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This programme contains some strong language | 0:00:02 | 0:00:04 | |
and scenes which some viewers may find upsetting. | 0:00:04 | 0:00:07 | |
Nicole, good evening. | 0:00:07 | 0:00:08 | |
The first of four days of pre-trial motion hearings. | 0:00:08 | 0:00:11 | |
The prosecution wants to call about a dozen women at trial. | 0:00:11 | 0:00:14 | |
They also allege Cosby drugged and assaulted them. | 0:00:14 | 0:00:19 | |
They will say that Bill Cosby has used his fame and fortune to, quote, "cover up his crimes". | 0:00:19 | 0:00:24 | |
Bill Cosby, one of the greatest | 0:00:28 | 0:00:30 | |
American entertainers of the last 50 years, | 0:00:30 | 0:00:33 | |
is due to stand trial accused of sexual assault. | 0:00:33 | 0:00:36 | |
Come here, I want to take a picture. | 0:00:38 | 0:00:40 | |
Cosby is an American icon, | 0:00:40 | 0:00:42 | |
a brilliant comedian, | 0:00:42 | 0:00:44 | |
who broke down racial barriers on American television... | 0:00:44 | 0:00:47 | |
Now, all of you, get out! | 0:00:47 | 0:00:49 | |
..and with The Cosby Show, a sitcom about a black middle-class family, | 0:00:49 | 0:00:54 | |
created one of the most successful TV shows of all time. | 0:00:54 | 0:00:57 | |
Yes! | 0:00:57 | 0:01:00 | |
He was a great role model. | 0:01:00 | 0:01:01 | |
A great father, a great husband. | 0:01:01 | 0:01:04 | |
A great entertainer. | 0:01:04 | 0:01:05 | |
He was revered, even. | 0:01:06 | 0:01:10 | |
People loved him. He was America's dad. | 0:01:12 | 0:01:16 | |
Cosby was God. | 0:01:18 | 0:01:21 | |
Cosby is standing trial for a single case of sexual assault, | 0:01:23 | 0:01:27 | |
but dozens of other women have claimed he attacked them, too. | 0:01:27 | 0:01:30 | |
His alleged victims say he is a serial rapist, | 0:01:31 | 0:01:35 | |
who hid behind a brilliant public persona. | 0:01:35 | 0:01:37 | |
What happened to me, he drugged me, raped me, | 0:01:40 | 0:01:44 | |
and then he threatened serious consequences to my life. | 0:01:44 | 0:01:47 | |
For half a century, Bill Cosby's reputation has remained untarnished. | 0:01:47 | 0:01:52 | |
Until now. | 0:01:54 | 0:01:55 | |
It's misogyny, it's power, | 0:01:57 | 0:01:59 | |
it's the great wealth machine of a Hollywood that keeps people silent. | 0:01:59 | 0:02:04 | |
This is Hollywood, the most famous, most glamorous place in the world. | 0:02:24 | 0:02:29 | |
It's a place of dreams, hopes and riches. | 0:02:30 | 0:02:33 | |
Let's go to Hollywood backstage, | 0:02:33 | 0:02:35 | |
and see this unique and fascinating place called Hollywood. | 0:02:35 | 0:02:38 | |
All of these comedians used to play the Playboy Club circuit, | 0:02:42 | 0:02:47 | |
so all of us Bunnies kind of knew them as buddies. | 0:02:47 | 0:02:50 | |
They were sort of the casual... We all would go after work | 0:02:50 | 0:02:53 | |
and eat breakfast or something, you know, on the Strip. | 0:02:53 | 0:02:58 | |
And so my girlfriend said, "Hey, I know Bill Cosby. | 0:02:58 | 0:03:01 | |
"I can hook you up, and maybe you can get an audition." | 0:03:01 | 0:03:04 | |
Aspiring actor Victoria Valentino | 0:03:07 | 0:03:10 | |
was 25 when her friend introduced her to Bill Cosby, | 0:03:10 | 0:03:14 | |
one of Hollywood's biggest stars. | 0:03:14 | 0:03:16 | |
She called him, and then he sent a car over | 0:03:20 | 0:03:23 | |
to my grandmother's house in West Hollywood to pick us up. | 0:03:23 | 0:03:27 | |
And so we went to dinner | 0:03:30 | 0:03:33 | |
at this steak restaurant on the Strip called Sneaky Pete's. | 0:03:33 | 0:03:37 | |
It was next to the Whiskey a Go Go. | 0:03:37 | 0:03:39 | |
And pretty soon he put a pill down | 0:03:43 | 0:03:46 | |
next to my glass, and he said, "Here, take this, | 0:03:46 | 0:03:49 | |
"it will make you feel better." | 0:03:49 | 0:03:50 | |
And I went, "Oh, yeah, great, you know, I'll take it. | 0:03:50 | 0:03:54 | |
"I'll feel better." And I took it. | 0:03:54 | 0:03:56 | |
Pretty soon I was feeling nauseated, | 0:04:02 | 0:04:04 | |
I was getting spinners, | 0:04:04 | 0:04:06 | |
and I was feeling like I couldn't keep my head out of my plate. | 0:04:06 | 0:04:10 | |
And I wanted to go home. | 0:04:10 | 0:04:11 | |
So... | 0:04:13 | 0:04:14 | |
He said, "OK, take you home." | 0:04:15 | 0:04:18 | |
Instead of turning right to go down onto the Strip, he went uphill. | 0:04:27 | 0:04:32 | |
And suddenly we're winding around | 0:04:35 | 0:04:38 | |
and I'm in the back seat, | 0:04:38 | 0:04:41 | |
doing everything I can not to throw up in the "big star's" car | 0:04:41 | 0:04:46 | |
and humiliate us all, | 0:04:46 | 0:04:47 | |
and ruin any possible chances of us | 0:04:47 | 0:04:50 | |
ever getting an acting part on his show. | 0:04:50 | 0:04:53 | |
And then, all of a sudden, the car stopped. | 0:04:56 | 0:04:59 | |
And everything got very silent. | 0:04:59 | 0:05:01 | |
And I opened my eyes, and we're in front of some... | 0:05:05 | 0:05:09 | |
it was like a townhouse. | 0:05:09 | 0:05:11 | |
There were two loveseats. | 0:05:12 | 0:05:14 | |
And my girlfriend, here she is, passed out, | 0:05:14 | 0:05:17 | |
lying there, completely gone. | 0:05:17 | 0:05:20 | |
And he's sitting right next to her on the love seat, | 0:05:20 | 0:05:23 | |
and he's looking down at her like this. | 0:05:23 | 0:05:25 | |
And the intensity of the look... | 0:05:26 | 0:05:29 | |
I mean, it...it... it communicated everything. | 0:05:31 | 0:05:36 | |
I knew what he had on his mind. | 0:05:36 | 0:05:38 | |
I knew. | 0:05:39 | 0:05:40 | |
He got up, and he came over to me, | 0:05:42 | 0:05:46 | |
and then the next thing I knew, | 0:05:46 | 0:05:48 | |
I was on my knees, and he was sitting on the love seat | 0:05:48 | 0:05:51 | |
opening his fly. | 0:05:51 | 0:05:52 | |
And I was orally raped, | 0:05:54 | 0:05:56 | |
and then he stood me up and turned me over backwards, | 0:05:56 | 0:05:59 | |
and did me doggy style. | 0:05:59 | 0:06:00 | |
And then he walked out. | 0:06:00 | 0:06:02 | |
And as he was getting to the door, I said, | 0:06:04 | 0:06:07 | |
"How are we going to get home?" | 0:06:07 | 0:06:09 | |
And he didn't even look at me. | 0:06:09 | 0:06:11 | |
He just said, "Call a cab." | 0:06:11 | 0:06:14 | |
And he slammed out the door. | 0:06:14 | 0:06:16 | |
Victoria chose not to report what she alleges happened to her that night... | 0:06:23 | 0:06:26 | |
..a silence that lasted decades. | 0:06:28 | 0:06:30 | |
This was 1969. | 0:06:35 | 0:06:36 | |
You know. I was a Playmate. | 0:06:38 | 0:06:40 | |
I had been married to a black man. | 0:06:42 | 0:06:43 | |
I was an old hippie. | 0:06:44 | 0:06:46 | |
You know. I was a Bunny. | 0:06:47 | 0:06:50 | |
The last people we would ever have thought to go to | 0:06:50 | 0:06:54 | |
would be the police. It never crossed my mind. | 0:06:54 | 0:06:57 | |
Bill Cosby first exploded onto the comedy scene in the early 1960s | 0:07:17 | 0:07:22 | |
with appearances on shows such as The Jack Paar Program. | 0:07:22 | 0:07:25 | |
Wait a minute! | 0:07:25 | 0:07:28 | |
-LAUGHTER -Are you crazy? | 0:07:28 | 0:07:30 | |
Raised in the poor suburbs of Philadelphia, | 0:07:30 | 0:07:32 | |
the son of a maid and an alcoholic father, | 0:07:32 | 0:07:34 | |
Cosby was one of the first black comedians | 0:07:34 | 0:07:37 | |
to appeal to mainstream white America. | 0:07:37 | 0:07:39 | |
# I put a spell on you... # | 0:07:39 | 0:07:41 | |
He was simply a great, engaging storyteller on the stage, | 0:07:43 | 0:07:47 | |
