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This programme contains some strong language | 0:00:02 | 0:00:04 | |
-COCK CROWS -That's one of the roosters. | 0:00:04 | 0:00:07 | |
Look at the surly way he's looking at us. | 0:00:07 | 0:00:10 | |
Looks like Napoleon. | 0:00:12 | 0:00:13 | |
-INTERVIEWER: -What will happen to him eventually? | 0:00:13 | 0:00:15 | |
Soup. | 0:00:15 | 0:00:17 | |
Or cockerel korma. | 0:00:17 | 0:00:19 | |
Tucked away on the coast of North Norfolk | 0:00:25 | 0:00:28 | |
lies Wiveton Hall Farm, | 0:00:28 | 0:00:30 | |
a 17th-century manor house surrounded by fields of fruit, | 0:00:30 | 0:00:34 | |
vegetables and barley. | 0:00:34 | 0:00:36 | |
-HE WHISTLES -Come on. | 0:00:38 | 0:00:40 | |
It is home to gentleman farmer Desmond MacCarthy... | 0:00:40 | 0:00:44 | |
Kelly. Come on. | 0:00:44 | 0:00:46 | |
..who lives here with his 99-year-old mother, Chloe... | 0:00:46 | 0:00:49 | |
Nice shirt you've got on today. Where did you get that from? | 0:00:49 | 0:00:53 | |
-I don't know. I think London. -London. | 0:00:53 | 0:00:55 | |
..and children Isabel and Edmund. | 0:00:55 | 0:00:59 | |
This is my home-made cannon that fires all sorts of fruit. | 0:00:59 | 0:01:03 | |
-POP! -Yay! | 0:01:03 | 0:01:05 | |
LAUGHTER | 0:01:05 | 0:01:06 | |
-INTERVIEWER: -When you look at the house from here, what do you think? | 0:01:06 | 0:01:09 | |
Well, I always think how beautiful it is. | 0:01:09 | 0:01:12 | |
With the marshes behind, leading to the sea, | 0:01:12 | 0:01:15 | |
it's a really special spot. | 0:01:15 | 0:01:17 | |
Throughout the spring and summer, | 0:01:19 | 0:01:22 | |
Desmond relies on his cafe, cottages and crops | 0:01:22 | 0:01:25 | |
to generate enough income to keep the farm afloat. | 0:01:25 | 0:01:29 | |
So overall, it's probably about 15,000 down. | 0:01:29 | 0:01:32 | |
But with his fruit and vegetable farm underperforming, | 0:01:32 | 0:01:36 | |
Desmond is looking for new ways to make money... | 0:01:36 | 0:01:39 | |
I mean, just like... | 0:01:39 | 0:01:41 | |
how Glastonbury started. | 0:01:41 | 0:01:43 | |
-GUNSHOT -Oh, my God. | 0:01:43 | 0:01:45 | |
GUNSHOTS | 0:01:45 | 0:01:46 | |
..while making the most of the start of the shooting season. | 0:01:46 | 0:01:49 | |
Edmund, well shot. | 0:01:49 | 0:01:52 | |
I slowed him up. | 0:01:52 | 0:01:53 | |
-Watch out for the thistles. -Oh, look. | 0:01:55 | 0:01:58 | |
I've lived here all my life. | 0:01:58 | 0:02:00 | |
I've probably got arrested development because I've never... | 0:02:00 | 0:02:04 | |
I've never grown up properly because I've never moved away. | 0:02:04 | 0:02:07 | |
This programme contains some strong language | 0:02:09 | 0:02:16 | |
It's late summer and the barley on Wiveton Hall Farm | 0:02:30 | 0:02:33 | |
is ready for harvest. | 0:02:33 | 0:02:36 | |
Look at that. | 0:02:36 | 0:02:38 | |
It's a hell of a cut. | 0:02:38 | 0:02:39 | |
Look, in one go, | 0:02:39 | 0:02:41 | |
all this straw will be chopped and ploughed in. | 0:02:41 | 0:02:45 | |
It's the beginning of the August bank holiday | 0:02:45 | 0:02:48 | |
and the last chance for the cafe to take advantage | 0:02:48 | 0:02:51 | |
of the Norfolk tourist trade. | 0:02:51 | 0:02:52 | |
I mean, I suppose it's a fact of life - | 0:02:54 | 0:02:57 | |
we're all after revenue. | 0:02:57 | 0:02:58 | |
Inland Revenue's after revenue, we're after revenue, | 0:03:00 | 0:03:04 | |
you're after revenue. | 0:03:04 | 0:03:05 | |
One wrap and an adult's pasta now coming. | 0:03:07 | 0:03:10 | |
With the sun shining, the cafe is fully booked. | 0:03:10 | 0:03:13 | |
-41? -Yeah, two seconds, Richie. | 0:03:13 | 0:03:15 | |
I've got other stuff going with it, mate. | 0:03:15 | 0:03:17 | |
Business manager Kim is relying on the weather to hold out | 0:03:17 | 0:03:21 | |
and provide a strong finish to the season. | 0:03:21 | 0:03:23 | |
It's a crucial weekend because this is the time where | 0:03:23 | 0:03:26 | |
