:43 | |
For those like myself who were children in the 1950s, | 0:06:43 | 0:06:47 | |
space travel was something futuristic, | 0:06:47 | 0:06:49 | |
which really belonged on a cornflakes packet | 0:06:49 | 0:06:52 | |
rather than anywhere else. | 0:06:52 | 0:06:53 | |
Of course, it was the Sputnik in 1957 which make this a reality, | 0:06:53 | 0:06:58 | |
followed quickly by sending up the first people into space. | 0:06:58 | 0:07:02 | |
You know, if I'd come on the air in 1957 | 0:07:03 | 0:07:05 | |
when we did the first of The Sky At Night programmes | 0:07:05 | 0:07:07 | |
and said that within five years I'd be showing you pictures | 0:07:07 | 0:07:10 | |
of the first man to go around the Earth in orbit in a spaceship... | 0:07:10 | 0:07:14 | |
Well, I think you'd have regarded me as mad. | 0:07:14 | 0:07:16 | |
He perhaps was born at the best time possible, | 0:07:16 | 0:07:19 | |
because he saw incredible development | 0:07:19 | 0:07:21 | |
throughout the 20th century and the beginning of the 21st. | 0:07:21 | 0:07:24 | |
'It's a very exciting place to live or work.' | 0:07:24 | 0:07:27 | |
-Well, Patrick Moore, what did you think of that? -Quite incredible. | 0:07:27 | 0:07:30 | |
One thing you've got to bear in mind, they were magnificent pictures, | 0:07:30 | 0:07:34 | |
I'm not going to say they show us more detail than the orbiters, but they probably do. | 0:07:34 | 0:07:37 | |
This has been a fantastic few decades in astronomy, | 0:07:37 | 0:07:40 | |
and Patrick had the joy to be able to report on it all. | 0:07:40 | 0:07:44 | |
'We have lift-off. 32 minutes past the hour. | 0:07:44 | 0:07:48 | |
'Lift-off of Apollo 11.' | 0:07:48 | 0:07:50 | |
The moon landing was such a huge thing for Patrick, | 0:07:50 | 0:07:52 | |
because there's his moon that he's been studying in his telescope, | 0:07:52 | 0:07:55 | |
suddenly there are people walking on it. | 0:07:55 | 0:07:58 | |
'We are setting down, Eagle. | 0:07:58 | 0:08:01 | |
'The Eagle has landed. | 0:08:01 | 0:08:03 | |
'Roger, Tranquillity. You got a bunch of guys about to turn blue. | 0:08:03 | 0:08:06 | |
'We're breathing again. Thanks.' | 0:08:06 | 0:08:08 | |
Well, this is the moment, if there ever was a moment, | 0:08:08 | 0:08:12 | |
for Patrick Moore. | 0:08:12 | 0:08:13 | |
I feel absolutely overcome, I've lived with this idea all my life, | 0:08:14 | 0:08:18 | |
now that it's really happened, I can hardly believe it. | 0:08:18 | 0:08:20 | |
No admiration can be too great for those magnificent men | 0:08:20 | 0:08:23 | |
who brought this strange, spidery module down on the moon. | 0:08:23 | 0:08:26 | |
This obviously is a moment that humanity is never going to forget. | 0:08:26 | 0:08:29 | |
That's one small step for man... | 0:08:29 | 0:08:32 | |
..one giant leap for mankind. | 0:08:35 | 0:08:38 | |
I think he was rather sad, as we all were, when the moon landings finished, | 0:08:39 | 0:08:43 | |
but I remember a marvellous Sky At Night programme he did, | 0:08:43 | 0:08:47 | |
with the last man on the moon, Gene Cernan, | 0:08:47 | 0:08:50 | |
commander of Apollo 17, | 0:08:50 | 0:08:52 | |
and you really got a feel for what it was like to be there. | 0:08:52 | 0:08:56 | |
What about navigational problems, did you have any? | 0:08:56 | 0:08:59 | |
We studied, due to a great deal of your work, of course, | 0:08:59 | 0:09:04 | |
on the mapping of the moon, | 0:09:04 | 0:09:06 | |
we studied the area we were going to land so well, | 0:09:06 | 0:09:10 | |
that I really believe I knew it at least from the air, from above, | 0:09:10 | 0:09:15 | |
as well as I know my own backyard. | 0:09:15 | 0:09:17 | |
-ASTRONAUTS: -# I was strolling on the moon one day | 0:09:17 | 0:09:20 | |
