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On a rocky beach in South Wales, | 0:00:02 | 0:00:04 | |
where the waves lap the shores and the seagulls cry, | 0:00:04 | 0:00:07 | |
children can be heard playing, singing and laughing merrily. | 0:00:07 | 0:00:12 | |
This is Ty Hafan, | 0:00:12 | 0:00:14 | |
a place where the families of children expected to die young | 0:00:14 | 0:00:17 | |
learn to live life to the full. | 0:00:17 | 0:00:19 | |
Butterflies are seen everywhere in Ty Hafan Children's Hospice, | 0:00:19 | 0:00:24 | |
a metaphor for the short yet beautiful lives | 0:00:24 | 0:00:26 | |
that the charity helped to create for the children. | 0:00:26 | 0:00:30 | |
When a child is so unwell that they're not expected to live into adulthood, | 0:00:33 | 0:00:37 | |
they turn to Ty Hafan. | 0:00:37 | 0:00:39 | |
Referred in a time of need, they're in search of care and support. | 0:00:39 | 0:00:44 | |
The hospice helps, often over many years, | 0:00:44 | 0:00:46 | |
to fulfil every potential | 0:00:46 | 0:00:48 | |
and at the end of their lives, | 0:00:48 | 0:00:50 | |
they are there to provide support, care and love. | 0:00:50 | 0:00:54 | |
Fab! | 0:00:57 | 0:00:59 | |
Twins whose beautiful smiles defy the cruelty | 0:00:59 | 0:01:02 | |
of their unique condition, | 0:01:02 | 0:01:03 | |
and a teenage boy laughing in the face of his illness. | 0:01:03 | 0:01:07 | |
These are stories of humanity shining through | 0:01:07 | 0:01:10 | |
in a time of adversity. | 0:01:10 | 0:01:11 | |
COMPUTERISED SPEECH: | 0:01:25 | 0:01:26 | |
COMPUTERISED SPEECH: | 0:01:32 | 0:01:34 | |
Kirstie and Catherine Fields from Llanelli are obsessed | 0:01:41 | 0:01:44 | |
with clothes, music and boy bands, | 0:01:44 | 0:01:47 | |
all the things teenage girls love. | 0:01:47 | 0:01:50 | |
Their identical genes have given them both their beautiful smiles, | 0:01:53 | 0:01:56 | |
bubbly characters and a special shared life together. | 0:01:56 | 0:02:00 | |
But those same genes have sentenced them to the same fate, | 0:02:00 | 0:02:04 | |
a unique disease that bears their name. | 0:02:04 | 0:02:06 | |
Fields condition is a degenerative neurological disease | 0:02:06 | 0:02:09 | |
that has gradually eaten away at their muscle control. | 0:02:09 | 0:02:12 | |
TOGETHER: # Santa's coming to town | 0:02:13 | 0:02:19 | |
# He sees you when you're sleeping | 0:02:19 | 0:02:22 | |
# He knows when you're awake... # | 0:02:22 | 0:02:25 | |
The twins were confined to wheelchairs at eight years old. | 0:02:25 | 0:02:29 | |
And by now, only 17, they must rely on a machine to speak for them. | 0:02:29 | 0:02:33 | |
COMPUTERISED SPEECH: | 0:02:33 | 0:02:35 | |
COMPUTERISED SPEECH: | 0:02:43 | 0:02:44 | |
Recently there's been a worrying deterioration in the girls' condition. | 0:02:54 | 0:02:58 | |
They've been referred to the hospice, | 0:02:58 | 0:03:00 | |
but as the word often evokes fear, | 0:03:00 | 0:03:02 | |
Hayley Mason from Ty Hafan has come to see them in school | 0:03:02 | 0:03:06 | |
and try to dispel their worries. | 0:03:06 | 0:03:08 | |
Hello, bach. | 0:03:08 | 0:03:10 | |
Syt wyt ti? | 0:03:10 | 0:03:12 | |
Da iawn? | 0:03:12 | 0:03:13 | |
Catherine... Hello, bach. | 0:03:15 | 0:03:18 | |
Da iawn? | 0:03:18 | 0:03:19 | |
'If they were to look on the web about, "What is a hospice?" | 0:03:23 | 0:03:27 | |
it tells them that perhaps it's a quiet place where adults go to die. | 0:03:27 | 0:03:31 | |
So teenagers don't really understand what a hospice is. | 0:03:31 | 0:03:34 | |
So understandably they're a bit anxious. | 0:03:34 | 0:03:36 | |
'But I think once they've been, and they've had a look around and met one or two of us, | 0:03:36 | 0:03:40 | |
'they get a better picture of it and they understand | 0:03:40 | 0:03:43 | |
'that it's a place where they can come and relax, have a bit of fun, | 0:03:43 | 0:03:46 | |