we make the extra money. | 0:03:26 | 0:03:29 | |
That's the cream on the top | 0:03:29 | 0:03:30 | |
that gives us our extra profit at the end. | 0:03:30 | 0:03:33 | |
So, yeah, it's quite crucial. And it quietens down. | 0:03:33 | 0:03:35 | |
Next week will be much quieter, children will be back at school. | 0:03:35 | 0:03:38 | |
So after this weekend we're running out of time. | 0:03:38 | 0:03:42 | |
I'm hoping that Bank Holiday Monday will be really busy | 0:03:42 | 0:03:46 | |
but the forecast isn't great. | 0:03:46 | 0:03:48 | |
It really is just the weather now that's our biggest enemy. | 0:03:48 | 0:03:51 | |
Wiveton Hall Farm dates back to the 17th century. | 0:03:55 | 0:04:00 | |
Desmond's family has been working the land here since 1944. | 0:04:00 | 0:04:04 | |
COCK CROWS | 0:04:04 | 0:04:05 | |
-Everything all right? -Yeah. | 0:04:08 | 0:04:10 | |
The oldest living resident is Desmond's mother, Chloe, | 0:04:10 | 0:04:13 | |
who will soon be turning 100. | 0:04:13 | 0:04:15 | |
-You've got a birthday coming up. -Yes. | 0:04:17 | 0:04:20 | |
I mean, it's quite a special birthday, isn't it? | 0:04:21 | 0:04:24 | |
I mean, Queen Victoria was practically on the throne. | 0:04:24 | 0:04:28 | |
Not quite. | 0:04:28 | 0:04:29 | |
We've ordered a tent for it. | 0:04:31 | 0:04:33 | |
-We thought we'd better push the boat out. -Yes. | 0:04:35 | 0:04:38 | |
Chloe's centenary will be celebrated with a garden party | 0:04:44 | 0:04:48 | |
with 120 friends and family attending. | 0:04:48 | 0:04:51 | |
Who's that? Is that you? Granny, here, look. | 0:04:51 | 0:04:55 | |
-That is me. -Mm. | 0:04:55 | 0:04:58 | |
17-year-old granddaughter Isabel | 0:04:58 | 0:05:01 | |
is putting together a photo board of Chloe's life. | 0:05:01 | 0:05:04 | |
We can put them up in the tent so people can see what you | 0:05:04 | 0:05:07 | |
-looked like when you were younger, for your birthday. -All right. | 0:05:07 | 0:05:11 | |
That's rather a nice photograph. | 0:05:12 | 0:05:14 | |
-How old were you? -Probably 18. | 0:05:14 | 0:05:17 | |
She's going to be 100. | 0:05:18 | 0:05:20 | |
I mean, she's never smoked but she drunk in moderation. | 0:05:20 | 0:05:25 | |
She hasn't had the most exciting life but it hasn't gone too badly. | 0:05:25 | 0:05:31 | |
That was watching the coronation. | 0:05:31 | 0:05:35 | |
It's amazing how... How long she... | 0:05:35 | 0:05:40 | |
She's been there. | 0:05:40 | 0:05:43 | |
In the early 1970s, | 0:05:43 | 0:05:45 | |
Chloe unexpectedly found herself in charge of Wiveton Hall Farm. | 0:05:45 | 0:05:50 | |
There's my husband. | 0:05:50 | 0:05:51 | |
Her mother, her father and her husband all died within two years | 0:05:51 | 0:05:55 | |
of each other and it must have been very sad for her. | 0:05:55 | 0:05:59 | |
And she could have easily sold this place but she didn't. | 0:05:59 | 0:06:03 | |
You know, she knew I loved the place | 0:06:03 | 0:06:06 | |
and it was a wonderful place for children to grow up in. | 0:06:06 | 0:06:09 | |
Probably why I've never done anything else, | 0:06:09 | 0:06:12 | |
because it is a lovely, special place. | 0:06:12 | 0:06:14 | |
-INTERVIEWER: -Do you think your mother now has any idea what it | 0:06:14 | 0:06:17 | |
takes for you to keep this place going? | 0:06:17 | 0:06:18 | |
Yeah, I don't think she... She doesn't sort of measure things. | 0:06:18 | 0:06:22 | |
I did talk to her about profitability. | 0:06:22 | 0:06:24 | |
She said, "What's that?" | 0:06:24 | 0:06:25 | |
Despite the promising start to the bank holiday, | 0:06:29 | 0:06:33 | |
the weather has turned and the cafe has taken a big hit. | 0:06:33 | 0:06:37 | |
-Friday night was a beautiful evening. -Mm-hm. | 0:06:37 | 0:06:41 | |
Sunday lunch, breakfast and lunch, it rained | 0:06:41 | 0:06:43 | |
and then yesterday was a complete wash-out. | 0:06:43 | 0:06:46 | |
-It rained all day. -It was a torrent. -Mm. | 0:06:46 | 0:06:49 | |
