
Browse content similar to Sir Terry Wogan Remembered: Fifty Years at the BBC. Check below for episodes and series from the same categories and more!
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Sir Terry Wogan was the ultimate broadcaster. | 0:00:03 | 0:00:05 | |
The voice that helped Britain wake up and face the day, | 0:00:07 | 0:00:10 | |
and the man who raised millions for charity | 0:00:10 | 0:00:13 | |
as the host of Children In Need. | 0:00:13 | 0:00:15 | |
What a night! | 0:00:15 | 0:00:17 | |
So, from all of us, thank you. | 0:00:17 | 0:00:19 | |
His was an extraordinary career, | 0:00:19 | 0:00:22 | |
touching the lives of those who watched him, | 0:00:22 | 0:00:24 | |
listened to him and worked with him. | 0:00:24 | 0:00:27 | |
And this week at Westminster Abbey, his friends, colleagues and family | 0:00:27 | 0:00:32 | |
came together to celebrate the man they loved. | 0:00:32 | 0:00:35 | |
The service took place exactly 50 years to the day | 0:00:35 | 0:00:38 | |
after he presented his first programme for the BBC, | 0:00:38 | 0:00:42 | |
a step on the way to becoming | 0:00:42 | 0:00:44 | |
one of the greatest broadcasters in British history. | 0:00:44 | 0:00:47 | |
He assumed an intelligence on the part of the audience. | 0:00:48 | 0:00:52 | |
There was no talking down. | 0:00:52 | 0:00:53 | |
He kind of talked up to the audience. | 0:00:53 | 0:00:55 | |
Would it be a human thing to say, "I made a mess of that"? | 0:00:55 | 0:00:59 | |
The public might warm to you more than they do. | 0:00:59 | 0:01:02 | |
I think he had the perfect balance of heart, soul, compassion, | 0:01:04 | 0:01:10 | |
but also with a sprinkle of laughter | 0:01:10 | 0:01:12 | |
and a sense of humour on top of that. | 0:01:12 | 0:01:14 | |
He was so authentic. | 0:01:14 | 0:01:16 | |
It wasn't like he was turning into, sort of, TV or radio Terry, | 0:01:16 | 0:01:19 | |
he was just being him and that's why people liked him. | 0:01:19 | 0:01:21 | |
That's why people watched him on TV, that's why people listened to him. | 0:01:21 | 0:01:24 | |
They felt like they were his friend. | 0:01:24 | 0:01:26 | |
He had time on the radio for his listeners, | 0:01:26 | 0:01:28 | |
he had time on the radio for himself | 0:01:28 | 0:01:30 | |
and he had time in life for everyone. That was the thing for me. | 0:01:30 | 0:01:33 | |
You never felt like he particularly adapted to trends | 0:01:33 | 0:01:37 | |
or what someone else wanted him to be. | 0:01:37 | 0:01:39 | |
He was just always his own man | 0:01:39 | 0:01:41 | |
and that's always a very attractive quality in someone. | 0:01:41 | 0:01:44 | |
Terry, you're smashing it tonight, do you know that? | 0:01:44 | 0:01:47 | |
-Absolutely smashing it. -Which is popular talk for ruining it, is it? | 0:01:47 | 0:01:51 | |
LAUGHTER | 0:01:51 | 0:01:54 | |
I didn't set out to be famous. | 0:02:03 | 0:02:06 | |
I mean, I didn't mind. | 0:02:08 | 0:02:09 | |
If being famous was there on offer, great. | 0:02:11 | 0:02:14 | |
OK. | 0:02:14 | 0:02:15 | |
'I don't really have enormous drive. | 0:02:15 | 0:02:19 | |
'I've never knocked on anybody's door and asked them for a job. | 0:02:19 | 0:02:22 | |
'What I've had is a kind of blessed life.' | 0:02:22 | 0:02:25 | |
Warm, witty, wise and wry, | 0:02:28 | 0:02:31 | |
Sir Terry Wogan was the most popular man on television | 0:02:31 | 0:02:34 | |
at the same time as being the most popular voice on radio. | 0:02:34 | 0:02:37 | |
I think I know that. | 0:02:37 | 0:02:39 | |
For 50 years at the BBC, he delighted his audiences, | 0:02:39 | 0:02:43 | |
but did it all with an effortlessness and self-deprecation | 0:02:43 | 0:02:46 | |
that belied his innate talent | 0:02:46 | 0:02:48 | |
and created a broadcasting legacy | 0:02:48 | 0:02:50 | |
that would be felt for generations to come. | 0:02:50 | 0:02:52 | |
When you set off, you tap your leg quite hard and say, "Walkies!" | 0:02:53 | 0:02:58 | |
I think he's relaxed the art or form or craft of broadcasting. | 0:02:59 | 0:03:03 | |
To be honest, I feel a bit of a sissy saying... | 0:03:03 | 0:03:06 | |
No, no, you're not a sissy, you're a dog trainer. | 0:03:06 | 0:03:08 | |
Why can't you just say, "Walk, blast you"? | 0:03:08 | 0:03:10 | |
Done live, unscripted, but also in a trustworthy way, | 0:03:10 | 0:03:15 | |
and I think he affected the whole BBC. | 0:03:15 | 0:03:17 | |
I think Terry Wogan and the BBC go together. | 0:03:17 | 0:03:21 | |
-Say, "Walkies!" Don't pull. -Walkies! | 0:03:21 | 0:03:24 | |
He was incredibly at home in front of a microphone or a camera. | 0:03:25 | 0:03:31 | |
It was something very intimate and very genuine. | 0:03:31 | 0:03:34 | |
You know, you can't bottle that. | 0:03:34 | 0:03:35 | |
You can't train for it, you can't do anything. | 0:03:35 | 0:03:38 | |
You either have it or you don't and he had it like nobody else. | 0:03:38 | 0:03:41 | |
You can get power crazed in this place. | 0:03:41 | 0:03:43 | |
It only came home to me really when I got to Radio 2 and I met him | 0:03:43 | 0:03:47 | |
and I thought, "Oh, you are the same person that you are on the air. | 0:03:47 | 0:03:50 | |
"You're funny and kind and very, very personable." | 0:03:50 | 0:03:55 | |
That was Terry. And I thought, | 0:03:55 | 0:03:57 | |
that's the kind of broadcaster you want to be. | 0:03:57 | 0:03:59 | |
See, now, wouldn't that make anybody want to watch it? | 0:03:59 | 0:04:04 | |
Terry's attitude and part of the reason | 0:04:08 | 0:04:10 | |
for his success in Britain was his Irishness. | 0:04:10 | 0:04:13 | |
I think that he was a very Irish man who became a very English man. | 0:04:13 | 0:04:17 | |
That love of the sense of the absurd, | 0:04:17 | 0:04:20 | |
the George Bernard Shaw thing. | 0:04:20 | 0:04:22 | |
Even Beckett would have been, I think, happy on occasion | 0:04:22 | 0:04:25 | |
with some of the whimsy | 0:04:25 | 0:04:27 | |
and the sparse whimsy that Terry would come out with. | 0:04:27 | 0:04:30 | |
He may have been a giant of British broadcasting, | 0:04:36 | 0:04:38 | |
but Terry Wogan's Irish roots were key to the man he became. | 0:04:38 | 0:04:42 | |
He comes from a country where storytelling and singing | 0:04:42 | 0:04:47 | |
is very much part of life | 0:04:47 | 0:04:49 | |
and was, in that older Ireland, | 0:04:49 | 0:04:52 | |
very much part of day-to-day life and how people communicated. | 0:04:52 | 0:04:56 | |
And that's what made him such a great radio broadcaster, | 0:04:56 | 0:05:01 | |
because he was a raconteur. | 0:05:01 | 0:05:03 | |
He told stories. He told them very well. | 0:05:03 | 0:05:06 | |
He was very loquacious. | 0:05:06 | 0:05:07 | |
He comes from a country where the national hobby is talking. | 0:05:07 | 0:05:11 | |
My mother always remembers me doing commentaries along with the radio. | 0:05:12 | 0:05:17 | |
And I was always obsessed with the radio. | 0:05:17 | 0:05:20 | |
Despite these early signs of his future career, | 0:05:20 | 0:05:23 | |
Terry's first job was in a bank. | 0:05:23 | 0:05:26 | |
However, after four years, | 0:05:26 | 0:05:28 | |
he answered a newspaper advert for announcers on Irish radio. | 0:05:28 | 0:05:31 | |
And, extraordinarily enough, with the little qualifications I had, | 0:05:31 | 0:05:36 | |
I was called for an audition, | 0:05:36 | 0:05:39 | |
did the audition | 0:05:39 | 0:05:41 | |
and, blow me down, they offered me a job. | 0:05:41 | 0:05:44 | |
And that was the beginning. | 0:05:45 | 0:05:47 | |
Stand by, cameras one and two. | 0:05:47 | 0:05:49 | |
Radio led to the newly formed Irish Television Service | 0:05:49 | 0:05:53 | |
and he quickly became a national celebrity. | 0:05:53 | 0:05:56 | |
There was something about him. | 0:05:56 | 0:05:58 | |
He was just a great broadcaster. | 0:05:58 | 0:06:01 | |
And it was something he was, whether intentionally or not, | 0:06:01 | 0:06:05 | |
but it turned out he was born to do it. | 0:06:05 | 0:06:07 | |
Now one of the most eligible men in Ireland, | 0:06:07 | 0:06:11 | |
Terry met the love of his life, Helen Joyce, | 0:06:11 | 0:06:14 | |
one of the country's top models. | 0:06:14 | 0:06:15 | |
On a wet Saturday in April 1965, | 0:06:18 | 0:06:20 | |
hundreds of fans thronged the streets around the church in Dublin | 0:06:20 | 0:06:24 | |
as the golden couple tied the knot. | 0:06:24 | 0:06:26 | |
If he and Helen came into a room, | 0:06:29 | 0:06:31 | |
it was really sort of like a royal arrival. | 0:06:31 | 0:06:34 | |
Everybody stopped and there was a certain amount | 0:06:34 | 0:06:38 | |
of ducking of heads because... Not because of anything they were doing, | 0:06:38 | 0:06:42 | |
just because there was this natural aura as they came in. | 0:06:42 | 0:06:45 | |
They had never had any home-grown stars in Ireland. | 0:06:46 | 0:06:49 | |
Suddenly, the television came | 0:06:49 | 0:06:51 | |
and you were a major star in this little island. | 0:06:51 | 0:06:54 | |
Then I thought, "Well, I'm a big fish in a small pond and I'd like... | 0:06:55 | 0:06:59 | |
"There are things I can do..." I thought I could do in Britain | 0:06:59 | 0:07:03 | |
that I could not see myself doing in Ireland. | 0:07:03 | 0:07:06 | |
I think some people are too big for an island this size, | 0:07:06 | 0:07:12 | |
and he was one of those people. | 0:07:12 | 0:07:14 | |
Terry swiftly found work on BBC radio | 0:07:15 | 0:07:18 | |