'recharge their batteries, have a break from mum and dad | 0:03:46 | 0:03:49 | |
'and have a little holiday with other teenagers | 0:03:49 | 0:03:51 | |
'that are going through the same as them.' | 0:03:51 | 0:03:53 | |
Their mum, Lyn, has seen Catherine and Kristie's care needs grow | 0:03:53 | 0:03:58 | |
as the girls have grown. | 0:03:58 | 0:03:59 | |
Hayley's going home with them to learn more about their lives | 0:03:59 | 0:04:03 | |
and get a clearer picture of their needs. | 0:04:03 | 0:04:05 | |
They've got patterns for Parkinson's, | 0:04:12 | 0:04:15 | |
they have got patterns for cerebral palsy and other things, | 0:04:15 | 0:04:18 | |
but they haven't got the whole pattern for anything. | 0:04:18 | 0:04:21 | |
Their condition was actually named after them | 0:04:21 | 0:04:25 | |
because nobody has seen anything like it. | 0:04:25 | 0:04:28 | |
But what does it do for us? It doesn't help us. | 0:04:28 | 0:04:31 | |
That's just a name, because where we've seen | 0:04:31 | 0:04:34 | |
so many different consultants and doctors | 0:04:34 | 0:04:37 | |
and we've been to different hospitals, everybody's dumbfounded. | 0:04:37 | 0:04:42 | |
One professor told us, it's like looking into a crystal ball, | 0:04:42 | 0:04:45 | |
nobody can tell you what's going to happen tomorrow because nobody knows. | 0:04:45 | 0:04:49 | |
Who snores the most? | 0:04:49 | 0:04:51 | |
'The girls are amazing really. They are so funny. | 0:04:53 | 0:04:56 | |
'But they've both got their own personalities which is really nice.' | 0:04:56 | 0:05:00 | |
They're just amazing, beautiful girls. | 0:05:00 | 0:05:03 | |
And it's really lovely cos you look at them now, | 0:05:03 | 0:05:05 | |
they want to wear their fashionable clothes, | 0:05:05 | 0:05:07 | |
they want their make-up and hair done right, | 0:05:07 | 0:05:10 | |
and why shouldn't they? | 0:05:10 | 0:05:11 | |
They're just the same as any other teenager in that respect. | 0:05:11 | 0:05:15 | |
But they're just amazingly beautiful, funny girls. | 0:05:15 | 0:05:18 | |
I love them already and I've only just met them. | 0:05:18 | 0:05:21 | |
Who chooses the DVD out of you? | 0:05:21 | 0:05:23 | |
Do you always agree or do you argue? Have you got a favourite? | 0:05:23 | 0:05:27 | |
Any one? | 0:05:27 | 0:05:29 | |
They like everything. They like the Disney ones... | 0:05:29 | 0:05:31 | |
-girly chick flicks. -Cool. | 0:05:31 | 0:05:34 | |
'Lynn is just incredible, isn't she?' | 0:05:34 | 0:05:37 | |
The way she copes. | 0:05:37 | 0:05:38 | |
She doesn't have one daughter... | 0:05:38 | 0:05:41 | |
that's ill, she has two. | 0:05:41 | 0:05:43 | |
The way she copes with that is just remarkable. | 0:05:43 | 0:05:46 | |
I take my hat off to her. | 0:05:46 | 0:05:48 | |
And I think she tries to get through each day as best she can | 0:05:48 | 0:05:52 | |
and tries to keep a positive attitude | 0:05:52 | 0:05:54 | |
but you can see it's raw for her and that she's struggling. | 0:05:54 | 0:05:57 | |
They're going to be 17 next week | 0:05:57 | 0:05:59 | |
and we're at the stage now where... | 0:05:59 | 0:06:01 | |
..they've got to have help with everything. | 0:06:03 | 0:06:06 | |
They have problems lifting their arms... | 0:06:06 | 0:06:10 | |
cos there's an ongoing deterioration. | 0:06:10 | 0:06:13 | |
Going back when they were 11, 12, | 0:06:15 | 0:06:17 | |
they could still dress themselves independently and things, | 0:06:17 | 0:06:20 | |
with a little help, obviously, but most things they were still doing. | 0:06:20 | 0:06:25 | |
We're at the stage now where they can't even turn over in bed themselves. | 0:06:25 | 0:06:29 | |
I feel as if I should be doing everything because I'm their mother. | 0:06:30 | 0:06:37 | |
But... | 0:06:37 | 0:06:38 | |
because we've got to the stage where I'm struggling | 0:06:39 | 0:06:45 | |
and the hardest thing I had to do was ask for help. | 0:06:45 | 0:06:52 | |
