
Browse content similar to Annie's War: A Welsh Nurse on the Western Front. Check below for episodes and series from the same categories and more!
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The First World War - | 0:00:02 | 0:00:04 | |
a hell on earth for millions of soldiers. | 0:00:04 | 0:00:08 | |
We know about the men who served. | 0:00:08 | 0:00:10 | |
But women also played a prominent part, | 0:00:10 | 0:00:13 | |
many of them nurses on the front line. | 0:00:13 | 0:00:17 | |
This is the story of a Welsh woman who spent the whole war | 0:00:17 | 0:00:21 | |
in the thick of battle. | 0:00:21 | 0:00:23 | |
Annie Brewer was a nurse. | 0:00:36 | 0:00:39 | |
She won some of the highest gallantry medals for her work | 0:00:39 | 0:00:42 | |
with the French army during the First World War. | 0:00:42 | 0:00:44 | |
In her hometown of Newport, her great nephew, Ian Brewer, | 0:00:45 | 0:00:49 | |
is intrigued by her story, | 0:00:49 | 0:00:51 | |
especially as Annie kept the most remarkable photographic record | 0:00:51 | 0:00:55 | |
of life on the front line. | 0:00:55 | 0:00:56 | |
The photographs hold the clues to the life of a Welsh woman | 0:01:00 | 0:01:04 | |
whose extraordinary war career has been forgotten. | 0:01:04 | 0:01:08 | |
Ian has always wanted to unearth | 0:01:08 | 0:01:09 | |
the secrets held within the pictures. | 0:01:09 | 0:01:12 | |
It all started when I was ten years old. | 0:01:13 | 0:01:15 | |
I used to visit Annie's sister | 0:01:15 | 0:01:17 | |
and I could see this picture on the wall of this... | 0:01:17 | 0:01:21 | |
It was all soldiers fighting, flames in the background, | 0:01:21 | 0:01:25 | |
and there was an angel over them all. | 0:01:25 | 0:01:27 | |
I was fascinated by this picture. | 0:01:27 | 0:01:30 | |
There was French writing on it and I could never understand it, | 0:01:30 | 0:01:33 | |
but eventually I did get to know what it was. | 0:01:33 | 0:01:36 | |
It was a citation for an act of bravery she had performed. | 0:01:36 | 0:01:40 | |
And that act is when she went out in an ambulance in the shellfire | 0:01:40 | 0:01:43 | |
and she pulled some injured troops back to the hospital. | 0:01:43 | 0:01:47 | |
For this act of bravery, she received the Croix de guerre, | 0:01:49 | 0:01:52 | |
one of the highest awards given by the French government | 0:01:52 | 0:01:55 | |
for heroism in battle. | 0:01:55 | 0:01:57 | |
Yet her story isn't known outside the family. | 0:01:57 | 0:02:00 | |
St Woolos Cemetery in Newport | 0:02:06 | 0:02:07 | |
is one of the biggest municipal cemeteries in Britain. | 0:02:07 | 0:02:11 | |
It was here that Annie Brewer was buried. | 0:02:11 | 0:02:14 | |
But over the years, the location of her grave | 0:02:14 | 0:02:17 | |
has been lost to the family. | 0:02:17 | 0:02:19 | |
It might be in the name of Brewer or it might be in the married name, | 0:02:19 | 0:02:24 | |
that's Mistrick. | 0:02:24 | 0:02:25 | |
-We've got Annie Elizabeth Mistrick at 23 West St. -That's it. | 0:02:28 | 0:02:33 | |
-Fabulous. -She was aged 46 years old. -Right. | 0:02:33 | 0:02:36 | |
She was actually buried, as you said, on 3 February, 1921. | 0:02:36 | 0:02:41 | |
Ian wants to start his voyage of discovery by tracking down her grave | 0:02:42 | 0:02:46 | |
with the help of cemetery superintendent, Charlie Dare. | 0:02:46 | 0:02:49 | |
Charlie knows exactly where she is buried. | 0:02:53 | 0:02:55 | |
And this is grave 201. This is where Annie's actually buried here. | 0:02:57 | 0:03:01 | |
Wow, that's amazing. I'm so glad to have found this spot. | 0:03:02 | 0:03:06 | |
It means so much to me and the rest of the family. | 0:03:06 | 0:03:09 | |
No headstone. I thought there might be a small headstone. | 0:03:13 | 0:03:16 | |
I know people might think I'm daft, Annie, but just for you. | 0:03:19 | 0:03:24 | |
I know what you went through. | 0:03:24 | 0:03:25 | |
Ian believes Annie's was one of the most remarkable lives | 0:03:27 | 0:03:30 | |
of the First World War. | 0:03:30 | 0:03:32 | |
Now in the 100th anniversary of the conflict, | 0:03:32 | 0:03:35 | |
