
Browse content similar to Swansea Sparkle: A Transgender Story. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
MUSIC: Don't Make Me Over by Swinging Blue Jeans | 0:00:02 | 0:00:05 | |
The more Jack Daniels I have, | 0:00:21 | 0:00:23 | |
the more Sadie comes out, I'm afraid. Unfortunately. | 0:00:23 | 0:00:28 | |
But there's no harm in her - trust me, there's no harm in her. | 0:00:28 | 0:00:31 | |
She likes a good laugh, and she likes to take the mickey. | 0:00:31 | 0:00:34 | |
She loves having the mickey taken out of her. | 0:00:34 | 0:00:36 | |
She can be a right tart when she wants to be! | 0:00:36 | 0:00:39 | |
MUSIC: Hello Mary Lou by Ricky Nelson | 0:00:39 | 0:00:42 | |
My ex-wife bought most of my actual undies - what I'm wearing now, | 0:00:44 | 0:00:49 | |
actually, my ex-wife bought it for me. | 0:00:49 | 0:00:52 | |
Don't get many of them fuckers to the pound, I tell you! | 0:00:54 | 0:00:57 | |
# ..never part | 0:00:57 | 0:00:58 | |
# So, hello, Mary Lou goodbye heart... # | 0:00:58 | 0:01:02 | |
Suddenly - this perfume is called Suddenly. | 0:01:03 | 0:01:07 | |
Suddenly you stink like a Chinese brothel! | 0:01:07 | 0:01:10 | |
Paul is also Sadie. | 0:01:12 | 0:01:14 | |
He is a transvestite, and has been cross-dressing all his life. | 0:01:14 | 0:01:19 | |
All the people, now, on the television | 0:01:20 | 0:01:22 | |
will be laughing their fucking heads off. | 0:01:22 | 0:01:23 | |
HE CHUCKLES | 0:01:23 | 0:01:26 | |
Won't they? | 0:01:26 | 0:01:27 | |
They'll be saying, "Don't he look a twat?" | 0:01:27 | 0:01:30 | |
Paul is a retired builder. | 0:01:37 | 0:01:39 | |
He came out publicly as a transvestite in his 60s, | 0:01:39 | 0:01:42 | |
and he now channels his energy into helping other transvestites, | 0:01:42 | 0:01:47 | |
as well as men who want to transition to female. | 0:01:47 | 0:01:51 | |
He's been organising events for them at his home near Swansea | 0:01:51 | 0:01:55 | |
for the last six years through his group the Tawe Butterflies. | 0:01:55 | 0:02:00 | |
It's for that first initial step of saying, | 0:02:00 | 0:02:03 | |
"Look, I am what I am - can I come and mix with others | 0:02:03 | 0:02:07 | |
"to experience that first experience of being out in the open | 0:02:07 | 0:02:11 | |
"and people accepting me for what I am?" | 0:02:11 | 0:02:13 | |
# Wake up little Susie | 0:02:13 | 0:02:16 | |
# Wake up... # | 0:02:16 | 0:02:17 | |
With Tawe Butterflies growing, | 0:02:17 | 0:02:19 | |
Paul is embarking on his most ambitious venture yet - | 0:02:19 | 0:02:23 | |
to organise the Swansea Sparkle, | 0:02:23 | 0:02:26 | |
Wales' biggest transgender event and pageant. | 0:02:26 | 0:02:30 | |
But he's struggling to get the funding in place. | 0:02:30 | 0:02:33 | |
Today we're off to having a meeting | 0:02:33 | 0:02:35 | |
with the chief superintendant of South Wales Police, | 0:02:35 | 0:02:40 | |
Swansea division. | 0:02:40 | 0:02:42 | |
I'd like to get some money. | 0:02:42 | 0:02:44 | |
It's worrying me, to be honest with you, | 0:02:44 | 0:02:46 | |
because I know - I've done the sums, and we haven't got enough. | 0:02:46 | 0:02:49 | |
It's a do-or-die make-or-break thing. | 0:02:49 | 0:02:51 | |
If it doesn't happen, I'm going | 0:02:54 | 0:02:56 | |
to have to really pull my finger out and go elsewhere, really. | 0:02:56 | 0:02:59 | |
So, yeah, I'm definitely feeling the pressure now - | 0:03:01 | 0:03:04 | |
and the closer it gets, the worse it gets. | 0:03:04 | 0:03:07 | |
The Swansea Sparkle is Paul's way of breaking down barriers | 0:03:08 | 0:03:12 | |
between the transgender community and the wider public. | 0:03:12 | 0:03:16 | |
It's also the culmination of a lifelong struggle | 0:03:16 | 0:03:20 | |
for Paul to accept himself as a transvestite. | 0:03:20 | 0:03:24 | |
I met and married my first wife in three weeks, | 0:03:24 | 0:03:27 | |
believe it or not, by special licence, | 0:03:27 | 0:03:29 | |
thinking, "This'll knock it out of me." | 0:03:29 | 0:03:32 | |
I think the marriage and the son did suppress it for a while - | 0:03:32 | 0:03:36 | |
but it came back with a vengeance when it did. | 0:03:36 | 0:03:38 | |
Once you're a transvestite, you'll always a be a transvestite - | 0:03:38 | 0:03:41 | |
and I have met thousands of them, and every one of us, | 0:03:41 | 0:03:44 | |
when we talk about it, we'll all say we've tried stopping, | 0:03:44 | 0:03:47 | |
we've burnt the clothes so many times - | 0:03:47 | 0:03:49 | |
I've never met anybody yet to succeed, never. | 0:03:49 | 0:03:52 | |
In Port Talbot, | 0:04:00 | 0:04:01 | |
57-year-old Robert is one of the newest Tawe Butterflies. | 0:04:01 | 0:04:06 | |
I'm... I'm me as Rhian - but as Robert, I'm just...well, an actor. | 0:04:06 | 0:04:13 | |
Robert has recently come out as transgender, | 0:04:14 | 0:04:17 | |
and now wants to live full-time as a woman. | 0:04:17 | 0:04:20 | |
He's been working at the steelworks for over 30 years, | 0:04:20 | 0:04:23 | |
and is about to go on-site dressed as Rhian for the first time. | 0:04:23 | 0:04:28 | |
I came out Easter, I was... | 0:04:28 | 0:04:30 | |
I was going through a bit of a bad patch, really, and... | 0:04:30 | 0:04:34 | |
..maybe I had to go through that... | 0:04:37 | 0:04:39 | |
I had to go through that to get where I am - | 0:04:41 | 0:04:44 | |
if I hadn't gone through that, I'd still be in the same place I was. | 0:04:44 | 0:04:47 | |
So, it was a good thing, in a way. | 0:04:47 | 0:04:49 | |
