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Tucked away on the coast of North Norfolk | 0:00:04 | 0:00:07 | |
lies Wiveton Hall Farm, a 17th-century manor house | 0:00:07 | 0:00:11 | |
surrounded by fields of fruit, | 0:00:11 | 0:00:14 | |
vegetables and barley. | 0:00:14 | 0:00:16 | |
Come on, here. | 0:00:18 | 0:00:19 | |
It's home to gentleman farmer Desmond MacCarthy... | 0:00:19 | 0:00:23 | |
Penny, come on. | 0:00:23 | 0:00:25 | |
..who lives here with his 99-year-old mother, Chloe... | 0:00:25 | 0:00:28 | |
Nice shirt you've got on today. Where did you get that from? | 0:00:28 | 0:00:32 | |
-I did, I think in London. -London. | 0:00:32 | 0:00:34 | |
..and children, Isabel and Edmund. | 0:00:34 | 0:00:38 | |
This is my home-made cannon | 0:00:38 | 0:00:40 | |
that fires all sorts of fruit. | 0:00:40 | 0:00:42 | |
CANNON POPS SHE LAUGHS | 0:00:42 | 0:00:44 | |
Yay. | 0:00:44 | 0:00:45 | |
'When you look at the house from here, what do you think?' | 0:00:45 | 0:00:48 | |
Well, I always think how beautiful it is, | 0:00:48 | 0:00:51 | |
with the marshes behind leading to the sea, | 0:00:51 | 0:00:55 | |
it's a really special spot. | 0:00:55 | 0:00:56 | |
Throughout the spring and summer, | 0:00:59 | 0:01:01 | |
Desmond relies on his cafe, | 0:01:01 | 0:01:03 | |
cottages and crops to generate enough income | 0:01:03 | 0:01:06 | |
to keep the farm afloat. | 0:01:06 | 0:01:08 | |
Such a peculiar business, having to grow all this | 0:01:08 | 0:01:10 | |
and then convert it into money. | 0:01:10 | 0:01:12 | |
But balancing the books is never easy. | 0:01:12 | 0:01:15 | |
We are £19,000 down on last year. | 0:01:15 | 0:01:19 | |
Oh, dear. | 0:01:21 | 0:01:22 | |
Every year before winter closes in, | 0:01:22 | 0:01:25 | |
Desmond must find new ways to make ends meet... | 0:01:25 | 0:01:28 | |
I mean, just like how Glastonbury started. | 0:01:28 | 0:01:33 | |
Oh, my God! | 0:01:33 | 0:01:35 | |
..while trying to maintain the country traditions of his childhood. | 0:01:35 | 0:01:39 | |
Edmund, well shot. | 0:01:39 | 0:01:40 | |
I slowed him up. | 0:01:41 | 0:01:43 | |
I've lived here all my life. | 0:01:43 | 0:01:45 | |
I've probably got arrested development | 0:01:45 | 0:01:48 | |
because I've never grown up properly | 0:01:48 | 0:01:50 | |
because I've never moved away. | 0:01:50 | 0:01:52 | |
It's spring and after a long winter | 0:02:10 | 0:02:13 | |
Wiveton Hall Farm is coming back to life. | 0:02:13 | 0:02:16 | |
Very satisfactory. | 0:02:20 | 0:02:22 | |
I want to get it cut down this time of year before it's too late | 0:02:22 | 0:02:26 | |
so that any growth comes to something by the autumn. | 0:02:26 | 0:02:31 | |
Well done. We have to let the light in. | 0:02:31 | 0:02:34 | |
Edmund's getting a few more pizzas organised. | 0:02:38 | 0:02:41 | |
Today, with help from his children, | 0:02:42 | 0:02:45 | |
Desmond is hosting a party for all his farm and cafe workers. | 0:02:45 | 0:02:49 | |
Oh, brilliant, Isabel. Well done. | 0:02:50 | 0:02:54 | |
Shall I take those plates away? | 0:02:54 | 0:02:56 | |
Over the next six months, Desmond and his staff need to make | 0:02:56 | 0:03:00 | |
the most out of the busy Norfolk tourist season ahead. | 0:03:00 | 0:03:04 | |
Thank you all for coming. | 0:03:04 | 0:03:06 | |
We are approaching the front of when all sorts of people appear | 0:03:06 | 0:03:10 | |
who are on holiday. | 0:03:10 | 0:03:13 | |
It's quite unnatural to be | 0:03:13 | 0:03:15 | |
-with their families. -LAUGHTER | 0:03:15 | 0:03:17 | |
You can tell by the way they're walking, | 0:03:17 | 0:03:20 | |
they're uncomfortable, | 0:03:20 | 0:03:22 | |
the father's having to open his wallet every day. | 0:03:22 | 0:03:25 | |
It's really difficult, so be as nice to everyone as you can... | 0:03:25 | 0:03:28 | |
..because it's really unnatural for everyone to be together. | 0:03:30 | 0:03:33 | |
