
Browse content similar to Brett: A Life with No Arms. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:05 | |
# Here we go again One, two, three | 0:00:05 | 0:00:07 | |
# Do you want to come and join in the dance with me? # | 0:00:07 | 0:00:12 | |
My name is Roger Graef. | 0:00:13 | 0:00:15 | |
50 years ago, I made a film about an Australian boy named Brett Nielsen. | 0:00:15 | 0:00:19 | |
# ..in the dance with you | 0:00:19 | 0:00:22 | |
# Here we go again Down that same old path | 0:00:25 | 0:00:29 | |
# Here we go again | 0:00:29 | 0:00:33 | |
# Here we go... # | 0:00:33 | 0:00:35 | |
I have come to Australia to find out | 0:00:35 | 0:00:37 | |
how Brett has survived the last 50 years. | 0:00:37 | 0:00:40 | |
I catch myself out, you know, occasionally it makes me laugh. | 0:00:47 | 0:00:51 | |
When there is someone around who doesn't have any arms, | 0:00:51 | 0:00:54 | |
my first thought is, "Oh, poor bastard, | 0:00:54 | 0:00:56 | |
"I wonder how he manages," you know? | 0:00:56 | 0:00:58 | |
You are on Bay FM amongst other things, | 0:00:58 | 0:01:00 | |
it's 21 past 4 now and it's Friday afternoon, | 0:01:00 | 0:01:04 | |
for all of those who may have forgotten, no, it's Friday. | 0:01:04 | 0:01:08 | |
# Asked me why I wore no shoes upon my feet... # | 0:01:08 | 0:01:12 | |
I know I don't have any arms, | 0:01:13 | 0:01:15 | |
but it's not sort of a major part of the day, you know, | 0:01:15 | 0:01:18 | |
it's sort of a, "Oh, yeah, that's right." | 0:01:18 | 0:01:20 | |
The last time I saw Brett was in England. | 0:01:34 | 0:01:36 | |
He was four and being fitted for artificial arms. | 0:01:36 | 0:01:40 | |
When he was six, his family moved back to Australia and we lost touch. | 0:01:40 | 0:01:43 | |
-Hello, Roger. -Brett, how are you doing? -Good. How are you? | 0:01:45 | 0:01:50 | |
Gorgeous to see you. Can I hug you? | 0:01:50 | 0:01:53 | |
-Absolutely. It's been a while. -50 years, right? -Yeah, 50 years. | 0:01:53 | 0:01:58 | |
You haven't changed at all, except you're, you know, taller! | 0:01:58 | 0:02:02 | |
You said that every day, you're solving problems, you know. | 0:02:02 | 0:02:05 | |
Reinvent the wheel, that was it. | 0:02:05 | 0:02:08 | |
-CORK POPS -Whoops! Wow, that came out quickly! | 0:02:08 | 0:02:11 | |
-That was good! Brilliant! -And suddenly! | 0:02:11 | 0:02:15 | |
'It is immediately clear that a great deal has happened in 50 years. | 0:02:15 | 0:02:19 | |
'Brett has had three marriages and two children - | 0:02:19 | 0:02:22 | |
'20-year-old Pasha from one ex-wife and 12-year-old Jack from his third | 0:02:22 | 0:02:27 | |
'and he has a new serious girlfriend, Helen, | 0:02:27 | 0:02:29 | |
'a flight nurse he met four months ago.' | 0:02:29 | 0:02:32 | |
We've got some grapes from our garden as well. | 0:02:32 | 0:02:34 | |
Oh, these are your grapes? Wow! | 0:02:34 | 0:02:36 | |
Who was it that broke up these various marriages and relationships? | 0:02:36 | 0:02:41 | |
Uh, in my marriages, I think... | 0:02:44 | 0:02:46 | |
Well, my wives ran away from home was my perception. | 0:02:46 | 0:02:49 | |
Obviously, they weren't happy. | 0:02:49 | 0:02:52 | |
Apparently I am a little bit intense at times, you know, | 0:02:52 | 0:02:55 | |
a bit like a steam train, | 0:02:55 | 0:02:58 | |
but Helen doesn't think so, do you, darling? | 0:02:58 | 0:03:02 | |
HE MOUTHS | 0:03:02 | 0:03:04 | |
'The thing that attracted me the most | 0:03:04 | 0:03:07 | |
'about Brett was our common values' | 0:03:07 | 0:03:11 | |
and we exchanged a lot of written stuff, | 0:03:11 | 0:03:13 | |
because it was a distant relationship, | 0:03:13 | 0:03:15 | |
'and he is quite a gifted writer | 0:03:15 | 0:03:18 | |
'and so he would paint these images and I really got to know him. | 0:03:18 | 0:03:22 | |
'It almost sounds a bit old-fashioned, | 0:03:22 | 0:03:24 | |
'the old letter way, really, | 0:03:24 | 0:03:26 | |
'and I just fell in love with that, | 0:03:26 | 0:03:28 | |
'being romanced by the written word,' | 0:03:28 | 0:03:31 | |
and flowers in the post. Yeah, he's a good find! | 0:03:31 | 0:03:37 | |
'Seeing Brett as head of the family takes me back | 0:03:40 | 0:03:43 | |
'to filming him in the '60s when he was the youngest at the table.' | 0:03:43 | 0:03:46 | |
He was pretending to be his father, you see, | 0:03:46 | 0:03:49 | |
and he said, "Oh, I am Peter Nielsen and I have got three sons." | 0:03:49 | 0:03:53 | |
I said, "Oh, yes, and what are their names?" | 0:03:53 | 0:03:55 | |
And he said, "Well, one is Mark and he teases, | 0:03:55 | 0:03:59 | |
"and one is Karl and he cries and one is Brett and he's got no arms." | 0:03:59 | 0:04:04 | |
Total disbelief to think that a tablet that had been given | 0:04:04 | 0:04:10 | |
to ward off morning sickness would create this sort of problem. | 0:04:10 | 0:04:15 | |
The tranquilliser thalidomide was a global commercial success story | 0:04:16 | 0:04:20 | |
in the '50s that became the greatest medical disaster in history. | 0:04:20 | 0:04:24 | |
It is now believed that at least 100,000 babies in 46 countries | 0:04:24 | 0:04:29 | |
were either destroyed or damaged by the drug. | 0:04:29 | 0:04:32 | |
Some parents were advised to put their babies straight into care | 0:04:33 | 0:04:36 | |
or even leave them to die. | 0:04:36 | 0:04:38 | |
I was hoping to actually see the birth and I was kept well away | 0:04:40 | 0:04:45 | |
and it was possibly an hour or so after the birth before I was told | 0:04:45 | 0:04:50 | |
that there was an abnormality | 0:04:50 | 0:04:55 | |
and I found it a bit hard to deal with. | 0:04:55 | 0:05:00 | |
In the summer of '61, thalidomide was discovered | 0:05:03 | 0:05:06 | |
as the cause of the global spike in birth defects. | 0:05:06 | 0:05:09 | |
Damage to the foetus was done in the first 42 days of pregnancy, | 0:05:10 | 0:05:14 | |
depending on which day it was taken. | 0:05:14 | 0:05:17 | |
The 20th caused brain damage, the 21st and 22nd eyes and ears, | 0:05:17 | 0:05:21 | |
the 24th affected arms. | 0:05:21 | 0:05:24 | |
In Australia, Brett's mother Barbara took just one tablet | 0:05:25 | 0:05:28 | |
from a sample given by her GP on what must have been her 24th day. | 0:05:28 | 0:05:34 | |
-Cheers, Roger. -Cheers! -Cheers! | 0:05:35 | 0:05:40 | |
'Brett worked all his life until he retired five years ago, | 0:05:40 | 0:05:43 | |
'but he is still very busy.' | 0:05:43 | 0:05:46 | |
For 30 years, he made his living as a record producer | 0:05:46 | 0:05:50 | |
and ran a bulldozing business. | 0:05:50 | 0:05:52 | |
'Now he is about to release a CD of his own songs | 0:05:54 | 0:05:57 | |
'and is building a house next door for his dad.' | 0:05:57 | 0:05:59 | |
You'll be happy to know I have thought | 0:06:01 | 0:06:03 | |
about giving up smoking recently. | 0:06:03 | 0:06:05 | |
No, seriously. | 0:06:05 | 0:06:07 | |
'There is a lot happening apart from building the shed, you know, | 0:06:09 | 0:06:13 | |
'a house for the old man.' | 0:06:13 | 0:06:16 | |
Yeah, we have just finished the album | 0:06:17 | 0:06:19 | |
and doing a new website | 0:06:19 | 0:06:22 | |
'and getting the infrastructure together | 0:06:22 | 0:06:25 | |
'for, you know, flogging CDs again | 0:06:25 | 0:06:27 | |
'and Dad is moving in, which is a big one, | 0:06:27 | 0:06:30 | |
'and I am having a romance as well. | 0:06:30 | 0:06:32 | |
'So, you know, I mean, there is a lot going on | 0:06:32 | 0:06:35 | |
'over the next few weeks. All good, all good.' | 0:06:35 | 0:06:40 | |
Don't do this at home, kids. | 0:06:41 | 0:06:44 | |
'Brett's independent life was established early on by his parents. | 0:06:44 | 0:06:48 | |
'They refused advice to put him into care | 0:06:48 | 0:06:50 | |
'and instead treated him as a normal child.' | 0:06:50 | 0:06:53 | |
We had decided the only thing to do was to possibly go to England, | 0:06:53 | 0:06:57 | |
where there were far more children, | 0:06:57 | 0:07:00 | |
and we had been in correspondence | 0:07:00 | 0:07:03 | |
with the Thalidomide Association over there, | 0:07:03 | 0:07:06 | |
so we could actually achieve something worthwhile for Brett. | 0:07:06 | 0:07:11 | |
This choice wasn't easy. | 0:07:11 | 0:07:14 | |
Victims' families were struggling on their own, | 0:07:14 | 0:07:17 | |
emotionally and financially, | 0:07:17 | 0:07:18 | |
so the Nielsens sold everything and moved to Britain. | 0:07:18 | 0:07:22 | |
There were many more families with affected children sharing advice | 0:07:22 | 0:07:26 | |