technically brilliant as a comedian, | 0:07:47 | 0:07:50 | |
somebody who didn't simply stand up and tell jokes, | 0:07:50 | 0:07:53 | |
but really spun stories. | 0:07:53 | 0:07:55 | |
# You know I can't stand it | 0:07:57 | 0:08:01 | |
# You're running around... # | 0:08:01 | 0:08:03 | |
Coming up at a time when America was going through | 0:08:03 | 0:08:05 | |
the civil rights movement, | 0:08:05 | 0:08:07 | |
when there was a lot of conflict around race, | 0:08:07 | 0:08:11 | |
it was a big deal for, you know, | 0:08:11 | 0:08:14 | |
a broad, multiracial audience to establish this bond with Bill Cosby. | 0:08:14 | 0:08:21 | |
APPLAUSE | 0:08:21 | 0:08:24 | |
Cosby's big acting break came in 1965, when, aged 28, | 0:08:31 | 0:08:36 | |
he was asked to star in a new TV show, I Spy. | 0:08:36 | 0:08:39 | |
Playing a tennis coach who was also an undercover spy, | 0:08:41 | 0:08:44 | |
Cosby became the first African-American actor | 0:08:44 | 0:08:47 | |
to star in a mainstream network drama. | 0:08:47 | 0:08:49 | |
You will hear black people talk about back in the day, | 0:08:50 | 0:08:54 | |
when they would call everyone to the television if someone black came on. | 0:08:54 | 0:08:59 | |
And a lot of people go, "Oh, you're just exaggerating." | 0:08:59 | 0:09:01 | |
No. It's not an exaggeration. | 0:09:01 | 0:09:04 | |
That's how it was in my household. | 0:09:04 | 0:09:06 | |
Everybody I knew. | 0:09:06 | 0:09:07 | |
Hello, sir. Now! | 0:09:09 | 0:09:10 | |
I was a little kid, | 0:09:15 | 0:09:17 | |
really, growing up in Tennessee. | 0:09:17 | 0:09:19 | |
It was so wonderful to see an African-American | 0:09:19 | 0:09:23 | |
on television on a regular basis, and in a show like that. | 0:09:23 | 0:09:28 | |
-Watch this now. -GUNSHOT | 0:09:28 | 0:09:30 | |
-What's that for? -I've got an idea. | 0:09:30 | 0:09:33 | |
There was no other black, cool secret agents running around. | 0:09:33 | 0:09:37 | |
Where? | 0:09:37 | 0:09:39 | |
Bill was smooth, he was good-looking, you know, strapping. | 0:09:39 | 0:09:44 | |
He was something that, I think, a lot of young black men aspired to. | 0:09:44 | 0:09:49 | |
And I know, for my generation who came into the business, | 0:09:49 | 0:09:52 | |
these were the people we looked up to. | 0:09:52 | 0:09:54 | |
These were the people that opened the doors for us. | 0:09:54 | 0:09:58 | |
Kicked them open, really. | 0:09:58 | 0:09:59 | |
I Spy earned Cosby three consecutive Emmys for outstanding lead actor. | 0:10:02 | 0:10:06 | |
The TV shows were followed in the 1970s | 0:10:09 | 0:10:12 | |
by leading parts in hit Hollywood movies such as California Suite, | 0:10:12 | 0:10:16 | |
in which he starred with Richard Pryor. | 0:10:16 | 0:10:18 | |
Well, I knew him through my husband, Richard Pryor. | 0:10:20 | 0:10:23 | |
And Richard had mad respect for him. | 0:10:23 | 0:10:25 | |
Basically, he idolised Bill. | 0:10:27 | 0:10:30 | |
He had made it, and a black man making it in America is a big deal, | 0:10:30 | 0:10:35 | |
and certainly in the comedic world. | 0:10:35 | 0:10:37 | |
There you have it. I mean, how many black comics were there at the time? | 0:10:37 | 0:10:41 | |
He had really arrived. | 0:10:41 | 0:10:42 | |
I mean, film, television, concerts, my God, | 0:10:42 | 0:10:46 | |
you didn't get bigger than Bill. He was everywhere. | 0:10:46 | 0:10:49 | |
In his 1983 concert film, Himself, | 0:10:55 | 0:10:59 | |
Cosby's ability to enthral audiences with his storytelling | 0:10:59 | 0:11:02 | |
cemented his status as the king of stand-up. | 0:11:02 | 0:11:05 | |
See, when you're a father, you censor yourself. | 0:11:08 | 0:11:11 | |
You say, "What the... | 0:11:11 | 0:11:13 | |
"Get your... | 0:11:13 | 0:11:15 | |
LAUGHTER | 0:11:15 | 0:11:16 | |
"I'll put a... | 0:11:16 | 0:11:18 | |
LAUGHTER | 0:11:18 | 0:11:20 | |
"Get out of my face!" | 0:11:20 | 0:11:22 | |
APPLAUSE | 0:11:22 | 0:11:24 | |
The following year, the now 47-year-old Cosby | 0:11:29 | 0:11:31 | |
created the show which would | 0:11:31 | 0:11:33 | |
challenge attitudes to race in America | 0:11:33 | 0:11:36 | |
and turn him into a national icon. | 0:11:36 | 0:11:38 | |
From its opening titles, | 0:11:42 | 0:11:43 | |
The Cosby Show depicted a middle-class black family. | 0:11:43 | 0:11:47 | |
It became one of the biggest television hits of all time. | 0:11:47 | 0:11:50 | |
There was nothing else on television like The Cosby Show, at the time. | 0:11:53 | 0:11:58 | |
I was a guest during the second season, | 0:11:58 | 0:12:01 | |
and I believe that the show I was on pulled a 51 share. | 0:12:01 | 0:12:06 | |
Half, over half of the television sets | 0:12:06 | 0:12:09 | |
that were turned on at that time in America | 0:12:09 | 0:12:12 | |
were turned on watching The Cosby Show. | 0:12:12 | 0:12:15 | |
No show is going to pull those kind of numbers ever again. | 0:12:17 | 0:12:22 | |
-Hey. -Hey, dear. -Hi, Daddy. | 0:12:22 | 0:12:24 | |
Listen, let's put on some music round here. | 0:12:26 | 0:12:30 | |
Cosby played an obstetrician, Cliff Huxtable, | 0:12:30 | 0:12:33 | |
married to a successful lawyer, Clair, played by Phylicia Rashad. | 0:12:33 | 0:12:37 | |
The show was based on his family. | 0:12:43 | 0:12:46 | |
Not only did he have five kids on the show, | 0:12:46 | 0:12:49 | |
in real life he and Camille Cosby had five children. | 0:12:49 | 0:12:53 | |
Hurry up, I want to take a picture. | 0:12:53 | 0:12:56 | |
-All you people look so good. -How do I look? -ALL: -Good! | 0:12:56 | 0:12:58 | |
Family was number one to Bill Cosby. | 0:12:58 | 0:13:01 | |
And, of course, that is why he created The Cosby Show. | 0:13:01 | 0:13:06 | |
All right, now this is something I will cherish the rest of my life. | 0:13:08 | 0:13:11 | |
Now, all of you, get out. | 0:13:11 | 0:13:13 | |
In many ways, Cliff Huxtable was a surrogate Bill Cosby. | 0:13:15 | 0:13:20 | |
Yes! | 0:13:22 | 0:13:25 | |
He had Bill Cosby's sense of humour. | 0:13:25 | 0:13:27 | |
He had his mannerisms, he had his way of talking. | 0:13:27 | 0:13:31 | |
I am your father. | 0:13:31 | 0:13:33 | |
I brought you in this world, and I'll take you out! | 0:13:33 | 0:13:35 | |
Cliff Huxtable and Bill Cosby, in the minds of many of us, and for me, | 0:13:40 | 0:13:47 | |
were pretty much one and the same. | 0:13:47 | 0:13:48 | |
How can you play that guy so convincingly, and so well, | 0:13:48 | 0:13:51 | |
and be so sweet and be so wonderful, and not be that guy? | 0:13:51 | 0:13:55 | |
You are that guy. | 0:13:55 | 0:13:56 | |
DOORBELL | 0:13:56 | 0:13:57 | |
They're here! | 0:13:57 | 0:13:58 | |
The Cosby Show's portrayal of three generations of a stable and loving | 0:13:59 | 0:14:03 | |
black family was unique in '80s America. | 0:14:03 | 0:14:06 | |
-I had a little trouble finding the place. -What? | 0:14:06 | 0:14:09 | |
It was challenging that notion of blackness with wrongness, | 0:14:09 | 0:14:14 | |
because the media has perpetuated a negative image of the black person. | 0:14:14 | 0:14:19 | |
And when we see them in the media, it's a person on the ground, | 0:14:23 | 0:14:27 | |
face down, handcuffed. | 0:14:27 | 0:14:28 | |
MUSIC: (Night Time Is) The Right Time by Ray Charles | 0:14:28 | 0:14:36 | |
The Cosby Show was a vehicle by which, now, | 0:14:36 | 0:14:38 | |
America could see what a black family really is like. | 0:14:38 | 0:14:41 | |
People didn't just like The Cosby Show, | 0:14:47 | 0:14:51 | |