The family is not a natural unit any more. | 0:03:33 | 0:03:37 | |
But you are part of, part on the plantation, | 0:03:37 | 0:03:40 | |
you are, we are one big family... | 0:03:40 | 0:03:42 | |
LAUGHTER | 0:03:42 | 0:03:44 | |
So let's hope it all goes well. | 0:03:44 | 0:03:46 | |
Thank you all very much. Goodbye. | 0:03:46 | 0:03:48 | |
CHEERING AND APPLAUSE | 0:03:48 | 0:03:51 | |
We've got all these different projects going on here, | 0:03:54 | 0:03:57 | |
whether it's growing fruit | 0:03:57 | 0:03:59 | |
or the crops on the farm | 0:03:59 | 0:04:02 | |
or the cafe. | 0:04:02 | 0:04:04 | |
There's a short window of opportunity in that | 0:04:04 | 0:04:07 | |
that's when we've got to make our revenue. | 0:04:07 | 0:04:10 | |
And if the weather is right, people come, | 0:04:10 | 0:04:14 | |
if the weather's right, the crops do well | 0:04:14 | 0:04:18 | |
and we do well. | 0:04:18 | 0:04:20 | |
But if it doesn't go according to plan, you know, | 0:04:20 | 0:04:23 | |
you don't have a very good year | 0:04:23 | 0:04:25 | |
and so you're on your back foot for the next year. | 0:04:25 | 0:04:29 | |
Ordering, guys, one pork and two... | 0:04:31 | 0:04:34 | |
Nine years ago, Desmond converted an old barn | 0:04:34 | 0:04:37 | |
into the Wiveton Hall Cafe. | 0:04:37 | 0:04:40 | |
But despite its popularity, | 0:04:40 | 0:04:42 | |
it's yet to turn a profit. | 0:04:42 | 0:04:43 | |
Although the tills ring all through the summer and there's lots | 0:04:45 | 0:04:48 | |
and lots of people here and you can turn over | 0:04:48 | 0:04:50 | |
hundreds of thousands of pounds, | 0:04:50 | 0:04:52 | |
it's not that simple. | 0:04:52 | 0:04:53 | |
Last year was awful. | 0:04:53 | 0:04:56 | |
The cafe was very heavy on staff costs | 0:04:56 | 0:04:59 | |
and so if it continued to be run the way it was run last year, | 0:04:59 | 0:05:04 | |
I don't think it was a viable business. | 0:05:04 | 0:05:06 | |
It's different this year, we've made a few changes to the | 0:05:07 | 0:05:10 | |
structure of the cafe | 0:05:10 | 0:05:12 | |
which hopefully are working. | 0:05:12 | 0:05:14 | |
We're trying to run it on less staff | 0:05:15 | 0:05:18 | |
which means everyone has to work a lot harder | 0:05:18 | 0:05:21 | |
but hopefully it makes the cafe much more profitable | 0:05:21 | 0:05:26 | |
at the end of the year, | 0:05:26 | 0:05:27 | |
which is why we're all here really. | 0:05:27 | 0:05:29 | |
We're going to quickly see Ben | 0:05:34 | 0:05:36 | |
because we've got some exciting news. | 0:05:36 | 0:05:39 | |
In a bid to improve the image of the cafe, | 0:05:39 | 0:05:42 | |
Desmond has come up with a plan. | 0:05:42 | 0:05:45 | |
Who was that man called Campbell who helped Tony Blair? | 0:05:45 | 0:05:48 | |
-'Alistair.' -Alistair Campbell. | 0:05:49 | 0:05:51 | |
I mean he, you have to put a positive spin | 0:05:51 | 0:05:54 | |
on everything, don't you? He introduced that. | 0:05:54 | 0:05:56 | |
Oh, Ben, we know we said we hoped we'd get someone | 0:05:59 | 0:06:02 | |
to come and review us. | 0:06:02 | 0:06:03 | |
-OK. -Well, they're coming tomorrow. | 0:06:03 | 0:06:05 | |
-OK. -And he's called Mr Pembroke. -OK. | 0:06:05 | 0:06:09 | |
And we don't know anything about him | 0:06:09 | 0:06:12 | |
-other than he owns a magazine called The Oldie. -OK. | 0:06:12 | 0:06:16 | |
All we can do is give him a nice table and not upset him | 0:06:16 | 0:06:20 | |
-and hopefully he'll enjoy it. -Fantastic. | 0:06:20 | 0:06:23 | |
'You don't need more notice than that, do you?' | 0:06:25 | 0:06:28 | |
Yes, it's typical Desmond behaviour, that's for sure. | 0:06:28 | 0:06:31 | |
-'Have you heard of the magazine?' -I haven't, actually. | 0:06:33 | 0:06:36 | |
Charlotte? | 0:06:37 | 0:06:39 | |
Do you want to Google Oldie magazine and we'll have a look? | 0:06:39 | 0:06:42 | |
ROOSTER CROWS | 0:06:45 | 0:06:47 | |
