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| Line | From | To | |
|---|---|---|---|
They crisscross Scotland, | 0:00:05 | 0:00:06 | |
cleaning in places where others fear to tread. | 0:00:06 | 0:00:09 | |
That man had been lying there for two months. | 0:00:09 | 0:00:12 | |
An all-girl biohazard team, led by Marie Fagan. | 0:00:12 | 0:00:16 | |
That's my beer goggles for the Christmas night out. | 0:00:16 | 0:00:19 | |
And her best friend, Lesley. | 0:00:19 | 0:00:22 | |
I always get the worst jobs because I'm so good. | 0:00:22 | 0:00:24 | |
Dressed to kill the most dangerous of germs. | 0:00:24 | 0:00:28 | |
The pee was actually just dripping right out of the mattress. | 0:00:28 | 0:00:31 | |
This is no ordinary job. | 0:00:31 | 0:00:33 | |
You get brain, you get skull, | 0:00:33 | 0:00:35 | |
a lot of people don't think with a shotgun, you've got the hair... | 0:00:35 | 0:00:39 | |
Running your own business isn't easy. | 0:00:39 | 0:00:42 | |
Same shit. | 0:00:42 | 0:00:44 | |
No paid. Went to the bank today, hunners of money to pay out. | 0:00:44 | 0:00:46 | |
Getting fed up with it. | 0:00:46 | 0:00:49 | |
Daughter Rhiannon is the apprentice. | 0:00:49 | 0:00:52 | |
Can she swap spray tans for scrubbing body fluids? | 0:00:52 | 0:00:56 | |
That's all shit, all shit. | 0:00:56 | 0:00:58 | |
That's all sewage. | 0:00:58 | 0:00:59 | |
Oh! | 0:00:59 | 0:01:01 | |
Meet Scotland's grime scene queens. | 0:01:01 | 0:01:04 | |
Moodiesburn, a residential suburb on the outskirts of Glasgow. | 0:01:20 | 0:01:25 | |
Home to Marie Fagan and her young family. | 0:01:25 | 0:01:27 | |
PHONE RINGS | 0:01:27 | 0:01:29 | |
Hello, how are you doing? | 0:01:29 | 0:01:31 | |
Yeah... | 0:01:31 | 0:01:33 | |
Marie runs a family cleaning business that does | 0:01:33 | 0:01:36 | |
everything from offices to building sites. | 0:01:36 | 0:01:39 | |
It was set up by her late father, Johnny. | 0:01:39 | 0:01:43 | |
Freddie Starr lookalike. | 0:01:43 | 0:01:45 | |
I still miss him. | 0:01:45 | 0:01:48 | |
After watching crime scene programmes on TV, | 0:01:48 | 0:01:52 | |
Marie saw a way to expand the business. | 0:01:52 | 0:01:55 | |
We used to watch CSI as a family and I would be sitting like... | 0:01:55 | 0:02:03 | |
"Oh...dad, there must be somebody that does this!" | 0:02:03 | 0:02:06 | |
And he was like, "No, no, no, no." | 0:02:06 | 0:02:08 | |
The recession hit with the normal cleaning company that we had | 0:02:08 | 0:02:12 | |
and I decided then I was going to take it forward | 0:02:12 | 0:02:15 | |
and that's what I've done. | 0:02:15 | 0:02:17 | |
We went and done all the training and stuff, like that, | 0:02:17 | 0:02:20 | |
and we went from there, basically. | 0:02:20 | 0:02:22 | |
PHONE RINGS | 0:02:22 | 0:02:24 | |
Marie is also qualified to tackle biohazards. | 0:02:24 | 0:02:28 | |
These are jobs that deal with everything from death scenes | 0:02:28 | 0:02:31 | |
to drug dens full of hypodermic needles. | 0:02:31 | 0:02:34 | |
We have to go to a mosque in Edinburgh. | 0:02:34 | 0:02:37 | |
Actually, I think it's builders that's in it at the minute. | 0:02:37 | 0:02:40 | |
It's getting a refurb, I believe. | 0:02:40 | 0:02:43 | |
Erm, there's been a sewage problem. | 0:02:43 | 0:02:46 | |
So... | 0:02:46 | 0:02:48 | |
We need to go and do a quote for cleaning up the sewage spill. | 0:02:48 | 0:02:51 | |
Mum... | 0:02:51 | 0:02:53 | |
Her eldest daughter, Rhiannon, works in the company | 0:02:53 | 0:02:57 | |
but she doesn't share her mum's passion for the job | 0:02:57 | 0:03:00 | |
and sticks to the general cleaning, albeit reluctantly. | 0:03:00 | 0:03:05 | |
Don't copy! | 0:03:05 | 0:03:07 | |
Piss off, you. | 0:03:07 | 0:03:09 | |
We fight like cat and dog, | 0:03:09 | 0:03:10 | |
she drives me insane because she doesn't listen. | 0:03:10 | 0:03:13 | |
Why do you do this to me? | 0:03:13 | 0:03:15 | |
And I'm... Argh! | 0:03:15 | 0:03:18 | |
She is going to get a fucking slap, I'm telling you. | 0:03:18 | 0:03:20 | |
But we do get on really well and she does enjoy it. | 0:03:20 | 0:03:23 | |
This is just pure cruelty to children, do you know that? | 0:03:23 | 0:03:26 | |
See if I was 15, I would report her. | 0:03:26 | 0:03:28 | |
She wants to be a singer, she wants to be a beauty therapist. | 0:03:28 | 0:03:32 | |
SHE LAUGHS | 0:03:32 | 0:03:33 | |
Is this just pick on Rhiannon day today? | 0:03:33 | 0:03:35 | |
I'm telling my fucking gran on you. | 0:03:35 | 0:03:37 | |
I'll get there first! | 0:03:37 | 0:03:39 | |
Despite the bickering, they are best friends. | 0:03:39 | 0:03:42 | |
So you and your mum were pregnant at the same time? | 0:03:42 | 0:03:46 | |
Yeah, I found out I was pregnant and then about two months later | 0:03:46 | 0:03:51 | |
my mum found out she was pregnant, as well. | 0:03:51 | 0:03:54 | |
It was a bit weird to start with but it was quite funny | 0:03:54 | 0:03:57 | |
because we could use each other for excuses to go out and eat junk food. | 0:03:57 | 0:04:02 | |
I had Aaron first and then six weeks later my mum had Kayden. | 0:04:02 | 0:04:05 | |
I was at T In The Park and she went into labour | 0:04:05 | 0:04:08 | |
and I had to leave David Guetta to come down. | 0:04:08 | 0:04:11 | |
Marie also works with her old school friend, Lesley. | 0:04:16 | 0:04:20 | |
THEY SING ALONG TO RADIO | 0:04:20 | 0:04:22 | |
# I've been through the desert with a horse with no name... # | 0:04:22 | 0:04:25 | |
SHE LAUGHS | 0:04:25 | 0:04:27 | |
Lesley is my manager. | 0:04:27 | 0:04:29 | |
We speak to each other daily, it's horrible if we don't speak in a day. | 0:04:29 | 0:04:32 | |
We get on fantastic. | 0:04:32 | 0:04:35 | |
Today they're off to clean for a woman | 0:04:37 | 0:04:39 | |
with chronic disorganisation issues | 0:04:39 | 0:04:42 | |
and attention deficit disorder. | 0:04:42 | 0:04:44 | |
She hasn't been able to clean her flat for years. | 0:04:44 | 0:04:46 | |
I like to start in the kitchen and then... | 0:04:50 | 0:04:55 | |
It's good for the clients to get their kitchen back. | 0:04:55 | 0:04:58 | |
It's a condition that they've got and the first thing I think of is, | 0:05:00 | 0:05:05 | |
"God, I need to help them. I need to get this place clear for them | 0:05:05 | 0:05:09 | |
"and give them some kind of quality life back again." | 0:05:09 | 0:05:12 | |
Marie and Lesley have been brought to the job by Linda, | 0:05:12 | 0:05:15 | |
the client's therapist. | 0:05:15 | 0:05:18 | |
I've got one more drawer to do | 0:05:18 | 0:05:20 | |
and then just really clean the floor and stuff. | 0:05:20 | 0:05:24 | |
It's really stressful living in a chaotic environment, | 0:05:24 | 0:05:28 | |
although one of the kind of results of ADHD is often that people | 0:05:28 | 0:05:32 | |
live in quite chaotic homes. | 0:05:32 | 0:05:35 | |
I do hear people, you know, fairly regularly saying, | 0:05:37 | 0:05:40 | |
"Oh, they're just dirty, lazy, smelly people." | 0:05:40 | 0:05:43 | |
They're absolutely not. | 0:05:43 | 0:05:45 | |
You know, they've got some real challenges in life | 0:05:45 | 0:05:48 | |
and it really is about choosing to see the person | 0:05:48 | 0:05:51 | |
and not the stuff, because stuff around is irrelevant. | 0:05:51 | 0:05:54 | |
It's just stuff. | 0:05:54 | 0:05:56 | |
This one is lovely and clean, it is. | 0:05:56 | 0:06:00 | |
Sometimes it comes over the lid and it's meeting you at the door. | 0:06:00 | 0:06:04 | |
What, the sewage? So to come to this one, | 0:06:04 | 0:06:07 | |
it really is like a wee light relief, so it is. | 0:06:07 | 0:06:10 | |
Here we go, another one to go. | 0:06:10 | 0:06:13 | |
Where we off to? We're going off to the recycling centre. | 0:06:13 | 0:06:17 | |
I used to be really OCD. | 0:06:17 | 0:06:20 | |
I was ready, really bad, so I was. | 0:06:20 | 0:06:23 | |