Meeting Paul, well, he's fantastic. | 0:04:50 | 0:04:53 | |
He made me realise that you've got to be who you are. | 0:04:55 | 0:05:01 | |
I'm not nervous going into work as Rhian. Um... | 0:05:01 | 0:05:04 | |
Robert... | 0:05:07 | 0:05:09 | |
..is nervous. | 0:05:11 | 0:05:12 | |
I've always been proud of my eyelashes. | 0:05:15 | 0:05:17 | |
Even when I was a youngster. | 0:05:17 | 0:05:20 | |
Eh? | 0:05:20 | 0:05:21 | |
There we are. | 0:05:30 | 0:05:32 | |
The only thing is, do I go in with boobs, or do I go in...? | 0:05:32 | 0:05:35 | |
I don't think I will go in with boobs. | 0:05:35 | 0:05:37 | |
You know? Cos I prefer to have my own, eventually. | 0:05:37 | 0:05:40 | |
That's me. | 0:05:42 | 0:05:44 | |
Got to go. | 0:05:44 | 0:05:46 | |
Going into work as Rhian | 0:06:02 | 0:06:04 | |
was like another step up the ladder - | 0:06:04 | 0:06:10 | |
but coming out, I felt - oh! - over the moon. | 0:06:10 | 0:06:14 | |
Absolutely over the moon. | 0:06:14 | 0:06:16 | |
Yeah. Um... | 0:06:16 | 0:06:18 | |
And a strange thing happened when I was driving out. | 0:06:18 | 0:06:21 | |
Because I was going out at an unusual time of day, | 0:06:21 | 0:06:23 | |
the security stopped me at the gate... | 0:06:23 | 0:06:25 | |
..and I've got to stop, get out and everything, | 0:06:27 | 0:06:30 | |
so, fair dos to the guy at the gate, right? | 0:06:30 | 0:06:32 | |
He was good as gold. | 0:06:32 | 0:06:33 | |
I put my window down, he looked in, I said, | 0:06:34 | 0:06:36 | |
"I bet this was the last thing you was expecting, right?" | 0:06:36 | 0:06:38 | |
"Pfft, nothing to do with me, mate. | 0:06:38 | 0:06:40 | |
"Do what you like, mate, I'm all right, I'm all right. | 0:06:40 | 0:06:42 | |
"Can I look in your boot?" | 0:06:42 | 0:06:43 | |
I said, "All right," so, I get out and open it, | 0:06:43 | 0:06:46 | |
and when I was going, he said, "Listen, mate," he said, | 0:06:46 | 0:06:49 | |
"Don't matter what you're wearing, | 0:06:49 | 0:06:50 | |
"as long as you're you, don't worry about it,." | 0:06:50 | 0:06:52 | |
Having grown in confidence, Robert is now ready | 0:06:54 | 0:06:57 | |
to introduce Rhian to some of his closest friends. | 0:06:57 | 0:07:01 | |
Did you get lost? | 0:07:01 | 0:07:02 | |
-I certainly did. -You been all over the village? -Yeah, I know. | 0:07:02 | 0:07:05 | |
-I haven't met... -Meet Rhian. -Yeah, haven't met Rhian before. | 0:07:05 | 0:07:08 | |
-How are you? -Hiya. -You're here now. -Yeah. | 0:07:08 | 0:07:10 | |
-Do you want a cup of tea? -Oh, if you've got one... | 0:07:10 | 0:07:12 | |
You've got lipstick over your... | 0:07:12 | 0:07:14 | |
-Teeth? -..teeth. -Exactly like my sister does. | 0:07:14 | 0:07:17 | |
Gareth is a fellow steelworker. | 0:07:20 | 0:07:23 | |
He was the first person Robert told about Rhian. | 0:07:23 | 0:07:25 | |
I'm surprised, in work, how they've taken to Rhian, you know? | 0:07:25 | 0:07:28 | |
-How they... -They've been great. | 0:07:28 | 0:07:31 | |
They've been so good, tolerant - | 0:07:31 | 0:07:32 | |
I'm shocked how tolerant they've been. | 0:07:32 | 0:07:35 | |
I wish they'd been that tolerant to me when I came out as gay, like - | 0:07:35 | 0:07:39 | |
but they was different times, different eras. | 0:07:39 | 0:07:42 | |
You're the only person that I could think of that I could confide in. | 0:07:42 | 0:07:46 | |
-Yeah. -Cos I know what you went through during a younger life. -Yeah. | 0:07:46 | 0:07:50 | |
-Yeah. -And I thought you'd understand, which you did, and... | 0:07:50 | 0:07:54 | |
-Yeah. -Well, you saved my life, to be honest. | 0:07:54 | 0:07:58 | |
All the other boys realised there was something wrong, | 0:07:58 | 0:08:00 | |
but they didn't know, and he just said to me, | 0:08:00 | 0:08:02 | |
"Well, I'm cross-dressing, and I want to go further with it, | 0:08:02 | 0:08:06 | |
"and I don't know where to go, who to turn to and what to do. | 0:08:06 | 0:08:09 | |
"I'm at my..." He's filling up, now, because of it, | 0:08:09 | 0:08:11 | |
because he remembers the conversation. | 0:08:11 | 0:08:13 | |
Because I couldn't see a way out. | 0:08:13 | 0:08:16 | |
Honestly, I couldn't see a life for me. | 0:08:16 | 0:08:20 | |
-I couldn't see... -You couldn't see any happiness | 0:08:20 | 0:08:23 | |
-at the end of the road. -No. | 0:08:23 | 0:08:24 | |
I... | 0:08:24 | 0:08:26 | |
I don't ever want to go to that place again. | 0:08:26 | 0:08:29 | |
-All right, I'm emotional now, but Rhian can cope with anything. -Mm. | 0:08:29 | 0:08:34 | |
Robert couldn't cope any more. | 0:08:34 | 0:08:36 | |
Sometimes it takes certain events... | 0:08:40 | 0:08:44 | |
..and that makes you realise you can't hide any more. | 0:08:47 | 0:08:50 | |
You know? | 0:08:52 | 0:08:53 | |
The ultimate way of hiding is not to exist. | 0:08:53 | 0:08:56 | |
I thought, "Pfft, it's easy enough. | 0:08:57 | 0:09:00 | |
"Go to the woods, you know, and don't bother coming back." | 0:09:00 | 0:09:03 | |
I suppose you've got to get to that point where... | 0:09:05 | 0:09:08 | |
..it's either sink or swim. | 0:09:10 | 0:09:12 | |
I decided I'm going to swim all the way. | 0:09:14 | 0:09:16 | |
Paul moved to the Tawe Valley ten years ago, and it's important to him | 0:09:34 | 0:09:40 | |
that his members feel welcome in the local city of Swansea. | 0:09:40 | 0:09:44 | |
When I first started Tawe Butterflies, some six years ago now, | 0:09:44 | 0:09:49 | |
it became knowledge to me, through a lot of the new members, | 0:09:49 | 0:09:53 | |