he wants everybody to know her story. | 0:03:35 | 0:03:37 | |
Nancy Knight is Annie's niece. | 0:03:38 | 0:03:40 | |
Born in 1921, a few months after Annie's death, | 0:03:40 | 0:03:44 | |
she was named after Annie who was also known as Nancy. | 0:03:44 | 0:03:49 | |
Well, I know that Dad and auntie Annie used to mooch school a lot. | 0:03:49 | 0:03:54 | |
Oh, you shouldn't have said that! | 0:03:54 | 0:03:56 | |
That's all that I know about it. | 0:03:56 | 0:03:58 | |
Yeah, that they used to mooch school, the both of them. | 0:03:58 | 0:04:02 | |
I think from a very early age that she could've been... | 0:04:02 | 0:04:06 | |
A very powerful will of her own. | 0:04:06 | 0:04:10 | |
I remember them saying about auntie Annie | 0:04:10 | 0:04:13 | |
when the troops' train came in and she was at home, | 0:04:13 | 0:04:16 | |
she'd go into the station and she said to the tommies, | 0:04:16 | 0:04:20 | |
"Come on, here you are. Light up a fag." | 0:04:20 | 0:04:22 | |
Have a fag in light up a fag. | 0:04:22 | 0:04:24 | |
So Nancy, How proud are you of Annie? | 0:04:24 | 0:04:27 | |
Well I'm very, very proud of Annie. | 0:04:27 | 0:04:30 | |
She is so courageous and so brave. | 0:04:30 | 0:04:33 | |
I'd like to wear a big medal myself saying... | 0:04:33 | 0:04:35 | |
Annie was my auntie, like. Yes. | 0:04:35 | 0:04:37 | |
She was a woman of determination. You could see it there. | 0:04:37 | 0:04:43 | |
Ian knows the photographs are the key to Annie's story. | 0:04:44 | 0:04:47 | |
But what will they reveal about Annie's medical work at the front? | 0:04:47 | 0:04:51 | |
He has come to the University Hospital of Wales, | 0:04:54 | 0:04:57 | |
home to Cardiff University's Mushin Museum, | 0:04:57 | 0:04:59 | |
to meet Dr Peter Lloyd Jones. | 0:04:59 | 0:05:03 | |
Dr Jones, these are some of the photographs of my great aunt Annie | 0:05:03 | 0:05:07 | |
from World War I. | 0:05:07 | 0:05:09 | |
I should have about... It's over 150 here. | 0:05:10 | 0:05:13 | |
They are an amazing set of pictures, really, | 0:05:15 | 0:05:17 | |
because it would have been all too easy... | 0:05:17 | 0:05:19 | |
And what most people would have done would just be | 0:05:19 | 0:05:22 | |
take a set of snapshots of themselves grinning at the camera | 0:05:22 | 0:05:24 | |
with some friends. | 0:05:24 | 0:05:26 | |
These actually tell a story. This is sort of photojournalism, really. | 0:05:26 | 0:05:30 | |
-These are all French uniforms. -Yes, indeed. | 0:05:30 | 0:05:35 | |
She was a very fluent French speaker from a young age | 0:05:35 | 0:05:38 | |
and she went and joined the Red Cross and ended up with the French army. | 0:05:38 | 0:05:42 | |
-This is something which is... -Oh, a Thomas splint. | 0:05:44 | 0:05:47 | |
Thomas, who was Hugh Owen Thomas, | 0:05:47 | 0:05:51 | |
an orthopaedic surgeon from Liverpool | 0:05:51 | 0:05:53 | |
who invented this thing. | 0:05:53 | 0:05:55 | |
It's a strange looking piece of apparatus | 0:05:55 | 0:05:58 | |
because you put your leg in it and it goes right the way down | 0:05:58 | 0:06:02 | |
to the far end which is this piece here. | 0:06:02 | 0:06:06 | |
There's a dent in there so that you could put a piece of rope over it, | 0:06:06 | 0:06:10 | |
so that you could pull on the lower part of the leg. | 0:06:10 | 0:06:12 | |
I thought you were going to say that. | 0:06:12 | 0:06:14 | |
You could imagine a bone breaking, it's surrounded by muscle. | 0:06:14 | 0:06:20 | |
The muscle in response to the painful stimuli | 0:06:20 | 0:06:23 | |
will contract and the whole thing will do that. | 0:06:23 | 0:06:26 | |
You can imagine amount of damage those two ends of bone make. | 0:06:26 | 0:06:31 | |
So, if you put a leg into one of these early on and pull on it | 0:06:31 | 0:06:37 | |
until they all naturally fall back into line. | 0:06:37 | 0:06:42 | |
You eliminate all that secondary trauma. | 0:06:42 | 0:06:45 | |
It reduced the number of deaths | 0:06:45 | 0:06:48 | |
from 80% as a result of breaking your leg to about 20% and less. | 0:06:48 | 0:06:55 | |
So a very important piece of kit. | 0:06:55 | 0:06:57 | |