ENGINE STUTTERS | 0:06:47 | 0:06:50 | |
ENGINE STARTS | 0:06:50 | 0:06:52 | |
THEY SPEAK OWN LANGUAGE | 0:06:52 | 0:06:55 | |
The first crop of the year to be harvested is the asparagus | 0:06:57 | 0:07:02 | |
which is picked every morning by a team of Eastern European farm hands. | 0:07:02 | 0:07:07 | |
'So, they're off to do the asparagus, are they?' | 0:07:07 | 0:07:09 | |
Well, they're going in the wrong direction, but anyway... | 0:07:09 | 0:07:12 | |
they may get there. | 0:07:12 | 0:07:13 | |
Bonnie, come on. | 0:07:18 | 0:07:21 | |
Well, I think the weedkiller's worked very well, hasn't it? | 0:07:21 | 0:07:24 | |
Here's a lovely asparagus. | 0:07:26 | 0:07:28 | |
We harvest it as it produces all these shoots | 0:07:28 | 0:07:34 | |
for the next two months. | 0:07:34 | 0:07:35 | |
With warm, humid weather | 0:07:35 | 0:07:37 | |
it will grow very fast. | 0:07:37 | 0:07:39 | |
It's quite an old crop so it's not the biggest. | 0:07:39 | 0:07:42 | |
If its stem was twice as thick we'd make twice as much money. | 0:07:42 | 0:07:46 | |
But I'm not nearly as proficient as others. | 0:07:46 | 0:07:49 | |
'What do you mean by that?' | 0:07:49 | 0:07:51 | |
'Well, I should have had a machine to bank up the soil. | 0:07:51 | 0:07:54 | |
I haven't got one of them. | 0:07:54 | 0:07:56 | |
'What are you doing, Pawel?' | 0:08:03 | 0:08:06 | |
Sorting asparagus. | 0:08:06 | 0:08:07 | |
Long, slim. | 0:08:08 | 0:08:10 | |
Short, big. | 0:08:11 | 0:08:13 | |
Different boxes. | 0:08:15 | 0:08:17 | |
'What's it like to work for Desmond?' | 0:08:17 | 0:08:19 | |
Everyone's crazy sometimes, | 0:08:19 | 0:08:22 | |
but he's really, he have good heart, good man. | 0:08:22 | 0:08:25 | |
On the other side of the farm, Desmond has come up with | 0:08:28 | 0:08:32 | |
another way to make money, | 0:08:32 | 0:08:34 | |
by turning the last of three farm cottages | 0:08:34 | 0:08:36 | |
into holiday lets. | 0:08:36 | 0:08:38 | |
It's a bit of a bombsite at the moment | 0:08:39 | 0:08:41 | |
but it's much better you see it now, then we'll see it transformed. | 0:08:41 | 0:08:45 | |
Hello, Rodney. This is Rodney. | 0:08:46 | 0:08:49 | |
Hello, there. | 0:08:49 | 0:08:50 | |
Rodney's done all these cottages up over the years. | 0:08:50 | 0:08:53 | |
Renovations have started but with the first booking a month away, | 0:08:54 | 0:08:59 | |
Desmond's keeping an eye on progress. | 0:08:59 | 0:09:01 | |
We're very lucky that we are here rather than the back of beyond, | 0:09:01 | 0:09:05 | |
as with our restaurant, we're in a very popular location. | 0:09:05 | 0:09:10 | |
Oh, well done. Peter's doing steps. | 0:09:12 | 0:09:16 | |
Hello, Peter. Peter is a craftsman. | 0:09:16 | 0:09:21 | |
Will you remind me? | 0:09:21 | 0:09:23 | |
Kitchen delivered week after next. | 0:09:23 | 0:09:27 | |
-Yes, you're away next week, aren't you? -Yes. | 0:09:27 | 0:09:29 | |
Anyway, this has had someone living here and enjoying it. | 0:09:29 | 0:09:33 | |
They liked it down the lane, | 0:09:33 | 0:09:37 | |
it was peaceful and quiet. | 0:09:37 | 0:09:39 | |
And he got up to all sorts of nefarious trades, allegedly. | 0:09:42 | 0:09:48 | |
And so he liked it tucked away. | 0:09:48 | 0:09:50 | |
But anyway, he's gone now, thank goodness. | 0:09:50 | 0:09:52 | |
'What do you mean by nefarious trade?' | 0:09:52 | 0:09:55 | |
Oh, well, you know, the sort of trade people get up to that... | 0:09:55 | 0:10:01 | |
supply people with substances, allegedly. | 0:10:01 | 0:10:07 | |
'So, have you got a name for the cottage?' | 0:10:08 | 0:10:10 | |
Oh, well, we're going to call it Smuggler's Cottage. | 0:10:10 | 0:10:13 | |
You can't really call it Drug Smuggler's Cottage but we'll see. | 0:10:13 | 0:10:19 | |
Small farming in the British Isles is increasingly hard. | 0:10:22 | 0:10:26 | |
Farmers have had to think of ways of | 0:10:26 | 0:10:29 | |
