
Browse content similar to Patrick Kielty's Mulholland Drive. Check below for episodes and series from the same categories and more!
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Whoo-hoo! | 0:00:04 | 0:00:08 | |
Oh, it doesn't get any better than this! | 0:00:08 | 0:00:10 | |
Top-down, sun out, driving up Mulholland Drive. | 0:00:10 | 0:00:14 | |
One of the most iconic roads in the whole of America. | 0:00:14 | 0:00:17 | |
It overlooks Los Angeles, | 0:00:19 | 0:00:21 | |
arguably one of the most iconic cities in the world. | 0:00:21 | 0:00:25 | |
This road is named after William Mulholland. | 0:00:25 | 0:00:27 | |
I don't know that much about William, but I do know two things - | 0:00:27 | 0:00:31 | |
one, he's from Belfast. | 0:00:31 | 0:00:34 | |
And two, | 0:00:34 | 0:00:35 | |
without him, none of all of that would exist. | 0:00:35 | 0:00:40 | |
I first came here when I was 18, | 0:00:40 | 0:00:41 | |
and I fell totally in love with the place. | 0:00:41 | 0:00:45 | |
But it's only recently | 0:00:45 | 0:00:47 | |
that I discovered its connection with Belfast. | 0:00:47 | 0:00:50 | |
If William Mulholland hadn't come along when he did, | 0:00:50 | 0:00:53 | |
there could not have been a Los Angeles as we know it today. | 0:00:53 | 0:00:57 | |
He was the architect and builder of the Los Angeles Aqueduct, | 0:00:57 | 0:01:01 | |
one of the greatest engineering projects in the world. | 0:01:01 | 0:01:04 | |
He was a genius. | 0:01:04 | 0:01:06 | |
It was remarkable what was accomplished over 100 years ago. | 0:01:06 | 0:01:10 | |
He's an Irishman who changed the lives of millions of people. | 0:01:10 | 0:01:14 | |
And yet, up to a few weeks ago, I had never even heard of him. | 0:01:14 | 0:01:17 | |
How did they do that? How did people not...? | 0:01:17 | 0:01:19 | |
-Mulholland, you've got to read that book. -About Mulholland? -Yeah. | 0:01:19 | 0:01:23 | |
What I discover is that the story of how LA got its water | 0:01:23 | 0:01:26 | |
is one of money, greed and power. | 0:01:26 | 0:01:30 | |
And it's still impacting people today. | 0:01:30 | 0:01:33 | |
-So many people in this town that have Lyme Disease. -Really? | 0:01:33 | 0:01:37 | |
Think it has a lot to do with the stuff they're breathing off that lake. | 0:01:37 | 0:01:41 | |
Surprisingly, it remains an open wound that, even today, | 0:01:41 | 0:01:45 | |
people are reluctant to talk about. | 0:01:45 | 0:01:47 | |
AMERICAN ACCENT: Don't you ever call this number again! | 0:01:47 | 0:01:49 | |
I have a dog and a gun and I will use it! | 0:01:49 | 0:01:52 | |
This is my journey to discover the truth about William Mulholland. | 0:01:52 | 0:01:57 | |
COCKNEY ACCENT: This is where they shot Terminator, this is where they shot Grease. | 0:01:57 | 0:02:00 | |
And this is where they shoot Patrick Kielty's Mulholland Drive. | 0:02:00 | 0:02:04 | |
CAR HORN | 0:02:14 | 0:02:16 | |
My journey with William starts here, though, in Northern Ireland. | 0:02:18 | 0:02:22 | |
Because there's a couple of things that you need to know about me. | 0:02:22 | 0:02:26 | |
This is where I'm from, this is where my family's from. | 0:02:26 | 0:02:28 | |
This is the Mourne Mountains. It's beautiful. | 0:02:28 | 0:02:32 | |
I feel like I'm on Billy Connelly's World Tour Of Scotland. | 0:02:32 | 0:02:35 | |
"Take a look at it! Isn't it gorgeous? | 0:02:35 | 0:02:39 | |
"And people don't know about it!" | 0:02:39 | 0:02:42 | |
And German tourists now come, | 0:02:42 | 0:02:43 | |
and they take their tea and they look at this, and they say, | 0:02:43 | 0:02:46 | |
"Isn't it lovely they've stopped fighting?" | 0:02:46 | 0:02:48 | |
But I'm not here for this, and the Kieltys didn't come to the Mourne Mountains because of this. | 0:02:48 | 0:02:52 | |
The Kieltys came to the Mourne Mountains for sexy stuff, | 0:02:52 | 0:02:55 | |
like this. | 0:02:55 | 0:02:56 | |
It's a wall. | 0:02:59 | 0:03:00 | |
It might just be a wall to you, but behind that wall | 0:03:00 | 0:03:04 | |
is hundreds and thousands of gallons of water. | 0:03:04 | 0:03:07 | |
You see, my great-grandad was one of the men who helped build | 0:03:07 | 0:03:11 | |
dams like this. And my dad worked for the water service. | 0:03:11 | 0:03:14 | |
He looked after all the leaks in County Down, | 0:03:14 | 0:03:17 | |
and made sure everything was cushty. | 0:03:17 | 0:03:19 | |
And for you, that might not look sexy. | 0:03:19 | 0:03:23 | |
But for a Kielty, water runs through the veins. | 0:03:23 | 0:03:26 | |
Along with Guinness and whiskey, | 0:03:27 | 0:03:30 | |
and, on a Sunday night, gin. | 0:03:30 | 0:03:33 | |
And this is the reason why I need to find out about William Mulholland. | 0:03:33 | 0:03:38 | |
Because he came from here, he went to LA, and he did stuff like this. | 0:03:38 | 0:03:41 | |
The engineering equivalent of Elle Macpherson in her bra and knickers. | 0:03:43 | 0:03:48 | |
Sexy. | 0:03:50 | 0:03:51 | |
Almost as sexy as this place - LA. | 0:03:52 | 0:03:55 | |
Which I now call my second home. | 0:03:55 | 0:03:58 | |
And every time I come here, I marvel at just how, well, | 0:03:58 | 0:04:01 | |
lush this place is. | 0:04:01 | 0:04:03 | |
But despite all the greenery, on average, | 0:04:11 | 0:04:14 | |
this town only gets 15 inches of rain a year. | 0:04:14 | 0:04:18 | |
Some deserts get more. | 0:04:18 | 0:04:19 | |
So how do they do it? Where does all the water come from? | 0:04:19 | 0:04:22 | |
ENGINE REVS | 0:04:25 | 0:04:28 | |
Why, this car is automatic... | 0:04:28 | 0:04:30 | |
ENGINE REVS | 0:04:30 | 0:04:32 | |
..it's systematic... | 0:04:32 | 0:04:33 | |
ENGINE REVS | 0:04:33 | 0:04:34 | |
..it's hyyyyyydromatic. | 0:04:34 | 0:04:38 | |
Hang on, Nick. | 0:04:40 | 0:04:42 | |
Why, it's greased lightning! | 0:04:42 | 0:04:43 | |
So, LA, like every other major city has a major river. | 0:04:52 | 0:04:56 | |
And this is it, the LA River. | 0:04:56 | 0:04:59 | |
There's only one tiny problem with the LA River - | 0:04:59 | 0:05:02 | |
I'm able to drive in it. | 0:05:02 | 0:05:04 | |
Ah. | 0:05:06 | 0:05:07 | |
LA is susceptible to flooding, which is | 0:05:07 | 0:05:10 | |
why this huge concrete channel was built in the 1930s. | 0:05:10 | 0:05:14 | |
But most of the time, the river is just | 0:05:14 | 0:05:17 | |
a tiny trickle of water down the middle. | 0:05:17 | 0:05:19 | |
When I first came out to LA in 1989, | 0:05:19 | 0:05:22 | |
I used to drive across one of these bridges and I used to look down, | 0:05:22 | 0:05:26 | |
and I knew that they'd shot Grease there. And I thought to myself, | 0:05:26 | 0:05:28 | |
one day, you will shoot your own movie down in that river. | 0:05:28 | 0:05:32 | |
It's not the toughest of gigs this, really, is it? | 0:05:32 | 0:05:35 | |
Just driving up and down. VERY DISTANT BANG Was that a gunshot there? | 0:05:35 | 0:05:39 | |
Was that a firework or a gunshot? | 0:05:39 | 0:05:40 | |