My house is suffering for this because this gets 100% | 0:06:23 | 0:06:27 | |
and I get home at night and I'm like, | 0:06:27 | 0:06:29 | |
"Oh, no!" It's a hit and miss. | 0:06:29 | 0:06:32 | |
49 bags of rubbish later | 0:06:34 | 0:06:37 | |
and Marie and Lesley are starting to make a difference. | 0:06:37 | 0:06:40 | |
Normally what would happen is that organisations would come in | 0:06:40 | 0:06:44 | |
and they would just shovel everything up, | 0:06:44 | 0:06:47 | |
put it in a skip, and off it goes. | 0:06:47 | 0:06:48 | |
Whereas, Marie will take time and effort | 0:06:48 | 0:06:53 | |
and she will go through the person's belongings | 0:06:53 | 0:06:56 | |
as much as she possibly can | 0:06:56 | 0:06:58 | |
to try and save as much as she can and, you know, | 0:06:58 | 0:07:01 | |
respecting that that's someone's life | 0:07:01 | 0:07:04 | |
that she's mopping up, really. | 0:07:04 | 0:07:08 | |
Kitchen... | 0:07:10 | 0:07:12 | |
Just about there. | 0:07:12 | 0:07:13 | |
I'm getting things all organised. | 0:07:15 | 0:07:17 | |
It smells nicer. | 0:07:17 | 0:07:19 | |
A big difference in here. | 0:07:22 | 0:07:24 | |
Onwards and upwards. | 0:07:24 | 0:07:26 | |
I feel better when I do wee jobs. | 0:07:28 | 0:07:31 | |
See, like, coming home today, | 0:07:31 | 0:07:33 | |
and I know that lady can go in and make her dinner, | 0:07:33 | 0:07:35 | |
or they've got a wee path somewhere, | 0:07:35 | 0:07:37 | |
I love that, I really, really love that. | 0:07:37 | 0:07:40 | |
I can't help the world but if I can help a wee somebody, | 0:07:40 | 0:07:43 | |
I do come home feeling better, I must admit. | 0:07:43 | 0:07:46 | |
Amy? | 0:07:51 | 0:07:52 | |
Do you want tea with your dinner? | 0:07:52 | 0:07:54 | |
Rhiannon lives just up the road from her mum | 0:07:54 | 0:07:57 | |
with her grandmother, Amy, | 0:07:57 | 0:07:59 | |
who is in remission from mouth cancer. | 0:07:59 | 0:08:01 | |
My gran's getting baked potato with cheese and beans | 0:08:01 | 0:08:05 | |
but I have to blend the beans because she can't eat them, | 0:08:05 | 0:08:10 | |
they stick in her throat. | 0:08:10 | 0:08:12 | |
I've lived in this house for about 15 years | 0:08:12 | 0:08:16 | |
and I was a grandad's girl and a granny's girl. | 0:08:16 | 0:08:18 | |
When my grandad died, I just automatically stayed here. | 0:08:18 | 0:08:22 | |
She was in hospital again. | 0:08:23 | 0:08:25 | |
Again. | 0:08:25 | 0:08:27 | |
She's got more lives than a cat, that wee woman. | 0:08:29 | 0:08:32 | |
So she has. | 0:08:33 | 0:08:36 | |
I'm just making sure that none of this skin's hanging off | 0:08:36 | 0:08:39 | |
because, if it is, she chokes. | 0:08:39 | 0:08:41 | |
She moans. | 0:08:41 | 0:08:43 | |
My poor wee Amy. | 0:08:43 | 0:08:46 | |
This is my gran's version of cheese and bean potatoes. | 0:08:48 | 0:08:52 | |
It's a shame, isn't it? | 0:08:52 | 0:08:55 | |
I think that's going to be a bit much for you. | 0:08:55 | 0:08:58 | |
This is actually quite nice. | 0:08:59 | 0:09:01 | |
I don't think you'll need salad cream. | 0:09:01 | 0:09:04 | |
What? | 0:09:07 | 0:09:08 | |
Oh, that's rotten! Don't say that! SHE LAUGHS | 0:09:08 | 0:09:13 | |
Oh! | 0:09:13 | 0:09:16 | |
As well as caring for her gran, she has a young son, Aaron. | 0:09:19 | 0:09:23 | |
Bye, Gran. Bye-bye. | 0:09:25 | 0:09:27 | |
Did you like it? Lovely. | 0:09:27 | 0:09:29 | |
Throughout the week, Rhiannon cleans offices all over Glasgow. | 0:09:33 | 0:09:38 | |
I just didn't like school at all. | 0:09:40 | 0:09:42 | |
I went and done child care. | 0:09:42 | 0:09:44 | |
When I got paid off from there, I didn't have a job, and I had Aaron, | 0:09:46 | 0:09:50 | |
so I needed something quick and something that I could start. | 0:09:50 | 0:09:53 | |
The next day I started with my mum. | 0:09:53 | 0:09:56 | |
Sometimes she sings, it all depends what kind of mood she's in. | 0:09:59 | 0:10:03 | |
Sometimes she's in a bad mood. | 0:10:03 | 0:10:05 | |
Sometimes she's hungover, that's worse. | 0:10:05 | 0:10:07 | |
Oh, that's worse. | 0:10:07 | 0:10:10 | |
RHIANNON GIGGLES | 0:10:10 | 0:10:13 | |
I just feel as if it's not for me, if you know what I mean. | 0:10:13 | 0:10:16 | |
I have to do it. But the good thing is, like, the people you work with | 0:10:16 | 0:10:19 | |
are quite fun, and they keep you going, so it's not too bad. | 0:10:19 | 0:10:22 | |
I wouldn't want to be doing it for the rest of my life, to be honest. | 0:10:22 | 0:10:26 | |
Marie relies on construction clear-up jobs | 0:10:32 | 0:10:35 | |
to keep her small company running, | 0:10:35 | 0:10:37 | |
but being the boss isn't easy. | 0:10:37 | 0:10:40 | |
Running your business can be really hard. | 0:10:41 | 0:10:44 | |
Trying to get payments in and stuff. | 0:10:44 | 0:10:47 | |
Jobs run on longer | 0:10:47 | 0:10:50 | |
and it's a 30-day payment term | 0:10:50 | 0:10:52 | |
which sometimes can turn into 60 days or 90 days | 0:10:52 | 0:10:56 | |
and the whole time you've still got to find the wages, the fuel - | 0:10:56 | 0:11:00 | |
all your running costs. | 0:11:00 | 0:11:03 | |
Is not just an easy job the girls do, | 0:11:04 | 0:11:06 | |
especially in the construction, it's hard going. | 0:11:06 | 0:11:08 | |
It's hard work and you don't want girls working solid, | 0:11:08 | 0:11:11 | |
early starts, late finishes and at the end of the month saying, | 0:11:11 | 0:11:16 | |
"I'm sorry, I've not been paid, I've not got your wages." | 0:11:16 | 0:11:19 | |
That's really difficult, that. | 0:11:19 | 0:11:22 | |
Then the week before payday, | 0:11:22 | 0:11:24 | |
you don't sleep, because you're worrying. | 0:11:24 | 0:11:27 | |
People have told you, "Yeah, it'll be in your account, you'll have it." | 0:11:27 | 0:11:31 | |
And it doesn't go in. | 0:11:31 | 0:11:34 | |
You worry, it's a constant worry. | 0:11:34 | 0:11:36 | |
If Marie could land a regular contract for biohazard work, | 0:11:40 | 0:11:44 | |
it could bring more stability to her company. | 0:11:44 | 0:11:47 | |
But she would need Rhiannon to step up to the mark. | 0:11:47 | 0:11:50 | |
Inside there, there was literally hundreds of needles. | 0:11:50 | 0:11:53 | |
You can see here the urine had went through the carpet | 0:11:53 | 0:11:56 | |
into the floorboards. | 0:11:56 | 0:11:58 | |
They had to treat all the floorboards and stuff. | 0:11:58 | 0:12:00 | |
That was the sink. | 0:12:00 | 0:12:02 | |
As soon as the bathroom was full, | 0:12:02 | 0:12:04 | |
she started buying these bins and using these bins. | 0:12:04 | 0:12:07 | |
As soon as she was filling her bin, | 0:12:07 | 0:12:09 | |
she was buying another bin and using that. | 0:12:09 | 0:12:11 | |
That's all used toilet roll. | 0:12:11 | 0:12:14 | |
That's all shit, all shit. | 0:12:14 | 0:12:16 | |
Right this one was undiscovered 21 days. | 0:12:16 | 0:12:21 | |
Drug addict. | 0:12:21 | 0:12:22 | |
That should never have been there. | 0:12:22 | 0:12:25 | |
That was the drawers that he was lying over | 0:12:25 | 0:12:28 | |
but when I moved the drawers, that's basically the guy's scalp. | 0:12:28 | 0:12:32 | |
It should have went with the undertaker. | 0:12:32 | 0:12:35 | |
That sofa had to be totally cut up - biohazard. | 0:12:35 | 0:12:39 | |
That's all the maggot carcass here. | 0:12:40 | 0:12:43 | |
I'm not the type of person who can just go into an office 9-5. | 0:12:43 | 0:12:46 | |
That would drive me insane. | 0:12:46 | 0:12:48 | |
I couldn't go and sit at the same desk every day, | 0:12:48 | 0:12:50 | |
type the same stuff, speak to the same people. | 0:12:50 | 0:12:53 | |
Every single day in this job is completely different. | 0:12:53 | 0:12:57 | |
I know she'll talk me into it, I know she'll make me do it | 0:12:57 | 0:13:00 | |
but I wouldn't choose to do it, no. | 0:13:00 | 0:13:02 | |