bringing in revenue from other sources. | 0:10:29 | 0:10:31 | |
So it might be having a lake | 0:10:31 | 0:10:35 | |
and doing fishing on it or | 0:10:35 | 0:10:38 | |
having a garden and opening it to the public. | 0:10:38 | 0:10:41 | |
All these things are diversified businesses | 0:10:41 | 0:10:44 | |
which have actually kept people employed on the farms | 0:10:44 | 0:10:48 | |
and connected to the properties and the land. | 0:10:48 | 0:10:52 | |
In the cafe, head chef Ben and his assistant, Ben, | 0:11:01 | 0:11:05 | |
are preparing for the arrival of the restaurant critic | 0:11:05 | 0:11:08 | |
from the humorous magazine, The Oldie. | 0:11:08 | 0:11:11 | |
-Are we feeling nervous about it? -I'm not, you probably are. | 0:11:11 | 0:11:14 | |
HE LAUGHS | 0:11:14 | 0:11:15 | |
You're not meant to say things like that. | 0:11:15 | 0:11:18 | |
Cool, calm and collected at all times, | 0:11:18 | 0:11:20 | |
unless it is a bad review. | 0:11:20 | 0:11:22 | |
'How will Desmond be today?' | 0:11:27 | 0:11:29 | |
Um... | 0:11:29 | 0:11:30 | |
It depends on how much wine he had to drink last night. | 0:11:30 | 0:11:33 | |
He's called Pembroke, he's coming to eat in the cafe | 0:11:36 | 0:11:39 | |
and apparently he's only ever eaten four meals at home in his life. | 0:11:39 | 0:11:45 | |
So I'm imagining he's enormous. | 0:11:45 | 0:11:48 | |
-Ah, hello, nice to meet you. -Absolutely. | 0:11:49 | 0:11:52 | |
I love your glasses. | 0:11:52 | 0:11:53 | |
-Yes, I know, they're very expensive. -Very expensive. | 0:11:53 | 0:11:56 | |
Now, come in. | 0:11:56 | 0:11:59 | |
-You are a publisher. -Absolutely. | 0:11:59 | 0:12:01 | |
And what else do you publish other than The Oldie? | 0:12:01 | 0:12:04 | |
The Oldie and I publish a garden design journal, | 0:12:04 | 0:12:08 | |
-and a magazine for a cycling tourist club. -Yes. | 0:12:08 | 0:12:11 | |
So that's it. Most of my time's The Oldie, really. | 0:12:11 | 0:12:15 | |
Oh, isn't that good? | 0:12:15 | 0:12:17 | |
I have to say, I've only read it before in the doctor's surgery | 0:12:17 | 0:12:21 | |
but now I've got my own copy. | 0:12:21 | 0:12:25 | |
So you choose the restaurant. | 0:12:25 | 0:12:27 | |
I write the restaurant column, yeah. | 0:12:27 | 0:12:29 | |
Ah, yes. There we are, look at that. | 0:12:29 | 0:12:32 | |
-Where's Josephine? -Coming. | 0:12:32 | 0:12:34 | |
Come on, Chrissie. | 0:12:34 | 0:12:36 | |
Ah, brilliant. Look at this. Look, look at this. | 0:12:38 | 0:12:42 | |
-This was the shed for storing barley and machinery. -Lovely. | 0:12:42 | 0:12:47 | |
-A little shop there... -So you converted it rather than built it? | 0:12:47 | 0:12:50 | |
-Yes, yes, converted it. -Brilliant. -You can see the view. | 0:12:50 | 0:12:53 | |
Oh, my God. | 0:12:53 | 0:12:55 | |
Yeah, that's amazing. | 0:12:55 | 0:12:57 | |
It's only a shame it's the North Sea, isn't it, really? | 0:12:58 | 0:13:01 | |
When you go to the country, | 0:13:02 | 0:13:03 | |
you want to go to a destination restaurant, really, | 0:13:03 | 0:13:06 | |
so you want it to be somewhere nice, you know, | 0:13:06 | 0:13:08 | |
looking over the marshes here, God, I mean, how nice is that? | 0:13:08 | 0:13:11 | |
Sunny day, glass of rose, what could be better? | 0:13:11 | 0:13:14 | |
A lot of asparagus. Oh, well, my God. | 0:13:18 | 0:13:22 | |
He's ordered an asparagus with butter and black pepper to start | 0:13:22 | 0:13:25 | |
followed by two hake, a crab salad and a portion of mixed bread. | 0:13:25 | 0:13:29 | |
Service, please. | 0:13:29 | 0:13:31 | |
The old adage is go for the fish | 0:13:31 | 0:13:33 | |
cos the fish tests the chef | 0:13:33 | 0:13:35 | |
cos fish is really difficult to cook, as we all know. | 0:13:35 | 0:13:37 | |
I mean, it can really go wrong. | 0:13:37 | 0:13:38 | |
That's it, two hake... | 0:13:40 | 0:13:41 | |
