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This is the Merchant Hotel, | 0:00:02 | 0:00:03 | |
a luxurious landmark in a booming Belfast. | 0:00:03 | 0:00:07 | |
Once a bank headquarters, its grand facade now conceals | 0:00:07 | 0:00:10 | |
a sumptuous playground for the seriously wealthy. | 0:00:10 | 0:00:14 | |
Powered by a large staff committed to 5-star service... | 0:00:14 | 0:00:17 | |
-Hello. -..and classic cocktails. | 0:00:17 | 0:00:20 | |
This week, the hotel is fully booked and functioning at full throttle. | 0:00:21 | 0:00:25 | |
There's a dinner for their peers, Northern Ireland's top hoteliers... | 0:00:25 | 0:00:29 | |
No pressure. | 0:00:29 | 0:00:31 | |
..a tricky new venture, gigs for kids... | 0:00:31 | 0:00:35 | |
It's a daunting departure for me. | 0:00:35 | 0:00:37 | |
..and a mammoth makeover. | 0:00:37 | 0:00:39 | |
It's one drama after the other but we'll be finished, it'll be perfect. | 0:00:40 | 0:00:45 | |
The hotel handbook is the staff Bible, | 0:00:53 | 0:00:56 | |
with strict rules for clothing and conduct. | 0:00:56 | 0:00:59 | |
With a hectic week ahead, | 0:00:59 | 0:01:01 | |
executive housekeeper Eve reminds her troops of the need to be | 0:01:01 | 0:01:03 | |
perfectly turned out. | 0:01:03 | 0:01:05 | |
OK. Shoes nicely polished. | 0:01:07 | 0:01:09 | |
OK. | 0:01:11 | 0:01:12 | |
And, Sophie, lovely hair today. | 0:01:12 | 0:01:14 | |
-Thank you. -And, Ashton, very good. | 0:01:14 | 0:01:17 | |
Very good, everyone is keeping to the rules. | 0:01:17 | 0:01:20 | |
-Very well presented. -Yeah. | 0:01:20 | 0:01:22 | |
If you were coming to stay in a hotel of this standard and you met | 0:01:23 | 0:01:28 | |
a housekeeper that wasn't presented in a professional manner, | 0:01:28 | 0:01:32 | |
that would already place something in your mind to think, | 0:01:32 | 0:01:35 | |
"Hm, is that what the housekeeper looks like?" | 0:01:35 | 0:01:37 | |
What's that going to say about the bedroom | 0:01:37 | 0:01:39 | |
or the toilets or the whatever? | 0:01:39 | 0:01:40 | |
So, therefore, I then try to instil that into my staff, | 0:01:40 | 0:01:43 | |
that they take a pride in themselves, | 0:01:43 | 0:01:45 | |
which is then reflected into their work. | 0:01:45 | 0:01:49 | |
We are going to start off with personal hygiene. | 0:01:49 | 0:01:51 | |
So, every day, you must have taken a bath or a shower and use deodorant | 0:01:51 | 0:01:55 | |
before you come into work. | 0:01:55 | 0:01:57 | |
Because even if you have had a bath or shower, we all get sweaty when we | 0:01:57 | 0:02:00 | |
are working and it's not nice for someone to come in behind you. | 0:02:00 | 0:02:03 | |
Your personal hygiene is extremely important and it | 0:02:03 | 0:02:07 | |
also is important for the people who work alongside you as well. | 0:02:07 | 0:02:10 | |
-OK? -Change your shirt and your underclothing daily. | 0:02:10 | 0:02:14 | |
Regularly brush your teeth, ensure your breath is fresh, for example, | 0:02:14 | 0:02:18 | |
if a smoker is speaking to a guest, | 0:02:18 | 0:02:20 | |
it won't be nice if they are breathing smoke around... | 0:02:20 | 0:02:23 | |
smoke-filled breath around the guest. | 0:02:23 | 0:02:25 | |
Now, we will get to the hair. | 0:02:25 | 0:02:28 | |
So, hair must be a natural colour, that is blonde, black, | 0:02:28 | 0:02:32 | |
red or brown and nothing unnatural such as purple, | 0:02:32 | 0:02:38 | |
green and all the time needs to be kept neatly | 0:02:38 | 0:02:41 | |
and groomed all the time. | 0:02:41 | 0:02:44 | |
All shoes should be black and socks should be black or tan, | 0:02:44 | 0:02:48 | |
with no bare feet, you cannot wear our shoes with no socks. | 0:02:48 | 0:02:52 | |
So, black or tan. | 0:02:52 | 0:02:53 | |
-Yeah, that's all clear? -Do we understand, | 0:02:53 | 0:02:56 | |
we're clear on everything? | 0:02:56 | 0:02:57 | |
It's the guests' first impression of us and we want to make a good one | 0:02:57 | 0:03:01 | |
and that's what this is all about. | 0:03:01 | 0:03:03 | |
Thank you. | 0:03:04 | 0:03:05 | |
This hotel prides itself on giving young people a foot in the door in | 0:03:12 | 0:03:15 | |
the hospitality industry. | 0:03:15 | 0:03:18 | |
18-year-old Sophie started on work experience | 0:03:18 | 0:03:21 | |
and is now employed three days a week. | 0:03:21 | 0:03:24 | |
I find it challenging at times, | 0:03:24 | 0:03:27 | |