They don't see themselves as disabled. | 0:06:53 | 0:06:56 | |
They see themselves the same as what all their friends are. | 0:06:56 | 0:07:00 | |
I think that is the hardest part because... | 0:07:00 | 0:07:03 | |
..their dignity, everything, you know? | 0:07:05 | 0:07:07 | |
But they've been very, very good | 0:07:07 | 0:07:09 | |
and very understanding about everything. | 0:07:09 | 0:07:12 | |
They know that we can't go on as we are. | 0:07:12 | 0:07:15 | |
We've really, really got to have help. | 0:07:15 | 0:07:18 | |
When families turn to a hospice, | 0:07:25 | 0:07:27 | |
they often don't know what to expect. | 0:07:27 | 0:07:30 | |
Where medicine offers no cure, Ty Hafan is a sanctuary. | 0:07:31 | 0:07:36 | |
They help families from all over South Wales in many different ways. | 0:07:36 | 0:07:40 | |
One major condition that plays a large part in the daily life of a hospice | 0:07:40 | 0:07:44 | |
is Duchenne muscular dystrophy, a cruel incurable genetic condition | 0:07:44 | 0:07:48 | |
that progressively destroys the muscles in the bodies of boys. | 0:07:48 | 0:07:52 | |
However, this doesn't stop teenagers like Jack Thomas | 0:07:52 | 0:07:56 | |
who are often the life and soul of the party at Ty Hafan. | 0:07:56 | 0:08:00 | |
It was Jack's idea. | 0:08:00 | 0:08:01 | |
-It wasn't. -It was! | 0:08:01 | 0:08:02 | |
It was your idea. | 0:08:02 | 0:08:03 | |
SHE YELPS | 0:08:03 | 0:08:05 | |
It's a sad truth that Duchenne boys like Jack | 0:08:06 | 0:08:09 | |
aren't expected to live far into adulthood. | 0:08:09 | 0:08:12 | |
And as if that wasn't enough of a tragedy, | 0:08:12 | 0:08:14 | |
fate recently played another cruel trick on Jack and his family. | 0:08:14 | 0:08:17 | |
Hi. | 0:08:20 | 0:08:21 | |
A few days ago, Jack was told that he had testicular cancer | 0:08:23 | 0:08:26 | |
and would need an operation in hospital... | 0:08:26 | 0:08:29 | |
news he took in his own inimitable fashion. | 0:08:29 | 0:08:32 | |
I've got sweaty balls now. | 0:08:32 | 0:08:34 | |
When I wake up, I'll have sweaty ball. | 0:08:34 | 0:08:36 | |
Jack's operation took a fear-filled three hours. | 0:08:39 | 0:08:42 | |
I've just spoken to the consultant, and the anaesthetist, | 0:08:42 | 0:08:45 | |
he's doing really well. | 0:08:45 | 0:08:47 | |
The tumour was contained, so they were able to remove it all | 0:08:47 | 0:08:51 | |
and he's breathing on his own. So fantastic news. | 0:08:51 | 0:08:55 | |
Mum Jo has always known that Jack will only live a short life. | 0:08:55 | 0:08:59 | |
But this doesn't lessen the emotional strain | 0:08:59 | 0:09:01 | |
of having confronted the fear of his death at only 15. | 0:09:01 | 0:09:06 | |
Having helped the family through a traumatic few days, | 0:09:06 | 0:09:09 | |
Shirley Valentino of Ty Hafan is now encouraging them | 0:09:09 | 0:09:12 | |
to talk about their experience. | 0:09:12 | 0:09:14 | |
Jack's recovering but it's soon clear | 0:09:14 | 0:09:18 | |
it's not just his body that's been left scarred. | 0:09:18 | 0:09:21 | |
He's reluctant to talk. | 0:09:21 | 0:09:23 | |
-You would say if you were scared, Jack? -Yeah. | 0:09:23 | 0:09:25 | |
Do you worry about your parents, Jack? | 0:09:25 | 0:09:28 | |
-I don't know. -You don't know? | 0:09:29 | 0:09:32 | |
No. | 0:09:32 | 0:09:33 | |
I think you do, don't you? | 0:09:33 | 0:09:35 | |
I don't know. | 0:09:35 | 0:09:36 | |
I think you worry about us cos that's why you don't tell us much, isn't it? | 0:09:37 | 0:09:42 | |
You try and protect us. | 0:09:43 | 0:09:45 | |
You don't need to do that, do you? | 0:09:45 | 0:09:47 | |
Cos we protect you. | 0:09:47 | 0:09:49 | |
No. | 0:09:50 | 0:09:52 | |
No? | 0:09:52 | 0:09:53 | |
SHE CHUCKLES | 0:09:53 | 0:09:55 | |
Jo is Jack's rock but Shirley also has an important part to play. | 0:09:56 | 0:10:01 | |
I guess it's about for her to know there's someone for her, and for | 0:10:01 | 0:10:05 | |