..and one crab salad for table 11. Phew. | 0:13:42 | 0:13:45 | |
More asparagus. | 0:13:46 | 0:13:48 | |
Unless he's exceptionally fussy, I can't see why he wouldn't like it. | 0:13:49 | 0:13:53 | |
'Will the review make a difference, do you think?' | 0:13:53 | 0:13:56 | |
Well, the review, we need all the, | 0:13:56 | 0:13:57 | |
well, of course The Oldie comes out once a month | 0:13:57 | 0:14:00 | |
and the grey pound, the retirement people's pound | 0:14:00 | 0:14:04 | |
is something that we really should tap into. | 0:14:04 | 0:14:08 | |
So we'll see how it goes. | 0:14:08 | 0:14:10 | |
He's spending a grey pound over there. | 0:14:10 | 0:14:13 | |
I soon will be. | 0:14:13 | 0:14:15 | |
I hope it's going well. | 0:14:15 | 0:14:17 | |
He hasn't sent it back so that's always a good start. | 0:14:17 | 0:14:20 | |
God, it is good actually. I mean, it is good, isn't it? | 0:14:22 | 0:14:25 | |
Really good food. | 0:14:25 | 0:14:27 | |
Dear old Desmond. | 0:14:27 | 0:14:29 | |
The asparagus is now halfway through its eight-week cycle, | 0:14:36 | 0:14:40 | |
prompting Desmond to open the | 0:14:40 | 0:14:42 | |
roadside stall for the first time this year. | 0:14:42 | 0:14:46 | |
This is what they call a seasonal shop. | 0:14:46 | 0:14:49 | |
It's been shut for quite a few months. | 0:14:49 | 0:14:53 | |
Oh, look, a customer. How exciting. | 0:14:54 | 0:14:57 | |
How many do you want? | 0:14:58 | 0:15:00 | |
We'll do a deal. | 0:15:00 | 0:15:01 | |
Five bunches. | 0:15:01 | 0:15:03 | |
How wonderful. If every customer... | 0:15:03 | 0:15:05 | |
..was like you, we'd be very happy. | 0:15:07 | 0:15:09 | |
That was an encouraging flurry of business, long may it last. | 0:15:11 | 0:15:16 | |
We've taken £20 in minutes. | 0:15:16 | 0:15:19 | |
Lovely rhubarb. Isn't it good? | 0:15:21 | 0:15:24 | |
In the pick-your-own fields | 0:15:33 | 0:15:35 | |
the strawberries are beginning to ripen | 0:15:35 | 0:15:37 | |
so Desmond has drafted in extra help. | 0:15:37 | 0:15:40 | |
These people are all from Lithuania | 0:15:41 | 0:15:44 | |
and they've come for a few days... | 0:15:44 | 0:15:46 | |
..from King's Lynn to help catch up | 0:15:47 | 0:15:50 | |
on weeds just before we do the pick-your-own. | 0:15:50 | 0:15:52 | |
I brought my mother to come along and see how things are going. | 0:15:53 | 0:15:57 | |
She's very good at assessing things. | 0:15:58 | 0:16:01 | |
We've come to see the fruit, haven't we? | 0:16:01 | 0:16:03 | |
It's all coming along. | 0:16:03 | 0:16:05 | |
And then they're spreading some straw, aren't they? | 0:16:05 | 0:16:07 | |
To keep the weeds down as well, as a mulch. | 0:16:07 | 0:16:10 | |
Very nice people. | 0:16:10 | 0:16:11 | |
The last gang we had were less productive | 0:16:11 | 0:16:15 | |
in that alcohol seemed to be a constant feature | 0:16:15 | 0:16:21 | |
of their daily drink consumption. | 0:16:21 | 0:16:26 | |
So we had to, they didn't stay long. | 0:16:26 | 0:16:29 | |
'Even agency staff are from Eastern Europe now.' | 0:16:32 | 0:16:34 | |
Oh, yes. I don't know what it is, | 0:16:34 | 0:16:37 | |
but on a day like this, it's not a bad job. | 0:16:37 | 0:16:40 | |
But people don't seem to want to work outside... | 0:16:40 | 0:16:43 | |
..for whatever reason. | 0:16:45 | 0:16:47 | |
Maybe they do want to work outside but don't want to work for me. | 0:16:47 | 0:16:50 | |
That may be another question | 0:16:50 | 0:16:52 | |
which we can't... | 0:16:52 | 0:16:55 | |
we can't really answer. | 0:16:55 | 0:16:56 | |
Would you like to come and see the cottage? | 0:17:06 | 0:17:09 | |
Come on, don't trip over the thing. | 0:17:09 | 0:17:11 | |
99-year-old Chloe has been living at Wiveton Hall | 0:17:13 | 0:17:17 | |
since her parents bought the farm in 1944. | 0:17:17 | 0:17:21 | |
What do you think of this bit at the back here? | 0:17:21 | 0:17:24 | |
It's lovely. Nice. | 0:17:25 | 0:17:27 | |