This is the problem about filming in downtown LA on the 4th of July - | 0:05:40 | 0:05:44 | |
you're just not quite sure... | 0:05:44 | 0:05:45 | |
..if it's a firework or a gunshot? | 0:05:47 | 0:05:49 | |
Obviously... | 0:05:50 | 0:05:52 | |
You know... | 0:05:52 | 0:05:54 | |
I grew up in Belfast, that type of stuff doesn't scare me. | 0:05:54 | 0:05:57 | |
We should go. | 0:05:58 | 0:06:00 | |
-Let's go! -Let's go, let's go. | 0:06:00 | 0:06:02 | |
Originally, the river was the city's primary source of water. | 0:06:04 | 0:06:07 | |
But by the turn of the 19th century, | 0:06:07 | 0:06:09 | |
LA's population had grown to around 100,000 people. | 0:06:09 | 0:06:13 | |
A lack of water meant that it could grow no more. | 0:06:13 | 0:06:16 | |
To find out how they solved the problem, I've come here, to the | 0:06:17 | 0:06:21 | |
headquarters of the Los Angeles Department Of Power And Water. | 0:06:21 | 0:06:24 | |
Where they have a modest museum in the foyer, | 0:06:24 | 0:06:27 | |
dedicated to William Mulholland. | 0:06:27 | 0:06:29 | |
So this is it, this is the Mulholland Museum. | 0:06:32 | 0:06:35 | |
Which I didn't even know existed. | 0:06:35 | 0:06:37 | |
You guys won't even know it existed. | 0:06:37 | 0:06:40 | |
I'm looking at an Irishman comes to America, which is just brilliant. | 0:06:40 | 0:06:45 | |
He was a bit of a rogue, I think. | 0:06:47 | 0:06:49 | |
He obviously left home, not really getting on with the aul' fella, | 0:06:49 | 0:06:53 | |
as they say. | 0:06:53 | 0:06:54 | |
Then him and his brother decided to jump on a boat. | 0:06:54 | 0:06:57 | |
They ended up in Acapulco, as you do. | 0:06:57 | 0:07:00 | |
And then, from San Francisco, | 0:07:00 | 0:07:02 | |
they decided to ride horses all the way down to LA. | 0:07:02 | 0:07:07 | |
Just for the craic. | 0:07:07 | 0:07:08 | |
It's only a small museum, | 0:07:09 | 0:07:11 | |
but the more I look around it, the more I'm impressed with William. | 0:07:11 | 0:07:14 | |
From that horseback arrival in LA, he educated himself at home. | 0:07:14 | 0:07:18 | |
He read books, he studied, | 0:07:18 | 0:07:20 | |
and he became a self-made superintendent of the water company. | 0:07:20 | 0:07:24 | |
With a reputation as a can-do kind of guy. | 0:07:24 | 0:07:27 | |
He used this. This is the Thatcher's calculating instrument. | 0:07:28 | 0:07:33 | |
It looks like one of those tombolas that you pick a ticket out at Christmas in a bazaar. | 0:07:33 | 0:07:37 | |
And say, it's a buff-coloured ticket. | 0:07:37 | 0:07:38 | |
It's essentially a 30-foot engineer's slide rule. | 0:07:38 | 0:07:42 | |
And he learned to use that. | 0:07:42 | 0:07:43 | |
I could actually look at that for the length of career that | 0:07:43 | 0:07:47 | |
William Mulholland had, and I still wouldn't know what that's about. | 0:07:47 | 0:07:50 | |
So there's one reason, really, why this museum is here. | 0:07:53 | 0:07:56 | |
It's the turn of the century, LA is pretty small, | 0:07:56 | 0:08:00 | |
and it's running out of water already. | 0:08:00 | 0:08:02 | |
And after years of surveys, they chose a water source north of LA. | 0:08:02 | 0:08:06 | |
How far north? | 0:08:06 | 0:08:08 | |
Well, in the Sierra Nevada mountains. | 0:08:08 | 0:08:10 | |
This is 233 miles from LA. | 0:08:10 | 0:08:15 | |
So how were they going to get the water? | 0:08:16 | 0:08:19 | |
Who did they call? | 0:08:19 | 0:08:20 | |
William Mulholland. | 0:08:21 | 0:08:23 | |
And he built the Los Angeles Aqueduct, | 0:08:23 | 0:08:25 | |
from here right the way back to LA. | 0:08:25 | 0:08:29 | |
And just even seeing this model, it's amazing. | 0:08:30 | 0:08:33 | |
And that's where I want to go next. | 0:08:35 | 0:08:37 | |
William's vision, determination and guts to think that he could build | 0:08:43 | 0:08:47 | |
an aqueduct is only matched by his skill in completing it. | 0:08:47 | 0:08:51 | |
Today, it is still a triumph of engineering. | 0:08:53 | 0:08:56 | |
Crossing valleys, mountains, deserts, right into the heart of California. | 0:08:56 | 0:09:01 | |
And to see it for myself, I head north to Owens Valley. | 0:09:01 | 0:09:05 | |
It is here, 100 years ago, that they discovered the Owens River. | 0:09:05 | 0:09:10 | |
Fed year-round by the melting snow from the Sierra Nevada mountains. | 0:09:10 | 0:09:13 | |
I've arranged to meet the current chief engineer, Jim, | 0:09:16 | 0:09:19 | |
at the start of William's aqueduct. | 0:09:19 | 0:09:21 | |
This is the spot where the Owens River was diverted to bring | 0:09:24 | 0:09:28 | |
water into the human-made ditch that flows south and eventually goes | 0:09:28 | 0:09:34 | |
into it a concrete-lined section, it goes into the pipes that | 0:09:34 | 0:09:38 | |
brings water, strictly by gravity, to Los Angeles, 233 miles south. | 0:09:38 | 0:09:44 | |
That wouldn't have happened without William Mulholland. | 0:09:44 | 0:09:46 | |
It was his genius to bring water from this wonderful area | 0:09:46 | 0:09:50 | |
that has snowpack, to Los Angeles. | 0:09:50 | 0:09:53 | |
-And over 100 years later, this is still bringing the water to LA? -Yes. | 0:09:53 | 0:09:58 | |
This provides, on a typical year, | 0:09:58 | 0:10:01 | |
a third of the city of Los Angeles' water. | 0:10:01 | 0:10:04 | |
A third. | 0:10:04 | 0:10:06 | |
To do this today would be pretty impressive. | 0:10:06 | 0:10:09 | |
To do it back then, with what Mulholland had... | 0:10:09 | 0:10:12 | |
What was he actually working with? | 0:10:12 | 0:10:13 | |
Well, back then we didn't have aeroplanes. | 0:10:13 | 0:10:16 | |
We didn't have computers. | 0:10:16 | 0:10:18 | |
We did not understand geology like we do today. | 0:10:18 | 0:10:22 | |
So back then, they were doing just simple civil engineering | 0:10:22 | 0:10:26 | |
calculations for hydraulics. | 0:10:26 | 0:10:29 | |
But the physical labour to bring this in was basically mules | 0:10:29 | 0:10:32 | |
and horses to actually bring the materials up. | 0:10:32 | 0:10:35 | |
They had 4,000 people labour. | 0:10:35 | 0:10:38 | |
And then, they had to build labour camps to feed all these people. | 0:10:38 | 0:10:43 | |
And the weather here is extreme. | 0:10:43 | 0:10:45 | |
It gets extremely cold and extremely hot. | 0:10:45 | 0:10:49 | |
So that was quite a challenge. | 0:10:49 | 0:10:50 | |
But they were able to do it within that five-year period. | 0:10:50 | 0:10:53 | |
A remarkable feat of engineering, | 0:10:53 | 0:10:55 | |
and a remarkable feat of human beings. | 0:10:55 | 0:10:58 | |
Pretty incredible. | 0:10:58 | 0:10:59 | |
The aqueduct starts as an open ditch. | 0:11:01 | 0:11:03 | |
But to get it over hills further south, | 0:11:03 | 0:11:06 | |
a pipeline had to be constructed. | 0:11:06 | 0:11:08 | |
Jim directs me to a section of the aqueduct that passes right | 0:11:08 | 0:11:12 | |
through the heart of the Mojave Desert. | 0:11:12 | 0:11:14 | |