her to lean on me, and that it's kind of a holding position, holding those | 0:10:05 | 0:10:12 | |
high emotions, for Jo, because she's trying to hold them for Jack. | 0:10:12 | 0:10:16 | |
There are times when she's really, really upset, | 0:10:18 | 0:10:21 | |
but that's not what she wants to show Jack, because what she wants | 0:10:21 | 0:10:25 | |
to show Jack is that she's confident everything's going to be OK. | 0:10:25 | 0:10:28 | |
Like any mum, she wants to say to her son, "Everything's going to be OK." | 0:10:28 | 0:10:33 | |
Where, she sometimes might not feel that. | 0:10:33 | 0:10:39 | |
Today I'm doing something that I don't get to do very often. | 0:11:33 | 0:11:36 | |
I've come shopping with Catherine and Kirsty, | 0:11:36 | 0:11:38 | |
to get to know them a little bit more, | 0:11:38 | 0:11:40 | |
because when I was speaking to their mother, the first time I saw her, | 0:11:40 | 0:11:42 | |
she said if I really wanted to meet them and really wanted to get to know them, | 0:11:42 | 0:11:46 | |
I need to come shopping with them, because that's what they love to do. | 0:11:46 | 0:11:49 | |
The twins have been really excited about today. | 0:11:54 | 0:11:57 | |
It's a girls' day out with Hayley, mum and their friend Nicky. | 0:11:57 | 0:12:00 | |
As well as shopping, they're going for a meal | 0:12:00 | 0:12:03 | |
and to see one of their favourite pop stars in concert. | 0:12:03 | 0:12:05 | |
Over recent weeks, Kirsty has been showing signs of deterioration, | 0:12:13 | 0:12:17 | |
and has started having brain seizures, as well as painful muscle spasms. | 0:12:17 | 0:12:22 | |
Her strong medication makes her drowsy, and today | 0:12:22 | 0:12:25 | |
she's been reluctant to take her drugs. | 0:12:25 | 0:12:29 | |
Come the afternoon, she's struggling. | 0:12:29 | 0:12:32 | |
She says they hurt so that's not a good thing. | 0:12:32 | 0:12:35 | |
She's in a bit of pain with them. She can sense they're coming, | 0:12:35 | 0:12:38 | |
and she gets a little bit scared and she needs a lot of | 0:12:38 | 0:12:41 | |
reassurance around that, and it's been heartbreaking to see her go | 0:12:41 | 0:12:45 | |
through it really, because it's kind of scary for her. | 0:12:45 | 0:12:47 | |
I think she's had about 16 of them, so we weren't going to come today, | 0:12:49 | 0:12:55 | |
but Kirsty as she is, she's not going to miss out on a shopping trip, | 0:12:55 | 0:12:58 | |
and a day out in Cardiff. | 0:12:58 | 0:13:00 | |
She's trying to put a brave face on and carry on. | 0:13:00 | 0:13:04 | |
She doesn't want to cry because she doesn't want to spoil her make up. | 0:13:04 | 0:13:08 | |
But it is difficult, you know. It just overwhelms you sometimes. | 0:13:08 | 0:13:12 | |
As the day goes on, Kirsty's issues continue. | 0:13:22 | 0:13:26 | |
In the restaurant she has an upsetting seizure, | 0:13:26 | 0:13:29 | |
but through it all, she continues to smile bravely. | 0:13:29 | 0:13:32 | |
They're an inspiration to us, because they've had to go through so much. | 0:13:34 | 0:13:38 | |
I know we've had to go through it, but it's them it's happening to, | 0:13:38 | 0:13:44 | |
and through everything that they've gone through, they just keep smiling. | 0:13:44 | 0:13:51 | |
Today has been all about building bonds with the girls. | 0:13:58 | 0:14:01 | |
But for Hayley, on a personal level, it's a reminder that working | 0:14:01 | 0:14:06 | |
with life-limited children and young people brings its own dangers. | 0:14:06 | 0:14:10 | |
Because of their age and the way they dress and the way they are, | 0:14:12 | 0:14:16 | |
I used to work with another family that had two daughters, | 0:14:16 | 0:14:20 | |
that sadly died, and it just reminds me of being with them, | 0:14:20 | 0:14:24 | |
and of what I went through with them, emotionally. | 0:14:24 | 0:14:31 | |
So as soon as I see the girls, I can feel myself filling up, because I just... | 0:14:31 | 0:14:36 | |