And we're so exposed. | 0:06:49 | 0:06:51 | |
If it could be August, you could go out, and a northerly wind straight | 0:06:51 | 0:06:55 | |
off the marsh, you could be on the bridge of a trawler or something. | 0:06:55 | 0:06:58 | |
Mm. | 0:06:58 | 0:06:59 | |
Salad blowing off your plate, on to the next bowl. | 0:06:59 | 0:07:04 | |
Overall, I think we are... | 0:07:04 | 0:07:07 | |
We're £6,000 down on... | 0:07:07 | 0:07:10 | |
bank holiday week last year, which was a week earlier. | 0:07:10 | 0:07:13 | |
-That's rather a lot of money. -Yeah. | 0:07:13 | 0:07:15 | |
-But it was a week earlier and better weather. -6,000 down. | 0:07:15 | 0:07:18 | |
And August in total is £19,000 down on last year... | 0:07:21 | 0:07:26 | |
-Oh, dear. -..unfortunately. | 0:07:28 | 0:07:30 | |
-INTERVIEWER: -Are you disappointed, Desmond, | 0:07:30 | 0:07:32 | |
cos everyone's working so hard? | 0:07:32 | 0:07:34 | |
Well, I mean, you can't be... I'm used to disappointment. | 0:07:34 | 0:07:38 | |
You know, there's lots... Things don't... You know. | 0:07:38 | 0:07:42 | |
You feel a bit foolish when you've worked quite as hard | 0:07:42 | 0:07:45 | |
and at the end of the year if you don't make something worthwhile, | 0:07:45 | 0:07:48 | |
and this is the year to be worthwhile. | 0:07:48 | 0:07:51 | |
'Desmond's a typical entrepreneur.' | 0:07:51 | 0:07:53 | |
He is trying very hard to diversify | 0:07:53 | 0:07:56 | |
and keep a magnificent house going so, yeah, | 0:07:56 | 0:08:00 | |
he's always looking for the next... Next plan to make some money. | 0:08:00 | 0:08:04 | |
They are called The Corn Potato String Band and | 0:08:04 | 0:08:07 | |
they are like bluegrass musicians | 0:08:07 | 0:08:11 | |
and they come and tour in England. | 0:08:11 | 0:08:13 | |
They're quite serious. | 0:08:13 | 0:08:14 | |
I mean, they're very good musicians | 0:08:14 | 0:08:16 | |
and sing old traditional songs and we've got them playing in the barn | 0:08:16 | 0:08:20 | |
-in ten days' time. -Mm. | 0:08:20 | 0:08:22 | |
-He looks the genuine article, that man in the middle. -He does. | 0:08:22 | 0:08:25 | |
Well, they all do, really, don't they? | 0:08:25 | 0:08:26 | |
They sing proper songs about country people having fun, | 0:08:26 | 0:08:30 | |
often using... | 0:08:30 | 0:08:32 | |
Involving dogs and... | 0:08:32 | 0:08:34 | |
..chasing animals with curly tails. | 0:08:36 | 0:08:40 | |
This weekend, over 100 friends and family will be | 0:08:45 | 0:08:48 | |
descending on Wiveton Hall to celebrate Chloe's centenary. | 0:08:48 | 0:08:52 | |
Hello? | 0:08:53 | 0:08:54 | |
Good. Well done. | 0:08:55 | 0:08:57 | |
Trying to create an artificial sense of tidiness in preparation | 0:08:59 | 0:09:04 | |
for my mother's birthday party. | 0:09:04 | 0:09:07 | |
And... | 0:09:07 | 0:09:09 | |
people will think it's always this tidy. | 0:09:09 | 0:09:11 | |
Oh, look. Mm. That's why they're amateurs. Look. | 0:09:13 | 0:09:18 | |
No wonder we can't find the hedge clippers - | 0:09:18 | 0:09:20 | |
they've been left on top of the hedge. | 0:09:20 | 0:09:22 | |
This is one of my least favourite plants, the burr. | 0:09:25 | 0:09:29 | |
It sticks on your clothes, on your tweed jacket, and never comes out. | 0:09:29 | 0:09:35 | |
Despite that, it's rather beautiful at this time of year. Oh, my God. | 0:09:36 | 0:09:41 | |
This is a naturalistic phenomenon. | 0:09:41 | 0:09:44 | |
This is a long-eared bat that has flown into the burrs | 0:09:44 | 0:09:50 | |
and got caught. | 0:09:50 | 0:09:51 | |
What a way to go. | 0:09:51 | 0:09:53 | |
Do you see his ears? | 0:09:53 | 0:09:55 | |
That is nature. | 0:09:55 | 0:09:57 | |
We should play a tune by blowing down gun barrels. | 0:10:01 | 0:10:04 | |
The next day, and Chloe is 100 years old. | 0:10:04 | 0:10:09 | |
There has been a communication from the Palace. | 0:10:09 | 0:10:13 | |
It really is. | 0:10:13 | 0:10:15 | |