and 50 years ago this week began presenting on the Light Programme. | 0:07:18 | 0:07:22 | |
I think Terry was blessed | 0:07:22 | 0:07:24 | |
with four prongs of attack with which to seduce us. He was given | 0:07:24 | 0:07:29 | |
everything he needed - the wit, the smile, the voice | 0:07:29 | 0:07:33 | |
and the twinkle in his eye. | 0:07:33 | 0:07:35 | |
# This is Radio 2. # | 0:07:37 | 0:07:39 | |
However, it wasn't until 1972 | 0:07:39 | 0:07:41 | |
that he would take over the show | 0:07:41 | 0:07:43 | |
that would turn him into a household name. | 0:07:43 | 0:07:45 | |
And a very good morning to you. | 0:07:45 | 0:07:47 | |
The time on Radio 2, 17 minutes past eight. | 0:07:47 | 0:07:50 | |
I started listening to Terry Wogan at breakfast | 0:07:52 | 0:07:55 | |
when I was six years old. | 0:07:55 | 0:07:57 | |
And I remember we had this Dormobile that I was driven to school in. | 0:07:59 | 0:08:02 | |
My dad drove every morning and it was on Radio 2. | 0:08:02 | 0:08:05 | |
So I heard Terry every morning. | 0:08:05 | 0:08:08 | |
You're welcome to the Thursday thrash. | 0:08:08 | 0:08:10 | |
Thursday the 8th November. | 0:08:10 | 0:08:13 | |
Good morning, Terence. | 0:08:13 | 0:08:14 | |
I really vividly remember him playing Money, Money, Money by Abba | 0:08:14 | 0:08:18 | |
when I was about seven or eight years old. | 0:08:18 | 0:08:20 | |
# Money, money, money Must be funny... # | 0:08:20 | 0:08:24 | |
It's 18 minutes to ten o'clock and after ten, | 0:08:24 | 0:08:27 | |
the old broadcaster takes over... | 0:08:27 | 0:08:29 | |
That voice was so embedded in all of us. | 0:08:31 | 0:08:35 | |
It's like an instant familiarity with childhood, with comforting. | 0:08:35 | 0:08:40 | |
That's what I think when I think of Terry, | 0:08:40 | 0:08:42 | |
I think of comfort because he just had such a soothing way about him. | 0:08:42 | 0:08:47 | |
Resurfacing work is starting today on the A423M. | 0:08:47 | 0:08:51 | |
The message is, "Please, just be patient." | 0:08:51 | 0:08:54 | |
And listen to Radio 2. You'll find it'll calm your nerves. | 0:08:54 | 0:08:58 | |
I always used to think, with his voice, | 0:08:58 | 0:09:00 | |
that you didn't really need to hear what he was saying. | 0:09:00 | 0:09:04 | |
It was just the music of his voice. | 0:09:04 | 0:09:06 | |
Would you talk amongst yourselves, listeners, for just a moment? | 0:09:07 | 0:09:10 | |
And I'll see if I can get this on the other turntable. | 0:09:10 | 0:09:12 | |
That's the only one that's working at the moment. | 0:09:12 | 0:09:14 | |
I would often be in the shower and it would be on | 0:09:14 | 0:09:17 | |
and I couldn't hear him, but you'd hear... | 0:09:17 | 0:09:20 | |
HE MUTTERS | 0:09:20 | 0:09:24 | |
TERRY MUTTERS | 0:09:24 | 0:09:27 | |
And it was, kind of, relaxing and reassuring. | 0:09:27 | 0:09:31 | |
His voice, a very reassuring voice. | 0:09:31 | 0:09:33 | |
We've had our technical problems this morning | 0:09:33 | 0:09:36 | |
but I hope they didn't come between you and your breakfast. | 0:09:36 | 0:09:38 | |
I don't know if he was the voice of the nuclear warning, | 0:09:38 | 0:09:42 | |
but I feel, if he had been, it would have been a sort of silver lining... | 0:09:42 | 0:09:46 | |
to a mushroom cloud. | 0:09:46 | 0:09:48 | |
# Terry Wogan... # | 0:09:48 | 0:09:50 | |
When I started at Radio 2, | 0:09:50 | 0:09:52 | |
they had this big lavish dinner and I got sat very near Terry. | 0:09:52 | 0:09:56 | |
He said, "Listen, I'm not going to give you much advice | 0:09:56 | 0:09:59 | |
"but the one piece of advice I would give you is, | 0:09:59 | 0:10:02 | |
"never be afraid of the silence." | 0:10:02 | 0:10:03 | |
Ie, breathe. Let it breathe. | 0:10:03 | 0:10:07 | |
For most broadcasters, that breath would feel like an eternity, | 0:10:07 | 0:10:10 | |
but with Terry, you were just waiting for him to talk again. | 0:10:10 | 0:10:14 | |
Now, that's more like it, you see. | 0:10:14 | 0:10:17 | |
Audiences loved him. | 0:10:19 | 0:10:22 | |
And when Terry started singing along | 0:10:22 | 0:10:24 | |
to unlikely chart hit The Floral Dance on his radio show, | 0:10:24 | 0:10:27 | |
it proved so popular that he released his own version. | 0:10:27 | 0:10:31 | |
# ..Big bass drum... # | 0:10:31 | 0:10:32 | |
That is another amazing moment | 0:10:32 | 0:10:34 | |
where Terry is not taking himself seriously in the slightest. | 0:10:34 | 0:10:38 | |
That's what I always loved about him. | 0:10:38 | 0:10:40 | |
I don't think I ever saw him in a serious mood | 0:10:40 | 0:10:43 | |
or being serious about himself. | 0:10:43 | 0:10:45 | |
# ..Borne from afar on a gentle breeze | 0:10:45 | 0:10:48 | |
# Joining the murmur of summer seas... # | 0:10:48 | 0:10:50 | |
He always came to a piece of music with an attitude. | 0:10:50 | 0:10:54 | |
He always came to information with an attitude. | 0:10:54 | 0:10:57 | |
And I think that's what made him on the radio | 0:10:57 | 0:11:00 | |
such a kind of multi-layered, satisfying listen. | 0:11:00 | 0:11:04 | |
And Terry used that attitude to great effect | 0:11:04 | 0:11:07 | |
when his barbed comments on American soap opera Dallas | 0:11:07 | 0:11:11 | |
helped turn it into a hit. | 0:11:11 | 0:11:12 | |
We're back to Dallas. | 0:11:12 | 0:11:14 | |
God help us! | 0:11:14 | 0:11:16 | |
I can't seem to get away from the place. | 0:11:16 | 0:11:18 | |
It's like living in Texas here. | 0:11:18 | 0:11:20 | |
He took the characters, he made more of them. | 0:11:20 | 0:11:24 | |
Sue Ellen was putting gin in her cornflakes. | 0:11:24 | 0:11:26 | |
Lucy became the poison dwarf. | 0:11:26 | 0:11:29 | |
He just...he expanded the characters that were on screen | 0:11:29 | 0:11:32 | |
and made people want to watch it | 0:11:32 | 0:11:34 | |
and then hear what he had to say the following day. | 0:11:34 | 0:11:37 | |
Because he was bringing people into his club | 0:11:37 | 0:11:40 | |
and that's what he did brilliantly, | 0:11:40 | 0:11:42 | |
he was a great leader, a gang leader, if you like. | 0:11:42 | 0:11:44 | |
Are you in any way in fact | 0:11:44 | 0:11:45 | |
putting your power to the test over your listeners | 0:11:45 | 0:11:49 | |
and trying to make them watch something | 0:11:49 | 0:11:51 | |
that you are particularly interested in? | 0:11:51 | 0:11:54 | |
You can't force people to watch things, no, | 0:11:54 | 0:11:56 | |
any more than you can force people to buy a record. | 0:11:56 | 0:11:59 | |
It doesn't matter how often you play it - | 0:11:59 | 0:12:01 | |
if they don't want it, they won't buy it. | 0:12:01 | 0:12:03 | |
I will say things obviously to try and generate a response. | 0:12:03 | 0:12:06 | |
I will say something and hopefully get people to latch on to it | 0:12:06 | 0:12:11 | |
and provide me with my script. | 0:12:11 | 0:12:12 | |
Otherwise, as I said, I'd be sitting here mumchance. | 0:12:12 | 0:12:15 | |
'We'll be fighting the flab this very minute | 0:12:18 | 0:12:19 | |
'because it's quarter to eight and I have a room full of people' | 0:12:19 | 0:12:22 | |
who are only too willing to get into their leotards | 0:12:22 | 0:12:24 | |
and shake their shoulders about. | 0:12:24 | 0:12:26 | |
He absolutely understood Middle England, if you want. | 0:12:26 | 0:12:30 | |
Just for a couple of hours in the morning, you could forget about | 0:12:30 | 0:12:33 | |
everything else that was going on | 0:12:33 | 0:12:35 | |
and just enter that parallel universe that was Wogan's world. | 0:12:35 | 0:12:38 | |
I don't want anybody corpsed by this fight on flab. | 0:12:38 | 0:12:40 | |
It's an exercise designed to whittle down the shoulders | 0:12:40 | 0:12:43 | |
cos there's little more unsightly than a flabby shoulder. | 0:12:43 | 0:12:45 | |
The reason he connected with his audience on the radio | 0:12:46 | 0:12:49 | |
was because he knew that it made it his show. | 0:12:49 | 0:12:52 | |
He knew it made a difference to whether they were happy in the morning or not. | 0:12:52 | 0:12:56 | |
Seven or eight million Brits finishing at half nine | 0:12:56 | 0:12:58 | |
happier than they were at half seven. | 0:12:58 | 0:13:00 | |
That's the Bee Gee Sisters. | 0:13:02 | 0:13:04 | |
Famously, somebody once said to Terry, | 0:13:04 | 0:13:06 | |
"How many listeners do you have?" | 0:13:06 | 0:13:08 | |
And he could have said eight or nine or ten million, or whatever it was, | 0:13:08 | 0:13:12 | |
but he said, "One." | 0:13:12 | 0:13:14 | |
I'll always remember that as a broadcaster | 0:13:14 | 0:13:16 | |
because I thought that is the secret. | 0:13:16 | 0:13:19 | |
He's not a broadcaster, he's a narrow-caster. | 0:13:19 | 0:13:22 | |
It's him and you and there's no-one else | 0:13:22 | 0:13:24 | |
and you really feel like he's talking down the phone to you almost. | 0:13:24 | 0:13:27 | |
Well, that's the height of it for another day. | 0:13:27 | 0:13:30 | |
Thank you very much for your company between seven and nine on Radio 2. | 0:13:30 | 0:13:33 | |
It's disco. | 0:13:35 | 0:13:37 | |
Having conquered radio, the next step was television | 0:13:37 | 0:13:40 | |
where he appeared on a wide variety of entertainment shows. | 0:13:40 | 0:13:43 | |
'And the man with all the questions, | 0:13:43 | 0:13:45 | |
'and some of the answers, is Terry Wogan.' | 0:13:45 | 0:13:48 | |
I told you, a television, radio personality. | 0:13:48 | 0:13:51 | |
