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Meet Viscount John Crichton... | 0:00:02 | 0:00:03 | |
You know John Crichton and I am very happy to talk. | 0:00:03 | 0:00:06 | |
-..a thoroughly modern aristocrat. -I think that is right, C. | 0:00:06 | 0:00:09 | |
-Living in London... -Grazie. -..with his beloved dog, Piglet. | 0:00:09 | 0:00:14 | |
He has a successful property business... | 0:00:14 | 0:00:16 | |
Do you think hit them with a million? | 0:00:16 | 0:00:18 | |
-..and a great circle of friends. -Long time, no see. -I know! | 0:00:18 | 0:00:22 | |
Yet despite his everyday life in a two-bedroom flat, | 0:00:22 | 0:00:25 | |
his real home is here. | 0:00:25 | 0:00:28 | |
The ancestral seat of the Crichton family for over 400 years, | 0:00:36 | 0:00:40 | |
Crom Castle in Fermanagh, which John will inherit from his father. | 0:00:40 | 0:00:45 | |
-We live in a semi-detached castle! -But there is a problem. | 0:00:45 | 0:00:49 | |
We have got astronomical bills. | 0:00:49 | 0:00:51 | |
Will letting his home for weddings... | 0:00:51 | 0:00:54 | |
Lock them in for the afternoon! | 0:00:54 | 0:00:58 | |
-..for TV filming... -Now. | 0:00:58 | 0:01:01 | |
-..even American tourists... -You probably will go on the bus. -I probably will, actually! | 0:01:01 | 0:01:05 | |
..be enough to help John keep this much-loved family home? | 0:01:05 | 0:01:10 | |
-In you go. -Good, the place is looking good. | 0:01:25 | 0:01:28 | |
How was your trip from London? | 0:01:28 | 0:01:30 | |
It was good. The trip wasn't very good. | 0:01:30 | 0:01:32 | |
The trip to London was great, but the actual journey was a nightmare | 0:01:32 | 0:01:35 | |
because they delayed my flight and then the M1 got closed. | 0:01:35 | 0:01:38 | |
-I don't believe it. -Yes. So... -What time did you get back? | 0:01:38 | 0:01:41 | |
12.45 this morning. And you can't really wind down. | 0:01:41 | 0:01:45 | |
-You have sort of half an hour to wind down. -Did you get any breakfast? | 0:01:45 | 0:01:49 | |
I think I had something, Dad! | 0:01:49 | 0:01:51 | |
Crom Castle is currently the permanent residence | 0:01:58 | 0:02:01 | |
of John's father, the sixth Earl of Erne. | 0:02:01 | 0:02:04 | |
Sadly, my father was killed in 1940. | 0:02:04 | 0:02:07 | |
I was born in 1937, so I was only two when I inherited. | 0:02:07 | 0:02:12 | |
I came here to live when I came of age in 1958, | 0:02:12 | 0:02:16 | |
to find a castle completely empty with no electricity | 0:02:16 | 0:02:20 | |
or any central heating and rather modest acres. | 0:02:20 | 0:02:25 | |
I have spent a lifetime looking after this place | 0:02:25 | 0:02:29 | |
and I love it like... | 0:02:29 | 0:02:30 | |
I can't describe how much I love it. | 0:02:30 | 0:02:33 | |
Having grown up at Crom, Lord Erne's son, Viscount Crichton, | 0:02:35 | 0:02:38 | |
often returns to stay at his castle in Fermanagh. | 0:02:38 | 0:02:41 | |
I don't know what your thought is about the blank wall, | 0:02:41 | 0:02:45 | |
-were you thinking of a mirror or not? -No, I suggest jasmine. -Jasmine. | 0:02:45 | 0:02:50 | |
And it doesn't need an idiot's guide to be able to water some plants and do it properly. | 0:02:50 | 0:02:54 | |
No. And if you open the door and the birds get in, | 0:02:54 | 0:02:57 | |
especially if everything is laid up, | 0:02:57 | 0:02:59 | |
you don't want birds leaving their signature all over the tablecloth. | 0:02:59 | 0:03:03 | |
No. Exactly! Not good. | 0:03:03 | 0:03:05 | |
I was brought up that it would be mine to look after one day | 0:03:10 | 0:03:15 | |
and I was always looking forward to that. | 0:03:15 | 0:03:18 | |
Home I came at 21 and I bought some heifers | 0:03:18 | 0:03:22 | |
and a bull and started to farm. | 0:03:22 | 0:03:25 | |
But surrounded by water, the land at Crom wasn't easy to farm. | 0:03:27 | 0:03:30 | |
As time went on, it became more and more difficult financially. | 0:03:32 | 0:03:37 | |
And thankfully, as far as we are concerned, | 0:03:37 | 0:03:41 | |
the National Trust arrived. | 0:03:41 | 0:03:42 | |
With farming proving difficult, Lord Erne gave the estate lands | 0:03:44 | 0:03:48 | |
and historic outbuildings over to the National Trust in 1987. | 0:03:48 | 0:03:53 | |
It meant he was free of the financial responsibility, | 0:03:53 | 0:03:56 | |
but it also meant that for the first time in the Crichtons' history, | 0:03:56 | 0:04:00 | |
members of the public could enter the grounds uninvited. | 0:04:00 | 0:04:02 | |
Lord Erne did retain the castle as a private family home, | 0:04:06 | 0:04:10 | |
but with no income from the estate, | 0:04:10 | 0:04:11 | |
and the ever-increasing cost of living, the family have had | 0:04:11 | 0:04:15 | |
to seek out alternative ways of making the building pay for itself. | 0:04:15 | 0:04:20 | |
Luckily, my son John was very happy and anxious to take on | 0:04:20 | 0:04:25 | |
what we call the West Wing of Crom Castle. | 0:04:25 | 0:04:28 | |
And he does a bit of commercial in his side of the house. | 0:04:28 | 0:04:32 | |
We live in the south side, and that is completely private, | 0:04:34 | 0:04:37 | |
but he does weddings and dinners and anything he can | 0:04:37 | 0:04:42 | |
in order to make a bit of money to keep the castle going. | 0:04:42 | 0:04:47 | |
We've got a wedding this weekend which Noel is going to set up. | 0:04:50 | 0:04:53 | |
-Do you know where they are from? -I think they are local. -Oh, good. | 0:04:53 | 0:04:57 | |
County Tyrone way, which is great, | 0:04:57 | 0:05:00 | |
-so not a huge amount of fuss to get here. -And do you know how many? | 0:05:00 | 0:05:04 | |
-Yes, we are nice and comfortable. We are about 45 to 50. -Oh, perfect. -Which is great. | 0:05:04 | 0:05:08 | |
Unable to rely entirely on weddings, John's entrepreneurial spirit | 0:05:10 | 0:05:14 | |
is always on the lookout for other ways of making money. | 0:05:14 | 0:05:18 | |
-You know we are talking slightly about more American groups here? -Yes. | 0:05:18 | 0:05:21 | |
Well, I had a lovely chat with some people up on the east coast. | 0:05:21 | 0:05:26 | |
-At Ballywalter? -At Ballywalter, yup. -How were they? | 0:05:26 | 0:05:30 | |
Well, you know they are cousins through mums. Quite interesting. | 0:05:30 | 0:05:34 | |
They want to form some sort of alliance with Crom | 0:05:34 | 0:05:39 | |
so the Americans would come and do three days with them, | 0:05:39 | 0:05:42 | |
see Giant's Causeway, the Ards Peninsular, Mount Stewart, | 0:05:42 | 0:05:45 | |
all of that section of the North, | 0:05:45 | 0:05:48 | |
and then come down to Crom for three days and do lovely Fermanagh, | 0:05:48 | 0:05:52 | |
-do the lake, do Florence Court, Castle Court... -With you? -With me. | 0:05:52 | 0:05:55 | |
-Crichton Tours! -Crichton Tours, and we would be there... | 0:05:55 | 0:05:59 | |
-And you will go on the bus with them? -I don't know. | 0:05:59 | 0:06:01 | |
-You probably will go on the bus. -I probably will, actually! | 0:06:01 | 0:06:04 | |
-With a microphone. -With a microphone. | 0:06:04 | 0:06:06 | |
I mean, a huge number of people seem to come here and say, | 0:06:11 | 0:06:14 | |
"I didn't know this place existed." We are not run of the mill. | 0:06:14 | 0:06:18 | |
We are not a guesthouse, we are not a hotel. | 0:06:18 | 0:06:22 | |
It's your home one side, and my home the other. | 0:06:22 | 0:06:25 | |
-In fact, we live in a semi-detached castle! -That is what I tell people. They love that. | 0:06:25 | 0:06:30 | |
Of course, it was not always a semi. | 0:06:33 | 0:06:35 | |
Crom castle in Fermanagh was once one of the grandest family homes | 0:06:35 | 0:06:39 | |
in Ireland, welcoming lords, ladies and even royalty through the doors. | 0:06:39 | 0:06:44 | |
The first Crichton to arrive from Scotland, in the early 1600s, | 0:06:44 | 0:06:50 | |
married Bishop Spottiswoode's daughter. | 0:06:50 | 0:06:54 | |
Now, Bishop Spottiswoode and the old castle at Crom, | 0:06:54 | 0:06:57 | |
and the lands of Crom... We were granted as a family huge lands | 0:06:57 | 0:07:03 | |
stretching out to Mayo and up as far as Donegal. | 0:07:03 | 0:07:07 | |
But nothing stays the same for ever. | 0:07:08 | 0:07:11 | |
While Lord Erne's side of the castle remains a private family home, | 0:07:11 | 0:07:14 | |
John's side needs to keep busy with the commercial ventures. | 0:07:14 | 0:07:18 | |
Nobody knows about the changes better than Noel Johnston. | 0:07:18 | 0:07:22 | |