they liked liking The Cosby Show, right? | 0:14:51 | 0:14:54 | |
Like, it was recognised as a social good... | 0:14:54 | 0:14:57 | |
..that people of all stripes and backgrounds and colours | 0:14:59 | 0:15:03 | |
could identify with this family and have this family be their favourite | 0:15:03 | 0:15:07 | |
family on television. | 0:15:07 | 0:15:08 | |
MUSIC CONTINUES | 0:15:08 | 0:15:13 | |
It offered white viewers | 0:15:15 | 0:15:17 | |
a chance to feel good about things | 0:15:17 | 0:15:20 | |
that they don't often get to feel good about. | 0:15:20 | 0:15:23 | |
Part of the message | 0:15:23 | 0:15:24 | |
and the balm that it offered to white America | 0:15:24 | 0:15:26 | |
was that racial tension was a thing of the past. | 0:15:26 | 0:15:28 | |
We are all alike here, there's no racial difference, | 0:15:28 | 0:15:31 | |
and there is no lingering racial resentment. | 0:15:31 | 0:15:34 | |
We've come to some televised version of a promised land. | 0:15:34 | 0:15:38 | |
For five of its eight seasons, | 0:15:41 | 0:15:42 | |
The Cosby Show was the top-rated show on American television. | 0:15:42 | 0:15:47 | |
It turned Cosby into one of | 0:15:47 | 0:15:48 | |
Hollywood's wealthiest and most powerful stars. | 0:15:48 | 0:15:51 | |
It made us feel proud that this successful show | 0:15:54 | 0:15:59 | |
was created by an African-American... | 0:15:59 | 0:16:02 | |
..owned by an African-American, | 0:16:04 | 0:16:07 | |
who produced it as well as starred on it. | 0:16:07 | 0:16:10 | |
To have someone who had all of this power, all of this money | 0:16:12 | 0:16:16 | |
and fame, was very significant. | 0:16:16 | 0:16:19 | |
Very, very powerful. | 0:16:19 | 0:16:21 | |
There are layers of celebrity. | 0:16:21 | 0:16:22 | |
There's celebrity, you know, you're in a few movies. | 0:16:22 | 0:16:25 | |
And you're kind of a celebrity. | 0:16:25 | 0:16:27 | |
There's celebrity by proxy, which is kind of what I am, | 0:16:27 | 0:16:30 | |
I'm married to a celebrity, you know. | 0:16:30 | 0:16:33 | |
And there's layers, there's layers. | 0:16:33 | 0:16:36 | |
And then you get to this mountain, | 0:16:36 | 0:16:39 | |
this Mount Everest of celebrity, | 0:16:39 | 0:16:42 | |
which is what Bill was. | 0:16:42 | 0:16:44 | |
He had everything. | 0:16:44 | 0:16:46 | |
Bill was a giant in the business. | 0:16:46 | 0:16:49 | |
And he was making a lot of money for a lot of people, too. | 0:16:49 | 0:16:52 | |
The show was filmed in New York | 0:16:58 | 0:17:00 | |
at the Kaufman Astoria Studios in Queens. | 0:17:00 | 0:17:03 | |
In the early '90s, Cosby invited a young actor, Lili Bernard, | 0:17:04 | 0:17:09 | |
to spend time at the studios. | 0:17:09 | 0:17:11 | |
He was mentoring her until she was ready for a part on the show. | 0:17:13 | 0:17:15 | |
Bill Cosby introduced me to the producers and to the writers | 0:17:19 | 0:17:22 | |
and to the crew and to the cast | 0:17:22 | 0:17:25 | |
and told them that we would be, you know, | 0:17:25 | 0:17:27 | |
making a role for Lili Bernard. | 0:17:27 | 0:17:29 | |
"She's going to be on the show." | 0:17:29 | 0:17:30 | |
So he had me in there to observe. | 0:17:30 | 0:17:32 | |
And he was very academic about it. | 0:17:32 | 0:17:34 | |
It's as if he were a professor and I was a student | 0:17:34 | 0:17:37 | |
and I had to learn, so that when it was my turn | 0:17:37 | 0:17:39 | |
to do the role I would be prepared. | 0:17:39 | 0:17:41 | |
And that was all so exciting, that he cared about my craft, | 0:17:41 | 0:17:45 | |
and that was exciting to me, to be an artist | 0:17:45 | 0:17:47 | |
and he cared, and he wants to help hone my skills. | 0:17:47 | 0:17:50 | |
It was just phenomenal. | 0:17:50 | 0:17:51 | |
Lili often visited the Cosby studios, | 0:17:54 | 0:17:56 | |
spending time backstage as Cosby's guest. | 0:17:56 | 0:17:59 | |
I was used to being on a set where the whole crew was white, | 0:18:01 | 0:18:05 | |
where it's very, very hard to find, you know, | 0:18:05 | 0:18:08 | |
a raisin in the bowl of oatmeal. | 0:18:08 | 0:18:10 | |
You just don't see that. Now, here I'm on a sound stage | 0:18:10 | 0:18:13 | |
where most of the people are black. | 0:18:13 | 0:18:15 | |
It was like, wow, that was phenomenal. | 0:18:15 | 0:18:17 | |
"I get to be a part of that?" | 0:18:17 | 0:18:19 | |
You know, I get to be a part of history. | 0:18:19 | 0:18:21 | |
For me, being on The Cosby Show was like | 0:18:21 | 0:18:22 | |
getting to be a part of history, history that changed. | 0:18:22 | 0:18:25 | |
You know? It changed the perception of blackness in the world. | 0:18:25 | 0:18:29 | |
What did the name Bill Cosby mean to you? | 0:18:31 | 0:18:34 | |
It meant a great force, who lifted the black male image | 0:18:36 | 0:18:43 | |
and the black family image. | 0:18:43 | 0:18:45 | |
It meant someone who made me proud of being black. | 0:18:46 | 0:18:52 | |
It meant advancement. | 0:18:53 | 0:18:56 | |
And it also meant paternity, | 0:18:57 | 0:19:00 | |
he was America's dad. | 0:19:00 | 0:19:03 | |
In Hollywood, we all knew that he was a serial cheater. | 0:19:08 | 0:19:12 | |
Everybody knew that. | 0:19:12 | 0:19:14 | |
That was nothing new. | 0:19:14 | 0:19:15 | |
You've got this image, this perfect wife, this perfect life, | 0:19:18 | 0:19:22 | |
this perfect career, and you're a serial cheater. | 0:19:22 | 0:19:25 | |
So, I mean, a serial cheater. | 0:19:26 | 0:19:29 | |
There was just kind of the... | 0:19:29 | 0:19:31 | |
..knowledge that he liked women. | 0:19:32 | 0:19:35 | |
On the set, it was the parade, | 0:19:38 | 0:19:40 | |
that's what we referred to it as. | 0:19:40 | 0:19:43 | |
They would come in in threes and fours, you know. | 0:19:43 | 0:19:47 | |
I guess they were auditioning. | 0:19:47 | 0:19:49 | |
I don't know that any of them actually got parts. | 0:19:50 | 0:19:53 | |
And he liked, it seemed, a very particular... | 0:19:53 | 0:19:56 | |
You know. | 0:19:58 | 0:19:59 | |
He had a look that he liked. | 0:20:00 | 0:20:02 | |
Lighter skin, longer hair. | 0:20:02 | 0:20:05 | |
He had this obsession with straight hair, right? | 0:20:07 | 0:20:09 | |
He bought this blow dryer for me, | 0:20:09 | 0:20:12 | |
and often when he mentored me, he told me to first straighten my hair, | 0:20:12 | 0:20:16 | |
because he wanted to see what I would look like | 0:20:16 | 0:20:18 | |
with straight hair in my role, | 0:20:18 | 0:20:20 | |
and he wanted it slicked back, slicked back, like a ballerina. | 0:20:20 | 0:20:23 | |
After a year of mentoring, | 0:20:28 | 0:20:30 | |
Lili Bernard was still waiting for her long-promised part on the show. | 0:20:30 | 0:20:33 | |
One day, Cosby asked her to come to meet a film producer with him. | 0:20:36 | 0:20:40 | |
We were in New York, and he told me that I had to go to Atlantic City, | 0:20:44 | 0:20:48 | |
New Jersey, to meet a producer who would further my career. | 0:20:48 | 0:20:50 | |
So before going there he talked to me about this new hotel called the | 0:20:57 | 0:21:01 | |
Trump Taj Mahal hotel. | 0:21:01 | 0:21:03 | |
The car came for me, it took me to the hotel. | 0:21:08 | 0:21:11 | |
I get taken upstairs, to this gigantic suite. | 0:21:16 | 0:21:19 | |
And so he gives me this drink, you know, and it's brown... | 0:21:25 | 0:21:28 | |
And he's like, "Drink it, Bernard, drink it." | 0:21:28 | 0:21:30 | |
And so he actually takes the glass and lifts it up, | 0:21:30 | 0:21:33 | |
and pushes it to my face with this kind of exciting energy. | 0:21:33 | 0:21:36 | |