but I like to make new goals for myself. | 0:03:27 | 0:03:30 | |
When I do something wrong, | 0:03:30 | 0:03:31 | |
I do always get it corrected and make sure I do it right. | 0:03:31 | 0:03:35 | |
It has to be up to high standards, | 0:03:35 | 0:03:38 | |
because they are very high. | 0:03:38 | 0:03:41 | |
I've only had a couple of really, really messy people, | 0:03:43 | 0:03:48 | |
but I think men are far cleaner than women. | 0:03:48 | 0:03:51 | |
When you go into a women's, it's the make-up, the hairbrush, | 0:03:54 | 0:03:57 | |
the hairdryer, the clothes. | 0:03:57 | 0:03:59 | |
One of our rooms had fake tan on the carpet from obviously the girls | 0:04:01 | 0:04:05 | |
getting ready. | 0:04:05 | 0:04:06 | |
Sophie really has grown in confidence, grown in skill, | 0:04:08 | 0:04:13 | |
grown in experience. | 0:04:13 | 0:04:14 | |
She's now really here near enough full-time with us, | 0:04:15 | 0:04:18 | |
so Sophie has been a real success. | 0:04:18 | 0:04:21 | |
Sophie's cleaning skills have impressed, | 0:04:22 | 0:04:24 | |
but she has fallen foul of dress code demands. | 0:04:24 | 0:04:27 | |
I've only one piercing and that's my tongue. | 0:04:28 | 0:04:31 | |
Eve told me to take it out, so I don't have it in. | 0:04:31 | 0:04:36 | |
No. Eve told me to take it out, she was like, "Sophie, | 0:04:36 | 0:04:39 | |
"get that silly tongue ring out again." | 0:04:39 | 0:04:41 | |
To command rates of over £300 per night, | 0:04:47 | 0:04:50 | |
owner Bill Wolsey and his wife Petra decided to source fine furniture and | 0:04:50 | 0:04:54 | |
antiques for all the rooms. | 0:04:54 | 0:04:57 | |
It meant a shopping spree in the markets of Paris. | 0:04:57 | 0:05:00 | |
All the antiques were all chosen by myself and my wife. | 0:05:02 | 0:05:05 | |
That mirror, my wife and I bought in France. | 0:05:06 | 0:05:10 | |
This material, this comes from Paris. | 0:05:10 | 0:05:13 | |
This was made especially for us. | 0:05:13 | 0:05:16 | |
There's a lot of thought has gone into this room. | 0:05:16 | 0:05:18 | |
A lot of expense has gone into it. | 0:05:18 | 0:05:21 | |
There was a degree of fun to it. If you speak to Petra, | 0:05:21 | 0:05:24 | |
she mightn't say that. | 0:05:24 | 0:05:26 | |
I don't speak French, so she did all the negotiating. | 0:05:26 | 0:05:29 | |
I would say a price and if the dealer agreed too quickly, | 0:05:29 | 0:05:32 | |
I would tell her to bring the price down. | 0:05:32 | 0:05:34 | |
He would tell me, "No, you've got to negotiate another £1,000 | 0:05:34 | 0:05:37 | |
"off of that or 1,000 euros or whatever it was." | 0:05:37 | 0:05:40 | |
"Righto, here we go." | 0:05:41 | 0:05:43 | |
And we did it, we did it. | 0:05:43 | 0:05:45 | |
I couldn't afford to stay in a room like this. | 0:05:48 | 0:05:52 | |
It's a risk for the hotel to have such expensive, opulent furniture | 0:05:52 | 0:05:56 | |
gracing every room. | 0:05:56 | 0:05:58 | |
And on her morning patrol, | 0:05:58 | 0:06:00 | |
eagle-eyed Eve spots a horror. | 0:06:00 | 0:06:03 | |
This was one of our first rooms that checked out this morning and, | 0:06:05 | 0:06:09 | |
unfortunately, the mirrored table has been broken in the room. | 0:06:09 | 0:06:13 | |
But, fortunately, the guest told us that he's accidentally | 0:06:13 | 0:06:16 | |
hit a glass bottle off the table so, | 0:06:16 | 0:06:19 | |
in terms of us having to get this fixed, | 0:06:19 | 0:06:22 | |
it would be around the £350, £400 mark. | 0:06:22 | 0:06:26 | |
So the guest has paid for that damage in advance. | 0:06:26 | 0:06:29 | |
If there was any other sort of damage in rooms that they're maybe | 0:06:30 | 0:06:34 | |
not honest about and don't tell us on checkout, | 0:06:34 | 0:06:37 | |
we would look to seek payment for damage and things, | 0:06:37 | 0:06:39 | |
because it's not acceptable if something does get broken | 0:06:39 | 0:06:43 | |
and left just for us to discover. | 0:06:43 | 0:06:46 | |
We will take this table away now | 0:06:48 | 0:06:50 | |
and we have a spare table. | 0:06:50 | 0:06:52 | |
Brilliant. We don't want the rooms to look any different for the next | 0:06:52 | 0:06:55 | |
guest coming in. This is obviously a weekend, so the hotel is completely | 0:06:55 | 0:06:59 | |
full, so we wouldn't be in a position | 0:06:59 | 0:07:01 | |
not to be able to let this room or anything. | 0:07:01 | 0:07:03 | |
Yeah, that's grand. Yeah, this one's back from repair. | 0:07:06 | 0:07:08 | |