I almost don't want to do it. | 0:14:36 | 0:14:39 | |
Because it just takes me back to where I was, | 0:14:39 | 0:14:42 | |
when I worked with these other girls and when we lost them. | 0:14:42 | 0:14:45 | |
But then I'm so glad I did take them on, because they're just so amazing. | 0:14:45 | 0:14:49 | |
They are just beautiful, beautiful girls, | 0:14:49 | 0:14:52 | |
and they're going to break my heart, put it that way. | 0:14:52 | 0:14:56 | |
They do sell diabetic chocolate. | 0:15:04 | 0:15:07 | |
Shirley has brought her colleague Paul Fisher | 0:15:07 | 0:15:09 | |
to see Jack after his op. | 0:15:09 | 0:15:11 | |
Conned his mum into a brand-new hoodie, | 0:15:11 | 0:15:14 | |
saying that he's a diabetic and can't have Easter eggs. | 0:15:14 | 0:15:18 | |
Tragic! | 0:15:18 | 0:15:19 | |
Ta-ra, Jack. Behave. | 0:15:19 | 0:15:20 | |
I think you should give Mum a kiss before you leave. | 0:15:20 | 0:15:22 | |
Go on, chase after him! Go on, embarrass him! | 0:15:22 | 0:15:25 | |
Give me a kiss, darling. | 0:15:25 | 0:15:27 | |
THEY LAUGH | 0:15:27 | 0:15:28 | |
She's evil. | 0:15:32 | 0:15:33 | |
Don't come back with an ASBO! | 0:15:33 | 0:15:35 | |
Over the years, as part of the Ty Hafan staff, | 0:15:35 | 0:15:38 | |
Paul has spent a lot of time with Jack. | 0:15:38 | 0:15:41 | |
If he wants to talk about his recent scare, he may well open up to Paul. | 0:15:41 | 0:15:45 | |
Showing everyone your scar. | 0:15:45 | 0:15:46 | |
-Is that a cool thing, having a scar? -I don't know. | 0:15:46 | 0:15:48 | |
Be a good chat-up line, though, wouldn't it? | 0:15:48 | 0:15:51 | |
"Do you want to see my scar?" | 0:15:51 | 0:15:53 | |
Shall we try it? | 0:15:53 | 0:15:56 | |
Want to see my scar? | 0:15:56 | 0:15:57 | |
THEY LAUGH | 0:15:57 | 0:15:59 | |
'I don't think Jack puts a brave face on, | 0:16:05 | 0:16:07 | |
'I think that's just Jack anyway. | 0:16:07 | 0:16:10 | |
'He just gets on with it | 0:16:10 | 0:16:11 | |
'and doesn't really think about the issues and the problems. | 0:16:11 | 0:16:16 | |
'He might for a split second, | 0:16:16 | 0:16:18 | |
'but then will just take it in his stride | 0:16:18 | 0:16:21 | |
'and move on to the next obstacle that comes up in his way.' | 0:16:21 | 0:16:24 | |
-So you're lot happier now? -Yeah. Happier. | 0:16:28 | 0:16:31 | |
I don't really know how I feel, really. | 0:16:31 | 0:16:34 | |
Right. Were you feeling angry before? | 0:16:34 | 0:16:36 | |
Oh yeah, I thought I was. I wasn't feeling happy. | 0:16:36 | 0:16:40 | |
-Upset? -Yeah, a little bit. | 0:16:40 | 0:16:41 | |
-I haven't been scared like that for ages. -Yeah? | 0:16:41 | 0:16:44 | |
Yeah. | 0:16:44 | 0:16:46 | |
Well, I couldn't do... Well, I would have been scared, put it that way. | 0:16:46 | 0:16:50 | |
-Yeah. Who wouldn't, though? -Yeah. | 0:16:50 | 0:16:52 | |
I think my mum was more scared, though. | 0:16:54 | 0:16:56 | |
-Mums always are, aren't they? -Yeah. | 0:16:56 | 0:16:58 | |
-Mums always worry. -Yeah. | 0:16:58 | 0:17:00 | |
Did you speak to Mum and Dad about it? | 0:17:00 | 0:17:02 | |
No, I don't really speak to them about it. | 0:17:02 | 0:17:06 | |
-How come? -I don't know. | 0:17:06 | 0:17:07 | |
-You try and deal with it yourself? -Yeah. | 0:17:07 | 0:17:09 | |
Most of the time I do. | 0:17:09 | 0:17:12 | |
Yeah, I don't get it. I don't ask, tell them or nothing. | 0:17:12 | 0:17:15 | |
I'm not sure what my mum's going through, really. | 0:17:15 | 0:17:19 | |
She bottles up, really, I think. | 0:17:19 | 0:17:22 | |
-She'll be strong, though, for you. -Yeah. | 0:17:22 | 0:17:24 | |
Jack's concerns about his mum | 0:17:24 | 0:17:26 | |
are all too evident upon their return to the house. | 0:17:26 | 0:17:29 | |
Jo has collapsed. It seems the constant worry has taken its toll. | 0:17:34 | 0:17:39 | |
-I guess this is what we don't see of you sometimes. -Yeah. | 0:17:41 | 0:17:45 | |