# In the merry, merry month of December... # | 0:09:20 | 0:09:24 | |
No, May. | 0:09:24 | 0:09:25 | |
Oh, what a nice day. There's not a cloud in the sky. | 0:09:25 | 0:09:31 | |
I think Patrick's enthusiasm and his passionate account | 0:09:31 | 0:09:35 | |
of what was happening on the moon added a lot to our perception. | 0:09:35 | 0:09:40 | |
He was able to interpret that for us and make it seem real, | 0:09:40 | 0:09:43 | |
make it something we could understand. | 0:09:43 | 0:09:46 | |
The way he came over, as this great enthusiast, | 0:09:46 | 0:09:48 | |
this fast-talking, this person who was bubbling for the subject, | 0:09:48 | 0:09:53 | |
was just the same as he was in real life. | 0:09:53 | 0:09:54 | |
He always saw it as his role to be, if you like, the Mr Astronomy, | 0:09:54 | 0:10:00 | |
the man who would try and encourage new generations of people | 0:10:00 | 0:10:04 | |
to take up an interest in his subject. | 0:10:04 | 0:10:07 | |
He had this instinct, this sense, to pick up young people, | 0:10:07 | 0:10:11 | |
and I was one of them, | 0:10:11 | 0:10:13 | |
and to get them into astronomy, to realise their enthusiasm | 0:10:13 | 0:10:17 | |
and he'd sort of nurture us. | 0:10:17 | 0:10:18 | |
Back in the 1960s when I was about to go into a career, | 0:10:18 | 0:10:22 | |
I couldn't work out what to do. | 0:10:22 | 0:10:24 | |
I was a keen young, amateur astronomer when I was about 10, | 0:10:24 | 0:10:27 | |
but I'd given it all up for rock bands and boys | 0:10:27 | 0:10:30 | |
and the usual kind of stuff you get into. | 0:10:30 | 0:10:32 | |
Let me ask you one direct question. | 0:10:32 | 0:10:34 | |
Do you think there really is a black hole in the middle of the galaxy? | 0:10:34 | 0:10:37 | |
I won't be positive, but I do think it's the one object, | 0:10:37 | 0:10:40 | |
which at the moment fits all the observations. | 0:10:40 | 0:10:42 | |
Well, you could be right. Let's go and look. | 0:10:42 | 0:10:45 | |
-I'm game if you are. -Right. | 0:10:45 | 0:10:47 | |
My mother actually said to me, | 0:10:47 | 0:10:48 | |
"Why don't you become a professional astronomer?" | 0:10:48 | 0:10:51 | |
and I said, "I haven't a clue what to do." | 0:10:51 | 0:10:52 | |
She said, "Why don't you write to Patrick Moore? | 0:10:52 | 0:10:55 | |
Well, we told you it was like science fiction! Good night! | 0:10:56 | 0:10:59 | |
And I wrote to him and I said, | 0:10:59 | 0:11:01 | |
"I was thinking of going into professional astronomy..." | 0:11:01 | 0:11:04 | |
and put a PS at the end, "I'm a girl. | 0:11:04 | 0:11:06 | |
"Is this a handicap?" Couldn't believe he replied to me. | 0:11:06 | 0:11:10 | |
It says, "From Patrick Moore. | 0:11:10 | 0:11:12 | |
"Dear Ms Couper, many thanks for your letter. | 0:11:12 | 0:11:15 | |
"Let me assure you on one point. | 0:11:15 | 0:11:18 | |
"Being a girl is no handicap at all!" | 0:11:18 | 0:11:21 | |
I just thought that generosity of spirit was fantastic. | 0:11:21 | 0:11:27 | |
It really urged me on to try for a career in astronomy. | 0:11:27 | 0:11:32 | |
"Does this help? Let me know. | 0:11:32 | 0:11:34 | |
"I will do everything I can to be of assistance. | 0:11:34 | 0:11:38 | |
"With all best wishes, yours sincerely, Patrick Moore." Amazing. | 0:11:38 | 0:11:43 | |
Patrick responded to thousands of letters | 0:11:44 | 0:11:46 | |
on an old-fashioned typewriter, | 0:11:46 | 0:11:48 | |
which he refused to swap for a computer. | 0:11:48 | 0:11:51 | |
Most of the keys didn't work, | 0:11:52 | 0:11:54 | |
it drove many publishers completely berserk. | 0:11:54 | 0:11:56 | |
You would hear the typewriter going | 0:11:56 | 0:11:58 | |
and probably six times out of ten he was answering letters, | 0:11:58 | 0:12:01 | |
often from small boys or girls | 0:12:01 | 0:12:05 | |