We'll get it cleaned up when we're cleaning the room | 0:07:08 | 0:07:10 | |
and nobody'll know any different. | 0:07:10 | 0:07:12 | |
In this choice city centre location, | 0:07:18 | 0:07:20 | |
space is at a premium, so the hotel has created a roof garden | 0:07:20 | 0:07:24 | |
to host private events. | 0:07:24 | 0:07:27 | |
Today, it is getting a seasonal makeover | 0:07:28 | 0:07:31 | |
and a brand-new wardrobe for winter. | 0:07:31 | 0:07:34 | |
Every year, we theme the roof garden for winter and summer. | 0:07:34 | 0:07:37 | |
Some of our themes have been very successful. | 0:07:37 | 0:07:40 | |
Others have been not so much. | 0:07:40 | 0:07:42 | |
With high hopes of success, | 0:07:43 | 0:07:45 | |
this year's theme is inspired by a children's classic - | 0:07:45 | 0:07:48 | |
The Chronicles Of Narnia by CS Lewis. | 0:07:48 | 0:07:51 | |
We've been selling this space and | 0:07:51 | 0:07:53 | |
we've been promising to our guests, | 0:07:53 | 0:07:55 | |
"It's going to be like this, this, this and other thing," | 0:07:55 | 0:07:57 | |
so it's just making sure that that's all carried out. | 0:07:57 | 0:07:59 | |
So I'm sure it's going to look fab. It already does. | 0:07:59 | 0:08:02 | |
So far, so good. | 0:08:02 | 0:08:04 | |
With only 24 hours of transformation time, | 0:08:04 | 0:08:07 | |
it's no fairy tale for the task force. | 0:08:07 | 0:08:09 | |
Perfect. | 0:08:09 | 0:08:11 | |
They also hope to recreate the Kingdom of Narnia, | 0:08:11 | 0:08:13 | |
complete with an entrance through wardrobe doors. | 0:08:13 | 0:08:16 | |
Then are you drilling holes through that door? | 0:08:17 | 0:08:21 | |
The problem with the door is that it's so heavy. | 0:08:21 | 0:08:24 | |
It's quite a large doorframe. | 0:08:24 | 0:08:27 | |
We would really love it at the entrance to the roof garden, | 0:08:27 | 0:08:29 | |
because naturally that's where it should go. | 0:08:29 | 0:08:32 | |
That's the entrance to Narnia, through the wardrobe door. | 0:08:32 | 0:08:34 | |
So it's just proving a bit tricky to get it where we would like it. | 0:08:34 | 0:08:39 | |
The central panel came off as one big panel. | 0:08:39 | 0:08:41 | |
-Yeah. -So, that's definitely findable. | 0:08:41 | 0:08:43 | |
-And then the other ones... -It's one drama after the other, | 0:08:43 | 0:08:45 | |
but it will be finished. It'll be perfect. | 0:08:45 | 0:08:48 | |
If they can sort the closet crisis, | 0:08:52 | 0:08:55 | |
the hotel hopes to launch a new venture | 0:08:55 | 0:08:57 | |
in the Narnia-themed roof garden. | 0:08:57 | 0:09:00 | |
A new idea we're working with at the minute now is for children's | 0:09:00 | 0:09:04 | |
parties. It has become a bit of a phenomenon in recent years, | 0:09:04 | 0:09:07 | |
but it's a very different marketplace. | 0:09:07 | 0:09:10 | |
We hadn't really looked into much before. | 0:09:10 | 0:09:12 | |
That's almost overkill on the big ones. | 0:09:12 | 0:09:14 | |
We're using the space whenever it's not being used during the | 0:09:14 | 0:09:17 | |
daytime and then we can sort of use | 0:09:17 | 0:09:19 | |
that space again in the evening time so we are using dead space, yes. | 0:09:19 | 0:09:22 | |
We're creating dreams and also maybe keeping the owner happy too. | 0:09:22 | 0:09:28 | |
Do you want to just put the kids' stuff up? | 0:09:28 | 0:09:31 | |
No kids' party is going to work without some decent nosh. | 0:09:31 | 0:09:34 | |
And today, some tantalising titbits are under scrutiny. | 0:09:34 | 0:09:37 | |
Sampling the tasty treats are lucky grown-up managers Marco, | 0:09:40 | 0:09:43 | |
Gavin and Rachel. | 0:09:43 | 0:09:46 | |
Chicken goujons, a little bit of chips, ham and cheese quiche, | 0:09:46 | 0:09:50 | |
cheeseburger, and then just little chocolate doughnuts. | 0:09:50 | 0:09:55 | |
Would you put the sauce on the side with these, then? | 0:09:55 | 0:09:58 | |
-Or would you... -Yeah, | 0:09:58 | 0:10:00 | |
we'd put it on the side and then the children can just come along and | 0:10:00 | 0:10:02 | |
-take a dip. -It is quite dry. | 0:10:02 | 0:10:04 | |
-Yeah. -What about some onions, maybe? | 0:10:04 | 0:10:06 | |
A lot of children eat plain, you know, I would imagine. | 0:10:06 | 0:10:08 | |
I know from my children, after they eat sort of one or two things, | 0:10:08 | 0:10:12 | |
that's them, they want to move on to try something else, you know? | 0:10:12 | 0:10:16 | |
With the crumb on, it's really... | 0:10:16 | 0:10:18 | |