There's one photograph I'd like you to see him Dr Jones. It's a... | 0:06:57 | 0:07:02 | |
-That's this one here. -Well, clearly that's your aunt...great aunt. -Yes. | 0:07:02 | 0:07:09 | |
She's giving an anaesthetic. | 0:07:09 | 0:07:11 | |
Interesting after you considering | 0:07:11 | 0:07:14 | |
the sort of anaesthetic machinery we'd be using, | 0:07:14 | 0:07:17 | |
she's using a wide tube there and a valve and a proper mask. | 0:07:17 | 0:07:23 | |
That's really quite advanced stuff. | 0:07:23 | 0:07:26 | |
I've learnt more in the last two minutes than I ever thought I would. | 0:07:26 | 0:07:30 | |
Ian wants to find out more about Annie's work. | 0:07:33 | 0:07:37 | |
Although thousands of women served on the Western Front, | 0:07:37 | 0:07:40 | |
Annie was one the few who were within 10km of the front line. | 0:07:40 | 0:07:44 | |
He's come to London to the Florence Nightingale museum, | 0:07:49 | 0:07:53 | |
to meet Professor Christine Hallett, an expert on nursing in this period. | 0:07:53 | 0:07:57 | |
For a trained British nurse at that time in those field hospitals, | 0:07:59 | 0:08:04 | |
it would have been pretty tough because she would have been | 0:08:04 | 0:08:07 | |
one of the few fully-trained nurses in a French field hospital. | 0:08:07 | 0:08:11 | |
They had wound infections like Gas gangrene, tetanus, | 0:08:11 | 0:08:16 | |
really distressing conditions for the nurses | 0:08:16 | 0:08:18 | |
to have to care for the soldiers. | 0:08:18 | 0:08:20 | |
Nurses have never encountered these kinds of wounds before. | 0:08:20 | 0:08:24 | |
This was the first really large-scale industrial war, | 0:08:24 | 0:08:28 | |
so you had patient coming in with multiple injuries. | 0:08:28 | 0:08:30 | |
They would have had rushes of patients all the time | 0:08:32 | 0:08:35 | |
so it would have been incredibly stressful, actually. | 0:08:35 | 0:08:38 | |
I think lots of the nurses suffered from shell shock | 0:08:38 | 0:08:40 | |
just the way soldiers did | 0:08:40 | 0:08:41 | |
because you never knew when the next shell was going to come | 0:08:41 | 0:08:44 | |
or when the next bombardment was going to come. | 0:08:44 | 0:08:46 | |
The soldiers would come into the hospitals, | 0:08:48 | 0:08:50 | |
their clothing full of lice and nurses often wrote | 0:08:50 | 0:08:53 | |
about how the soldiers apologised and said, | 0:08:53 | 0:08:55 | |
"Don't come near me, nurse. I'm really dirty and full of lice." | 0:08:55 | 0:08:58 | |
But, of course, the nurses... | 0:08:58 | 0:08:59 | |
It was part of their work to undress the patients, wash the patients, | 0:08:59 | 0:09:02 | |
make them comfortable in bed. | 0:09:02 | 0:09:04 | |
So, they caught the lice too. | 0:09:04 | 0:09:06 | |
They spend their evenings | 0:09:06 | 0:09:07 | |
kind of working through the seams of their uniforms | 0:09:07 | 0:09:10 | |
getting lice out of their uniforms. | 0:09:10 | 0:09:13 | |
The nurses would often write with news of life on the front. | 0:09:19 | 0:09:22 | |
They would also appeal to friends and family | 0:09:25 | 0:09:27 | |
to send medical provisions and comforts, | 0:09:27 | 0:09:30 | |
which were in short supply. | 0:09:30 | 0:09:31 | |
So this is an example of a letter | 0:09:33 | 0:09:36 | |
that was written by one of the nurses. | 0:09:36 | 0:09:38 | |
The nurses working in field hospitals | 0:09:38 | 0:09:41 | |
and on trains were really great letter writers. | 0:09:41 | 0:09:44 | |
They wrote very frequent letters home. | 0:09:44 | 0:09:46 | |
My great aunt was one of those frequent letter writers. | 0:09:46 | 0:09:49 | |
In fact, I've got one of the letters here I can read to you | 0:09:49 | 0:09:51 | |
because it is very significant in what she says. | 0:09:51 | 0:09:54 | |
"My dear Ede, I leave here on Monday | 0:09:55 | 0:09:58 | |
"next to go to a new hospital. | 0:09:58 | 0:10:00 | |
"2,900 beds, and I will still hold the position of commandant major. | 0:10:00 | 0:10:05 | |
"My hair stands on end at the responsibility, | 0:10:06 | 0:10:09 | |
"but the general assures me | 0:10:09 | 0:10:10 | |
"that I'm capable of taking charge of twice as many beds, | 0:10:10 | 0:10:13 | |