and the best artificial arms were being made there. | 0:07:26 | 0:07:29 | |
-NARRATOR: -The Nielsens' search | 0:07:29 | 0:07:31 | |
began 12,000 miles away in Australia. | 0:07:31 | 0:07:33 | |
Powered limbs are so new | 0:07:34 | 0:07:36 | |
that they had to come all the way to England to find them. | 0:07:36 | 0:07:40 | |
That's when I first met Brett and his family. | 0:07:40 | 0:07:43 | |
That is where these were hidden, in the newspaper clippings. | 0:07:43 | 0:07:47 | |
We'll take them out, we'll take them out. | 0:07:47 | 0:07:50 | |
'Given the 50-year gap, I'm keen to see pictures of Brett growing up.' | 0:07:50 | 0:07:54 | |
-There he is. -Yep, that's me. | 0:07:54 | 0:07:57 | |
-Awww! -Awww! -There is you. | 0:07:57 | 0:08:03 | |
There is young Dad. Looks like a smooth haircut. You're so cute. | 0:08:03 | 0:08:08 | |
-Young Brett. -Young Bretto. -This is boarding school. | 0:08:08 | 0:08:14 | |
-Jack, check out that... It's '73 so you would have been... -13. | 0:08:14 | 0:08:17 | |
That is Dad at your age. You have got the same hairdo as well. | 0:08:17 | 0:08:22 | |
-Oh, wow! -Oh, here's Mum - me and Mum. | 0:08:22 | 0:08:26 | |
Awww! | 0:08:26 | 0:08:29 | |
I remember Brett's mother Barbara vividly from the original film. | 0:08:29 | 0:08:33 | |
She was amazingly resilient | 0:08:33 | 0:08:35 | |
and key to ensuring Brett had a normal childhood. | 0:08:35 | 0:08:38 | |
-BARBARA NIELSEN: -We felt that, rather than treat Brett gently, | 0:08:38 | 0:08:43 | |
we should make every effort to treat him | 0:08:43 | 0:08:46 | |
as near as possible as a normal child - | 0:08:46 | 0:08:50 | |
because he was going to grow up in a normal world | 0:08:50 | 0:08:55 | |
where people will say hurtful things, | 0:08:55 | 0:08:59 | |
where, whilst he may be quite an adorable little thing | 0:08:59 | 0:09:03 | |
whilst he's a baby, he won't be very adorable | 0:09:03 | 0:09:06 | |
when he is 15 or 18 or 25, so he must compete with others. | 0:09:06 | 0:09:12 | |
She played an important role in the whole of their upbringing. | 0:09:13 | 0:09:17 | |
There is no question of that. | 0:09:17 | 0:09:19 | |
And that showed very eminently | 0:09:19 | 0:09:23 | |
when we were down at the hospital the evening she died - | 0:09:23 | 0:09:26 | |
the emotions that were displayed there were phenomenal. | 0:09:26 | 0:09:32 | |
Hello, Brett, how are you this morning? | 0:09:32 | 0:09:34 | |
Have you come to see us at nursery school? | 0:09:34 | 0:09:37 | |
'She was the one that sort of got Brett to do things | 0:09:37 | 0:09:40 | |
'that were probably outside of his normal comfort zone, I guess. | 0:09:40 | 0:09:43 | |
'More important, they were outside | 0:09:43 | 0:09:44 | |
'a lot of other people's comfort zone' | 0:09:44 | 0:09:46 | |
so he wasn't going to get away without doing the washing up. | 0:09:46 | 0:09:50 | |
OK, he had to sit on the draining board to wash up, | 0:09:50 | 0:09:53 | |
but when it was your turn, it was your turn. | 0:09:53 | 0:09:55 | |
So she didn't want him to be special | 0:09:55 | 0:09:57 | |
in a way that made him stand out for the wrong reasons. | 0:09:57 | 0:10:01 | |
She wanted him to be special for the reasons like his music or whatever. | 0:10:01 | 0:10:05 | |
-BARBARA NIELSEN: -When Brett was a tiny baby, | 0:10:05 | 0:10:08 | |
I used to take him out to the shops | 0:10:08 | 0:10:10 | |
and the clinic, things like that, as much or possibly more | 0:10:10 | 0:10:13 | |
than I used to take the other children | 0:10:13 | 0:10:16 | |
because I thought, "Let him get used to being stared at | 0:10:16 | 0:10:20 | |
"and poked, as some people do, right from birth." | 0:10:20 | 0:10:25 | |
Better be used to a half-dozen stares every day of the week | 0:10:25 | 0:10:29 | |
than to just suddenly get half a dozen every Sunday. | 0:10:29 | 0:10:32 | |
I think she had some very hard social interactions with people, | 0:10:32 | 0:10:39 | |
because they would see her with Brett | 0:10:39 | 0:10:41 | |
and they would only think the worst, so... | 0:10:41 | 0:10:43 | |
-BARBARA NIELSEN: -Sometimes, people have come up in the street | 0:10:45 | 0:10:48 | |
and said, "Did you take those drugs?" | 0:10:48 | 0:10:50 | |
They somehow think that one is a drug addict and takes narcotics. | 0:10:52 | 0:10:57 | |
And so they think that these mothers | 0:10:57 | 0:10:59 | |
have brought this on the child themselves. | 0:10:59 | 0:11:02 | |
And, for quite a long time, it would hurt. | 0:11:04 | 0:11:07 | |
But mothers who keep their children at home | 0:11:09 | 0:11:12 | |
so that they may protect themselves and the children from stares | 0:11:12 | 0:11:16 | |
and unkind remarks are really making the burden far greater, | 0:11:16 | 0:11:23 | |
because the child must come out into the world someday. | 0:11:23 | 0:11:26 | |
'Going shopping with Brett, it's clear the awkward outings | 0:11:31 | 0:11:34 | |
'with his mother prepared him for his confident shopping trips today. | 0:11:34 | 0:11:39 | |
'For a start, he shamelessly parks in the disabled bay | 0:11:39 | 0:11:42 | |
'without an official permit.' | 0:11:42 | 0:11:45 | |
We will go and park in the spastics' spot cos it is nice and close. | 0:11:45 | 0:11:48 | |
HELEN LAUGHS | 0:11:48 | 0:11:50 | |
-Hi, Richard. -G'day, mate. How are you? -Good, good, good. | 0:11:55 | 0:12:00 | |
'She was a very strong person, Mum, | 0:12:00 | 0:12:03 | |
'didn't take no for an answer, EVER! | 0:12:03 | 0:12:07 | |
'Yeah, no, she was a classic.' | 0:12:07 | 0:12:09 | |
OK, thank you very much. | 0:12:09 | 0:12:11 | |
'She would always be finding little sayings and God knows what | 0:12:11 | 0:12:15 | |
'and one of them I pulled off her fridge | 0:12:15 | 0:12:17 | |
'and the line was "It doesn't matter what happens to you in your life, | 0:12:17 | 0:12:21 | |
'"what matters is how you deal with it." | 0:12:21 | 0:12:23 | |
'But these are the things that shape your personality | 0:12:23 | 0:12:26 | |
'and all of that sort of stuff.' | 0:12:26 | 0:12:28 | |
That one looks like it has been run over by a truck. | 0:12:28 | 0:12:32 | |
-Let's not have that one. -We won't have the run-over-truck one. | 0:12:32 | 0:12:36 | |
-No. -No, OK. -This one will do. | 0:12:36 | 0:12:39 | |
OK, listen, Jack, you need to wash your hands. | 0:12:40 | 0:12:45 | |
Get all that oil off them now, darling. | 0:12:45 | 0:12:48 | |
I park in the spastic one, because I can, and Pasha hates it. | 0:12:48 | 0:12:54 | |
Because Dad parks in the disabled spot in a two-door Mercedes. | 0:12:54 | 0:12:58 | |
-It just looks ridiculous. -Why? | 0:12:58 | 0:13:01 | |
Because Dad has no sticker | 0:13:01 | 0:13:03 | |
and he is driving a two-door convertible Mercedes. | 0:13:03 | 0:13:06 | |
What's the car got to do with anything? It's a parking spot. | 0:13:06 | 0:13:11 | |
Because the disabled spot is for someone in a wheelchair, Dad. | 0:13:11 | 0:13:14 | |
-No, no, no... -Or someone with bad legs. | 0:13:14 | 0:13:16 | |
But, Brett, there is a catch - you are not disabled. | 0:13:16 | 0:13:19 | |
Yeah, but, you know... And I don't have a sticker. | 0:13:19 | 0:13:23 | |
You are disabled when it means parking out the front of Woolworths. | 0:13:23 | 0:13:27 | |
-Well... -Then it's, "Oh, I really just need the car here." | 0:13:27 | 0:13:32 | |
Look, I'm an easy target, Pasha. | 0:13:32 | 0:13:35 | |
I'm an easy target. If it will make you feel better... | 0:13:35 | 0:13:37 | |
"I have no arms! Why would you move me out of this parking spot? | 0:13:37 | 0:13:41 | |
-"I need help." -Stop being disloyal to Dad. | 0:13:41 | 0:13:44 | |
It's OK, Pasha, I am an easy target, you know. | 0:13:44 | 0:13:47 | |
Go hard if it makes you feel better, it's fine. | 0:13:47 | 0:13:49 | |
Oh, shut up, Dad! | 0:13:49 | 0:13:50 | |
Do you remember me telling you about Brett last week? | 0:13:50 | 0:13:53 | |
Remember me telling you that when his mummy made him, | 0:13:53 | 0:13:57 | |
there wasn't quite enough to make arms | 0:13:57 | 0:13:59 | |
and how lucky you are that when you were all made, | 0:13:59 | 0:14:02 | |
your mummy managed to make arms for you? | 0:14:02 | 0:14:04 | |
Getting Brett and other affected children into a normal school | 0:14:04 | 0:14:08 | |
was the aim of the original film. | 0:14:08 | 0:14:10 | |
It wanted to show reluctant head teachers | 0:14:10 | 0:14:12 | |
that children without all their limbs | 0:14:12 | 0:14:14 | |
actually used more of their brains than other children. | 0:14:14 | 0:14:17 | |