-Yeah. -Light. | 0:10:18 | 0:10:21 | |
-Right. -This is on the sweeter aspect of things. | 0:10:21 | 0:10:25 | |
The only thing I've got to say on this one is, are those the best | 0:10:25 | 0:10:28 | |
things for it? | 0:10:28 | 0:10:30 | |
Cos you can't get down. I think you can get all three layers, | 0:10:30 | 0:10:32 | |
whereas now you find yourself going through cream... | 0:10:32 | 0:10:36 | |
-Johnny, this is heaven. -It's fantastic. | 0:10:36 | 0:10:39 | |
It's amazing. I was going to say, is this strawberry and champagne? | 0:10:39 | 0:10:41 | |
I hope it's not. It's not strawberry and champagne? | 0:10:41 | 0:10:43 | |
-No, no champagne in this one. -Keep that away from the kids. -Yeah. | 0:10:43 | 0:10:47 | |
Beautiful. | 0:10:47 | 0:10:49 | |
You kind of fool yourself into thinking it's healthy as well. | 0:10:49 | 0:10:52 | |
-Yeah. -Yeah. -You know, sort of? -I thought it was. | 0:10:52 | 0:10:54 | |
Might have another one. | 0:10:54 | 0:10:56 | |
So, doughnuts. | 0:10:56 | 0:10:59 | |
-It's really rich. -It's very rich, that. | 0:10:59 | 0:11:01 | |
-Yeah. -Almost a little bit too rich. | 0:11:01 | 0:11:03 | |
We can't do all chocolate, because then parents are worried about their | 0:11:03 | 0:11:07 | |
clothes. It goes everywhere. | 0:11:07 | 0:11:08 | |
-Yeah. -You are bringing a whole new level of logic into this. | 0:11:08 | 0:11:11 | |
Yeah. The next one will be... | 0:11:11 | 0:11:13 | |
Have to think about these things. "Not on your white dress!" | 0:11:13 | 0:11:16 | |
Time is running out for the roof garden transformation team and the | 0:11:21 | 0:11:25 | |
hotel's storeroom is plundered for some last-minute imposing props. | 0:11:25 | 0:11:29 | |
Well, we'll just get it all on the cage for the minute | 0:11:30 | 0:11:33 | |
and then stores can run it up there. | 0:11:33 | 0:11:37 | |
GLASS SMASHES | 0:11:37 | 0:11:39 | |
-Whoops! -Minus that bit of glass. -Not to worry. | 0:11:39 | 0:11:42 | |
Event designer Rachel is at the helm of the challenge. | 0:11:42 | 0:11:45 | |
A scheduled photoshoot piles further pressure on the team. | 0:11:45 | 0:11:49 | |
In under four hours, the room will be revealed on social media. | 0:11:49 | 0:11:52 | |
I am now going to spray. | 0:11:52 | 0:11:55 | |
Please, please, put those lights onto static. | 0:12:00 | 0:12:03 | |
Happy with a bit of flash. | 0:12:03 | 0:12:05 | |
Sorry, they just look like they're in a supermarket. | 0:12:05 | 0:12:07 | |
Then we're just going to do what I would call a whirl of snow | 0:12:09 | 0:12:11 | |
-around the top. -OK. | 0:12:11 | 0:12:13 | |
So, right, listen up, everyone, | 0:12:13 | 0:12:15 | |
we have got to be out of here by four o'clock. | 0:12:15 | 0:12:18 | |
And we have got four hours left. | 0:12:18 | 0:12:21 | |
We did have an issue with the Narnia wardrobe doors, | 0:12:24 | 0:12:28 | |
they were supposed to be going on entry, | 0:12:28 | 0:12:30 | |
as we come into through the glass, so we've compromised | 0:12:30 | 0:12:33 | |
and we've put them on this wall | 0:12:33 | 0:12:36 | |
and exposed a snowy Narnia scene. | 0:12:36 | 0:12:39 | |
It's just trying to get any form of attachment. | 0:12:43 | 0:12:46 | |
Just to hide those modern-day screws. | 0:12:48 | 0:12:50 | |
A few finishing touches, | 0:12:50 | 0:12:52 | |
place the trees and then really clear up and then that's | 0:12:52 | 0:12:54 | |
us, we're finished - hopefully. | 0:12:54 | 0:12:57 | |
Before completion, Petra pops in to give her seal of approval. | 0:12:59 | 0:13:02 | |
-50 roses. -Oh, super! What we'll do is...we'll snow up the gap. | 0:13:02 | 0:13:06 | |
-OK. -And just have the snow spilling out of the wardrobe onto the floor. | 0:13:06 | 0:13:10 | |
Yeah. Delighted, I think it looks really lovely. | 0:13:10 | 0:13:13 | |
People have got to walk in and go... | 0:13:13 | 0:13:15 | |
-SHE GASPS -Wow! | 0:13:15 | 0:13:17 | |
That's the reaction you want and, you know, | 0:13:17 | 0:13:18 | |
that is the reaction we get as well, so it's great. | 0:13:18 | 0:13:21 | |
We're confident that we're on the right track. | 0:13:21 | 0:13:24 | |
While Petra appears happy with her rooftop Narnia, | 0:13:25 | 0:13:28 | |
events manager Rachel has one lasting regret. | 0:13:28 | 0:13:32 | |
The doors... I just thought walk into the wardrobe | 0:13:32 | 0:13:35 | |
and there's Narnia, but the doors were on the other side, | 0:13:35 | 0:13:39 | |