As manager of the west wing, he is also the latest generation | 0:07:22 | 0:07:25 | |
of a family who have worked for the Crichtons for over 200 years. | 0:07:25 | 0:07:29 | |
Back in Mum's time at the castle, it was not a business, it was | 0:07:31 | 0:07:34 | |
a home and it was entertaining and you know, the 12 full-time staff. | 0:07:34 | 0:07:38 | |
It was really full on as entertaining. | 0:07:38 | 0:07:43 | |
The emphasis back then was very much on family life, | 0:07:47 | 0:07:50 | |
and the Crichtons would have had butlers, gardeners, | 0:07:50 | 0:07:52 | |
cooks and nannies to look after everyone. | 0:07:52 | 0:07:55 | |
Of course, the family still require help, | 0:07:57 | 0:08:00 | |
but these days, the full-time staff list is down to just one. | 0:08:00 | 0:08:04 | |
There's me and we are running a business and maintaining it, | 0:08:06 | 0:08:10 | |
so it's not easy. | 0:08:10 | 0:08:11 | |
And sometimes you feel like, my God, what am I doing? | 0:08:11 | 0:08:15 | |
But, for Noel, this isn't just a job. | 0:08:20 | 0:08:23 | |
Having grown up on the estate, | 0:08:23 | 0:08:25 | |
the Crichtons to him are almost like family. | 0:08:25 | 0:08:28 | |
We are very different | 0:08:28 | 0:08:30 | |
but yet intermingled into each other in a very unique way, I suppose. | 0:08:30 | 0:08:34 | |
My mum worked in the castle for over 56 years. | 0:08:34 | 0:08:38 | |
My two sisters were nannies for Lord Erne's children | 0:08:38 | 0:08:41 | |
and indeed, for Viscount Crichton when he was a boy. | 0:08:41 | 0:08:44 | |
And, I mean, all the children. | 0:08:44 | 0:08:46 | |
Lord Erne actually gave me my first job in the castle | 0:08:46 | 0:08:48 | |
when I was about nine or ten years old. | 0:08:48 | 0:08:51 | |
Bringing all the sticks to the fireplace at that time. | 0:08:51 | 0:08:53 | |
There were 14 fireplaces going at that time. | 0:08:53 | 0:08:56 | |
He would give me a few pounds each week and I used to do that | 0:08:56 | 0:08:59 | |
before I went to school and when I came home from school. | 0:08:59 | 0:09:02 | |
So the castle has been part of my life for such a long period of time as well. | 0:09:02 | 0:09:07 | |
This has all been painted now, | 0:09:07 | 0:09:08 | |
so from the last time you were here this has also been painted. | 0:09:08 | 0:09:11 | |
And you remember where the water came down. That stain has dried up. | 0:09:11 | 0:09:16 | |
-The painters have sorted that out. -Good. | 0:09:16 | 0:09:18 | |
And this has all been re-carpeted. | 0:09:18 | 0:09:20 | |
-And then the yellow drawing room. -Do you know, it looks as if it's always been here. | 0:09:21 | 0:09:25 | |
Yes, it has blended in well. | 0:09:25 | 0:09:27 | |
And remember the stain, the big stain that was on the carpet here? | 0:09:27 | 0:09:30 | |
It has completely gone and all the carpets have been changed. | 0:09:30 | 0:09:34 | |
The last red wine spill that was there has gone. It has come out OK, so it is fine. | 0:09:34 | 0:09:37 | |
It's just one of those things, and do you know, it is so weird, | 0:09:37 | 0:09:40 | |
Noel, that when I go to stay in private house parties | 0:09:40 | 0:09:42 | |
all over, people still say, please, no red wine in the drawing room. | 0:09:42 | 0:09:46 | |
It's not because they think you are going to misbehave, | 0:09:46 | 0:09:49 | |
it's just that it is the killer. | 0:09:49 | 0:09:51 | |
When is this being done again? | 0:09:51 | 0:09:53 | |
With his property business in London, | 0:09:53 | 0:09:55 | |
looking around houses is a recurring theme in John's world, | 0:09:55 | 0:09:58 | |
albeit in very different circumstances. | 0:09:58 | 0:10:01 | |
The contrast is great, because you leave the hustle, the bustle, | 0:10:01 | 0:10:06 | |
the excitement and rather smelly, populated, crowded, noisy London. | 0:10:06 | 0:10:12 | |
And drive here. It couldn't be more different. | 0:10:12 | 0:10:17 | |
So, if you are having two lives, | 0:10:17 | 0:10:18 | |
which I seem to have at the moment, better to have two complete extremes | 0:10:18 | 0:10:23 | |
and you look forward to doing both. | 0:10:23 | 0:10:25 | |
And after a bit of time, yep, you need a bit of London. | 0:10:25 | 0:10:28 | |
When you have had too much London, my God, you need a bit of Crom. | 0:10:28 | 0:10:32 | |
This was actually my bedroom when I was much younger. | 0:10:32 | 0:10:35 | |
This was the night nursery. | 0:10:35 | 0:10:37 | |
I remember two single beds in here, | 0:10:37 | 0:10:39 | |
one for my nearest sister in age and one for me. | 0:10:39 | 0:10:42 | |
Betty would have slept here. Although it was slightly different. | 0:10:42 | 0:10:46 | |
-I think she slept in the rose room. -Joan was in the rose room. | 0:10:46 | 0:10:50 | |
Betty was here. | 0:10:50 | 0:10:52 | |
These are Noel's two sisters who literally looked after me, poor things! | 0:10:52 | 0:10:57 | |
They never got over it. They were traumatised! | 0:10:57 | 0:11:00 | |
They are still getting over it now. So am I! | 0:11:00 | 0:11:03 | |
Great. | 0:11:03 | 0:11:04 | |
-So that is it all done. -No, it is looking great. | 0:11:06 | 0:11:09 | |
As the only boy in a family of five children, | 0:11:09 | 0:11:11 | |
Viscount Crichton's destiny was sealed at birth. | 0:11:11 | 0:11:15 | |
His fate was to inherit the castle from his father. | 0:11:15 | 0:11:19 | |
Lady Rosanna is Lord Erne's older sister, | 0:11:31 | 0:11:34 | |
and recently returned to Crom to live in a cottage on the estate. | 0:11:34 | 0:11:38 | |
Having seen the castle passed through the hands of two generations already, | 0:11:38 | 0:11:42 | |
she is well aware of the challenges John faces. | 0:11:42 | 0:11:45 | |
My grandfather was killed in the First World War and the estate | 0:11:49 | 0:11:53 | |
became in the hands of trustees, because he was a minor, | 0:11:53 | 0:11:58 | |
when his father was killed, | 0:11:58 | 0:12:01 | |
and the trustees said this place is a white elephant. | 0:12:01 | 0:12:05 | |
You haven't got a chance to keep it, | 0:12:05 | 0:12:07 | |
you haven't got enough money to keep it. | 0:12:07 | 0:12:10 | |
My father, when he came of age, said, "I'm going to have a go, | 0:12:10 | 0:12:13 | |
"I'm going to try." | 0:12:13 | 0:12:16 | |
And he had a job in London, so he hoped that that would help | 0:12:16 | 0:12:20 | |
towards keeping up the place and it wasn't enough. | 0:12:20 | 0:12:24 | |
Then he got killed in the Second World War, | 0:12:24 | 0:12:28 | |
and the trustees said to my brother, | 0:12:28 | 0:12:32 | |
"You haven't got a chance to keep this place, get rid of it." | 0:12:32 | 0:12:36 | |
And he said, "I love it, I want to try." | 0:12:36 | 0:12:39 | |
And my goodness, we are still here, in a sort of very, very different sort of way. | 0:12:39 | 0:12:44 | |
-Rose. -Hello! Welcome! | 0:12:48 | 0:12:52 | |
Thank you so much for looking after Piglet. | 0:12:52 | 0:12:54 | |
-Well, she was very good. -Where has she gone now? | 0:12:54 | 0:12:56 | |
When he's back from London, John enjoys spending time | 0:12:56 | 0:13:00 | |
with his aunt and the opportunity to plunder her kitchen garden. | 0:13:00 | 0:13:03 | |
-The hydrangeas have come on. -Those are amazing. | 0:13:03 | 0:13:06 | |
What you have done to this garden since you've been here... | 0:13:06 | 0:13:09 | |
-Put it in a glass of water. -Immediately? | 0:13:09 | 0:13:14 | |
Take the lower things off, just so it keeps them fresh. | 0:13:14 | 0:13:17 | |
-Well, I'm going to make it quite soon. -Yes. -Look at your sweet peas. | 0:13:17 | 0:13:22 | |
-They are still out. -They smell nice. | 0:13:22 | 0:13:24 | |
-You can put a little posy in their bedroom. -I must remember. | 0:13:24 | 0:13:27 | |
That is to go with the prawns and that is to go in the bedroom, not the other way around. | 0:13:27 | 0:13:30 | |
-Yes! -What is this sweet pea doing in my prawn? | 0:13:30 | 0:13:33 | |
-That is really nice. -There you are. -Perfect. | 0:13:34 | 0:13:37 | |
The dill will hopefully make it into a dinner that John is cooking | 0:13:37 | 0:13:40 | |
for his sister, Lady Katherine, | 0:13:40 | 0:13:42 | |
who is back with her husband and children for a fleeting stay | 0:13:42 | 0:13:46 | |
in the family cottage on the estate. | 0:13:46 | 0:13:48 | |
My God, you've made it! As the rain, the heavens come down. | 0:13:48 | 0:13:51 | |
My darling! | 0:13:51 | 0:13:53 | |
-So good to see you! -Welcome home! | 0:13:53 | 0:13:56 | |