And I'm like, "Mr C, I told you, I don't drink alcohol, what is this?" | 0:21:36 | 0:21:39 | |
And he was like, "Drink, drink." | 0:21:39 | 0:21:40 | |
I was like, "OK, you know, whatever." | 0:21:40 | 0:21:42 | |
I'm just, like, obeying Daddy, basically, because he used to say, | 0:21:42 | 0:21:46 | |
"Daddy's here! Daddy's here!" | 0:21:46 | 0:21:48 | |
And... | 0:21:48 | 0:21:49 | |
Then very shortly, you know, very shortly, | 0:21:50 | 0:21:53 | |
I started getting a sick sensation. | 0:21:53 | 0:21:55 | |
The next memory I have is now I'm in a living room area, and... | 0:22:00 | 0:22:06 | |
..it's carpet underneath my back. | 0:22:07 | 0:22:10 | |
And I remember opening my eyes and seeing brown, you know, | 0:22:10 | 0:22:13 | |
it was definitely Bill Cosby. | 0:22:13 | 0:22:15 | |
As he was thrusting upon me my back was going, like, | 0:22:18 | 0:22:22 | |
against the grain of the rug, | 0:22:22 | 0:22:23 | |
and I just remember the burning sensation | 0:22:23 | 0:22:25 | |
on the back and my shoulder. | 0:22:25 | 0:22:26 | |
I remember a heaviness. | 0:22:26 | 0:22:27 | |
Again, I couldn't move. I'm like, you know, like... | 0:22:27 | 0:22:30 | |
feeling like lead, | 0:22:30 | 0:22:31 | |
very, very heavy, as if I were paralysed. | 0:22:31 | 0:22:34 | |
So I feel like a stick inside of my body, that's what it feels like, | 0:22:38 | 0:22:41 | |
a stick. And I said stick because again, it's like | 0:22:41 | 0:22:44 | |
the last thing I could ever imagine was that Bill Cosby was raping me. | 0:22:44 | 0:22:48 | |
Can you believe that? | 0:22:48 | 0:22:49 | |
My trust for him, as my father figure, was so great, | 0:22:49 | 0:22:52 | |
I trusted him so much, that I couldn't make that connection, | 0:22:52 | 0:22:55 | |
that he could possibly do that. | 0:22:55 | 0:22:56 | |
Yoo-hoo, hello? | 0:23:01 | 0:23:03 | |
Soon after this alleged incident, | 0:23:07 | 0:23:10 | |
Lili finally got to play her long- promised part on The Cosby Show. | 0:23:10 | 0:23:14 | |
When the contractions reach eight minutes apart, | 0:23:14 | 0:23:17 | |
that's when you call me. | 0:23:17 | 0:23:19 | |
What did I just say? | 0:23:20 | 0:23:22 | |
Call you every eight minutes. | 0:23:22 | 0:23:23 | |
It was to be her only appearance. | 0:23:28 | 0:23:30 | |
-OK, thank you. -Well, I guess I'm off. | 0:23:31 | 0:23:34 | |
Yes, in more ways than one. | 0:23:34 | 0:23:35 | |
Bye-bye. | 0:23:38 | 0:23:39 | |
She thought of reporting her allegation, | 0:23:43 | 0:23:45 | |
but says Cosby persuaded her otherwise. | 0:23:45 | 0:23:47 | |
When I told him that I would go to the police station | 0:23:49 | 0:23:52 | |
he told me that he would file a police report against me | 0:23:52 | 0:23:54 | |
for false accusation and defamation | 0:23:54 | 0:23:57 | |
and that, "You know what you get for a false accusation, Bernard? | 0:23:57 | 0:24:00 | |
"You get your ass in jail, that's what you get, Bernard." | 0:24:00 | 0:24:02 | |
And he's like, "You and I are through, Bernard," | 0:24:02 | 0:24:05 | |
he said, "We're through. | 0:24:05 | 0:24:06 | |
"I don't ever want to see your face again. You don't exist. | 0:24:06 | 0:24:10 | |
"You are dead, do you hear me, Bernard? You are dead. | 0:24:10 | 0:24:13 | |
"I will erase you, do you hear me? | 0:24:13 | 0:24:16 | |
"Are you listening? | 0:24:16 | 0:24:17 | |
"Are you listening, Bernard? I will erase you." | 0:24:17 | 0:24:19 | |
He was like my dad, you know. | 0:24:23 | 0:24:25 | |
He was my dad. And he made it very clear that I was one of his kids. | 0:24:25 | 0:24:29 | |
That's one thing he always used to say to me. | 0:24:29 | 0:24:31 | |
"You're one of my kids, Bernard, you're one of my kids." | 0:24:31 | 0:24:33 | |
After eight hit seasons, The Cosby Show ended in 1992. | 0:24:38 | 0:24:41 | |
Cosby continued producing TV shows throughout the '90s, | 0:24:45 | 0:24:49 | |
though none had the success of The Cosby Show. | 0:24:49 | 0:24:51 | |
But his reputation off-screen continue to grow, | 0:24:54 | 0:24:57 | |
as he used his fame to promote the education of African-Americans. | 0:24:57 | 0:25:01 | |
This is a hip home town. | 0:25:01 | 0:25:03 | |
Cosby handed out cheques for millions of dollars | 0:25:03 | 0:25:06 | |
to black colleges around America. | 0:25:06 | 0:25:09 | |
He looked at it for a while, and then he said | 0:25:09 | 0:25:11 | |
something, I think it was in Latin. | 0:25:11 | 0:25:14 | |
LAUGHTER | 0:25:14 | 0:25:16 | |
You know, like... | 0:25:16 | 0:25:18 | |
Damn! | 0:25:18 | 0:25:19 | |
Bill Cosby and Camille Cosby were just phenomenal, incredible, | 0:25:22 | 0:25:28 | |
when it came to giving back. | 0:25:28 | 0:25:30 | |
They were great philanthropists. | 0:25:30 | 0:25:33 | |
He has such a well-rounded reputation. | 0:25:33 | 0:25:37 | |
I mean, how could one man... | 0:25:38 | 0:25:40 | |
..do so much, and be so perfect in so many areas, you know? | 0:25:42 | 0:25:46 | |
It's like that. | 0:25:46 | 0:25:47 | |
Cosby was growing increasingly concerned | 0:25:53 | 0:25:55 | |
about the fate of black America. | 0:25:55 | 0:25:57 | |
On May the 17th 2004, | 0:26:01 | 0:26:04 | |
he gave a now infamous speech | 0:26:04 | 0:26:06 | |
about the problems he believed plagued the African-American poor. | 0:26:06 | 0:26:09 | |
Cosby crisscrossed the country | 0:26:31 | 0:26:33 | |
telling African-Americans to change their ways. | 0:26:33 | 0:26:36 | |
Protect your child! | 0:26:38 | 0:26:41 | |
The kid could be busted tonight. | 0:26:41 | 0:26:45 | |
It's cursing, and it's calling each other niggers | 0:26:45 | 0:26:47 | |
as they walk up and down the street. | 0:26:47 | 0:26:49 | |
They think they're hip. They can't read, they can't write. | 0:26:49 | 0:26:52 | |
Bill was going around the country, mostly to urban America, | 0:26:52 | 0:26:58 | |
and talking tough to inner-city, mostly black men, | 0:26:58 | 0:27:03 | |
about getting an education, | 0:27:03 | 0:27:04 | |
not using drugs, and pulling their pants up, not wearing them low. | 0:27:04 | 0:27:08 | |
70% of teenage pregnancy... | 0:27:08 | 0:27:11 | |
..African-American female teenage girls. | 0:27:13 | 0:27:17 | |
He really directed so much ire at women | 0:27:17 | 0:27:20 | |
for being bad mothers, unfaithful partners... | 0:27:20 | 0:27:23 | |
..sexually promiscuous, not around | 0:27:24 | 0:27:27 | |
for their kids, you know, not working... | 0:27:27 | 0:27:30 | |
for having been the opposite of everything | 0:27:30 | 0:27:32 | |
that he had presented Clair Huxtable as being. | 0:27:32 | 0:27:34 | |
I'm tired of this. | 0:27:34 | 0:27:36 | |
I'm very, very tired. | 0:27:36 | 0:27:39 | |
Some of the things I related to, and understood where he was coming from. | 0:27:39 | 0:27:43 | |
But he began to go on and on | 0:27:43 | 0:27:48 | |
about things that made me kind of | 0:27:48 | 0:27:51 | |
like, eww, cringe, | 0:27:51 | 0:27:54 | |
as a black woman. | 0:27:54 | 0:27:56 | |
And I had wished there were things that he had not said. | 0:27:57 | 0:28:01 | |
But who can control Cosby? | 0:28:01 | 0:28:04 | |
The now 67-year-old Cosby was about to suffer | 0:28:09 | 0:28:11 | |
the first blow to his formidable reputation. | 0:28:11 | 0:28:14 | |
Major news networks reported that a woman had come forward | 0:28:16 | 0:28:19 | |
with a serious accusation against him. | 0:28:19 | 0:28:21 | |
Police in suburban Philadelphia | 0:28:24 | 0:28:25 | |
are investigating entertainer Bill Cosby. | 0:28:25 | 0:28:28 | |