-The Jo that doesn't cope well. -Yeah. -We see the Jo that copes. | 0:17:46 | 0:17:50 | |
'What we see on the outside is Jo trying to cope all the time | 0:17:50 | 0:17:54 | |
'with Jack's condition and illness | 0:17:54 | 0:17:56 | |
'and trying to put a brave face on it. | 0:17:56 | 0:17:58 | |
'What we don't see is the Jo who's quite ill, | 0:17:58 | 0:18:02 | |
'and she's having these collapses, | 0:18:02 | 0:18:05 | |
'which are becoming more and more frequent, | 0:18:05 | 0:18:08 | |
'and that's difficult. | 0:18:08 | 0:18:10 | |
'And it's about seeing the private and public face of a parent, I guess. | 0:18:10 | 0:18:16 | |
'The parent wants to show all the time that they're coping, | 0:18:16 | 0:18:19 | |
'when underneath it, they're not, really. | 0:18:19 | 0:18:23 | |
'And who, as a parent, wants to admit they can't cope any more, | 0:18:23 | 0:18:27 | |
'physically and mentally? | 0:18:27 | 0:18:29 | |
'It's really hard. Really difficult.' | 0:18:29 | 0:18:33 | |
They'll be glad to put this difficult period behind them. | 0:18:33 | 0:18:36 | |
For now, all the family can do is look forward to happier times | 0:18:36 | 0:18:40 | |
at Jack's upcoming 16th birthday. | 0:18:40 | 0:18:42 | |
See you later. See you later, Jack. | 0:18:42 | 0:18:44 | |
-Bye, guys, take care. See you later. -Ta-ra. | 0:18:44 | 0:18:47 | |
THEY LAUGH | 0:18:58 | 0:19:00 | |
'It's first time that they've had any kind of care on this level, | 0:19:10 | 0:19:14 | |
'from anybody other than their mum, | 0:19:14 | 0:19:16 | |
'so there's a bit of anxiety over that. | 0:19:16 | 0:19:18 | |
'I think 50% Mum is anxious about sharing them, | 0:19:18 | 0:19:21 | |
'and 50% of it is the girls.' | 0:19:21 | 0:19:23 | |
Can I have a cwtch? Oh, fab. | 0:19:27 | 0:19:29 | |
The Fields twins' first stay at the hospice is all planned. | 0:19:31 | 0:19:35 | |
There'll be takeaways, videos, and endless pampering. | 0:19:35 | 0:19:40 | |
What we're going to do tonight | 0:19:40 | 0:19:42 | |
is put your hand prints on the walls, girls, OK? | 0:19:42 | 0:19:44 | |
Hundreds of children have left their mark here over the years, | 0:19:44 | 0:19:49 | |
and in many different ways. | 0:19:49 | 0:19:51 | |
The walls are a gallery of the history of all the children, | 0:19:51 | 0:19:54 | |
families, parents and friends who have stayed here, | 0:19:54 | 0:19:57 | |
who together make up the Ty Hafan family. | 0:19:57 | 0:20:01 | |
Everybody that comes to Ty Hafan, every child and family that comes, | 0:20:01 | 0:20:04 | |
have their hand prints put on the wall. | 0:20:04 | 0:20:07 | |
Today, we're going to do the Fields twins, and Mum and Dad. | 0:20:07 | 0:20:11 | |
BOTTLE SQUELCHES | 0:20:11 | 0:20:13 | |
That is not me! | 0:20:13 | 0:20:14 | |
-Excuse you! -They're all laughing! | 0:20:16 | 0:20:19 | |
What about you, Kirst, do I need to do other colours? | 0:20:19 | 0:20:23 | |
Yeah, I knew you were going to say that. What colour? | 0:20:23 | 0:20:25 | |
'When we first heard Ty Hafan, obviously I knew Ty Hafan was | 0:20:25 | 0:20:31 | |
'a hospice for children, but I didn't know a lot about it.' | 0:20:31 | 0:20:36 | |
And you think, "Oh, Ty Hafan," you think... | 0:20:36 | 0:20:39 | |
You know what you think. | 0:20:40 | 0:20:43 | |
But we had the warmest welcome ever, | 0:20:43 | 0:20:48 | |
and I think they're all crazy, there. | 0:20:48 | 0:20:50 | |
For people to think that Ty Hafan is a morbid, sad place, they're wrong. | 0:20:50 | 0:20:57 | |
-There we are. -Got it. Woo! | 0:20:59 | 0:21:02 | |
What do you reckon, Kirst? | 0:21:02 | 0:21:03 | |
We've had a really lovely welcome, haven't we? | 0:21:03 | 0:21:07 | |
Because we've put our handprints on, we feel as if we're part of Ty Hafan. | 0:21:07 | 0:21:11 | |
Our names are on the wall, our hand prints are on the wall. | 0:21:11 | 0:21:14 | |