It's genuine, the 100th birthday. | 0:10:15 | 0:10:18 | |
(I think if you look through there, you can see it.) | 0:10:18 | 0:10:21 | |
-INTERVIEWER: -Could you show it to us? | 0:10:21 | 0:10:23 | |
Well, I mean, you can creep up on it. | 0:10:23 | 0:10:25 | |
Look at that. Look. | 0:10:27 | 0:10:30 | |
"I send you my congratulations and best wishes to you | 0:10:30 | 0:10:34 | |
"on such a special occasion." | 0:10:34 | 0:10:36 | |
Isn't that nice? | 0:10:36 | 0:10:38 | |
What's on the front? | 0:10:38 | 0:10:40 | |
Picture of the Queen. | 0:10:40 | 0:10:41 | |
If you see anyone looking as though they need | 0:10:43 | 0:10:46 | |
-what's nowadays called a comfort break... -Yeah? | 0:10:46 | 0:10:50 | |
..men can just go in the bushes... | 0:10:50 | 0:10:52 | |
LAUGHTER | 0:10:52 | 0:10:54 | |
There's nothing wrong with that. | 0:10:54 | 0:10:55 | |
Just up there. | 0:10:55 | 0:10:57 | |
I can't remember when, | 0:11:02 | 0:11:03 | |
if her birthday's today or yesterday, | 0:11:03 | 0:11:06 | |
and she didn't either so... | 0:11:06 | 0:11:09 | |
that was quite funny. | 0:11:09 | 0:11:10 | |
Yes, yes, yes. She's never slumped to histrionics. | 0:11:10 | 0:11:13 | |
As the final preparations are made, | 0:11:13 | 0:11:16 | |
Desmond is putting the finishing touches | 0:11:16 | 0:11:18 | |
to a speech honouring his mother. | 0:11:18 | 0:11:21 | |
I've to say a few words so I must pay a little bit of attention and... | 0:11:21 | 0:11:26 | |
attention and concentration is not one of my strong points, | 0:11:26 | 0:11:30 | |
when there are a lot of more fun things to do, like scurry around. | 0:11:30 | 0:11:34 | |
It's quite a celebration while she's living. | 0:11:36 | 0:11:39 | |
It's awfully sad when you celebrate things when people are dead. | 0:11:39 | 0:11:42 | |
Well, we could do that as well. | 0:11:42 | 0:11:44 | |
But she is actually living and firing on most cylinders... | 0:11:44 | 0:11:50 | |
..despite being ancient. | 0:11:51 | 0:11:52 | |
Hello, how are you? | 0:11:56 | 0:11:58 | |
Roberta used to be on the stage. | 0:11:58 | 0:12:02 | |
Nice to see you. | 0:12:02 | 0:12:03 | |
-I claim to actually be the person who's known her longest. -Yes. | 0:12:03 | 0:12:07 | |
She was a very sophisticated, beautiful young women | 0:12:07 | 0:12:11 | |
and I was an awkward, unconfident, rather fat child. | 0:12:11 | 0:12:16 | |
Ah, I know. | 0:12:16 | 0:12:17 | |
-She was so nice to me. -Yes. | 0:12:17 | 0:12:19 | |
There's Mikey. This is Mikey, Jeremy's son. | 0:12:19 | 0:12:22 | |
-INTERVIEWER: -Is everyone having a good time, do you think? | 0:12:23 | 0:12:26 | |
-I think so, yes. -Is your mother having a good time? | 0:12:26 | 0:12:28 | |
Ah. Oh, we mustn't forget about her. | 0:12:28 | 0:12:31 | |
Could you show my mother where she is sitting? | 0:12:31 | 0:12:33 | |
Yes. Pride of place. | 0:12:33 | 0:12:36 | |
-INTERVIEWER: -100 is quite remarkable, isn't it? | 0:12:36 | 0:12:39 | |
Very old. | 0:12:39 | 0:12:41 | |
Not many people make it to that age. | 0:12:41 | 0:12:44 | |
Can you imagine living here with Desmond at 100? | 0:12:44 | 0:12:47 | |
I don't think Dad will make it to 100, to be honest. | 0:12:47 | 0:12:50 | |
He's a bit porky. | 0:12:51 | 0:12:52 | |
Thank you all for coming to celebrate | 0:12:58 | 0:13:01 | |
Chloe's very special birthday. | 0:13:01 | 0:13:04 | |
It's lovely looking out across what is normally sort of empty lawn | 0:13:04 | 0:13:09 | |
with moles on it, and see you all here. | 0:13:09 | 0:13:12 | |
For anyone who wants to live so long and so healthily, | 0:13:13 | 0:13:18 | |
Chloe has a lot to teach them. | 0:13:18 | 0:13:21 | |
She seems to know exactly what she thinks about situations and people | 0:13:21 | 0:13:25 | |
and keeps most of it to herself. | 0:13:25 | 0:13:27 | |
LAUGHTER | 0:13:27 | 0:13:28 | |
After her mother, then her father, and then my father Michael | 0:13:30 | 0:13:35 | |