Will you just say something in your voice that they'll all recognise? | 0:13:51 | 0:13:53 | |
Would you like to lie down on the floor and fight the flab with me? | 0:13:53 | 0:13:57 | |
Terry Wogan, yes! | 0:13:57 | 0:13:59 | |
Terry's most successful job on TV during the '70s | 0:13:59 | 0:14:03 | |
was a seven-year stint as presenter of Come Dancing. | 0:14:03 | 0:14:06 | |
Hello, and welcome to the grand final | 0:14:06 | 0:14:09 | |
of the 1974 series of Come Dancing. | 0:14:09 | 0:14:12 | |
Oh, yes, frilly shirt, big bowtie, velvet jacket. | 0:14:12 | 0:14:17 | |
That's what's great with Terry Wogan. | 0:14:17 | 0:14:20 | |
It didn't matter what he went into, you know, | 0:14:20 | 0:14:23 | |
he was great at it because he gave his all to everything he did. | 0:14:23 | 0:14:28 | |
And I think that's the secret. | 0:14:28 | 0:14:29 | |
However, despite being hugely popular, | 0:14:29 | 0:14:33 | |
he still needed a breakthrough TV hit. | 0:14:33 | 0:14:36 | |
It arrived in 1979. | 0:14:36 | 0:14:38 | |
'Terry Wogan!' | 0:14:38 | 0:14:40 | |
It was the moment he knew he was a star. | 0:14:42 | 0:14:45 | |
He said, prior to that, whenever he'd done television, | 0:14:45 | 0:14:47 | |
he was always told how to find the camera. | 0:14:47 | 0:14:50 | |
You stand there to find the camera. To find your light. | 0:14:50 | 0:14:53 | |
And Blankety Blank was the first time he realised | 0:14:53 | 0:14:57 | |
the camera was following him. | 0:14:57 | 0:14:59 | |
What's small and green and covered with red spots? | 0:14:59 | 0:15:03 | |
An unripe... | 0:15:03 | 0:15:05 | |
raspberry. | 0:15:05 | 0:15:06 | |
-An unripe...? -Raspberry? -Raspberry! | 0:15:06 | 0:15:09 | |
LAUGHTER AND APPLAUSE | 0:15:13 | 0:15:16 | |
Well, let's see how many points David gets with this one. | 0:15:21 | 0:15:24 | |
Blankety Blank was absolutely perfect for him, | 0:15:24 | 0:15:27 | |
because it was about words, | 0:15:27 | 0:15:29 | |
so he could be mischievous, | 0:15:29 | 0:15:31 | |
he could act as if he didn't understand what was going on, | 0:15:31 | 0:15:34 | |
or whatever, but Terry and words went together like milk and tea. | 0:15:34 | 0:15:40 | |
The show really depended more heavily than most game shows | 0:15:40 | 0:15:45 | |
on the personality of the host... | 0:15:45 | 0:15:48 | |
with the celebrity guests bouncing off him, him bouncing off them, | 0:15:48 | 0:15:52 | |
it was just a wonderful half hour | 0:15:52 | 0:15:54 | |
of nonsense, complete nonsense. | 0:15:54 | 0:15:57 | |
Nobody pretending it's anything other than a very, very silly quiz. | 0:15:57 | 0:16:02 | |
What I like about it is it's a kind of anti-quiz. | 0:16:02 | 0:16:04 | |
The prizes are not worth winning, | 0:16:04 | 0:16:06 | |
the questions are not worth asking | 0:16:06 | 0:16:08 | |
and the whole thing is probably not worth doing. | 0:16:08 | 0:16:10 | |
Look at that. Every move a poem... | 0:16:10 | 0:16:12 | |
With Terry at the helm, Blankety Blank's ratings soared, | 0:16:12 | 0:16:16 | |
to over 20 million viewers. | 0:16:16 | 0:16:18 | |
Aren't you the saucy crew this week? | 0:16:18 | 0:16:20 | |
And stars of the day flocked to be on the show. | 0:16:20 | 0:16:23 | |
I hope Santa Claus gave you what you wanted for Christmas. | 0:16:23 | 0:16:25 | |
I asked for six stars. | 0:16:25 | 0:16:27 | |
He was the first person on television | 0:16:27 | 0:16:29 | |
to take the mickey out of the celebrity guests. | 0:16:29 | 0:16:33 | |
And that's what made Blankety Blank a great game show. | 0:16:33 | 0:16:36 | |
It wasn't the format or the guests, | 0:16:36 | 0:16:38 | |
it was because Terry was going for the guests all the time. | 0:16:38 | 0:16:41 | |
Don't say anything until we get the "Ready" signs from... | 0:16:41 | 0:16:44 | |
..these highly trained gerbils here! | 0:16:46 | 0:16:48 | |
I just liked off-script Terry. | 0:16:49 | 0:16:51 | |
I just like... "I'm going to do what I want because I can. | 0:16:51 | 0:16:55 | |
"I know what I'm doing. Don't worry, I'm just going to have | 0:16:55 | 0:16:57 | |
"a little moment away from the script, but I've got this!" | 0:16:57 | 0:17:00 | |
Can I offer another prize to the gentleman? | 0:17:00 | 0:17:02 | |
I'm in the theatre at Newcastle. | 0:17:02 | 0:17:03 | |
I've got four tickets for his family, yeah? | 0:17:03 | 0:17:06 | |
-On me. -Thanks very much. | 0:17:06 | 0:17:07 | |
APPLAUSE | 0:17:07 | 0:17:10 | |
That's a prize?! | 0:17:13 | 0:17:14 | |
He knew all about timing. | 0:17:16 | 0:17:18 | |
He knew everything about timing. | 0:17:18 | 0:17:20 | |
He would never step on a punchline or anything like that. | 0:17:20 | 0:17:23 | |
No, no. He was far too classy for that. | 0:17:23 | 0:17:26 | |
-Bazza? -Yes, Tezza? | 0:17:26 | 0:17:27 | |
Well, he had a love of laughter, for a start. | 0:17:29 | 0:17:31 | |
He had a love of comedy. | 0:17:31 | 0:17:33 | |
And he was never a flippant man. | 0:17:33 | 0:17:35 | |
He was serious about serious things. | 0:17:35 | 0:17:37 | |
But if there was a funny angle to any situation, he would spot it. | 0:17:37 | 0:17:42 | |
He loved the other person getting the laugh. | 0:17:42 | 0:17:44 | |
Are you going to read it again? | 0:17:44 | 0:17:45 | |
-No. -Oh. Trouble with your Rs, eh? | 0:17:45 | 0:17:48 | |
He would blatantly feed you, hoping you would come back at him. | 0:17:48 | 0:17:53 | |
Why do you think I have to wear these dark suits? | 0:17:53 | 0:17:55 | |
If the jokes die, you're dressed for it, aren't you? | 0:17:55 | 0:17:58 | |
He may well have been one or two steps ahead. | 0:17:59 | 0:18:02 | |
He would never create that impression for the viewer or the listener, | 0:18:02 | 0:18:05 | |
cos that would have been | 0:18:05 | 0:18:07 | |
ungentlemanly towards the performer. | 0:18:07 | 0:18:09 | |
I don't have to do this for a living. | 0:18:09 | 0:18:11 | |
I could have been...a brain surgeon or anything. | 0:18:13 | 0:18:15 | |
-A disc jockey! -I could have been a disc jockey, yes! | 0:18:15 | 0:18:18 | |
-You could still be. -I could still be... | 0:18:18 | 0:18:20 | |
He had wit, and wit is basically the intelligence of comedy. | 0:18:23 | 0:18:27 | |
And that's... Very few people, very few DJs have that. | 0:18:27 | 0:18:31 | |
Maybe he's the only one that's ever had that. | 0:18:31 | 0:18:34 | |
This was the dawn of a decade of extraordinary success for Terry. | 0:18:37 | 0:18:41 | |
Ladies and gentlemen, welcome to whatever it's called this week. | 0:18:44 | 0:18:47 | |
Terry Wogan wasn't just | 0:18:47 | 0:18:49 | |
the face of light entertainment in the '80s for me. | 0:18:49 | 0:18:52 | |
He was the yardstick. | 0:18:52 | 0:18:55 | |
He was the nation's darling. | 0:18:55 | 0:18:58 | |
From the Queen to the guy who sells papers. | 0:18:58 | 0:19:01 | |
In Piccadilly. They all loved him. | 0:19:01 | 0:19:03 | |
And quite rightly so. | 0:19:03 | 0:19:05 | |
He had that thing a lot of people don't have, charm. | 0:19:05 | 0:19:08 | |
Charm personified. | 0:19:08 | 0:19:09 | |
APPLAUSE | 0:19:09 | 0:19:12 | |
He's spoken of as a god. | 0:19:12 | 0:19:15 | |
"God, is he on again", they say! | 0:19:15 | 0:19:17 | |
By 1981 he had achieved the double, | 0:19:19 | 0:19:21 | |
presenting the most popular programmes | 0:19:21 | 0:19:23 | |
on British radio and television. | 0:19:23 | 0:19:26 | |
He was also voted most popular television personality | 0:19:26 | 0:19:29 | |
ten years in a row. | 0:19:29 | 0:19:31 | |
In typical Wogan style then asking not to be entered again, | 0:19:31 | 0:19:34 | |
so someone else could have a chance. | 0:19:34 | 0:19:36 | |
A poll rated the Queen and Prince Charles | 0:19:36 | 0:19:39 | |
as the only people in Britain more famous. | 0:19:39 | 0:19:41 | |
Now, Wogan. And he'll be doing very well | 0:19:41 | 0:19:44 | |
if he gets down in three or four from here. | 0:19:44 | 0:19:45 | |
And he even made history as the sinker of the longest-ever televised putt, | 0:19:45 | 0:19:50 | |
a record he held for 22 years. | 0:19:50 | 0:19:52 | |
It can't... Ha-ha! | 0:19:52 | 0:19:54 | |
The greatest putt I've ever seen in my life! | 0:19:55 | 0:19:58 | |
Well, he'd go on about that one when we'd had a couple | 0:19:58 | 0:20:01 | |
and I got, "James. Well, James, now, listen, just to mention..." | 0:20:01 | 0:20:04 | |
"Shut up! I don't want to know about the putt." | 0:20:04 | 0:20:06 | |
I'd have given anything for it to have been me. | 0:20:06 | 0:20:08 | |
Here we have a disc jockey, singer, | 0:20:08 | 0:20:11 | |
golfer, elephant rider... | 0:20:11 | 0:20:13 | |
-Sex symbol. -Sex symbol, compere, star tipster. | 0:20:13 | 0:20:16 | |
-Good to his mother. -Good to his mother. | 0:20:16 | 0:20:18 | |
Dare I ask you what Terry Wogan's ultimate ambition is? | 0:20:18 | 0:20:21 | |
I'd hate to have an ultimate ambition. | 0:20:24 | 0:20:27 | |
I have ambitions that take me from year to year. | 0:20:27 | 0:20:30 | |
Things I would like to do. | 0:20:30 | 0:20:32 | |
It's a funny thing, when I started in radio, | 0:20:32 | 0:20:34 | |
I was ambitious to be a radio announcer in Ireland. | 0:20:34 | 0:20:37 | |
And now look at me. | 0:20:37 | 0:20:39 | |
Gone straight downhill. | 0:20:39 | 0:20:40 | |
But Terry's huge popularity coincided with | 0:20:42 | 0:20:45 | |
one of the most volatile periods in British history. | 0:20:45 | 0:20:48 | |
Four people are dead and dozens injured | 0:20:48 | 0:20:50 | |