Look at the roses behind. | 0:17:27 | 0:17:29 | |
The roses over there. | 0:17:29 | 0:17:31 | |
-Do you see on that house? -Yes. -No, you don't. | 0:17:33 | 0:17:38 | |
I just can't really see them. | 0:17:38 | 0:17:40 | |
-No, all right. -I can just see them. | 0:17:40 | 0:17:42 | |
Do you want go round the back? Round that way? | 0:17:42 | 0:17:44 | |
See the daisies. | 0:17:46 | 0:17:47 | |
And I'll come round and get you. | 0:17:51 | 0:17:52 | |
With the first guests due to arrive in a week's time | 0:17:59 | 0:18:02 | |
the builders have got everything under control. | 0:18:02 | 0:18:05 | |
Not bad for a beginner. | 0:18:07 | 0:18:08 | |
But Desmond can't resist getting involved. | 0:18:09 | 0:18:13 | |
It's a great art getting fires to work. | 0:18:13 | 0:18:16 | |
-Peter... -Yeah? | 0:18:16 | 0:18:17 | |
Would you try and help me? | 0:18:17 | 0:18:19 | |
What do you think, Peter? Is it drawing all right? | 0:18:20 | 0:18:23 | |
I'd open the door just a crack to see if you can get a whoof. | 0:18:23 | 0:18:25 | |
No, no, no, we're not going to be sitting here with the door open | 0:18:25 | 0:18:28 | |
when you're on holiday. | 0:18:28 | 0:18:30 | |
I think that's going to be a wrong 'un. | 0:18:30 | 0:18:32 | |
Oh, bloody hell. | 0:18:32 | 0:18:34 | |
Yeah, it's very smoky. | 0:18:35 | 0:18:37 | |
I mean, very nice if you want to make kippers on holiday. Or ham. | 0:18:37 | 0:18:42 | |
-Have you got it? -Yes. | 0:18:42 | 0:18:44 | |
What do you think? Do you think it looks a bit sort of | 0:18:45 | 0:18:48 | |
house that a hobbit would live in? | 0:18:48 | 0:18:50 | |
It's chunkier than I had envisaged. | 0:18:50 | 0:18:52 | |
-SMOKE ALARM BEEPS -Oh, Lord! | 0:18:52 | 0:18:55 | |
Nothing in life goes quite according to plan, does it? | 0:18:56 | 0:19:00 | |
Lenny, I'm sorry about this. We'll leave now. | 0:19:00 | 0:19:02 | |
Ah, quite, quite smoky, wasn't it? | 0:19:04 | 0:19:06 | |
Oh, my goodness. Hello. | 0:19:06 | 0:19:08 | |
This way. | 0:19:09 | 0:19:11 | |
That's the fence. There's nothing going to stop you. | 0:19:11 | 0:19:15 | |
There's nothing that will stop her. | 0:19:17 | 0:19:18 | |
-Look at this, Sandy. -What's that? The Oldie. | 0:19:29 | 0:19:32 | |
-That's us. -Which I now take. -Do you take The Oldie? | 0:19:32 | 0:19:34 | |
The review of the cafe has been published. | 0:19:34 | 0:19:37 | |
Desmond is joined by his daughter, Isabel, | 0:19:37 | 0:19:40 | |
and best friend, Andrew. | 0:19:40 | 0:19:42 | |
-Oh, look, it starts... -What does it say? | 0:19:42 | 0:19:45 | |
"As this renowned bird lover sprung | 0:19:45 | 0:19:48 | |
"hobbit-like from the undergrowth of his garden..." | 0:19:48 | 0:19:51 | |
-LAUGHS: -Yes. | 0:19:51 | 0:19:53 | |
"..I was delighted to discover he had trained two young | 0:19:53 | 0:19:56 | |
"blackbirds to perch on his forehead. | 0:19:56 | 0:19:59 | |
"Only when he drew closer they became shoulder width eyebrows." | 0:19:59 | 0:20:04 | |
THEY LAUGH | 0:20:04 | 0:20:07 | |
"He has agreed to bequeath them to the RSPB as nesting sites." | 0:20:07 | 0:20:11 | |
A little over doing the eyebrows, but there we are. | 0:20:11 | 0:20:15 | |
-We got reviewed. -OK. | 0:20:16 | 0:20:18 | |
They go on a bit about me and my eyebrows a bit. | 0:20:18 | 0:20:21 | |
"Desmond has got every aspect of his cafe right, | 0:20:22 | 0:20:27 | |
"not least the price for beyond excellent food. | 0:20:27 | 0:20:31 | |
"Ben the chef is a marvel with fish and sauces." | 0:20:31 | 0:20:35 | |
There we are. All helps. | 0:20:35 | 0:20:37 | |
Grey pound is what we want to get into, isn't it? | 0:20:37 | 0:20:41 | |
Anyway, very nice. | 0:20:41 | 0:20:42 | |
Yeah, happy with that. | 0:20:42 | 0:20:44 | |
After weeks of early morning picking, | 0:20:52 | 0:20:55 | |
it's the last day for the farm workers in the asparagus fields. | 0:20:55 | 0:20:59 | |