Now, you are upstairs. Mum and Dad are down here. | 0:13:56 | 0:14:01 | |
I'm just above... | 0:14:01 | 0:14:03 | |
-Have you spoken to any of the sisters? -Tarsi is in Greece, I think. -Oh, yes! | 0:14:03 | 0:14:07 | |
-And all well on the work front, are you busy? -Very busy up in the wing. | 0:14:07 | 0:14:12 | |
-Good. -Lots going on. | 0:14:12 | 0:14:13 | |
We've got a booking for Christmas, which is fantastic | 0:14:13 | 0:14:16 | |
because it means December is slightly covered. | 0:14:16 | 0:14:19 | |
John's sisters have always known that, as the only boy, | 0:14:20 | 0:14:22 | |
their little brother will one day have responsibility | 0:14:22 | 0:14:26 | |
for the entire castle. | 0:14:26 | 0:14:27 | |
I am the third girl and I knew as soon as John-John was born, | 0:14:28 | 0:14:33 | |
that this was going to be his place and he would inherit | 0:14:33 | 0:14:36 | |
and we have always been brought up to believe that and know that. | 0:14:36 | 0:14:38 | |
It is so lovely for us to be able to come back and enjoy it | 0:14:38 | 0:14:41 | |
and not have the responsibility of looking after a large place | 0:14:41 | 0:14:45 | |
which I know is hard at times. | 0:14:45 | 0:14:47 | |
But to be able to come back and see John-John when he's back | 0:14:47 | 0:14:50 | |
and all of the people on the estate that I grew up with, | 0:14:50 | 0:14:52 | |
we are very, very lucky to be able to do that. | 0:14:52 | 0:14:55 | |
When the time to inherit comes, whether John can continue | 0:14:58 | 0:15:02 | |
to keep the castle for the family to enjoy, remains to be seen. | 0:15:02 | 0:15:06 | |
But for now, he has to keep up a dual existence | 0:15:06 | 0:15:09 | |
between Fermanagh in Northern Ireland and London. | 0:15:09 | 0:15:11 | |
So of course, it is great to be on the Fulham Road. | 0:15:13 | 0:15:16 | |
You have literally got everything on your doorstep. | 0:15:16 | 0:15:19 | |
Pubs, you've got restaurants, you've got a health gym, cinema, | 0:15:19 | 0:15:24 | |
but I am quite further down, which means I am quite quiet. | 0:15:24 | 0:15:28 | |
But still within walking distance to the razzmatazz. Which is great. | 0:15:28 | 0:15:32 | |
Making the most of his London life, John is having friends round later | 0:15:32 | 0:15:35 | |
for supper on the roof terrace. | 0:15:35 | 0:15:37 | |
-Hey, how are you doing? -How are you? -Very good. | 0:15:37 | 0:15:41 | |
I would like to buy some supper, please. | 0:15:41 | 0:15:43 | |
I would like some prosciutto and some ham. | 0:15:43 | 0:15:47 | |
10, 15 slices of each. | 0:15:47 | 0:15:49 | |
I need to get some salad now. Have you got some red peppers? | 0:15:49 | 0:15:52 | |
You've got some red in there as well. | 0:15:52 | 0:15:54 | |
Can you mix it up with the red as well? Thank you very much. Grazie! | 0:15:54 | 0:15:58 | |
Even in his London flat, | 0:16:06 | 0:16:08 | |
Viscount Crichton's Northern Irish roots are all around. | 0:16:08 | 0:16:12 | |
So, I'm going to prepare some dinner for my guests. | 0:16:12 | 0:16:17 | |
I've got a lovely flatmate, Nicola, who has been living here for about three years. | 0:16:17 | 0:16:21 | |
I can't believe she still wants to live here after three years with me, | 0:16:21 | 0:16:25 | |
but it is wonderful. We are the greatest friends. There she is. | 0:16:25 | 0:16:29 | |
Hello! | 0:16:29 | 0:16:31 | |
Funny enough, you probably find me more domesticated at Crom, | 0:16:31 | 0:16:35 | |
-than London. -That is true, actually. He is a very generous host. | 0:16:35 | 0:16:39 | |
I find myself at home much more caring | 0:16:40 | 0:16:43 | |
and probably more respect for the house, even though this has got all | 0:16:43 | 0:16:47 | |
my things in it, and to me, this is as much of a home as it is at Crom. | 0:16:47 | 0:16:51 | |
But Crom seems to be a bit more special than that. | 0:16:52 | 0:16:55 | |
-Hello! -Hi, you! | 0:16:55 | 0:16:56 | |
-Long time no see! -I know, I know, I've been mad. | 0:16:57 | 0:17:00 | |
I have been, as you know, away here and there and everywhere. | 0:17:00 | 0:17:03 | |
Thank you. | 0:17:04 | 0:17:05 | |
-Did you make these mozzarella balls yourself? -I didn't. | 0:17:07 | 0:17:10 | |
I can honestly tell you that I have spent the past seven months | 0:17:10 | 0:17:13 | |
-in my house, and I have not cooked one meal. Not one. -Why not? | 0:17:13 | 0:17:18 | |
-Because I don't do cooking, JJ! -You're very good. -No, I'm not. | 0:17:18 | 0:17:21 | |
-What was the weather like in Beirut? -Hot. -Very hot? -It was lovely. | 0:17:21 | 0:17:25 | |
Really, really good. | 0:17:25 | 0:17:27 | |
And I took your advice and I looked and I learnt, | 0:17:27 | 0:17:30 | |
and I went to museums and I saw the most extraordinary things. | 0:17:30 | 0:17:34 | |
We went wine tasting for Chateau Musar, which was lovely. | 0:17:34 | 0:17:37 | |
I brought some back. | 0:17:37 | 0:17:38 | |
We all love our wine, but I never realised how good Chateau Musar is. | 0:17:38 | 0:17:43 | |
But nights like tonight are becoming less common | 0:17:43 | 0:17:46 | |
and it's not long before John is back in Northern Ireland, | 0:17:46 | 0:17:49 | |
overseeing the business of Crom. | 0:17:49 | 0:17:51 | |
JAZZ MUSIC | 0:17:57 | 0:17:59 | |
To succeed in his efforts to keep the castle, | 0:18:02 | 0:18:05 | |
John knows he must diversify. | 0:18:05 | 0:18:07 | |
So when the opportunity to make more money by renting it out | 0:18:07 | 0:18:10 | |
to a television crew arose, he jumped at it. | 0:18:10 | 0:18:13 | |
With his father's blessing, the entire castle | 0:18:13 | 0:18:16 | |
was turned into the set for the BBC comedy drama series Blandings. | 0:18:16 | 0:18:21 | |
With cast and crew making themselves at home in the west wing, | 0:18:21 | 0:18:24 | |
John and Piglet moved into the family cottage on the estate. | 0:18:24 | 0:18:28 | |
Do you want some supper? Yes, you do. Come on. | 0:18:29 | 0:18:32 | |
Good girl, yes, you love being back at Crom, don't you? | 0:18:34 | 0:18:39 | |
Proper country dog now, aren't you? | 0:18:39 | 0:18:41 | |
Now, do you want to go outies walkies? Let's go for a wander. | 0:18:42 | 0:18:46 | |
Shall we go and see the production trucks, Piglet? | 0:18:46 | 0:18:48 | |
Here we are. Wardrobe there. | 0:18:51 | 0:18:54 | |
And make-up there. Hi, girls! | 0:18:54 | 0:18:57 | |
Hello! | 0:18:57 | 0:18:58 | |
What time am I ready for wardrobe at? | 0:18:58 | 0:19:01 | |
The dress will be ready up here. | 0:19:01 | 0:19:03 | |
That's Piglet! | 0:19:04 | 0:19:05 | |
LAUGHS | 0:19:05 | 0:19:08 | |
Sorry, filming mayhem! | 0:19:09 | 0:19:11 | |
Come here. | 0:19:11 | 0:19:12 | |
Now, one may or may not be surprised to know that Viscount Crichton | 0:19:14 | 0:19:19 | |
also happens to have a history of amateur dramatics | 0:19:19 | 0:19:22 | |
and a passion for performing. | 0:19:22 | 0:19:24 | |
So much so, that there was even a time | 0:19:24 | 0:19:26 | |
when he considered acting as a career. | 0:19:26 | 0:19:28 | |
I suppose, was my heart really in it? | 0:19:30 | 0:19:32 | |
I think the fantasy and the love of the theatre and all that was there, | 0:19:32 | 0:19:35 | |
but I don't really think it was probably the work cut out for me. | 0:19:35 | 0:19:39 | |
But the whole lifestyle of it was quite appealing. | 0:19:39 | 0:19:43 | |
And I was a runner for a TV commercial company back in the early '90s. | 0:19:43 | 0:19:49 | |
Being up there among cameras and, you know, | 0:19:49 | 0:19:54 | |
the clapper man or the clapperboard, whatever you call him, | 0:19:54 | 0:19:58 | |
is all a bit sort of nostalgic, really. | 0:19:58 | 0:20:02 | |
So I'm going to play it by ear for the next six weeks. | 0:20:03 | 0:20:07 | |
I can't ignore London, so I will probably go back periodically, | 0:20:07 | 0:20:12 | |
check in with my clients. | 0:20:12 | 0:20:14 | |
I have actually got someone who does exactly the same as me. Excuse me. | 0:20:14 | 0:20:20 | |
I think that is right, C. | 0:20:22 | 0:20:24 | |
There might be a small role... Extra. | 0:20:27 | 0:20:33 | |
Because they know I like the theatre. | 0:20:33 | 0:20:36 | |
So I have got to maybe look at that and see | 0:20:36 | 0:20:38 | |
if that would fit in with me being in London or back here. | 0:20:38 | 0:20:42 | |
Somehow I think I will probably make the effort to come back for it! | 0:20:42 | 0:20:46 | |
It would be quite fun to be a butler in your own house, wouldn't it? | 0:20:46 | 0:20:50 | |