after the bomb at the Conservative Party hotel in Brighton. | 0:20:50 | 0:20:53 | |
But the IRA failed in what they set out to do. | 0:20:53 | 0:20:56 | |
Bear in mind, Terry was there | 0:20:56 | 0:20:59 | |
broadcasting at the height of the Troubles in Ireland, | 0:20:59 | 0:21:03 | |
bombings in England as well by the IRA. | 0:21:03 | 0:21:07 | |
That was a difficult time to face a British nation. | 0:21:07 | 0:21:11 | |
What if you're an Irish man, woman, boy, girl in the UK in the 1970s? | 0:21:12 | 0:21:19 | |
And indeed the 1980s. | 0:21:19 | 0:21:21 | |
And there's a bombing campaign going on. | 0:21:21 | 0:21:23 | |
And that bombing campaign is going on, committed by other Irish people. | 0:21:23 | 0:21:27 | |
And you have to go to work on a Monday morning and it's raining, | 0:21:27 | 0:21:32 | |
and a bomb went off at the weekend | 0:21:32 | 0:21:33 | |
and people are thinking, "Those Irish." | 0:21:33 | 0:21:36 | |
And it's ugly. | 0:21:36 | 0:21:37 | |
And yet, as you're driving to that same office, | 0:21:37 | 0:21:40 | |
you're listening to a man with an Irish accent. | 0:21:40 | 0:21:43 | |
So it can be very difficult if you have bombs in a Birmingham pub | 0:21:43 | 0:21:46 | |
and then you have to come up with a cheery, unmistakably Irish voice | 0:21:46 | 0:21:50 | |
at the end of the bulletin and introduce a record. | 0:21:50 | 0:21:54 | |
But if you started to dwell on that, you'd never do anything. | 0:21:54 | 0:21:58 | |
Of course he broke down barriers. | 0:21:58 | 0:22:00 | |
Of course he showed that things were possible. | 0:22:00 | 0:22:02 | |
Whatever your background is, to have one of your own lead the way, | 0:22:02 | 0:22:06 | |
fly the flag, is a tremendous inspiration for those who follow. | 0:22:06 | 0:22:10 | |
And I think Terry was very touched by the fact that he had this role, | 0:22:10 | 0:22:15 | |
if you like, of an unofficial ambassador. | 0:22:15 | 0:22:19 | |
I think he probably did as much for the Irish in Britain | 0:22:19 | 0:22:22 | |
as any diplomat that passed through the doors of the Irish Embassy. | 0:22:22 | 0:22:26 | |
Good morning! | 0:22:28 | 0:22:29 | |
Now at the top of his profession, | 0:22:29 | 0:22:32 | |
Terry still revelled in new challenges. | 0:22:32 | 0:22:34 | |
In 1980, his fascination with Dallas | 0:22:34 | 0:22:37 | |
had led to a television interview with its star, Larry Hagman, | 0:22:37 | 0:22:41 | |
at a time when the world was wondering who shot JR. | 0:22:41 | 0:22:44 | |
Will you live? | 0:22:44 | 0:22:45 | |
Yeah, well, I tell you, | 0:22:45 | 0:22:46 | |
they'll be in a hell of a lot of trouble if I don't! | 0:22:46 | 0:22:49 | |
LAUGHTER AND APPLAUSE | 0:22:49 | 0:22:52 | |
The BBC were impressed | 0:22:54 | 0:22:56 | |
and, with the departure of Michael Parkinson in 1982, | 0:22:56 | 0:23:00 | |
they needed a new chat show host. | 0:23:00 | 0:23:02 | |
Terry was the obvious choice. | 0:23:02 | 0:23:04 | |
Thank you, ladies and gentlemen. | 0:23:04 | 0:23:06 | |
Obviously, it's the first in the series, | 0:23:06 | 0:23:07 | |
so there's going to be blind panic and there already is! | 0:23:07 | 0:23:10 | |
But I hope you'll enjoy it more than I will. | 0:23:10 | 0:23:12 | |
No, I'm sure we'll all enjoy it. | 0:23:12 | 0:23:14 | |
It was absolutely a cornerstone of the BBC One schedules. | 0:23:14 | 0:23:17 | |
And within a year, we had ITV in disarray, very, very quickly. | 0:23:17 | 0:23:23 | |
And it was a huge, hugely successful project. | 0:23:23 | 0:23:26 | |
The Wogan show in the evening was revolutionary. | 0:23:26 | 0:23:30 | |
It moved from a Saturday night Parkinson-type slot | 0:23:30 | 0:23:35 | |
to three nights a week - Monday, Wednesday, Friday - on the BBC. | 0:23:35 | 0:23:40 | |
And this had never been done before. | 0:23:40 | 0:23:41 | |
Going out live, it was a daring prospect. | 0:23:41 | 0:23:44 | |
But something had to give. | 0:23:44 | 0:23:47 | |
After 12 years, Terry took the tough decision | 0:23:47 | 0:23:50 | |
to step down from his Radio 2 breakfast show. | 0:23:50 | 0:23:53 | |
-APPLAUSE DIES DOWN -Oh, you've stopped. | 0:23:53 | 0:23:55 | |
The all-new BBC. | 0:23:57 | 0:23:58 | |
And they have to rely on somebody like me to start it. | 0:23:58 | 0:24:02 | |
Welcome to the beginning | 0:24:02 | 0:24:03 | |
of what I hope will be a long and happy relationship. | 0:24:03 | 0:24:06 | |
Terry had made the right choice. | 0:24:08 | 0:24:09 | |
Wogan was a hit. | 0:24:09 | 0:24:11 | |
Oh, Wogan! | 0:24:11 | 0:24:13 | |
Drawing an average of eight million viewers a night | 0:24:13 | 0:24:16 | |
and crowning its host the king of television. | 0:24:16 | 0:24:19 | |
1 million for your next movie. | 0:24:19 | 0:24:22 | |
Wow! | 0:24:22 | 0:24:23 | |
In fact, Terry... | 0:24:24 | 0:24:26 | |
-Is it Terry? -Yes, it is. | 0:24:28 | 0:24:30 | |
His chat show was on at a time, I think, | 0:24:30 | 0:24:35 | |
right towards the end of stars having mystery about them. | 0:24:35 | 0:24:40 | |
When he had the big American stars on, it was a big deal. | 0:24:41 | 0:24:45 | |
Do you have an ideal man? | 0:24:45 | 0:24:47 | |
Well, I worked with many partners | 0:24:48 | 0:24:51 | |
and an ideal man would be... | 0:24:51 | 0:24:54 | |
a man with the eyes of Paul Newman, | 0:24:54 | 0:24:56 | |
the nose of Gregory Peck | 0:24:56 | 0:24:59 | |
and the... | 0:24:59 | 0:25:01 | |
..the nice, wonderful, slim figure of Mr Wogan. | 0:25:05 | 0:25:11 | |
Do you know... | 0:25:11 | 0:25:12 | |
He didn't do interviews. He chatted. | 0:25:13 | 0:25:16 | |
But he gave you the impression it was easy. | 0:25:16 | 0:25:19 | |
It didn't look like work when he did it. | 0:25:19 | 0:25:21 | |
And so you did kind of think, presumably anyone can do that. | 0:25:21 | 0:25:25 | |
Look at him. He's just a man in a suit, chatting. | 0:25:25 | 0:25:28 | |
And I think that was really what he communicated to an audience. | 0:25:29 | 0:25:33 | |
But they don't seem to make any... | 0:25:33 | 0:25:35 | |
..concession to the fact that you're a woman. | 0:25:36 | 0:25:39 | |
No, why should they? | 0:25:39 | 0:25:41 | |
I don't make any concession to the fact that they are men. | 0:25:41 | 0:25:44 | |
He listened. It was never about him. | 0:25:46 | 0:25:49 | |
And yet, every now and again, he'd flash the steel. | 0:25:49 | 0:25:53 | |
And every now and again he'd say something or do something | 0:25:53 | 0:25:56 | |
that you'd think, not only is he listening, but he... | 0:25:56 | 0:26:00 | |
doesn't particularly like that person. | 0:26:00 | 0:26:02 | |
-May I finish? -Yes, but I'm... Yes... | 0:26:03 | 0:26:05 | |
But I don't entirely accept that psychological point, as I say. | 0:26:05 | 0:26:09 | |
I understand. But may I finish? | 0:26:09 | 0:26:11 | |
Well, yes, if you have a point to make... | 0:26:11 | 0:26:13 | |
Yes, I do have a point to make. Thank you. | 0:26:13 | 0:26:15 | |
And when you watch him in one of those interviews, | 0:26:15 | 0:26:19 | |
with Anne Bancroft or something, | 0:26:19 | 0:26:21 | |
which..it's just... | 0:26:21 | 0:26:23 | |
I'm there, I'm thinking, oh, oh! | 0:26:23 | 0:26:26 | |
But I care more as a viewer than Terry did as a host. | 0:26:26 | 0:26:30 | |
Why do you hate this kind of thing so much? | 0:26:30 | 0:26:32 | |
Is it... Is it me? | 0:26:32 | 0:26:34 | |
-Probably. -It's probably me. | 0:26:34 | 0:26:36 | |
It's not the dried flowers or anything? | 0:26:36 | 0:26:39 | |
-That, too. -Do you do any of this stuff in America? | 0:26:39 | 0:26:42 | |
-Would you ever do a talk show? -No. -Are you glad you did this one? | 0:26:42 | 0:26:45 | |
No. | 0:26:45 | 0:26:46 | |
And also, although Anne Bancroft was clearly not enjoying it, | 0:26:47 | 0:26:53 | |
he didn't torture her. | 0:26:53 | 0:26:55 | |
He kind of let her be that bad on a talk show. | 0:26:55 | 0:26:58 | |
Because that's how she wanted to be. | 0:26:58 | 0:27:01 | |
And that was his way of coping, | 0:27:01 | 0:27:05 | |
was to just roll his eyes and go, "Oh, well, there you go." | 0:27:05 | 0:27:09 | |
Watch two interviews, I often think. | 0:27:09 | 0:27:11 | |
If you watch him talking to Gene Wilder, | 0:27:11 | 0:27:14 | |
there's two fellas... | 0:27:14 | 0:27:16 | |
..who are like-minded souls. It is chat show heaven. | 0:27:17 | 0:27:21 | |
Was it the love of a good woman that converted you? | 0:27:21 | 0:27:24 | |
Or have you just grown in experience and knowledge of women? | 0:27:24 | 0:27:27 | |
No, it was the love of several good women, but... | 0:27:27 | 0:27:32 | |
-You're boasting, now, you see... -No, no, no. | 0:27:32 | 0:27:34 | |
Several can mean more than two. | 0:27:34 | 0:27:37 | |
No, no, several is five or six. | 0:27:37 | 0:27:39 | |
Or possibly 10 or 20. | 0:27:40 | 0:27:42 | |
All right, have it your way. | 0:27:44 | 0:27:45 | |
And you watch that, you could see Terry loved him. | 0:27:46 | 0:27:48 | |
He was really interested in what he had to say. | 0:27:48 | 0:27:50 | |
And Wilder was intrigued by, I suppose, the twinkle in the eye | 0:27:50 | 0:27:54 | |
and the interesting questions and so on. Lovely. | 0:27:54 | 0:27:57 | |
Then you bring out Bette Davis. | 0:27:57 | 0:27:59 | |
And halfway through the interview, | 0:27:59 | 0:28:01 | |
she points to the book and starts saying, | 0:28:01 | 0:28:04 | |
"When are we going to talk about my book?" | 0:28:04 | 0:28:06 | |