While Rhiannon thinks about her future in the family business, | 0:13:05 | 0:13:10 | |
Marie relies on Lesley to go to the most challenging jobs. | 0:13:10 | 0:13:13 | |
MUSIC PLAYS ON RADIO | 0:13:13 | 0:13:15 | |
# If I need somebody too... # | 0:13:15 | 0:13:18 | |
'My mum and Lesley's mum were friends all through school, | 0:13:18 | 0:13:22 | |
'and then they all just kind of grew up together, then Lesley | 0:13:22 | 0:13:26 | |
'worked with my dad in his cleaning company, then came to work with me.' | 0:13:26 | 0:13:30 | |
# Boy, I might need somebody... # | 0:13:30 | 0:13:33 | |
Their long friendship helps them | 0:13:33 | 0:13:36 | |
deal with some of the distressing jobs there are called out to. | 0:13:36 | 0:13:39 | |
The body in the bath one was quite sad, because the lady's | 0:13:42 | 0:13:46 | |
clothes that she had took off before stepping in the bath, | 0:13:46 | 0:13:50 | |
they were in a wee pile just at the side of the bar, and her wee | 0:13:50 | 0:13:54 | |
glass of rose and her wee name badge from work, and then all these pills. | 0:13:54 | 0:13:58 | |
Came in and we figured out where they were last sitting, | 0:13:58 | 0:14:02 | |
what they've done before it's happened. Mm-hm. | 0:14:02 | 0:14:05 | |
She was a hoarder but she was a really clean hoarder, | 0:14:05 | 0:14:07 | |
everything was wrapped so neatly, | 0:14:07 | 0:14:11 | |
in face cloths and tissue and all boxed, | 0:14:11 | 0:14:15 | |
and there must have been 100 boxes. | 0:14:15 | 0:14:18 | |
You could piece her whole life together, | 0:14:18 | 0:14:20 | |
just by going in the boxes, and you could tell she had only, like... | 0:14:20 | 0:14:24 | |
not went bad, but she hadn't been like that all her life, | 0:14:24 | 0:14:27 | |
but only maybe a year or two. | 0:14:27 | 0:14:29 | |
We really felt for her, didn't we? Yeah. | 0:14:29 | 0:14:31 | |
It's somebody's son or somebody's daughter, | 0:14:31 | 0:14:33 | |
that's how I think of it, it could be my son or my daughter, I'd hate | 0:14:33 | 0:14:37 | |
to think they were left themselves, so that's how we think of it. | 0:14:37 | 0:14:41 | |
With respect. | 0:14:41 | 0:14:42 | |
Biohazard cleaning means working with dangerous fluids | 0:14:47 | 0:14:50 | |
from dead bodies or contaminated needles. | 0:14:50 | 0:14:54 | |
Marie needs to stock up with protective clothes | 0:14:54 | 0:14:57 | |
and specialist chemicals. | 0:14:57 | 0:15:00 | |
Gloves. Yeah. Suits. Yeah. | 0:15:01 | 0:15:04 | |
Blue roll. Yeah. Deodoriser. Yeah. | 0:15:04 | 0:15:06 | |
Oh! A box of bags. | 0:15:06 | 0:15:09 | |
OK. The strong ones. | 0:15:09 | 0:15:11 | |
Paul, gonnae get us a box of the heavy binbags, | 0:15:11 | 0:15:14 | |
a pack of blue roll and a five-litre of odour neutraliser? | 0:15:14 | 0:15:19 | |
'Financially, it can be really, really hard. Really hard. | 0:15:19 | 0:15:22 | |
'Because you've got staff to pay, equipment to buy, | 0:15:22 | 0:15:25 | |
'you've got fuel, needle gloves are ?300 a pair,' | 0:15:25 | 0:15:30 | |
we've got to have the boots with the metal plate in them, | 0:15:30 | 0:15:32 | |
we've got to, you know, you've got to have the full kit. | 0:15:32 | 0:15:35 | |
There we go. | 0:15:35 | 0:15:38 | |
'I'm not one of these girls that'll sit on the internet' | 0:15:38 | 0:15:41 | |
and look up shoes and bags. | 0:15:41 | 0:15:43 | |
I look up blood stuff and, what can I get to clean that? | 0:15:43 | 0:15:47 | |
Oh, God, that would be good! And how much are their mattress bags? | 0:15:47 | 0:15:51 | |
How much are their mattress bags? You know, that's me! | 0:15:51 | 0:15:55 | |
There we go. | 0:15:55 | 0:15:56 | |
Going home, are you? Aye. | 0:15:56 | 0:15:59 | |
'You'd have to have the personality like Marie to do it, | 0:15:59 | 0:16:01 | |
'because I think it's quite a sad job as well, | 0:16:01 | 0:16:04 | |
'and I think they do well' | 0:16:04 | 0:16:06 | |
in keeping the dignity of, you know, the folk that they're dealing with. | 0:16:06 | 0:16:13 | |
Today, the girls have been called to deal with a suicide outside Glasgow. | 0:16:15 | 0:16:20 | |
Even though the remains have been taken away, it is up to Marie | 0:16:20 | 0:16:24 | |
and Lesley to clear up the body fluids. | 0:16:24 | 0:16:27 | |
People think that the police automatically send | 0:16:29 | 0:16:32 | |
a company in, which they don't. | 0:16:32 | 0:16:33 | |
They're told, right, your uncle, your father, your mother, | 0:16:33 | 0:16:38 | |
whoever, has been here, they've been found, | 0:16:38 | 0:16:41 | |
they've been there for such-and-such a time, | 0:16:41 | 0:16:43 | |
so, we'll keep your keys, give you them back in two weeks, um, and | 0:16:43 | 0:16:47 | |
you'll need to get it cleaned up, but probably best you don't go in. | 0:16:47 | 0:16:51 | |
You know, so, you know, it adds to the people's trauma, | 0:16:51 | 0:16:56 | |
it really does, and it comes across and it's just horrible. | 0:16:56 | 0:17:00 | |
'You've seen his last minutes and then you've seen where he lay, | 0:17:07 | 0:17:10 | |
'the family don't see it | 0:17:10 | 0:17:11 | |
'and you don't want them to see that, so, it's good knowing' | 0:17:11 | 0:17:15 | |
that's all gone, | 0:17:15 | 0:17:17 | |
so they don't need to see that, so I feel better. | 0:17:17 | 0:17:19 | |
He's lain... | 0:17:21 | 0:17:22 | |
..a wee bit of time, but not too long. | 0:17:24 | 0:17:26 | |
There's no carcass of maggots or anything. | 0:17:26 | 0:17:30 | |
It's all just body fluids. | 0:17:30 | 0:17:33 | |
In the bag, then it gets took straight to the yard, | 0:17:38 | 0:17:41 | |
then it gets picked up for incineration. | 0:17:41 | 0:17:45 | |
We just need to check... | 0:17:45 | 0:17:48 | |
So, we'll need to take that away. | 0:17:48 | 0:17:51 | |
He's definitely been here for a few days. | 0:17:51 | 0:17:54 | |
But there's no, um, maggot carcass or anything like that around. | 0:17:54 | 0:17:59 | |
Which tells me that he's not been here too long. | 0:17:59 | 0:18:03 | |
He's just... | 0:18:03 | 0:18:04 | |
..started to decompose. | 0:18:06 | 0:18:08 | |
It does protect the family from seeing the blood and all that, | 0:18:16 | 0:18:18 | |
but I think the biohazard sign | 0:18:18 | 0:18:20 | |
kind of brings it home to them a bit more, as well. | 0:18:20 | 0:18:23 | |
A lot of the time as well, we've done it and we've not been paid. | 0:18:33 | 0:18:36 | |
Because the families just don't have it. | 0:18:36 | 0:18:38 | |
And I'm left with the cost of incinerations and stuff like that. | 0:18:38 | 0:18:41 | |
It's sad, end of the line, end of the story. | 0:18:49 | 0:18:53 | |
Move on to the next job. | 0:18:53 | 0:18:55 | |
As sad as it seems. | 0:18:55 | 0:18:57 | |
But that's just the reality of it. | 0:18:57 | 0:18:59 | |
The sadness of many of the jobs stays with them. | 0:19:03 | 0:19:07 | |
You do take it home and you do get upset. | 0:19:09 | 0:19:12 | |
Sometimes, I feel like, when I get home, they are there with me. | 0:19:12 | 0:19:17 | |
We find, in maybe two or three days, | 0:19:19 | 0:19:21 | |
me and Lesley will discuss it again, she'll think of something, | 0:19:21 | 0:19:25 | |
just in her own wee thoughts, and she'll ask me and I'll do | 0:19:25 | 0:19:29 | |
the same, and then we'll just kind of clarify with one another. | 0:19:29 | 0:19:33 | |
I think we tend to do that quite a bit, don't we? | 0:19:36 | 0:19:39 | |
I like to light a wee candle, just for the dead person, | 0:19:39 | 0:19:43 | |
just for a wee bit of respect, to show them | 0:19:43 | 0:19:46 | |
that even though we are touching all their belongings | 0:19:46 | 0:19:48 | |
and we are strangers, that we do respect them, that's just my wee... | 0:19:48 | 0:19:54 | |
I connect it with that, if I light a candle, | 0:19:54 | 0:19:56 | |
I feel like, right, you know, I'm not touching what | 0:19:56 | 0:19:58 | |