that if they wanted to go out of a night-time, dressed, | 0:09:53 | 0:09:57 | |
they would go to Cardiff - | 0:09:57 | 0:09:59 | |
and Swansea was strictly taboo. | 0:09:59 | 0:10:01 | |
So, I've made it my point to break that barrier down in Swansea, | 0:10:01 | 0:10:06 | |
so it's most important to get the support | 0:10:06 | 0:10:08 | |
and the backing of the city behind me. | 0:10:08 | 0:10:10 | |
Agh! | 0:10:12 | 0:10:13 | |
We get shoved in the LGBT bracket, | 0:10:13 | 0:10:17 | |
and the L, G and B are pretty explanatory, what they are, | 0:10:17 | 0:10:19 | |
but the T is just a minefield, it really is a minefield. | 0:10:19 | 0:10:23 | |
There's so many different categories what will fall in that T bracket - | 0:10:23 | 0:10:27 | |
from transsexuals, transgenders, transvestites, cross-dressers - | 0:10:27 | 0:10:33 | |
and there's...I'd like to probably think of it as a ladder, | 0:10:33 | 0:10:38 | |
perhaps, the transvestites are at the bottom of the ladder, | 0:10:38 | 0:10:41 | |
and the more you go up that ladder, | 0:10:41 | 0:10:43 | |
the more you'll transition towards being transsexual. | 0:10:43 | 0:10:46 | |
Good boy. Good boy! | 0:10:46 | 0:10:48 | |
HE LAUGHS | 0:10:51 | 0:10:52 | |
The Swansea Sparkle has drawn the attention of 15-year-old Llyr, | 0:11:05 | 0:11:09 | |
who grew up on a farm near Aberystwyth. | 0:11:09 | 0:11:12 | |
He has just started his transition to become female. | 0:11:12 | 0:11:16 | |
So, this dress I wore to one of the Gaga concerts - | 0:11:22 | 0:11:25 | |
the last one I went to, | 0:11:25 | 0:11:27 | |
which is really nice. | 0:11:27 | 0:11:28 | |
I got it from a little shop in town, it's really nice. | 0:11:28 | 0:11:31 | |
It took quite a lot of courage to go into the shop, | 0:11:31 | 0:11:34 | |
cos I think it was quite late one evening, | 0:11:34 | 0:11:36 | |
so, I just kind of got the courage to try it on, and then... | 0:11:36 | 0:11:40 | |
I just felt really confident in it. | 0:11:40 | 0:11:42 | |
This is, like, a good... good step in my life. | 0:11:42 | 0:11:46 | |
The ultimate goal is to be female. | 0:11:46 | 0:11:49 | |
For Llyr's father, Huw, the transition isn't easy. | 0:11:53 | 0:11:58 | |
When I first... | 0:12:01 | 0:12:02 | |
..became aware of it, | 0:12:03 | 0:12:07 | |
it was very difficult to take in. | 0:12:07 | 0:12:11 | |
Um... Yeah. | 0:12:12 | 0:12:14 | |
And I'm... It's still ... | 0:12:18 | 0:12:21 | |
I'm still getting difficulty in it - although I'm accepting it, yes. | 0:12:21 | 0:12:25 | |
I'm still finding it a bit difficult in believing it, perhaps, | 0:12:25 | 0:12:30 | |
but... | 0:12:30 | 0:12:32 | |
..that's how he is, and we've got to accept it. | 0:12:33 | 0:12:37 | |
There was a lad about 20 years ago, he...he... | 0:12:37 | 0:12:43 | |
..he was going out on a Saturday night dressed as a girl, | 0:12:45 | 0:12:48 | |
with a group of girls, | 0:12:48 | 0:12:50 | |
but he was ridiculed quite a bit, | 0:12:50 | 0:12:55 | |
and I believe we, now, as a family, will be ridiculed quite a bit, | 0:12:55 | 0:12:59 | |
and laughed at quite a bit, as well, I'd imagine, | 0:12:59 | 0:13:03 | |
but Llyr has our support 100%, so... | 0:13:03 | 0:13:08 | |
Cos if you can't support your kids, you are very sad people, I feel. | 0:13:08 | 0:13:12 | |
It's less than two weeks until Sparkle, | 0:13:23 | 0:13:25 | |
and Paul's had some good news - | 0:13:25 | 0:13:27 | |
South Wales Police have given him some funding | 0:13:27 | 0:13:30 | |
as part of their anti hate crime initiative. | 0:13:30 | 0:13:33 | |
He is now ready to take things up a gear and is being helped | 0:13:33 | 0:13:36 | |
by fellow organiser and police officer Rhys Thomas. | 0:13:36 | 0:13:41 | |
First stop today is in here, in graphic design, here, | 0:13:41 | 0:13:44 | |
to pick our posters up, and the bridge banner. | 0:13:44 | 0:13:49 | |
We've got a massive big bridge banner. | 0:13:49 | 0:13:52 | |
You can't really not notice that, with the colours, | 0:13:52 | 0:13:54 | |
and then, you know, it's going on the bridge by the Hafod. | 0:13:54 | 0:13:57 | |
That looks all right, doesn't it? | 0:13:57 | 0:13:59 | |
-Yeah, it looks tremendous, doesn't it? -Yeah. | 0:14:00 | 0:14:02 | |
Next stop, the National Waterfront Museum, | 0:14:02 | 0:14:06 | |
which is hosting the Swansea Sparkle. | 0:14:06 | 0:14:09 | |
We need high profile venues to put on a high profile event. | 0:14:09 | 0:14:13 | |
The one thing I learnt in my business days, when I was building, | 0:14:13 | 0:14:17 | |
you can build a palace, but if you build a palace on a council estate, | 0:14:17 | 0:14:20 | |
you're only going to get council house prices for it, aren't you? | 0:14:20 | 0:14:23 | |
Yeah, it's - location, location, location, | 0:14:23 | 0:14:25 | |
I think the saying, isn't it? | 0:14:25 | 0:14:27 | |
-Hello. -Hiya. | 0:14:30 | 0:14:31 | |
At Swansea University, there's a photo opportunity, | 0:14:31 | 0:14:35 | |
and a chance for Paul to spread the word. | 0:14:35 | 0:14:38 | |
Can I give you one of these, please? Ta. Do you know what it's all about? | 0:14:38 | 0:14:41 | |
I'll take one. I'm not sure... | 0:14:41 | 0:14:43 | |
It's for the LGBT - I mean, I represent the T of LGBT. | 0:14:43 | 0:14:45 | |
Ever the opportunist - | 0:14:45 | 0:14:47 | |
the glass is half full, not half empty. Remember that. | 0:14:47 | 0:14:51 | |
It's like the snail that jumped on the tortoise's back, isn't it? | 0:14:54 | 0:14:58 | |