'Will you miss it?' | 0:21:00 | 0:21:02 | |
-Asparagus? -'Yes.' -No. | 0:21:02 | 0:21:03 | |
As much as we love asparagus and it's important to Wiveton... | 0:21:08 | 0:21:11 | |
..we're all a little bit tired of prepping it. | 0:21:13 | 0:21:16 | |
Hopefully financially rewarding for Desmond. | 0:21:17 | 0:21:21 | |
You know, it is an expensive product for people to buy | 0:21:21 | 0:21:23 | |
so it would be a shame really | 0:21:23 | 0:21:26 | |
if we don't make money on it. | 0:21:26 | 0:21:27 | |
Are you ready for asparagus, Desmond? | 0:21:31 | 0:21:35 | |
In the office, Kim has been adding up the numbers. | 0:21:35 | 0:21:38 | |
Desmond? | 0:21:38 | 0:21:40 | |
-Shall I come over there? -Don't let's worry, | 0:21:40 | 0:21:43 | |
I want to go and enjoy... | 0:21:43 | 0:21:45 | |
sugar... I want to go and enjoy the... | 0:21:45 | 0:21:48 | |
Body language tells me it's all over. | 0:21:48 | 0:21:51 | |
A psychologist would tell you | 0:21:51 | 0:21:53 | |
I don't want to face facts. | 0:21:53 | 0:21:57 | |
This is the stall, so the stall is where it's down a lot... | 0:21:57 | 0:22:00 | |
£2,000... | 0:22:01 | 0:22:03 | |
..with asparagus and asparagus for soup, which is the... | 0:22:04 | 0:22:07 | |
..lower grade stuff. | 0:22:09 | 0:22:11 | |
The decline partly reflects the fact that the bed is getting quite | 0:22:11 | 0:22:15 | |
old and we've decided that we're not going to pull out one bit. | 0:22:15 | 0:22:18 | |
It's just too thin. | 0:22:18 | 0:22:20 | |
So will you get another year from it? | 0:22:20 | 0:22:23 | |
-We would get it, but not a very brilliant one. -Mm. | 0:22:23 | 0:22:26 | |
So, will we do asparagus next year? | 0:22:28 | 0:22:30 | |
Well, I could speak to someone about reviving it by banking it up. | 0:22:30 | 0:22:33 | |
-It's very popular in the cafe. -Mm. | 0:22:38 | 0:22:40 | |
Bottom line. I love living here | 0:22:43 | 0:22:47 | |
and I want to make, keep the house standing, | 0:22:47 | 0:22:51 | |
the barns in better condition, you know, the place, | 0:22:51 | 0:22:53 | |
and have a little bit, you know amount of money to buy some petrol. | 0:22:53 | 0:22:57 | |
And... But you have to think a bit more than that nowadays. | 0:22:57 | 0:23:01 | |
Desmond, I'm biting my tongue. | 0:23:08 | 0:23:11 | |
Why are you biting your tongue? | 0:23:11 | 0:23:13 | |
Because we're trying to do things at the minute and | 0:23:13 | 0:23:16 | |
someone's getting in the way. | 0:23:16 | 0:23:18 | |
-Is that chest of drawers back as far as it will go, Sue? -No. | 0:23:18 | 0:23:23 | |
-Would you move it back a bit? -No. | 0:23:23 | 0:23:25 | |
It's all hands on deck over at Smuggler's Cottage | 0:23:26 | 0:23:30 | |
with the first paying guests due tomorrow. | 0:23:30 | 0:23:32 | |
-Hello. -Hello. | 0:23:32 | 0:23:34 | |
Those useless people with the day bed, | 0:23:34 | 0:23:37 | |
we don't think they brought a mattress. | 0:23:37 | 0:23:40 | |
-That's ridiculous. -So will you give someone hell and tell them to get in | 0:23:40 | 0:23:44 | |
-the car and bring it from Timbuktu? -Yes. | 0:23:44 | 0:23:47 | |
Along with the help of his son, Edmund, Desmond has hired | 0:23:47 | 0:23:50 | |
the services of family friend and interior designer, Annabel Grey. | 0:23:50 | 0:23:55 | |
Sunflowers, the Van Gogh. | 0:23:55 | 0:23:58 | |
I'm coming round to the Sunflowers. | 0:23:58 | 0:24:00 | |
-I know. -Well, does this want to go upstairs in the little bedroom? | 0:24:00 | 0:24:04 | |
Careful, Edmund, it's not, think for a moment. | 0:24:04 | 0:24:07 | |
It's wood. | 0:24:07 | 0:24:09 | |
Think for a moment. Is it not just meant to have a mattress on it? | 0:24:09 | 0:24:12 | |
-Oh, hello. -Hello. -It's not coming, why not? | 0:24:12 | 0:24:15 | |
Because there's been a complete cock-up. | 0:24:15 | 0:24:17 | |
I'm just going to go and see what mattress we've got. | 0:24:17 | 0:24:19 | |