You have to ask me about my book. | 0:28:06 | 0:28:08 | |
Watch his reaction, because funnily enough, in some respects, | 0:28:10 | 0:28:13 | |
the light went off. | 0:28:13 | 0:28:15 | |
I came on this show to sell a book. | 0:28:15 | 0:28:17 | |
I am in England to sell a book. | 0:28:17 | 0:28:19 | |
Oh, I don't know. We're glad to see you, | 0:28:19 | 0:28:21 | |
whether you've come to sell a book or not. | 0:28:21 | 0:28:23 | |
I think he felt the chat show might have died there. | 0:28:23 | 0:28:25 | |
And I think a little bit of him became disillusioned with the chat show. | 0:28:25 | 0:28:30 | |
Having paused for that brief commercial... | 0:28:30 | 0:28:32 | |
'I seethed inwardly quite a lot.' | 0:28:32 | 0:28:36 | |
But my iron self-control and early training by Jesuits | 0:28:36 | 0:28:40 | |
stopped me ever really losing my temper. | 0:28:40 | 0:28:44 | |
I did feel, of course, like giving people a slap. | 0:28:44 | 0:28:46 | |
But I never actually did. | 0:28:46 | 0:28:48 | |
And I think, full marks to me, because quite often | 0:28:48 | 0:28:51 | |
I had plenty of grounds for giving people a good slap. | 0:28:51 | 0:28:55 | |
If life on Wogan could be unpredictable, | 0:28:55 | 0:28:58 | |
Terry's home life with Helen was unswervingly rock-solid. | 0:28:58 | 0:29:03 | |
I suppose people like me are driven... | 0:29:03 | 0:29:05 | |
..by God knows what force, | 0:29:06 | 0:29:08 | |
perhaps it's ambition, but ambition for yourself... | 0:29:08 | 0:29:11 | |
is not a very laudable thing. | 0:29:11 | 0:29:13 | |
If you have somebody behind you who gives you all the support | 0:29:13 | 0:29:18 | |
and love and more than you could possibly use... | 0:29:18 | 0:29:21 | |
..then it's no great shakes to me that I'm standing up here. | 0:29:23 | 0:29:29 | |
It's mainly due to her, and I'd like to thank Helen for that. | 0:29:29 | 0:29:34 | |
APPLAUSE | 0:29:34 | 0:29:37 | |
Theirs was a happy home, but not without its sadness. | 0:29:38 | 0:29:43 | |
They lost their first child at only three weeks old. | 0:29:43 | 0:29:45 | |
You remember a little bit of the pain because that never goes, | 0:29:47 | 0:29:51 | |
never forget that. | 0:29:51 | 0:29:53 | |
You ask why it should happen to you, of course. | 0:29:53 | 0:29:55 | |
As you go through life, you realise it's a lottery anyway | 0:29:55 | 0:29:59 | |
and that I've been luckier than most in my life. | 0:29:59 | 0:30:03 | |
I'm not going to knock it. | 0:30:03 | 0:30:05 | |
Terry and Helen went on to have three more children, | 0:30:07 | 0:30:10 | |
who Terry adored. | 0:30:10 | 0:30:11 | |
His real secret weapon was Lady Helen and the family at home, | 0:30:17 | 0:30:22 | |
because he was always so stable and they gave him the confidence | 0:30:22 | 0:30:26 | |
and the foundation and the security. | 0:30:26 | 0:30:29 | |
He knew what was important in life. | 0:30:29 | 0:30:31 | |
Everybody felt that Terry was their friend, | 0:30:31 | 0:30:34 | |
but on the other hand, actually, he was very private. | 0:30:34 | 0:30:36 | |
You didn't know much about him. | 0:30:36 | 0:30:38 | |
You knew as much as he would let you know. | 0:30:38 | 0:30:40 | |
Working with him for 15 years, | 0:30:40 | 0:30:42 | |
I knew very little about him. | 0:30:42 | 0:30:44 | |
Really a very private man. | 0:30:44 | 0:30:46 | |
He didn't really have much time for producers and directors. | 0:30:46 | 0:30:50 | |
He wasn't one for going for a drink with the lads afterwards. | 0:30:50 | 0:30:53 | |
His love was for the audience | 0:30:53 | 0:30:55 | |
and for his family, and that was it, really. | 0:30:55 | 0:30:58 | |
-All right?! -INDISTINCT OFF CAMERA | 0:30:58 | 0:31:00 | |
No, it's all right. | 0:31:00 | 0:31:02 | |
I was lucky enough, together with my wife, Ruth, | 0:31:02 | 0:31:04 | |
to be invited into his home. | 0:31:04 | 0:31:07 | |
This is a man who has interviewed hundreds and hundreds | 0:31:07 | 0:31:11 | |
of very, very famous people, | 0:31:11 | 0:31:13 | |
and there were loads of photographs in his house, | 0:31:13 | 0:31:15 | |
pictures, pictures, pictures, pictures everywhere. | 0:31:15 | 0:31:19 | |
But as far as I could see, not one with anybody famous. | 0:31:19 | 0:31:23 | |
It was his family, his sons, his daughter, his grandchildren, | 0:31:23 | 0:31:28 | |
and I think that really is the essence of the man. | 0:31:28 | 0:31:31 | |
My philosophy has always been - this is what I do. | 0:31:33 | 0:31:35 | |
I do it and then I go home and have my dinner. | 0:31:35 | 0:31:40 | |
The most important thing in your life is your family. | 0:31:41 | 0:31:43 | |
The rest, as they say, is just peripheral. | 0:31:43 | 0:31:46 | |
That stability at home became even more important | 0:31:49 | 0:31:52 | |
when his show Wogan was cancelled in 1992. | 0:31:52 | 0:31:55 | |
For about the 100...1,000... 251st time, welcome to Wogan. | 0:31:55 | 0:32:01 | |
Aware that the show was flagging, | 0:32:01 | 0:32:04 | |
Terry had wanted it to end the previous year, but the BBC refused, | 0:32:04 | 0:32:09 | |
only to pull the plug, unceremoniously, a year later. | 0:32:09 | 0:32:13 | |
And that's it. | 0:32:13 | 0:32:14 | |
Thanks to all my guests, all 4,008. | 0:32:14 | 0:32:17 | |
All that's left now are the memories. | 0:32:17 | 0:32:21 | |
He felt he knew when he'd come to the end of something. | 0:32:21 | 0:32:26 | |
Buenos noches. Goodnight, thank you. | 0:32:26 | 0:32:29 | |
He always believed that you leave before they give you the sack, | 0:32:29 | 0:32:33 | |
or before they get fed up with you. | 0:32:33 | 0:32:36 | |
And he was more than happy to finish the chat shows a bit earlier. | 0:32:36 | 0:32:40 | |
Most importantly, and this is a lesson | 0:32:41 | 0:32:44 | |
he would teach any broadcaster, is he survived. | 0:32:44 | 0:32:46 | |
And even when he did kind of get the bullet, | 0:32:46 | 0:32:49 | |
let's face it, on the chat show, where it just had run its course, | 0:32:49 | 0:32:54 | |
what did they put on instead of it? | 0:32:54 | 0:32:57 | |
Eldorado. How did that work out for you? | 0:32:57 | 0:33:00 | |
Yes, all right. | 0:33:00 | 0:33:02 | |
'I was angry with what had happened, as you would be, | 0:33:02 | 0:33:05 | |
'and in a sense, that's what moulds you. | 0:33:05 | 0:33:08 | |
'You think, "OK, that's never going to happen again. | 0:33:08 | 0:33:11 | |
' "I'll make my own timings." ' | 0:33:11 | 0:33:12 | |
There you are, you see. | 0:33:12 | 0:33:14 | |
'But I'm not going to be defeated. | 0:33:14 | 0:33:16 | |
'I don't recognise failure.' | 0:33:16 | 0:33:18 | |
He made a remark to me once about being unfaithful to radio. | 0:33:18 | 0:33:23 | |
He'd had an affair. He'd had an affair in public with television. | 0:33:23 | 0:33:27 | |
"And I'm going back home now." | 0:33:27 | 0:33:30 | |
# BBC Radio 2... # | 0:33:31 | 0:33:36 | |
Have a pencil and paper handy. | 0:33:36 | 0:33:38 | |
And your brain in gear. | 0:33:38 | 0:33:40 | |
Terry did indeed go home, to radio, | 0:33:40 | 0:33:43 | |
where his presence was as welcome to his colleagues | 0:33:43 | 0:33:46 | |
as it was to his delighted audience. | 0:33:46 | 0:33:48 | |
Terry was a man who was almost always in a good mood. | 0:33:48 | 0:33:52 | |
He and I would turn up at sort of 5.30 in the morning, | 0:33:52 | 0:33:55 | |
feeling less than enthusiastic, or even subhuman. | 0:33:55 | 0:33:58 | |
-Yeah, no, I can vouch for that. -You probably saw that. | 0:33:58 | 0:34:02 | |
He would turn up, and within five or ten minutes, | 0:34:02 | 0:34:05 | |
-you were having a great time. -Yes. | 0:34:05 | 0:34:06 | |
And that applied to everyone that was listening to him as well. | 0:34:06 | 0:34:10 | |
By now, Wake Up To Wogan | 0:34:10 | 0:34:12 | |
was the most listened to radio show in Europe | 0:34:12 | 0:34:15 | |
and a new army of fans had mustered, | 0:34:15 | 0:34:18 | |
the Togs, or Terry's Old Geezers and Gals. | 0:34:18 | 0:34:21 | |
Norman, I think you're chief Tog. | 0:34:21 | 0:34:23 | |
What does Tog stand for? | 0:34:23 | 0:34:24 | |
Togs, well, we always love Sir Terry, it's a state of mind. | 0:34:24 | 0:34:28 | |
It's taking a wry look at life, and a non-PC look, | 0:34:28 | 0:34:32 | |
and generally, whatever age you are, having a good time. | 0:34:32 | 0:34:34 | |
I think the Wogan magic was the bond between him and the audience. | 0:34:34 | 0:34:39 | |
It was unbreakable. | 0:34:39 | 0:34:40 | |
They adored him and he adored them. | 0:34:40 | 0:34:43 | |
www.bbc.co.uk... | 0:34:43 | 0:34:46 | |
He never seemed aware of how popular he was. | 0:34:46 | 0:34:49 | |
He liked being liked. | 0:34:49 | 0:34:50 | |
Never had any trace of how famous he was or anything. | 0:34:50 | 0:34:55 | |
And it wasn't elaborate false modesty. | 0:34:55 | 0:34:58 | |
I got to know the man. It was genuine. | 0:34:58 | 0:35:00 | |
It's a helter-skelter ride on Radio 2. | 0:35:00 | 0:35:03 | |
-THEY SPEAK OVER EACH OTHER -Crazy! -I've done it again. | 0:35:03 | 0:35:06 | |
-You have. -Yes... | 0:35:06 | 0:35:07 | |
Terry is not one for doing an awful lot of pre-preparation | 0:35:07 | 0:35:12 | |
and he didn't need to. | 0:35:12 | 0:35:14 | |
He had this really excellent ability to communicate with people | 0:35:14 | 0:35:21 | |
and sort of get inside them, and you felt | 0:35:21 | 0:35:23 | |
you were listening to a friend when you listened to him. | 0:35:23 | 0:35:26 | |