"Slow down, you mad bastard!" | 0:15:00 | 0:15:02 | |
Sparkle is a milestone for Robert. | 0:15:08 | 0:15:11 | |
After that date, he'll be living almost full-time as Rhian. | 0:15:11 | 0:15:16 | |
Ooh... Gone. | 0:15:16 | 0:15:17 | |
What we need is a flock of long-tailed tits, really. | 0:15:17 | 0:15:20 | |
His close friends are getting used to the idea of him becoming a woman. | 0:15:20 | 0:15:24 | |
Fred and Alan - I'm lucky, you know what I mean? | 0:15:24 | 0:15:28 | |
Cos if I'd lost them as friends, that would have hurt. | 0:15:28 | 0:15:32 | |
You know? And - well, just shows what true friends they are. | 0:15:32 | 0:15:37 | |
It's strange to see lipstick on a cup after he's drunk a coffee. | 0:15:37 | 0:15:42 | |
That's probably one of the strangest things. | 0:15:42 | 0:15:45 | |
Cos you don't expect it. | 0:15:45 | 0:15:46 | |
But at the moment, he's got a big bull's-eye tattooed on his head | 0:15:46 | 0:15:50 | |
for any idiot that comes along, doesn't see his point of view. | 0:15:50 | 0:15:55 | |
That's my only fear, though, mind. | 0:15:55 | 0:15:57 | |
Other than that, he's all right. | 0:15:57 | 0:15:59 | |
He's got good mates - in work and out of work. | 0:15:59 | 0:16:02 | |
And him going to - whatever it is, Razzle or Dazzle...? | 0:16:02 | 0:16:06 | |
Sparkle, I knew it was something to do with shiny stuff. | 0:16:06 | 0:16:08 | |
So, yes, I'm going to have a look at that. | 0:16:08 | 0:16:10 | |
The only thing that's changed, | 0:16:10 | 0:16:12 | |
he's given us more material to take the mickey out of. | 0:16:12 | 0:16:15 | |
HE LAUGHS | 0:16:15 | 0:16:16 | |
That's the way I see it! | 0:16:16 | 0:16:18 | |
MUSIC PLAYS ON PHONE | 0:16:18 | 0:16:20 | |
# That, that | 0:16:22 | 0:16:23 | |
# Dude looks like a lady | 0:16:23 | 0:16:25 | |
# That, that | 0:16:25 | 0:16:27 | |
-# Dude looks like a lady... # -Apt. | 0:16:27 | 0:16:29 | |
Before deciding to transition, | 0:16:33 | 0:16:35 | |
bird-watching was a lifeline for Robert. | 0:16:35 | 0:16:38 | |
It's meant I can be alone. | 0:16:42 | 0:16:43 | |
Sometimes you need to be alone. | 0:16:44 | 0:16:47 | |
And...be comfortable with yourself. | 0:16:47 | 0:16:51 | |
I've been false for 57 years, you know what I mean? | 0:16:51 | 0:16:54 | |
And I can't forgive myself for that, because... | 0:16:56 | 0:16:58 | |
Rhian's quite annoyed with Robert for that. | 0:16:58 | 0:17:01 | |
Should have been out sooner. | 0:17:01 | 0:17:03 | |
But I didn't have the courage. | 0:17:03 | 0:17:04 | |
For Robert's wife of 37 years, the changes have been too much, | 0:17:07 | 0:17:12 | |
and the couple have recently divorced. | 0:17:12 | 0:17:15 | |
My wife seems to think that... | 0:17:17 | 0:17:19 | |
I married as, like, a cover. | 0:17:21 | 0:17:24 | |
But I didn't - I did marry my wife for love. I did. | 0:17:26 | 0:17:29 | |
I fell in love with my wife. | 0:17:29 | 0:17:31 | |
I think some of my family are...grieving for Robert. | 0:17:31 | 0:17:37 | |
Because Rhian's taken him away. | 0:17:37 | 0:17:39 | |
I do feel guilty, you know? | 0:17:39 | 0:17:42 | |
Rhian feels guilty for taking Robert away from my family. | 0:17:42 | 0:17:46 | |
But...there you are. | 0:17:46 | 0:17:48 | |
Rhian's got to survive, | 0:17:48 | 0:17:50 | |
and Rhian cannot survive as Robert. | 0:17:50 | 0:17:53 | |
Yeah, I'm looking at it now. It's the red one. | 0:18:06 | 0:18:09 | |
Yeah. Size 16, you wanted, didn't you? | 0:18:09 | 0:18:12 | |
Yeah. | 0:18:12 | 0:18:14 | |
OK, the 16. I'll take that one now, then. | 0:18:14 | 0:18:18 | |
Yep, OK, fair enough. | 0:18:18 | 0:18:20 | |
Will do. | 0:18:20 | 0:18:22 | |
If I do see something out of the corner of my eye that I like, | 0:18:22 | 0:18:26 | |
to try and avoid bringing attention to myself | 0:18:26 | 0:18:29 | |
at this time of looking at it, I then use a telephone, | 0:18:29 | 0:18:34 | |
which mobile phone I have in my hand, | 0:18:34 | 0:18:37 | |
I will put to my ear and make out I'm talking to a partner - | 0:18:37 | 0:18:41 | |
a wife or whatever - to give me the opportunity | 0:18:41 | 0:18:43 | |
to look at it more closely | 0:18:43 | 0:18:46 | |
without people thinking I'm buying it for myself. | 0:18:46 | 0:18:50 | |
It's funny, really, | 0:18:51 | 0:18:52 | |
because I'm the leader of a group like Tawe Butterflies, | 0:18:52 | 0:18:55 | |
and I tell all my friends, "Oh, don't be afraid, | 0:18:55 | 0:18:58 | |
"come on out, come on out," | 0:18:58 | 0:18:59 | |
but in the same breath, I still am very, very nervous | 0:18:59 | 0:19:02 | |
and conscious, myself, of buying something. | 0:19:02 | 0:19:05 | |
I'm getting better - I'm getting a lot, lot better than I used to be. | 0:19:05 | 0:19:08 | |
There was a time where I wouldn't even stand here, | 0:19:08 | 0:19:11 | |
I'm getting a lot better, but it's something what takes time. | 0:19:11 | 0:19:14 | |
Whether I'll have enough time left in my life to get over it, | 0:19:14 | 0:19:17 | |
I don't know, but it's getting better. | 0:19:17 | 0:19:20 | |
Let's just say, it's getting better. | 0:19:20 | 0:19:23 | |
But it's the built-in guilt - | 0:19:23 | 0:19:25 | |
it's the 60 years of guilt and shame - | 0:19:25 | 0:19:27 | |
and don't forget, I tried suicide twice because of it - | 0:19:27 | 0:19:31 | |
and you just can't dismiss it overnight, it's as simple as that. | 0:19:31 | 0:19:35 | |
I'm shaking. Got to be honest! | 0:19:46 | 0:19:48 | |
Got to be honest. | 0:19:50 | 0:19:51 | |
With the transvestite - unlike the transsexual or the transgender - | 0:19:55 | 0:19:59 | |