who were interested in astronomy and he replied to them all. | 0:12:05 | 0:12:07 | |
It was almost sacrosanct. It was something he consistently did | 0:12:07 | 0:12:10 | |
right up to the time when he could hardly type. | 0:12:10 | 0:12:13 | |
When I was a schoolboy, I joined a local astronomical society | 0:12:14 | 0:12:19 | |
and Patrick made monthly visits to the society. | 0:12:19 | 0:12:21 | |
I was from a working-class neighbourhood | 0:12:21 | 0:12:24 | |
and to be able to see through the chink in the curtain | 0:12:24 | 0:12:29 | |
to life beyond, that was something which I valued enormously. | 0:12:29 | 0:12:34 | |
Patrick, right up to his final years, | 0:12:35 | 0:12:38 | |
was enthusing young people. | 0:12:38 | 0:12:42 | |
He never married, of course. In many ways, we were all his family. | 0:12:42 | 0:12:48 | |
We'd phoned him up and said, "We're a couple of boys at the local school | 0:12:48 | 0:12:52 | |
"interested in astronomy, could we look through your telescope?" | 0:12:52 | 0:12:55 | |
He said, "Please come down next clear night!" | 0:12:55 | 0:12:58 | |
I was a very short lad and couldn't reach the eyepiece | 0:12:58 | 0:13:01 | |
and Patrick lifted me up to the telescope | 0:13:01 | 0:13:03 | |
and the first thing I looked at through the telescope | 0:13:03 | 0:13:06 | |
was the planet Saturn, and it was just so beautiful. | 0:13:06 | 0:13:10 | |
I was utterly transfixed. | 0:13:10 | 0:13:13 | |
I'm walking along the rim | 0:13:13 | 0:13:14 | |
of one of the most remarkable places in the entire world. | 0:13:14 | 0:13:17 | |
This is Meteor Crater in Arizona, a huge gaping hole in the ground, | 0:13:17 | 0:13:22 | |
over 4,000 feet across. Just look at it! | 0:13:22 | 0:13:26 | |
The Sky At Night was commissioned for only three programs, | 0:13:26 | 0:13:29 | |
but under Patrick it went on to become | 0:13:29 | 0:13:32 | |
the world's longest-running TV series with the same presenter. | 0:13:32 | 0:13:35 | |
The reason why people watch your programme | 0:13:35 | 0:13:37 | |
-is as much for you. -No. -Oh, it is, Patrick. | 0:13:37 | 0:13:39 | |
It's your performance. Am I not right? | 0:13:39 | 0:13:42 | |
-Is not the performance as much as what he says? -AUDIENCE: Yes. | 0:13:42 | 0:13:45 | |
People are fascinated by the way that you tell them things. | 0:13:45 | 0:13:47 | |
-Now, you can't deny that. You're being modest. -No, I'm not. | 0:13:47 | 0:13:51 | |
It so happened that when astronomy, when I say metaphorically down-to-earth, | 0:13:51 | 0:13:54 | |
and this was really in 1957, when the space age started, | 0:13:54 | 0:13:58 | |
I was the person who was doing it, so, there I've stayed, | 0:13:58 | 0:14:00 | |
but astronomy is fascinating and if someone else was around at the time, | 0:14:00 | 0:14:03 | |
they'd be on air and be sitting talking to you, not me. | 0:14:03 | 0:14:06 | |
This month's Sky At Night is about the distances of the stars. | 0:14:06 | 0:14:09 | |
He did fill the screen and he spoke machine-gun rapid, | 0:14:09 | 0:14:16 | |
but articulate and entertaining. | 0:14:16 | 0:14:19 | |
Will you please close one eye, doesn't matter which one | 0:14:19 | 0:14:23 | |
and then hold up your finger and line your finger up | 0:14:23 | 0:14:27 | |
with my nose as you see it on the television screen, got that? | 0:14:27 | 0:14:31 | |
Now, without moving anything, use the other eye | 0:14:31 | 0:14:35 | |
and you will see that your finger is no longer lined up with my nose. | 0:14:35 | 0:14:39 | |
If you keep everything quite still and flick your eyes around like that, | 0:14:39 | 0:14:42 | |
you will see your finger apparently flashing to and fro. | 0:14:42 | 0:14:45 | |
It was the sheer quirkiness of Patrick | 0:14:45 | 0:14:49 | |