I shouldn't be, I'm here to do a job and that's it. | 0:19:58 | 0:20:01 | |
And nobody cares about their neighbour, | 0:20:04 | 0:20:06 | |
nobody's interested, there's no community spirit now. | 0:20:06 | 0:20:10 | |
Your neighbour can lie six weeks and you don't know. | 0:20:10 | 0:20:12 | |
See if you see somebody's curtains being closed for a wee while, | 0:20:12 | 0:20:15 | |
could you not maybe see if they are all right? | 0:20:15 | 0:20:18 | |
But nobody cares now. | 0:20:18 | 0:20:19 | |
Although Rhiannon works with her mum, | 0:20:27 | 0:20:30 | |
she likes to have as many days off as possible. | 0:20:30 | 0:20:34 | |
I'm off, for a change! | 0:20:34 | 0:20:36 | |
When he's going to work. SHE CHUCKLES | 0:20:36 | 0:20:39 | |
I can't believe my luck. | 0:20:41 | 0:20:42 | |
I have another party to go to. | 0:20:42 | 0:20:45 | |
Well, christening. | 0:20:45 | 0:20:47 | |
Hello? 'Morning!' | 0:20:47 | 0:20:49 | |
Aye, I'll fucking "morning" you! | 0:20:49 | 0:20:52 | |
Seven o'clock this morning, you left here! | 0:20:52 | 0:20:54 | |
Well, that's your fault. | 0:20:54 | 0:20:56 | |
You turned up at the back of two o'clock this morning, | 0:20:56 | 0:20:59 | |
do you think this is a dosshouse? | 0:20:59 | 0:21:01 | |
SHE LAUGHS | 0:21:02 | 0:21:04 | |
Then you nearly fell down my stairs. | 0:21:04 | 0:21:06 | |
How can I make you breakfast and you do my eyebrows? | 0:21:06 | 0:21:09 | |
Are you having a laugh? | 0:21:09 | 0:21:10 | |
You'll end up drawing me a full face of eyebrows! | 0:21:10 | 0:21:13 | |
It's not funny, this is serious! I need to go. | 0:21:13 | 0:21:18 | |
I'll see you later. | 0:21:18 | 0:21:19 | |
'Love you.' | 0:21:19 | 0:21:20 | |
Love you. | 0:21:20 | 0:21:22 | |
'Missing you already!' | 0:21:22 | 0:21:23 | |
LAUGHING: Bye! | 0:21:23 | 0:21:25 | |
'Bye.' | 0:21:25 | 0:21:26 | |
Say, "Aah!" | 0:21:26 | 0:21:28 | |
Marie and her team have been booked to clean up after the annual | 0:21:36 | 0:21:39 | |
Gay Pride festival in Glasgow. | 0:21:39 | 0:21:41 | |
# ..to get you into my world | 0:21:44 | 0:21:48 | |
# And hold you within | 0:21:48 | 0:21:51 | |
# It's a right I defend | 0:21:51 | 0:21:56 | |
# Over and over again... # | 0:21:56 | 0:22:00 | |
MUSIC ON RADIO CHANGES | 0:22:02 | 0:22:06 | |
DISCO MUSIC PLAYS | 0:22:13 | 0:22:15 | |
Despite the weather, huge crowds have turned up to celebrate. | 0:22:15 | 0:22:21 | |
# Enough is enough is enough | 0:22:21 | 0:22:23 | |
# I can't go on I can't go on no more, no... # | 0:22:23 | 0:22:26 | |
But Marie has only brought a small team with her, Lesley and Mary. | 0:22:26 | 0:22:31 | |
By the time they arrive, there is already | 0:22:31 | 0:22:33 | |
a much bigger mess to clean up than they'd expected. | 0:22:33 | 0:22:37 | |
Yet again, Lesley has been sent to sort the loos. | 0:22:38 | 0:22:42 | |
This is the highlight of the job! | 0:22:44 | 0:22:46 | |
Not too bad, there you go. Oh, sorry. | 0:22:53 | 0:22:55 | |
I really enjoy it. | 0:22:55 | 0:22:57 | |
People ask me why I'm cleaning out dirty toilets, | 0:22:57 | 0:23:00 | |
but it's a nice wee atmosphere, enjoy the day out. | 0:23:00 | 0:23:02 | |
If it's not raining! | 0:23:02 | 0:23:04 | |
Struggling to keep on top of it all, | 0:23:06 | 0:23:09 | |
Marie has had to call in some extra help. | 0:23:09 | 0:23:11 | |
She's even had to call Rhiannon on her day off. | 0:23:14 | 0:23:18 | |
Just head in, love, OK? | 0:23:19 | 0:23:21 | |
When? Well, when are you leaving, Rhiannon? So I can tell Catriona. | 0:23:21 | 0:23:25 | |
The now, the now. OK, love, see you soon. | 0:23:25 | 0:23:28 | |
# Why waste your time? | 0:23:31 | 0:23:33 | |
# You know you're gonna be mine | 0:23:33 | 0:23:37 | |
# You know you're gonna be mine... # | 0:23:37 | 0:23:38 | |
Half an hour later, Rhiannon comes to the rescue. | 0:23:38 | 0:23:41 | |
You need to go round all the bar areas. Right, OK. | 0:23:41 | 0:23:44 | |
The skips are up at the right-hand side of the stage. | 0:23:44 | 0:23:47 | |
I'll take you to the cabin the now | 0:23:47 | 0:23:49 | |
and get you a vest on and get you some bin bags and a picker. | 0:23:49 | 0:23:53 | |
OK. All right? | 0:23:53 | 0:23:55 | |
This is the happy side of cleaning. Oh, thank you! | 0:23:58 | 0:24:02 | |
Nothing like a clean city! | 0:24:02 | 0:24:03 | |
I don't know, it must be my perfume, maybe, what do you think? | 0:24:06 | 0:24:09 | |
Maybe it's this wee plait in my hair or something. | 0:24:09 | 0:24:12 | |
CHEERING AND APPLAUSE | 0:24:13 | 0:24:16 | |
Seeing Rhiannon's growing commitment to the company, | 0:24:24 | 0:24:27 | |
Marie has decided to get her stuck into the dirtier jobs. | 0:24:27 | 0:24:32 | |
We're going to a sewage job in Edinburgh, it's a retail unit, | 0:24:34 | 0:24:38 | |
there's obviously been a leak through the pipes, we've got | 0:24:38 | 0:24:41 | |
to sanitise the place for the plumber to come to replace | 0:24:41 | 0:24:44 | |
all the pipework, and then once the plumber's finished, | 0:24:44 | 0:24:47 | |
we go back, pick up the pipework and dispose of it, biohazard. | 0:24:47 | 0:24:52 | |
And this is her first day on a sewage job, | 0:24:52 | 0:24:55 | |
so, should be quite interesting to see how she is. | 0:24:55 | 0:24:59 | |
I'll probably leave her to do quite a bit, aye. | 0:24:59 | 0:25:02 | |
INTERVIEWER: Just to see if she can handle it. | 0:25:02 | 0:25:04 | |
Aye. In-house training! | 0:25:04 | 0:25:07 | |
Medium suit. | 0:25:28 | 0:25:30 | |
Used to be an extra large! | 0:25:30 | 0:25:33 | |
RHIANNON CHUCKLES | 0:25:34 | 0:25:36 | |
She's never really been interested, but the last kind of six to eight | 0:25:36 | 0:25:39 | |
months, she's taken a wee bit more interest in it. | 0:25:39 | 0:25:42 | |
I need to try and get her to a death scene or whatever, | 0:25:43 | 0:25:48 | |
just to see how her stomach is. | 0:25:48 | 0:25:49 | |
If I don't think she can stomach it, | 0:25:49 | 0:25:55 | |
..the offices and the cabins. | 0:25:57 | 0:26:00 | |
She's doing good. | 0:26:00 | 0:26:01 | |
In fact, give me some white roll and we'll clean this pipe, | 0:26:04 | 0:26:06 | |
so I don't get covered. | 0:26:06 | 0:26:08 | |
There's been some kind of problem with the sewage pipe, | 0:26:08 | 0:26:12 | |
running down the main toilet blocks, probably. | 0:26:12 | 0:26:16 | |
It's squirted out. | 0:26:16 | 0:26:17 | |
TOGETHER: # At last | 0:26:19 | 0:26:22 | |
# My love is coming home... # | 0:26:26 | 0:26:30 | |
Get your back into it, Rhiannon, come on! | 0:26:32 | 0:26:34 | |
# My lonely days are over | 0:26:36 | 0:26:40 | |
# And life is like a song | 0:26:42 | 0:26:46 | |
# Oh, yeah, yeah | 0:26:49 | 0:26:53 | |
# At last... # | 0:26:53 | 0:26:54 | |
At the end of a dirty day's work, | 0:26:56 | 0:26:59 | |
all that's left for Marie to do is to scrub herself. | 0:26:59 | 0:27:02 | |
This is my routine when I get back, | 0:27:02 | 0:27:04 | |
got to strip off and go straight to the shower. | 0:27:04 | 0:27:09 | |
The kids know not to come near me, I just say, "Don't cuddle me." | 0:27:09 | 0:27:14 | |
Two capfuls of the sanitiser... | 0:27:15 | 0:27:18 | |
And a wee extra, as a precaution... | 0:27:18 | 0:27:21 | |
You can normally smell it. | 0:27:26 | 0:27:28 | |
It clings to your clothes and your hair, and some jobs, | 0:27:28 | 0:27:33 | |
I've done it three or four times | 0:27:33 | 0:27:35 | |
and I can still say, "Can you smell that? Can you smell that?" | 0:27:35 | 0:27:38 | |
# I've been waiting all night for you to tell me... # | 0:27:43 | 0:27:45 | |
Rhiannon has a slightly different way of relaxing. | 0:27:45 | 0:27:48 | |
# I've been waiting all night for you to, oh-oh... # | 0:27:48 | 0:27:52 | |
No kids, no Gran, no crime scenes, | 0:27:52 | 0:27:55 | |
no building sites! | 0:27:55 | 0:27:58 | |