we still have a strong male side, as well, | 0:19:59 | 0:20:02 | |
and that's where the problems arise, | 0:20:02 | 0:20:03 | |
because you've got two strong sides within you | 0:20:03 | 0:20:06 | |
battling away in your head. | 0:20:06 | 0:20:08 | |
And I think it was this constant battle | 0:20:08 | 0:20:10 | |
which led me to the point of suicide, with the shame - | 0:20:10 | 0:20:13 | |
the shame and the guilt I felt, | 0:20:13 | 0:20:15 | |
not only for myself, but what, in those days, | 0:20:15 | 0:20:19 | |
I thought of was, what would my father have thought of me? | 0:20:19 | 0:20:22 | |
When I lost my father at 14, I felt tremendously cheated, | 0:20:22 | 0:20:26 | |
I really did feel cheated. | 0:20:26 | 0:20:28 | |
And there's nothing more I wanted, was to prove myself, | 0:20:28 | 0:20:31 | |
I think, to my father. | 0:20:31 | 0:20:33 | |
I think because he was such a high role model to me, | 0:20:33 | 0:20:35 | |
I looked up to him so much, | 0:20:35 | 0:20:37 | |
and I think that's probably what's helped me a lot | 0:20:37 | 0:20:40 | |
with Tawe Butterflies, | 0:20:40 | 0:20:41 | |
to push and do what I have done with Tawe Butterflies, | 0:20:41 | 0:20:44 | |
I'd like to think that whatever he sees in me now, | 0:20:44 | 0:20:47 | |
it would be something that he would be proud of - | 0:20:47 | 0:20:49 | |
yes, I'd like to think that. | 0:20:49 | 0:20:50 | |
For teenager Llyr, Sparkle is also a milestone. | 0:21:07 | 0:21:11 | |
He'll be going dressed as a girl and accompanied by his mum, Diane. | 0:21:11 | 0:21:15 | |
Hi, Mum! | 0:21:15 | 0:21:17 | |
Quite early on in primary school, | 0:21:17 | 0:21:19 | |
I kind of realised that it wasn't really right for boys | 0:21:19 | 0:21:24 | |
to kind of dress like a girl, or wear make-up, or play with dolls. | 0:21:24 | 0:21:29 | |
Thinking about all of it at that time, | 0:21:29 | 0:21:31 | |
which kind of made me feel like... | 0:21:31 | 0:21:33 | |
like an outcast, I didn't feel like...I was normal, I guess, | 0:21:33 | 0:21:37 | |
cos I didn't know at that age there was other people out there | 0:21:37 | 0:21:40 | |
that were different. | 0:21:40 | 0:21:42 | |
So, me ten years from now... | 0:21:42 | 0:21:46 | |
I know I'll be a girl by then. | 0:21:46 | 0:21:48 | |
I'd be quite nervous about saying to some people, | 0:21:48 | 0:21:51 | |
but I thought, "No, they need to know," | 0:21:51 | 0:21:53 | |
cos at some point I'm going to walk onto the bus | 0:21:53 | 0:21:56 | |
or come into work, and I'm going to have my daughter with me. | 0:21:56 | 0:21:58 | |
We've always known that Llyr was different, | 0:21:58 | 0:22:01 | |
so when people said, "Oh, what's going on with him, | 0:22:01 | 0:22:03 | |
"what's this all about?" we could use the very convenient label | 0:22:03 | 0:22:07 | |
of gay - because people understood gay. | 0:22:07 | 0:22:09 | |
And I think that sudden realisation | 0:22:09 | 0:22:13 | |
that, no, it's not gay, it's something completely different, | 0:22:13 | 0:22:16 | |
because he's a girl. | 0:22:16 | 0:22:18 | |
So, therefore, if he's a girl and still likes boys, he's not gay. | 0:22:18 | 0:22:21 | |
SHE LAUGHS | 0:22:21 | 0:22:22 | |
I think that sudden realisation - | 0:22:22 | 0:22:24 | |
it's almost like a light bulb coming on, | 0:22:24 | 0:22:26 | |
that - yes, this actually now makes sense. | 0:22:26 | 0:22:30 | |
Sparkle's another step on the journey. | 0:22:30 | 0:22:33 | |
It's a big step, | 0:22:33 | 0:22:35 | |
but it's a step that's going to be done in a very safe way - | 0:22:35 | 0:22:39 | |
away from home, away from prying eyes, | 0:22:39 | 0:22:42 | |
among a really supportive community, which I think is great. | 0:22:42 | 0:22:47 | |
Back at Paul's, the hard work for Sparkle is starting to pay off. | 0:22:50 | 0:22:54 | |
Yeah, we've had some good news - we're getting more ticket sales now, | 0:22:54 | 0:22:57 | |
and we also had confirmation, | 0:22:57 | 0:22:59 | |
now, that Kellie Maloney is going to be with us. | 0:22:59 | 0:23:02 | |
Kellie, who was - Frank Maloney, the boxing promoter, | 0:23:02 | 0:23:05 | |
who has had a lot of publicity lately, | 0:23:05 | 0:23:07 | |
cos she's now transitioned, and is now a transsexual, | 0:23:07 | 0:23:10 | |
and she's going to come, and she's offered to help for the day, | 0:23:10 | 0:23:12 | |
and she's going to help us in the evening with the beauty pageant. | 0:23:12 | 0:23:16 | |
I asked the judges to take into consideration | 0:23:16 | 0:23:19 | |
the amount of effort the person's put in to get dressed, | 0:23:19 | 0:23:22 | |
and it's the way they generally appear, themselves, you know? | 0:23:22 | 0:23:25 | |
The general appearance - | 0:23:25 | 0:23:27 | |
as well as their personality, of course. | 0:23:27 | 0:23:29 | |
But tonight Paul has a more pressing engagement - | 0:23:29 | 0:23:33 | |
it's the Tawe Butterflies Halloween party. | 0:23:33 | 0:23:37 | |
Oh, fuck. | 0:23:37 | 0:23:38 | |
Hang on a minute. | 0:23:38 | 0:23:39 | |
I always remember the first time I ever went out dressed, | 0:23:41 | 0:23:44 | |
and I was absolutely bricking it, | 0:23:44 | 0:23:47 | |
cos it was me first time out. | 0:23:47 | 0:23:49 | |
Even though I was in the security of my own car, | 0:23:49 | 0:23:52 | |
and it was pitch-black at night, | 0:23:52 | 0:23:53 | |
I still felt so vulnerable, it was untrue - | 0:23:53 | 0:23:56 | |
and I remember getting to the venue where I was supposed to be going, | 0:23:56 | 0:23:59 | |