all died within three years of each other in the early 1970s, | 0:13:35 | 0:13:39 | |
it would have been a very normal thing to sell Wiveton | 0:13:39 | 0:13:42 | |
and move to some sensible house and get rid of any problems. | 0:13:42 | 0:13:45 | |
Chloe never considered it. | 0:13:45 | 0:13:47 | |
She persevered with selfless determination, | 0:13:47 | 0:13:50 | |
for which I'm very grateful. | 0:13:50 | 0:13:53 | |
APPLAUSE | 0:13:53 | 0:13:54 | |
# Happy birthday, dear Chloe | 0:13:55 | 0:14:00 | |
# Happy birthday to you. # | 0:14:00 | 0:14:05 | |
CHEERING AND APPLAUSE | 0:14:06 | 0:14:09 | |
Very good speech. | 0:14:10 | 0:14:12 | |
After a disappointing summer for the farm cafe, | 0:14:15 | 0:14:18 | |
Desmond is banking on the barn dance to bring in some extra revenue | 0:14:18 | 0:14:22 | |
before the season is done. | 0:14:22 | 0:14:24 | |
-Hello, Alexandra. -Hello, Desmond. | 0:14:24 | 0:14:26 | |
This must be the office with the best view in the East of England. | 0:14:26 | 0:14:32 | |
It is indeed. | 0:14:32 | 0:14:33 | |
Now, two days, we've got the band coming. | 0:14:33 | 0:14:37 | |
Have we sold any tickets? | 0:14:38 | 0:14:40 | |
-We've sold 33 tickets. -Have we? -Yeah. | 0:14:40 | 0:14:43 | |
-We want to say 150 tickets, don't we? -Yeah. | 0:14:43 | 0:14:45 | |
We will sell more tickets. | 0:14:45 | 0:14:47 | |
-150, do you think? -120, definitely. | 0:14:47 | 0:14:50 | |
-150, 200. -150. -All right. | 0:14:50 | 0:14:54 | |
Because I'm wearing... I mean, getting into the... | 0:14:54 | 0:14:58 | |
rock promotion mood. | 0:14:58 | 0:15:00 | |
-OK. -I mean, it's...just like... | 0:15:00 | 0:15:04 | |
how Glastonbury started. | 0:15:04 | 0:15:06 | |
-INTERVIEWER: -Do you think this is a good venue? | 0:15:10 | 0:15:12 | |
I think so. Lovely floor. Beautifully smooth floor. | 0:15:12 | 0:15:16 | |
He's got the barn but before anyone can dance, | 0:15:16 | 0:15:19 | |
seven tonnes of barley needs to be shifted. | 0:15:19 | 0:15:22 | |
This is worth £200 a tonne. | 0:15:31 | 0:15:34 | |
That's why we're being so | 0:15:34 | 0:15:36 | |
penny-pinching. | 0:15:36 | 0:15:37 | |
-INTERVIEWER: -So what will they do with this? | 0:15:39 | 0:15:41 | |
They'll turn it into a bar. | 0:15:41 | 0:15:43 | |
So they'll put some lighting in and then serve drinks from it. | 0:15:45 | 0:15:47 | |
What do you think of all these little enterprises | 0:15:47 | 0:15:50 | |
that Desmond does? | 0:15:50 | 0:15:51 | |
I think they're good. It brings people here. | 0:15:51 | 0:15:54 | |
It'd be a bit boring if we didn't do things like this. | 0:15:54 | 0:15:57 | |
-Oh, hello. -Open. | 0:15:57 | 0:15:59 | |
Edmund and Isabel have been sent to the local village | 0:15:59 | 0:16:01 | |
to drum up some interest. | 0:16:01 | 0:16:03 | |
OK, cool. The Corn Potato String Band. They sound quite interesting. | 0:16:03 | 0:16:07 | |
Yeah, they're a bluegrass band from America. | 0:16:07 | 0:16:10 | |
They're on a tour at the moment. | 0:16:10 | 0:16:12 | |
-Great, yeah. Fantastic. -OK, cool. | 0:16:12 | 0:16:13 | |
-Thank you. -Good luck, guys. -Bye. | 0:16:13 | 0:16:15 | |
-Let's go home. -INTERVIEWER: -Have you had enough? | 0:16:17 | 0:16:19 | |
-Yes. -Well, you want people to come to this thing. | 0:16:19 | 0:16:21 | |
I'm bored of leafleting. | 0:16:21 | 0:16:23 | |
I think round Norfolk it's hard to get a band | 0:16:23 | 0:16:26 | |
and get loads of people to come, really. | 0:16:26 | 0:16:28 | |
It's never going to make a fortune. I mean, £10 a ticket. | 0:16:28 | 0:16:31 | |
Not that many people are really going to come. | 0:16:31 | 0:16:36 | |
What would you do? | 0:16:36 | 0:16:38 | |
Is there anything you would do differently? | 0:16:38 | 0:16:40 | |
-Erm... -The fruit needs to be... -I think we should do more music. | 0:16:40 | 0:16:43 | |
And we should have a festival. | 0:16:43 | 0:16:45 | |
I think we should get rid of fruit and everything | 0:16:45 | 0:16:48 | |