Phew! | 0:11:17 | 0:11:18 | |
This is Jawbone Canyon. | 0:11:20 | 0:11:23 | |
It's pleasantly warm, folks. | 0:11:24 | 0:11:26 | |
Just in around your 40 degrees Celsius. | 0:11:26 | 0:11:30 | |
There's no real place on the aqueduct that shows you better what | 0:11:30 | 0:11:34 | |
Mulholland had to do to get the water to LA. | 0:11:34 | 0:11:37 | |
On this side, we've got 1000 feet, on this side, | 0:11:37 | 0:11:40 | |
we've got 500 feet on this side. | 0:11:40 | 0:11:42 | |
So rather than go around it, Mulholland said, right, | 0:11:42 | 0:11:45 | |
we're going to take a pipe, | 0:11:45 | 0:11:47 | |
we're going to run it down, | 0:11:47 | 0:11:49 | |
across the bottom and straight back up. | 0:11:49 | 0:11:51 | |
And you look at it now and you think to yourself, well, that's not | 0:11:51 | 0:11:54 | |
very impressive, Paddy, he can pump it down and pump it up... | 0:11:54 | 0:11:57 | |
But he didn't pump it. | 0:11:57 | 0:11:59 | |
It was all done with gravity. | 0:11:59 | 0:12:01 | |
And it's an amazing feat of engineering. | 0:12:01 | 0:12:04 | |
And the miracle today is that a third of LA's water, today, | 0:12:04 | 0:12:09 | |
still comes down that pipe, | 0:12:09 | 0:12:12 | |
along the bottom, | 0:12:12 | 0:12:13 | |
and straight back up that hill. | 0:12:13 | 0:12:15 | |
It's pretty impressive. | 0:12:16 | 0:12:18 | |
This place is round the corner from Death Valley. | 0:12:23 | 0:12:26 | |
So that means summer highs of 40 degrees Celsius, | 0:12:26 | 0:12:29 | |
plus nightly lows of -10. | 0:12:29 | 0:12:31 | |
But despite all this, the aqueduct was constructed on time, | 0:12:33 | 0:12:37 | |
and, believe it or not, on budget. | 0:12:37 | 0:12:39 | |
To understand what a miracle this was, | 0:12:39 | 0:12:42 | |
I've come to the nearby Eastern California Museum. | 0:12:42 | 0:12:45 | |
This is the stuff that built the aqueduct. | 0:12:49 | 0:12:53 | |
These huge, huge pipes that they used. They went on this. | 0:12:53 | 0:12:56 | |
And teams of men pulled it through in the heat of the day. | 0:12:56 | 0:13:00 | |
It's half one in the afternoon, | 0:13:00 | 0:13:03 | |
and I can't put my hand on that because of the heat. | 0:13:03 | 0:13:07 | |
And yet the lads were pulling this stuff through. | 0:13:07 | 0:13:10 | |
And so, the sheer effort that they had to go through to make | 0:13:10 | 0:13:14 | |
this thing happen in the middle of the desert. | 0:13:14 | 0:13:17 | |
You know, "Kielty, come on! | 0:13:17 | 0:13:19 | |
"Shift this! You're behind on your shift!" | 0:13:19 | 0:13:21 | |
I can barely lift that, it's not even full of concrete. | 0:13:21 | 0:13:25 | |
And it's all just lying here. It's just rotten. | 0:13:25 | 0:13:28 | |
This is the graveyard to the whole thing. | 0:13:30 | 0:13:32 | |
Some of this stuff should probably be in LA. | 0:13:34 | 0:13:37 | |
And some of this stuff should probably be in Belfast. | 0:13:37 | 0:13:41 | |
You know, there's enough stuff lying here that nobody really cares about, | 0:13:41 | 0:13:44 | |
that they should bring some of this stuff home. | 0:13:44 | 0:13:48 | |
Let people know what Mulholland did. | 0:13:50 | 0:13:53 | |
The day the water arrived in LA, | 0:13:58 | 0:14:00 | |
tens of thousands of people turned up to see it. | 0:14:00 | 0:14:04 | |
Mulholland was hailed as the conquering hero, | 0:14:04 | 0:14:06 | |
and given an honorary degree. | 0:14:06 | 0:14:08 | |
So this is where the water comes into LA, the LA Cascades. | 0:14:09 | 0:14:13 | |
Which, as you can see by the pipe running down the side, | 0:14:13 | 0:14:16 | |
is completely unnecessary. | 0:14:16 | 0:14:18 | |
But then again, this is LA. | 0:14:18 | 0:14:20 | |
So I can imagine the chat. | 0:14:20 | 0:14:22 | |
"All right so, I've build the world's longest aqueduct, | 0:14:22 | 0:14:25 | |
"I'm just going to bring it in and just pipe it under the city." | 0:14:25 | 0:14:27 | |
"No, whaddaya mean, you're going to pipe it under the city?" | 0:14:27 | 0:14:30 | |
"I'll just bring it in, bring the water." | 0:14:30 | 0:14:32 | |
"Come on, Willie - we need the people to see something. | 0:14:32 | 0:14:34 | |
"This is showbiz, this is LA, Willie. Come on, whaddaya got for us?" | 0:14:34 | 0:14:37 | |
"Erm... I don't know. I could maybe throw a couple of blocks in." | 0:14:37 | 0:14:42 | |
"OK, we like blocks. Now what do the blocks do?" | 0:14:42 | 0:14:44 | |
"Erm... The blocks make the water sort of bubble a bit." | 0:14:44 | 0:14:47 | |
"I like that! Will the light glisten off it?" "The light'll glisten off it." | 0:14:47 | 0:14:51 | |
"Will the people of LA be impressed by this, Willie?" | 0:14:51 | 0:14:54 | |
"I think it'll be OK." "They better be impressed, Willie, | 0:14:54 | 0:14:56 | |
"or this will be the last job you'll ever have in this town!" | 0:14:56 | 0:14:59 | |
"OK. Here's the Cascades." | 0:14:59 | 0:15:01 | |
With the water came massive expansion. | 0:15:01 | 0:15:04 | |
And because of the aqueduct, the population of Los Angeles exploded. | 0:15:04 | 0:15:09 | |
In the 20 years from construction starting, LA grew seven times over. | 0:15:09 | 0:15:14 | |
William though he'd given the city water for years to come. | 0:15:14 | 0:15:18 | |
But within a few years of opening those floodgates, guess what? | 0:15:18 | 0:15:22 | |
The city needed more. | 0:15:22 | 0:15:24 | |
Because the city had effectively bought up the entire Owens Valley, | 0:15:24 | 0:15:28 | |
originally to protect the supply and the quality, they now had full | 0:15:28 | 0:15:32 | |
water rights, and so could start pumping water out of the water table. | 0:15:32 | 0:15:36 | |
Which is exactly what they did. | 0:15:36 | 0:15:38 | |
So, as LA became the fastest-growing city in the whole of America, | 0:15:46 | 0:15:49 | |
what were the effects on the Owens Valley? | 0:15:49 | 0:15:52 | |
And I can't imagine that William Mulholland was exactly popular. | 0:15:52 | 0:15:57 | |
We're now driving into the Owens Valley. | 0:15:57 | 0:15:59 | |
Into one of these towns that has basically been pumped dry of water. | 0:15:59 | 0:16:04 | |
And I have absolutely no idea what type of reception | 0:16:04 | 0:16:07 | |
we're going to get when we mention my man. | 0:16:07 | 0:16:12 | |
I'm a bit nervous, if I'm being very honest. | 0:16:15 | 0:16:18 | |
We actually tried to call someone up here to talk to. | 0:16:20 | 0:16:24 | |
And we thought, you know, we're doing a documentary | 0:16:24 | 0:16:27 | |
about something that happened years and years ago, | 0:16:27 | 0:16:29 | |
and someone will say, ah, yes, I remember that. | 0:16:29 | 0:16:32 | |
And the conversation basically went like this: | 0:16:32 | 0:16:34 | |
"Hello, we're from the BBC, | 0:16:34 | 0:16:36 | |
"we would like to talk to you about William Mulholland." | 0:16:36 | 0:16:39 | |
"How did you get this number? What are you doing? | 0:16:39 | 0:16:41 | |