"so I must take it as a compliment." | 0:10:13 | 0:10:15 | |
"To tell you the truth, I do not feel well enough to have such hard work. | 0:10:18 | 0:10:23 | |
"At the last attack of Ardennes, we did 229 operations in seven days, | 0:10:23 | 0:10:28 | |
"working day and night. | 0:10:28 | 0:10:30 | |
"And after, I was done not. Absolutely done up. | 0:10:30 | 0:10:33 | |
"With love to Father, Mother, and yourself. Nancy." | 0:10:35 | 0:10:38 | |
A hospital of 2,900 beds is pretty huge, | 0:10:38 | 0:10:42 | |
-so I'm not surprised that she says it made her hair stand on end. -Yes. | 0:10:42 | 0:10:47 | |
The experts Ian has met so far | 0:10:52 | 0:10:54 | |
have been fascinated by Annie's photographs. | 0:10:54 | 0:10:57 | |
But Ian wonders how on earth she was able to take the photographs | 0:10:57 | 0:11:00 | |
on the front line. | 0:11:00 | 0:11:02 | |
The most popular camera used by individual servicemen, nurses, etc. | 0:11:02 | 0:11:09 | |
was one of these - the Kodak Vest Pocket camera. | 0:11:09 | 0:11:13 | |
-It's called a Vest Pocket because it can fit in your pocket. -Right. | 0:11:13 | 0:11:16 | |
This was introduced in 1912 | 0:11:16 | 0:11:19 | |
-and cost £1.10. -Incredible. | 0:11:19 | 0:11:23 | |
So if you think that the average salary of a British... | 0:11:23 | 0:11:27 | |
In Britain in 1914 was 16 shillings a week, | 0:11:27 | 0:11:32 | |
so you know, you could save up for one of these cameras. | 0:11:32 | 0:11:34 | |
It was an affordable camera for many people involved in photos. | 0:11:34 | 0:11:39 | |
That's why photography became a very popular pastime | 0:11:39 | 0:11:42 | |
in a couple of years leading up to the First World War. | 0:11:42 | 0:11:45 | |
-Can I just feel the weight of that? -Yeah, sure. | 0:11:45 | 0:11:47 | |
-It's pretty sturdy, isn't it? -It is. | 0:11:49 | 0:11:52 | |
By 1926, they'd sold 2 million of these. | 0:11:52 | 0:11:55 | |
Beautiful piece of engineering. | 0:11:55 | 0:11:56 | |
It made Kodak a lot of money, but it was a great camera. | 0:11:56 | 0:12:00 | |
Obviously, this is the viewfinder | 0:12:00 | 0:12:02 | |
so you're actually looking down | 0:12:02 | 0:12:04 | |
getting the image in there to take the picture. | 0:12:04 | 0:12:07 | |
Most servicemen, nurses, etc. would have used these. | 0:12:07 | 0:12:10 | |
This is a particularly interesting photograph here, Ian. | 0:12:10 | 0:12:13 | |
It looks like there's a group of nurses outside of building | 0:12:13 | 0:12:16 | |
and they're all looking up at the sky. | 0:12:16 | 0:12:18 | |
I think what they're actually looking at | 0:12:18 | 0:12:20 | |
is probably a German aircraft. | 0:12:20 | 0:12:21 | |
A bombing aircraft would have been the biggest threat | 0:12:21 | 0:12:23 | |
because quite often, even though hospitals were actually marked out | 0:12:23 | 0:12:26 | |
with large red crosses to indicate where they were, | 0:12:26 | 0:12:30 | |
quite often there'd be of the military camps in the area | 0:12:30 | 0:12:34 | |
and bombing aiming equipment in the First World War | 0:12:34 | 0:12:36 | |
was very rudimentary. | 0:12:36 | 0:12:37 | |
So even the. you may have tried to miss the hospital | 0:12:37 | 0:12:40 | |
the chances are that bombs would have fallen on the hospital grounds. | 0:12:40 | 0:12:43 | |
Ah, right. | 0:12:43 | 0:12:45 | |
It was here in Verdun in north-east France | 0:12:46 | 0:12:49 | |
that Annie was working in 1916. | 0:12:49 | 0:12:51 | |
The Battle of Verdun began in February that year | 0:12:53 | 0:12:56 | |
and lasted for over 10 months. | 0:12:56 | 0:12:58 | |
It was a war of attrition. | 0:12:59 | 0:13:01 | |
There were over 400,000 French casualties, | 0:13:03 | 0:13:07 | |
and Annie found herself at the centre of this Armageddon. | 0:13:07 | 0:13:11 | |
They were having to deal with these guys coming in | 0:13:13 | 0:13:16 | |
very badly wounded in many cases. | 0:13:16 | 0:13:19 | |
The nurses would have seen some really bad sights. | 0:13:19 | 0:13:22 | |
The Germans in 1916 were looking to try to knock the French Army | 0:13:22 | 0:13:25 | |
out of the war. | 0:13:25 | 0:13:26 | |