So, we're actually, officially, part of Ty Hafan now. | 0:21:14 | 0:21:18 | |
Yeah! | 0:21:18 | 0:21:20 | |
At home, the ringing of the bell from the girls' bedroom | 0:21:30 | 0:21:33 | |
would herald the start of Lynn's day, | 0:21:33 | 0:21:36 | |
a non-stop routine of ever-increasing care needs. | 0:21:36 | 0:21:40 | |
I got to the stage where... | 0:21:40 | 0:21:42 | |
when they ring the bell in the morning, I was dreading it. | 0:21:42 | 0:21:47 | |
It shouldn't be like that, you know? | 0:21:51 | 0:21:53 | |
Because I'm fighting against them, trying to get them up. | 0:21:53 | 0:21:57 | |
I'm trying to get them in the chairs. | 0:21:57 | 0:22:00 | |
Catherine, because I get stressed about it, | 0:22:00 | 0:22:04 | |
she's getting distressed about it, where it's just making things worse. | 0:22:04 | 0:22:09 | |
We're just like a vicious circle. | 0:22:09 | 0:22:11 | |
Are you going to hold on with the other hand? | 0:22:15 | 0:22:17 | |
This morning, for the first time in 17 years, | 0:22:17 | 0:22:20 | |
Lynn is only an onlooker, as others care for her child. | 0:22:20 | 0:22:23 | |
Is that OK? | 0:22:26 | 0:22:28 | |
I'm confident in all the girls and everything, | 0:22:28 | 0:22:30 | |
they've all been fantastic, but it's really hard | 0:22:30 | 0:22:33 | |
because I feel as if, you know, I need to do it. | 0:22:33 | 0:22:36 | |
It's really hard, just to... | 0:22:36 | 0:22:38 | |
KIRSTY LAUGHS | 0:22:39 | 0:22:41 | |
Don't laugh at me. | 0:22:42 | 0:22:43 | |
Are you laughing because your mum's crying? | 0:22:43 | 0:22:46 | |
It must be hard for you, Lynn, because you haven't had this kind of support before, | 0:22:48 | 0:22:53 | |
so it must be hard to handle it. | 0:22:53 | 0:22:55 | |
'I think Lynn really realises that the girls are deteriorating,' | 0:22:58 | 0:23:04 | |
and I think she realises that time is really precious to her. | 0:23:04 | 0:23:09 | |
We've talked about next year will be the 18th birthday, | 0:23:09 | 0:23:13 | |
and she really would like to do a big party for them. | 0:23:13 | 0:23:18 | |
She's said things like, "I hope they're well enough to appreciate it and enjoy it," | 0:23:18 | 0:23:22 | |
so I think she does understand... | 0:23:22 | 0:23:24 | |
..you know, how ill they are and what the prognosis is. | 0:23:26 | 0:23:29 | |
'It is a bittersweet day, today.' | 0:23:34 | 0:23:36 | |
We celebrate his birthday, but deep down... | 0:23:36 | 0:23:41 | |
..I don't like him having birthdays, because I'd like to keep him as he is now. | 0:23:42 | 0:23:47 | |
Crazy women! | 0:23:52 | 0:23:54 | |
It's Jack's 16th birthday party. | 0:23:54 | 0:23:57 | |
'Oh, their eyes are goggling out in there. | 0:23:59 | 0:24:02 | |
'He's one of the boys. He lives life to the full.' | 0:24:03 | 0:24:07 | |
'He wants to do everything that normal teenagers do, and he just loves life.' | 0:24:07 | 0:24:12 | |
Shirley from Ty Hafan deals with children with all sorts of illnesses. | 0:24:17 | 0:24:21 | |
Tonight, amongst all the celebrating and dancing, | 0:24:21 | 0:24:24 | |
there's a particular poignancy to the plight of the Duchenne boys. | 0:24:24 | 0:24:29 | |
It's one of the hardest conditions that I work with, certainly, | 0:24:29 | 0:24:35 | |
because they're cognitively aware of everything around them, | 0:24:35 | 0:24:38 | |
and they're looking forward to life. | 0:24:38 | 0:24:42 | |
Seeing Jack with some of the young boys that are from Ty Hafan | 0:24:42 | 0:24:46 | |
in there now, they are so much more than their condition. | 0:24:46 | 0:24:52 | |
'We missed the kiss!' | 0:24:52 | 0:24:55 | |
'We're really happy today.' | 0:24:55 | 0:24:57 | |
It's a birthday we didn't know if we'd be celebrating a couple of months ago, | 0:24:57 | 0:25:01 | |
but Jack's doing really well, so we're going to celebrate and have a really good night. | 0:25:01 | 0:25:07 | |
We have a very special birthday in the house tonight. | 0:25:07 | 0:25:09 | |