He has grown up with the fact that he hasn't any arms | 0:14:24 | 0:14:27 | |
and he accepts things so completely as they are and he doesn't mind | 0:14:27 | 0:14:33 | |
if the children say to him, "Where are your arms?" | 0:14:33 | 0:14:35 | |
He will answer them quite sensibly. | 0:14:35 | 0:14:37 | |
It is the parents who are much more worried than the child about it. | 0:14:37 | 0:14:42 | |
I suppose that it is just an inborn fear | 0:14:42 | 0:14:45 | |
of any kind of physical deformity. Some people just can't accept it. | 0:14:45 | 0:14:51 | |
To help Brett fit in, he wore an artificial arm in infant school. | 0:14:52 | 0:14:57 | |
Getting him arms was the reason | 0:14:57 | 0:14:58 | |
his parents spent everything on moving to the UK. | 0:14:58 | 0:15:00 | |
They hoped this was the key to a normal life, | 0:15:00 | 0:15:04 | |
but it was far from straightforward for Brett. | 0:15:04 | 0:15:06 | |
Let me see if you can press straight. | 0:15:06 | 0:15:08 | |
If you press it on one side, Brett, it comes up. | 0:15:08 | 0:15:11 | |
If you press it the other side, it goes down. | 0:15:11 | 0:15:13 | |
Now, you press it with your chin for a minute. That's it. | 0:15:13 | 0:15:16 | |
The movements are simple, but the apparatus is complex, | 0:15:16 | 0:15:19 | |
especially for a little boy or girl to live with. | 0:15:19 | 0:15:22 | |
It will take 12 days just to fit the jacket properly | 0:15:22 | 0:15:26 | |
and, as he grows, Brett must return for a new arm every six months. | 0:15:26 | 0:15:30 | |
'We tried just about everything over there.' | 0:15:30 | 0:15:35 | |
The best that was available at that stage was the gas-operated unit. | 0:15:35 | 0:15:42 | |
Its power comes from compressed gas | 0:15:42 | 0:15:43 | |
kept in a cylinder on the child's back | 0:15:43 | 0:15:45 | |
and is controlled by switches under the chin. | 0:15:45 | 0:15:47 | |
Working? | 0:15:47 | 0:15:49 | |
-It's not. -Try the elbow. | 0:15:49 | 0:15:52 | |
That's the shot. | 0:15:55 | 0:15:59 | |
But dressing a child in a prosthetic each morning | 0:15:59 | 0:16:03 | |
is a fairly lengthy process, and with Brett bitching | 0:16:03 | 0:16:08 | |
that it is hurting here, it is hurting there... | 0:16:08 | 0:16:10 | |
-NO! -Oh, you'll forget all about it. | 0:16:10 | 0:16:15 | |
BRETT PROTESTS | 0:16:15 | 0:16:20 | |
-Where does it hurt? -On my shoulder. | 0:16:20 | 0:16:23 | |
So, he was quite a lively boy, was he? | 0:16:23 | 0:16:26 | |
Far too bloody lively, yes. | 0:16:26 | 0:16:29 | |
Kids at school were terrified of that. | 0:16:29 | 0:16:31 | |
It's a scary hand, how did you click this closed? | 0:16:31 | 0:16:36 | |
There was a little gas cylinder I had to wear | 0:16:36 | 0:16:41 | |
and it had to be changed throughout the day and whatnot | 0:16:41 | 0:16:44 | |
because they ran out. | 0:16:44 | 0:16:45 | |
Occasionally, one of the air pipes would come off the thing | 0:16:47 | 0:16:51 | |
and there would be this thing | 0:16:51 | 0:16:54 | |
-snaking around inside my shirt at 100mph. -Oh, no! -Yeah. | 0:16:54 | 0:16:58 | |
Once we got back to Australia, I spoke to a doctor | 0:16:58 | 0:17:03 | |
and he felt that he could actually put a pair of arms on Brett | 0:17:03 | 0:17:07 | |
and I mentioned this to Brett and I was told in no uncertain manner | 0:17:07 | 0:17:14 | |
what to do with the arms, and they wouldn't have looked pretty there. | 0:17:14 | 0:17:18 | |
Family comes first in Brett's life - | 0:17:21 | 0:17:23 | |
his mother's death a year ago was a terrible loss | 0:17:23 | 0:17:27 | |
and changed Brett's view of his role, especially towards his ageing father. | 0:17:27 | 0:17:31 | |
We don't have power, which is very frustrating, because... | 0:17:32 | 0:17:35 | |
..there is not a lot you can do without power, | 0:17:37 | 0:17:40 | |
but, fortunately, we do have gas. | 0:17:40 | 0:17:42 | |
I am trying to build a new shed/house | 0:17:42 | 0:17:48 | |
for my dad to come and live in | 0:17:48 | 0:17:51 | |
and it is running about three and a half weeks late at the moment. | 0:17:51 | 0:17:55 | |
'I wonder why Brett is doing this. | 0:17:55 | 0:17:59 | |
'Is it to look after his childhood carer?' | 0:18:00 | 0:18:03 | |
Right, you want to spin around on the chair first? | 0:18:05 | 0:18:09 | |
Better ask your friend first. | 0:18:09 | 0:18:11 | |
You've been a good lad so we'll give you a good swing. | 0:18:11 | 0:18:14 | |
I'm going round... | 0:18:14 | 0:18:18 | |
Dad and I speak every morning on the phone, you know, | 0:18:19 | 0:18:23 | |
and we are very much a part of each other's lives in a lot of aspects | 0:18:23 | 0:18:27 | |
and, you know, we talk to each other often, two or three times a day, | 0:18:27 | 0:18:32 | |
what's going on and what's happening. | 0:18:32 | 0:18:35 | |
And it's good. I am looking forward to having him here, | 0:18:35 | 0:18:38 | |
having three generations of Nielsen blokes under the same roof. | 0:18:38 | 0:18:41 | |
I think that'll be fantastic! | 0:18:41 | 0:18:44 | |
'Given how full Brett's life is already, | 0:18:44 | 0:18:47 | |
'it's surprising he wants to take on looking after his ailing dad as well. | 0:18:47 | 0:18:51 | |
'Peter lives in north Sydney on his own, | 0:18:51 | 0:18:53 | |
'but close to his two other sons.' | 0:18:53 | 0:18:55 | |
A couple of years ago, he had a heart attack and fell over | 0:18:55 | 0:18:59 | |
and he broke both his arms and I was the one who went | 0:18:59 | 0:19:03 | |
and looked after him, which I thought was quite ironic. | 0:19:03 | 0:19:06 | |
You know, hang out and help him get dressed | 0:19:06 | 0:19:10 | |
and turn the shower on and cook and rah-rah-rah-rah-rah | 0:19:10 | 0:19:15 | |
and company and all of that sort of stuff, so to me, he looks like | 0:19:15 | 0:19:21 | |
he needs a bit of a hand, so to speak, | 0:19:21 | 0:19:24 | |
and I just figure that he can probably live a much better life | 0:19:24 | 0:19:30 | |
living up here with me than he can living by himself in Sydney | 0:19:30 | 0:19:34 | |
with my brothers a mere 5km away. | 0:19:34 | 0:19:37 | |
But, anyway, we won't go into that. | 0:19:37 | 0:19:39 | |
I don't think anybody likes being told what they should do. | 0:19:39 | 0:19:44 | |
I am concerned about it | 0:19:44 | 0:19:46 | |
because it is costing a bloody lot of money | 0:19:46 | 0:19:50 | |
and I don't want the feeling that I've actually disappointed him | 0:19:50 | 0:19:58 | |
or done anything... But I have access to various doctors down here, | 0:19:58 | 0:20:03 | |
which I wouldn't have access. | 0:20:03 | 0:20:05 | |
Brett says it is only half an hour up the road to the Gold Coast, | 0:20:05 | 0:20:11 | |
but I don't particularly want to go to the bloody Gold Coast | 0:20:11 | 0:20:14 | |
every second day or so to see some doctor, and that's it. | 0:20:14 | 0:20:20 | |
'I don't know how he is going to make up his decision. | 0:20:20 | 0:20:22 | |
'I don't know what different items he has to put into the mix | 0:20:22 | 0:20:26 | |
'to try and decide,' | 0:20:26 | 0:20:29 | |
so he may or may not... I think part of him... | 0:20:29 | 0:20:34 | |
The trouble to move may be greater than the benefit of actually moving. | 0:20:34 | 0:20:38 | |
I keep putting it to the back of my mind, you know. It's a dilemma. | 0:20:38 | 0:20:43 | |
I feel Brett's trying to force him into accepting the fact | 0:20:43 | 0:20:47 | |
that he's built this thing just for Dad | 0:20:47 | 0:20:49 | |
and I think that's wrong. Dad's his own person. He's got his own mind, | 0:20:49 | 0:20:53 | |
he's always done his own thing. | 0:20:53 | 0:20:55 | |
I understand where Brett's coming from, but I don't see that working. | 0:20:55 | 0:20:58 | |
And Brett does not see our point of view. | 0:20:58 | 0:21:01 | |
So, sorry, Brett, I don't want him to go. | 0:21:01 | 0:21:05 | |
All the Nielsens seem to have strong opinions. | 0:21:07 | 0:21:10 | |
Brett's decision to abandon artificial arms so young | 0:21:10 | 0:21:13 | |
was a declaration of independence. | 0:21:13 | 0:21:15 | |
But if he couldn't support himself, | 0:21:15 | 0:21:17 | |
he could need lifelong financial help from his parents. | 0:21:17 | 0:21:21 | |
That was the argument 62 British families used to win a six-year fight | 0:21:22 | 0:21:26 | |
for compensation from Distillers, | 0:21:26 | 0:21:29 | |
the company that licensed thalidomide in Britain and the Commonwealth. | 0:21:29 | 0:21:33 | |
The firm which sold the thalidomide drug in Britain | 0:21:33 | 0:21:36 | |