and just make it all nice fields. | 0:16:48 | 0:16:49 | |
Turn it to grass and have a festival. | 0:16:49 | 0:16:52 | |
And then have a festival and call it Wivetonia | 0:16:52 | 0:16:54 | |
and everyone would love it. | 0:16:54 | 0:16:56 | |
That's what is going to happen in the future. | 0:16:56 | 0:16:59 | |
No, I don't know, but I'll make it happen. | 0:16:59 | 0:17:01 | |
September brings the end of the holiday season at Wiveton Hall | 0:17:04 | 0:17:09 | |
but it also marks the beginning of the duck shooting season. | 0:17:09 | 0:17:13 | |
-That's a very big spoon, Desmond. -Very big. Very useful. | 0:17:13 | 0:17:18 | |
In the marshes, Desmond and Edmund | 0:17:20 | 0:17:22 | |
are preparing for their first shoot of the year. | 0:17:22 | 0:17:25 | |
-Go on. Jump in. -You want to see me stuck in there. | 0:17:25 | 0:17:28 | |
Just jump. Just jump, Dad. Jump in the hole. | 0:17:28 | 0:17:31 | |
-I don't need to. -Go on, dad. | 0:17:31 | 0:17:34 | |
STRIMMER WHIRS | 0:17:34 | 0:17:35 | |
This is a hide for when you're shooting the ducks. | 0:17:37 | 0:17:41 | |
You get in the barrel | 0:17:41 | 0:17:43 | |
and so you just have your head just poking, | 0:17:43 | 0:17:45 | |
just able to see over the top of the reeds | 0:17:45 | 0:17:47 | |
when the duck is swirling around, you crouch down, | 0:17:47 | 0:17:51 | |
and, as they think about landing, you try and shoot them. | 0:17:51 | 0:17:54 | |
A sportsman doesn't want to get into a wet butt so you put a lid on top. | 0:17:56 | 0:18:01 | |
And that's a lead for the disobedient dog. | 0:18:06 | 0:18:08 | |
For Desmond, the duck pond is more than just a commercial venture. | 0:18:11 | 0:18:15 | |
I love coming here, | 0:18:15 | 0:18:17 | |
but I'm not as bloodthirsty as I was. | 0:18:17 | 0:18:21 | |
What do you think has changed for you? | 0:18:21 | 0:18:24 | |
Well, I mean, I do enjoy being out in the country. | 0:18:24 | 0:18:27 | |
I like meeting country people, | 0:18:27 | 0:18:29 | |
I like being with friends, | 0:18:29 | 0:18:30 | |
whether they're from the country or not, | 0:18:30 | 0:18:33 | |
and a lot of people share that participation. | 0:18:33 | 0:18:38 | |
That hasn't changed at all. | 0:18:38 | 0:18:40 | |
That's grown. | 0:18:40 | 0:18:41 | |
When I used to go fishing with my grandfather... | 0:18:43 | 0:18:46 | |
..I would say, "Thank you for taking me." | 0:18:48 | 0:18:51 | |
And something like, "Pity we didn't catch anything." | 0:18:51 | 0:18:54 | |
He said, "Never mind. Always nice to be by a river." | 0:18:54 | 0:18:57 | |
Who is this totty? | 0:19:09 | 0:19:12 | |
-It's completely wrong. -Completely wrong. | 0:19:12 | 0:19:14 | |
Desmond's close friend Willie has arrived, | 0:19:14 | 0:19:17 | |
ready to put the duck pond to the test. | 0:19:17 | 0:19:19 | |
Look at her. | 0:19:19 | 0:19:21 | |
Rather early in the year but it's a perfect evening. | 0:19:21 | 0:19:23 | |
A perfect evening and a perfect evening's good wind blowing. | 0:19:23 | 0:19:28 | |
Don't like going when it's too still. | 0:19:28 | 0:19:30 | |
The sound of the guns then booms out across the marsh, | 0:19:30 | 0:19:32 | |
everything jumps up, everything's frightened. | 0:19:32 | 0:19:35 | |
In a lot of wind, your guns don't sound a lot. | 0:19:35 | 0:19:38 | |
-We are... -We're only... We're not trying to get a sackful. | 0:19:38 | 0:19:41 | |
No, just getting enough to have a feed. | 0:19:41 | 0:19:44 | |
Sit. Wait. Don't misbehave. | 0:19:44 | 0:19:47 | |
Among the four-legged helpers are shoot veteran Teddy | 0:19:47 | 0:19:50 | |
and Desmond's novice gundog Roly, who is starting his first season. | 0:19:50 | 0:19:56 | |
-INTERVIEWER: -How do you think he'll do? | 0:19:56 | 0:19:59 | |
We'll find out. | 0:19:59 | 0:20:01 | |
See if Dad's training paid off. | 0:20:01 | 0:20:03 | |
He's quite disobedient with Dad. | 0:20:03 | 0:20:05 | |
He's good with other people, just not Dad. | 0:20:05 | 0:20:10 | |