A family friend accuses the comedian of fondling her. | 0:28:28 | 0:28:31 | |
It's a charge he strongly denies. | 0:28:31 | 0:28:33 | |
The woman alleged the sexual assault | 0:28:40 | 0:28:42 | |
had taken place at Cosby's home, outside Philadelphia. | 0:28:42 | 0:28:44 | |
The criminal suit involved one woman against a big star, | 0:28:46 | 0:28:50 | |
and we didn't even know her name, quite frankly. | 0:28:50 | 0:28:54 | |
We knew some brief sketches, details about her life. | 0:28:54 | 0:28:57 | |
In other words, she met him through Temple University. | 0:28:57 | 0:28:59 | |
You know, she now lived in Canada. | 0:28:59 | 0:29:01 | |
She came forward a year later, things like that. | 0:29:01 | 0:29:04 | |
I'm not sure how much we really knew about even what degree of sexual | 0:29:05 | 0:29:09 | |
assault she was alleging at the time. | 0:29:09 | 0:29:11 | |
The woman reported the alleged attack, | 0:29:13 | 0:29:16 | |
but prosecutors decided to take no further action. | 0:29:16 | 0:29:18 | |
So the complaint gets filed, there's an investigation, Bill Cosby, | 0:29:20 | 0:29:25 | |
ultimately, is not charged. | 0:29:25 | 0:29:28 | |
And the district attorney explained why. | 0:29:28 | 0:29:30 | |
He said, "It's something of a he said, she said case, | 0:29:30 | 0:29:33 | |
"I don't have enough evidence." | 0:29:33 | 0:29:35 | |
He kind of went one step further, and said | 0:29:35 | 0:29:37 | |
that there's things on both sides that make it a difficult case, | 0:29:37 | 0:29:41 | |
that there's things that weigh against her, there's things that weigh against him. | 0:29:41 | 0:29:44 | |
But in the end of the day, | 0:29:44 | 0:29:46 | |
he did not feel that he could get probable cause | 0:29:46 | 0:29:48 | |
and win a conviction. | 0:29:48 | 0:29:50 | |
But Cosby's problems didn't end there. | 0:29:52 | 0:29:54 | |
Having failed to have him charged, | 0:29:56 | 0:29:58 | |
the woman now sued him for damages. | 0:29:58 | 0:30:01 | |
No longer protected by anonymity, | 0:30:01 | 0:30:03 | |
she was revealed as 30-year-old | 0:30:03 | 0:30:05 | |
former university sports administrator Andrea Constand. | 0:30:05 | 0:30:08 | |
So some months after the prosecutor decides not to charge Bill Cosby, | 0:30:14 | 0:30:19 | |
the woman files a civil sexual battery suit, | 0:30:19 | 0:30:22 | |
sexual battery and defamation, | 0:30:22 | 0:30:24 | |
and defamation for the fact that he and his agents had basically said, | 0:30:24 | 0:30:28 | |
"I didn't do it. She's lying." | 0:30:28 | 0:30:30 | |
Hearing about the civil suit against Cosby, | 0:30:35 | 0:30:38 | |
13 women now approached Constand's lawyers | 0:30:38 | 0:30:40 | |
to say that they too had been raped or sexually assaulted by him. | 0:30:40 | 0:30:43 | |
Most remained anonymous. | 0:30:48 | 0:30:49 | |
Beth Ferrier, a former model, went public. | 0:30:51 | 0:30:55 | |
I wanted to support Andrea Constand. | 0:30:57 | 0:30:59 | |
I wanted to not allow him to blackball her, | 0:31:01 | 0:31:05 | |
and hurt her like he'd hurt me. | 0:31:05 | 0:31:08 | |
I wanted to stop it. And I wanted to stop him. | 0:31:08 | 0:31:11 | |
Beth had previously been in a | 0:31:14 | 0:31:16 | |
consensual sexual relationship with Cosby. | 0:31:16 | 0:31:18 | |
She alleged that after their relationship ended in 1985, | 0:31:18 | 0:31:22 | |
Cosby invited her backstage before his concert in Denver, | 0:31:22 | 0:31:26 | |
and sexually assaulted her. | 0:31:26 | 0:31:27 | |
I was raped. I was drugged. | 0:31:29 | 0:31:31 | |
Yes, I was. | 0:31:35 | 0:31:36 | |
I ended up waking up, two or three in the morning, | 0:31:39 | 0:31:43 | |
dumped in the back of my car with my clothes all off and on, | 0:31:43 | 0:31:47 | |
and whatever he gave me was enough to make you | 0:31:47 | 0:31:51 | |
be like tranquillised. | 0:31:51 | 0:31:54 | |
But I could move, | 0:31:54 | 0:31:56 | |
but it was a dark alley. | 0:31:56 | 0:31:59 | |
I was, like, disposed of like trash. | 0:31:59 | 0:32:01 | |
My thought was, "Did they take pictures of me?" | 0:32:06 | 0:32:09 | |
You know. What really happened? | 0:32:09 | 0:32:12 | |
And not having that knowledge is very... | 0:32:12 | 0:32:14 | |
It's terrible. | 0:32:16 | 0:32:18 | |
And it leaves you... | 0:32:18 | 0:32:19 | |
I was so young. | 0:32:19 | 0:32:21 | |
None of the 13 women now accusing Cosby | 0:32:25 | 0:32:28 | |
had gone to the police at the time of their alleged attacks. | 0:32:28 | 0:32:31 | |
Would you call the police on Bill Cosby? | 0:32:32 | 0:32:35 | |
I mean, the whole question was, I didn't think... | 0:32:35 | 0:32:38 | |
There was never that thought. | 0:32:38 | 0:32:40 | |
During Andrea Constand's lawsuit | 0:32:43 | 0:32:45 | |
Cosby was forced to give four days of evidence | 0:32:45 | 0:32:48 | |
in a private hearing at a Philadelphia hotel. | 0:32:48 | 0:32:50 | |
The testimony was confidential. | 0:32:53 | 0:32:54 | |
In November 2006, Cosby reached a settlement with Andrea Constand. | 0:32:56 | 0:33:01 | |
Its terms, and Cosby's testimony, were kept secret. | 0:33:02 | 0:33:06 | |
So the case settles, and we don't have a lot of details. | 0:33:08 | 0:33:13 | |
We can't see what was said, and what was not said, and what was denied. | 0:33:13 | 0:33:17 | |
And we don't know the amount. | 0:33:17 | 0:33:19 | |
We don't know who was held credible. | 0:33:19 | 0:33:22 | |
We really don't know if she got a dollar. | 0:33:22 | 0:33:24 | |
We wrote about it, and I think, to some degree, we went on our merry way. | 0:33:24 | 0:33:28 | |
At least, I did. | 0:33:28 | 0:33:29 | |
Most of the media now moved on from the allegations against Cosby. | 0:33:32 | 0:33:35 | |
In Philadelphia, | 0:33:37 | 0:33:39 | |
one journalist felt it was still a story worth investigating. | 0:33:39 | 0:33:42 | |
It just struck me in a commonsensical way, | 0:33:45 | 0:33:48 | |
if there are so many women claiming | 0:33:48 | 0:33:50 | |
that the same thing happened to them, | 0:33:50 | 0:33:53 | |
I, as a journalist, need to look at it. | 0:33:53 | 0:33:55 | |
That's a lot of women claiming something really bad had happened to | 0:33:55 | 0:34:00 | |
them literally at the hands of Bill Cosby. | 0:34:00 | 0:34:02 | |
What is up with that? Is there something to it? | 0:34:02 | 0:34:05 | |
I got to a fundamental question, which was, | 0:34:07 | 0:34:10 | |
is he trying to save black America, struggling black America, | 0:34:10 | 0:34:15 | |
as a bet against these accusations? | 0:34:15 | 0:34:19 | |
Is the presentation of Dr Huxtable and other public comedic | 0:34:19 | 0:34:24 | |
presentations of Cosby, is that a hedge against, perhaps, | 0:34:24 | 0:34:28 | |
private behaviour that is very different from that? | 0:34:28 | 0:34:32 | |
Robert Huber was the first journalist | 0:34:36 | 0:34:38 | |
to write a major piece about the allegations | 0:34:38 | 0:34:40 | |
now circling around Cosby. | 0:34:40 | 0:34:41 | |
I thought it would be picked up by other media, | 0:34:47 | 0:34:50 | |
that it would be talked about, | 0:34:50 | 0:34:52 | |
that the dynamic of who Bill Cosby was in the public consciousness | 0:34:52 | 0:34:57 | |
would utterly and immediately change. | 0:34:57 | 0:34:59 | |
Well, as we know, it didn't. | 0:34:59 | 0:35:01 | |
The media was, essentially, silent. | 0:35:03 | 0:35:05 | |
It seemed like such a fundamental and important story, | 0:35:08 | 0:35:11 | |
how could it not be chased? | 0:35:11 | 0:35:12 | |
How could it not be pursued? | 0:35:12 | 0:35:13 | |