The trains are coming in... overcrowded on the platform. | 0:35:26 | 0:35:29 | |
There was a Tube strike, so I had to run into work, | 0:35:29 | 0:35:33 | |
so I got my gym kit on | 0:35:33 | 0:35:34 | |
and I ran six miles across Hyde Park and everything, get to Radio 2, | 0:35:34 | 0:35:37 | |
stand by the lift, and I'm aware of this presence beside me, | 0:35:37 | 0:35:41 | |
and I look round and it's Terry in his perfectly pressed vanilla suit | 0:35:41 | 0:35:45 | |
with his briefcase. We go into the lift | 0:35:45 | 0:35:47 | |
and I'm about to press the button for my floor, which is the second, | 0:35:47 | 0:35:51 | |
when I suddenly see the time is 7.28, | 0:35:51 | 0:35:54 | |
and I said, "Terry, it's 7.28, you're on the air in two minutes." | 0:35:54 | 0:35:59 | |
And he said, "Yes, I'm early this morning." | 0:35:59 | 0:36:02 | |
So I said, "Well, let me press six and we'll get you to your show..." | 0:36:02 | 0:36:05 | |
So, anyway, go up to his show, out he goes, | 0:36:05 | 0:36:07 | |
goes round the corner with his briefcase. | 0:36:07 | 0:36:09 | |
I go down to the second, put on the radio, a jingle goes, | 0:36:09 | 0:36:13 | |
Terry Wogan's jingle, and there comes this very familiar voice. | 0:36:13 | 0:36:18 | |
'You know, the heavy traffic, | 0:36:18 | 0:36:20 | |
'brought on by the hold-ups and the Underground and the rest of it, | 0:36:20 | 0:36:23 | |
'and people cycling and running, not without its benefits, Deadly.' | 0:36:23 | 0:36:27 | |
-'What was that?' -'Oh. When I came in here about, oh, three minutes ago, | 0:36:27 | 0:36:31 | |
'I got to share a lift with Jeremy Vine, | 0:36:31 | 0:36:35 | |
'who'd run all the way from Hammersmith. | 0:36:35 | 0:36:38 | |
-'And you could tell.' -'He's very early, isn't he?' | 0:36:38 | 0:36:42 | |
# 88 to 91 FM... # | 0:36:42 | 0:36:43 | |
And I thought, "That's the genius of the guy, isn't it?" | 0:36:43 | 0:36:46 | |
Because he hadn't even had a thought | 0:36:46 | 0:36:49 | |
about his opening link for his programme | 0:36:49 | 0:36:51 | |
until he saw me in the lift 90 seconds before. | 0:36:51 | 0:36:54 | |
The thing is that he had a very well-stocked brain, didn't he? | 0:36:54 | 0:36:57 | |
-He was well educated. -Yeah. -He was well read. | 0:36:57 | 0:37:00 | |
-Yes. -And he would often sort of throw out the odd quote | 0:37:00 | 0:37:02 | |
from something or other and it would stop you in your tracks. | 0:37:02 | 0:37:05 | |
You'd think, "Blimey, how do you know that?" | 0:37:05 | 0:37:07 | |
-Yeah. -"Why have you remembered that?" -Yeah. | 0:37:07 | 0:37:09 | |
So, you know, we're not talking some complete numpty here. | 0:37:09 | 0:37:11 | |
# How can I think I'm standing strong... # | 0:37:11 | 0:37:16 | |
But while Terry's easy conversation and quick wit | 0:37:16 | 0:37:20 | |
may have been his trademarks, he also had a deep love of music. | 0:37:20 | 0:37:23 | |
The thing with Sir Terry's shows was that he really created... | 0:37:23 | 0:37:27 | |
As a personality, as a voice on the radio, | 0:37:27 | 0:37:30 | |
he never seemed to try and push too hard to reach the listener. | 0:37:30 | 0:37:35 | |
He always seemed to be very relaxed. | 0:37:35 | 0:37:39 | |
# This is the closest thing to crazy I have ever been... # | 0:37:39 | 0:37:45 | |
And so I think that atmosphere was really unique and very special, | 0:37:45 | 0:37:50 | |
and so he needed certain types of music to be able to... | 0:37:50 | 0:37:54 | |
make that atmosphere, you know, carry on throughout the whole show. | 0:37:54 | 0:37:58 | |
Obviously, to me, it meant a great deal, | 0:37:58 | 0:38:00 | |
because he was the first person to start playing my music. | 0:38:00 | 0:38:05 | |
# And now I know... # | 0:38:05 | 0:38:09 | |
Not only did Terry champion new artists such as Katie Melua, | 0:38:09 | 0:38:12 | |
the enormous respect he commanded | 0:38:12 | 0:38:14 | |
meant that he had the power to influence record sales. | 0:38:14 | 0:38:17 | |
He certainly could make an artist, and he did with several of them. | 0:38:18 | 0:38:22 | |
Katie Melua, Eva Cassidy, | 0:38:22 | 0:38:24 | |
Beth Nielsen Chapman, people like that. | 0:38:24 | 0:38:27 | |
He loved hearing a soulful female voice singing a good, strong ballad. | 0:38:27 | 0:38:34 | |
# ..You. # | 0:38:34 | 0:38:40 | |
But it wasn't only on radio that Terry's musical judgment was in evidence. | 0:38:43 | 0:38:48 | |
For 31 years, he presented the Eurovision Song Contest. | 0:38:48 | 0:38:52 | |
I can't believe the excitement in here. | 0:38:52 | 0:38:54 | |
You'd think there was something entertaining going to happen. | 0:38:54 | 0:38:57 | |
If ever there was a show made for Terry, this was it. | 0:38:57 | 0:39:01 | |
Oh, look, it's the ghost of Christmas yet to come. | 0:39:01 | 0:39:06 | |
Who knows what hellish future lies ahead? | 0:39:06 | 0:39:08 | |
Well, actually, I do, cos I've seen the rehearsals. | 0:39:09 | 0:39:12 | |
With Eurovision, you know, | 0:39:12 | 0:39:14 | |
Terry Wogan took something that wasn't a job | 0:39:14 | 0:39:17 | |
and made it a thing. | 0:39:17 | 0:39:18 | |
You know, because I think people forget how many people | 0:39:18 | 0:39:22 | |
have commentated on Eurovision over the years. | 0:39:22 | 0:39:25 | |
Loads of people have! | 0:39:25 | 0:39:26 | |
This girl will need the neck muscles of Arnold Schwarzenegger | 0:39:26 | 0:39:31 | |
to keep this necklace up. | 0:39:31 | 0:39:33 | |
I don't know why her head is not down around her knees. | 0:39:33 | 0:39:35 | |
SHE SINGS IN ROMANIAN | 0:39:39 | 0:39:42 | |
And he made it his own to such an extent that I've done... | 0:39:42 | 0:39:46 | |
I think this will be my ninth year, and I still have Terry in my head. | 0:39:46 | 0:39:52 | |
Alex is striking, I'm afraid, | 0:39:52 | 0:39:54 | |
another death blow to barbers everywhere. | 0:39:54 | 0:39:57 | |
HE SINGS IN HIS OWN LANGUAGE | 0:39:58 | 0:40:00 | |
He would see very quickly the quirky and the mad and the utterly insane | 0:40:00 | 0:40:06 | |
and the inexplicable. | 0:40:06 | 0:40:07 | |
SHE SINGS | 0:40:07 | 0:40:09 | |
I want you to keep an eye out | 0:40:09 | 0:40:11 | |
for a man playing a bunch of grapes in this. | 0:40:11 | 0:40:14 | |
Not a thing you'd see anywhere else but the Eurovision Song Contest. | 0:40:14 | 0:40:18 | |
I think Terry had an extraordinary ability | 0:40:20 | 0:40:25 | |
to communicate very nuanced things with his voice. | 0:40:25 | 0:40:30 | |
He had one of those voices, you could hear a raised eyebrow in it. | 0:40:31 | 0:40:35 | |
Keep an eye out for Archimandrite, high priest of the bongo. | 0:40:35 | 0:40:39 | |
There's the fellow. | 0:40:40 | 0:40:42 | |
It was the original Gogglebox. I mean, he was just sitting there, | 0:40:43 | 0:40:46 | |
going, "What the...? Where the...? Who the...? How the...? Why the...?" | 0:40:46 | 0:40:50 | |
And you're thinking, "Yes!" | 0:40:50 | 0:40:51 | |
That voice is our voice on the couch. | 0:40:51 | 0:40:55 | |
Watch out for the lead singer. | 0:40:55 | 0:40:57 | |
You'll be able to tell what he had for breakfast. | 0:40:57 | 0:40:59 | |
# Come on, come on, come on... # | 0:41:01 | 0:41:04 | |
The word that describes Terry best, I think, is irreverent. | 0:41:04 | 0:41:07 | |
He was irreverent to the BBC. | 0:41:07 | 0:41:09 | |
He was certainly irreverent to poor old Eurovision, | 0:41:09 | 0:41:12 | |
but, actually, in a way, his irreverence saved it. | 0:41:12 | 0:41:15 | |
His irreverence is the reason | 0:41:15 | 0:41:16 | |
it's still on the air in the UK and still loved today. | 0:41:16 | 0:41:19 | |
Terry may have revelled in the ridiculousness of Eurovision, | 0:41:21 | 0:41:24 | |
but he also enjoyed a few highlights, | 0:41:24 | 0:41:26 | |
such as when the UK won in 1981 and again in 1997. | 0:41:26 | 0:41:31 | |
Well, we all know who's won. | 0:41:31 | 0:41:33 | |
They've been leading from the beginning. | 0:41:33 | 0:41:35 | |
First time since 1981, since Bucks Fizz did it here in Dublin. | 0:41:35 | 0:41:39 | |
Leading to his only stint in front of the cameras as host. | 0:41:39 | 0:41:43 | |
Hold it down to a dull roar. | 0:41:43 | 0:41:45 | |
The rest of Europe thinks the British are reserved. | 0:41:47 | 0:41:49 | |
CHEERING | 0:41:49 | 0:41:51 | |
Bonsoir, mesdames et messieurs... | 0:41:51 | 0:41:54 | |
In 2008, as he turned 70, | 0:41:54 | 0:41:57 | |
Terry made the decision to stand down | 0:41:57 | 0:41:59 | |
from the Eurovision Song Contest. | 0:41:59 | 0:42:01 | |
I think it's tremendously disappointing | 0:42:03 | 0:42:05 | |
from the point of view of the United Kingdom. | 0:42:05 | 0:42:07 | |
We've come joint last, along with three other countries. | 0:42:07 | 0:42:11 | |
You have to say that this is no longer a music contest. | 0:42:11 | 0:42:14 | |
I think he was disappointed. He just didn't care for the way | 0:42:14 | 0:42:18 | |
it had moved and there was such obvious blatant bias in the voting. | 0:42:18 | 0:42:24 | |
I think he felt, "This is not the same as it was." | 0:42:24 | 0:42:27 | |
And when the fun goes out of something for Terry, it's gone, | 0:42:27 | 0:42:30 | |
so he left at the right time. | 0:42:30 | 0:42:33 | |
Good evening, and welcome to the Eurovision Song Contest 2009, | 0:42:33 | 0:42:39 | |
coming to you live from Moscow. | 0:42:39 | 0:42:41 | |
I'm Graham Norton. | 0:42:43 | 0:42:45 | |
I miss Terry, too. | 0:42:46 | 0:42:47 | |