that really invited people to want to watch him. | 0:14:49 | 0:14:52 | |
The tides as you know are influenced by the sun and the moon | 0:14:52 | 0:14:55 | |
and when they pull together, as they are doing at the present moment, | 0:14:55 | 0:14:58 | |
the pull is added, you see, and we get high tide. | 0:14:58 | 0:15:01 | |
Granted that forces are enormous, just how big are they? | 0:15:01 | 0:15:05 | |
It's absolutely tremendous. There's no doubt at all. | 0:15:05 | 0:15:07 | |
Also the tides are the biggest natural force in the entire world. | 0:15:07 | 0:15:13 | |
As a communicator, he was the supreme professional | 0:15:13 | 0:15:16 | |
in that you could stand him up in front of a camera, | 0:15:16 | 0:15:20 | |
ask him to talk without hesitation, deviation or repetition | 0:15:20 | 0:15:23 | |
for two and a half minutes about some subject, | 0:15:23 | 0:15:25 | |
he could do this perfectly. Convey a lot of information, | 0:15:25 | 0:15:28 | |
he could do it even if it was some new discovery | 0:15:28 | 0:15:31 | |
he'd only heard about a few hours ago. | 0:15:31 | 0:15:32 | |
He was approached one morning by CNN | 0:15:32 | 0:15:35 | |
to do a broadcast for them and they said, | 0:15:35 | 0:15:38 | |
"The person we were due to interview has dropped out. | 0:15:38 | 0:15:40 | |
"Would you mind doing an interview for us? | 0:15:40 | 0:15:42 | |
He said, "Not at all, not at all." | 0:15:42 | 0:15:44 | |
They said, "How long will it take you to write the script?" | 0:15:44 | 0:15:47 | |
He said, "Script? I don't work from a script! | 0:15:47 | 0:15:50 | |
But there is one world apart from the Earth... | 0:15:50 | 0:15:53 | |
Patrick was a perfectionist, | 0:15:53 | 0:15:55 | |
but the downside of that was if it all went wrong, | 0:15:55 | 0:15:57 | |
he got terribly frustrated and started making... | 0:15:57 | 0:16:00 | |
using somewhat loose language, shall we say, | 0:16:00 | 0:16:03 | |
which had to be edited out of the recordings. | 0:16:03 | 0:16:05 | |
Look at all that volcastic... Oh! | 0:16:05 | 0:16:09 | |
Sorry! | 0:16:11 | 0:16:13 | |
Blast and hell! | 0:16:15 | 0:16:16 | |
When you watch yourself on television, | 0:16:16 | 0:16:18 | |
one always sees one's own faults very clearly. | 0:16:18 | 0:16:21 | |
I do. I talk far too fast, I have to, to get things in, | 0:16:21 | 0:16:24 | |
I realise this perfectly well, but it's no good trying to slow down, | 0:16:24 | 0:16:27 | |
It's just me. | 0:16:27 | 0:16:28 | |
A lot of people have been writing to The Sky At Night, | 0:16:28 | 0:16:30 | |
asking questions about astronomy and it's a fascinating subject. | 0:16:30 | 0:16:33 | |
LAUGHTER | 0:16:33 | 0:16:35 | |
People want to know why don't we put The Sky At Night on earlier | 0:16:35 | 0:16:38 | |
in the summertime for children, we would put it on earlier, | 0:16:38 | 0:16:42 | |
but we have to wait until it goes dark before we do the damn thing at all! | 0:16:42 | 0:16:45 | |
Patrick's character and style lent itself to impersonation. | 0:16:45 | 0:16:49 | |
Welcome to The Sky At Night. | 0:16:52 | 0:16:53 | |
I'm a very bad impression of Patrick Moore. | 0:16:53 | 0:16:56 | |
He was often being copied by many impressionists and comedians, | 0:16:56 | 0:16:59 | |
but I think it was the impersonation that Ronnie Barker did of him | 0:16:59 | 0:17:02 | |
that was the one he loved, he really found that so funny. | 0:17:02 | 0:17:06 | |
Patrick was always laughing about the orrery, | 0:17:10 | 0:17:13 | |
which they gave to The Two Ronnies to do the sketch. | 0:17:13 | 0:17:17 | |
They apparently broke while doing the programmes. | 0:17:17 | 0:17:20 | |
I'm sorry to have to inflict myself on you like this, | 0:17:20 | 0:17:22 | |