and I sat in the car for about ten minutes | 0:23:59 | 0:24:01 | |
and thought, "Oh, I'm going to turn round and go home," | 0:24:01 | 0:24:03 | |
I just couldn't cope with it. So, I know... | 0:24:03 | 0:24:06 | |
I can empathise in what they're going through | 0:24:06 | 0:24:09 | |
when they're coming here, the first-timers. | 0:24:09 | 0:24:11 | |
Shh! | 0:24:14 | 0:24:15 | |
Artist at work. | 0:24:15 | 0:24:17 | |
HE CHUCKLES | 0:24:17 | 0:24:18 | |
At the moment, now, I feel tremendously shameful, | 0:24:18 | 0:24:22 | |
because, at the moment, I am still Paul, | 0:24:22 | 0:24:25 | |
and you're very, very lucky I'm letting you film this, | 0:24:25 | 0:24:28 | |
because very few trannies will let you do this, I quite assure you - | 0:24:28 | 0:24:31 | |
and I can see why, because at the moment, I am still in male mode, | 0:24:31 | 0:24:37 | |
and what I'm doing to myself at the moment is humiliating my male side. | 0:24:37 | 0:24:42 | |
So, at the moment, until I feel as though I am 100% complete, | 0:24:42 | 0:24:49 | |
in dressing - as a female, I feel horrendous shame and guilt. | 0:24:49 | 0:24:55 | |
Right! | 0:24:55 | 0:24:57 | |
Apart from wanting a slash, I am Sadie now. | 0:24:57 | 0:25:00 | |
That's it - all done, all finished, all ready. | 0:25:00 | 0:25:03 | |
Now, there's a transformation, isn't it? | 0:25:03 | 0:25:05 | |
Done. | 0:25:05 | 0:25:07 | |
MUSIC: Tequila by The Champs | 0:25:07 | 0:25:10 | |
This is her first time out ever. | 0:25:10 | 0:25:12 | |
So, be kind to her. | 0:25:12 | 0:25:14 | |
Fucking lovely, innit? | 0:25:17 | 0:25:18 | |
Have you got your ticket for Sparkle, darling? | 0:25:23 | 0:25:27 | |
Do you want a ticket tonight for Sparkle? | 0:25:27 | 0:25:30 | |
Right. | 0:25:30 | 0:25:31 | |
Anybody else want a ticket for Sparkle? | 0:25:31 | 0:25:33 | |
I went to the event last year... | 0:25:34 | 0:25:37 | |
..with big disapproval from my wife at home, | 0:25:38 | 0:25:42 | |
so, I entered the competition just for the heck of it, | 0:25:42 | 0:25:47 | |
and, to my surprise, I won. | 0:25:47 | 0:25:50 | |
What this has done for me has greatly enhanced my confidence. | 0:25:50 | 0:25:56 | |
This year, my wife is coming with me to the event, | 0:25:56 | 0:25:59 | |
and I'd be delighted to have her company. | 0:25:59 | 0:26:02 | |
I'll have a Viennese whirl. | 0:26:04 | 0:26:06 | |
OK, Viennese whirl coming up! | 0:26:06 | 0:26:08 | |
THEY CHATTER | 0:26:11 | 0:26:12 | |
The day before Sparkle, it's Rhian's birthday, | 0:26:20 | 0:26:24 | |
and she's come for a makeover with make-up artist Tanya Purcell. | 0:26:24 | 0:26:27 | |
-Hello! -Hello, Tanya - I'm Rhian. | 0:26:27 | 0:26:29 | |
-All right. Rhian? -Yeah. Hello. -Lovely to meet you. | 0:26:29 | 0:26:31 | |
All right, come in. | 0:26:31 | 0:26:32 | |
I need to know the proper way to do it. | 0:26:32 | 0:26:35 | |
And my eyebrows are horrible. | 0:26:35 | 0:26:38 | |
Because Rhian's got quite a high colouring on her face, | 0:26:38 | 0:26:42 | |
we're going for an even skin tone... | 0:26:42 | 0:26:46 | |
-with good coverage. -Yeah. | 0:26:46 | 0:26:47 | |
And this will make a massive difference now | 0:26:49 | 0:26:52 | |
on your transformation. | 0:26:52 | 0:26:54 | |
I like it that she's being pampered, especially on her birthday. | 0:26:56 | 0:27:00 | |
Right, I'm just going to curl your eyelashes now. | 0:27:02 | 0:27:05 | |
-I'm just going to squeeze... Right, is that OK? -Yes. | 0:27:05 | 0:27:09 | |
It's harder, I think, being a woman, because people expect you | 0:27:09 | 0:27:14 | |
to be well-groomed all the time, and, you know, to look right. | 0:27:14 | 0:27:18 | |
As a man, you can get away with just a T-shirt and a pair of jeans, | 0:27:18 | 0:27:22 | |
you know? But you can't as a woman. | 0:27:22 | 0:27:24 | |
I don't like men - I'd like to be attractive to women, | 0:27:24 | 0:27:27 | |
but if a man come up to me in a bar and offered me a drink, | 0:27:27 | 0:27:30 | |
I wouldn't refuse it - but I'd have to leave him down very, very gently. | 0:27:30 | 0:27:34 | |
Until I'm happy, I won't stop - | 0:27:36 | 0:27:38 | |
even if that means I will fully transition, transition... | 0:27:38 | 0:27:41 | |
but my age is against me - | 0:27:41 | 0:27:43 | |
I'm 58, so, if I was to fully transition, | 0:27:43 | 0:27:45 | |
I'm going to be nearly 65 before I transition, | 0:27:45 | 0:27:48 | |
so I've got to be sensible about it. | 0:27:48 | 0:27:50 | |
I'm enjoying every single moment of it. | 0:27:50 | 0:27:53 | |
I am. And... | 0:27:53 | 0:27:54 | |
the more I live as Rhian, the happier I would be. Yeah. | 0:27:54 | 0:28:00 | |
I'm going to give you the mirror now. | 0:28:00 | 0:28:02 | |
Which is not the magnified side. Hold that for me, Rhi. | 0:28:02 | 0:28:05 | |
-Oh, yeah. -There we are. You can have a look now. | 0:28:05 | 0:28:09 | |
Oh, that's lovely. | 0:28:09 | 0:28:10 | |
-Is that what you wanted? As in, it's natural... -Yes, it's natural. | 0:28:10 | 0:28:14 | |
-I don't... -It's lovely. -I don't... | 0:28:14 | 0:28:16 | |
-That's fabulous. Thank you. -Your skin looks lovely. | 0:28:16 | 0:28:18 | |
I know - I look a bit younger, don't I?! | 0:28:18 | 0:28:21 | |
SHE CHUCKLES | 0:28:21 | 0:28:22 | |
How are your eyebrows? | 0:28:22 | 0:28:24 | |
Cos you were saying you hate your eyebrows, usually. | 0:28:24 | 0:28:26 | |
-Oh, no, they're fine. -Yeah. -Yeah, lovely. | 0:28:26 | 0:28:28 | |