"Don't you ever call this number again! | 0:16:41 | 0:16:44 | |
"I have a dog and a gun, and I will use it!" | 0:16:44 | 0:16:47 | |
Click. | 0:16:47 | 0:16:48 | |
This is really the only contact that we've actually had with | 0:16:48 | 0:16:52 | |
people just up the road here. | 0:16:52 | 0:16:54 | |
So, erm... | 0:16:54 | 0:16:55 | |
This could be, could be fun. | 0:16:55 | 0:16:57 | |
Could be fun. | 0:16:57 | 0:16:58 | |
Or not fun. | 0:17:00 | 0:17:01 | |
Probably more "not fun" than "fun", I'd imagine. | 0:17:01 | 0:17:04 | |
En route, I pull off the main highway towards the Owens Lake, | 0:17:11 | 0:17:15 | |
fed by the Owens River. | 0:17:15 | 0:17:17 | |
Which, according to Google Maps, has plenty of water. | 0:17:17 | 0:17:20 | |
This is what the Owens Lake is. | 0:17:22 | 0:17:24 | |
And it's huge, it looks like it's ten miles long, six miles wide, | 0:17:24 | 0:17:29 | |
and we've come up to take a look at what this looks like. | 0:17:29 | 0:17:33 | |
Oh-ho! | 0:17:37 | 0:17:39 | |
There's nothing here. | 0:17:39 | 0:17:40 | |
There's basically no lake. | 0:17:43 | 0:17:44 | |
But there's a lovely lakeside village there. | 0:17:44 | 0:17:49 | |
And I should probably go and maybe have a chat with them, | 0:17:49 | 0:17:52 | |
and see what they make of their lakeside properties. | 0:17:52 | 0:17:57 | |
This is going to be messy. | 0:17:59 | 0:18:00 | |
Keeler, population 50. | 0:18:06 | 0:18:09 | |
We come in peace. | 0:18:12 | 0:18:14 | |
People of Keeler, we come in peace. | 0:18:14 | 0:18:16 | |
So, this would have been the local pool, | 0:18:38 | 0:18:40 | |
where people would have hung out and had fun, had a few margaritas. | 0:18:40 | 0:18:45 | |
When there was...water. | 0:18:46 | 0:18:49 | |
Um...I find this very, very sad. | 0:18:50 | 0:18:54 | |
You see, I thought I was going to come up here | 0:18:56 | 0:18:59 | |
and I was going to feel, oh, isn't this terrible, what they did to here? | 0:18:59 | 0:19:05 | |
And now, I kind of feel really, really guilty. I feel... | 0:19:05 | 0:19:10 | |
I feel the place that I live in LA is the reason why this is like this. | 0:19:11 | 0:19:18 | |
And I know this is in the middle of nowhere, | 0:19:19 | 0:19:22 | |
and I know there's only a few houses, | 0:19:22 | 0:19:24 | |
and I know that LA needed the water and it was a huge, big city, | 0:19:24 | 0:19:28 | |
but it doesn't really make this any less tragic, really. | 0:19:28 | 0:19:32 | |
Keeler seems deserted, | 0:19:36 | 0:19:38 | |
apart from some weird sprinklers out on the lake. | 0:19:38 | 0:19:41 | |
I need to find answers. But first, I need to find people. | 0:19:42 | 0:19:46 | |
There doesn't seem to be anybody. I mean actually anybody living here. | 0:19:55 | 0:20:00 | |
There's a sign on the wall there which says, "We don't dial 911." | 0:20:01 | 0:20:06 | |
And there's two guns beside that. | 0:20:06 | 0:20:09 | |
With an American flag. | 0:20:09 | 0:20:11 | |
Hang on, so we've been here a little while | 0:20:17 | 0:20:20 | |
and this is the only person so far that appears to be alive. | 0:20:20 | 0:20:25 | |
So I'm going to chance my arm and go and say howdy-doody | 0:20:25 | 0:20:30 | |
and hopefully she doesn't have a gun. | 0:20:30 | 0:20:33 | |
She's smiling. | 0:20:38 | 0:20:40 | |
It's a good sign. | 0:20:40 | 0:20:42 | |
How you guys doing? Hot and muggy here today. | 0:20:42 | 0:20:45 | |
-It's all that rain. -Hey, how are you doing? | 0:20:45 | 0:20:48 | |
-OK. -I'm Patrick. -I'm Suzanne. | 0:20:48 | 0:20:50 | |
-Suzanne, very nice to meet you. -Nice to meet you. | 0:20:50 | 0:20:52 | |
You are the only person I've seen in the entire place. | 0:20:52 | 0:20:55 | |
-Are you serious? -Yeah. -Oh, my gosh. | 0:20:55 | 0:20:58 | |
-It's, um... -Well, there's a few of 'em. -Yeah? | 0:20:58 | 0:21:00 | |
There's supposed to be 50 population, | 0:21:00 | 0:21:03 | |
but I've never seen all of them at once. | 0:21:03 | 0:21:05 | |
-Probably 30. -At any one time? -Yeah. | 0:21:05 | 0:21:09 | |
Suzanne Seymour Heckerthorn lives in an abandoned petrol station | 0:21:09 | 0:21:13 | |
that used to belong to her parents. | 0:21:13 | 0:21:15 | |
AMERICAN ACCENT: But no-one seems to be stoppin' here no more. | 0:21:15 | 0:21:19 | |
-You know, we've just driven in. -Right. -And we were coming... | 0:21:19 | 0:21:24 | |
I looked at the map and there was a big lake | 0:21:24 | 0:21:26 | |
and I thought I'd come and have a look at the lake. | 0:21:26 | 0:21:30 | |
What's happened to the...? | 0:21:30 | 0:21:32 | |
-Oh, Los Angeles has the water. -Yeah? | 0:21:32 | 0:21:35 | |
Were hoping they'll give it back someday so that we have, | 0:21:35 | 0:21:38 | |
you know, lakefront property. | 0:21:38 | 0:21:40 | |
So that's why you've got the Los Angeles T-shirt on, is it? | 0:21:40 | 0:21:44 | |
Yeah. Give us back our water! | 0:21:44 | 0:21:45 | |
So, what happened here? | 0:21:45 | 0:21:47 | |
There were, like, more than 3,000 people lived here at one time. | 0:21:47 | 0:21:50 | |
-Really? -They had a Sears. A Sears, yeah! | 0:21:50 | 0:21:54 | |
-There was a Sears here? -Yes. -A department store? | 0:21:54 | 0:21:57 | |
Yeah, there were all kinds of stores and everything, | 0:21:57 | 0:21:59 | |
there were a couple of hotels, probably 40 years ago. | 0:21:59 | 0:22:02 | |
They started draining the lake and so what we ended up with was | 0:22:02 | 0:22:08 | |
a dry lake bed, and when the wind blows, we get the soda ash. | 0:22:08 | 0:22:14 | |
It's like a white dust. | 0:22:14 | 0:22:16 | |
So, when it's blowing like that, | 0:22:16 | 0:22:18 | |
I just close all the windows in the house and just stay in there | 0:22:18 | 0:22:22 | |
until, you know, I can come out again. | 0:22:22 | 0:22:25 | |
-So that's why they...? -So many people in this town have lung disease. | 0:22:25 | 0:22:29 | |
-Really? -Yeah. -And it's all because you think the...? | 0:22:29 | 0:22:33 | |
I think it has a lot to do | 0:22:33 | 0:22:35 | |
with the stuff they're breathing off that lake. | 0:22:35 | 0:22:38 | |
So what happens out on the lake bed now? | 0:22:38 | 0:22:42 | |
They have a project going where they're putting down straw, | 0:22:42 | 0:22:45 | |
they're putting straw out, big bales of straw, | 0:22:45 | 0:22:48 | |
and they're putting three plants to each bale | 0:22:48 | 0:22:53 | |
and it's a certain plant, I guess, that grows pretty fast | 0:22:53 | 0:22:56 | |
and will spread, and they're hoping that it will make it | 0:22:56 | 0:23:00 | |
cover over that soda ash so that it doesn't blow any more. | 0:23:00 | 0:23:04 | |
-Ah, OK. -Yeah, and they have water systems that are watering it, | 0:23:04 | 0:23:09 | |
so we're really curious to find out if it's going to work or not. | 0:23:09 | 0:23:14 | |
I hope it does. | 0:23:14 | 0:23:16 | |
I really admire Suzanne's spirit. | 0:23:21 | 0:23:23 | |