but Patrick couldn't be here, so he asked me to step into his shoes. | 0:17:22 | 0:17:26 | |
Why not, he's always wearing my suits! | 0:17:26 | 0:17:29 | |
So, here I am, and he asked me to apologise to you for not being here, | 0:17:29 | 0:17:32 | |
but he had to show his telescope to the local townswomen's guild. | 0:17:32 | 0:17:35 | |
If they like it, they're going to knit him a cover for it. | 0:17:35 | 0:17:38 | |
I think that you can both be prepared to sit up | 0:17:41 | 0:17:44 | |
and gasp in amazement, because I happen to own | 0:17:44 | 0:17:48 | |
the ultimate in telescopes, perfected after years of research. | 0:17:48 | 0:17:52 | |
-Can we see it, please? -Of course you can. -Yes. | 0:17:52 | 0:17:54 | |
LAUGHTER | 0:17:54 | 0:17:57 | |
-If you just cast your eyes over that. -The ultimate in telescopes? | 0:17:58 | 0:18:01 | |
-Oh, yes. -It's a very fine piece of equipment. -Of course it is! | 0:18:01 | 0:18:05 | |
I'll tell you something, on a clear night, | 0:18:05 | 0:18:07 | |
I can see the bottom of the bed! | 0:18:07 | 0:18:09 | |
Many people, Patrick, might label you as being an eccentric, | 0:18:09 | 0:18:13 | |
would you object to that? | 0:18:13 | 0:18:14 | |
Not in the slightest, I'm sure it's perfectly true. | 0:18:14 | 0:18:17 | |
-Is it a condition that you approve of? -Yes, I think it probably is. | 0:18:17 | 0:18:23 | |
It's awfully difficult to tell, you know, | 0:18:23 | 0:18:25 | |
does one nut think another nut is a nut or not? | 0:18:25 | 0:18:27 | |
It's an interesting psychological point. | 0:18:27 | 0:18:29 | |
Something there for psychiatrists to work out, and no-one's nuttier than they are. | 0:18:29 | 0:18:33 | |
The eccentricity was something that he played on, | 0:18:33 | 0:18:35 | |
but I think also it made him a very lovable character. | 0:18:35 | 0:18:39 | |
Although having the monocle was something he had obviously | 0:18:39 | 0:18:42 | |
ever since he was a boy, it added to the air of interest about him. | 0:18:42 | 0:18:47 | |
What about the real eccentrics? Flat-Earthers, and people like that. | 0:18:47 | 0:18:51 | |
How do you feel about them? | 0:18:51 | 0:18:52 | |
I have the very greatest sympathy for them. Don't forget, | 0:18:52 | 0:18:55 | |
many, many years ago, there was a man named Copernicus | 0:18:55 | 0:18:58 | |
and Copernicus said the sun does not go round the Earth, | 0:18:58 | 0:19:02 | |
the Earth goes round the sun, and everyone said he was a crank. | 0:19:02 | 0:19:05 | |
But of course, the Earth does go round the sun, at least I think it does. | 0:19:05 | 0:19:09 | |
MAN SPEAKS VENUSIAN | 0:19:09 | 0:19:11 | |
What does that mean, actually? | 0:19:11 | 0:19:13 | |
That means, "How are all you? | 0:19:13 | 0:19:16 | |
"I am very pleased to see you this afternoon." | 0:19:16 | 0:19:19 | |
How did you learn these languages? | 0:19:19 | 0:19:21 | |
These languages have been a gift sent from me from the actual people. | 0:19:21 | 0:19:27 | |
Patrick's talking to this man who was speaking Venusian to him | 0:19:27 | 0:19:30 | |
and Patrick is apparently taking it very seriously | 0:19:30 | 0:19:33 | |
and he's being very polite, but Patrick was always very dismissive | 0:19:33 | 0:19:37 | |
of anything which isn't pure science. | 0:19:37 | 0:19:39 | |
..one of these small steroids chased us through the copse. | 0:19:39 | 0:19:43 | |
And we tried in turn to chase it, | 0:19:43 | 0:19:45 | |
and it just went along there at a terrific pace. | 0:19:45 | 0:19:48 | |
It was no bigger than a soup plate. | 0:19:48 | 0:19:50 | |
-It must've been a robot eye. -Yes, yes. | 0:19:50 | 0:19:53 | |
Or a beacon which was sent down from the craft. | 0:19:53 | 0:19:56 | |
I may well be missing something, I wonder. | 0:19:56 | 0:19:59 | |