but there's some things that we just can't do | 0:13:39 | 0:13:41 | |
and you just have to let it go, Rachel. | 0:13:41 | 0:13:43 | |
Despite Rachel's reservation, | 0:13:45 | 0:13:47 | |
the hotel's homage to CS Lewis completes just in time | 0:13:47 | 0:13:50 | |
for the photoshoot. | 0:13:50 | 0:13:52 | |
Today sees an important event in the hotel's calendar. | 0:14:02 | 0:14:05 | |
They're hosting their peers and rivals | 0:14:07 | 0:14:10 | |
for the Northern Ireland Hotels Federation annual gourmet dinner. | 0:14:10 | 0:14:14 | |
All Northern Ireland's top hotels | 0:14:16 | 0:14:17 | |
and restaurants are on the guest list, which means great pressure in | 0:14:17 | 0:14:21 | |
the Great Room for food and beverage manager, Marco. | 0:14:21 | 0:14:24 | |
It's 140 guests attending the dinner this evening, | 0:14:27 | 0:14:31 | |
all of them from the hospitality industry. | 0:14:31 | 0:14:33 | |
No pressure. | 0:14:33 | 0:14:35 | |
It's much different to a normal day in the restaurant. | 0:14:39 | 0:14:43 | |
On top of everything, the whole restaurant is full of hoteliers so | 0:14:43 | 0:14:47 | |
certainly will be watching us how... | 0:14:47 | 0:14:49 | |
on our skills and ability, but we love it. | 0:14:49 | 0:14:52 | |
One, four, five, six, eight, nine, | 0:14:54 | 0:14:59 | |
12, 14. | 0:14:59 | 0:15:02 | |
To give the event added culinary cachet, | 0:15:02 | 0:15:05 | |
the hotel has flown in London's hottest Michelin-starred chef - | 0:15:05 | 0:15:09 | |
the sizzling Ollie Dabbous. | 0:15:09 | 0:15:11 | |
With these events, you know, we're doing plates of 150 people. | 0:15:11 | 0:15:15 | |
I think it's six courses. It's a lot of organisation that goes into it. | 0:15:15 | 0:15:19 | |
So yeah, yeah, this is the kind of fun bit, getting, | 0:15:19 | 0:15:22 | |
you know, getting stuck in. | 0:15:22 | 0:15:23 | |
As well as overseeing the food, | 0:15:26 | 0:15:28 | |
Guest Chef Dabbous has insisted on his own table adornments, | 0:15:28 | 0:15:32 | |
complete with cabbages. | 0:15:32 | 0:15:35 | |
The table decoration, they are specific... | 0:15:35 | 0:15:38 | |
Ollie's, the chef this evening. | 0:15:38 | 0:15:42 | |
Normally, we wouldn't put a cabbage on the table, no. | 0:15:42 | 0:15:45 | |
However, not everyone is enthralled by Ollie's table centrepiece. | 0:15:46 | 0:15:52 | |
I think it looks disgusting. | 0:15:52 | 0:15:55 | |
In a garden, yeah. | 0:15:55 | 0:15:57 | |
It's beautiful on the garden table, but definitely not in the beautiful, | 0:15:57 | 0:16:01 | |
elegant dinner table. | 0:16:01 | 0:16:04 | |
But it's not up to me. | 0:16:04 | 0:16:07 | |
I'm just a dust in the system. | 0:16:07 | 0:16:09 | |
With a staff of 350 to inspire, | 0:16:17 | 0:16:20 | |
owner Bill Wolsey has a rather unorthodox management technique. | 0:16:20 | 0:16:24 | |
It's up to you how much... | 0:16:26 | 0:16:28 | |
You know what? Family's overused in business. | 0:16:28 | 0:16:30 | |
Bigger companies are always twittering on about families. | 0:16:30 | 0:16:33 | |
We have an environment where we have the highest staff retention in our | 0:16:33 | 0:16:36 | |
industry. Not by a small way, | 0:16:36 | 0:16:37 | |
but by a mile and that's because we empower people. | 0:16:37 | 0:16:41 | |
That's why people stay. | 0:16:41 | 0:16:43 | |
Not all this rubbish about sending them a birthday card | 0:16:43 | 0:16:46 | |
and ringing up and saying, "It's your wedding anniversary." | 0:16:46 | 0:16:49 | |
We're not that sort of company. | 0:16:49 | 0:16:51 | |
We seem to attract... We attract a nice personality, | 0:16:52 | 0:16:55 | |
you know, and they quickly gel no matter what department it is and | 0:16:55 | 0:16:59 | |
everybody... There's not a lot of cross words I've come across. | 0:16:59 | 0:17:02 | |
Yeah, there's lots of cross words. | 0:17:02 | 0:17:04 | |
-Well, yeah, from you! -Yeah. | 0:17:04 | 0:17:06 | |
Well, he would argue with me, | 0:17:07 | 0:17:09 | |
but then I can't tell him a little white lie, | 0:17:09 | 0:17:13 | |
cos he completely knows you're doing that stuttery thing | 0:17:13 | 0:17:16 | |
and I just don't it anyway. | 0:17:16 | 0:17:18 | |
If I'm trying to buy myself a bit of time maybe. | 0:17:18 | 0:17:20 | |
And I try to admit to my mistakes. | 0:17:20 | 0:17:23 | |
-Do you want me to put together a meeting? -Yes. | 0:17:23 | 0:17:26 | |
Just as you grow, you need to learn, and I'm really open to | 0:17:26 | 0:17:29 | |