# I've been waiting all night for you to tell me | 0:27:58 | 0:28:02 | |
# Tell me that you need me | 0:28:02 | 0:28:04 | |
# Tell me that you want me | 0:28:04 | 0:28:08 | |
# Tell me that you need me | 0:28:08 | 0:28:10 | |
# Tell me that you want me | 0:28:10 | 0:28:13 | |
# Tell me that you need me | 0:28:13 | 0:28:15 | |
# Tell me that you want me | 0:28:15 | 0:28:19 | |
# Tell me that you need me | 0:28:19 | 0:28:22 | |
# Tell me that you want me | 0:28:22 | 0:28:24 | |
# Tell me that you need me | 0:28:24 | 0:28:27 | |
# Tell me that you want me | 0:28:27 | 0:28:29 | |
# Ooh, ooh, ooh, yeah... # | 0:28:34 | 0:28:39 | |
After all the fun, Rhiannon is paying the price. | 0:28:43 | 0:28:46 | |
One morning, I came in, I came in at nine o'clock from the night before | 0:28:46 | 0:28:51 | |
and she says, "Oh, you're up nice and early the day, hen!" | 0:28:51 | 0:28:55 | |
I was that drunk last night, then I got all comfy in bed, | 0:28:55 | 0:28:59 | |
then I needed the toilet, | 0:28:59 | 0:29:00 | |
I thought I could have just took my gran's commode up with me! | 0:29:00 | 0:29:04 | |
Oh, that's sick, isn't it? | 0:29:05 | 0:29:07 | |
I shouldn't really be eating chips, but who cares? | 0:29:10 | 0:29:13 | |
I'd be lost without her. | 0:29:17 | 0:29:20 | |
And skint, an' all! | 0:29:21 | 0:29:23 | |
I don't like it. | 0:29:23 | 0:29:25 | |
Heh-heh. Oh, she throws me out every week! | 0:29:25 | 0:29:28 | |
She if she's fell out with me, | 0:29:28 | 0:29:29 | |
then she likes one of my pictures on Facebook, | 0:29:29 | 0:29:31 | |
I think, oh, she must be my pal again! | 0:29:31 | 0:29:33 | |
There's my friend messaging me, saying, am I hungover today? | 0:29:35 | 0:29:39 | |
Yes, I am. | 0:29:39 | 0:29:41 | |
Are you night shift today? | 0:29:41 | 0:29:44 | |
I've got my offices to go and clean, haven't I? | 0:29:44 | 0:29:46 | |
Oh, are you off? | 0:29:46 | 0:29:47 | |
I know, I forgot to do them yesterday. | 0:29:47 | 0:29:50 | |
Marie is heading back to a job | 0:29:56 | 0:29:58 | |
that's been on her books for two years. | 0:29:58 | 0:30:00 | |
MUSIC PLAYING ON RADIO | 0:30:00 | 0:30:03 | |
# The rhythm of the night | 0:30:03 | 0:30:06 | |
# This is the rhythm of my life | 0:30:06 | 0:30:09 | |
# My life, oh, yeah | 0:30:09 | 0:30:12 | |
# The rhythm of my life... # | 0:30:12 | 0:30:15 | |
The anxious client has changed his mind every time she's turned up. | 0:30:15 | 0:30:20 | |
Today, she is hoping he'll let them in. | 0:30:21 | 0:30:23 | |
I was actually going to text you at about 10:30 last night, | 0:30:23 | 0:30:27 | |
then I thought, if he has fell asleep, | 0:30:27 | 0:30:29 | |
then I do wake him up, then he's up all night... | 0:30:29 | 0:30:31 | |
stressing... | 0:30:31 | 0:30:33 | |
but that's totally normal. | 0:30:33 | 0:30:37 | |
Well, this is certainly the longest screw I've had! | 0:30:37 | 0:30:40 | |
THEY LAUGH RAUCOUSLY | 0:30:40 | 0:30:44 | |
Aye, it needs to go round that way, doesn't it? | 0:30:51 | 0:30:53 | |
Marie has brought Mary along to help. | 0:30:55 | 0:31:02 | |
saying, "Ah, they should have done that, they should have done that... | 0:31:02 | 0:31:06 | |
"Women!" | 0:31:06 | 0:31:07 | |
I think, probably, you're best getting this room done | 0:31:11 | 0:31:13 | |
and staying in here. Mm-hm. | 0:31:13 | 0:31:16 | |
Because it's fresher. | 0:31:16 | 0:31:17 | |
They've made a really good start, but have yet to tackle the kitchen. | 0:31:19 | 0:31:23 | |
Where did you want to... | 0:31:27 | 0:31:29 | |
Just start at the beginning make a fucking plan. | 0:31:29 | 0:31:32 | |
I says, I take it the Chinese round here's good? | 0:31:36 | 0:31:39 | |
Very! | 0:31:39 | 0:31:40 | |
Can you feel a difference already? | 0:31:48 | 0:31:50 | |
I honestly can. A huge weight coming off... Aye. ..my shoulders. | 0:31:50 | 0:31:54 | |
This'll come up lovely. | 0:31:57 | 0:31:59 | |
# Don't you wish your muscles were good like mine? | 0:32:03 | 0:32:07 | |
# Don'tcha? | 0:32:07 | 0:32:09 | |
# Don'tcha? # | 0:32:09 | 0:32:10 | |
Bet you wish you could shovel like me! Aye! | 0:32:10 | 0:32:13 | |
# Don't you wish you could shovel like me? | 0:32:13 | 0:32:17 | |
# Don'tcha? # | 0:32:17 | 0:32:18 | |
"To Marie, Lesley and Mary, all the best, Paul. | 0:32:29 | 0:32:32 | |
"You've changed my life, thank you so much." | 0:32:32 | 0:32:35 | |
Aww, Paul! | 0:32:35 | 0:32:36 | |
It's just the start, we'll be back! | 0:32:36 | 0:32:39 | |
Get aff me! | 0:32:41 | 0:32:42 | |
Rhiannon is on her way to clean her offices, | 0:32:46 | 0:32:48 | |
but first has to drop her granny and her best friend into town. | 0:32:48 | 0:32:54 | |
It's her turn to warn Granny to behave herself. | 0:32:55 | 0:32:59 | |
No men the day, either! | 0:32:59 | 0:33:01 | |
Oh, we always get them, don't we? Oh, aye. | 0:33:01 | 0:33:05 | |
You fuckin' better not! | 0:33:05 | 0:33:07 | |
They follow us, don't they? Aye. | 0:33:07 | 0:33:09 | |
Nobody needs a man. Not a soul. | 0:33:09 | 0:33:12 | |
What do you need a man for? | 0:33:12 | 0:33:15 | |
Listen, don't you drink | 0:33:15 | 0:33:16 | |
on an empty stomach, lady! You'll be grounded! | 0:33:16 | 0:33:18 | |
Oh, aye, I might get an alcopop or something. | 0:33:18 | 0:33:20 | |
A what? Alcopop. Like a Blue WKD or something? | 0:33:20 | 0:33:23 | |
Aye. That'll give you heartburn, that! | 0:33:23 | 0:33:26 | |
See the first time I had a drink, Amy, | 0:33:27 | 0:33:29 | |
it was in your house, wasn't it? Sherry. | 0:33:29 | 0:33:31 | |
And I must have been... Aye, that's right. ..19. No, we never got... | 0:33:31 | 0:33:35 | |
See you! Have you got your mobile with you? | 0:33:35 | 0:33:37 | |
Aye. Do you know how to work it? THEY LAUGH | 0:33:37 | 0:33:41 | |
The monotony of cleaning the offices is getting to Rhiannon. | 0:33:47 | 0:33:51 | |
She's starting to reconsider working in the family business. | 0:33:51 | 0:33:56 | |
So, I went for an interview for another job, | 0:33:56 | 0:33:58 | |
because I'm just sick of these offices. | 0:33:58 | 0:34:01 | |
And then my mum's like, | 0:34:01 | 0:34:03 | |
"Oh, please, just stay, I've got this and I've got that..." | 0:34:03 | 0:34:06 | |
So, I'll be finished today for, like, 12 o'clock. | 0:34:08 | 0:34:11 | |
So, then I need to wait now until 5:30 to go to the other offices, | 0:34:11 | 0:34:14 | |
so I'm basically waiting about, doing nothing. | 0:34:14 | 0:34:16 | |
Whereas I would rather just get it all done in the one day | 0:34:16 | 0:34:19 | |
and that's it, then I could do whatever at night. | 0:34:19 | 0:34:21 | |
Because it's Friday! | 0:34:21 | 0:34:24 | |
Supposed to be at the boxing and I can't go | 0:34:24 | 0:34:26 | |
because I've got these offices. | 0:34:26 | 0:34:28 | |
Every week, you get a complaint. | 0:34:30 | 0:34:32 | |
We got a complaint in last weekend, saying, um, | 0:34:34 | 0:34:37 | |
was there any cleaners even in? | 0:34:37 | 0:34:40 | |
And of course we were in, because the bins were emptied, | 0:34:40 | 0:34:43 | |
the kitchen was done, the toilets were cleaned. | 0:34:43 | 0:34:45 | |
What was wrong with them? | 0:34:45 | 0:34:46 | |
Oh, I don't know. I really don't know. | 0:34:46 | 0:34:51 | |
How long have I been saying that I don't want to work in this? | 0:34:51 | 0:34:54 | |
And I'm still here. | 0:34:54 | 0:34:56 | |
Do you know what I mean? | 0:34:56 | 0:34:58 | |
You're not filming me cleaning the men's toilet, right? | 0:35:07 | 0:35:10 | |
Marie and her team are in Edinburgh on a dangerous biohazard job. | 0:35:16 | 0:35:21 | |
They've been booked by a construction firm to clear up | 0:35:22 | 0:35:26 | |
an old building site that has been used as a drugs den. | 0:35:26 | 0:35:29 | |
Before the workmen can begin on-site, | 0:35:29 | 0:35:32 | |
the women must make it safe from dangerous discarded needles. | 0:35:32 | 0:35:37 | |