This is Jack and he's turning 16 today. | 0:25:09 | 0:25:13 | |
On the night of his 16th birthday, | 0:25:13 | 0:25:16 | |
Jack can look back on a year where he beat death. | 0:25:16 | 0:25:19 | |
Now he's living life, and doing it with a smile on his face. | 0:25:19 | 0:25:23 | |
You wanted to come here tonight. | 0:25:23 | 0:25:25 | |
You wanted to come here to celebrate your birthday tonight, because of the girls. | 0:25:25 | 0:25:30 | |
Why don't you just say it, I'll move my lips! | 0:25:30 | 0:25:32 | |
Ha-ha! "You say it, I'll move my lips!" | 0:25:32 | 0:25:34 | |
Come here! | 0:25:38 | 0:25:39 | |
They've had a fab weekend. | 0:26:11 | 0:26:12 | |
They've really got to know all the staff, | 0:26:12 | 0:26:14 | |
the staff have got to know them, and they really enjoyed it. | 0:26:14 | 0:26:18 | |
It's been so lovely to spend time with them. | 0:26:18 | 0:26:20 | |
'They've had their bubble bath, their pamper days, | 0:26:20 | 0:26:24 | |
'they've chilled, Mum has chilled and it's been lovely. | 0:26:24 | 0:26:27 | |
This is the diary of their stay in Ty Hafan. | 0:26:27 | 0:26:31 | |
They've done all the little things, the pamper session and that. | 0:26:31 | 0:26:35 | |
Just memories, really, for you to take home | 0:26:35 | 0:26:38 | |
and to show everybody what you've done. | 0:26:38 | 0:26:40 | |
Yes. | 0:26:40 | 0:26:42 | |
I had a big shock yesterday morning. | 0:26:42 | 0:26:45 | |
I got up, I actually slept, Saturday night, for nine hours. | 0:26:45 | 0:26:48 | |
I haven't slept for nine hours for such a long... | 0:26:48 | 0:26:51 | |
I don't know when I slept nine hours before. | 0:26:51 | 0:26:53 | |
When I got up, I came down here, Cath was in her chair, ready, | 0:26:53 | 0:26:59 | |
dressed, and I said, "I thought you were going to have a bath." | 0:26:59 | 0:27:03 | |
She'd been in the bath and everything. I was so gobsmacked. | 0:27:03 | 0:27:06 | |
I think they all saw the shock on my face. | 0:27:06 | 0:27:09 | |
Definitely have to come back very soon. | 0:27:09 | 0:27:12 | |
Even though the Fields family are heading home, | 0:27:12 | 0:27:14 | |
they're not leaving Ty Hafan behind. | 0:27:14 | 0:27:16 | |
Having taken the big step of asking for help, | 0:27:16 | 0:27:19 | |
Kirsty and Catherine will always be part of the Ty Hafan family, | 0:27:19 | 0:27:23 | |
whatever the future may bring. | 0:27:23 | 0:27:26 | |
Didn't I say to you, these girls will come in and melt your hearts, | 0:27:26 | 0:27:29 | |
-and you looked at me daft? Now can you see what I mean? -Yeah. | 0:27:29 | 0:27:33 | |
It was nice knowing you, Kirst! See you September. | 0:27:33 | 0:27:38 | |
-Don't, she'll stay here! -She'll never! | 0:27:38 | 0:27:40 | |
When do you want me to come back for you? You don't want me to come back? | 0:27:40 | 0:27:46 | |
OK, nice knowing you. Bye, then. | 0:27:46 | 0:27:49 | |
Look! "Bye!" | 0:27:49 | 0:27:52 | |
The time we're with these families are so... | 0:27:52 | 0:27:54 | |
..intense and precious at the same time. | 0:27:55 | 0:27:58 | |
You know when you're with a family and a child is particularly unwell... | 0:27:58 | 0:28:02 | |
'..you realise how privileged you are to be doing it, because... | 0:28:03 | 0:28:07 | |
'time is so precious. Time is not a luxury that these children in these families have. | 0:28:07 | 0:28:12 | |
'They just don't have that luxury, | 0:28:12 | 0:28:14 | |
'and for you to be welcomed into that young person's life, | 0:28:14 | 0:28:19 | |
'and for them to be able to share their lives with you | 0:28:19 | 0:28:23 | |
'is just pretty amazing, really.' | 0:28:23 | 0:28:26 | |
-Oh! -Well done, girls. -Team effort. | 0:28:26 | 0:28:30 | |
Well done, girls. | 0:28:37 | 0:28:39 | |
I told you they'd melt your heart, you didn't believe me! | 0:28:39 | 0:28:42 | |
Subtitles by Red Bee Media Ltd | 0:28:52 | 0:28:55 | |
E-mail [email protected] | 0:28:55 | 0:28:58 |