As well as astronomy, Patrick's other great passion was music. | 0:20:04 | 0:20:08 | |
Patrick was a good musician. You can see in his xylophone playing, | 0:20:10 | 0:20:14 | |
he's no fool, piano playing as well. | 0:20:14 | 0:20:16 | |
We're talking about a man who could have made that his profession if he wanted to. | 0:20:16 | 0:20:20 | |
But his passion for astronomy overtook everything else. | 0:20:20 | 0:20:24 | |
We talked about music quite a bit, we had some musical evenings | 0:20:31 | 0:20:34 | |
and I always gave him our albums when they came out | 0:20:34 | 0:20:37 | |
and he would always say, "Well, it's not my cup of tea, | 0:20:37 | 0:20:40 | |
"but I absolutely appreciate it," you know, | 0:20:40 | 0:20:43 | |
but for choice he'd be listening to his own operas and classical pieces. | 0:20:43 | 0:20:48 | |
Although he continued broadcasting, in his late 70s, | 0:20:50 | 0:20:53 | |
arthritis forced Patrick to give up the things that he loved, | 0:20:53 | 0:20:57 | |
playing music and using his telescopes. | 0:20:57 | 0:21:00 | |
Patrick had this incredible fast mind that was racing | 0:21:01 | 0:21:07 | |
and yet the body was slowly deteriorating | 0:21:07 | 0:21:10 | |
and it was so sad for those of us who knew him well, | 0:21:10 | 0:21:13 | |
to see this person who was so full of excitement and vigour still | 0:21:13 | 0:21:18 | |
in a body that was just decaying around him. | 0:21:18 | 0:21:21 | |
As he got older, he could find humour even when he was poorly. | 0:21:21 | 0:21:24 | |
You've seen Halley's Comet both times, haven't you? | 0:21:24 | 0:21:27 | |
When he was on Have I Got News For You, he thought it was amusing | 0:21:28 | 0:21:32 | |
to be the butt of a bit of humour. | 0:21:32 | 0:21:34 | |
LAUGHTER AND APPLAUSE | 0:21:34 | 0:21:37 | |
HE MUTTERS | 0:21:43 | 0:21:45 | |
-So, where are we? -There's the sun. | 0:21:48 | 0:21:52 | |
What's happened to Uranus? | 0:21:52 | 0:21:54 | |
Patrick's always seeing the joke before they do, | 0:21:54 | 0:21:56 | |
effectively sort of caricaturing himself. | 0:21:56 | 0:21:59 | |
Do you still need therapy? | 0:21:59 | 0:22:01 | |
He even did for me, he did adverts for the air guitar collections | 0:22:01 | 0:22:04 | |
which I do, where he actually plays air guitar and gets into it | 0:22:04 | 0:22:07 | |
and does this, you know. | 0:22:07 | 0:22:09 | |
-No strings attached. -I think it's a really great quality. | 0:22:09 | 0:22:13 | |
Patrick was awarded an OBE in 1968, | 0:22:13 | 0:22:16 | |
a CBE in 1998 | 0:22:16 | 0:22:18 | |
and 2001, he was knighted | 0:22:18 | 0:22:20 | |
for services to science and broadcasting. | 0:22:20 | 0:22:23 | |
When he got the letter from the palace, | 0:22:23 | 0:22:26 | |
he was just so thrilled and then, of course, to get the BAFTA award | 0:22:26 | 0:22:29 | |
as well in the same year and presented by Buzz Aldrin, | 0:22:29 | 0:22:33 | |
the second man on the moon, this was such a thrill for Patrick. | 0:22:33 | 0:22:37 | |
Not only has this man met every single lunar astronaut, | 0:22:38 | 0:22:44 | |
he will modestly tell you that he's also | 0:22:44 | 0:22:46 | |
met both the first man in space | 0:22:46 | 0:22:50 | |
and the first man to fly an aeroplane. | 0:22:50 | 0:22:53 | |
I'm pleased to say that this special award | 0:22:53 | 0:22:56 | |
is being presented to my good friend, Sir Patrick Moore. | 0:22:56 | 0:23:01 | |
APPLAUSE | 0:23:01 | 0:23:03 | |
Thank you so much. | 0:23:08 | 0:23:10 | |
APPLAUSE | 0:23:10 | 0:23:13 | |
I must say, I feel really overwhelmed. | 0:23:13 | 0:23:17 | |
There are so many people here who have done so much more than I have. | 0:23:17 | 0:23:22 | |
After all, I have merely done some commenting, | 0:23:22 | 0:23:25 | |