all of us learning and me particularly. | 0:17:29 | 0:17:33 | |
Right, OK. | 0:17:33 | 0:17:35 | |
As a successful, self-made businessman, | 0:17:39 | 0:17:41 | |
Bill is keen to help inspire the next generation. | 0:17:41 | 0:17:44 | |
Today, he's on the road for a series of motivational talks. | 0:17:47 | 0:17:50 | |
The first is in Bangor, where he attended technical college | 0:17:50 | 0:17:54 | |
and started his first business. | 0:17:54 | 0:17:56 | |
We bought a pub in Bangor. | 0:17:59 | 0:18:01 | |
I there had a sort of year, which was like a nightmare. | 0:18:01 | 0:18:05 | |
So it was a difficult period. | 0:18:05 | 0:18:07 | |
I was actually stabbed in the bar, | 0:18:07 | 0:18:10 | |
but we held firm to our beliefs. So everything I learnt | 0:18:10 | 0:18:14 | |
in that first year, I've kept with me for the next 39 years, in fact. | 0:18:14 | 0:18:19 | |
Yeah, I used to come here when it was Bangor Tech. | 0:18:19 | 0:18:22 | |
To say I was a failure is probably speaking too highly of me. | 0:18:22 | 0:18:26 | |
You know, it's good to come back to school where I was a failure and if | 0:18:27 | 0:18:31 | |
you can talk openly and give them an understanding that, you know, | 0:18:31 | 0:18:36 | |
life is all about work, applying yourself. | 0:18:36 | 0:18:40 | |
You know, there's not that many people that I know, you know, | 0:18:41 | 0:18:46 | |
who have perceived and moved on in life and it was easy. | 0:18:46 | 0:18:50 | |
It's all, you know, | 0:18:50 | 0:18:51 | |
in there, rolling your sleeves up and working hard. | 0:18:51 | 0:18:55 | |
We're off to Start360, which is an organisation which looks after | 0:18:59 | 0:19:04 | |
vulnerable adults and kids who have had, | 0:19:04 | 0:19:09 | |
you know, a particularly difficult start. | 0:19:09 | 0:19:11 | |
My message is, you know, the same that I'm not particularly talented, | 0:19:13 | 0:19:18 | |
but I work hard. | 0:19:18 | 0:19:21 | |
I display a certain tenacity and that sometimes is enough. | 0:19:21 | 0:19:26 | |
My reason for coming up here is not to show you lot how clever I am | 0:19:30 | 0:19:36 | |
or how talented I am. It's the exact opposite. | 0:19:36 | 0:19:40 | |
It was a sort of unusual background I came from. | 0:19:40 | 0:19:43 | |
At school, I was a disaster. | 0:19:43 | 0:19:45 | |
Nobody could get my interest and because of that you were sort of | 0:19:45 | 0:19:48 | |
getting into minor scrapes. | 0:19:48 | 0:19:51 | |
You ended up, like, a top, successful businessman | 0:19:51 | 0:19:54 | |
-in Northern Ireland now, right? -Yeah. -So you went from being, | 0:19:54 | 0:19:58 | |
-like, feeling like that - that you were useless, to that. -No. | 0:19:58 | 0:20:03 | |
You made all these businesses and money and stuff. | 0:20:03 | 0:20:06 | |
You're obviously not useless, like. | 0:20:06 | 0:20:08 | |
I wasn't useless, but I didn't find anything that motivated me. | 0:20:08 | 0:20:12 | |
Once you find something that motivates you, | 0:20:12 | 0:20:14 | |
then, you know, that gets your concentration. | 0:20:14 | 0:20:17 | |
Then all your energies go towards that, but until you get that, | 0:20:17 | 0:20:21 | |
you're lost and what you need is to be able to put food on your table. | 0:20:21 | 0:20:26 | |
Our society is completely arse about face. | 0:20:28 | 0:20:31 | |
Who deserves the most praise? | 0:20:31 | 0:20:33 | |
Me for getting paid well, doing a job that I love, or my father, | 0:20:33 | 0:20:38 | |
who worked every day of his life to fix machines that he hated? | 0:20:38 | 0:20:42 | |
Or my mother, who worked in laundrettes or took on crap jobs | 0:20:42 | 0:20:46 | |
to put food on our table? | 0:20:46 | 0:20:48 | |
Who deserves the most praise? | 0:20:48 | 0:20:49 | |
-Your ma and da. -Exactly. | 0:20:49 | 0:20:51 | |
So you remember that. Not everybody wants to climb the greasy pole. | 0:20:51 | 0:20:55 | |
Getting a job and staying in a job and enjoying what you're doing, | 0:20:55 | 0:20:59 | |
putting food on a table, says a lot about you, and you lot, | 0:20:59 | 0:21:04 | |
some of you will climb up the greasy pole, | 0:21:04 | 0:21:08 | |
but the others who don't and don't want to | 0:21:08 | 0:21:10 | |
deserve every bit, and I think more, praise than people like me. | 0:21:10 | 0:21:14 | |
Bill's talks seems to have gone down well. | 0:21:18 | 0:21:20 | |