I'm sorry. He's not here. | 0:42:47 | 0:42:49 | |
I think about a week before I was heading off to do it in Moscow, | 0:42:49 | 0:42:54 | |
my phone rang, and it was Terry, and, you know, that's... | 0:42:54 | 0:42:58 | |
I genuinely thought that was lovely. | 0:42:58 | 0:43:01 | |
He bothered to call me to wish me well, | 0:43:01 | 0:43:04 | |
and to say that he'd be watching. | 0:43:04 | 0:43:06 | |
And the only advice he gave me was not to have a drink before Song 9. | 0:43:06 | 0:43:10 | |
Then, in 2009, after nearly 30 years behind the breakfast show mic, | 0:43:12 | 0:43:17 | |
came the announcement that would break the hearts of millions. | 0:43:17 | 0:43:21 | |
This is it, then. This is the day I've been dreading. | 0:43:22 | 0:43:25 | |
The inevitable morning when you and I come to the parting of the ways. | 0:43:25 | 0:43:29 | |
I'm not going to pretend that this is not a sad day. | 0:43:29 | 0:43:32 | |
You can probably hear it in my voice. | 0:43:32 | 0:43:34 | |
I'm going to miss the laughter and the fun of our mornings together. | 0:43:34 | 0:43:37 | |
Have a happy Christmas. | 0:43:37 | 0:43:39 | |
Thank you. Thank you for being my friend. | 0:43:39 | 0:43:43 | |
When you listen back to his farewell, | 0:43:44 | 0:43:46 | |
I think all those years of closeness to the listeners and to his team | 0:43:46 | 0:43:52 | |
came out when he said goodbye, because you could sense it. | 0:43:52 | 0:43:55 | |
Is it over, really? | 0:43:55 | 0:43:56 | |
He left at the top of his game. | 0:43:56 | 0:44:00 | |
He was the foundations of Radio 2. He was absolutely part of | 0:44:00 | 0:44:04 | |
the fabric of the place, and that resonates through now, as well. | 0:44:04 | 0:44:08 | |
Well, Radio 2's Terry's home, you know. | 0:44:08 | 0:44:10 | |
I mean, Radio 2 is where he was for over, you know... | 0:44:10 | 0:44:14 | |
close to four decades, | 0:44:14 | 0:44:15 | |
and so it's his ship, we just get to sail it. | 0:44:15 | 0:44:19 | |
Terry's popularity, though, showed no sign of diminishing. | 0:44:21 | 0:44:24 | |
Sir Terence Wogan, for services to broadcasting. | 0:44:24 | 0:44:28 | |
In 2005, he'd be knighted by one of his most famous fans. | 0:44:28 | 0:44:33 | |
In the years that followed, more awards flowed in. | 0:44:35 | 0:44:38 | |
After 50 years as the country's greatest and favourite broadcaster, | 0:44:38 | 0:44:42 | |
it gives me enormous pleasure... | 0:44:42 | 0:44:43 | |
It is also... Genuinely, it's a terrific honour for me | 0:44:43 | 0:44:46 | |
to be asked to give to Sir Terry | 0:44:46 | 0:44:48 | |
this special lifetime achievement award for radio broadcasting | 0:44:48 | 0:44:51 | |
to Sir Terry Wogan. | 0:44:51 | 0:44:53 | |
All broadcasters that like television, that watch television, | 0:44:56 | 0:45:00 | |
that have grown up being passionate about television and radio, | 0:45:00 | 0:45:04 | |
you can't help but look to him as the daddy. | 0:45:04 | 0:45:08 | |
Please. | 0:45:08 | 0:45:09 | |
Well, ladies and gentlemen... | 0:45:09 | 0:45:11 | |
..it's been a journey. | 0:45:14 | 0:45:15 | |
This only sustains my long-felt theory | 0:45:17 | 0:45:21 | |
that, in our business, if you can stay upright and reasonably sober... | 0:45:21 | 0:45:28 | |
..they'll give you something in the end. | 0:45:29 | 0:45:31 | |
With more time on his hands, Terry threw himself into a variety of work. | 0:45:33 | 0:45:38 | |
A new weekend radio programme, | 0:45:38 | 0:45:41 | |
documentaries, and appearances on panel shows, | 0:45:41 | 0:45:45 | |
all confirming his role as a true broadcasting great. | 0:45:45 | 0:45:48 | |
Hello. Hello, and welcome to what they call a show. | 0:45:48 | 0:45:53 | |
Now, I think you all know why I'm here. | 0:45:53 | 0:45:55 | |
I mean, I could have been on Strictly Come Dancing, | 0:45:55 | 0:45:57 | |
I could have been on I'm A Celebrity... Get Me Out Of Here, | 0:45:57 | 0:46:00 | |
but I wanted to put myself through | 0:46:00 | 0:46:02 | |
the most degenerating and debasing show of them all. | 0:46:02 | 0:46:05 | |
He understood that you had to keep up with the times, | 0:46:05 | 0:46:08 | |
and he was genuinely interested in what was going on culturally. | 0:46:08 | 0:46:12 | |
He was courageous and he kept trying new things, | 0:46:12 | 0:46:14 | |
and he was just up for a laugh. | 0:46:14 | 0:46:16 | |
Thank you. | 0:46:16 | 0:46:17 | |
I've done quite a few panel shows, with all different sorts of hosts, | 0:46:17 | 0:46:20 | |
and normally, if they have a bit of a go at you, you want to fight back. | 0:46:20 | 0:46:24 | |
-But when Terry says anything, I just sit here thinking, "You're right, I am -BLEEP!" | 0:46:24 | 0:46:27 | |
The strongest thing was just the affection people felt for him. | 0:46:29 | 0:46:32 | |
He was one of those figures. There's a handful of people, | 0:46:32 | 0:46:35 | |
and when we have them on Would I Lie To You, | 0:46:35 | 0:46:37 | |
you can tell the audience just have great affection for them. | 0:46:37 | 0:46:42 | |
On David Mitchell's team tonight, | 0:46:42 | 0:46:44 | |
a man who has broadcasting in his blood, | 0:46:44 | 0:46:47 | |
along with Sanatogen, cod liver oil and Viagra. | 0:46:47 | 0:46:50 | |
It's Sir Terry Wogan! | 0:46:50 | 0:46:52 | |
When we had him on, I know there was a sense, amongst the three of us, | 0:46:52 | 0:46:57 | |
of, "Terry Wogan's on the show, fantastic!" | 0:46:57 | 0:46:59 | |
You know, and you kind of just want to sit back | 0:46:59 | 0:47:02 | |
and just watch him do his thing. | 0:47:02 | 0:47:03 | |
Which is a danger, when you have someone who's as beloved as he was, | 0:47:03 | 0:47:07 | |
that you sort of don't get in the game, you know, you just want to go, "Wow, look who it is!" | 0:47:07 | 0:47:11 | |
Every year, I signal the start of Christmas dinner | 0:47:11 | 0:47:15 | |
by taking my seat opposite Mrs Wogan | 0:47:15 | 0:47:18 | |
and firing a pistol loaded with a blank or blanks. | 0:47:18 | 0:47:24 | |
Have you ever set fire to her? | 0:47:25 | 0:47:27 | |
-In ways that I will not divulge... -LAUGHTER | 0:47:30 | 0:47:33 | |
Live from the BBC Television Centre in London, | 0:47:36 | 0:47:39 | |
and across the United Kingdom, it's BBC Children in Need! | 0:47:39 | 0:47:44 | |
But while Sir Terry Wogan's influence on broadcasting is undeniable, | 0:47:44 | 0:47:47 | |
there was never any doubt in his mind | 0:47:47 | 0:47:49 | |
about what he saw was his most important role. | 0:47:49 | 0:47:52 | |
It's the guvnor. Ladies and gentlemen, it's Terry Wogan! | 0:47:52 | 0:47:56 | |
Terry first became involved in Children in Need in 1978, | 0:47:57 | 0:48:02 | |
when it was just a five-minute television appeal. | 0:48:02 | 0:48:05 | |
It doesn't take much to make a child happy, | 0:48:05 | 0:48:08 | |
so help us help these children in need. | 0:48:08 | 0:48:12 | |
# You're not alone Together we stand... # | 0:48:12 | 0:48:16 | |
With Terry at the helm for 44 years, | 0:48:16 | 0:48:19 | |
Children in Need turned into a fundraising phenomenon, | 0:48:19 | 0:48:23 | |
with almost £800 million raised to date. | 0:48:23 | 0:48:26 | |
Children in Need just wouldn't be the same | 0:48:26 | 0:48:29 | |
without one of its main presenters, Terry Wogan. | 0:48:29 | 0:48:31 | |
We're going to see some more golden moments, aren't we, everybody? | 0:48:33 | 0:48:36 | |
264,398... | 0:48:36 | 0:48:39 | |
£17,213,664... | 0:48:39 | 0:48:44 | |
£20,991,216... | 0:48:44 | 0:48:48 | |
£26,757,446... | 0:48:48 | 0:48:51 | |
£32,620,469... | 0:48:51 | 0:48:55 | |
CHEERING | 0:48:55 | 0:48:57 | |
-ALL: -Terry! Terry! Terry! | 0:48:57 | 0:48:59 | |
I think the reason Terry was so successful with Children in Need | 0:48:59 | 0:49:02 | |
is cos he meant it. | 0:49:02 | 0:49:03 | |
He was different on Children in Need. | 0:49:03 | 0:49:05 | |
You know, his persona was completely different. | 0:49:05 | 0:49:08 | |
That was the closest Terry to the real Terry you ever saw. | 0:49:08 | 0:49:12 | |
They need your help, if you've read the papers, | 0:49:12 | 0:49:15 | |
more than ever, so please, please, dig deep, dig deep. | 0:49:15 | 0:49:19 | |
I'll be coming round with buckets for all of you. | 0:49:19 | 0:49:21 | |
He has always said he didn't like rehearsals, | 0:49:21 | 0:49:24 | |
he's always said he likes flying by the seat of his pants. | 0:49:24 | 0:49:26 | |
This was seven hours of flying by the seat of his pants. | 0:49:26 | 0:49:29 | |
I thought we might have a member of the audience come down and pick | 0:49:29 | 0:49:32 | |
a golden moment for us. What do you think of that? | 0:49:32 | 0:49:34 | |
Belting idea. | 0:49:34 | 0:49:35 | |
Whoa! | 0:49:35 | 0:49:37 | |
And he also felt that relating to people is the most important thing of his job, absolutely. | 0:49:38 | 0:49:43 | |
Nothing to do with directors, pleasing programme controllers, | 0:49:43 | 0:49:47 | |
nothing to do with that. | 0:49:47 | 0:49:48 | |
Myself and the aforementioned Joanna Lumley, | 0:49:48 | 0:49:51 | |
she who looks like a wasp with the measles, | 0:49:51 | 0:49:54 | |
she in her bondage boots, | 0:49:54 | 0:49:56 | |
and me in the shoes with the hole in the sole, | 0:49:56 | 0:49:58 | |
are going to go up and prise money from our studio audience, | 0:49:58 | 0:50:01 | |
who've only just come in, this is a nasty shock for them, I can tell you. | 0:50:01 | 0:50:04 | |