I did help, I suppose, in mapping the moon, | 0:23:25 | 0:23:28 | |
but I have a sort of feeling that Buzz knows | 0:23:28 | 0:23:31 | |
a bit more about the moon than I do. | 0:23:31 | 0:23:33 | |
All I can say is, I don't think for one moment | 0:23:33 | 0:23:37 | |
that I deserve this award, but I am more than grateful. | 0:23:37 | 0:23:40 | |
All I can say, therefore, is, thank you very much indeed. | 0:23:40 | 0:23:44 | |
It has been one of the great days of my life. | 0:23:44 | 0:23:47 | |
Thank you. | 0:23:47 | 0:23:48 | |
APPLAUSE | 0:23:48 | 0:23:51 | |
Although a much-loved figure, | 0:23:51 | 0:23:52 | |
Patrick was not afraid of controversy. | 0:23:52 | 0:23:55 | |
He was drawn to politics, but never stood for Parliament, | 0:23:55 | 0:23:57 | |
stating he would make a poor candidate | 0:23:57 | 0:24:00 | |
because he always said exactly what he thought. | 0:24:00 | 0:24:03 | |
He was incredibly patriotic. | 0:24:03 | 0:24:06 | |
I am sorry to say that he was also slightly... | 0:24:06 | 0:24:08 | |
antiforeigner in some of the things he said. | 0:24:08 | 0:24:11 | |
But he was always somebody who was very passionately doing | 0:24:11 | 0:24:14 | |
whatever he was doing. | 0:24:14 | 0:24:15 | |
Patrick wanted to see three things during his life. | 0:24:17 | 0:24:20 | |
The flaming thing's stuck. | 0:24:20 | 0:24:21 | |
Each a once-in-a-lifetime astronomical event. | 0:24:21 | 0:24:25 | |
Halley's Comet, | 0:24:25 | 0:24:26 | |
the transit of Venus across the sun | 0:24:26 | 0:24:29 | |
and a total solar eclipse from Britain. | 0:24:29 | 0:24:33 | |
Patrick had seen eclipses from all over the world, | 0:24:34 | 0:24:37 | |
from Yugoslavia and Siberia in the '60s | 0:24:37 | 0:24:40 | |
and at sea, off the coast of Africa in 1973. | 0:24:40 | 0:24:44 | |
One trouble is the fact that the boat will be swaying around. | 0:24:44 | 0:24:48 | |
How will you cope with that? | 0:24:48 | 0:24:50 | |
We made a home-made device from wood, which is based on pivots, | 0:24:50 | 0:24:55 | |
so it will move in both directions. | 0:24:55 | 0:24:57 | |
It looked as if you were balancing the camera on your teeth. | 0:24:57 | 0:25:00 | |
No, strictly speaking, it was on my nose, | 0:25:00 | 0:25:02 | |
quite hard on my nose, like this. | 0:25:02 | 0:25:04 | |
As the time drew near, the light began to go down very rapidly. | 0:25:04 | 0:25:08 | |
Within a few seconds, the whole ship was plunged into darkness. | 0:25:08 | 0:25:13 | |
And there's the corona, and there's a brilliant prominence to the side of the sun. | 0:25:13 | 0:25:17 | |
This is incredible, the best corona I think I've seen in my life. | 0:25:17 | 0:25:19 | |
Well, that was a breathtaking sight. | 0:25:19 | 0:25:23 | |
In 1927, before the age of television, | 0:25:26 | 0:25:29 | |
England saw its last total solar eclipse | 0:25:29 | 0:25:32 | |
and now, we can bring you | 0:25:32 | 0:25:34 | |
our first total solar eclipse from British soil. | 0:25:34 | 0:25:37 | |
The day before the eclipse, it was a beautiful sunny day | 0:25:37 | 0:25:41 | |
and we had this wonderful programme set up | 0:25:41 | 0:25:43 | |
and then the day of the eclipse, we awoke. | 0:25:43 | 0:25:46 | |
The weather was awful. | 0:25:46 | 0:25:49 | |
Patrick was pounding around like a bull with a sore head. | 0:25:49 | 0:25:53 | |
His producers tried to persuade him to see the eclipse from somewhere | 0:25:53 | 0:25:57 | |
where he would definitely see it, like Turkey or wherever it would be, | 0:25:57 | 0:25:59 | |
but he wanted to see it from England, his own country. | 0:25:59 | 0:26:02 | |
I must admit, I'm excited, | 0:26:03 | 0:26:05 | |
because I've been looking forward to this eclipse | 0:26:05 | 0:26:07 | |