has offered to pay £20 million. | 0:21:36 | 0:21:38 | |
It will go to more than 300 children born deformed | 0:21:38 | 0:21:41 | |
because their mothers took the drug | 0:21:41 | 0:21:43 | |
on doctors' orders when they were pregnant. | 0:21:43 | 0:21:45 | |
Distillers also paid modest compensation | 0:21:45 | 0:21:48 | |
to 36 Australian children, including Brett. | 0:21:48 | 0:21:52 | |
But it went into a trust fund | 0:21:52 | 0:21:53 | |
that he could only access a decade later, when he was 25. | 0:21:53 | 0:21:57 | |
In Sydney, that meant both Nielsens had to work all hours | 0:21:57 | 0:22:01 | |
to send the teenage Brett to boarding school. | 0:22:01 | 0:22:04 | |
It must have been his next big test. | 0:22:04 | 0:22:06 | |
I want to know how he survived with hundreds of adolescent boys. | 0:22:09 | 0:22:12 | |
To find out, I have come three hours west of Sydney | 0:22:15 | 0:22:17 | |
to Scots School in Bathurst - now co-ed. | 0:22:17 | 0:22:20 | |
I thought it would be a very good thing for the school | 0:22:23 | 0:22:28 | |
to have Brett with us | 0:22:28 | 0:22:30 | |
and his father was terribly anxious that he should be a normal boy, | 0:22:30 | 0:22:36 | |
and he was to all intents and purposes, | 0:22:36 | 0:22:40 | |
though very confident and very competent - | 0:22:40 | 0:22:45 | |
an interesting child. | 0:22:45 | 0:22:48 | |
He used to walk around... He was a bit cocky with that, | 0:22:48 | 0:22:51 | |
I don't know how he got away with it, | 0:22:51 | 0:22:53 | |
but he used to have the smokes in his top pocket | 0:22:53 | 0:22:55 | |
and I remember him flicking it out and just pulling one out. | 0:22:55 | 0:22:58 | |
He'd have a lighter or matches, whatever. Incredible. | 0:22:58 | 0:23:03 | |
I had been caught smoking in town, in a cafe, | 0:23:03 | 0:23:07 | |
and before he wrapped the cane around me, | 0:23:07 | 0:23:10 | |
he said, "What the hell did you think you were doing?" | 0:23:10 | 0:23:13 | |
And I apparently said, "Well, I didn't think anyone would notice." | 0:23:13 | 0:23:16 | |
"You're sitting in a cafe smoking a cigarette with your feet | 0:23:20 | 0:23:24 | |
"and you didn't think anyone would notice?!" | 0:23:24 | 0:23:26 | |
And you also said that you couldn't be caned | 0:23:26 | 0:23:30 | |
because it was against the law. | 0:23:30 | 0:23:32 | |
That was at the state school, | 0:23:32 | 0:23:35 | |
because they caned everyone on the hand, but at boarding school, | 0:23:35 | 0:23:38 | |
they'd wrap the cane around everyone's arse | 0:23:38 | 0:23:40 | |
and I had one of them so...damn. | 0:23:40 | 0:23:44 | |
We also had another situation. | 0:23:44 | 0:23:46 | |
He and another boy were going to have a fight. | 0:23:46 | 0:23:49 | |
They had a fight, Brett won - that didn't do Brett any harm at all. | 0:23:49 | 0:23:54 | |
He grew in the estimation of a lot of the boys in the school. | 0:23:54 | 0:23:59 | |
Anyone said anything wrong, he'd get stuck into them. | 0:23:59 | 0:24:03 | |
He could look after himself. | 0:24:03 | 0:24:04 | |
He could kick you quicker than someone could punch, basically, | 0:24:04 | 0:24:08 | |
he was phenomenally quick on his feet | 0:24:08 | 0:24:10 | |
and he could really defend himself. | 0:24:10 | 0:24:13 | |
We were told, you know, "Look after your brothers," | 0:24:13 | 0:24:15 | |
but that went for the other two looking after me too | 0:24:15 | 0:24:18 | |
if I got into a scrap, and Brett has come to my aid as well, too. | 0:24:18 | 0:24:21 | |
I got picked on at Pittwater High and Brett just walked up, | 0:24:21 | 0:24:25 | |
dunked his satchel off his shoulder and kicked the shit out of someone. | 0:24:25 | 0:24:28 | |
Left hand, under there... Tight into your shoulder. | 0:24:28 | 0:24:33 | |
All right? | 0:24:33 | 0:24:36 | |
Lock it in, | 0:24:36 | 0:24:38 | |
swing your other arm through... Lose it or eat it. | 0:24:38 | 0:24:40 | |
'I didn't enjoy school. I didn't enjoy boarding school at all.' | 0:24:40 | 0:24:44 | |
I was always on the outer. The whole school was either involved | 0:24:44 | 0:24:49 | |
in the school cadets marching around with .303s | 0:24:49 | 0:24:53 | |
or in the bagpipe band, and, you know, saying about, | 0:24:53 | 0:24:57 | |
as much as I loved music, the idea of me marching playing bagpipes | 0:24:57 | 0:25:01 | |
just didn't seem like a great career move, | 0:25:01 | 0:25:03 | |
and the army insisted that the rifle be held with both hands, | 0:25:03 | 0:25:07 | |
so, you know, I sort of spent a lot of time just doing my own thing. | 0:25:07 | 0:25:12 | |
Left, left, left, right, left... | 0:25:12 | 0:25:16 | |
Brett left school at 15 to become an intern at the local radio station. | 0:25:16 | 0:25:20 | |
It was a job that would change his life. | 0:25:21 | 0:25:24 | |
Bit of solid gold | 0:25:24 | 0:25:25 | |
from Creedence Clearwater Revival - I Put A Spell On You. | 0:25:25 | 0:25:29 | |
10 past 12 now from 2MBS-FM. | 0:25:29 | 0:25:31 | |
'I found kids like that who were determined' | 0:25:31 | 0:25:35 | |
not to allow their disability to become a handicap | 0:25:35 | 0:25:40 | |
and they worked harder and tried harder | 0:25:40 | 0:25:43 | |
and once they got to the normal level of competency, | 0:25:43 | 0:25:46 | |
they didn't stop trying. | 0:25:46 | 0:25:48 | |
He came to us from Scots School | 0:25:48 | 0:25:50 | |
and they said, "Look, he has an interest in production and music. | 0:25:50 | 0:25:54 | |
"He plays piano and he would love to come in | 0:25:54 | 0:25:58 | |
"and do some work experience," | 0:25:58 | 0:26:00 | |
and we just... With a view to perhaps getting a career in radio, | 0:26:00 | 0:26:04 | |
and I think learning the production and giving him the skills, | 0:26:04 | 0:26:08 | |
which Brett just then ran with, | 0:26:08 | 0:26:10 | |
because he ran his own production company, didn't he? | 0:26:10 | 0:26:13 | |
-And... -He still does. | 0:26:13 | 0:26:15 | |
HE PLAYS PIANO | 0:26:15 | 0:26:18 | |
# See that old man in the street | 0:26:18 | 0:26:21 | |
# Asked me why I wore no shoes upon my feet... # | 0:26:21 | 0:26:25 | |
'My neighbour had a piano and I used to go and annoy them, | 0:26:25 | 0:26:31 | |
'often playing their piano and mucking around with it, | 0:26:31 | 0:26:34 | |
'and then when I was still at school, | 0:26:34 | 0:26:37 | |
'a fella taught me basic chord structure' | 0:26:37 | 0:26:39 | |
and so with that I sort of started working out | 0:26:39 | 0:26:42 | |
how to get my feet around playing chords. | 0:26:42 | 0:26:46 | |
# People like to think they know who they are | 0:26:46 | 0:26:52 | |
# Too many trying to copy a star | 0:26:52 | 0:26:57 | |
# Aaaaaaah, aaaaaaah... # | 0:26:57 | 0:27:03 | |
'I started writing songs, | 0:27:03 | 0:27:05 | |
'because it seemed to be something | 0:27:05 | 0:27:08 | |
'which was interesting me at the time, | 0:27:08 | 0:27:10 | |
'because I had a lot of spare time at boarding school, | 0:27:10 | 0:27:13 | |
'and I starting bashing away on a piano | 0:27:13 | 0:27:17 | |
'and decided I was going to become a songwriter, | 0:27:17 | 0:27:20 | |
'so that's what started off trying to write songs | 0:27:20 | 0:27:24 | |
'and just sort of has progressed ever since then.' | 0:27:24 | 0:27:28 | |
Singing and playing his own songs took him into local clubs. | 0:27:34 | 0:27:39 | |
I ran a restaurant in Byron Bay in Johnson Street | 0:27:39 | 0:27:44 | |
and we decided to put on some entertainment. | 0:27:44 | 0:27:47 | |
# There is a house in New Orleans... # | 0:27:47 | 0:27:53 | |
And Brett approached us one day to come and play there and we said, | 0:27:53 | 0:27:57 | |
"Yeah, this is unusual, but, yeah, give us a go." | 0:27:57 | 0:28:01 | |
He was very good. I mean, on stage he was very entertaining. | 0:28:01 | 0:28:05 | |
We had people coming back basically just to see him | 0:28:05 | 0:28:08 | |
and he had quite a good following, actually. | 0:28:08 | 0:28:12 | |
Love of music also brought Brett his first wife, Lydia. | 0:28:12 | 0:28:16 | |
She was 27, Brett was 19. | 0:28:16 | 0:28:18 | |
A mutual friend introduced us whilst we were at the function. | 0:28:18 | 0:28:22 | |
She said, "You would love to meet Brett," | 0:28:22 | 0:28:26 | |
and I went, "Oh, yeah, OK," so I met Brett | 0:28:26 | 0:28:28 | |
and I didn't even realise that he was in any way unique or different, | 0:28:28 | 0:28:32 | |
I just thought he was standing in a crowd of people. | 0:28:32 | 0:28:35 | |