While waiting in the wings for a possible part, | 0:20:56 | 0:20:59 | |
John is more than happy to be hands-on around the house | 0:20:59 | 0:21:02 | |
and run errands that help with the day-to-day business at the castle. | 0:21:02 | 0:21:05 | |
It is such a lovely Fermanagh sight, the man on the tractor. | 0:21:10 | 0:21:14 | |
They all wave to each other. If you put a little nod up, up we go, how are you? | 0:21:14 | 0:21:19 | |
It doesn't matter who it is. | 0:21:19 | 0:21:20 | |
Oh, God, there's a dead badger. That is very sad. | 0:21:22 | 0:21:26 | |
-Hi, Joan! -Morning, John-John. How are you? -Are you all right? | 0:21:37 | 0:21:40 | |
-Yes, very well. How are you? -I'm brilliant, I'm very good, thank you. | 0:21:40 | 0:21:43 | |
-Welcome home again. -You are very kind, thank you. | 0:21:43 | 0:21:46 | |
-Just reading about you in the paper. -What's happened? -Blandings. | 0:21:46 | 0:21:49 | |
Is that the Fermanagh Herald? I think I'm quoted in it, aren't I? | 0:21:49 | 0:21:52 | |
Yes, you are. | 0:21:52 | 0:21:53 | |
Joan was my nanny when I was much younger | 0:21:53 | 0:21:56 | |
and she is Noel's sister, so very much part of the Johnston family. | 0:21:56 | 0:22:00 | |
-And we had a lot of fun, didn't we? -We did, John, we had good fun in the nursery. | 0:22:00 | 0:22:04 | |
You were always the naughty one with me, I think... | 0:22:04 | 0:22:07 | |
-You were always the naughty one! -Anyway, listen, I'm rambling. | 0:22:07 | 0:22:10 | |
-Can I get a book of first-class stamps, please? -A book of six? | 0:22:10 | 0:22:15 | |
Yes, six. | 0:22:15 | 0:22:16 | |
-There you go. -Thanks, Joan. -Not at all. It is good seeing you. | 0:22:16 | 0:22:20 | |
I hope to get out now, one of these afternoons. | 0:22:20 | 0:22:23 | |
Listen, tell me when you're coming out | 0:22:23 | 0:22:25 | |
and I'll see if I can sneak you up on set. | 0:22:25 | 0:22:27 | |
-And maybe come and meet some of the cast or something? -I would love that. | 0:22:27 | 0:22:30 | |
-All right, Joanie, love to the family. -All right, see you. | 0:22:30 | 0:22:33 | |
-Take care, bye-bye. -Bye, bye, bye. | 0:22:33 | 0:22:34 | |
I love coming home, it's a lovely excuse to escape London, | 0:22:38 | 0:22:42 | |
and even when I drive towards the castle, | 0:22:42 | 0:22:45 | |
I still get a wonderful heartbeat misses when I see the house. | 0:22:45 | 0:22:50 | |
It's just lovely to be home. Crom is home. Crom will always be home. | 0:22:50 | 0:22:54 | |
Yes, my possessions, my things are all in London, | 0:22:54 | 0:22:59 | |
but from a feeling point of view, | 0:22:59 | 0:23:01 | |
it's definitely Crom, without a doubt. | 0:23:01 | 0:23:04 | |
But to ensure Viscount Crichton succeeds | 0:23:07 | 0:23:09 | |
at keeping his castle in Fermanagh as the family home, | 0:23:09 | 0:23:12 | |
he needs to get back to the bread and butter business of weddings. | 0:23:12 | 0:23:16 | |
What a lovely colour. Have we had this colour before? | 0:23:16 | 0:23:19 | |
It is certainly one of my favourites. | 0:23:19 | 0:23:20 | |
All go today. Filming in one part, setting up a wedding in the other. | 0:23:22 | 0:23:26 | |
We're having a double whammy at Crom today in the west wing. | 0:23:26 | 0:23:30 | |
And as his conservatory gets all dressed up for the wedding, | 0:23:30 | 0:23:33 | |
John can't help but be drawn to the filming action out on the terrace. | 0:23:33 | 0:23:37 | |
They must be freezing. | 0:23:37 | 0:23:38 | |
Have you finished now for the day then? | 0:23:40 | 0:23:42 | |
I'm sure London doesn't know what's hit it this week, | 0:23:42 | 0:23:45 | |
-when you're not about, socialising. -What, London? -Yes. | 0:23:45 | 0:23:48 | |
What are all the ladies going to do over there? | 0:23:48 | 0:23:51 | |
LAUGHS Everyone's away. | 0:23:51 | 0:23:53 | |
I could have had people to the cottage, probably, but there is | 0:23:53 | 0:23:56 | |
quite a lot going on here at the moment, so I couldn't concentrate. | 0:23:56 | 0:23:59 | |
You couldn't concentrate on the women, they'd distract you! | 0:23:59 | 0:24:02 | |
Now, now, you! | 0:24:02 | 0:24:03 | |
You want to pinch yourself. There you are, sitting in a room, | 0:24:03 | 0:24:06 | |
with Jennifer Saunders, Tim Spall | 0:24:06 | 0:24:09 | |
and Mark Williams, and you think, whoa, what is going on here? | 0:24:09 | 0:24:12 | |
-Isn't it lovely? -Hard life. -It is. | 0:24:14 | 0:24:17 | |
John is not the only one with a hard life, | 0:24:17 | 0:24:20 | |
as Noel gets to grips with some last-minute maintenance. | 0:24:20 | 0:24:23 | |
You can see we had a burst pipe here yesterday in one of the toilets. | 0:24:25 | 0:24:29 | |
So by the time I got into the roof space to get the water turned off, | 0:24:29 | 0:24:32 | |
you can see the mess on the trapdoor. | 0:24:32 | 0:24:34 | |
So somebody is lying in the bath or sitting on the toilet, | 0:24:34 | 0:24:36 | |
the last thing you want is looking at the whole place really dirty, | 0:24:36 | 0:24:39 | |
so we have to get that painted. | 0:24:39 | 0:24:41 | |
We literally only have three hours now or two-and-a-half hours | 0:24:41 | 0:24:44 | |
before the guests arrive. | 0:24:44 | 0:24:46 | |
So everything is pretty much on a tight schedule. | 0:24:46 | 0:24:49 | |
So this is the bits that the bride and grooms don't see. | 0:24:51 | 0:24:54 | |
It is important to me. | 0:24:54 | 0:24:56 | |
Obviously, everybody is excited about the filming | 0:24:56 | 0:24:59 | |
and of course, why not? | 0:24:59 | 0:25:00 | |
But to me, the weddings and the people who are here at the minute | 0:25:00 | 0:25:03 | |
is the most important, and that's what I sort of concentrate on. | 0:25:03 | 0:25:07 | |
And the rest of the stuff, we will get done as we can get it done. | 0:25:07 | 0:25:12 | |
I mean, I remember, Dad thought I was mad. | 0:25:14 | 0:25:17 | |
On a Sunday in London, I would say, Dad, can we go to the theatres? | 0:25:17 | 0:25:21 | |
And he would say, they are closed. | 0:25:21 | 0:25:23 | |
I said, "No, can we just look at the outside of them?" | 0:25:23 | 0:25:26 | |
And, you know, where they have the pictures of the shows outside them. | 0:25:26 | 0:25:30 | |
I was fascinated by the stage door and all of that. | 0:25:30 | 0:25:32 | |
I think I had the bug when I was about four or five. | 0:25:32 | 0:25:34 | |
That's not too bad. Another bit done. | 0:25:44 | 0:25:47 | |
Then after school, I went to France for a year, | 0:25:49 | 0:25:52 | |
to the Loire Valley, which is lovely. | 0:25:52 | 0:25:54 | |
And I learned French and actually, I did OK there. | 0:25:54 | 0:25:59 | |
And I came back after a year and I tried for LAMDA and RADA, | 0:25:59 | 0:26:02 | |
and Central. And I was coached. | 0:26:02 | 0:26:04 | |
But I just don't know if I had it really in me. | 0:26:04 | 0:26:07 | |
I wanted it so badly but I don't know | 0:26:07 | 0:26:09 | |
if I pushed myself enough to do it. | 0:26:09 | 0:26:12 | |
Oh, hold on, there's dust on the top of that, I seen it this morning. | 0:26:12 | 0:26:16 | |
I think that the irony, not the irony, but the fun of playing | 0:26:21 | 0:26:25 | |
a member of staff in your own house, I think would be hysterical. | 0:26:25 | 0:26:28 | |
As long as it's a recurring part! | 0:26:30 | 0:26:32 | |
Now, Norman, is it a cash bar tomorrow | 0:26:36 | 0:26:38 | |
or is the bride's father forking out? | 0:26:38 | 0:26:40 | |
-No, there's no alcohol. -No alcohol? | 0:26:40 | 0:26:42 | |
With the venue well on its way to becoming the backdrop | 0:26:58 | 0:27:01 | |
for a wedding knees-up, Noel and John join forces | 0:27:01 | 0:27:04 | |
to welcome the bride and her family to the castle. | 0:27:04 | 0:27:08 | |
Lovely to see you. Are you all right? | 0:27:08 | 0:27:10 | |
-Oh, yes, I'm very excited! -Good, I'm very glad you don't mind this. | 0:27:10 | 0:27:13 | |
No, it is absolutely gorgeous. | 0:27:13 | 0:27:15 | |
I hope it might become a feature here actually, | 0:27:15 | 0:27:17 | |
-because I think she is lovely. -It sort of makes the most of. | 0:27:17 | 0:27:19 | |
And look at that. Isn't that amazing, too? | 0:27:19 | 0:27:22 | |
Lovely. And at the end as well. | 0:27:22 | 0:27:25 | |
A day like that tomorrow is what you want. | 0:27:25 | 0:27:27 | |
It's just taking a lot to... Taking it all in. | 0:27:27 | 0:27:29 | |
-When did you first come down to see Crom? -When were we down? | 0:27:29 | 0:27:33 | |