When I said - when you're doing your own make-up now, | 0:28:28 | 0:28:31 | |
just subtle, and build it up. | 0:28:31 | 0:28:33 | |
-Thank you. -Happy birthday. -Thank you. Lovely. | 0:28:35 | 0:28:38 | |
It's the first time I've looked at myself with make-up on and been... | 0:28:41 | 0:28:46 | |
content with it, because I'm always saying, | 0:28:46 | 0:28:50 | |
"God, maybe I should have done this, or should have done that." | 0:28:50 | 0:28:54 | |
Oh... | 0:28:56 | 0:28:58 | |
Hello, Rhian. | 0:29:00 | 0:29:01 | |
Onwards and upwards. | 0:29:04 | 0:29:06 | |
Keep going. | 0:29:08 | 0:29:09 | |
SHE SIGHS | 0:29:15 | 0:29:16 | |
I used to feel dirty. | 0:29:22 | 0:29:23 | |
Not when I was changed - | 0:29:25 | 0:29:27 | |
when I changed back, I felt dirty and perverted. | 0:29:27 | 0:29:30 | |
I knew I was...should have been born a girl, | 0:29:30 | 0:29:35 | |
and I felt cheated... | 0:29:35 | 0:29:39 | |
in a way. Frightened. | 0:29:39 | 0:29:41 | |
And I was disgusted with myself. | 0:29:41 | 0:29:43 | |
The last bit of preparation for Sparkle - | 0:29:48 | 0:29:51 | |
but things aren't going to plan. | 0:29:51 | 0:29:54 | |
What a horrible day to have it on. | 0:29:54 | 0:29:56 | |
Absolutely... | 0:29:56 | 0:29:57 | |
Blowing a gale, raining - | 0:29:58 | 0:30:00 | |
although they do say it's going to clear up later on, | 0:30:00 | 0:30:02 | |
so at least it'll be all right for this afternoon and tonight, | 0:30:02 | 0:30:05 | |
but it's crap at the moment, it really is bad. | 0:30:05 | 0:30:07 | |
I'm trying to fucking tell him, but he won't listen to me. | 0:30:09 | 0:30:11 | |
It's pointless putting this stuff up now | 0:30:11 | 0:30:13 | |
because you don't want it until tomorrow night. | 0:30:13 | 0:30:15 | |
Wait till the stage has been shifted, then put it up. | 0:30:15 | 0:30:17 | |
Fucking hell - who did that?! | 0:30:17 | 0:30:19 | |
-Yeah, it's squashed... -Squashed up! | 0:30:19 | 0:30:22 | |
Fucking look at it! | 0:30:22 | 0:30:24 | |
Look like I'm a fucking dwarf, doesn't it? | 0:30:24 | 0:30:26 | |
Squashed right up - I'm fat... Argh! | 0:30:26 | 0:30:29 | |
Everything what could've gone wrong | 0:30:29 | 0:30:30 | |
has gone wrong this week. Unbelievable. | 0:30:30 | 0:30:32 | |
-Tina Sparkle can't do it. -Never! | 0:30:32 | 0:30:35 | |
She's gone down with tonsillitis. | 0:30:35 | 0:30:37 | |
It's not the only letdown - | 0:30:37 | 0:30:39 | |
star attraction Kellie Maloney has also pulled out. | 0:30:39 | 0:30:43 | |
She's advertised as being here, | 0:30:43 | 0:30:45 | |
so she probably is going to be a crowd-puller, | 0:30:45 | 0:30:47 | |
and people are going to be disappointed when she's not here. | 0:30:47 | 0:30:49 | |
I suppose, without Kellie going to be here, | 0:30:49 | 0:30:52 | |
the onus is going to be on me, isn't it, all the time? | 0:30:52 | 0:30:54 | |
I'll be the centre of attention again. | 0:30:54 | 0:30:56 | |
-HE TUTS -Oh, dear, I'll just have to put up with it(!) | 0:30:56 | 0:30:59 | |
With the weather improving, | 0:31:03 | 0:31:05 | |
the doors are finally open for Sparkle's daytime event. | 0:31:05 | 0:31:09 | |
Over 60 stalls offering information, advice and top tips. | 0:31:09 | 0:31:14 | |
-You have got fab lashes. -Thank you. | 0:31:15 | 0:31:18 | |
With those lashes, you put the gel on first... | 0:31:18 | 0:31:21 | |
Oh, they're nails! | 0:31:25 | 0:31:27 | |
I was wondering what they were, then. | 0:31:27 | 0:31:30 | |
-Can I introduce myself? -Oh, please do. | 0:31:30 | 0:31:32 | |
-Diane. -Hello, Diane. -From Aberystwyth, with Llyr. | 0:31:32 | 0:31:35 | |
It's everything we thought it would be, and more. | 0:31:35 | 0:31:37 | |
So, sometimes you look forward to something so much | 0:31:37 | 0:31:39 | |
that when you actually get there, it's a bit sort of like, | 0:31:39 | 0:31:41 | |
"Er, it's OK," but, no, this is everything we ever hoped for. | 0:31:41 | 0:31:44 | |
It's brilliant. | 0:31:44 | 0:31:45 | |
We spoke to quite a few people here already, | 0:31:45 | 0:31:48 | |
but it was really helpful - the make-up people, | 0:31:48 | 0:31:50 | |
they were kind of giving us tips and stuff. | 0:31:50 | 0:31:53 | |
And, for Rhian, there's the opportunity to get advice | 0:31:53 | 0:31:56 | |
from another transgender woman - Liz, who's already started hormones. | 0:31:56 | 0:32:01 | |
So, you're a little but further on, I hear, from what I am. | 0:32:01 | 0:32:04 | |
-Yeah, I am, yeah. 14 months... -Is it? | 0:32:04 | 0:32:05 | |
-How do you find it? -..on hormones. | 0:32:05 | 0:32:07 | |
-Started my transition. -Lovely. -Yeah, yeah. | 0:32:07 | 0:32:10 | |
-How do you feel? -Fantastic. | 0:32:10 | 0:32:12 | |
Sparkle represents a positive step for Rhian... | 0:32:12 | 0:32:17 | |
Oh, listen, thank you. | 0:32:17 | 0:32:19 | |
..but the changes in her life are also taking their toll. | 0:32:19 | 0:32:23 | |
I'm a little bit stressed, because, er... | 0:32:23 | 0:32:27 | |
my daughter won't talk to me a lot. And I don't blame her, you know? | 0:32:27 | 0:32:32 | |
She's got a lot to take in... | 0:32:32 | 0:32:35 | |
and...I think she understands I'm always there for her, | 0:32:35 | 0:32:39 | |
you know - I'll always be there for my daughter, | 0:32:39 | 0:32:42 | |
because I'm really, really proud of her. | 0:32:42 | 0:32:44 | |
You know? | 0:32:44 | 0:32:46 | |
I don't think she's very proud of me, at the moment, | 0:32:46 | 0:32:49 | |
but that doesn't stop me being proud of her. | 0:32:49 | 0:32:52 | |