And we were just chatting away and we started to talk about music | 0:28:35 | 0:28:39 | |
and playing piano and I casually mentioned | 0:28:39 | 0:28:42 | |
that there was a piano at the house where I was staying | 0:28:42 | 0:28:45 | |
and he said, "Let's go, let's go! | 0:28:45 | 0:28:47 | |
"I want to play you my songs, I want to play you my songs," | 0:28:47 | 0:28:50 | |
and I went, "Oh, all right," off we'd trot, | 0:28:50 | 0:28:52 | |
and we spent the whole night just listening to music, | 0:28:52 | 0:28:55 | |
to each other's songs. | 0:28:55 | 0:28:56 | |
I think of my time with Brett as the best years of my life. | 0:28:58 | 0:29:02 | |
We had a ball, we had an absolute ball. | 0:29:02 | 0:29:05 | |
OK, in the early days, we had very little. | 0:29:05 | 0:29:07 | |
We had the house and that was about it | 0:29:07 | 0:29:09 | |
and we slowly pieced it together and made it into a beautiful house | 0:29:09 | 0:29:12 | |
and we got the gardens happening, we got the studio built, | 0:29:12 | 0:29:16 | |
we did the music and we got into stuff | 0:29:16 | 0:29:18 | |
and we were energetic and we did things. | 0:29:18 | 0:29:21 | |
And that's when you're in your 30s, you do those things, | 0:29:21 | 0:29:23 | |
and we did those things, it was our 30s, | 0:29:23 | 0:29:25 | |
it was our, you know, our prime time. | 0:29:25 | 0:29:27 | |
Brett's studio was the key to a successful recording business, | 0:29:27 | 0:29:32 | |
including producing nine CDs of his own relaxation music | 0:29:32 | 0:29:36 | |
that sold over 120,000 copies. | 0:29:36 | 0:29:38 | |
Oh, look at that! | 0:29:40 | 0:29:42 | |
'Brett's latest project is an album that began 27 years ago | 0:29:44 | 0:29:47 | |
'and was never released. | 0:29:47 | 0:29:49 | |
'It is a collection of mostly his own songs called Pigs In Space.' | 0:29:49 | 0:29:52 | |
# Here we go again One, two, three | 0:29:52 | 0:29:55 | |
# Do you want to come and join in the dance with me? # | 0:29:55 | 0:29:58 | |
Why did it take 27 years to finish Pigs In Space? | 0:29:58 | 0:30:01 | |
I recorded all of those songs | 0:30:01 | 0:30:03 | |
and a whole bunch more and then I mixed them | 0:30:03 | 0:30:08 | |
on two or three different occasions | 0:30:08 | 0:30:11 | |
and I was never quite happy with the product at the end of it | 0:30:11 | 0:30:17 | |
and never quite happy to release that, | 0:30:17 | 0:30:20 | |
and then decided we wanted to finish the Pigs In Space project | 0:30:20 | 0:30:24 | |
and that is what we did. | 0:30:24 | 0:30:26 | |
# Roses are red and violets are blue | 0:30:26 | 0:30:28 | |
# Nobody does it for me like you do... # | 0:30:28 | 0:30:34 | |
When did you stop singing publicly? | 0:30:36 | 0:30:37 | |
In 1981, I stopped singing publicly. | 0:30:37 | 0:30:42 | |
It was the International Year of the Disabled | 0:30:42 | 0:30:44 | |
and I didn't want anyone to get the wrong impression. | 0:30:44 | 0:30:48 | |
What was the wrong impression? | 0:30:50 | 0:30:52 | |
Well, I don't know, that it was something to do | 0:30:52 | 0:30:54 | |
with the Year of the Disabled, you know, | 0:30:54 | 0:30:56 | |
I just didn't want to be a part of it. | 0:30:56 | 0:30:59 | |
# Bend the ending, bend the start | 0:31:01 | 0:31:03 | |
# Nothing's worth it when you've lost your heart | 0:31:03 | 0:31:07 | |
# Grandpa once said to me | 0:31:10 | 0:31:12 | |
# "Boy, you've gotta let your spirit go free"... # | 0:31:12 | 0:31:16 | |
'Brett's impressive lifestyle contrasts sharply | 0:31:18 | 0:31:21 | |
'with other surviving thalidomide victims around the world. | 0:31:21 | 0:31:24 | |
'They have struggled all their lives to win compensation | 0:31:24 | 0:31:27 | |
'against fierce corporate resistance. | 0:31:27 | 0:31:31 | |
'Although Brett gained from the settlements, | 0:31:31 | 0:31:33 | |
'he kept working and avoided the treadmill of legal campaigns, | 0:31:33 | 0:31:37 | |
'preferring the company of family and friends instead.' | 0:31:37 | 0:31:41 | |
I think it all starts from the back yard, really, and I figure | 0:31:41 | 0:31:45 | |
if my little world has integrity and all the rest of it, | 0:31:45 | 0:31:49 | |
that it can flow out from there, | 0:31:49 | 0:31:51 | |
so that is sort of what I mainly concentrate on. | 0:31:51 | 0:31:53 | |
I was also thinking about you not wanting to be seen as a whinger. | 0:31:53 | 0:31:59 | |
What does it mean to be a whinger, when there is a really good cause? | 0:31:59 | 0:32:03 | |
Whingeing, to me, is sort of where one's got the attitude | 0:32:05 | 0:32:09 | |
that the world owes them a living | 0:32:09 | 0:32:11 | |
and I don't believe the world owes anyone a living. | 0:32:11 | 0:32:14 | |
I think everyone needs to get up and get happening | 0:32:14 | 0:32:17 | |
and do the stuff they have got to do. | 0:32:17 | 0:32:19 | |
Whingeing in the Nielsen family is strictly taboo. | 0:32:21 | 0:32:25 | |
Brett's mother died last year, | 0:32:25 | 0:32:27 | |
but her influence still prevails throughout the family. | 0:32:27 | 0:32:31 | |
You could never, ever complain about anything with Grandma, | 0:32:31 | 0:32:34 | |
cos she would shut you down. | 0:32:34 | 0:32:35 | |
So, yeah, I definitely think the no whingeing comes from Grandma. | 0:32:37 | 0:32:40 | |
You could rip off Mum's arm and she would say, | 0:32:40 | 0:32:43 | |
"Just put a Band-Aid on it, I have got other stuff to do". | 0:32:43 | 0:32:45 | |
She really was like that, she was unbelievable. | 0:32:45 | 0:32:47 | |
-BARBARA NIELSEN: -I used to get so annoyed when he would ask me... | 0:32:47 | 0:32:50 | |
not ask, DEMAND that I should do this and do that | 0:32:50 | 0:32:55 | |
and he would scream so much, | 0:32:55 | 0:32:57 | |
but because the child was so handicapped, | 0:32:57 | 0:33:01 | |
it seemed even worse to me to feel resentful. | 0:33:01 | 0:33:06 | |
-NARRATOR: -Brett's mother realised that her resentment | 0:33:10 | 0:33:12 | |
was normal for a young woman with two other children, | 0:33:12 | 0:33:14 | |
and so stopped giving in to him automatically, | 0:33:14 | 0:33:18 | |
but she also saw that Brett was not just crying for help - | 0:33:18 | 0:33:21 | |
he was crying for more independence. | 0:33:21 | 0:33:25 | |
MOTOR STARTS | 0:33:25 | 0:33:28 | |
'I can see Barbara's influence on the way Brett has lived his life. | 0:33:30 | 0:33:34 | |
'As well as marketing the studio, he bought a small bulldozer | 0:33:34 | 0:33:37 | |
'and worked on building sites locally for 27 years. | 0:33:37 | 0:33:42 | |
'It was a high-risk venture, both financially and physically.' | 0:33:42 | 0:33:45 | |
It is a bit of a career jump. | 0:33:48 | 0:33:50 | |
It is not like, "The natural progression of my radio career | 0:33:50 | 0:33:53 | |
"is to go and buy a tractor." | 0:33:53 | 0:33:54 | |
No, it's not, but I mean, you know, | 0:33:54 | 0:33:59 | |
I like driving things, you know that, | 0:33:59 | 0:34:01 | |
and I needed to earn some sort of an income somehow | 0:34:01 | 0:34:05 | |
and nothing much was really jumping out, | 0:34:05 | 0:34:09 | |
so earth moving seemed like a really good idea. | 0:34:09 | 0:34:12 | |
'Brett's willingness to take risks | 0:34:15 | 0:34:17 | |
'to become independent showed in his teens. | 0:34:17 | 0:34:20 | |
'With money from a serious bicycle accident, | 0:34:20 | 0:34:22 | |
'he bought a flat in Sydney, and then traded it in for a house | 0:34:22 | 0:34:25 | |
'that he still lives in 37 years later. | 0:34:25 | 0:34:29 | |
'He was just 19.' | 0:34:29 | 0:34:31 | |
I came for a holiday up this way | 0:34:31 | 0:34:32 | |
and came to visit some friends who were living here. | 0:34:32 | 0:34:36 | |
And I said, "This is such a great place," | 0:34:36 | 0:34:38 | |
and they said, "Yeah, it's such a bummer it's up for sale." | 0:34:38 | 0:34:41 | |
BRETT LAUGHS | 0:34:41 | 0:34:43 | |
So I went and put a 50 holding deposit on it, | 0:34:43 | 0:34:46 | |
down at the local real estate | 0:34:46 | 0:34:47 | |
and went home and sold the other place and bought this one. | 0:34:47 | 0:34:51 | |
14 years later at 33, | 0:34:58 | 0:35:00 | |
Brett's independence and fearless way of living | 0:35:00 | 0:35:04 | |
were threatened by a near-fatal car accident. | 0:35:04 | 0:35:07 | |
-Look at this, Dad. -Oh, my God! | 0:35:12 | 0:35:15 | |
It was an F100. | 0:35:15 | 0:35:18 | |
And it was a very, very big accident, | 0:35:18 | 0:35:21 | |
where a person in a Volvo couldn't drive very well | 0:35:21 | 0:35:25 | |
and lost control of their car and crashed into me. | 0:35:25 | 0:35:29 | |