That's my beer goggles for the Christmas night out! | 0:35:41 | 0:35:44 | |
SHE CHUCKLES | 0:35:44 | 0:35:47 | |
Well, they've got the caps on, so they are kind of safe. | 0:35:49 | 0:35:51 | |
That doesn't mean to say there's not safe ones about. | 0:35:51 | 0:35:55 | |
The needles can come off the syringe. | 0:35:55 | 0:35:57 | |
So, you need to be watching for a needle as well as a syringe. | 0:35:57 | 0:36:01 | |
At least they managed to bring in a bottle. | 0:36:07 | 0:36:10 | |
Every site we go onto, we always get a bottle of pish, don't we? | 0:36:10 | 0:36:13 | |
Oh, my God, I bet we'll find some used condoms! | 0:36:17 | 0:36:21 | |
They get their own wee kits supplied to them, wee bags, | 0:36:26 | 0:36:30 | |
and they've got their wee spoons in them | 0:36:30 | 0:36:32 | |
and their needles in them and their wipes. | 0:36:32 | 0:36:34 | |
There's not even a tear-off of a wipe in here, | 0:36:34 | 0:36:37 | |
but again, still needs to be all done. | 0:36:37 | 0:36:40 | |
Dressed in protective gear, the girls make a start. | 0:36:45 | 0:36:48 | |
There's bits of tinfoil and stuff about here, | 0:36:50 | 0:36:53 | |
so I don't want to take any chances. | 0:36:53 | 0:36:55 | |
More tinfoil, bottles of water, they are kind of telltale signs. | 0:36:56 | 0:37:01 | |
With the needles all lifted, there is one last job - | 0:37:05 | 0:37:08 | |
to clear up the top floor, full of dead pigeons. | 0:37:08 | 0:37:12 | |
The girls have heard from the workmen | 0:37:33 | 0:37:36 | |
that the building is haunted. | 0:37:36 | 0:37:37 | |
They decide to explore the basement to find out. | 0:37:37 | 0:37:40 | |
What's that in there? Look. | 0:37:50 | 0:37:52 | |
What is that? | 0:37:53 | 0:37:54 | |
A toilet? | 0:37:54 | 0:37:56 | |
I'm scared! | 0:37:56 | 0:37:57 | |
Oh, something's here... | 0:37:57 | 0:37:59 | |
Oh, right, shine it in the mirror. | 0:38:00 | 0:38:02 | |
Oh, no, it's not in the mirror. | 0:38:02 | 0:38:04 | |
LOUD SCREAMING | 0:38:05 | 0:38:08 | |
Ya bastard, ye! | 0:38:08 | 0:38:09 | |
Ohh! MAN LAUGHS | 0:38:09 | 0:38:11 | |
You're a lucky man! | 0:38:11 | 0:38:13 | |
Oh, well done, that was good. | 0:38:14 | 0:38:16 | |
Marie has taken a day off to chase outstanding invoices. | 0:38:21 | 0:38:26 | |
Because she has been busy on jobs | 0:38:26 | 0:38:28 | |
and some clients taking three months to pay, | 0:38:28 | 0:38:31 | |
she has hit a cash flow crisis. | 0:38:31 | 0:38:33 | |
That's, that's my worksheet for all the houses we've cleaned. | 0:38:33 | 0:38:38 | |
A good few hundred there. | 0:38:38 | 0:38:40 | |
648... | 0:38:40 | 0:38:43 | |
756... | 0:38:43 | 0:38:44 | |
People not paying me and I need to pay all my bills. | 0:38:46 | 0:38:50 | |
It's shit, absolute shit. | 0:38:50 | 0:38:52 | |
Hi, Ryan, I've called a number of times now, | 0:38:57 | 0:38:59 | |
can you please call me back, or e-mail me back, advising me | 0:38:59 | 0:39:02 | |
when I can expect payment? | 0:39:02 | 0:39:04 | |
It is outstanding from August. | 0:39:04 | 0:39:06 | |
There's thousands outstanding, it's constant, every single time. | 0:39:06 | 0:39:11 | |
Now I need to take all that paperwork up to the bank | 0:39:11 | 0:39:15 | |
and get it paid. | 0:39:15 | 0:39:17 | |
Stressed! | 0:39:22 | 0:39:23 | |
Really pissed off, cos that's me | 0:39:26 | 0:39:28 | |
going to be fucking stressed all week now. | 0:39:28 | 0:39:30 | |
You don't mind when it's a week late, | 0:39:33 | 0:39:36 | |
or a couple of days late, but when it's months late, 90 days, | 0:39:36 | 0:39:41 | |
it's just ridiculous. | 0:39:41 | 0:39:42 | |
Here we go, the moment of truth! | 0:39:50 | 0:39:53 | |
(Bastard!) | 0:40:01 | 0:40:02 | |
Well, we've been fucking paid. | 0:40:04 | 0:40:07 | |
So, it was enough to pay my bills and leave me with about 50 quid. | 0:40:07 | 0:40:13 | |
There is just enough money in the bank | 0:40:13 | 0:40:15 | |
to deal with this month's wages. | 0:40:15 | 0:40:17 | |
But she's going to have to keep chasing clients | 0:40:17 | 0:40:20 | |
if the company is to stay afloat. | 0:40:20 | 0:40:22 | |
Hello, it's Marie. | 0:40:22 | 0:40:23 | |
That payment never went in this week, | 0:40:23 | 0:40:25 | |
if you can sort it out for next week, that would be great. | 0:40:25 | 0:40:28 | |
It'll help with the payroll. Thank you, bye. | 0:40:28 | 0:40:30 | |
It's kind of late in the day on a Friday to be chasing people. | 0:40:34 | 0:40:39 | |
Hi, it's Marie. | 0:40:40 | 0:40:41 | |
Um, I've tried to get hold of Ryan and Accounts, | 0:40:41 | 0:40:44 | |
none of which are answering my calls or anything. | 0:40:44 | 0:40:48 | |
Fuckers, in't they? | 0:40:52 | 0:40:54 | |
MUSIC: Telephone Line (Instrumental) by Electric Light Orchestra | 0:40:54 | 0:40:58 | |
A few days later, Marie makes a visit to her father's grave. | 0:41:27 | 0:41:32 | |
The man she always turned to for advice. | 0:41:32 | 0:41:34 | |
This is my dad's grave. | 0:41:36 | 0:41:37 | |
My nephew brought down some whisky and poured it all over! | 0:41:40 | 0:41:45 | |
Daniel wanted to give that for his grandad. | 0:41:45 | 0:41:47 | |
INTERVIEWER: Did he like a whisky, your dad? | 0:41:47 | 0:41:49 | |
He liked a wee half, aye. | 0:41:49 | 0:41:51 | |
I wish he was still here, | 0:41:53 | 0:41:55 | |
every time I come. | 0:41:55 | 0:41:56 | |
You can be standing in the most awkward of places, | 0:41:59 | 0:42:02 | |
and you get a lump in your throat when you think of your dad | 0:42:02 | 0:42:06 | |
and he's not here any more. | 0:42:06 | 0:42:07 | |
Ten years later, you're still the same. | 0:42:07 | 0:42:10 | |
Just, just... | 0:42:12 | 0:42:13 | |
I always had the support of my dad when it was his company, | 0:42:13 | 0:42:16 | |
and I've missed that kind of support, really. | 0:42:16 | 0:42:19 | |
Marie has decided to take a risk | 0:42:34 | 0:42:36 | |
and put the last of her money into training Rhiannon, | 0:42:36 | 0:42:39 | |
so she too can work in the biohazard side of the business. | 0:42:39 | 0:42:44 | |
This is the course I done originally. | 0:42:44 | 0:42:48 | |
And they've been basically training Lesley up since, | 0:42:48 | 0:42:53 | |
but I think it would be really handy | 0:42:53 | 0:42:57 | |
if both her and Rhiannon went on the course, | 0:42:57 | 0:43:00 | |
because it means then that I'm freed up to go and do other things. | 0:43:00 | 0:43:05 | |
And I can leave them with confidence | 0:43:05 | 0:43:10 | |
that they've had the specific training that you need. | 0:43:10 | 0:43:13 | |
Cos it is really quite important for their own safety, | 0:43:13 | 0:43:16 | |
as well as other people's. | 0:43:16 | 0:43:17 | |
A few weeks later and it's time for Rhiannon | 0:43:21 | 0:43:24 | |
to say goodbye to her family, | 0:43:24 | 0:43:26 | |
as the crime scene cleaning academy is in Bristol. | 0:43:26 | 0:43:29 | |
Don't make me go! | 0:43:29 | 0:43:31 | |
You'll enjoy it, it's a really good course. | 0:43:33 | 0:43:35 | |
I love you...! | 0:43:35 | 0:43:37 | |
Give me a kiss! Mwah! | 0:43:37 | 0:43:40 | |
Right, bye. Be good. | 0:43:40 | 0:43:42 | |
Lesley is going with her to brush up on her skills | 0:43:45 | 0:43:48 | |
and to keep an eye on Rhiannon. | 0:43:48 | 0:43:51 | |
I know, it's good, it's good money, | 0:43:51 | 0:43:53 | |
plus I get to work with my mum and my Auntie Lesley, | 0:43:53 | 0:43:56 | |
but it's not the dream job, is it? | 0:43:56 | 0:43:58 | |
"What do you want to be when you're older?" | 0:44:00 | 0:44:02 | |
"I want to clean up after dead people." | 0:44:02 | 0:44:04 | |
On arrival in Bristol, the girls start straight into the course. | 0:44:11 | 0:44:15 | |
It's like being back at school, | 0:44:15 | 0:44:17 | |
only the lessons are much more disturbing. | 0:44:17 | 0:44:20 | |
If you are called into a scene, | 0:44:20 | 0:44:23 | |