America did not want to know that | 0:35:17 | 0:35:20 | |
Bill Cosby was being accused of these horrific crimes. | 0:35:20 | 0:35:24 | |
He'd created a world that had been so powerful for so many Americans, | 0:35:27 | 0:35:30 | |
and especially for white Americans, | 0:35:30 | 0:35:33 | |
who did not want to have to contemplate that | 0:35:33 | 0:35:36 | |
the image of racial relations that they bought into, | 0:35:36 | 0:35:39 | |
in loving The Cosby Show and loving Bill Cosby, | 0:35:39 | 0:35:41 | |
might have been built on a set of dreadful lies. | 0:35:41 | 0:35:44 | |
Tonight... | 0:35:53 | 0:35:55 | |
direct from our nation's capital, | 0:35:55 | 0:35:57 | |
it's the 12th annual Kennedy Center Mark Twain Prize for American humour, | 0:35:57 | 0:36:02 | |
celebrating a national treasure, | 0:36:02 | 0:36:04 | |
the great Bill Cosby. | 0:36:04 | 0:36:06 | |
In 2009, in a major televised event, | 0:36:11 | 0:36:15 | |
Cosby was honoured for his | 0:36:15 | 0:36:16 | |
outstanding contribution to American comedy. | 0:36:16 | 0:36:19 | |
I want to say this man is one of the...without a doubt, | 0:36:22 | 0:36:25 | |
one of the biggest influences ever in my life. | 0:36:25 | 0:36:28 | |
Neither Cosby nor the celebrities present | 0:36:28 | 0:36:30 | |
gave any hint of the fact that 13 women | 0:36:30 | 0:36:32 | |
had been prepared to testify that he had drugged and raped them. | 0:36:32 | 0:36:36 | |
His reputation remained untarnished. | 0:36:37 | 0:36:40 | |
Even though we are here tonight to honour him, | 0:36:41 | 0:36:43 | |
I must also say how honoured I feel that, tonight, I am somehow, | 0:36:43 | 0:36:47 | |
somehow standing here with the opportunity | 0:36:47 | 0:36:50 | |
to publicly thank him for all he has meant to me. | 0:36:50 | 0:36:53 | |
It griped my ass. | 0:37:01 | 0:37:03 | |
I hated it. | 0:37:04 | 0:37:06 | |
It twisted my gut. | 0:37:06 | 0:37:07 | |
All of his accolades, every time I heard, my stomach would twist. | 0:37:09 | 0:37:15 | |
Because I knew who he really was. | 0:37:16 | 0:37:19 | |
It just thoroughly disgusted me. | 0:37:26 | 0:37:28 | |
He just continued to be famous, | 0:37:31 | 0:37:33 | |
while we all just went back into the woodwork. | 0:37:33 | 0:37:38 | |
We're just in the shadows. | 0:37:38 | 0:37:39 | |
Hit it, spinner. | 0:37:42 | 0:37:44 | |
HE RAPS | 0:37:45 | 0:37:48 | |
By 2013, the now 76-year-old Cosby was as busy and popular as ever, | 0:37:48 | 0:37:54 | |
appearing on national talk shows before adoring fans and presenters. | 0:37:54 | 0:37:58 | |
Bill Cosby, everybody. | 0:38:00 | 0:38:02 | |
You are nothing if not intelligent, | 0:38:02 | 0:38:06 | |
worldly, intuitive, wildly smart... | 0:38:06 | 0:38:09 | |
He was planning a new tour... | 0:38:11 | 0:38:12 | |
..a comedy special with Netflix | 0:38:14 | 0:38:17 | |
and was about to star in a new sitcom with NBC. | 0:38:17 | 0:38:19 | |
But all that was about to change. | 0:38:23 | 0:38:25 | |
Stand-up comedian Hannibal Buress | 0:38:40 | 0:38:43 | |
made a joke about Bill Cosby and rape. | 0:38:43 | 0:38:45 | |
Sitting in the audience was a Philadelphia magazine journalist. | 0:38:48 | 0:38:51 | |
I like to think I'm pretty good at knowing when something needs to be | 0:38:54 | 0:38:57 | |
filmed for a story, and as soon as he said Cosby, I... | 0:38:57 | 0:39:00 | |
like, something clicked in my head, and I was like, "Newsworthy! | 0:39:00 | 0:39:03 | |
"Let's start filming." | 0:39:03 | 0:39:05 | |
I wrote the thing in the morning, | 0:39:21 | 0:39:23 | |
and I don't think it got posted until late in the day. | 0:39:23 | 0:39:26 | |
I believe it was BuzzFeed picked up on it. | 0:39:30 | 0:39:32 | |
Once a site of that size picked up on it, it was all over. | 0:39:32 | 0:39:36 | |
Suddenly, you know, every site had written about it. | 0:39:38 | 0:39:41 | |
Hannibal, when he said that, and the grainy kind of shitty video, | 0:39:52 | 0:39:57 | |
crappy video that was taken at that show, he was pissed. | 0:39:57 | 0:40:01 | |
He said, "Don't you lecture me. | 0:40:01 | 0:40:03 | |
"I don't want to hear it. You're a rapist." | 0:40:03 | 0:40:05 | |
Bow! | 0:40:07 | 0:40:08 | |
It just caught fire. | 0:40:08 | 0:40:10 | |
That was it. That was the fire, that was the match. | 0:40:10 | 0:40:13 | |
My feeling was, | 0:40:18 | 0:40:20 | |
"Oh, my God, here it is." | 0:40:20 | 0:40:23 | |
And where were you ten years ago, media and people talking about it? | 0:40:23 | 0:40:28 | |
Hannibal Buress was referring to | 0:40:31 | 0:40:33 | |
allegations first made ten years earlier. | 0:40:33 | 0:40:36 | |
This time, America listened. | 0:40:36 | 0:40:38 | |
Buress was the tipping point. | 0:40:41 | 0:40:43 | |
He was the one, | 0:40:43 | 0:40:44 | |
because you have a black man saying to another black man, | 0:40:44 | 0:40:49 | |
"Don't lecture us any more. | 0:40:49 | 0:40:51 | |
"We don't like it - 'Pull your pants up.'" | 0:40:51 | 0:40:53 | |
It was a brother accusing a brother. | 0:40:53 | 0:40:55 | |
That is more believable than it would be | 0:40:55 | 0:40:59 | |
if Hannibal had been a white man. | 0:40:59 | 0:41:02 | |
Then the black community would have cried racism. | 0:41:03 | 0:41:07 | |
There was a certain safety in, well, | 0:41:07 | 0:41:11 | |
if a black man is saying this so directly, | 0:41:11 | 0:41:15 | |
maybe it's something we can look at, | 0:41:15 | 0:41:17 | |
we being the media and | 0:41:17 | 0:41:20 | |
white people collectively. | 0:41:20 | 0:41:22 | |
Maybe there's something to it, | 0:41:22 | 0:41:23 | |
a safety in him starting it. | 0:41:23 | 0:41:26 | |
I have to ask about your name | 0:41:26 | 0:41:28 | |
coming up in the news recently regarding this comedian. | 0:41:28 | 0:41:33 | |
No, no, we don't answer that. | 0:41:33 | 0:41:35 | |
Three weeks after the Buress video first appeared, | 0:41:35 | 0:41:38 | |
Cosby did an interview | 0:41:38 | 0:41:39 | |
about a donation he was making to a museum. | 0:41:39 | 0:41:42 | |
Can I ask you, | 0:41:42 | 0:41:43 | |
with the persona that people know about Bill Cosby, | 0:41:43 | 0:41:47 | |
should they believe anything differently about what...? | 0:41:47 | 0:41:50 | |
There is no comment about that. | 0:41:50 | 0:41:53 | |
Now, can I get something from you? | 0:41:54 | 0:41:56 | |
-What's that? -That none of that will be shown? | 0:41:56 | 0:41:59 | |
You didn't say anything. | 0:41:59 | 0:42:01 | |
I know I didn't say anything... | 0:42:01 | 0:42:03 | |
I will tell that to my editors. | 0:42:04 | 0:42:07 | |
And I think that they will understand. | 0:42:07 | 0:42:09 | |
I think if you want to consider yourself to be serious, | 0:42:09 | 0:42:13 | |
that it will not appear anywhere. | 0:42:13 | 0:42:15 | |
In Los Angeles, the furore surrounding | 0:42:22 | 0:42:24 | |
the Hannibal Buress video reached Victoria Valentino. | 0:42:24 | 0:42:28 | |
She had kept her story secret for 45 years. | 0:42:29 | 0:42:32 | |
It hit me. It was like this little red rocket went off from my gut | 0:42:35 | 0:42:41 | |
and exploded in my brain. | 0:42:41 | 0:42:43 | |
I was so pissed off, it was, like, a comedian, | 0:42:45 | 0:42:48 | |
a man, a black man as it turns out, | 0:42:48 | 0:42:51 | |
but a man was suddenly believed. | 0:42:51 | 0:42:55 | |
And a woman was not believed. | 0:42:55 | 0:42:58 | |
But I knew I had to speak up at that point. It was time. | 0:42:58 | 0:43:04 | |
You allege that Bill Cosby drugged you | 0:43:08 | 0:43:11 | |