-September, was it, end of August? -Was I there as well or not? -Yes. | 0:27:33 | 0:27:36 | |
-We did meet. -Sorry. -You brought us some Jaffa cakes. | 0:27:36 | 0:27:39 | |
-I brought you some Jaffa cakes, good! -A cup of tea and Jaffa cakes! | 0:27:39 | 0:27:42 | |
That is very important. That obviously won it over, didn't it? | 0:27:42 | 0:27:45 | |
-It's my lasting memory, yes. -That's won it over for you. | 0:27:45 | 0:27:47 | |
It's not the scenery, it was me doing the Jaffa cakes. | 0:27:47 | 0:27:50 | |
Absolutely! | 0:27:50 | 0:27:52 | |
But there is more to the viscount than biscuits. | 0:27:52 | 0:27:55 | |
And with more paying guests in his home, | 0:27:55 | 0:27:57 | |
John graciously gives up HIS bedroom. | 0:27:57 | 0:28:01 | |
This is my room when I'm here. Not that I'm here, obviously. | 0:28:01 | 0:28:04 | |
-I will come and stay for the weekend! -Is there another one down here? | 0:28:04 | 0:28:08 | |
-Yes, these are the only two on this side. -Upstairs? -Just down to the end. | 0:28:08 | 0:28:12 | |
And you have got the staircase going up. | 0:28:12 | 0:28:14 | |
And there is actually a room here, there is a bar here if you want your own. | 0:28:16 | 0:28:21 | |
In fact, I will open it now. Have you seen this? | 0:28:21 | 0:28:23 | |
This is the most important room in the house. | 0:28:23 | 0:28:27 | |
Ta-da! | 0:28:27 | 0:28:28 | |
How long are we going to stay in here? | 0:28:28 | 0:28:30 | |
In you go, we will lock you in for the afternoon! | 0:28:30 | 0:28:33 | |
LAUGHTER | 0:28:33 | 0:28:35 | |
When you see the place, it is absolutely amazing. Stunning. | 0:28:38 | 0:28:41 | |
I mean, it's brilliant. I'm getting excited now. | 0:28:41 | 0:28:44 | |
I have been really calm all along, now I am excited! | 0:28:44 | 0:28:46 | |
It makes me feel really happy, when you get people like this, | 0:28:47 | 0:28:50 | |
who come in, who maybe don't know the castle at all, and you can see | 0:28:50 | 0:28:55 | |
on her face, she is really excited and actually, the day has arrived. | 0:28:55 | 0:28:58 | |
You know, lovely. | 0:28:58 | 0:29:00 | |
Alana, that is the key of the front door. | 0:29:00 | 0:29:04 | |
So you are now the official owner of Crom Castle. So look after it. | 0:29:04 | 0:29:08 | |
It is a lot of responsibility. | 0:29:08 | 0:29:10 | |
When weddings are taking place in the west wing, | 0:29:10 | 0:29:13 | |
life generally carries on as normal for John's father in the south wing. | 0:29:13 | 0:29:17 | |
Where Dad is, is a long way from where the west wing is. | 0:29:22 | 0:29:26 | |
I think, in the evening, when they are in the library, | 0:29:26 | 0:29:30 | |
maybe relaxing after dinner, they might hear a sort of thud-thud | 0:29:30 | 0:29:34 | |
from the discotheque or whatever, | 0:29:34 | 0:29:36 | |
but again, we are only 70, 80 people maximum. | 0:29:36 | 0:29:39 | |
It does get turned off at about 11 o'clock. | 0:29:39 | 0:29:41 | |
We make that quite clear | 0:29:41 | 0:29:43 | |
because it is a private family residence as well. | 0:29:43 | 0:29:45 | |
They say if you accept change, you never grow old. | 0:29:54 | 0:29:56 | |
I don't know about me, but one tries to move with the times. | 0:29:56 | 0:30:01 | |
And I can't think of a house of this size | 0:30:01 | 0:30:04 | |
that isn't open to the public in some form or another. | 0:30:04 | 0:30:07 | |
In a bid to keep his privacy, | 0:30:12 | 0:30:14 | |
Lord Erne rarely strays from his side of the castle during weddings. | 0:30:14 | 0:30:18 | |
Even in the midst of all the activity, | 0:30:18 | 0:30:20 | |
Noel remains loyal to the family. | 0:30:20 | 0:30:23 | |
-Go ahead, Lord Erne. -Can you check our oil? | 0:30:24 | 0:30:27 | |
Yes, I will do. I'll do it today. | 0:30:27 | 0:30:29 | |
It is our home and very much our home | 0:30:29 | 0:30:32 | |
and if everybody sticks to the rules, | 0:30:32 | 0:30:35 | |
it works very, very well. | 0:30:35 | 0:30:36 | |
The only thing that can go a bit wrong | 0:30:36 | 0:30:38 | |
is if people start charging into our bit when they are not supposed to | 0:30:38 | 0:30:41 | |
or things like that, but on the whole it's a huge success. | 0:30:41 | 0:30:44 | |
What do you think of the fountain, the way it's done? Did you see it? | 0:30:44 | 0:30:48 | |
With the big woman, or the Buddha? | 0:30:48 | 0:30:50 | |
-NOEL LAUGHS -Decorated. | 0:30:50 | 0:30:52 | |
-Decorated, yeah. -Fantastic. | 0:30:52 | 0:30:55 | |
I'm delighted to see the brides and I always say hello to them. | 0:30:55 | 0:30:58 | |
As long as they stay down John's bit it works | 0:30:58 | 0:31:01 | |
because I think everybody's entitled to a little bit of privacy | 0:31:01 | 0:31:04 | |
and there is 1,000 acres to walk in | 0:31:04 | 0:31:07 | |
and we only want a tiny bit to ourselves, that's all. | 0:31:07 | 0:31:10 | |
They're all happy in here. | 0:31:17 | 0:31:18 | |
As the wedding ceremony edges closer, | 0:31:18 | 0:31:20 | |
Noel makes it his business to get the bride to the altar on time. | 0:31:20 | 0:31:24 | |
-You look lovely. -Oh, thank you. | 0:31:24 | 0:31:25 | |
-I'd nearly marry you myself! -BRIDE LAUGHS | 0:31:25 | 0:31:28 | |
Go on and head out. That's it. | 0:31:28 | 0:31:31 | |
I didn't realise you could do that. | 0:31:31 | 0:31:33 | |
Keep it well up and then you'll not trip. Take your time. | 0:31:33 | 0:31:36 | |
Give me your flowers. OK, go on ahead. | 0:31:36 | 0:31:39 | |
-Take your time. -I just don't want to trip. | 0:31:46 | 0:31:49 | |
My manly image just goes out the swanny | 0:31:49 | 0:31:52 | |
when all these weddings goes on. | 0:31:52 | 0:31:54 | |
Of course, weddings like this one are financially rewarding for the castle, | 0:32:14 | 0:32:18 | |
but could his hard work in the West Wing | 0:32:18 | 0:32:21 | |
turn the Viscount into his father's neighbour from hell? | 0:32:21 | 0:32:24 | |
'If we're constantly fully booked up with people, | 0:32:26 | 0:32:30 | |
'we're not going to enjoy it and then you've got to think also my parents, | 0:32:30 | 0:32:34 | |
'who are still very much here... | 0:32:34 | 0:32:36 | |
'As soon as we have a wedding here, it impacts on everybody | 0:32:36 | 0:32:39 | |
'and they have to make their plans and they can't enjoy | 0:32:39 | 0:32:43 | |
'the lawns and the grounds' | 0:32:43 | 0:32:44 | |
with their friends if there's 50, 60 people running around. | 0:32:44 | 0:32:48 | |
It's a fine balance. | 0:32:48 | 0:32:50 | |
GUESTS CHEER | 0:32:50 | 0:32:53 | |
But it seems John and Noel have no other option | 0:32:54 | 0:32:56 | |
but to get the right balance between commercialism and privacy. | 0:32:56 | 0:33:00 | |
What goes on here at Crom commercially | 0:33:02 | 0:33:05 | |
is essential for the house. | 0:33:05 | 0:33:06 | |
We've got astronomical bills every year to pay | 0:33:06 | 0:33:11 | |
and if we didn't commercialise it, we wouldn't be able to be here. | 0:33:11 | 0:33:15 | |
Simple as that. | 0:33:15 | 0:33:16 | |
You know, it's down to the sad thing about money, isn't it? | 0:33:16 | 0:33:20 | |
And we, as a family, do not have a magical pot of lots of money. | 0:33:20 | 0:33:25 | |
It's just not there, | 0:33:25 | 0:33:28 | |
so we have to use our castle in order to keep us here. | 0:33:28 | 0:33:32 | |
Could it be that inheriting a castle | 0:33:42 | 0:33:45 | |
is far from the fairytale one might imagine? | 0:33:45 | 0:33:48 | |
Perhaps it's more a case of being trapped by birth. | 0:33:49 | 0:33:52 | |
I think in life when one gets older, you are... | 0:33:53 | 0:33:58 | |
You can have more responsibility. | 0:33:58 | 0:34:00 | |
My father is turning 75 this year and I feel that he needs | 0:34:00 | 0:34:05 | |
to withdraw back a bit and let me take over his good work. | 0:34:05 | 0:34:11 | |
It's not a playhouse, you know, it's something that's heritage, | 0:34:16 | 0:34:21 | |
it's been passed down from our forefathers | 0:34:21 | 0:34:23 | |
and I strongly believe that we have a duty to keep it up. | 0:34:23 | 0:34:27 | |
With over 400 years of family history at stake, | 0:34:30 | 0:34:33 | |
John needs to make sure he isn't the one to drop the ball. | 0:34:33 | 0:34:37 | |
There isn't normally as many cars of a Wednesday morning about here. | 0:35:04 | 0:35:10 | |
Mum's little bungalow here on the left-hand side | 0:35:11 | 0:35:14 | |
and obviously Mum was one of the families that | 0:35:14 | 0:35:16 | |
when Lord Erne gave the place over to the trust 25 years ago, | 0:35:16 | 0:35:20 | |