you'll be asked to clear up and almost certainly, | 0:44:23 | 0:44:27 | |
insects will be part of that. | 0:44:27 | 0:44:28 | |
Recently, a murder I was involved in, | 0:44:28 | 0:44:30 | |
somebody had been found dead inside a room, | 0:44:30 | 0:44:34 | |
all the windows, all the doors, everywhere absolutely tight shut, | 0:44:34 | 0:44:38 | |
yet that flat was full of flies. | 0:44:38 | 0:44:41 | |
And the body had been removed, then the people came in to clean up | 0:44:41 | 0:44:45 | |
and they had to do something about these flies. | 0:44:45 | 0:44:47 | |
I went to one once - body had been there for many, many, many months | 0:44:47 | 0:44:51 | |
and all that's left were the larvae of these beetles, | 0:44:51 | 0:44:55 | |
literally picking the bones clean. | 0:44:55 | 0:44:57 | |
And what you remember about it all is the smell, isn't it? | 0:44:58 | 0:45:01 | |
That smell never leaves you. | 0:45:01 | 0:45:03 | |
(Does it no'?) So the idea of... You're protecting yourself. | 0:45:04 | 0:45:08 | |
OK, so shotgun suicide. | 0:45:15 | 0:45:17 | |
You get brain, you get skull. | 0:45:17 | 0:45:19 | |
A lot of people don't think with a shotgun suicide about the hair. | 0:45:19 | 0:45:22 | |
You get hair everywhere, you get bits of skull, lumps of skull | 0:45:22 | 0:45:26 | |
and they can travel all over the place. | 0:45:26 | 0:45:28 | |
The actual shot in a shotgun, | 0:45:28 | 0:45:29 | |
if you've seen a shotgun cartridge, it comes out, | 0:45:29 | 0:45:32 | |
so those shots will all make holes all the way up the walls | 0:45:32 | 0:45:36 | |
in a room. | 0:45:36 | 0:45:37 | |
The best thing is to fill them, so take some polyfiller with you | 0:45:37 | 0:45:40 | |
and just fill those holes. | 0:45:40 | 0:45:41 | |
You won't be able to dig out the bullets that are in that wall. | 0:45:41 | 0:45:44 | |
When you've got arterial wounds, | 0:45:44 | 0:45:47 | |
it's relatively easy to clean up. | 0:45:47 | 0:45:49 | |
When you're looking at hanging, sometimes you go to a property | 0:45:49 | 0:45:52 | |
and someone's hung themselves and there's nothing there. | 0:45:52 | 0:45:56 | |
The body's gone, the undertaker's taken the body away, | 0:45:56 | 0:45:59 | |
people just expect there to be something there. | 0:45:59 | 0:46:01 | |
I have been to one property where somebody hung themselves | 0:46:01 | 0:46:06 | |
and the rope was there. | 0:46:06 | 0:46:08 | |
The body was gone, but the head was still there | 0:46:08 | 0:46:10 | |
and the undertaker had forgotten to take the head | 0:46:10 | 0:46:12 | |
SCATTERED LAUGHTER Honestly, we had to phone up to come out and get the head, | 0:46:12 | 0:46:15 | |
it was quite strange. Urgh! | 0:46:15 | 0:46:17 | |
After a long day in the classroom, | 0:46:20 | 0:46:23 | |
there's no rest for the girls. | 0:46:23 | 0:46:25 | |
It's back to the hotel for homework. | 0:46:25 | 0:46:27 | |
I've got a funny feeling that we're going to have to remember this. | 0:46:28 | 0:46:32 | |
What does that say? Let me see. Is that "infestation"? Aye. | 0:46:32 | 0:46:37 | |
What, are you just writing it out | 0:46:37 | 0:46:38 | |
and you don't even know what it says? | 0:46:38 | 0:46:40 | |
No! Says, me that didn't even know what mine says! | 0:46:40 | 0:46:43 | |
I wrote I-N-F-E-C and it's no, it's I-N-F-E-S! | 0:46:43 | 0:46:46 | |
I blame the internet and phones, cos if you cannae spell, | 0:46:48 | 0:46:51 | |
the word just comes up for you. Mm-hm. | 0:46:51 | 0:46:54 | |
MUSIC: Gloria by Them | 0:46:54 | 0:46:58 | |
In Glasgow, Marie's on her way to meet a local businessman | 0:47:06 | 0:47:09 | |
who owns a cleaning firm. | 0:47:09 | 0:47:12 | |
He is keen to persuade her | 0:47:12 | 0:47:13 | |
that the two companies would be stronger together. | 0:47:13 | 0:47:16 | |
What you guys do, there's not a lot of people that could do it | 0:47:19 | 0:47:22 | |
and seeing the goriness of how they've passed away, | 0:47:22 | 0:47:25 | |
or how they've been murdered, | 0:47:25 | 0:47:29 | |
or basically how they've died, | 0:47:29 | 0:47:31 | |
that's the bit that I don't like. | 0:47:31 | 0:47:33 | |
But that's what we focus on. | 0:47:33 | 0:47:35 | |
This has been horrendous, it's horrible. | 0:47:36 | 0:47:38 | |
Let's not think about it, let's not let the family see that bit. Yep. | 0:47:38 | 0:47:42 | |
Make it good for them, not seeing the horror that we're seeing. | 0:47:42 | 0:47:46 | |
Basically, you've got that quality that not a lot of people have | 0:47:46 | 0:47:50 | |
with regards to the way you deal with clients. | 0:47:50 | 0:47:52 | |
When I first met you, that's basically what I saw | 0:47:52 | 0:47:54 | |
and the way you were talking about people and I thought, "Yep, | 0:47:54 | 0:47:58 | |
"this could be a good partnership." Mm-hm. | 0:47:58 | 0:48:01 | |
With our company's accreditations | 0:48:01 | 0:48:03 | |
and using both your accreditations and ours, | 0:48:03 | 0:48:09 | |
I see us only growing that side of the business even more and more. | 0:48:09 | 0:48:13 | |
The biohazard, the death scene, the crime scenes, | 0:48:13 | 0:48:16 | |
and start focusing more on that, | 0:48:16 | 0:48:17 | |
rather than doing that and your normal cleans... | 0:48:17 | 0:48:20 | |
Aye. ..then I think we can grow the business tremendously. Mm-hm. | 0:48:20 | 0:48:25 | |
Whilst Marie thinks about the future of her business, | 0:48:27 | 0:48:30 | |
in Bristol, it's day two of the course | 0:48:30 | 0:48:33 | |
and it's practical assessment time. | 0:48:33 | 0:48:35 | |
So, Rhiannon, what was the attraction? | 0:48:37 | 0:48:39 | |
Why did you decide to come into this work, then? | 0:48:39 | 0:48:41 | |
I didn't. You didn't? | 0:48:41 | 0:48:42 | |
I'm beginning to come round now, but... | 0:48:44 | 0:48:47 | |
I'm scared of my first one to go on. | 0:48:47 | 0:48:50 | |
Well, everybody's bound to be nervous and afraid, | 0:48:50 | 0:48:52 | |
but keep to the systems that we show you | 0:48:52 | 0:48:55 | |
and the methods and you'll keep safe. | 0:48:55 | 0:48:57 | |
Rhiannon will be judged on how she handles | 0:48:59 | 0:49:02 | |
a biohazard cleaning situation. | 0:49:02 | 0:49:05 | |
These situations are what we face every day, so this is very common. | 0:49:05 | 0:49:09 | |
She has to work in a reconstructed drug den | 0:49:11 | 0:49:14 | |
and deal with the disposal of dangerous needles. | 0:49:14 | 0:49:17 | |
Just be aware - that's it - of where it is. | 0:49:19 | 0:49:22 | |
Firm grip, pull it out. | 0:49:22 | 0:49:23 | |
Well done, OK. | 0:49:24 | 0:49:26 | |
Do I spray it? OK. | 0:49:26 | 0:49:28 | |
So we know the floor is clear of sharps... | 0:49:28 | 0:49:30 | |
Next up, dealing with blood spills. | 0:49:30 | 0:49:32 | |
But it's not the blood that's turning Rhiannon. | 0:49:34 | 0:49:37 | |
Instead, it's the noise of the scraper. | 0:49:37 | 0:49:39 | |
HARSH SCRAPING | 0:49:39 | 0:49:42 | |
Oh, it's the noise! | 0:49:42 | 0:49:43 | |
LAUGHTER | 0:49:43 | 0:49:45 | |
Oh, I can't, I feel sick! | 0:49:46 | 0:49:49 | |
LAUGHTER | 0:49:49 | 0:49:51 | |
It's like someone with a fork on a plate. | 0:49:51 | 0:49:53 | |
Urgh! | 0:49:53 | 0:49:55 | |
SCRAPING CONTINUES | 0:49:55 | 0:49:57 | |
It's horrible. | 0:49:57 | 0:49:59 | |
Wear earplugs! | 0:49:59 | 0:50:01 | |
I've never seen anybody do that before! | 0:50:03 | 0:50:05 | |
Did you find that beneficial? Yes. You did? Good. | 0:50:08 | 0:50:12 | |
Well done, good. Thank you. Let's go and get a cup of tea. | 0:50:12 | 0:50:15 | |
Thank you. | 0:50:15 | 0:50:16 | |
Did you enjoy that? Aye. Did you? | 0:50:20 | 0:50:22 | |
The practical's more a bit better than sitting listening about it, | 0:50:22 | 0:50:25 | |
do you know what I mean? Hands-on? Mm-hm. | 0:50:25 | 0:50:28 | |
I'm gonnae kill my mum. | 0:50:29 | 0:50:31 | |