and then sexually assaulted you. | 0:43:11 | 0:43:13 | |
Yes. He drugged me and my roommate, who he had eyes for. | 0:43:13 | 0:43:19 | |
It was absolutely liberating. | 0:43:21 | 0:43:23 | |
It was incredible, to actually get it out, | 0:43:24 | 0:43:27 | |
to be heard, to be validated, to be listened to as if I were... | 0:43:27 | 0:43:34 | |
..you know...an intelligent person. | 0:43:36 | 0:43:39 | |
And the drumbeat continues. | 0:43:46 | 0:43:48 | |
Two more women have come forward | 0:43:48 | 0:43:50 | |
with allegations of sexual assault by Bill Cosby. | 0:43:50 | 0:43:54 | |
Victoria joined a growing number of women | 0:43:54 | 0:43:56 | |
now making new accusations against Cosby | 0:43:56 | 0:43:59 | |
spanning the past 50 years. | 0:43:59 | 0:44:01 | |
Many of the women contacted | 0:44:05 | 0:44:07 | |
America's best-known women's rights lawyer, Gloria Allred. | 0:44:07 | 0:44:10 | |
Women then started calling me | 0:44:12 | 0:44:14 | |
and sharing with me their accusations against Mr Cosby. | 0:44:14 | 0:44:19 | |
Of course, supporters of Mr Cosby, who love the fantasy, | 0:44:19 | 0:44:25 | |
that he is what you see on television, as Dr Huxtable, | 0:44:25 | 0:44:31 | |
they're going to be disturbed, | 0:44:31 | 0:44:33 | |
because it does interrupt the fantasy. | 0:44:33 | 0:44:35 | |
But I'm here about the reality. I'm not here about the fantasy. | 0:44:35 | 0:44:39 | |
Gloria Allred now put Cosby's accusers before the world's media | 0:44:49 | 0:44:53 | |
to tell their stories. | 0:44:53 | 0:44:54 | |
Hello and thank you. My name is Beth Ferrier. | 0:44:58 | 0:45:00 | |
This is my statement. | 0:45:00 | 0:45:02 | |
I believe that Mr Cosby drugged me | 0:45:02 | 0:45:05 | |
and sexually assaulted me that night. | 0:45:05 | 0:45:08 | |
I was able to look at all those people around the room and tell them, | 0:45:09 | 0:45:14 | |
"I'm telling you the truth. | 0:45:14 | 0:45:16 | |
"This is who this person really is." | 0:45:16 | 0:45:19 | |
And then more and more contacted me, and then more, and more. | 0:45:24 | 0:45:27 | |
He approached me from behind, | 0:45:28 | 0:45:31 | |
and reached over my shoulder and grabbed my right breast. | 0:45:31 | 0:45:34 | |
It was like, wow, it was like the wave, you know? | 0:45:35 | 0:45:40 | |
The truth was finally coming out. | 0:45:40 | 0:45:43 | |
A reputation carefully built over 50 years | 0:45:48 | 0:45:51 | |
was finally beginning to unravel. | 0:45:51 | 0:45:53 | |
News bulletins reported how | 0:45:54 | 0:45:56 | |
attitudes towards Cosby were changing. | 0:45:56 | 0:45:58 | |
NBC ditches its plan to bring Bill Cosby back to prime time. | 0:46:02 | 0:46:06 | |
The decision comes a day after Netflix announced that it postponed | 0:46:06 | 0:46:10 | |
a stand-up comedy special featuring Cosby. | 0:46:10 | 0:46:12 | |
The rape allegations were now | 0:46:12 | 0:46:14 | |
the subject of jokes on national television. | 0:46:14 | 0:46:17 | |
This guy has put more people to sleep than warm milk! | 0:46:17 | 0:46:20 | |
Cosby admitted to a reporter, I put the pills in the people. | 0:46:23 | 0:46:26 | |
The people did not want the pills in them. | 0:46:28 | 0:46:30 | |
APPLAUSE | 0:46:30 | 0:46:33 | |
But not everyone abandoned Cosby. | 0:46:37 | 0:46:39 | |
It's a small show-business community, and quite frankly, | 0:46:43 | 0:46:46 | |
some of those women are lying. | 0:46:46 | 0:46:48 | |
I'll tell you that right now. Some of them are lying, | 0:46:48 | 0:46:51 | |
trying to get publicity, | 0:46:51 | 0:46:53 | |
to help their careers, | 0:46:53 | 0:46:55 | |
or because they want to be in on something special. | 0:46:55 | 0:47:00 | |
Or, if it's that bad, then you call the police right then and there. | 0:47:00 | 0:47:03 | |
Let's not wait 20 years | 0:47:03 | 0:47:05 | |
and then come out with a bunch of tears and, you know, all of that. | 0:47:05 | 0:47:09 | |
Some celebrities, particularly in the black community, | 0:47:14 | 0:47:17 | |
also stuck by him, | 0:47:17 | 0:47:19 | |
including his on-screen wife from The Cosby Show. | 0:47:19 | 0:47:22 | |
Well, my initial reaction to the allegations was... | 0:47:24 | 0:47:27 | |
"Hmmm, someone has a vested interest in | 0:47:27 | 0:47:32 | |
"preventing Mr Cosby's return to network television." | 0:47:32 | 0:47:37 | |
On daytime TV show The View, | 0:47:37 | 0:47:38 | |
Whoopi Goldberg argued people shouldn't rush to judgment. | 0:47:38 | 0:47:43 | |
Because until you know if it's true, | 0:47:43 | 0:47:46 | |
until you know that it's true, it's an allegation. | 0:47:46 | 0:47:50 | |
That's all it... That's what it is. | 0:47:51 | 0:47:53 | |
So, for me... | 0:47:53 | 0:47:55 | |
So many people in our community | 0:47:55 | 0:47:58 | |
don't want to believe it, because Cosby has been so big, such an icon | 0:47:58 | 0:48:05 | |
but such a positive role model for so many years, | 0:48:05 | 0:48:09 | |
and we don't want to believe this is true. | 0:48:09 | 0:48:11 | |
I don't want to believe this is true. | 0:48:11 | 0:48:13 | |
Lili Bernard, now a Los Angeles artist, | 0:48:17 | 0:48:20 | |
was initially reluctant to come forward to tell her story. | 0:48:20 | 0:48:23 | |
So my coming forward meant that I would have to, now, | 0:48:26 | 0:48:30 | |
contend with black America, | 0:48:30 | 0:48:32 | |
and how is black America going to view me | 0:48:32 | 0:48:34 | |
as a black woman speaking out against an icon? | 0:48:34 | 0:48:36 | |
We'd be illuminating another great black man | 0:48:39 | 0:48:43 | |
as a scoundrel, right? | 0:48:43 | 0:48:45 | |
And so what would that do for the image of the black man? | 0:48:45 | 0:48:50 | |
And that was a burden to bear. | 0:48:50 | 0:48:53 | |
Like, I felt like I was going to be crucified. | 0:48:55 | 0:48:57 | |
I felt like, wow, that my own black community was going to crucify me. | 0:48:57 | 0:49:00 | |
But what started happening was that all of these women | 0:49:03 | 0:49:06 | |
are coming forward. | 0:49:06 | 0:49:07 | |
I'm just going to be silent? I'm not going to say anything? | 0:49:07 | 0:49:10 | |
So I felt internally conflicted, | 0:49:10 | 0:49:12 | |
and I felt this urge, thinking, like, "I have to speak." | 0:49:12 | 0:49:16 | |
On May the 15th 2015, Lili broke 25 years of silence. | 0:49:19 | 0:49:25 | |
I walk into a room, and there is just, like, | 0:49:29 | 0:49:32 | |
20 press cameras and microphones here | 0:49:32 | 0:49:35 | |
and 20 over here, and we're on this little platform, | 0:49:35 | 0:49:39 | |
and I'm, like, "Oh, wow, I'm going to do this." | 0:49:39 | 0:49:42 | |
After he had won my complete trust and adoration, | 0:49:42 | 0:49:47 | |
he drugged and raped me. | 0:49:47 | 0:49:49 | |
Let... | 0:49:53 | 0:49:54 | |
'During that press conference I'm crying. | 0:49:54 | 0:49:56 | |
'You know? And I'm hyperventilating, I can't catch my breath.' | 0:49:56 | 0:49:59 | |
It was the first time I'd talked about the rape publicly. | 0:49:59 | 0:50:03 | |
His last words to me were... | 0:50:03 | 0:50:05 | |
.."As far as I'm concerned, Bernard, you're dead. | 0:50:06 | 0:50:10 | |
"Do you hear me? You're dead, Bernard. | 0:50:11 | 0:50:14 | |
"You don't exist." | 0:50:14 | 0:50:15 | |
Joseph Phillips had worked with Lili on The Cosby Show. | 0:50:22 | 0:50:25 | |
They were good friends. | 0:50:25 | 0:50:26 | |
It began to be harder and harder | 0:50:28 | 0:50:31 | |
to defend, more and more people coming out. | 0:50:31 | 0:50:36 | |