she was one of the members of the families | 0:35:20 | 0:35:23 | |
of the ones that worked here that got to keep her house. | 0:35:23 | 0:35:28 | |
-You're not sleeping? -HE LAUGHS | 0:35:28 | 0:35:31 | |
Didn't I have them for you, but? | 0:35:32 | 0:35:35 | |
Gorgeous morning, isn't it? Beautiful. Thank God to see it. | 0:35:37 | 0:35:41 | |
-You making tea? -Yep. | 0:35:41 | 0:35:43 | |
Gorgeous weather. | 0:35:57 | 0:35:59 | |
Isn't this TV crew in Crom blessed with the weather so far? | 0:35:59 | 0:36:03 | |
That's what I was saying. | 0:36:03 | 0:36:05 | |
Lord Erne's mother always told me | 0:36:05 | 0:36:07 | |
if Crom wanted what was going on, the sun shone. | 0:36:07 | 0:36:10 | |
If it didn't want it, it rained. | 0:36:10 | 0:36:13 | |
Well, I remember there was a function up there at the castle, | 0:36:22 | 0:36:25 | |
about three or four years ago, | 0:36:25 | 0:36:27 | |
and I was speaking to a man that was over from Scotland at it | 0:36:27 | 0:36:30 | |
and he said to me, "Violet, these places are fabulous, | 0:36:30 | 0:36:35 | |
"but these places cannot run without people like you or your generations." | 0:36:35 | 0:36:42 | |
You know, I thought, "Well, maybe he's right." You know? | 0:36:42 | 0:36:47 | |
Because he said, "These places have everything, | 0:36:47 | 0:36:51 | |
"but it takes the people there to work for them." | 0:36:51 | 0:36:55 | |
So let's hope I've done my bit! | 0:36:57 | 0:36:59 | |
Noel's son Luke is also continuing the Johnston legacy | 0:37:10 | 0:37:15 | |
and the family's contribution hasn't gone unnoticed by Lord Erne. | 0:37:15 | 0:37:19 | |
They're a very remarkable family and I love them all deeply. | 0:37:20 | 0:37:26 | |
Violet's exactly my age and we have no secrets and she's wonderful | 0:37:26 | 0:37:32 | |
and her children have been amazing and practically all of them have | 0:37:32 | 0:37:36 | |
worked for me in the past one way or another, either in the house | 0:37:36 | 0:37:41 | |
or when Noel worked on the estate and they're all my greatest friends. | 0:37:41 | 0:37:46 | |
I really do consider them my very greatest friends | 0:37:46 | 0:37:49 | |
in the whole wide world. | 0:37:49 | 0:37:51 | |
-Evening, ladies. -Hi, John-John. | 0:38:17 | 0:38:20 | |
John's decision to stay in Fermanagh | 0:38:20 | 0:38:23 | |
during filming of the TV series Blandings paid off | 0:38:23 | 0:38:26 | |
when he finally got the chance to play a butler in his own house. | 0:38:26 | 0:38:30 | |
I've got socks on. Nice colour, that all right? | 0:38:30 | 0:38:33 | |
-Let me give you black socks. -Black socks. | 0:38:33 | 0:38:36 | |
Gosh, I think everything was a bit tight in the period drama in that era... | 0:38:40 | 0:38:45 | |
..or I've put on weight. | 0:38:47 | 0:38:48 | |
Right, off to make-up. | 0:38:48 | 0:38:51 | |
-Hello! -Hi, Linda. How are you doing? | 0:38:52 | 0:38:55 | |
-Watch the door, it doesn't shut. How are you? -I'm very well, my love. | 0:38:55 | 0:38:59 | |
-Come and sit down. -Thank you so much. | 0:38:59 | 0:39:01 | |
-Lovely. -Thank you. | 0:39:10 | 0:39:12 | |
-My pleasure. -Amazing, thank you so much. | 0:39:12 | 0:39:15 | |
We'll have a fiddle up there. | 0:39:15 | 0:39:16 | |
-Thank you so much, Linda. -No bother. | 0:39:16 | 0:39:18 | |
Butler! Can you go and get me a glass of wine, please? | 0:39:24 | 0:39:28 | |
It's a waiting game. It's a waiting, waiting, waiting game. | 0:39:28 | 0:39:31 | |
So what time are you on at now? | 0:39:31 | 0:39:33 | |
They keep on saying it's now | 0:39:33 | 0:39:35 | |
and now they're saying it's going to be the last scene of the day. | 0:39:35 | 0:39:38 | |
I've just seen them marking out the hallway, | 0:39:38 | 0:39:40 | |
-but that's for another scene. -Who are you doing that with? | 0:39:40 | 0:39:42 | |
-Do you know who you're doing it with? -With the team. | 0:39:42 | 0:39:45 | |
All the staff and Jennifer Saunders and Mark Williams. | 0:39:45 | 0:39:48 | |
-In the front hall or the drawing room? -In the front hall. | 0:39:48 | 0:39:51 | |
They're drilling us about something. | 0:39:51 | 0:39:53 | |
The crew appear to have broken for lunch, but clearly ready for action, | 0:40:07 | 0:40:11 | |
Viscount Crichton passes the time by getting into character. | 0:40:11 | 0:40:15 | |
That would have been what they'd have to do - | 0:40:17 | 0:40:19 | |
make sure it was all nice and clean, | 0:40:19 | 0:40:21 | |
otherwise they'd probably get fired... | 0:40:21 | 0:40:23 | |
if the house wasn't tidy and clean. | 0:40:23 | 0:40:25 | |
Well, John didn't get fired. | 0:40:27 | 0:40:28 | |
His moment on camera arrived | 0:40:28 | 0:40:30 | |
and the good news is that his performance made the final cut. | 0:40:30 | 0:40:34 | |
Good. Now, listen to me, ALL of you. | 0:40:36 | 0:40:43 | |
I have reason to believe we can expect an intruder, | 0:40:45 | 0:40:52 | |
a certain undesirable person. | 0:40:52 | 0:40:54 | |
Jimmy Belford, who is a cowboy, | 0:40:54 | 0:40:57 | |
may seek to make contact with a member of the family. | 0:40:57 | 0:41:00 | |
If you see anybody acting suspiciously... | 0:41:00 | 0:41:04 | |
< Sorry. | 0:41:08 | 0:41:09 | |
But John knows he can't stay in the make-believe world for ever | 0:41:19 | 0:41:22 | |
and so it's back to London to get on with real life as Viscount Crichton. | 0:41:22 | 0:41:26 | |
You don't use Viscount Crichton in person, that is the courtesy title | 0:41:26 | 0:41:31 | |
that the first son of an earl is given, but I would hardly use it | 0:41:31 | 0:41:36 | |
if no-one's educated about it - why should they be? | 0:41:36 | 0:41:39 | |
It's sort of becoming a bit of a dying breed, really. | 0:41:39 | 0:41:42 | |
After two months in Fermanagh, | 0:41:47 | 0:41:49 | |
Piglet and her master quickly got reacquainted with London park life. | 0:41:49 | 0:41:54 | |
This little one - got to speak slowly cos I don't want her to hear - | 0:41:55 | 0:41:58 | |
was the runt of the litter... | 0:41:58 | 0:42:01 | |
But I did this thing where I lay on my belly and this one came to me. | 0:42:01 | 0:42:06 | |
I don't know why, I just...felt, "You look like a little piglet." | 0:42:06 | 0:42:10 | |
And she was. | 0:42:10 | 0:42:12 | |
Everyone thought it was a bizarre name to call a dog, but actually, | 0:42:12 | 0:42:15 | |
the more and more you see her, the more she behaves, she is a piglet. | 0:42:15 | 0:42:20 | |
Leaving Piglet back at home, it's not long before John gets back | 0:42:25 | 0:42:29 | |
to the business of finding upmarket properties for well-heeled clients. | 0:42:29 | 0:42:33 | |
What sort of budget are we looking at? | 0:42:34 | 0:42:36 | |
-We're looking at a minimum of four million. -OK. | 0:42:36 | 0:42:39 | |
-Up to about six. -OK. | 0:42:39 | 0:42:42 | |
From the spacious corridors of Crom Castle, he finds himself | 0:42:42 | 0:42:45 | |
checking out small but perfectly formed apartments in Knightsbridge. | 0:42:45 | 0:42:49 | |
The thing which I have always understood is that people | 0:42:49 | 0:42:52 | |
don't go mad over kitchens because they are here for such a short time, | 0:42:52 | 0:42:56 | |
-they come in, they prefer to eat out... -Probably never use them. | 0:42:56 | 0:43:00 | |
I've been into so many flats that have probably been, you know, | 0:43:00 | 0:43:04 | |
owned for years and no-one's used the oven. | 0:43:04 | 0:43:07 | |
Well, I know for a fact that my clients come and go out | 0:43:07 | 0:43:10 | |
and sample the restaurants locally and all of that. | 0:43:10 | 0:43:13 | |
My client was worried about the small hob there, but as you say, | 0:43:13 | 0:43:16 | |
people living around here are not really going to be using it. | 0:43:16 | 0:43:19 | |
Whilst dealing with other people's property dilemmas, | 0:43:23 | 0:43:25 | |
John can't afford to forget about his family castle back at home. | 0:43:25 | 0:43:29 | |
Crom is a huge responsibility, of course it is, | 0:43:30 | 0:43:33 | |
so it does weigh on one's mind. | 0:43:33 | 0:43:35 | |
But I've obviously twigged that it's incredibly important | 0:43:35 | 0:43:41 | |
to play more of a role there now, | 0:43:41 | 0:43:43 | |
especially with Dad taking more of a back seat | 0:43:43 | 0:43:46 | |
and it's become quite natural. | 0:43:46 | 0:43:49 | |
I only find it unsettling | 0:43:49 | 0:43:50 | |
when I've arrived in one of the two places and suddenly | 0:43:50 | 0:43:53 | |
I need to turn around and come back because something's happened. | 0:43:53 | 0:43:56 | |