What they decided to do was to try to just crush the French army. | 0:13:26 | 0:13:31 | |
They needed to find a place that was strategically | 0:13:31 | 0:13:34 | |
and emotionally important to France, and Verdun fitted that bill. | 0:13:34 | 0:13:39 | |
Also, of course, the Battle of the Somme, | 0:13:39 | 0:13:42 | |
which is the British focus in 1916, the one we've all heard of, | 0:13:42 | 0:13:44 | |
which sort of to find the first world war for the Brits, | 0:13:44 | 0:13:47 | |
as Verdun defines a First World War for the French, | 0:13:47 | 0:13:50 | |
the Somme was primarily fought to take German pressure off Verdun, | 0:13:50 | 0:13:55 | |
and that worked. | 0:13:55 | 0:13:56 | |
Although it takes another two years to defeat Germany, | 0:13:56 | 0:13:59 | |
after those two big battles in 1916, | 0:13:59 | 0:14:01 | |
the German Army is never the same again. | 0:14:01 | 0:14:04 | |
Verdun was, and probably still is, | 0:14:04 | 0:14:07 | |
the most shelled place on the face of the earth. | 0:14:07 | 0:14:12 | |
More artillery shells hit that small area on the River Meuse | 0:14:12 | 0:14:16 | |
than anywhere else at any other time. | 0:14:16 | 0:14:18 | |
On a hill overlooking the town of Verdun | 0:14:27 | 0:14:30 | |
stands a statue commemorating the thousands killed in the battle | 0:14:30 | 0:14:33 | |
that raged here for almost a year. | 0:14:33 | 0:14:35 | |
Ian is on his way to Verdun. | 0:14:38 | 0:14:40 | |
He is following in the footsteps of his great aunt Annie | 0:14:40 | 0:14:44 | |
who came here 100 years ago. | 0:14:44 | 0:14:46 | |
Do you know what's funny? | 0:14:46 | 0:14:48 | |
This is the first time we've ever been abroad together. | 0:14:48 | 0:14:51 | |
Ian is travelling with his son, | 0:14:52 | 0:14:54 | |
Phil, who is himself a decorated war veteran of recent conflicts. | 0:14:54 | 0:14:59 | |
Are some of the buildings still going to be there? | 0:14:59 | 0:15:01 | |
I don't think that after that war | 0:15:01 | 0:15:03 | |
there's a lot of the same buildings around, but there are a few. | 0:15:03 | 0:15:07 | |
During the war, the French government | 0:15:08 | 0:15:10 | |
requisitioned large buildings and land to house field hospitals | 0:15:10 | 0:15:14 | |
for the never-ending stream of casualties from the front. | 0:15:14 | 0:15:18 | |
These are the places where Annie worked. | 0:15:18 | 0:15:20 | |
I've almost got a picture like that. I can't believe this. | 0:15:25 | 0:15:28 | |
That doesn't half look familiar to me. | 0:15:29 | 0:15:31 | |
I got another shot somewhere of that with the ambulance. | 0:15:31 | 0:15:34 | |
Let's just go back a bit. I think I missed a photograph I'm looking for. | 0:15:34 | 0:15:38 | |
I'm tensed up here! | 0:15:38 | 0:15:40 | |
-That one. -That's the one I meant, yeah. Oh, gee-whiz. | 0:15:42 | 0:15:46 | |
It is the same place. I'd stake my life on it, Phil. I can't... | 0:15:46 | 0:15:50 | |
I can't believe it! | 0:15:52 | 0:15:53 | |
-That's a real treat. -It's all right, sorry, yeah... | 0:15:55 | 0:15:58 | |
I'm so bloody emotional. | 0:15:58 | 0:16:00 | |
You know, and never thought I'd... | 0:16:03 | 0:16:05 | |
I never thought I'd get to a place where she's been... | 0:16:05 | 0:16:08 | |
within yards of us. | 0:16:08 | 0:16:10 | |
-Everything else matches. -Look at that. That is there, right? | 0:16:11 | 0:16:14 | |
We can find... We can go to the absolute spot where she's standing. | 0:16:14 | 0:16:17 | |
-Yeah. -You're right! The ambulance is just about by there. | 0:16:17 | 0:16:22 | |
That tower...is there. | 0:16:23 | 0:16:26 | |
You see a bit more of that tower, so we're that way a bit. | 0:16:26 | 0:16:28 | |
All right, Dad, if you just move to your left a bit. | 0:16:35 | 0:16:37 | |
That's it. That's where Annie was standing. | 0:16:39 | 0:16:42 | |
Smile for the camera. One, two, three. | 0:16:42 | 0:16:44 | |
CAMERA CLICKS | 0:16:44 | 0:16:46 | |
The chateau is now a hotel. | 0:16:52 | 0:16:54 | |
There to welcome them is the manager, Catherine Pierrat. | 0:16:54 | 0:16:57 | |
-Catherine, Ian. -Nice to meet you. | 0:16:57 | 0:17:00 | |