There's always hope, isn't there? | 0:32:52 | 0:32:55 | |
With day turning to night, | 0:32:55 | 0:32:57 | |
it's time for our Tawe Butterflies to go home and change, | 0:32:57 | 0:33:01 | |
ready for the evening party and pageant. | 0:33:01 | 0:33:05 | |
See what I purchased today, over at Sparkles. | 0:33:05 | 0:33:09 | |
There you are. | 0:33:09 | 0:33:10 | |
Nothing on my teeth. | 0:33:17 | 0:33:19 | |
It's not going to be finished until I comb it, you know that, don't you? | 0:33:19 | 0:33:22 | |
-So, you put your rug on... -Put my rug on. | 0:33:22 | 0:33:25 | |
You wouldn't believe how much help Alan has been, and Fred, | 0:33:25 | 0:33:28 | |
and Alan's wife, and my friends - | 0:33:28 | 0:33:31 | |
cos I think, if it wasn't for them, I don't think I would have survived. | 0:33:31 | 0:33:34 | |
There you are. | 0:33:34 | 0:33:36 | |
That's Rhian - I know it's not glamoury and glitzy, | 0:33:36 | 0:33:39 | |
as a lot of the people will be tonight, | 0:33:39 | 0:33:41 | |
but it's me, and that's what I want. | 0:33:41 | 0:33:43 | |
There you are. | 0:33:45 | 0:33:46 | |
Done. | 0:33:46 | 0:33:47 | |
I'll have to ask Alan, now, "Do I look OK?" | 0:33:49 | 0:33:52 | |
Well, I would kick you out of bed. | 0:33:52 | 0:33:53 | |
Oh, right! | 0:33:53 | 0:33:55 | |
That's a result, then, innit? | 0:33:56 | 0:33:58 | |
Right. Come on - am I OK? | 0:33:58 | 0:33:59 | |
You're all right. You're passable. | 0:33:59 | 0:34:01 | |
-Right, that's good enough for me. -Walk-passable. | 0:34:01 | 0:34:04 | |
Oh, wait, I've got to change my shoes. | 0:34:04 | 0:34:07 | |
Right, I'm here now, and I'm ready to get plastered. | 0:34:23 | 0:34:26 | |
HE CHUCKLES | 0:34:26 | 0:34:28 | |
MUSIC: Enola Gay by Orchestral Manoeuvres In The Dark | 0:34:29 | 0:34:32 | |
Where's the judges? | 0:34:53 | 0:34:54 | |
Pageant time. | 0:34:54 | 0:34:56 | |
With everyone warmed up, and the party in full swing, | 0:34:56 | 0:34:59 | |
it's time for the pageant dance-off. | 0:34:59 | 0:35:01 | |
MUSIC: Shake It Off by Taylor Swift | 0:35:01 | 0:35:05 | |
Whoo! | 0:35:13 | 0:35:14 | |
15-year-old - this is her first time, dressed, | 0:35:14 | 0:35:17 | |
and her first time to come out to an event like this - | 0:35:17 | 0:35:20 | |
so, that, in itself, deserves a big round of applause. | 0:35:20 | 0:35:22 | |
-Come on. -ALL CHEER | 0:35:22 | 0:35:25 | |
Very good friend of mine. | 0:35:25 | 0:35:27 | |
We've been - lots and lots of chats lately, darling, haven't we? | 0:35:27 | 0:35:30 | |
-Oh, yes. Yes. -Been a big journey for you. -Oh, huge. | 0:35:30 | 0:35:32 | |
-Has been a big journey - but you've got there now, haven't you? -Oh, yes. | 0:35:32 | 0:35:36 | |
After a final look for the judges, it's the moment of truth, | 0:35:37 | 0:35:43 | |
and the title of Miss Swansea Sparkle 2015 goes to... | 0:35:43 | 0:35:48 | |
Come on - it's you! | 0:35:48 | 0:35:49 | |
..Llyr. | 0:35:49 | 0:35:51 | |
ALL CHEER | 0:35:51 | 0:35:53 | |
Well done! Fantastic. | 0:35:56 | 0:35:58 | |
Can I just say, everybody, | 0:36:03 | 0:36:06 | |
give a big round of applause to Miss Sparkle 2015. | 0:36:06 | 0:36:12 | |
-CHEERING AND APPLAUSE -Well deserved. | 0:36:12 | 0:36:15 | |
-Congratulations. -Thank you. | 0:36:20 | 0:36:21 | |
Congratulations. | 0:36:21 | 0:36:23 | |
-Thank you. -Just keep on going. | 0:36:23 | 0:36:24 | |
-Yeah. -Don't ever... -Got so much confidence after today. | 0:36:24 | 0:36:26 | |
-Don't ever go back. -No. -No. | 0:36:26 | 0:36:28 | |
We have to come back soon. | 0:36:28 | 0:36:29 | |
It felt right. | 0:36:30 | 0:36:33 | |
Like, it felt really good, being in the dress and the shoes tonight. | 0:36:33 | 0:36:36 | |
It felt right. Like, that's what it should be. | 0:36:36 | 0:36:39 | |
It's meant a lot, coming here, | 0:36:39 | 0:36:41 | |
because it's just another kind of stepping stone. | 0:36:41 | 0:36:44 | |
-I guess I'm going back with a lot more confidence. -Yeah. | 0:36:44 | 0:36:48 | |
Going back with a pillow! | 0:36:48 | 0:36:50 | |
Pillow and a sash and a tiara. | 0:36:50 | 0:36:53 | |
DIANE LAUGHS | 0:36:53 | 0:36:55 | |
I've had a fantastic, wonderful evening, | 0:36:55 | 0:36:58 | |
I've been really good, and it's a nice start to my new life. | 0:36:58 | 0:37:01 | |
So, it's good night, God bless, and I'll speak to you soon. | 0:37:01 | 0:37:05 | |
Bye. Take care. | 0:37:05 | 0:37:07 | |
-Bye! -I just want a clapper, and go, "End." | 0:37:07 | 0:37:12 | |
You've got to keep this event going to keep the confidence building, | 0:37:12 | 0:37:17 | |
because if you stop it once, you'll go right back to square one again. | 0:37:17 | 0:37:20 | |
Yeah, definitely, Swansea's going to get there one day - | 0:37:20 | 0:37:22 | |
there's no two ways about it. | 0:37:22 | 0:37:24 | |
The more we can show them that there is people here | 0:37:24 | 0:37:27 | |
who have got that confidence, the more they will follow. | 0:37:27 | 0:37:30 | |
Like the sheep - the sheep theory, really, I suppose. | 0:37:30 | 0:37:33 | |
Baa! | 0:37:33 | 0:37:34 | |
My ultimate aim is to one day - they don't want me. | 0:37:35 | 0:37:39 | |
I shall be happy, then. | 0:37:39 | 0:37:40 | |
When I'm not needed, they've got their own world, | 0:37:40 | 0:37:43 | |
and they've got the rights to go out wherever they want, | 0:37:43 | 0:37:47 | |
whoever they want, and enjoy themselves, my job's done. | 0:37:47 | 0:37:52 | |
MUSIC: Lakme Flower Duet by Leo Delibes | 0:37:52 | 0:37:55 | |
MUSIC: Shake It Off by Taylor Swift | 0:38:29 | 0:38:35 |