People I knew came forward and said things. | 0:50:36 | 0:50:40 | |
I thought, "This is different. | 0:50:42 | 0:50:45 | |
"I know her. And I know she's not crazy. | 0:50:45 | 0:50:48 | |
"And I know she doesn't need anything. | 0:50:49 | 0:50:51 | |
"And yet she's saying something's happened." | 0:50:53 | 0:50:56 | |
It took that for me to finally say... | 0:50:58 | 0:51:02 | |
.."I think he's guilty." | 0:51:06 | 0:51:07 | |
It was the rug being pulled out from under me... | 0:51:11 | 0:51:14 | |
..because... | 0:51:16 | 0:51:17 | |
..I loved him... | 0:51:19 | 0:51:21 | |
..and felt... | 0:51:23 | 0:51:25 | |
Just the amount of respect I had for him. | 0:51:25 | 0:51:29 | |
And I felt cheated. | 0:51:29 | 0:51:30 | |
I felt lied to. | 0:51:30 | 0:51:32 | |
He was America's dad. | 0:51:37 | 0:51:40 | |
Bill Cosby's reputation was now in tatters. | 0:51:44 | 0:51:47 | |
But he had never been charged with any crime. | 0:51:49 | 0:51:51 | |
Under the US statute of limitations, | 0:51:53 | 0:51:56 | |
all the alleged incidents had occurred too long ago... | 0:51:56 | 0:51:59 | |
..all except one... | 0:52:01 | 0:52:02 | |
..the alleged sexual assault of Andrea Constand in 2004. | 0:52:04 | 0:52:07 | |
I remember thinking, "You know, | 0:52:11 | 0:52:13 | |
"let's go back and look at the 2004 case, | 0:52:13 | 0:52:14 | |
"and see if there's anything more we can glean from it." | 0:52:14 | 0:52:17 | |
And as I looked, I realised, | 0:52:17 | 0:52:18 | |
"I think that's the only time he | 0:52:18 | 0:52:20 | |
"ever had to give testimony under oath," | 0:52:20 | 0:52:21 | |
and to me, the critical thing was | 0:52:21 | 0:52:24 | |
it doesn't matter to me what Bill Cosby's agent says in front of the | 0:52:24 | 0:52:27 | |
camera, quite frankly, or what Bill Cosby says in a celebrity magazine. | 0:52:27 | 0:52:31 | |
What I care about is "What did he say under oath?" | 0:52:31 | 0:52:33 | |
During the civil case brought against him in 2005, | 0:52:39 | 0:52:42 | |
Cosby had given four days of confidential testimony | 0:52:42 | 0:52:45 | |
to Andrea Constand's lawyers. | 0:52:45 | 0:52:47 | |
Maryclaire Dale and the Associated Press now went to court | 0:52:49 | 0:52:53 | |
to see if they could have Cosby's secret deposition released. | 0:52:53 | 0:52:56 | |
Mr Cosby's lawyers argued that this is a private matter | 0:53:02 | 0:53:06 | |
and that it would be very embarrassing for Mr Cosby, | 0:53:06 | 0:53:09 | |
that he has the right to privacy. | 0:53:09 | 0:53:10 | |
And the Associated Press argued that he had asserted himself | 0:53:10 | 0:53:14 | |
into the public conversation, | 0:53:14 | 0:53:16 | |
that he really had a diminished right to privacy, | 0:53:16 | 0:53:19 | |
because he wasn't just Joe Citizen, he is a celebrity, | 0:53:19 | 0:53:23 | |
he is a celebrity who preaches to the rest of us about morality and | 0:53:23 | 0:53:26 | |
behaviour and conduct. | 0:53:26 | 0:53:28 | |
The judge decided that Cosby's years of public moralising | 0:53:30 | 0:53:34 | |
negated his right to privacy. | 0:53:34 | 0:53:35 | |
He ruled in favour of Maryclaire and released Cosby's testimony. | 0:53:37 | 0:53:42 | |
There was patterns that emerged, you know, | 0:53:48 | 0:53:50 | |
there was patterns where he offered to mentor somebody, | 0:53:50 | 0:53:53 | |
offered to give somebody a small part in his show, | 0:53:53 | 0:53:56 | |
they were often very young, | 0:53:56 | 0:53:59 | |
and acknowledging that he then had | 0:53:59 | 0:54:01 | |
some level of sexual activity with them. | 0:54:01 | 0:54:05 | |
He testified that he had given pills, Quaaludes, to women, | 0:54:11 | 0:54:16 | |
with the intent to have sex with those women. | 0:54:16 | 0:54:18 | |
It was just unbelievable, | 0:54:25 | 0:54:28 | |
because there he was, actually saying it. | 0:54:28 | 0:54:32 | |
So nobody could say to us what they had been saying, | 0:54:32 | 0:54:36 | |
that we were gold-diggers, that we were whores, | 0:54:36 | 0:54:39 | |
that we were just out to bring this good black man down. | 0:54:39 | 0:54:43 | |
You know? This was true, | 0:54:43 | 0:54:46 | |
because we heard it in his own words. | 0:54:46 | 0:54:50 | |
So he was a very different man | 0:54:56 | 0:54:58 | |
than the sort of morality that he advertises in his public life. | 0:54:58 | 0:55:02 | |
And people reacted very strongly to that. | 0:55:02 | 0:55:04 | |
As the evidence mounted, | 0:55:22 | 0:55:24 | |
even those who had previously appeared to defend Cosby | 0:55:24 | 0:55:27 | |
now abandoned him. | 0:55:27 | 0:55:29 | |
If this is to be tried in the court of public opinion, | 0:55:29 | 0:55:32 | |
I've got to say, all of the information that's out there | 0:55:32 | 0:55:37 | |
kind of points to guilt. | 0:55:37 | 0:55:39 | |
The evidence revealed in Cosby's testimony was key. | 0:55:41 | 0:55:44 | |
It convinced prosecutors to re-examine their decision | 0:55:45 | 0:55:48 | |
not to charge him in 2005 for the alleged assault of Andrea Constand... | 0:55:48 | 0:55:52 | |
..a view strengthened by the number of accusers who had now come forward. | 0:55:55 | 0:55:59 | |
So it's not a she said, he said, | 0:56:01 | 0:56:04 | |
it will be a he said, she said, she said, she said, she said, she said, she said, she said... | 0:56:04 | 0:56:09 | |
Breaking news. For the first time Bill Cosby has been criminally | 0:56:10 | 0:56:15 | |
charged with aggravated indecent assault. | 0:56:15 | 0:56:18 | |
This is a sexual assault charge. | 0:56:18 | 0:56:19 | |
Bill Cosby has been charged with | 0:56:24 | 0:56:26 | |
three counts of indecent sexual assault. | 0:56:26 | 0:56:28 | |
If found guilty, he faces up to ten years in prison. | 0:56:35 | 0:56:39 | |
Everything that he built, over his entire fantastic career, | 0:56:48 | 0:56:54 | |
the philanthropy, his support of education, | 0:56:54 | 0:56:58 | |
opening doors for black directors, | 0:56:58 | 0:57:00 | |
black cameramen etc etc, | 0:57:00 | 0:57:04 | |
there's that legacy of Bill Cosby | 0:57:04 | 0:57:08 | |
that is now tarnished, is threatened. | 0:57:08 | 0:57:10 | |
It's heartbreaking. | 0:57:14 | 0:57:15 | |
Guilt or innocent. | 0:57:17 | 0:57:19 | |
It's just heartbreaking. | 0:57:20 | 0:57:21 | |
Because he was a great man, and I want to say he still is a great man. | 0:57:22 | 0:57:27 | |
When America's dad turns out to be a predator... | 0:57:35 | 0:57:39 | |
..you know, it's like losing a monument or something. | 0:57:41 | 0:57:45 | |
That doesn't change that The Cosby Show | 0:57:45 | 0:57:47 | |
is one of the most important parts of television history. | 0:57:47 | 0:57:51 | |
You know, I think the importance of Bill Cosby's work doesn't change. | 0:57:51 | 0:57:56 | |
It's the vehicle that Bill Cosby used | 0:57:59 | 0:58:03 | |
as a smokescreen to disguise his criminality, | 0:58:03 | 0:58:06 | |
to divert the world from knowing that he's nothing but a | 0:58:06 | 0:58:10 | |
low-down, dirty, lying coward | 0:58:10 | 0:58:12 | |
who is wreaking havoc upon women's lives. | 0:58:12 | 0:58:16 | |
So that's all The Cosby Show was. | 0:58:18 | 0:58:21 | |
That's all his philanthropy, that's all of his moralising | 0:58:21 | 0:58:24 | |
and his giving of millions of dollars was, | 0:58:24 | 0:58:26 | |
a smokescreen, a diversion. | 0:58:26 | 0:58:28 | |
You can't get away with this crap forever. | 0:58:33 | 0:58:36 | |
You can't. It comes back on you sooner or later. | 0:58:36 | 0:58:41 | |
And I'm grateful that it has. | 0:58:43 | 0:58:45 |