You know, I'm so emotional about this I've got to give you a hug. | 0:17:00 | 0:17:04 | |
Yes, you can. Of course. | 0:17:04 | 0:17:06 | |
-What do you think about that? -Oh, my God! | 0:17:09 | 0:17:12 | |
-Unbelievable! -Yes. | 0:17:14 | 0:17:17 | |
I've probably got shots very similar to that here. | 0:17:17 | 0:17:19 | |
To be confronted with a place where I've got photographs of Annie | 0:17:22 | 0:17:25 | |
in front of an ambulance. | 0:17:25 | 0:17:26 | |
I couldn't stop my emotions and it was just... | 0:17:28 | 0:17:30 | |
..pouring around inside me, you know? | 0:17:31 | 0:17:33 | |
Fabulous. I just couldn't believe things. | 0:17:34 | 0:17:37 | |
It must've been sad times, as well. | 0:17:40 | 0:17:43 | |
I'm sure when it was a hospital it must have been dreadful | 0:17:43 | 0:17:47 | |
and dazed at what they were experiencing. | 0:17:47 | 0:17:49 | |
I'm described I was here in the good times | 0:17:51 | 0:17:53 | |
because what they were going through then was so horrendous. | 0:17:53 | 0:17:57 | |
To think Annie being here, | 0:17:59 | 0:18:02 | |
I was now in the same place, virtually on the same spot. | 0:18:02 | 0:18:05 | |
Much of Annie's life and work during the war is still a mystery to Ian. | 0:18:11 | 0:18:16 | |
He's always known that Annie left South Wales | 0:18:16 | 0:18:18 | |
to work as a private nurse for a Cardiff woman. | 0:18:18 | 0:18:21 | |
They were in Paris when war broke out | 0:18:21 | 0:18:24 | |
and Annie joined the French Red Cross immediately. | 0:18:24 | 0:18:27 | |
Marie Cappart, a genealogist, has been helping him with his research. | 0:18:30 | 0:18:34 | |
What we know is that as early as 1915, | 0:18:35 | 0:18:39 | |
she joined the lady called Yolande de Baye | 0:18:39 | 0:18:43 | |
who ran battlefield hospitals and ambulances and we needed nurses. | 0:18:43 | 0:18:49 | |
And nurses with special skills as Annie had. | 0:18:49 | 0:18:52 | |
When Yolande arrived in the Verdun area, | 0:18:53 | 0:18:56 | |
as all the battles were there to open several hospitals. | 0:18:56 | 0:19:00 | |
Annie stuck with her and she joined her | 0:19:00 | 0:19:03 | |
and helped her to run the hospitals and then for the soldiers. | 0:19:03 | 0:19:07 | |
That's fantastic. | 0:19:07 | 0:19:08 | |
She was the lady Annie was working for. | 0:19:08 | 0:19:11 | |
But then, I think they really, really, really were close. | 0:19:11 | 0:19:14 | |
Hit it off, eh? | 0:19:14 | 0:19:16 | |
And I have here a picture of Yolande de Baye as the nurse heroine. | 0:19:16 | 0:19:23 | |
As you can see, | 0:19:23 | 0:19:25 | |
Yolande de Baye was made Knight of the Legion d'honneur, | 0:19:25 | 0:19:28 | |
which is the most honourable decoration... | 0:19:28 | 0:19:31 | |
-It's the highest, isn't it? -It's the highest on the French ranks. | 0:19:31 | 0:19:34 | |
On the day the battlefield hospital Yolande was running was bombed, | 0:19:34 | 0:19:39 | |
Annie was wounded and it's on that occasion that she was awarded | 0:19:39 | 0:19:44 | |
the Croix de guerre. | 0:19:44 | 0:19:45 | |
The citation I got of aunt Annie, | 0:19:45 | 0:19:48 | |
it seems to coincide with the date in 1917. So the chances are... | 0:19:48 | 0:19:53 | |
-Well, they definitely were together, weren't they, now? -Yeah, it was. | 0:19:53 | 0:19:56 | |
But it's pinpointed for me, | 0:19:56 | 0:19:58 | |
a bit of uncertainty as to when she got it and what the occasion was. | 0:19:58 | 0:20:02 | |
So it's really fantastic. It really is. | 0:20:02 | 0:20:04 | |
Yeah, it's pretty sure that she was awarded the Croix de guerre | 0:20:04 | 0:20:07 | |
because she was so brave. | 0:20:07 | 0:20:08 | |
When I... | 0:20:08 | 0:20:10 | |
read the citation it gives me goose pimples | 0:20:10 | 0:20:12 | |
-every time I read it, you know? -Yeah. | 0:20:12 | 0:20:14 | |
She's out in an ambulance in the shellfire. | 0:20:14 | 0:20:16 | |
She's got disregard of everything except the patient in front of her. | 0:20:16 | 0:20:20 | |
And nothing is going to shift her. | 0:20:20 | 0:20:22 | |
I can also see now how they were such good friends. | 0:20:25 | 0:20:28 | |