Come in here. Roly! Roly! Come here. | 0:20:10 | 0:20:13 | |
WHISTLING | 0:20:13 | 0:20:15 | |
Come in here, will you? | 0:20:15 | 0:20:16 | |
That wasn't very good. | 0:20:16 | 0:20:18 | |
Roly. Heel. Roly, come here. | 0:20:18 | 0:20:21 | |
Really badly behaved. | 0:20:21 | 0:20:23 | |
See, this one is so well-behaved. | 0:20:23 | 0:20:25 | |
Come on. I can see it. Come on. | 0:20:26 | 0:20:29 | |
WHISTLING | 0:20:29 | 0:20:30 | |
Here. | 0:20:30 | 0:20:31 | |
Here. Heel. | 0:20:31 | 0:20:33 | |
I'm not a natural dog handler. | 0:20:35 | 0:20:38 | |
He's just young. He's just young. | 0:20:38 | 0:20:41 | |
Full of beans. Look up over what's going on over here. | 0:20:42 | 0:20:47 | |
Godwits. | 0:20:47 | 0:20:48 | |
Let's get into position and then we'll shoot, OK? | 0:20:50 | 0:20:53 | |
Come on. Up. | 0:20:53 | 0:20:54 | |
Roly. Up, here. Here. | 0:20:54 | 0:20:56 | |
Oh, you stupid fucking dog. | 0:20:56 | 0:20:58 | |
Here. Here. Come on. | 0:20:58 | 0:21:00 | |
Up. Up. | 0:21:00 | 0:21:02 | |
Come on. Up. | 0:21:04 | 0:21:05 | |
Sit. Sit. | 0:21:05 | 0:21:07 | |
Sit and just don't make a noise, all right? Stay down. | 0:21:09 | 0:21:12 | |
-ROLY WHINES -Stay there. Stay there. | 0:21:12 | 0:21:14 | |
With the three men positioned in their separate hides, | 0:21:15 | 0:21:18 | |
they must wait for the ducks to come to the pond for the evening. | 0:21:18 | 0:21:22 | |
Edmund, let them come in. | 0:21:22 | 0:21:24 | |
Edmund's got his mask on. He's all prepared. | 0:21:24 | 0:21:28 | |
He's very serious. He's young. | 0:21:28 | 0:21:30 | |
He's the sort of sort one would want in the Army, defending your realm. | 0:21:30 | 0:21:35 | |
Very, very keen. Willie as well, he's mad-keen. | 0:21:36 | 0:21:39 | |
It's quite exciting. I just like coming out here. | 0:21:39 | 0:21:43 | |
It's not considered shooting etiquette | 0:21:43 | 0:21:46 | |
to take aim at a sitting duck. | 0:21:46 | 0:21:47 | |
The sport comes with trying to hit the birds mid-flight. | 0:21:47 | 0:21:51 | |
They like coming to this pond | 0:21:51 | 0:21:53 | |
and so we choose a time of day when they might come and feed. | 0:21:53 | 0:21:57 | |
Look, look, look. A big bunch of... | 0:21:57 | 0:22:00 | |
Sit, please, Roly. Please, just sit. | 0:22:00 | 0:22:04 | |
Oh, my Lord. | 0:22:04 | 0:22:07 | |
Sit. Sit. OK? | 0:22:08 | 0:22:11 | |
-ROLY WHINES -Sh! Sit. Sit, Roly. | 0:22:11 | 0:22:14 | |
Over here. It's a mallard. No. Or pigeons. | 0:22:16 | 0:22:19 | |
I can't tell the difference now. | 0:22:19 | 0:22:21 | |
Eyesight's not what it was. | 0:22:21 | 0:22:23 | |
Keep down, keep down, keep down. | 0:22:23 | 0:22:26 | |
Keep down. Might be a shot. Might be a shot. Sh, sh. | 0:22:26 | 0:22:30 | |
ROLY WHINES | 0:22:32 | 0:22:33 | |
Sh! | 0:22:33 | 0:22:34 | |
Just fuck off! | 0:22:36 | 0:22:37 | |
-GUNSHOT -Oh, my God. | 0:22:39 | 0:22:40 | |
GUNSHOTS | 0:22:40 | 0:22:43 | |
GUNSHOT | 0:22:48 | 0:22:49 | |
Look at that shot of his! Edmund, he's a bloody good shot. | 0:22:49 | 0:22:52 | |
GUNSHOTS | 0:22:53 | 0:22:56 | |
Edmund, well shot. | 0:22:57 | 0:22:59 | |
I slowed him up. | 0:22:59 | 0:23:01 | |
How many have you got to pick? | 0:23:02 | 0:23:04 | |
One by the reeds, one in here which we shared. | 0:23:04 | 0:23:08 | |
I might go and retrieve him. | 0:23:08 | 0:23:11 | |
Sit. | 0:23:11 | 0:23:12 | |
Stay there. | 0:23:12 | 0:23:13 | |
Every bird that is shot down must be retrieved, | 0:23:13 | 0:23:16 | |
which is when the dogs get to work. | 0:23:16 | 0:23:18 | |
Roly. Here, here, here. | 0:23:18 | 0:23:21 | |
Roly. Here. Roly! | 0:23:21 | 0:23:23 | |
Roly, come on. | 0:23:27 | 0:23:29 | |
Come on, get back. Get back. | 0:23:29 | 0:23:30 | |
It's about this, the nature. | 0:23:32 | 0:23:34 | |
You're so, sort of, completely surrounded by the nature. | 0:23:34 | 0:23:38 | |
That's pretty wonderful, isn't it? | 0:23:38 | 0:23:41 | |
And then the duck whirling in, swirling in, | 0:23:41 | 0:23:44 | |