She's a survivor in a town that's clearly struggling. | 0:23:23 | 0:23:27 | |
Further north, on the main truck route, | 0:23:29 | 0:23:32 | |
I hit Lone Pine, which seems like it's caught in a time warp. | 0:23:32 | 0:23:36 | |
Even though they're not next to a dried-up lake bed, | 0:23:46 | 0:23:48 | |
there's only one topic that they're touchy about - | 0:23:48 | 0:23:51 | |
water. | 0:23:51 | 0:23:53 | |
I really want to find out more answers | 0:23:54 | 0:23:57 | |
about what people up here think about William Mulholland. | 0:23:57 | 0:24:01 | |
So, wanting to blend in, I stop at Lloyd's of Lone Pine Western Wear. | 0:24:01 | 0:24:06 | |
AMERICAN ACCENT: Established in 1838, son. | 0:24:06 | 0:24:09 | |
So, we think that, or is there another one you'd maybe recommend? | 0:24:09 | 0:24:13 | |
-What do you think? -It looks good, but how does it feel? | 0:24:13 | 0:24:17 | |
You want to be able to snug it down. You snug it down like this. | 0:24:17 | 0:24:20 | |
-OK. -Yeah, right here, front and back. | 0:24:20 | 0:24:22 | |
-You put your hands like this. -Yeah? | 0:24:22 | 0:24:25 | |
No, like this, son. There you go. | 0:24:25 | 0:24:28 | |
And snug it down in a windstorm. | 0:24:28 | 0:24:30 | |
You see, this bit here is hitting the top of my head now. | 0:24:30 | 0:24:33 | |
-Is that what it should be doing? -Yeah. | 0:24:33 | 0:24:35 | |
It's got a sweat in it so it conforms, | 0:24:35 | 0:24:38 | |
you know, in a floating band, you know. | 0:24:38 | 0:24:40 | |
The good thing about it is that, you know, | 0:24:40 | 0:24:42 | |
my genetic make-up means that I am sweating in this. | 0:24:42 | 0:24:46 | |
-Just as we stand here, this is good. -Are you? Are you nervous? | 0:24:46 | 0:24:49 | |
-I'm sweating like a priest in a playground here. -Are you? -Yeah. | 0:24:49 | 0:24:52 | |
-On the boys' choir? -Yeah. | 0:24:52 | 0:24:54 | |
LAUGHTER | 0:24:54 | 0:24:56 | |
OK, let's go and have a wee look at this. | 0:24:56 | 0:24:58 | |
'After a bit of hat chat, | 0:24:58 | 0:24:59 | |
'I feel confident that I can ask some more searching questions. | 0:24:59 | 0:25:03 | |
'And Rod Ayers soon tells me about how this city of LA | 0:25:03 | 0:25:07 | |
'got hold of the water in the Owens Valley. | 0:25:07 | 0:25:10 | |
'They started by buying up the land.' | 0:25:10 | 0:25:12 | |
Can you answer me just a couple of wee things about the town? | 0:25:12 | 0:25:15 | |
Because, you know, I was told | 0:25:15 | 0:25:17 | |
that this is the town that's most affected by the water going to LA. | 0:25:17 | 0:25:21 | |
And yet it seems to be, you know, | 0:25:21 | 0:25:24 | |
a really nice, little picture-postcard town. | 0:25:24 | 0:25:27 | |
No. You go looking around the country, we're dry. | 0:25:27 | 0:25:30 | |
Yeah? | 0:25:30 | 0:25:32 | |
Go film some of the creeks, they ain't even going across the road. | 0:25:32 | 0:25:35 | |
Did this town do anything when the water was sent down, | 0:25:35 | 0:25:38 | |
-or could anyone do anything? -No. | 0:25:38 | 0:25:40 | |
It bought ranches in blocks. | 0:25:40 | 0:25:43 | |
The city of Los Angeles owns the land. | 0:25:43 | 0:25:45 | |
They were supposed to give the ranches irrigation water | 0:25:47 | 0:25:49 | |
and everything, but they're sticking all the water out here | 0:25:49 | 0:25:53 | |
on the lake for environmental reasons - dust control. | 0:25:53 | 0:25:55 | |
They said that's the nastiest lake in the state of California. | 0:25:55 | 0:25:59 | |
And because the city of Los Angeles owns the land for its water, | 0:25:59 | 0:26:03 | |
very little development has taken place here for the past 100 years. | 0:26:03 | 0:26:08 | |
Thankfully, though, they still have a saloon, | 0:26:19 | 0:26:22 | |
where I'd arranged to meet some of the old-timers to find out more. | 0:26:22 | 0:26:26 | |
Please, sir? | 0:26:27 | 0:26:29 | |
-Can I get a beer, please? -Yeah. | 0:26:32 | 0:26:33 | |
'The problem is, everyone gets a little camera shy.' | 0:26:33 | 0:26:37 | |
Seven, eight, nine, ten, and ten is 20. | 0:26:38 | 0:26:41 | |
'After a frosty reception, | 0:26:47 | 0:26:49 | |
'things start to thaw out a little bit with the barman Gary. | 0:26:49 | 0:26:52 | |
'And, when I discover he's from Irish descent, he starts opening up. | 0:26:52 | 0:26:56 | |
'He tells me about the story of Mark Berry.' | 0:26:56 | 0:26:59 | |
Mark Berry was one of the locals back in the day | 0:27:00 | 0:27:02 | |
that was disgruntled about the aqueduct | 0:27:02 | 0:27:05 | |
and there was a lot being said about him and the aqueduct, him and some friends. | 0:27:05 | 0:27:09 | |
They were trying to block the aqueduct, type of thing. | 0:27:09 | 0:27:12 | |
-I don't know the whole history of it. -Oh, really, yeah? | 0:27:12 | 0:27:14 | |
But, um...Mark was one of those guys. | 0:27:14 | 0:27:17 | |
But he works for DWP now, so I'd be surprised if you can talk to him. | 0:27:17 | 0:27:20 | |
Hang on, so he was one of the guys who tried to block it, | 0:27:20 | 0:27:24 | |
-and now he's working for them? -They tried to blow it up. | 0:27:24 | 0:27:26 | |
Oh, they tried to blow it up? | 0:27:26 | 0:27:29 | |
Come on, you know. You don't need to be shy about that. | 0:27:29 | 0:27:31 | |
-I'm from Belfast, you know, that's like... -OK, then you know. | 0:27:31 | 0:27:35 | |
-Yeah, you know... -But they... | 0:27:35 | 0:27:37 | |
They, er... I mean, there'll be a lot if you're just looking for | 0:27:37 | 0:27:41 | |
"history" history, kind of, | 0:27:41 | 0:27:43 | |
-but if you're talking about how people felt... -Yeah. | 0:27:43 | 0:27:46 | |
I don't know, off camera, on camera, could be two different things, | 0:27:46 | 0:27:50 | |
-you know what I mean? -Yeah, it's the way of the world, you know. | 0:27:50 | 0:27:54 | |
Know this - it's a very interesting, rich history about how it all went down. | 0:27:54 | 0:27:59 | |
I decide to stay for a while | 0:28:02 | 0:28:03 | |
and see if anybody else will talk about the bombings. | 0:28:03 | 0:28:06 | |
Spots. | 0:28:10 | 0:28:11 | |
That was a nice, strange chat there. | 0:28:17 | 0:28:19 | |
We were meant to be coming in here and... We were meant to be, er... | 0:28:19 | 0:28:25 | |
..talking to a couple of the old guys about what went on. | 0:28:28 | 0:28:32 | |
Um...and nobody would talk, nobody would talk, | 0:28:34 | 0:28:37 | |
they all got a bit camera shy. | 0:28:37 | 0:28:39 | |
And it all was a little bit weird, and then Gary the, er... | 0:28:39 | 0:28:43 | |
..Gary the barman, er... | 0:28:44 | 0:28:48 | |
said nobody wants to talk. | 0:28:48 | 0:28:50 | |
But then Gary the barman decided to talk, which was very interesting. | 0:28:52 | 0:28:58 | |
So Gary the barman has, er... | 0:28:58 | 0:29:01 | |
..has let the dirty secret of the Lone Pine...out of the bag. | 0:29:02 | 0:29:08 | |
Hm... | 0:29:10 | 0:29:11 | |
Things are not what they seem. | 0:29:12 | 0:29:15 | |