I smashed 16 teeth, lip got severed right up into my nostril, | 0:35:29 | 0:35:36 | |
broke my nose, stitches in my eye, broke my left leg, | 0:35:36 | 0:35:40 | |
couple of toes in my right foot had broke as well | 0:35:40 | 0:35:43 | |
and it was a bit like having broken arms and legs - I couldn't walk, | 0:35:43 | 0:35:46 | |
I couldn't hold a cup, I couldn't hold a cigarette, | 0:35:46 | 0:35:49 | |
I couldn't do anything, | 0:35:49 | 0:35:51 | |
and my wife had left a couple of months earlier. Damn, damn, damn! | 0:35:51 | 0:35:55 | |
Were you angry? How did you feel about the other driver? | 0:35:55 | 0:35:59 | |
I thought he was a bit of a clown | 0:35:59 | 0:36:02 | |
for not being able to drive his car very well, | 0:36:02 | 0:36:04 | |
but, you know, accidents happen! | 0:36:04 | 0:36:07 | |
Did it make you cross? | 0:36:07 | 0:36:09 | |
Cross - no. No, I don't think I was cross, | 0:36:09 | 0:36:13 | |
it was more frustrated, | 0:36:13 | 0:36:15 | |
because not being able to walk or anything, | 0:36:15 | 0:36:18 | |
it was just very, very difficult to get around. | 0:36:18 | 0:36:21 | |
And, you know, a wheelchair? | 0:36:21 | 0:36:23 | |
"How are you going to go in the wheelchair, Brett?" | 0:36:23 | 0:36:25 | |
"Badly!" You know? | 0:36:25 | 0:36:27 | |
Crutches? No! | 0:36:28 | 0:36:29 | |
And on and on it went, | 0:36:29 | 0:36:31 | |
so I had to rely on friends more than anything | 0:36:31 | 0:36:35 | |
for the better part of a month | 0:36:35 | 0:36:37 | |
to do everything, which was, you know, terrible. | 0:36:37 | 0:36:41 | |
Terrible. | 0:36:41 | 0:36:42 | |
'I am finding it hard to grasp how calmly | 0:36:45 | 0:36:47 | |
'Brett seems to deal with adversity. | 0:36:47 | 0:36:49 | |
'If he wasn't angry at someone who almost killed him, | 0:36:49 | 0:36:52 | |
'surely he must feel strongly about the scandal of thalidomide | 0:36:52 | 0:36:55 | |
'and the German company who made it, Grunenthal.' | 0:36:55 | 0:36:58 | |
'I've seen him cross with people,' | 0:36:58 | 0:37:00 | |
but I wouldn't say Brett's actually got a temper. | 0:37:00 | 0:37:05 | |
I don't see him as that... | 0:37:05 | 0:37:07 | |
He can be very cutting with the wit. | 0:37:07 | 0:37:11 | |
CHEERING AND APPLAUSE | 0:37:11 | 0:37:13 | |
I think that's what gives him the ability | 0:37:13 | 0:37:17 | |
to do such great motivational speaking. | 0:37:17 | 0:37:19 | |
The feet thing has never really been an issue. | 0:37:19 | 0:37:22 | |
It's whatever you are used to as you grow up. | 0:37:22 | 0:37:25 | |
I was with my daughter one day, who was two or three at the time, | 0:37:26 | 0:37:30 | |
and she said, "Look, Dad, there's a man playing piano with his hands." | 0:37:30 | 0:37:35 | |
LAUGHTER AND APPLAUSE | 0:37:35 | 0:37:38 | |
In his 30s, Brett turned his optimism and resilience | 0:37:38 | 0:37:41 | |
in the face of his situation... | 0:37:41 | 0:37:43 | |
"What a weirdo!" You know? | 0:37:43 | 0:37:45 | |
..into a third career as a motivational speaker. | 0:37:45 | 0:37:48 | |
He was in demand all over Australia. | 0:37:48 | 0:37:50 | |
He joked about his lack of arms, | 0:37:50 | 0:37:52 | |
but stayed clear of thalidomide politics. | 0:37:52 | 0:37:54 | |
As we close, if I was to share some insights about life | 0:37:54 | 0:37:57 | |
which I consider to be important, it would be these few things. | 0:37:57 | 0:38:01 | |
The first is personal responsibility - | 0:38:03 | 0:38:05 | |
my parents made no special modifications to our home | 0:38:05 | 0:38:08 | |
as they felt that I should adapt to the world | 0:38:08 | 0:38:11 | |
and not expect the world to adapt to me. | 0:38:11 | 0:38:14 | |
Be kind to yourself, recognise your achievements, | 0:38:15 | 0:38:20 | |
listen to your heart and follow your dreams. | 0:38:20 | 0:38:24 | |
Look around and see the beauty in simplicity. | 0:38:24 | 0:38:28 | |
Work hard at whatever is in front of you | 0:38:28 | 0:38:32 | |
and know in your bones that you can do anything. | 0:38:32 | 0:38:36 | |
And, finally, it doesn't matter what happens to you in your life, | 0:38:37 | 0:38:41 | |
it matters how you deal with it. | 0:38:41 | 0:38:43 | |
Ladies and gentlemen, thank you so much, good night. | 0:38:43 | 0:38:46 | |
CHEERING | 0:38:46 | 0:38:50 | |
'Brett now follows those principles in his turn as a dad. | 0:38:50 | 0:38:53 | |
'He is a single parent to Pasha | 0:38:53 | 0:38:56 | |
'and to Jack, whom he looks after four days a week.' | 0:38:56 | 0:38:59 | |
He is my number one support system. | 0:38:59 | 0:39:02 | |
He's great. He really supports me with anything I do. | 0:39:03 | 0:39:08 | |
He's a great dad. | 0:39:08 | 0:39:10 | |
'Someone once said to me that having a child | 0:39:12 | 0:39:14 | |
'is the greatest love affair of your life | 0:39:14 | 0:39:17 | |
'and I think it is, you know, I love the kids, | 0:39:17 | 0:39:19 | |
'and no-one makes me laugh as much as Jack does. | 0:39:19 | 0:39:23 | |
'He is just hilarious, you know, constantly. | 0:39:23 | 0:39:26 | |
'We have a crazy time together | 0:39:26 | 0:39:27 | |
'and, you know, we do lots of stuff together, | 0:39:27 | 0:39:30 | |
'we cook together every night and all of that sort of stuff, | 0:39:30 | 0:39:33 | |
'just hang out. It's great.' | 0:39:33 | 0:39:36 | |
Here's Jack. | 0:39:36 | 0:39:37 | |
-Hi, Jack. How are you, darling? -Good. How are you? | 0:39:40 | 0:39:44 | |
-Good. How was your day? -It was pretty good. -Yeah? | 0:39:44 | 0:39:48 | |
He has always been Dad. You know how Dad is. | 0:39:52 | 0:39:55 | |
Dad - the man of the house, Dad cooks dinner, | 0:39:55 | 0:39:59 | |
I help, you know, that sort of thing. | 0:39:59 | 0:40:01 | |
But now I know how intense Dad's life has been, | 0:40:01 | 0:40:03 | |
I want to help more with him. that sort of stuff. | 0:40:03 | 0:40:06 | |
Another part of Brett's life has come into sharper focus. | 0:40:08 | 0:40:11 | |
He is increasingly concerned | 0:40:11 | 0:40:13 | |
by the behaviour of the makers of thalidomide, Grunenthal. | 0:40:13 | 0:40:17 | |
A few years ago, someone sent me an e-mail | 0:40:17 | 0:40:20 | |
about a book about thalidomide, | 0:40:20 | 0:40:22 | |
and I had never read any books about thalidomide. What for, you know? | 0:40:22 | 0:40:25 | |
The horse has already gone, | 0:40:25 | 0:40:27 | |
let's not bother shutting the gate now, you know. | 0:40:27 | 0:40:30 | |
And I must have been very bored the next day or something | 0:40:30 | 0:40:34 | |
because I went to the link | 0:40:34 | 0:40:36 | |
and sort of had a bit of a look at it, as you do, | 0:40:36 | 0:40:39 | |
and the entire front cover was a photo of me | 0:40:39 | 0:40:42 | |
and so I had to read the book after that. | 0:40:42 | 0:40:44 | |
Tell me more about the book | 0:40:44 | 0:40:45 | |
and what it made you feel at that point. | 0:40:45 | 0:40:47 | |
It made me feel quite incredulous | 0:40:50 | 0:40:51 | |
that the whole thing had actually happened... | 0:40:51 | 0:40:54 | |
..that, you know... | 0:40:55 | 0:40:57 | |
Yeah, this is just outrageous that people could carry on as they did. | 0:40:58 | 0:41:04 | |
Since the scandal broke in 1961, | 0:41:07 | 0:41:09 | |
Grunenthal has always denied responsibility. | 0:41:09 | 0:41:12 | |
In the late '60s, the German government took them to court | 0:41:12 | 0:41:15 | |
on behalf of the 5,000 German victims. | 0:41:15 | 0:41:19 | |
After years of bullying expert witnesses and victims, | 0:41:19 | 0:41:22 | |
the leading defence counsel became Minister of Justice. | 0:41:22 | 0:41:26 | |
After several secret meetings with the prosecutors, | 0:41:26 | 0:41:29 | |
the trial was stopped without a verdict, | 0:41:29 | 0:41:31 | |
but with fierce condemnation from the judges. | 0:41:31 | 0:41:33 | |
It took until 2012 for the new chief executive | 0:41:33 | 0:41:37 | |
to express regret to the victims | 0:41:37 | 0:41:40 | |
for what he called "50 years of silent shock". | 0:41:40 | 0:41:43 | |
The victims said they would rather have more money. | 0:41:43 | 0:41:46 | |
Brett has kept out of the fight until now. | 0:41:46 | 0:41:49 | |
What is the point in being anything with that situation? | 0:41:49 | 0:41:54 | |
I mean, there is absolutely nothing I can do to change it. Nothing. | 0:41:54 | 0:41:58 | |
You say it very calmly, you know what I mean? | 0:41:58 | 0:42:01 | |
There are people you could hate, you could hate them. | 0:42:01 | 0:42:07 | |
I would, I think I would. I don't know, what do the other victims feel? | 0:42:07 | 0:42:12 | |