for the last 70 years. | 0:26:07 | 0:26:09 | |
All we need now, is for these wretched clouds to clear away | 0:26:09 | 0:26:13 | |
and give us a nice clear sky. | 0:26:13 | 0:26:14 | |
Luckily, the BBC had seen fit | 0:26:14 | 0:26:17 | |
to have an aircraft getting pictures from space. | 0:26:17 | 0:26:20 | |
On the whole, at the moment, I fear it's a really rather gloomy scene, | 0:26:20 | 0:26:25 | |
but don't give up yet, one never knows, it could still clear, | 0:26:25 | 0:26:28 | |
and there's a slight lightening of the sky over there. | 0:26:28 | 0:26:31 | |
And there is the crescent sun | 0:26:31 | 0:26:33 | |
and we've just had our first glimpse of the eclipse | 0:26:33 | 0:26:36 | |
and the cloud is there, it's drifting, | 0:26:36 | 0:26:38 | |
and not very long to go now. Oh, clouds, keep away please! | 0:26:38 | 0:26:42 | |
And then there's the diamond ring and there, the lovely corona. | 0:26:43 | 0:26:47 | |
CHEERING | 0:26:47 | 0:26:50 | |
And that is the sight of a lifetime, and down here, sadly, | 0:26:52 | 0:26:56 | |
we are still under total cloud and we're missing it. | 0:26:56 | 0:26:59 | |
That was so sad for Patrick, | 0:27:00 | 0:27:03 | |
but it was an awful lot of fun to do, | 0:27:03 | 0:27:04 | |
because he kind of could see the funny side, | 0:27:04 | 0:27:07 | |
even though he was bitterly disappointed. | 0:27:07 | 0:27:10 | |
At least we have been through | 0:27:10 | 0:27:11 | |
the last English total solar eclipse of the millennium. | 0:27:11 | 0:27:14 | |
Here in my observatory in Sussex, the weather is absolutely perfect... | 0:27:17 | 0:27:21 | |
One of the rarest events in the solar system | 0:27:21 | 0:27:23 | |
is the transit of Venus across the sun. | 0:27:23 | 0:27:26 | |
Now, we know the transit is about to start. | 0:27:26 | 0:27:29 | |
Nobody has ever seen one before, | 0:27:29 | 0:27:30 | |
because there hasn't been one in any of our lifetimes, | 0:27:30 | 0:27:33 | |
so it really was something rather exciting. | 0:27:33 | 0:27:36 | |
There's Venus, just first contact, | 0:27:36 | 0:27:39 | |
and there's no mistaking it now. | 0:27:39 | 0:27:41 | |
This really is a one-off. | 0:27:41 | 0:27:43 | |
It will always be one of my greatest memories of Patrick. | 0:27:43 | 0:27:46 | |
-There, is that the backdrop there? -That's it. | 0:27:46 | 0:27:48 | |
It was a perfect day, beautiful blue sky. | 0:27:48 | 0:27:52 | |
As soon as the transit was over, it clouded over, | 0:27:52 | 0:27:54 | |
so we had a gift from God, really, that day. | 0:27:54 | 0:27:58 | |
And so, from Brighton | 0:27:59 | 0:28:01 | |
where the sky is now completely overcast, good night. | 0:28:01 | 0:28:04 | |
Patrick lives on in the minds and the memories | 0:28:04 | 0:28:06 | |
of the people that he affected. | 0:28:06 | 0:28:09 | |
Patrick's legacy is that he changed a lot of people's lives. | 0:28:09 | 0:28:13 | |
And so it's glad to know, that Halley is on its way back, | 0:28:13 | 0:28:16 | |
the wanderer has returned at last, good night. | 0:28:16 | 0:28:19 | |
Possibly the most generous man I've ever met in my life. | 0:28:19 | 0:28:24 | |
I'll miss Patrick as a friend, | 0:28:24 | 0:28:26 | |
such a kind and beneficent friend, | 0:28:26 | 0:28:31 | |
and an inspiration. | 0:28:31 | 0:28:33 | |
What about the 80th anniversary of The Sky At Night programme? | 0:28:33 | 0:28:36 | |
Will my successor be able to talk to you | 0:28:36 | 0:28:38 | |
from a space station or the surface of the moon? | 0:28:38 | 0:28:41 | |
Quite possibly. | 0:28:41 | 0:28:42 | |
And of one thing we can be quite certain - whatever happens, | 0:28:42 | 0:28:45 | |
it's going to be exciting. Good night. | 0:28:45 | 0:28:49 | |
Subtitles by Red Bee Media Ltd. | 0:28:49 | 0:28:51 |