That's when it gets unsettling, | 0:43:56 | 0:43:58 | |
but both are as important as each other at the moment. | 0:43:58 | 0:44:03 | |
Wherever he is, Viscount Crichton is keenly aware of his family heritage, | 0:44:08 | 0:44:12 | |
even when it comes to getting ready for an evening out. | 0:44:12 | 0:44:16 | |
Probably try to put it in this way round | 0:44:16 | 0:44:18 | |
so that the actual emblem can be seen on the right side | 0:44:18 | 0:44:21 | |
and if you look here, this is a stud box which was given to me | 0:44:21 | 0:44:26 | |
by my sisters for my 21st, which is obviously my surname | 0:44:26 | 0:44:30 | |
and a coronet - nine balls on the coronet denoting a Viscount | 0:44:30 | 0:44:34 | |
and if you look in here, I've got more than enough cufflinks. | 0:44:34 | 0:44:39 | |
What do you think, Piglet, do you want cufflinks? Hup-hup-hup-hup! | 0:44:39 | 0:44:43 | |
Go on. One, two, three. Good girl. Yes! That's it. | 0:44:43 | 0:44:48 | |
Yes. Yes, darling. | 0:44:48 | 0:44:50 | |
Yes. You have to be everywhere, don't you? Oh, you do. | 0:44:50 | 0:44:54 | |
Good girl. You enjoyed your walk today, didn't you? | 0:44:56 | 0:44:59 | |
She had a bath yesterday, so she's just forgiven me. | 0:44:59 | 0:45:03 | |
-Hi, darling. -Oh, hello. -Congratulations. -Thank you very much. | 0:45:12 | 0:45:15 | |
Well done you. | 0:45:15 | 0:45:16 | |
With London all decked out for the Queen's Diamond Jubilee celebrations, | 0:45:16 | 0:45:20 | |
John is ready to join the party. | 0:45:20 | 0:45:22 | |
-Could we propose a toast to Her Majesty the Queen? -Here, here. | 0:45:22 | 0:45:25 | |
-The Queen. -ALL: -The Queen. | 0:45:25 | 0:45:28 | |
THEY APPLAUD | 0:45:28 | 0:45:31 | |
Well done, everybody. Looking well. | 0:45:43 | 0:45:46 | |
While Viscount Crichton enjoys the Jubilee Weekend in London, | 0:45:47 | 0:45:50 | |
back in Fermanagh, the castle is also marking the event | 0:45:50 | 0:45:54 | |
under the watchful eye of the Johnston clan. | 0:45:54 | 0:45:56 | |
-No tongues, now! -THEY LAUGH | 0:45:59 | 0:46:02 | |
Very good. | 0:46:04 | 0:46:05 | |
Well done. | 0:46:07 | 0:46:08 | |
With the Crichtons' blessing, Noel invited 60 ladies from Crom Church | 0:46:11 | 0:46:15 | |
to host a good old-fashioned Jubilee tea party in John's West Wing. | 0:46:15 | 0:46:20 | |
Grabbing the offer with both hands, they've turned out in style | 0:46:20 | 0:46:24 | |
and with enough tea and cake to sink a Lough Erne cruiser. | 0:46:24 | 0:46:27 | |
-NOEL: -Oh, aye, I got that all right! | 0:46:27 | 0:46:30 | |
Lord Erne's father was equerry to the King | 0:46:35 | 0:46:40 | |
and that's how Lord Erne come to be page at the Queen's Coronation. | 0:46:40 | 0:46:45 | |
So it was such an exciting thing for a 15-year-old to be part of | 0:46:45 | 0:46:49 | |
and a huge honour | 0:46:49 | 0:46:50 | |
and Lord Erne's godfather was King George VI as well, | 0:46:50 | 0:46:55 | |
so there's a huge part of history | 0:46:55 | 0:46:57 | |
associated with the castle and the Crichton family. | 0:46:57 | 0:47:00 | |
WOMEN CHATTER | 0:47:04 | 0:47:07 | |
To mark the day for prosperity, | 0:47:08 | 0:47:11 | |
Noel rounds up the ladies for a photo opportunity on the lawn | 0:47:11 | 0:47:14 | |
before inviting them to check out the Viscount's bedroom. | 0:47:14 | 0:47:17 | |
Well, ladies, this is the Crichton Room | 0:47:17 | 0:47:20 | |
and this is Lord Erne's son's bedroom when he comes home. | 0:47:20 | 0:47:22 | |
When we opened for business as well, you know, | 0:47:22 | 0:47:24 | |
John-John used to come home when he wanted and he still does that, | 0:47:24 | 0:47:28 | |
but he actually has to put it into the diary now | 0:47:28 | 0:47:30 | |
cos we've become that busy, he just can't come home when he wants | 0:47:30 | 0:47:33 | |
and hopefully that his castle's here for him. | 0:47:33 | 0:47:35 | |
I'm just looking around here, | 0:47:35 | 0:47:36 | |
there's bound to be girls not married in this group, is there? | 0:47:36 | 0:47:40 | |
-Just one. -Only the one? | 0:47:40 | 0:47:43 | |
Well, if you're thinking of getting married, come here, | 0:47:43 | 0:47:46 | |
and Lord Erne's son John-John's not married, so if you know any... | 0:47:46 | 0:47:50 | |
eligible ladies as well. | 0:47:50 | 0:47:52 | |
The other things about this room is the Adams fireplace. | 0:47:52 | 0:47:54 | |
They're very, very rare. | 0:47:54 | 0:47:55 | |
It's the first thing I check after the guests leave | 0:47:55 | 0:47:58 | |
that the Adams fireplace is still here. | 0:47:58 | 0:48:00 | |
-Still here! -Yeah. | 0:48:00 | 0:48:02 | |
Although no longer working at the castle, | 0:48:05 | 0:48:07 | |
it appears true that old habits die hard | 0:48:07 | 0:48:09 | |
and Noel's mum Violet still can't resist mucking in in the kitchen. | 0:48:09 | 0:48:13 | |
There's a whole new meaning for Crom now, isn't there? | 0:48:13 | 0:48:16 | |
A whole new meaning for it when the weather shines on it. | 0:48:16 | 0:48:20 | |
As I said to you, when Crom wants it, the weather will shine. | 0:48:20 | 0:48:22 | |
The sun will shine for Crom. And that'll be it. | 0:48:22 | 0:48:26 | |
Regardless of whether Viscount Crichton's time at Crom | 0:48:50 | 0:48:53 | |
is for business or pleasure, | 0:48:53 | 0:48:55 | |
Lord Erne is always glad to have his son and heir back where he belongs. | 0:48:55 | 0:48:59 | |
-Hello! -Hi, Dad! | 0:48:59 | 0:49:01 | |
-How are you? -I'm all right. How lovely to see you. | 0:49:01 | 0:49:03 | |
-Did you have a good journey? -Yeah, thank you. Do you want some coffee? | 0:49:03 | 0:49:06 | |
-Yes, please. -Good, good. I'll go and make you one. | 0:49:06 | 0:49:08 | |
It's a slight, fleeting visit, I'm afraid, cos I've got a brand-new client starting on Monday. | 0:49:08 | 0:49:14 | |
-Good. What are the bookings like? -This time last year... Well, we're up. | 0:49:14 | 0:49:17 | |
-Well done. -For next year. | 0:49:17 | 0:49:19 | |
-Good. -A slight disappointment with the Christmas booking... -Oh, well. | 0:49:19 | 0:49:24 | |
-I know. -You can't win them all. | 0:49:24 | 0:49:26 | |
We can't, but it would have to be that one that cancelled | 0:49:26 | 0:49:29 | |
because that's the one that we really needed for December. | 0:49:29 | 0:49:31 | |
-Well, at least it gives us Christmas to ourselves! -Yes, it does. | 0:49:31 | 0:49:35 | |
-Which I rather like. -I know you do! JOHN LAUGHS | 0:49:35 | 0:49:38 | |
I need the money! | 0:49:38 | 0:49:39 | |
The family may have given away much of the land around the castle, | 0:49:45 | 0:49:48 | |
but privacy has always remained important to Lord Erne | 0:49:48 | 0:49:52 | |
and as the wedding season draws to a close, John and Noel have come up | 0:49:52 | 0:49:55 | |
with a seemingly perfect solution to protect him from intrusion. | 0:49:55 | 0:49:59 | |
We're having a wee bit of problems, Lord Erne, | 0:49:59 | 0:50:02 | |
-with people actually crossing where we normally keep the chain... -Yes. | 0:50:02 | 0:50:06 | |
So we were thinking of putting a fence up somewhere in this area, | 0:50:06 | 0:50:10 | |
we don't know quite where, but that's something maybe that | 0:50:10 | 0:50:13 | |
you could tell us where you would like it or where you would suggest. | 0:50:13 | 0:50:16 | |
Well, I think probably, sort of, the divide between our bit | 0:50:16 | 0:50:20 | |
-and your bit is roughly that drainpipe, isn't it? -Yes. | 0:50:20 | 0:50:24 | |
But it would need to come this way a bit. What do you suggest? | 0:50:24 | 0:50:28 | |
I think this bay window should be within... | 0:50:28 | 0:50:32 | |
What I don't want is people to come out of the West Wing door | 0:50:32 | 0:50:36 | |
and suddenly see a fence. | 0:50:36 | 0:50:37 | |
What we were chatting about there, | 0:50:37 | 0:50:39 | |
if Lord Erne has guests in and people are here, you know, | 0:50:39 | 0:50:42 | |
at the chain, they can't see directly into the library either, | 0:50:42 | 0:50:46 | |
so it still gives that bit of privacy for Lord and Lady Erne. | 0:50:46 | 0:50:49 | |
-That's very good. I'd like black wrought iron. -Always smart. | 0:50:49 | 0:50:52 | |
-And then it would have little, sort of... -Spikes on it? -THEY LAUGH | 0:50:52 | 0:50:56 | |
-That'd catch anybody trying to step over. -Razor-sharp. -Whoa! | 0:50:56 | 0:51:00 | |
No, that would be splendid because however many signs you put up, | 0:51:00 | 0:51:04 | |