Off camera in the bar, I learned that it was kids | 0:29:17 | 0:29:20 | |
who blew up the aqueduct in 1976 with some stolen dynamite. | 0:29:20 | 0:29:25 | |
But it wasn't just an isolated incident. | 0:29:25 | 0:29:28 | |
The aqueduct has been regularly attacked | 0:29:28 | 0:29:31 | |
since the very day it was completed. | 0:29:31 | 0:29:33 | |
Next morning, and I'm at the Alabama Hills diverting station, | 0:29:36 | 0:29:40 | |
which is a gate that allows the aqueduct water | 0:29:40 | 0:29:43 | |
to be sent back into the Owens River. | 0:29:43 | 0:29:45 | |
And this was the scene of the crime. | 0:29:45 | 0:29:48 | |
No-one was proud enough to go on camera | 0:29:49 | 0:29:51 | |
and talk to me about it in a bar. And it weirdly felt like being back home, | 0:29:51 | 0:29:56 | |
in that Northern Ireland, oh, we did stuff in the '70s we're proud of, | 0:29:56 | 0:30:01 | |
but we don't want to tell you what we did. | 0:30:01 | 0:30:04 | |
But yet, if it gets to a point where the only way... | 0:30:06 | 0:30:10 | |
And remember, this was 63 years later. | 0:30:10 | 0:30:13 | |
..that they had to blow this up to get the water back into their valley, | 0:30:13 | 0:30:16 | |
well, that was desperation. | 0:30:16 | 0:30:18 | |
And so, what Mulholland did to these people... | 0:30:18 | 0:30:23 | |
..it's not right. | 0:30:24 | 0:30:26 | |
I don't think. | 0:30:28 | 0:30:29 | |
But, um... | 0:30:30 | 0:30:31 | |
Oh, I'm doing my great or good thing now. | 0:30:32 | 0:30:35 | |
Oh, I don't know. | 0:30:36 | 0:30:38 | |
So, Lone Pine's population - 2,000. LA - population 4 million. | 0:30:42 | 0:30:48 | |
It's easy to see who needs the water more. | 0:30:48 | 0:30:51 | |
It was all done for the greater good. | 0:30:51 | 0:30:53 | |
The Owens Valley had to lose its water so that LA could grow | 0:30:53 | 0:30:56 | |
and the people of LA could use the water wisely. | 0:30:56 | 0:31:00 | |
Or maybe not. | 0:31:00 | 0:31:02 | |
I've come back to LA | 0:31:02 | 0:31:03 | |
to see how the Owens Valley water is being used today. | 0:31:03 | 0:31:07 | |
You see, that's kind of what it should be. | 0:31:08 | 0:31:10 | |
Right, without irrigation, that's basically LA. | 0:31:10 | 0:31:14 | |
There. | 0:31:14 | 0:31:15 | |
And then... | 0:31:18 | 0:31:19 | |
But you don't want that. | 0:31:23 | 0:31:25 | |
You want this. Look at the lovely lawn. | 0:31:27 | 0:31:30 | |
There we go. Just going to put some greenery over the walls. | 0:31:34 | 0:31:38 | |
Oh, yeah. | 0:31:38 | 0:31:39 | |
And a space rocket. Every home should have one. | 0:31:41 | 0:31:44 | |
With some reindeers...in July. | 0:31:45 | 0:31:48 | |
Now I can't decide | 0:31:54 | 0:31:56 | |
whether William did something brilliant or something monstrous. | 0:31:56 | 0:32:00 | |
Was it for the greater good, or was it for the greater bad? | 0:32:00 | 0:32:03 | |
So I've agreed to meet up with his great-granddaughter | 0:32:03 | 0:32:06 | |
and the current family historian, Christine Mulholland. | 0:32:06 | 0:32:10 | |
I don't know much about him. What type of man was he? | 0:32:13 | 0:32:16 | |
He was a family man, he had five children...who lived. | 0:32:16 | 0:32:21 | |
A couple who didn't. Loved his wife dearly. | 0:32:21 | 0:32:24 | |
He loved his adopted city, he just wanted to work and serve the people. | 0:32:24 | 0:32:28 | |
He taught himself hydrology, geology... | 0:32:28 | 0:32:33 | |
..mathematics. | 0:32:34 | 0:32:35 | |
He was a self-taught engineer, he read and taught himself. | 0:32:35 | 0:32:40 | |
Which makes the building of the aqueduct even more remarkable. | 0:32:40 | 0:32:44 | |
More fantastic, isn't it? He really just knew how to figure things out. | 0:32:44 | 0:32:50 | |
Mm. Where do you think William stood on the purchase of the land | 0:32:50 | 0:32:56 | |
up in Owens Valley? | 0:32:56 | 0:32:57 | |
From my understanding, and what I've been able to find out, | 0:32:57 | 0:33:00 | |
he wasn't involved in the land purchases themselves. | 0:33:00 | 0:33:03 | |
But that had to happen in order to get enough water rights | 0:33:03 | 0:33:08 | |
to make the project work. | 0:33:08 | 0:33:10 | |
They had to keep it kind of on the down-low | 0:33:10 | 0:33:13 | |
because if the people in Owens Valley, | 0:33:13 | 0:33:15 | |
the farmers and landowners up there, | 0:33:15 | 0:33:17 | |
knew that Los Angeles - deep pockets - | 0:33:17 | 0:33:21 | |
-wanted to buy the land, that the prices would have gone sky-high. -Yes. | 0:33:21 | 0:33:25 | |
You know, do it surreptitiously, on the sly, on the quiet. | 0:33:25 | 0:33:28 | |
But people sold their property willingly. | 0:33:28 | 0:33:31 | |
You see, there was no arm twisting, and this is one of the things | 0:33:31 | 0:33:35 | |
that some people are still pissed off in Owens Valley about - | 0:33:35 | 0:33:39 | |
Los Angeles taking the water. But people willingly sold their land. | 0:33:39 | 0:33:43 | |
And the land had water rights to it. | 0:33:43 | 0:33:45 | |
Do you think people looking back now, in a different era, | 0:33:47 | 0:33:51 | |
-with a different set of values, judge him slightly harsher? -Absolutely. | 0:33:51 | 0:33:56 | |
Because 100 years ago, | 0:33:56 | 0:33:58 | |
we didn't really know a whole lot about the environment. | 0:33:58 | 0:34:01 | |
We didn't have the kind of water laws California has now. | 0:34:01 | 0:34:03 | |
You cannot take water out of one basin | 0:34:03 | 0:34:06 | |
and put it in another in California any more. | 0:34:06 | 0:34:08 | |
We have come beyond that. | 0:34:08 | 0:34:10 | |
But in that day and age, | 0:34:10 | 0:34:12 | |
it was really looking at the greater good for the greatest number. | 0:34:12 | 0:34:16 | |
And that water up there wasn't serving very many people. | 0:34:18 | 0:34:21 | |
But it could serve a lot of people if it was moved. | 0:34:21 | 0:34:25 | |
So, yeah, people judge in hindsight, which is 20-20. | 0:34:25 | 0:34:29 | |
"Oh, man, we wouldn't..." Well, we couldn't do that today. | 0:34:29 | 0:34:32 | |
We wouldn't and we shouldn't do that today. | 0:34:32 | 0:34:34 | |
But that doesn't mean that we shouldn't honour the people | 0:34:34 | 0:34:38 | |
who were great visionaries of their time, to create something like this. | 0:34:38 | 0:34:43 | |
I think that the vast majority of people in Los Angeles | 0:34:43 | 0:34:47 | |
don't really give a shit where their water comes from. | 0:34:47 | 0:34:49 | |
They don't know where it comes from. | 0:34:49 | 0:34:51 | |
Like every place else in the United States or developed countries, | 0:34:51 | 0:34:54 | |
"Oh, we just turn on the faucet, that's where the water comes from." | 0:34:54 | 0:34:57 | |
-It's taken for granted. -"Put the sprinklers out there and let them run all day." They don't know. | 0:34:57 | 0:35:02 | |
'I liked meeting Christine. | 0:35:02 | 0:35:03 | |