Do they hate them? Because you are very special as a person, anyway. | 0:42:12 | 0:42:17 | |
Well, I don't know if they hate Grunenthal or whatever. | 0:42:17 | 0:42:21 | |
I mean, it seems a little bit sort of counterproductive | 0:42:21 | 0:42:24 | |
to hate them. I think they are a bunch of arseholes, | 0:42:24 | 0:42:29 | |
but I don't hate them, you know, I think the way | 0:42:29 | 0:42:32 | |
they went about what they did was absolutely outrageous, | 0:42:32 | 0:42:35 | |
-but, you know, it has already happened. -Sure. | 0:42:35 | 0:42:40 | |
So far better to make a statement | 0:42:40 | 0:42:45 | |
that makes them actually respond, I think that would be great. | 0:42:45 | 0:42:52 | |
'Brett's launch of his new CD offers him | 0:42:52 | 0:42:54 | |
'the chance to challenge Grunenthal. | 0:42:54 | 0:42:56 | |
'It has taken 27 years to complete the album.' | 0:42:56 | 0:42:59 | |
They have choreographed it to your... | 0:42:59 | 0:43:02 | |
'And even longer for him to take on the company that made thalidomide.' | 0:43:02 | 0:43:07 | |
Action! | 0:43:07 | 0:43:09 | |
'I want to do some videos to promote the album | 0:43:09 | 0:43:12 | |
'and as an added extra, I thought it would be really cool | 0:43:12 | 0:43:16 | |
'to make a statement about Grunenthal, | 0:43:16 | 0:43:19 | |
'and, you know, Grunenthal just haven't really done the right thing. | 0:43:19 | 0:43:22 | |
'It's just really, really wrong and I believe they should be held' | 0:43:22 | 0:43:26 | |
accountable for their actions | 0:43:26 | 0:43:28 | |
and for the products that they've produced. | 0:43:28 | 0:43:30 | |
And I am probably old enough now to talk about it, | 0:43:33 | 0:43:36 | |
whereas probably before I wasn't. You know, a bit young and silly. | 0:43:36 | 0:43:42 | |
I think this is beautiful, this tape. I love this stuff. | 0:43:42 | 0:43:44 | |
It is a bit American Gothic or something, isn't it? | 0:43:44 | 0:43:48 | |
Fantastic, well done! | 0:43:49 | 0:43:52 | |
'Brett has recently taken on a lot of responsibility - | 0:43:52 | 0:43:55 | |
'the album, two music videos, building a house for his dad | 0:43:55 | 0:43:58 | |
'and raising Jack on his own.' | 0:43:58 | 0:44:01 | |
-They're better than the white ones. -Really? -Yeah. | 0:44:01 | 0:44:05 | |
'Doing all this with no arms and very little help carries a major risk...' | 0:44:05 | 0:44:09 | |
Good morning, Brett, how are you? | 0:44:09 | 0:44:11 | |
'..that his body could suddenly let him down.' | 0:44:11 | 0:44:14 | |
-I am all set up for you. -Good on you. | 0:44:14 | 0:44:17 | |
Come in, make yourself comfy. I will be with you when you are ready. | 0:44:17 | 0:44:20 | |
It's not one of those sort of movies, it's a family show. | 0:44:21 | 0:44:25 | |
-That's right. Off you go. -OK. | 0:44:25 | 0:44:26 | |
I want to know from Peter, Brett's physio and close friend, | 0:44:28 | 0:44:31 | |
what is the long-term physical cost of Brett's remarkable independence? | 0:44:31 | 0:44:35 | |
Brett's, basically... Because of his disability, | 0:44:35 | 0:44:40 | |
he works with his legs a lot, | 0:44:40 | 0:44:42 | |
and there is obviously more wear and tear | 0:44:42 | 0:44:45 | |
in his pelvis, his legs, his knees, as there would be with other people, | 0:44:45 | 0:44:49 | |
so my focus is mainly on balancing the pelvis, straighten his hips, | 0:44:49 | 0:44:54 | |
keep his spine in good working order, and I work a lot on his feet | 0:44:54 | 0:44:58 | |
to make sure mobility remains good, | 0:44:58 | 0:45:02 | |
and, over the years, he has been pretty stable. | 0:45:02 | 0:45:06 | |
You have seen him in action! He's quite remarkable. | 0:45:06 | 0:45:11 | |
When I see him operate his hands, his feet, I am so impressed. | 0:45:15 | 0:45:23 | |
The joints in his, they are so much more mobile. | 0:45:23 | 0:45:27 | |
They are meant to do fine work. | 0:45:27 | 0:45:29 | |
The fine motor skills are much more developed in the hands. | 0:45:29 | 0:45:32 | |
But when I look at Brett's fine motor skills | 0:45:32 | 0:45:36 | |
that he uses with his feet, it is remarkable. | 0:45:36 | 0:45:39 | |
-How are you? -Good, how are you? -Good, thanks. -What's going on? | 0:45:39 | 0:45:44 | |
'Did Brett ever imagine having arms? | 0:45:44 | 0:45:47 | |
'Or feel phantom pain in the missing limbs?' | 0:45:47 | 0:45:49 | |
He told me this one story, | 0:45:49 | 0:45:52 | |
he was painting his house, painting up on the ceiling, | 0:45:52 | 0:45:56 | |
one foot had the paintbrush, one foot had the paint pot, | 0:45:56 | 0:46:00 | |
and he was sitting on the ladder, painting. | 0:46:00 | 0:46:03 | |
He fell over and he said the first and only time in his life, | 0:46:03 | 0:46:07 | |
he wanted to use hands to soften the fall, | 0:46:07 | 0:46:12 | |
but still no phantom pain, | 0:46:12 | 0:46:15 | |
but he said he had this feeling, | 0:46:15 | 0:46:18 | |
arms were growing in that second when he fell | 0:46:18 | 0:46:21 | |
to soften the fall, and I thought, "That is a remarkable experience". | 0:46:21 | 0:46:25 | |
'Brett's plan to move his father next door is on hold. | 0:46:32 | 0:46:36 | |
'The new house is months late with serious building problems. | 0:46:36 | 0:46:40 | |
'He shows them to his friend Trevor, a property developer. | 0:46:40 | 0:46:43 | |
'For a start, there are no handrails on the stairs or veranda - | 0:46:45 | 0:46:48 | |
'risky for a man with no arms | 0:46:48 | 0:46:50 | |
'and his 83-year-old father who has trouble walking.' | 0:46:50 | 0:46:53 | |
-Oh, gee. -It shouldn't be like that. | 0:46:53 | 0:46:58 | |
The other thing is that there is a beam running along here, | 0:46:58 | 0:47:01 | |
all the way along there, | 0:47:01 | 0:47:03 | |
all the way down the other side and it is not here. | 0:47:03 | 0:47:06 | |
There it is down there, but it's in the wrong place. | 0:47:08 | 0:47:12 | |
-I think so. -I am staggered they have done this to you, Brett. | 0:47:12 | 0:47:15 | |
They demanded full payment, last final payment before Christmas. | 0:47:15 | 0:47:20 | |
But they hadn't finished? | 0:47:21 | 0:47:23 | |
-They hadn't done very much by then at all. -I hate to have to say it, | 0:47:24 | 0:47:27 | |
but I think you have been taken advantage of in this circumstance. | 0:47:27 | 0:47:30 | |
I think I have, Trev. | 0:47:30 | 0:47:32 | |
'Yet again, Brett seems calm in the face of things that would have me | 0:47:32 | 0:47:36 | |
'climbing the wall, like Grunenthal or the construction problems.' | 0:47:36 | 0:47:42 | |
Brett doesn't show a lot of emotion outside, he is very controlled | 0:47:42 | 0:47:46 | |
and I think that also comes from the fact that when you are at school - | 0:47:46 | 0:47:50 | |
back to his schooling again - he would have had a lot | 0:47:50 | 0:47:53 | |
of cruel things said to him, I'm sure, | 0:47:53 | 0:47:56 | |
and he learned to insulate himself so not to show emotion | 0:47:56 | 0:47:59 | |
and I think that is where that would have come from. | 0:47:59 | 0:48:01 | |
'Helen found the same reaction when they were disturbed at a restaurant.' | 0:48:01 | 0:48:05 | |
We'd had a lovely evening, really nice evening, chattering away | 0:48:05 | 0:48:11 | |
and this drunk walked up | 0:48:11 | 0:48:13 | |
-and started just being loudmouthed, wasn't he? -He was. -Obnoxious. | 0:48:13 | 0:48:20 | |
He was fascinated by the situation | 0:48:20 | 0:48:22 | |
and couldn't help but to say something | 0:48:22 | 0:48:25 | |
and, in doing so, he was taking up our space, basically. | 0:48:25 | 0:48:31 | |
The way Brett deals with that, | 0:48:31 | 0:48:34 | |
I found that really extraordinary, | 0:48:34 | 0:48:36 | |
because I wanted to get out and snot them, | 0:48:36 | 0:48:41 | |
because that seemed fair and reasonable. | 0:48:41 | 0:48:45 | |
Losing control, I mean, if you, you know, | 0:48:45 | 0:48:47 | |
are telling someone to fuck off, essentially you have lost control. | 0:48:47 | 0:48:51 | |
-BARBARA NIELSEN: -Of course we felt sorry for him while he was young, | 0:48:51 | 0:48:55 | |
but as he grew older and was quite happy, | 0:48:55 | 0:48:59 | |
then there was no need to feel sorry. | 0:48:59 | 0:49:01 | |
Why should one feel sorry for a happy person? | 0:49:01 | 0:49:03 | |
'The family have seen the original film before, | 0:49:03 | 0:49:06 | |
'but I want to show it to them again to see if it sheds any light | 0:49:06 | 0:49:10 | |
'on what lies behind Brett's incredible composure.' | 0:49:10 | 0:49:12 | |