They were two of a kind. | 0:20:28 | 0:20:31 | |
Courageous, you know? No fear. | 0:20:31 | 0:20:34 | |
Good nurses. | 0:20:34 | 0:20:35 | |
Won't stand any nonsense. | 0:20:35 | 0:20:38 | |
You know, if they said do something, it'd be done. | 0:20:38 | 0:20:41 | |
What they went through together in the bombing and other events... | 0:20:44 | 0:20:49 | |
They really must've had a fantastic bond between themselves. | 0:20:49 | 0:20:53 | |
But one mystery still remains. | 0:20:54 | 0:20:57 | |
Three photos show Annie standing close to one man, | 0:20:57 | 0:21:01 | |
and Ian suspects that this could be Annie's husband. | 0:21:01 | 0:21:03 | |
Annie was married to Daniel Mistrick, | 0:21:05 | 0:21:07 | |
and according to her death certificate she was a widow. | 0:21:07 | 0:21:11 | |
Despite his efforts, | 0:21:11 | 0:21:12 | |
Ian has been unable to find the marriage certificate. | 0:21:12 | 0:21:15 | |
Now, I've found out that Daniel Mistrick was a Frenchman | 0:21:18 | 0:21:21 | |
born in Rouen. | 0:21:21 | 0:21:23 | |
He made his studies there, | 0:21:23 | 0:21:25 | |
and then when war broke out he enrolled in the army. | 0:21:25 | 0:21:28 | |
He was working with the ambulance service. | 0:21:28 | 0:21:31 | |
I pretty much suspect that's how Daniel met Annie. | 0:21:31 | 0:21:36 | |
We have searched all records of places in 1917 | 0:21:36 | 0:21:40 | |
without finding anything official. | 0:21:40 | 0:21:42 | |
So what I suspect is that they did get married | 0:21:42 | 0:21:46 | |
and I'm pretty sure of that. | 0:21:46 | 0:21:48 | |
Then they have been married by a military priest. | 0:21:48 | 0:21:51 | |
Being a marriage on the battlefield, | 0:21:52 | 0:21:55 | |
no former trades went back to the French officials. | 0:21:55 | 0:21:58 | |
So I think they fell in love in the war battlefield. | 0:21:58 | 0:22:02 | |
-It's really romantic. -Fairy tale stuff, yes. | 0:22:02 | 0:22:05 | |
And you don't know what tomorrow's going to be | 0:22:05 | 0:22:07 | |
because tomorrow we might not be there any more | 0:22:07 | 0:22:09 | |
because of all the bombings. | 0:22:09 | 0:22:12 | |
But, what I think is that their romance blossoms | 0:22:12 | 0:22:15 | |
on Verdun's battlefield, | 0:22:15 | 0:22:17 | |
which is quite in an extraordinary love story in the middle of hate. | 0:22:17 | 0:22:21 | |
And Marie is about reveal to Ian another to twist in the tale. | 0:22:22 | 0:22:27 | |
I know you thought that Daniel had died at war | 0:22:27 | 0:22:32 | |
-because Annie's mentioned as a widow. -Yes. | 0:22:32 | 0:22:34 | |
But then I found out that he wasn't killed in action at all. | 0:22:34 | 0:22:37 | |
-He survived the war. -Bloody hell. | 0:22:37 | 0:22:40 | |
He was awarded a Legion d'honneur as well. | 0:22:40 | 0:22:44 | |
I thought he had a Medaille militaire or... | 0:22:44 | 0:22:47 | |
I wasn't sure about that because it wasn't in Annie's collection. | 0:22:47 | 0:22:50 | |
He has a Medaille militaire | 0:22:50 | 0:22:51 | |
and he was awarded the Legion d'honneur | 0:22:51 | 0:22:54 | |
because in 1917 and in 1918, | 0:22:54 | 0:22:57 | |
-under bombing he went to fetch the wounded soldiers. -Right. | 0:22:57 | 0:23:03 | |
He was so brave. | 0:23:03 | 0:23:04 | |
He did get married after the war...two times. | 0:23:06 | 0:23:11 | |
Gosh. | 0:23:11 | 0:23:12 | |
-And he died in the '60s. -'60s? -1960s, yeah. -Good heavens! | 0:23:12 | 0:23:18 | |
And he's buried in France. He even was in action in World War II. | 0:23:18 | 0:23:23 | |
-Simply amazing. -I'd like to think that he'd never forget Annie. | 0:23:23 | 0:23:27 | |
I know. | 0:23:27 | 0:23:28 | |
I really, really... I'm sure he never, never ever... | 0:23:28 | 0:23:32 | |
The thing, like, the first love, they say | 0:23:32 | 0:23:34 | |
especially when it's such a fairy tale story... | 0:23:34 | 0:23:37 | |
There has already been a great deal of interest | 0:23:41 | 0:23:44 | |
in Ian's visit to the area and people here want to help him. | 0:23:44 | 0:23:48 | |
He has been contacted by Marielle Humbert. | 0:23:48 | 0:23:51 | |
She takes Ian to the home of Dr Bruno Fermont. | 0:23:51 | 0:23:55 | |