'I felt that it was like kind of meeting William." | 0:35:03 | 0:35:07 | |
Her stature, her attitude, her directness, | 0:35:07 | 0:35:09 | |
and I'm beginning to get a feel of who HE actually was. | 0:35:09 | 0:35:13 | |
She suggests that I visit the memorial fountain, | 0:35:13 | 0:35:17 | |
paid for by public donation. | 0:35:17 | 0:35:18 | |
It looks impressive from a distance, and then you get up close | 0:35:21 | 0:35:24 | |
and it's a little bit shabby. | 0:35:24 | 0:35:26 | |
I kind of think he should have more, he's the father of LA water. | 0:35:27 | 0:35:31 | |
And this is what was built to him five years after he died. | 0:35:31 | 0:35:34 | |
And I'm not sure how happy he would have been about this. | 0:35:37 | 0:35:40 | |
Mulholland, the man who didn't like fuss | 0:35:40 | 0:35:42 | |
and was all about getting the job done. | 0:35:42 | 0:35:44 | |
Over here, we have the fussy fountain in his honour. | 0:35:44 | 0:35:47 | |
And over here, LA in its fourth year of drought. | 0:35:47 | 0:35:51 | |
No water. | 0:35:52 | 0:35:53 | |
He wouldn't have liked that. | 0:35:53 | 0:35:55 | |
William Mulholland devoted his life | 0:35:59 | 0:36:01 | |
to making sure LA had a constant water supply. | 0:36:01 | 0:36:04 | |
But having completed the aqueduct, | 0:36:04 | 0:36:06 | |
he continued building water infrastructure. | 0:36:06 | 0:36:09 | |
By 1926, William was a star. He was a hero, he was a proper LA celebrity. | 0:36:10 | 0:36:16 | |
He was even asked to run for mayor. | 0:36:16 | 0:36:18 | |
Wisely, he said, "I'd rather give birth to a porcupine backwards." | 0:36:18 | 0:36:24 | |
Smart man. | 0:36:24 | 0:36:25 | |
As LA continued to grow. | 0:36:27 | 0:36:28 | |
They needed capacity to store water all year round. | 0:36:28 | 0:36:32 | |
So William's next challenge was to build two huge concrete dams | 0:36:32 | 0:36:36 | |
and create massive reservoirs just north of the city, | 0:36:36 | 0:36:39 | |
the like of which America had never seen before. | 0:36:39 | 0:36:43 | |
Sister dams, they were called the Mulholland and the St Francis. | 0:36:43 | 0:36:48 | |
These were to be his legacy. | 0:36:48 | 0:36:51 | |
But the St Francis dam made him more famous. | 0:36:51 | 0:36:54 | |
This time, for the wrong reasons. | 0:36:54 | 0:36:58 | |
Just before midnight, on 12 March 1928. | 0:36:58 | 0:37:02 | |
The ground on the east side of the dam gave way. | 0:37:03 | 0:37:07 | |
The foundations were lost and water started to pour through. | 0:37:07 | 0:37:11 | |
The west side quickly followed. | 0:37:11 | 0:37:13 | |
An entire valley of water started to move towards | 0:37:13 | 0:37:17 | |
thousands of people sleeping in their beds. | 0:37:17 | 0:37:20 | |
It took just over an hour | 0:37:24 | 0:37:26 | |
for the water to pour from behind the St Francis dam. | 0:37:26 | 0:37:29 | |
12½ billion gallons of water rolled down the hill into the valley. | 0:37:29 | 0:37:35 | |
Here in Santa Paula, 40 miles away from the dam, | 0:37:35 | 0:37:38 | |
the water was two miles wide and 30 feet high, | 0:37:38 | 0:37:43 | |
engulfing Main Street. | 0:37:43 | 0:37:45 | |
It only travelled at 10 miles an hour, | 0:37:45 | 0:37:47 | |
but in it, farms, forests, | 0:37:47 | 0:37:52 | |
animals and bodies. | 0:37:52 | 0:37:54 | |
Hundreds died. Hundreds were never found. | 0:37:55 | 0:37:58 | |
To this day, it is the biggest man-made disaster | 0:37:58 | 0:38:02 | |
in the history of California. | 0:38:02 | 0:38:04 | |
And William Mulholland's name was on it. | 0:38:04 | 0:38:06 | |
The St Francis dam ruins were left abandoned in a remote canyon. | 0:38:17 | 0:38:23 | |
All that remains today - a pile of concrete and twisted metal. | 0:38:24 | 0:38:29 | |
You just look back here | 0:38:43 | 0:38:46 | |
and you see the shadow up the canyon, | 0:38:46 | 0:38:49 | |
and all of that was water, and it was right the way back. | 0:38:49 | 0:38:53 | |
You know, the vastness of this is... | 0:38:53 | 0:38:56 | |
That's where the terrible things happened, | 0:38:57 | 0:39:00 | |
but the amount of water in here... | 0:39:00 | 0:39:02 | |
I see why he built it just here, and here's the two shortest points, | 0:39:02 | 0:39:05 | |
we'll pop this in, we'll have all this water, this'll be great, but... | 0:39:05 | 0:39:09 | |
It is vast. | 0:39:09 | 0:39:11 | |
And just this small section was all that was holding it. | 0:39:12 | 0:39:16 | |
It's hard to believe. | 0:39:17 | 0:39:19 | |
You know, it's all grown back, the birds are singing, | 0:39:19 | 0:39:22 | |
you look at this, it doesn't... | 0:39:22 | 0:39:24 | |
It doesn't really feel real. | 0:39:26 | 0:39:28 | |
And yet, round that corner, down that hill... | 0:39:29 | 0:39:33 | |
..hundreds of people died. | 0:39:35 | 0:39:36 | |
This place looks beautiful, and it feels... | 0:39:43 | 0:39:46 | |
It doesn't feel like a disaster site. | 0:39:47 | 0:39:49 | |
And, to be honest, standing here now, | 0:39:52 | 0:39:55 | |
knowing what happened down there to those people, I... | 0:39:55 | 0:39:59 | |
..I couldn't give a shit about Mulholland... | 0:40:00 | 0:40:02 | |
..or his legacy, really. | 0:40:03 | 0:40:05 | |
You know, that dam broke and those people died, and... | 0:40:08 | 0:40:12 | |
..if it's on his record, or his legacy, well... | 0:40:13 | 0:40:17 | |
..it's not really going to bring anybody back, is it? | 0:40:18 | 0:40:21 | |
The sister to the St Francis dam still stands today, | 0:40:33 | 0:40:36 | |
looming over the city. It's called the Mulholland Dam, | 0:40:36 | 0:40:40 | |
and the water it contains is the Hollywood Reservoir, | 0:40:40 | 0:40:44 | |
just under the famous sign. | 0:40:44 | 0:40:46 | |
It's where I've agreed to meet Power and Water's | 0:40:46 | 0:40:49 | |
retired engineer and historian, Fred Barker. | 0:40:49 | 0:40:52 | |
He studied the disaster at St Francis in detail. | 0:40:52 | 0:40:55 | |
Los Angeles County coroner empanelled a jury to decide | 0:40:55 | 0:40:59 | |
whether criminal charges should be filed against anyone. | 0:40:59 | 0:41:02 | |
And this was a jury of engineers and geologists, it was learned people. | 0:41:02 | 0:41:07 | |
They decided that the dam was built in a bad location. | 0:41:07 | 0:41:10 | |
A damn should not have been built there. | 0:41:10 | 0:41:12 | |
It wasn't dug into the sides of the canyon very far, | 0:41:12 | 0:41:15 | |
it was only shallowly anchored into the walls. | 0:41:15 | 0:41:18 | |
The foundations on both sides were poor. | 0:41:18 | 0:41:21 | |
Another thing that is true of that dam, | 0:41:21 | 0:41:25 | |
it was designed to be 175 feet high | 0:41:25 | 0:41:29 | |
and store 30,000 acre-feet of water. | 0:41:29 | 0:41:32 | |
As it was being built, they added 10 feet of height to the dam twice. | 0:41:32 | 0:41:38 | |
So it ended up about 195 feet high and 30,000 acre-feet of water. | 0:41:38 | 0:41:43 | |
They did not make the dam bigger. They just made it taller. | 0:41:43 | 0:41:48 | |