One boy is keen to find out more about working in hospitality. | 0:21:20 | 0:21:24 | |
Are there, like, experts on wine? | 0:21:25 | 0:21:28 | |
-Sommeliers. -Sommeliers? Cos I enjoy wine, | 0:21:28 | 0:21:32 | |
so I'd like to become more knowledgeable about it. | 0:21:32 | 0:21:35 | |
Genuinely, if you're interested, | 0:21:35 | 0:21:37 | |
we'll look at where you are and we can give you a path. | 0:21:37 | 0:21:42 | |
If someone like me can do it, anybody can do it. | 0:21:42 | 0:21:44 | |
I think it went well. They were really good young men. | 0:21:47 | 0:21:51 | |
They seemed to be interested. | 0:21:51 | 0:21:53 | |
So, yeah, I'm pleased with that. | 0:21:53 | 0:21:56 | |
The hotel has its first children's party booking. | 0:22:03 | 0:22:07 | |
It is 11-year-old Caoimhe's birthday and she's come to discuss the | 0:22:07 | 0:22:10 | |
detail with events manager Rachel. | 0:22:10 | 0:22:13 | |
I wanted to talk through the food options. | 0:22:13 | 0:22:16 | |
I think I'd like to go with the children's finger food, | 0:22:16 | 0:22:19 | |
because the parents will probably be expecting | 0:22:19 | 0:22:21 | |
them to have eaten a fuller meal than just sandwiches. | 0:22:21 | 0:22:26 | |
Good idea, Caoimhe. So I also want to talk about party activities. | 0:22:26 | 0:22:30 | |
So they have things like hair braiding... | 0:22:31 | 0:22:34 | |
You know, I have a ten-year-old daughter myself, | 0:22:34 | 0:22:37 | |
so I know that they love the Merchant, | 0:22:37 | 0:22:39 | |
so it's going to be really, really fun, hopefully. | 0:22:39 | 0:22:41 | |
And the birthday girl, I hope, will really, really like it. | 0:22:41 | 0:22:44 | |
So I was thinking about colour scheme. | 0:22:44 | 0:22:46 | |
What's your favourite colours? | 0:22:46 | 0:22:48 | |
-Purple. -Purple. | 0:22:48 | 0:22:50 | |
Dark purple or lilac? | 0:22:50 | 0:22:52 | |
Lilac. But maybe that kind of blue might be nice. | 0:22:52 | 0:22:56 | |
-You like that blue? -Yeah. | 0:22:56 | 0:22:58 | |
I've probably got a max of 25 people coming. | 0:22:58 | 0:23:01 | |
They're all girls and I've got at least 13 people from my class. | 0:23:01 | 0:23:07 | |
Say you had it at your house and then you | 0:23:07 | 0:23:09 | |
would have to tidy up after yourself. | 0:23:09 | 0:23:11 | |
If you have it here, everyone else can do it for you! | 0:23:11 | 0:23:14 | |
If you get what I mean. | 0:23:14 | 0:23:16 | |
In the Great Room, it's less than an hour to the hotel's federation | 0:23:24 | 0:23:28 | |
dinner and although everything seems to be in place, | 0:23:28 | 0:23:31 | |
general manager Gavin casts his critical eye over every detail. | 0:23:31 | 0:23:35 | |
So we're going to have a concierge here from seven? | 0:23:38 | 0:23:42 | |
Yes, sir, seven o'clock, car park concierge welcoming all our guests. | 0:23:42 | 0:23:47 | |
Can you give this a little sweep? | 0:23:47 | 0:23:49 | |
Just all the steps right to the bottom of the pavement. | 0:23:49 | 0:23:52 | |
Yeah. Will do. | 0:23:52 | 0:23:53 | |
So, champagne served. | 0:23:55 | 0:23:57 | |
Champagne served on trays in the bar area. | 0:23:57 | 0:24:00 | |
We have to put how many people in here? | 0:24:00 | 0:24:02 | |
136. | 0:24:02 | 0:24:05 | |
-Canapes... -Canapes all served here. -Yes. | 0:24:05 | 0:24:07 | |
Can you get someone to go around and just make sure they're | 0:24:07 | 0:24:11 | |
sitting all exactly the same at all tables? | 0:24:11 | 0:24:13 | |
And maybe get someone with a pair of scissors to just | 0:24:13 | 0:24:17 | |
snip any wee bits that are... | 0:24:17 | 0:24:19 | |
-Yes, a bit loose. -Again, especially there, | 0:24:19 | 0:24:22 | |
-there is a bit of a lopsided heather going on. -Yes. | 0:24:22 | 0:24:25 | |
No, very happy, the room looks well. | 0:24:25 | 0:24:27 | |
It's good to see the room being used | 0:24:27 | 0:24:29 | |
for something so entirely different. | 0:24:29 | 0:24:31 | |
Good to go. | 0:24:31 | 0:24:33 | |
It's a big night for us. | 0:24:36 | 0:24:38 | |
There's a lot of attention sort of focused on us. | 0:24:38 | 0:24:40 | |
I know there's a few hoteliers that | 0:24:40 | 0:24:42 | |
come into your hotel and you certainly | 0:24:42 | 0:24:44 | |
make sure that you try and have everything just as it should be. | 0:24:44 | 0:24:47 | |
No, I'm very happy. I think it's going to be a great night. | 0:24:47 | 0:24:50 | |
Above in the roof garden, | 0:24:52 | 0:24:54 | |
it's time for the Merchant's first non grown-up gig. | 0:24:54 | 0:24:57 | |