Cos I like it! | 0:50:31 | 0:50:32 | |
She'll need to hang about with us all day! I know! | 0:50:33 | 0:50:36 | |
INTERVIEWER: Cos you like it now? Aye! | 0:50:36 | 0:50:39 | |
She's on her way, she is on her way for definite. | 0:50:39 | 0:50:42 | |
It's either this, or cleaning the offices. I know! | 0:50:42 | 0:50:45 | |
After a weekend of intensive training, | 0:50:47 | 0:50:49 | |
Rhiannon seems surprisingly keen to follow in her mother's footsteps. | 0:50:49 | 0:50:54 | |
I think when they talk about how much money you can make | 0:50:56 | 0:50:59 | |
and, obviously, all the different experiences you can go to, | 0:50:59 | 0:51:02 | |
plus I'm pure nosey, so it's excitement, isn't it? | 0:51:02 | 0:51:05 | |
Showed you what it's really about, now you've seen it first-hand. | 0:51:05 | 0:51:08 | |
But that's not saying I might change my mind | 0:51:08 | 0:51:10 | |
when I go to my first death scene! | 0:51:10 | 0:51:12 | |
Cos remember that guy talked about... | 0:51:12 | 0:51:15 | |
They went to a job and a man hung himself and his body lay | 0:51:15 | 0:51:18 | |
for, like, two months and the body actually detached, | 0:51:18 | 0:51:21 | |
came off the head | 0:51:21 | 0:51:22 | |
and an undertaker forgot the head! | 0:51:22 | 0:51:25 | |
Oh, I don't believe that. | 0:51:25 | 0:51:26 | |
Can you imagine going into a job and there was a head there? | 0:51:26 | 0:51:29 | |
I'd be fucking traumatised! I don't believe that. | 0:51:29 | 0:51:31 | |
You can forget a finger... or a tooth. | 0:51:31 | 0:51:33 | |
Aye, but it was hidden, but. It was hanging on a rope, he said. | 0:51:33 | 0:51:36 | |
No, that was a different one. There was another one. | 0:51:36 | 0:51:39 | |
After careful consideration, | 0:51:42 | 0:51:44 | |
Marie has decided to take on a business partner. | 0:51:44 | 0:51:47 | |
A much-needed injection of cash means a new van. | 0:51:48 | 0:51:53 | |
He's just put the new writing on the van. | 0:51:53 | 0:51:56 | |
It looks fantastic, really pleased. | 0:51:56 | 0:51:59 | |
Front, back and sides. | 0:52:02 | 0:52:04 | |
Aww! Nice, isn't it? | 0:52:05 | 0:52:08 | |
MUSIC: The Boss by James Brown | 0:52:08 | 0:52:11 | |
Now that she's completed her training, | 0:52:24 | 0:52:27 | |
Rhiannon is ready to make the transition | 0:52:27 | 0:52:29 | |
into the traumatic biohazard jobs. | 0:52:29 | 0:52:32 | |
We're going to an undiscovered death. | 0:52:35 | 0:52:39 | |
Erm... | 0:52:40 | 0:52:42 | |
three to four months, the victim's lain. | 0:52:42 | 0:52:45 | |
She's out to ruin my life, isn't she? | 0:52:46 | 0:52:49 | |
It's going to be a tough job, but you can't go in with... | 0:52:49 | 0:52:52 | |
You've just got to do it and she'll just need to do it. | 0:52:52 | 0:52:54 | |
It's just the thought of it more. | 0:52:54 | 0:52:57 | |
Once you're in there, you'll be fine, won't you? | 0:52:57 | 0:53:00 | |
You can see by her face she's going to be fine(!) | 0:53:00 | 0:53:02 | |
Oh, I hate my life. | 0:53:04 | 0:53:06 | |
On arrival at the location, | 0:53:16 | 0:53:18 | |
the smell from the flat meets everyone at the front door. | 0:53:18 | 0:53:22 | |
Oh, man! | 0:53:22 | 0:53:24 | |
DRILL WHIRS You wonder how the neighbours never smelled. | 0:53:27 | 0:53:30 | |
SHE GROANS | 0:53:30 | 0:53:32 | |
Wait till you get in | 0:53:32 | 0:53:33 | |
and we start disturbing it. | 0:53:33 | 0:53:35 | |
SHE GASPS Shit. | 0:53:36 | 0:53:39 | |
Once inside, the smell of decomposition intensifies, | 0:53:43 | 0:53:48 | |
but there's no time for weak stomachs. | 0:53:48 | 0:53:50 | |
Get the 240 Hoover out and make sure there's a bag in it. | 0:53:57 | 0:54:00 | |
Somebody will lift it up the stairs for you. | 0:54:00 | 0:54:02 | |
Putting Vicks under my nose so I don't smell as much of the death. | 0:54:11 | 0:54:15 | |
I think I should just do that! | 0:54:18 | 0:54:19 | |
Huge piles of dead flies, | 0:54:33 | 0:54:35 | |
maggot carcasses and body fluids on the sofa | 0:54:35 | 0:54:38 | |
indicate that the remains must have rotted away | 0:54:38 | 0:54:42 | |
over a period of months. | 0:54:42 | 0:54:43 | |
Oh! | 0:54:46 | 0:54:48 | |
See if it's too much, stop, right? | 0:54:48 | 0:54:50 | |
It's no, it's just cos it's pure heavy. | 0:54:50 | 0:54:52 | |
For the new apprentice Rhiannon, this is a tough job. | 0:54:54 | 0:54:58 | |
It's the smell. | 0:54:58 | 0:55:00 | |
I told you it'd get worse as we disturbed it. | 0:55:00 | 0:55:02 | |
Oh, Jesus Chri... Do you want me to do it? Aye, gonnae? | 0:55:03 | 0:55:06 | |
Don't... Do not rub your faces or anything. | 0:55:22 | 0:55:24 | |
Basically took the cushions off where the victim has been lying. | 0:55:30 | 0:55:33 | |
And if you look, | 0:55:33 | 0:55:35 | |
there's obviously been a lot of maggot activity. | 0:55:35 | 0:55:39 | |
See it? It's literally hundreds of them. | 0:55:39 | 0:55:41 | |
See, you can't help feel sorry for them. | 0:55:44 | 0:55:47 | |
It's not their fault that they've died and lay there. | 0:55:48 | 0:55:51 | |
I just can't get how someone can lay that long | 0:55:54 | 0:55:58 | |
and nobody notices. | 0:55:58 | 0:56:00 | |
Do you know what I mean? | 0:56:00 | 0:56:01 | |
Marie challenges Rhiannon | 0:56:05 | 0:56:07 | |
on what she has learned on the course about flies. | 0:56:07 | 0:56:11 | |
Here's a question for youse. | 0:56:11 | 0:56:15 | |
What are they called? | 0:56:15 | 0:56:16 | |
Eh, I'm pretty sure that's a fly, hen! | 0:56:17 | 0:56:19 | |
LAUGHTER No flies on you, Rhiannon! | 0:56:21 | 0:56:23 | |
Gie that girl a hand! | 0:56:25 | 0:56:27 | |
That's not fucking funny! | 0:56:27 | 0:56:30 | |
With the bulk of the cleaning done, | 0:56:35 | 0:56:37 | |
the girls take a moment to respect the fact that this is a place | 0:56:37 | 0:56:40 | |
where someone passed away. | 0:56:40 | 0:56:42 | |
Just lighting a wee candle. | 0:56:43 | 0:56:47 | |
For somebody to lie so long and nobody to have known they were here, | 0:56:47 | 0:56:51 | |
that's quite sad as well, | 0:56:51 | 0:56:53 | |
so just out of respect. Makes me feel a wee bit better. | 0:56:53 | 0:56:56 | |
Rhiannon has now proved to her mum | 0:57:00 | 0:57:02 | |
that she can handle the more traumatic side of the business. | 0:57:02 | 0:57:05 | |
'When you go into things like this, you think to yourself, | 0:57:06 | 0:57:09 | |
'"Right, I'm not scared of dying or anything like that," | 0:57:09 | 0:57:12 | |
'and I don't think a lot of people realise what actually happens | 0:57:12 | 0:57:15 | |
'to your body when it starts to decompose and stuff like that. | 0:57:15 | 0:57:17 | |
'I didn't know until I went to that course. | 0:57:17 | 0:57:20 | |
'I'm like, "I can't believe how far I've come on."' | 0:57:20 | 0:57:22 | |
What's wrong with your own legs? | 0:57:24 | 0:57:26 | |
'I was so proud of her, because she just went in and she just suited up | 0:57:28 | 0:57:33 | |
'and not a single word out her, | 0:57:33 | 0:57:35 | |
'she just done it and she done it fantastic. | 0:57:35 | 0:57:37 | |
'I think that... | 0:57:39 | 0:57:41 | |
'I hope there's a future in it for her.' | 0:57:41 | 0:57:43 | |
Now that Rhiannon is finally part of the biohazard team, | 0:57:47 | 0:57:51 | |
she gets to enjoy the long van journeys | 0:57:51 | 0:57:54 | |
with Marie's favourite music. | 0:57:54 | 0:57:56 | |
MARIE SINGS ALONG: # Your time has come to shine | 0:57:56 | 0:58:03 | |
# All your dreams are on their way | 0:58:03 | 0:58:07 | |
# See how they shine | 0:58:10 | 0:58:15 | |
# Oh, when darkness comes | 0:58:15 | 0:58:22 | |
# And pain is all around | 0:58:22 | 0:58:29 | |
# Like a bridge over troubled water | 0:58:29 | 0:58:36 | |
# I will lay me down | 0:58:36 | 0:58:40 | |
# Like a bridge over troubled water | 0:58:40 | 0:58:48 | |
# I will lay me down... # | 0:58:48 | 0:58:56 |