Terry was shameless. | 0:50:04 | 0:50:06 | |
He would do absolutely anything for the charity. | 0:50:06 | 0:50:10 | |
-ALL: -Eight! | 0:50:10 | 0:50:12 | |
He would make a complete pillock of himself. | 0:50:12 | 0:50:15 | |
# And there was the band with the curious tone | 0:50:15 | 0:50:18 | |
# Of the cornet, clarinet and big trombone... # | 0:50:18 | 0:50:20 | |
He was always talking about | 0:50:20 | 0:50:22 | |
the generosity of the great British public, | 0:50:22 | 0:50:25 | |
over and over again, he was very vocal in his gratitude for that, | 0:50:25 | 0:50:30 | |
but he never talked about his own generosity. | 0:50:30 | 0:50:32 | |
The target this year is £1.5 million, | 0:50:32 | 0:50:35 | |
and helping out Joanna Lumley and Sue Cook | 0:50:35 | 0:50:37 | |
will be the man of a thousand jobs, our own Terry Wogan. | 0:50:37 | 0:50:40 | |
At the moment, he's hard at work, I'm told, in Broadcasting House. | 0:50:40 | 0:50:43 | |
He put his heart and soul into it. | 0:50:43 | 0:50:46 | |
His radio programmes leading up to Children in Need, | 0:50:46 | 0:50:50 | |
there'd be so much going on. | 0:50:50 | 0:50:52 | |
We're doing very well. | 0:50:52 | 0:50:54 | |
Even as we speak, they've dedicated nearly £8,000, | 0:50:54 | 0:50:57 | |
or pledged nearly £8,000 between those early hours of the mornings. | 0:50:57 | 0:51:00 | |
Terry was Children in Need. | 0:51:00 | 0:51:02 | |
He was. The fact that he was there from the beginning, | 0:51:02 | 0:51:05 | |
the fact that we associate Children in Need with him. | 0:51:05 | 0:51:10 | |
I just remember being made to feel so welcome, | 0:51:11 | 0:51:15 | |
and that I was being schooled by a legend and a real pro. | 0:51:15 | 0:51:20 | |
And just watching him with his easy nature was a real lesson. | 0:51:20 | 0:51:24 | |
Shall we get the show on the road? | 0:51:24 | 0:51:26 | |
-Yes! -OK! | 0:51:26 | 0:51:28 | |
A lot of the time, I would have to sort of gently elbow him | 0:51:28 | 0:51:31 | |
to sort of, "Wind it up now, Terry," but he didn't care, | 0:51:31 | 0:51:33 | |
he knew that was going on, he was the most professional, | 0:51:33 | 0:51:35 | |
hard-working, skilled presenter I've ever worked with. | 0:51:35 | 0:51:38 | |
Easy, girl. Don't tell anyone, but I'm making it up as I go along. | 0:51:38 | 0:51:43 | |
I'd guessed that, yep. | 0:51:43 | 0:51:45 | |
The amount of man hours he put in to that charity, | 0:51:45 | 0:51:50 | |
and also the extraordinary amount of money that he personally | 0:51:50 | 0:51:53 | |
was responsible for raising is phenomenal. | 0:51:53 | 0:51:56 | |
CHEERING | 0:51:56 | 0:51:58 | |
Over the years, that's what the British public came to understand, | 0:51:58 | 0:52:03 | |
that this wasn't just a man in a suit saying, | 0:52:03 | 0:52:05 | |
"Please give generously." | 0:52:05 | 0:52:07 | |
It was a man in a suit | 0:52:07 | 0:52:09 | |
who absolutely believed in what he was doing, | 0:52:09 | 0:52:14 | |
and what he was saying, and the good that could come from the show. | 0:52:14 | 0:52:18 | |
Now, as you can see, | 0:52:18 | 0:52:20 | |
there is a certain someone missing who is usually by my side, | 0:52:20 | 0:52:24 | |
but due to ill-health, for the first time in 35 years, | 0:52:24 | 0:52:27 | |
we are without our Knight of the Realm, | 0:52:27 | 0:52:30 | |
our very own Sir Terry Wogan. | 0:52:30 | 0:52:32 | |
It was really, really weird not doing the show with Terry, | 0:52:34 | 0:52:38 | |
because he is Children in Need... well, he was Children in Need, | 0:52:38 | 0:52:43 | |
so it was really strange. | 0:52:43 | 0:52:44 | |
It was a sad, sad evening. | 0:52:44 | 0:52:47 | |
Stepping in at the last minute, ladies and gentlemen, | 0:52:47 | 0:52:49 | |
please give a very warm welcome to Dermot O'Leary. | 0:52:49 | 0:52:53 | |
It was a very emotional night for me, cos that, | 0:52:53 | 0:52:55 | |
coupled with the fact that I'm, you know, | 0:52:55 | 0:52:57 | |
walking in my hero's footsteps, really. | 0:52:57 | 0:52:59 | |
Much like Radio 2, his... | 0:52:59 | 0:53:03 | |
DNA is all over that show, | 0:53:03 | 0:53:05 | |
and the feel and the shape and the beat of the show are very Terry. | 0:53:05 | 0:53:10 | |
Sir Terry, please get well soon, you know you're my hero, | 0:53:10 | 0:53:13 | |
your shoes are big shoes to fill, big size 11 Irish brogues, | 0:53:13 | 0:53:17 | |
but I will do my very, very best. | 0:53:17 | 0:53:19 | |
In a lovely way, they went, "Do you want to rehearse?" | 0:53:19 | 0:53:21 | |
I said, "Yeah," and they said, "Oh, thank God for that." | 0:53:21 | 0:53:24 | |
I said, "What do you mean?" They said, "He never rehearses." | 0:53:24 | 0:53:26 | |
I said, "What do you...? It's a two-and-a-half hour..." | 0:53:26 | 0:53:28 | |
It was a three-hour live stint, something like that. | 0:53:28 | 0:53:31 | |
I said, "What do you mean, never rehearses?" | 0:53:31 | 0:53:33 | |
They said, "No, he never rehearses. | 0:53:33 | 0:53:34 | |
"He just comes on and just does his thing." | 0:53:34 | 0:53:37 | |
Bless you for the warmth of your enthusiasm. | 0:53:37 | 0:53:40 | |
Spend as if your pocket thinks your hand's gone mad tonight. | 0:53:41 | 0:53:43 | |
Tonight's a very important night for the nation's children. | 0:53:43 | 0:53:46 | |
It's a chance for us all to do something life-changing | 0:53:46 | 0:53:49 | |
for the people who need it most. | 0:53:49 | 0:53:51 | |
For me, the greatest attribute... | 0:53:51 | 0:53:55 | |
and the most important thing you can bring to a marriage, | 0:53:55 | 0:53:58 | |
the most important thing you can bring to a family, | 0:53:58 | 0:54:01 | |
the most important thing you can bring to anybody, is kindness. | 0:54:01 | 0:54:04 | |
In the old church word - charity. | 0:54:04 | 0:54:07 | |
So it's a combination of love and charity. | 0:54:08 | 0:54:10 | |
Kindness. That's the word. | 0:54:10 | 0:54:13 | |
He had one of the most recognisable faces and voices in the land, | 0:54:16 | 0:54:20 | |
inspiring affection as well as admiration | 0:54:20 | 0:54:23 | |
over the course of a 50-year career. | 0:54:23 | 0:54:25 | |
Sir Terry Wogan has been called a broadcasting legend today, | 0:54:25 | 0:54:29 | |
after his death at the age of 77. | 0:54:29 | 0:54:31 | |
I think the whole place, the whole BBC, was rocked on the day, | 0:54:34 | 0:54:38 | |
because we didn't see it coming, and, you know... | 0:54:38 | 0:54:42 | |
to think that somebody who was so much part of everybody's life | 0:54:42 | 0:54:47 | |
wasn't going to be there any more, | 0:54:47 | 0:54:49 | |
it left everyone feeling a bit bereft. | 0:54:49 | 0:54:51 | |
He meant so much to me, because he taught me so much, | 0:54:54 | 0:54:59 | |
and that is very rare that you can, you know, just learn from someone | 0:54:59 | 0:55:04 | |
from watching how brilliant they are at what they do. | 0:55:04 | 0:55:07 | |
I'll remember him as being generous, | 0:55:07 | 0:55:10 | |
I'll remember him as being... | 0:55:10 | 0:55:11 | |
..kind, thoughtful, on a personal basis. | 0:55:13 | 0:55:16 | |
On a professional basis, | 0:55:16 | 0:55:17 | |
I'll remember him as being funny, laconic, smart, | 0:55:17 | 0:55:21 | |
bold, naughty, and intelligently offbeat... | 0:55:21 | 0:55:27 | |
..because he was one of the good guys. | 0:55:28 | 0:55:30 | |
I learned so much from Terry as a broadcaster, | 0:55:30 | 0:55:33 | |
both by listening to him, and by being with him. | 0:55:33 | 0:55:37 | |
The most important thing that I ever learned from him | 0:55:37 | 0:55:39 | |
is that they either like you or they don't, that was his phrase, | 0:55:39 | 0:55:43 | |
they either like you or they don't. | 0:55:43 | 0:55:44 | |
I think Sir Terry will be remembered as a dear friend to everyone. | 0:55:44 | 0:55:50 | |
That's how I'll remember him. | 0:55:53 | 0:55:54 | |
I mean, he was just a nice fella, a real good laugh, | 0:55:56 | 0:56:01 | |
and... | 0:56:01 | 0:56:02 | |
..I'm really pleased to have known him, | 0:56:05 | 0:56:07 | |
and known him as a pal. | 0:56:07 | 0:56:09 | |
My abiding memory of Wogan will be | 0:56:11 | 0:56:13 | |
to see him standing at the front door of his house | 0:56:13 | 0:56:16 | |
as we pulled up, usually looking very casual | 0:56:16 | 0:56:20 | |
in a cashmere sweater that had seen better days, | 0:56:20 | 0:56:25 | |
with a beaming smile on his face, | 0:56:25 | 0:56:27 | |
and a Waterford Crystal glass in his hand. | 0:56:27 | 0:56:30 | |
"Oh, by God, you're just in time, just in time for a drop." | 0:56:30 | 0:56:34 | |
And then... | 0:56:34 | 0:56:35 | |
I see him every day. | 0:56:37 | 0:56:38 | |
For Terry to be that relaxed and that sanguine | 0:56:40 | 0:56:43 | |
showed the class of the man. | 0:56:43 | 0:56:46 | |
And that's what I'll always remember with Terry, the word... | 0:56:47 | 0:56:49 | |
He's just class. | 0:56:49 | 0:56:51 | |
My life, if you're asking me about my life | 0:56:53 | 0:56:55 | |
and the meaning of my life... | 0:56:55 | 0:56:57 | |
..it's been absolutely wonderful. | 0:56:58 | 0:57:01 | |
I've had a lovely family, I've had a loving wife. | 0:57:02 | 0:57:05 | |
I've had...success in the material world. | 0:57:06 | 0:57:09 | |
I've done something I wanted to do. | 0:57:10 | 0:57:12 | |
I've had an ideal life. | 0:57:12 | 0:57:15 | |
So I can only tell you what it means to me, | 0:57:15 | 0:57:19 | |
which is happiness. | 0:57:19 | 0:57:21 |