Don't touch it! DON'T! | 0:49:19 | 0:49:23 | |
-That was brutal! -He sees the world | 0:49:28 | 0:49:30 | |
not quite with rose-coloured glasses... | 0:49:30 | 0:49:33 | |
I'd say he deserved it, personally. | 0:49:33 | 0:49:36 | |
..but he thinks people are mostly very kind. | 0:49:36 | 0:49:39 | |
-Do you still believe that? -Yep. | 0:49:39 | 0:49:41 | |
'I do. I've always thought that, you know.' | 0:49:41 | 0:49:44 | |
I figure that mostly when I meet people for the first time, | 0:49:44 | 0:49:49 | |
they go into some sort of state of shock, basically. | 0:49:49 | 0:49:54 | |
And all of the layers of bullshit that everyone has up to impress | 0:49:54 | 0:49:59 | |
and whatever else is stripped off. | 0:49:59 | 0:50:02 | |
And I get to see the real person. | 0:50:02 | 0:50:04 | |
The Nielsens, like many other parents, had already been through | 0:50:04 | 0:50:08 | |
a frustrating series of hospital visits. | 0:50:08 | 0:50:10 | |
Thalidomide problems were new | 0:50:10 | 0:50:13 | |
and so complex that most doctors were caught unprepared. | 0:50:13 | 0:50:18 | |
It was a very intense time for me as a young child. | 0:50:18 | 0:50:21 | |
-Yeah. Really? -Shit, yeah. | 0:50:21 | 0:50:24 | |
Yeah, well, I spent three months in hospital and Mum and Dad came | 0:50:24 | 0:50:29 | |
and visited every Sunday cos it was 70 miles away or something, | 0:50:29 | 0:50:33 | |
once a week for a few hours sort of thing, and on and on it went, | 0:50:33 | 0:50:38 | |
so it was a lot of separation anxiety and stuff like that. | 0:50:38 | 0:50:41 | |
Oh, poor you! | 0:50:41 | 0:50:43 | |
It's just sad to watch it, it's really sad. | 0:50:43 | 0:50:48 | |
It's like Dad with no arms now isn't sad. That's just Dad, | 0:50:48 | 0:50:56 | |
but a child with no arms is really, really tragic. | 0:50:56 | 0:51:02 | |
Yeah, tough times. | 0:51:05 | 0:51:07 | |
Awww! | 0:51:07 | 0:51:09 | |
Yesterday, when we watched One Of Them Is Brett together, | 0:51:09 | 0:51:13 | |
last night, it sort of... | 0:51:13 | 0:51:15 | |
..it sort of stirred up a few things | 0:51:16 | 0:51:19 | |
and I sort of realised that there was a whole bunch of memories | 0:51:19 | 0:51:23 | |
or whatever about those times | 0:51:23 | 0:51:25 | |
that I had basically fairly successfully stood on | 0:51:25 | 0:51:30 | |
and, you know, repressed for 50 years, feeling a little bit | 0:51:30 | 0:51:34 | |
sort of abandoned, really, you know, and left in hospitals and whatnot | 0:51:34 | 0:51:40 | |
and I totally understand and realise | 0:51:40 | 0:51:42 | |
that my parents were doing the absolute best they could for me | 0:51:42 | 0:51:45 | |
cos they loved me so much and all of that sort of stuff. | 0:51:45 | 0:51:48 | |
But, you know, at the end of the day, | 0:51:48 | 0:51:51 | |
the feeling is still there of some sort of abandonment as a youngster. | 0:51:51 | 0:51:56 | |
I never knew that Brett spent three months | 0:52:03 | 0:52:05 | |
in hospital being fitted for arms, | 0:52:05 | 0:52:08 | |
largely on his own, at the age of three. | 0:52:08 | 0:52:12 | |
He had already lived through it by the time I filmed him a year later. | 0:52:12 | 0:52:15 | |
'With the house in limbo and his dad still undecided about the move, | 0:52:19 | 0:52:24 | |
'Brett turns his energy back to his album and the protest video.' | 0:52:24 | 0:52:27 | |
It's a tricky one because... | 0:52:27 | 0:52:29 | |
'Simon the director and his editor Julie | 0:52:29 | 0:52:31 | |
'have come to Brett's house to produce it.' | 0:52:31 | 0:52:34 | |
When was it actually banned? | 0:52:34 | 0:52:35 | |
It was released in October '57 and it was banned worldwide in '61. | 0:52:35 | 0:52:41 | |
In '61, right. I personally never realised the extent | 0:52:41 | 0:52:45 | |
to which Grunenthal were like, "Whoops!" | 0:52:45 | 0:52:47 | |
That seems to be their attitude. | 0:52:47 | 0:52:50 | |
-50 years is ridiculous. -Not really having been held accountable for it. | 0:52:50 | 0:52:54 | |
The other thing about Grunenthal is that the brothers, | 0:52:54 | 0:52:57 | |
the Wirtz brothers, who had it running, were Nazi Party members. | 0:52:57 | 0:53:05 | |
-Oh, God! -And the people who invented the drugs | 0:53:05 | 0:53:11 | |
and who worked for Grunenthal were all out of the camps. | 0:53:11 | 0:53:16 | |
They are all the doctors or whatever they were, | 0:53:16 | 0:53:19 | |
who were testing stuff and doing experiments on the Jews | 0:53:19 | 0:53:23 | |
and rah-rah-rah. They are the guys who invented thalidomide | 0:53:23 | 0:53:26 | |
and they are the guys who worked for Grunenthal. | 0:53:26 | 0:53:29 | |
That adds a very sinister dimension, doesn't it? | 0:53:29 | 0:53:31 | |
Well, it does and I just figure that no-one seems to have had | 0:53:31 | 0:53:35 | |
a great deal of success in doing anything with Grunenthal. | 0:53:35 | 0:53:40 | |
And I'd love to embarrass the bastards. | 0:53:40 | 0:53:42 | |
Really, really embarrass them. | 0:53:42 | 0:53:45 | |
'Brett going public about his feelings | 0:53:46 | 0:53:48 | |
'is another big step for him.' | 0:53:48 | 0:53:50 | |
I am not looking for money from Grunenthal for me, | 0:53:50 | 0:53:54 | |
I am really not, | 0:53:54 | 0:53:55 | |
but there's a lot of people who aren't in my position, | 0:53:55 | 0:54:00 | |
who haven't been as fortunate one way or another | 0:54:00 | 0:54:02 | |
with their ability to work or whatever it is. | 0:54:02 | 0:54:07 | |
And, you know, there's a whole lot of people out there | 0:54:07 | 0:54:13 | |
having a really shitty time, shitty, shitty time, and it's wrong. | 0:54:13 | 0:54:18 | |
And the second one for me. | 0:54:20 | 0:54:23 | |
'The protest video is Brett's way | 0:54:23 | 0:54:25 | |
'of finally joining the 50-year campaign | 0:54:25 | 0:54:27 | |
'against those who made the drug.' | 0:54:27 | 0:54:29 | |
Thalidomide. | 0:54:32 | 0:54:33 | |
Every woman must be aware | 0:54:33 | 0:54:34 | |
that it's most important that they do not take this drug. | 0:54:34 | 0:54:37 | |
We're looking at the very worst disaster inflicted by medicine. | 0:54:37 | 0:54:41 | |
# Isn't it a pity | 0:54:41 | 0:54:44 | |
# Isn't it a shame | 0:54:48 | 0:54:51 | |
# How we break each other's hearts | 0:54:53 | 0:54:57 | |
# And cause each other pain... # | 0:55:00 | 0:55:03 | |
Half a century after my film about a determined four-year-old, | 0:55:06 | 0:55:10 | |
I see a happy man driven by love - of his children, of his father, | 0:55:10 | 0:55:15 | |
who has now decided to move into the new house, | 0:55:15 | 0:55:18 | |
and now Helen. | 0:55:18 | 0:55:20 | |
Inspired by her, Brett is writing songs again | 0:55:20 | 0:55:23 | |
and he no longer hides his feelings about Grunenthal. | 0:55:23 | 0:55:26 | |
# Isn't it a pity? # | 0:55:26 | 0:55:30 | |
'It has been a privilege to share a small part | 0:55:30 | 0:55:33 | |
'of the journey of this extraordinary ordinary man.' | 0:55:33 | 0:55:36 | |
Years ago, I sat down and I was feeling miserable about something, | 0:55:37 | 0:55:40 | |
glum, as Helen would say, | 0:55:40 | 0:55:43 | |
and I sat down with a bit of paper and a pen | 0:55:43 | 0:55:47 | |
and I wrote down all of the things that I wanted in my life, you know, | 0:55:47 | 0:55:52 | |
sort of, you know, the most extreme things that I could think of, | 0:55:52 | 0:55:57 | |
and I wrote them all down and looked at it all | 0:55:57 | 0:55:59 | |
and went, "Ah, I've got them all." | 0:55:59 | 0:56:02 | |
You know, I want to live in a big house, have a view of a mountain, | 0:56:03 | 0:56:07 | |
live near the water, have a recording studio in the back yard. | 0:56:07 | 0:56:12 | |
I mean, really, you know, beautiful kids, girlfriend, dog. | 0:56:12 | 0:56:18 | |
# Now isn't it a shame... # | 0:56:20 | 0:56:23 | |
Researchers report that Thalidomide children continue to be born. | 0:56:23 | 0:56:27 | |
# How we break each other's hearts... # | 0:56:27 | 0:56:31 | |
What many saw as corporate greed at its worst... | 0:56:31 | 0:56:33 | |
# And cause each other pain | 0:56:33 | 0:56:37 | |
# How we take each other's love | 0:56:39 | 0:56:44 | |
# Without thinking any more... # | 0:56:46 | 0:56:49 | |
It's an absolute disgrace. | 0:56:49 | 0:56:51 | |
# Forgetting to give back | 0:56:53 | 0:56:58 | |
# Isn't it a pity? | 0:57:00 | 0:57:03 | |
# Forgetting to give back | 0:57:06 | 0:57:12 | |
# Isn't it a pity? | 0:57:12 | 0:57:16 | |
# Forgetting to give back | 0:57:19 | 0:57:24 | |
# Isn't it a pity? # | 0:57:26 | 0:57:30 |