And if you think about it, a dam that's not very thick | 0:41:48 | 0:41:52 | |
doesn't have as much dead weight to keep the water behind it. | 0:41:52 | 0:41:55 | |
So there was a lot of things that were wrong with that dam. | 0:41:55 | 0:41:58 | |
So, all of the things that were wrong with that dam, | 0:41:58 | 0:42:02 | |
were they essentially Mulholland's fault? | 0:42:02 | 0:42:05 | |
They were... | 0:42:05 | 0:42:07 | |
They were his fault. | 0:42:07 | 0:42:08 | |
And the jury found that he was at fault | 0:42:08 | 0:42:10 | |
and that the city and the department were at fault | 0:42:10 | 0:42:13 | |
for putting so much authority in the hands of one man. | 0:42:13 | 0:42:17 | |
Granted, he was a smart guy, with a lot of experience. | 0:42:17 | 0:42:21 | |
Had he ever designed a concrete dam before? | 0:42:21 | 0:42:23 | |
No, he didn't design either of these concrete dams, | 0:42:23 | 0:42:25 | |
they had a book that they got the dam designs from. | 0:42:25 | 0:42:29 | |
If you look at the transcript, they say, "Who designed the dam?" | 0:42:29 | 0:42:32 | |
No-one says, "I did." | 0:42:32 | 0:42:34 | |
Because no-one really designed it, they just took it out of a book. | 0:42:34 | 0:42:37 | |
Whoa, whoa, hang on. They just said, | 0:42:37 | 0:42:40 | |
"Let's see, here's one, let's copy this"? | 0:42:40 | 0:42:42 | |
Yeah, and maybe we need to make it a bit longer | 0:42:42 | 0:42:45 | |
or a little bit different radius or something, | 0:42:45 | 0:42:48 | |
but they essentially got the design of the two dams from a book. | 0:42:48 | 0:42:51 | |
So he was responsible, he took the blame. | 0:42:51 | 0:42:55 | |
Some people think maybe he shouldn't have, | 0:42:55 | 0:42:57 | |
but I think he should have, and he did himself. He was in charge. | 0:42:57 | 0:43:01 | |
The things that were done were done under his direction, | 0:43:01 | 0:43:04 | |
he was the man in charge. | 0:43:04 | 0:43:06 | |
Having hailed him a superhero, after the disaster | 0:43:06 | 0:43:09 | |
the people of Hollywood became nervous about the Mulholland dam. | 0:43:09 | 0:43:13 | |
Their faith in William had crumbled and they insisted | 0:43:13 | 0:43:16 | |
that half the water was drained from the reservoir above their city. | 0:43:16 | 0:43:20 | |
You know, this town that Mulholland helped to build | 0:43:20 | 0:43:23 | |
loves a Hollywood ending. They love that happy end to the story. | 0:43:23 | 0:43:28 | |
And, for me, the Mulholland story, it hasn't got that ending. | 0:43:28 | 0:43:34 | |
No, it doesn't, unfortunately. | 0:43:34 | 0:43:36 | |
It's a sad story with a sad ending that he had this great career, | 0:43:36 | 0:43:40 | |
all these wonderful accomplishments - the aqueduct, | 0:43:40 | 0:43:43 | |
the water supply, the public service. | 0:43:43 | 0:43:45 | |
And then, he just... | 0:43:45 | 0:43:48 | |
It was something beyond him. | 0:43:48 | 0:43:51 | |
The building of the dam that failed, | 0:43:51 | 0:43:53 | |
it was beyond his knowledge and his ability. | 0:43:53 | 0:43:56 | |
It was within his ability and decision-making | 0:43:56 | 0:43:59 | |
to have it turn out differently. | 0:43:59 | 0:44:00 | |
And maybe a dam should never have been built there, of any kind. | 0:44:00 | 0:44:04 | |
But he was the man in charge | 0:44:04 | 0:44:05 | |
when that dam was built and when it failed, | 0:44:05 | 0:44:08 | |
so that's the end of his career, that large, large failure. | 0:44:08 | 0:44:13 | |
What they learned from the collapse | 0:44:13 | 0:44:15 | |
had a profound effect on dam building around the world. | 0:44:15 | 0:44:18 | |
And many dams were redesigned, including the great Hoover Dam. | 0:44:18 | 0:44:22 | |
William was broken-hearted | 0:44:24 | 0:44:26 | |
and stated publicly that he wished he'd been killed on that day also. | 0:44:26 | 0:44:31 | |
The events impacted on his health, | 0:44:32 | 0:44:35 | |
and he retired the year after the disaster. | 0:44:35 | 0:44:38 | |
He died seven years later. | 0:44:38 | 0:44:41 | |
My Aunt Katy was 12 when he died. | 0:44:42 | 0:44:45 | |
And she remembers going to the Rotunda in the Los Angeles City Hall | 0:44:45 | 0:44:50 | |
where William Mulholland lay in state, | 0:44:50 | 0:44:53 | |
and thousands of people walked by to view him. | 0:44:53 | 0:44:56 | |
And she told me that there were these old, grizzled, | 0:44:56 | 0:45:00 | |
hard-working men who filed by. | 0:45:00 | 0:45:05 | |
And she said, before that day, she'd never seen a grown man cry. | 0:45:05 | 0:45:10 | |
These...hard-working labourers respected him so much, | 0:45:10 | 0:45:17 | |
they called him the Chief, and they cried as they walked by. | 0:45:17 | 0:45:21 | |
I knew I wasn't going to get a happy ending, | 0:45:25 | 0:45:27 | |
I knew it wasn't going to be straightforward, but... | 0:45:27 | 0:45:30 | |
..I thought I was going to get to a point in my own head | 0:45:32 | 0:45:36 | |
where I was going to be able to say, | 0:45:36 | 0:45:39 | |
"A-ha, I've found it out, and so now, with my big brain | 0:45:39 | 0:45:44 | |
"and all this information, ladies and gentlemen, he is this." | 0:45:44 | 0:45:48 | |
And he is all of it. | 0:45:50 | 0:45:52 | |
And you can't separate the good, and you can't separate the bad. | 0:45:53 | 0:45:57 | |
And you can't for a second turn around and say, | 0:45:58 | 0:46:01 | |
"I'm going to trade off these people's lives | 0:46:01 | 0:46:05 | |
"that died in a dam that he ordered up out of a book." | 0:46:05 | 0:46:08 | |
And...this city is still here and... | 0:46:10 | 0:46:14 | |
It, um... | 0:46:17 | 0:46:18 | |
..it's almost like it's life, isn't it? | 0:46:19 | 0:46:22 | |
It's almost like that's the way things are, | 0:46:22 | 0:46:25 | |
it's never black and white. | 0:46:25 | 0:46:27 | |
But, um... | 0:46:33 | 0:46:34 | |
I'm glad I did it, you know. I'm glad I actually went and found it all out. | 0:46:37 | 0:46:44 | |
And if someone says to me... | 0:46:44 | 0:46:47 | |
.."Mulholland was the man that stole the water," | 0:46:48 | 0:46:52 | |
I'll probably fight them in a bar over that. | 0:46:52 | 0:46:55 | |
If they, um... | 0:46:56 | 0:46:57 | |
If they say he was the man that killed those people in the dam, | 0:46:59 | 0:47:02 | |
I'd probably have to agree. | 0:47:02 | 0:47:04 | |
And yet... | 0:47:05 | 0:47:06 | |
And yet I'm proud of him. | 0:47:09 | 0:47:11 | |
You know, this city wasn't meant to be here, and he... | 0:47:23 | 0:47:26 | |
he made that happen. | 0:47:26 | 0:47:28 | |
And I think back, I think back to growing up in Dundrum | 0:47:30 | 0:47:34 | |
and my dad fixing burst water mains. | 0:47:34 | 0:47:37 | |
And I think about my grandad in the Mourne Mountains, | 0:47:38 | 0:47:42 | |
bringing water to people. | 0:47:42 | 0:47:44 | |
And he did it better than anybody - William Mulholland. | 0:47:45 | 0:47:48 |