people after a few glasses of champagne don't really notice, do they? | 0:51:04 | 0:51:08 | |
And if anybody crosses it, God help them! | 0:51:08 | 0:51:11 | |
-I'll be able to set my new Jack Russell puppy on them. -Oh, yes. | 0:51:12 | 0:51:15 | |
It's about this size. Oh! Hup-hup-hup-hup! Yes, Flora. | 0:51:15 | 0:51:22 | |
Yes, Flora. Oh, the little Flora. Oh, the little Flora. | 0:51:22 | 0:51:26 | |
Do you want to be a movie star? Do you want to be a movie star? Do you? | 0:51:26 | 0:51:31 | |
Do you want to come and see the movie? Such a little Flora. | 0:51:31 | 0:51:34 | |
There's the little movie. Now, what do you think of my new puppy? | 0:51:34 | 0:51:38 | |
It really has very, very sharp teeth. | 0:51:38 | 0:51:41 | |
Good morning, did you sleep well, Flora? | 0:51:41 | 0:51:43 | |
Yes, now, you've got to behave yourself | 0:51:43 | 0:51:45 | |
cos you're a very naughty little Jack Russell. | 0:51:45 | 0:51:47 | |
Yes, you are, and you're called Flora. | 0:51:47 | 0:51:49 | |
Oh, dear. You can see it's trouble, can't you? | 0:51:49 | 0:51:53 | |
I must take it back, otherwise there'll be trouble more. | 0:51:53 | 0:51:56 | |
Necessity dictates that John's trips home are often | 0:52:04 | 0:52:07 | |
concentrated around his commercial concerns, | 0:52:07 | 0:52:10 | |
but unlike in London, when his working day ends at Crom, | 0:52:10 | 0:52:14 | |
he often has only himself for company. | 0:52:14 | 0:52:17 | |
Take sort of anyone in the same situation as me - | 0:52:27 | 0:52:30 | |
they've got a house maybe of this size... | 0:52:30 | 0:52:32 | |
Their advantage is that it's probably a couple of hours | 0:52:34 | 0:52:38 | |
from London down the M4 and they may work and live in London. | 0:52:38 | 0:52:42 | |
During the week the children go to school and they go to the country at the weekend | 0:52:42 | 0:52:47 | |
and that is a very easy, very popular way of living. | 0:52:47 | 0:52:51 | |
The problem I've got is location here. | 0:52:51 | 0:52:54 | |
If I come back here with my family, | 0:52:54 | 0:52:56 | |
I have to make sure that everyone's happy on a full-time basis. | 0:52:56 | 0:53:01 | |
Does my future wife have enough girlfriends in the county | 0:53:01 | 0:53:06 | |
to meet up with? | 0:53:06 | 0:53:08 | |
The answer would be no | 0:53:08 | 0:53:10 | |
because of the age group... unless I marry a 60-year-old! | 0:53:10 | 0:53:14 | |
But you know what I mean, and I think until you probably get to Dad's age, | 0:53:15 | 0:53:20 | |
where you are so relaxed | 0:53:20 | 0:53:22 | |
and you don't have as much responsibility and you can retire, | 0:53:22 | 0:53:25 | |
then this is the dream. | 0:53:25 | 0:53:28 | |
But I think at the moment one has to be realistic, you know, | 0:53:28 | 0:53:32 | |
it's all right saying you're making enough money here, | 0:53:32 | 0:53:36 | |
but that's just to sustain the house, what about my needs? My wife's needs? | 0:53:36 | 0:53:42 | |
The children's education? A holiday now and again? | 0:53:42 | 0:53:46 | |
Cars? You know...life? | 0:53:46 | 0:53:52 | |
And that cannot be sustained from the income of Crom. | 0:53:53 | 0:53:58 | |
I don't draw a penny from Crom, for my own use. | 0:53:58 | 0:54:01 | |
Crom pays Crom, London pays my existence. | 0:54:01 | 0:54:06 | |
Noel will continue to do whatever he can to help Viscount Crichton | 0:54:15 | 0:54:18 | |
strike the balance between his two lives | 0:54:18 | 0:54:21 | |
and keep the castle in the family name. | 0:54:21 | 0:54:23 | |
And just as he has taken over from his mother Violet, | 0:54:26 | 0:54:30 | |
he hopes to be able to pass his role on to his own son one day. | 0:54:30 | 0:54:33 | |
You see the white house just in the distance there now in the trees? | 0:54:46 | 0:54:49 | |
That's where my granny and my great-granny was born. | 0:54:49 | 0:54:53 | |
That's Curragh House, known as, and that's done up now, | 0:54:54 | 0:54:57 | |
the National Trust has done it up as well | 0:54:57 | 0:54:58 | |
and that's used as a cottage, and obviously | 0:54:58 | 0:55:01 | |
they would have come down and went to the school, the old school here. | 0:55:01 | 0:55:04 | |
And then kicked left from that quay, | 0:55:04 | 0:55:06 | |
to go to this quay here to go to church on a Sunday as well. | 0:55:06 | 0:55:08 | |
So it's all very much in a small area and all part of the estate. | 0:55:08 | 0:55:12 | |
I don't want to force any of my sons or anyone to do something that they don't want, | 0:55:22 | 0:55:26 | |
but I genuinely hope that some of my sons definitely take a huge part in it | 0:55:26 | 0:55:30 | |
and keep the tradition going | 0:55:30 | 0:55:32 | |
because I know it's all about nowadays people diversifying | 0:55:32 | 0:55:37 | |
and doing different things, but this is in our blood | 0:55:37 | 0:55:40 | |
and we've been at the castle for hundreds of years. | 0:55:40 | 0:55:43 | |
We don't want to really stop that, we want to try and keep that going, | 0:55:43 | 0:55:46 | |
so I genuinely hope that some of them do keep it going and look after it. | 0:55:46 | 0:55:50 | |
Yeah, you'd love that! | 0:55:54 | 0:55:56 | |
-But the tennis court isn't looking too bad. -No, but it's... | 0:55:57 | 0:56:01 | |
I think it needs to be power hosed... | 0:56:01 | 0:56:03 | |
As Lord Erne steps back | 0:56:03 | 0:56:06 | |
and Viscount Crichton becomes more hands-on at the castle, | 0:56:06 | 0:56:09 | |
it's important to remember that this isn't just the tale | 0:56:09 | 0:56:12 | |
of a family bound by history and obligation, | 0:56:12 | 0:56:15 | |
but of a father and son trying to look after one another. | 0:56:15 | 0:56:20 | |
-Aren't the crocuses wonderful? -That's just bizarre at this time of year. | 0:56:21 | 0:56:24 | |
-They are so extraordinary, autumn crocuses. -There you go. | 0:56:24 | 0:56:27 | |
-There you go. -Shows you how much I know about flowers. Dear swan... | 0:56:27 | 0:56:32 | |
What did you say, where did...? | 0:56:34 | 0:56:36 | |
They're a nice couple, aren't they? Lovely, I like them having dogs. | 0:56:36 | 0:56:39 | |
-A nice dog. -That's the sort of people you want here at Crom. -Yeah. | 0:56:39 | 0:56:43 | |
Do you know I think this is one of my favourite spots at Crom | 0:56:46 | 0:56:51 | |
because it reminds me of the sailing days. | 0:56:51 | 0:56:53 | |
We used to sail right up the bay and we had a buoy at the end, | 0:56:53 | 0:56:57 | |
and we'd go round that and there was usually a south-west wind, | 0:56:57 | 0:57:01 | |
so it was a question of tacking all the way up | 0:57:01 | 0:57:04 | |
and coming back before the wind, it was just so wonderful. | 0:57:04 | 0:57:07 | |
Ultimately, John stands to inherit | 0:57:15 | 0:57:17 | |
over 400-years worth of family history. | 0:57:17 | 0:57:20 | |
But as the latest generations have come to accept, times have changed | 0:57:21 | 0:57:26 | |
and these days keeping this majestic pile of stones in the Crichton name | 0:57:26 | 0:57:30 | |
comes at a huge price. | 0:57:30 | 0:57:32 | |
Is he really prepared for what lies ahead? | 0:57:33 | 0:57:36 | |
I'm very keen, you know, as a son, to keep things going, | 0:57:36 | 0:57:40 | |
but what would your advice be to me to maintain | 0:57:40 | 0:57:45 | |
and some of your passions that you've banged on about and done for so long? | 0:57:45 | 0:57:50 | |
Well, I think what is first of all absolutely wonderful is that | 0:57:50 | 0:57:54 | |
you are prepared to come home and look after the West Wing | 0:57:54 | 0:57:58 | |
and eventually the whole house, which means more to me | 0:57:58 | 0:58:01 | |
than anything, that really is fantastic | 0:58:01 | 0:58:03 | |
and make it commercial and you'll be very good at it | 0:58:03 | 0:58:06 | |
because you're very good at parties and people. | 0:58:06 | 0:58:09 | |
But the most important thing is to make as much money | 0:58:09 | 0:58:12 | |
as you possibly can in London and keep coming home | 0:58:12 | 0:58:14 | |
and you and I are probably biased but we think Fermanagh's | 0:58:14 | 0:58:17 | |
the best county in the whole of Northern Ireland. | 0:58:17 | 0:58:19 | |
Without a doubt, you've only got to look at that. Where else do you get that? | 0:58:19 | 0:58:22 | |
You know, not on the Fulham Road, I can tell you! Long may it continue. | 0:58:22 | 0:58:27 | |
And maybe onto another generation. | 0:58:27 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:59:02 | 0:59:05 |