Gavin and Rachel summon their inner child over last minute preparations. | 0:24:57 | 0:25:02 | |
Gavin's now an expert on which way children like their sweets! | 0:25:02 | 0:25:06 | |
I would not have any child have something to eat in the Merchant | 0:25:08 | 0:25:10 | |
that I haven't tried. | 0:25:10 | 0:25:12 | |
It's not really how we've seen the room before. | 0:25:17 | 0:25:19 | |
It's not usually the catering we would normally do either. | 0:25:19 | 0:25:22 | |
Rachel, leave some for the kids. | 0:25:22 | 0:25:24 | |
SHE LAUGHS | 0:25:24 | 0:25:26 | |
I have never eaten as many sweets in my entire life. | 0:25:26 | 0:25:28 | |
-It's so nice. -I can't... I actually can't eat any more. | 0:25:28 | 0:25:31 | |
The girls are going to arrive at reception. | 0:25:31 | 0:25:34 | |
We've got a sign there. | 0:25:34 | 0:25:35 | |
Tray service for their non-alcoholic mojitos. | 0:25:35 | 0:25:39 | |
Then the girls will come in. | 0:25:39 | 0:25:41 | |
They're going to play about and eat the sweets. | 0:25:41 | 0:25:43 | |
The food is going to come on afternoon tea stands. | 0:25:43 | 0:25:45 | |
The Wi-Fi code is because you know this generation, | 0:25:45 | 0:25:49 | |
they're all about the Instagram. | 0:25:49 | 0:25:51 | |
-I can't get over that. -I know. | 0:25:51 | 0:25:52 | |
Have you ever been to an 11-year-old birthday where the main detail was | 0:25:52 | 0:25:55 | |
make sure you've got Wi-Fi code ready? | 0:25:55 | 0:25:57 | |
It's a daunting departure for me. | 0:25:57 | 0:25:59 | |
It's not just a world I would know a lot about. | 0:25:59 | 0:26:02 | |
So, Rachel has a daughter around about the same age, | 0:26:02 | 0:26:04 | |
so I handed everything over to Rachel, really, | 0:26:04 | 0:26:06 | |
so it's her responsibility | 0:26:06 | 0:26:08 | |
to make sure that everything goes according to plan today, | 0:26:08 | 0:26:10 | |
-which I know it will. -Yeah, I love it. | 0:26:10 | 0:26:12 | |
I've loved chatting with Caoimhe about all her plans and | 0:26:12 | 0:26:15 | |
what she wants for the day. | 0:26:15 | 0:26:17 | |
I just want to make sure it's fun. | 0:26:17 | 0:26:19 | |
So it'll be a steep learning curve for us, I think, today, | 0:26:19 | 0:26:21 | |
-but they will tell us what they want. -Yeah, I can't wait. | 0:26:21 | 0:26:25 | |
By the time they arrive tonight, it'll be dark outside, so the fairy | 0:26:25 | 0:26:28 | |
lights and everything will have taken over in the patio area. | 0:26:28 | 0:26:31 | |
We'll just turn Justin Bieber up a little bit | 0:26:31 | 0:26:34 | |
-and that'll filter out the rain. -Oh, dear. | 0:26:34 | 0:26:37 | |
-Taylor Swift. -A bit of Taylor Swift. -Will you be dancing, Gavin? | 0:26:37 | 0:26:40 | |
Totes. | 0:26:40 | 0:26:41 | |
Sweet, but forget Gavin and Rachel, | 0:26:44 | 0:26:47 | |
this is all about the birthday girl. | 0:26:47 | 0:26:49 | |
Her guests, their moves, | 0:26:49 | 0:26:51 | |
and those celebrated cocktails at the Merchant. | 0:26:51 | 0:26:54 | |
Fresh mint, fresh lime, | 0:26:58 | 0:27:01 | |
apple juice, and shaken up and served over ice. | 0:27:01 | 0:27:04 | |
Let me know how it goes. | 0:27:04 | 0:27:06 | |
Nice. | 0:27:06 | 0:27:07 | |
Quite different. You keep forgetting that they're all children, | 0:27:33 | 0:27:36 | |
but, yeah, they all seem to be having a brilliant time. | 0:27:36 | 0:27:38 | |
It's so funny seeing them, they're so into the Wi-Fi | 0:27:38 | 0:27:41 | |
and posting on Instagram and they're just | 0:27:41 | 0:27:43 | |
taking constant selfies so it's really funny listening to all their | 0:27:43 | 0:27:47 | |
conversations, but they all seem to be having a really nice time, yeah. | 0:27:47 | 0:27:51 | |
THEY CHEER | 0:27:56 | 0:27:58 | |
Aw! | 0:28:01 | 0:28:03 | |
Job done. Kids' parties may now turn into a regular feature. | 0:28:06 | 0:28:09 | |
But how did Marco fair with the great and the good | 0:28:10 | 0:28:13 | |
of the Northern Irish hotel industry? | 0:28:13 | 0:28:15 | |
It went very well. | 0:28:20 | 0:28:22 | |
Very happy. Guests being all from the hospitality industry, obviously, | 0:28:22 | 0:28:27 | |
you're always a bit concerned with the feedback that you're going to | 0:28:27 | 0:28:31 | |
get. Delighted. At the end of the night, | 0:28:31 | 0:28:33 | |
lots of people paid compliment to the service. Very pleased. | 0:28:33 | 0:28:36 | |
Very proud. | 0:28:36 | 0:28:37 |