Surely we've got a spare mattress. | 0:24:21 | 0:24:23 | |
I'm looking for... Oh, look. | 0:24:32 | 0:24:34 | |
Do you think he's going to come back? Have you got a phone, Annabel? | 0:24:34 | 0:24:39 | |
Because we're running out of time, aren't we? | 0:24:39 | 0:24:42 | |
Look at it, lovely colour. | 0:24:42 | 0:24:45 | |
-It's horsehair. -It's lumpy. | 0:24:46 | 0:24:48 | |
-It's horsehair. -It's like a dog's bed. | 0:24:48 | 0:24:51 | |
I think my mother won't know to miss it. | 0:24:51 | 0:24:53 | |
SHE LAUGHS | 0:24:53 | 0:24:55 | |
-Does it feel stringy? -No, it's lovely now. | 0:24:56 | 0:24:59 | |
Quite all right. You see what our sofa is. | 0:24:59 | 0:25:02 | |
-It's too big. -We're not going to get it | 0:25:02 | 0:25:05 | |
absolutely perfect in 24 hours. | 0:25:05 | 0:25:07 | |
Annabel, just don't worry. | 0:25:07 | 0:25:09 | |
-Perfect. -Level? -Level. -Yes? -Yeah. | 0:25:20 | 0:25:25 | |
SHE LAUGHS | 0:25:29 | 0:25:32 | |
Oh, I thought you said it was perfect. | 0:25:32 | 0:25:35 | |
What's the matter with you, child? | 0:25:35 | 0:25:37 | |
The next morning, | 0:25:51 | 0:25:52 | |
and with the first guest about to arrive at Smuggler's Cottage, | 0:25:52 | 0:25:56 | |
Desmond is feeling a little worse for wear. | 0:25:56 | 0:26:00 | |
Hello. How do you do? | 0:26:00 | 0:26:02 | |
We'll find the key. | 0:26:04 | 0:26:06 | |
You're the first customers. | 0:26:06 | 0:26:07 | |
Very exciting. I'm afraid the lawn's not perfect, | 0:26:07 | 0:26:12 | |
if any of you are any good at catching moles. | 0:26:12 | 0:26:15 | |
I'm not sure which key does what at the moment. | 0:26:15 | 0:26:20 | |
Where's the key? | 0:26:20 | 0:26:22 | |
Wait. | 0:26:24 | 0:26:25 | |
Ah, um, let me go and look. | 0:26:26 | 0:26:30 | |
Wait, wait, we'll go and look. | 0:26:30 | 0:26:32 | |
Um... | 0:26:32 | 0:26:33 | |
That was a bit of a false start. | 0:26:34 | 0:26:36 | |
Um, I'll just go back and get the key, | 0:26:36 | 0:26:39 | |
if you wouldn't mind waiting here. | 0:26:39 | 0:26:42 | |
'What did you do last night, Desmond?' | 0:26:44 | 0:26:47 | |
It was the 200th anniversary of the Battle of Waterloo. | 0:26:47 | 0:26:52 | |
We drank some 200-year-old Madeira | 0:26:52 | 0:26:57 | |
which had been kept in a barrel for many, many years and topped up. | 0:26:57 | 0:27:01 | |
Do you know, it was very good. | 0:27:02 | 0:27:04 | |
But I don't think I should drink it too often. | 0:27:04 | 0:27:08 | |
I've got the key, nightmare. | 0:27:12 | 0:27:14 | |
-There, here we go in, go in. -Yeah? | 0:27:15 | 0:27:18 | |
People have got high expectations. | 0:27:18 | 0:27:22 | |
It's the way of the world, you know. | 0:27:22 | 0:27:24 | |
So you've got to be really good at what you do now. | 0:27:24 | 0:27:27 | |
Now, that's open at the moment. | 0:27:27 | 0:27:29 | |
Oh, we could have got in this door. | 0:27:29 | 0:27:32 | |
It's got a remote control. | 0:27:32 | 0:27:34 | |
Yes, it's very important so you don't lose them. | 0:27:34 | 0:27:37 | |
Hope the TV works. | 0:27:39 | 0:27:41 | |
We've got to be terribly professional, | 0:27:41 | 0:27:43 | |
which is a shame in some respects. | 0:27:43 | 0:27:46 | |
There's no room for people to muddle along. | 0:27:46 | 0:27:49 | |
'Did there use to be?' | 0:27:49 | 0:27:51 | |
I think there was more room. | 0:27:51 | 0:27:53 | |
-We'll see you later. -Yeah, see you around. Cheers. | 0:27:53 | 0:27:56 | |
You're the first person. | 0:27:56 | 0:27:58 | |
-Anyway, good. See you later. -Yes, bye. | 0:27:58 | 0:28:00 | |
There we are. | 0:28:01 | 0:28:02 | |
Look at this, weighed down with fruit. | 0:28:07 | 0:28:10 | |
Look, so ripe they're falling off. | 0:28:10 | 0:28:13 | |
Oh, my God. Pigeons round me everywhere. | 0:28:13 | 0:28:17 | |
No brave beekeeper bothers with cream | 0:28:18 | 0:28:21 | |
but I'm not a professional. | 0:28:21 | 0:28:22 |