During the First World War it was a hospital on the front line. | 0:23:55 | 0:23:59 | |
'Bonjour, monsieur.' | 0:23:59 | 0:24:00 | |
HE SPEAKS FRENCH | 0:24:01 | 0:24:05 | |
In August 1917, there was a big bomb there. | 0:24:08 | 0:24:11 | |
HE SPEAKS FRENCH | 0:24:18 | 0:24:21 | |
And this is when the shell exploded. | 0:24:21 | 0:24:25 | |
HE SPEAKS FRENCH | 0:24:25 | 0:24:28 | |
Three nurses were killed. | 0:24:28 | 0:24:31 | |
Ian has finally found the actual place where Annie was wounded. | 0:24:31 | 0:24:36 | |
You see, I believe my aunt was here at the time, | 0:24:36 | 0:24:40 | |
and I got us a citation when she won a Croix de guerre | 0:24:40 | 0:24:44 | |
and the dates seem to coincide. | 0:24:44 | 0:24:46 | |
"Miss Nancy Brewer, volunteer nurse. | 0:24:46 | 0:24:50 | |
"A nurse remarkable for her technical ability | 0:24:50 | 0:24:53 | |
"whose moral strength and devotion... | 0:24:53 | 0:24:56 | |
Sorry, "..have been clearly demonstrated time and time again. | 0:24:59 | 0:25:03 | |
"Notably on 18 August, 1917. | 0:25:03 | 0:25:07 | |
"On this occasion, she set the finest example of coolness | 0:25:07 | 0:25:11 | |
"and total disregard of danger, | 0:25:11 | 0:25:14 | |
"lavishing her attention on the wounded | 0:25:14 | 0:25:17 | |
"and the fire from enemy artillery." | 0:25:17 | 0:25:19 | |
It was Annie's courage that day and the award of the Croix de guerre | 0:25:21 | 0:25:25 | |
which had first intrigued ten-year-old Ian. | 0:25:25 | 0:25:29 | |
Now, more than 60 years later, he has discovered how close | 0:25:29 | 0:25:33 | |
Annie came to losing her life that day. | 0:25:33 | 0:25:36 | |
Three of her friends were killed. | 0:25:36 | 0:25:37 | |
Annie's best friend, Yolande de Baye, | 0:25:39 | 0:25:42 | |
never forgot those nurses, | 0:25:42 | 0:25:44 | |
and she was determined to commemorate their sacrifice. | 0:25:44 | 0:25:47 | |
The place she chose to remember them was here, the Ossuary at Douaumont, | 0:25:49 | 0:25:54 | |
the final resting place | 0:25:54 | 0:25:55 | |
for the bones of 130,000 French and German soldiers | 0:25:55 | 0:25:59 | |
who died in the Battle of Verdun. | 0:25:59 | 0:26:01 | |
This is in memory of three of Annie's nursing friends | 0:26:29 | 0:26:33 | |
who were killed in the bombardment on the day she won a Croix de guerre. | 0:26:33 | 0:26:38 | |
18 August, 1917. | 0:26:38 | 0:26:44 | |
Annie, you know, they would have been friends. | 0:26:45 | 0:26:47 | |
She would have known them all well. | 0:26:47 | 0:26:49 | |
How nice to have a memory like that. | 0:26:51 | 0:26:54 | |
War should have never happened again, but it did. People never learn. | 0:27:13 | 0:27:17 | |
It's such a wonderful memorial ground up there. | 0:27:18 | 0:27:21 | |
I was really, really glad to be there. | 0:27:21 | 0:27:23 | |
For Ian, this has been a journey of discovery. | 0:27:28 | 0:27:31 | |
Now he feels he understands what Annie went through 100 years ago. | 0:27:31 | 0:27:36 | |
He believes everyone should know Annie's story. | 0:27:37 | 0:27:41 | |
Annie's grave is no longer unmarked. | 0:27:47 | 0:27:50 | |
Ian has put up a memorial stone fit for a war hero. | 0:27:50 | 0:27:54 | |
And the family of Annie Brewer has come together to remember | 0:28:00 | 0:28:03 | |
a woman who nursed the sick, wounded, and dying | 0:28:03 | 0:28:07 | |
on the Western Front throughout the First World War. | 0:28:07 | 0:28:12 | |
And it is my privilege to dedicate it now | 0:28:12 | 0:28:14 | |
as a lasting tribute to Annie. | 0:28:14 | 0:28:17 | |
We now have a picture of Annie's life | 0:28:18 | 0:28:21 | |
and service as a nurse during the First World War. | 0:28:21 | 0:28:24 | |
Annie, from now on, we will remember you. | 0:28:27 | 0:28:32 | |
From now on, Annie, we will not forget. | 0:28:33 | 0:28:37 | |
I feel I know her. | 0:28:39 | 0:28:42 | |
Sometimes when I'm doing something, I'm talking to her. | 0:28:42 | 0:28:45 | |
When I'm on the files, yes. | 0:28:48 | 0:28:51 | |
Sometimes I can almost feel her. | 0:28:52 | 0:28:54 | |
And that'll never go away from me. That can never leave me now. | 0:28:57 | 0:28:59 |