the great rattle of musketry | 0:23:44 | 0:23:47 | |
and we've got dinner. | 0:23:47 | 0:23:49 | |
We're shooting the things we love. | 0:23:52 | 0:23:54 | |
That's a conundrum, isn't it? | 0:23:54 | 0:23:56 | |
That's an odd thing. | 0:23:56 | 0:23:58 | |
It's sort of contradictory but... | 0:23:58 | 0:24:00 | |
..they're also terribly good with potatoes. | 0:24:02 | 0:24:05 | |
They'll be delicious. They'll be delicious. | 0:24:05 | 0:24:08 | |
This. A farmyard duck. | 0:24:08 | 0:24:11 | |
What was he doing there? | 0:24:12 | 0:24:14 | |
Trying to breed with the wild ones. | 0:24:14 | 0:24:17 | |
Understandable, but there we are. He'll eat well. | 0:24:17 | 0:24:21 | |
Now, this is a mallard. | 0:24:21 | 0:24:22 | |
-We'll put these away. -Keep them cool. | 0:24:22 | 0:24:25 | |
Put them in the fridge. | 0:24:25 | 0:24:28 | |
And that's a teal. | 0:24:28 | 0:24:30 | |
Also very delicious. | 0:24:30 | 0:24:32 | |
-Another mallard. -Another mallard. | 0:24:32 | 0:24:34 | |
That's it. | 0:24:35 | 0:24:37 | |
It's Friday and bluegrass music is on its way to Wiveton Hall | 0:24:44 | 0:24:48 | |
as Desmond tries to make amends for poor bank holiday takings. | 0:24:48 | 0:24:53 | |
We've got a lovely band from Detroit. | 0:24:53 | 0:24:55 | |
That's the stage. | 0:24:57 | 0:24:58 | |
You've got to start somewhere. | 0:25:00 | 0:25:01 | |
Beautiful floor, very good floor for dancing. | 0:25:03 | 0:25:05 | |
It's all looking very good. | 0:25:07 | 0:25:08 | |
I mean, if it's shoulder to shoulder in here in a couple of hours, | 0:25:08 | 0:25:14 | |
we will be very happy. | 0:25:14 | 0:25:15 | |
I'm just going off to find my band. | 0:25:18 | 0:25:21 | |
My goodness! | 0:25:21 | 0:25:23 | |
How are you? | 0:25:23 | 0:25:24 | |
All the way from the United States, The Corn Potato String Band | 0:25:24 | 0:25:28 | |
are expected to get the barn stomping. | 0:25:28 | 0:25:31 | |
Have you been in England long? | 0:25:31 | 0:25:32 | |
No, just a few days. | 0:25:32 | 0:25:34 | |
-And everything is all right in Detroit? -Mm-hm. | 0:25:34 | 0:25:37 | |
That's good. And are you from Detroit as well? | 0:25:37 | 0:25:39 | |
-No, I live in New Hampshire. -Oh, that's interesting. | 0:25:39 | 0:25:42 | |
That's one of the few bits of the States I've been to | 0:25:42 | 0:25:45 | |
and I went hunting, actually, with a man called Homer. | 0:25:45 | 0:25:48 | |
Oh, right. | 0:25:48 | 0:25:50 | |
Homer, I didn't think was a normal name, until I went there. | 0:25:50 | 0:25:54 | |
There, of course, everyone knows a Homer. | 0:25:54 | 0:25:56 | |
I'm sure it will go well, it's a nice evening, | 0:25:58 | 0:26:01 | |
so I think lots will come. | 0:26:01 | 0:26:02 | |
BAND TUNES UP | 0:26:02 | 0:26:04 | |
You've got the whole, kind of, country theme going on? | 0:26:04 | 0:26:06 | |
Oh, it's country, yes. | 0:26:06 | 0:26:08 | |
I always say, "If it ain't country, it ain't music." | 0:26:08 | 0:26:11 | |
FIDDLE PLAYS UPBEAT INTRODUCTION | 0:26:14 | 0:26:17 | |
Advanced bookings may have been slow, | 0:26:25 | 0:26:27 | |
but the weather has been kind to Desmond | 0:26:27 | 0:26:30 | |
and nearly 120 tickets have been sold. | 0:26:30 | 0:26:32 | |
Get yourself a partner and get on the floor! | 0:26:34 | 0:26:36 | |
We're going to do a little dancing. | 0:26:36 | 0:26:38 | |
Circle right. | 0:26:40 | 0:26:42 | |
Farmers have been encouraged to diversify for quite a long time now | 0:26:45 | 0:26:49 | |
and it's this diversification, the Wiveton way. | 0:26:49 | 0:26:54 | |
Round and round we go. | 0:26:58 | 0:27:00 | |
THEY SING | 0:27:02 | 0:27:04 | |
Left to the opposite one, once around... | 0:27:07 | 0:27:10 | |
Are you enjoying yourself? | 0:27:10 | 0:27:12 | |
Yes, I have enjoyed it, yes. | 0:27:12 | 0:27:14 | |
I think it's been a success and the band are marvellous. | 0:27:14 | 0:27:17 | |
But it's quite clear that the Norfolk inhabitants | 0:27:18 | 0:27:21 | |
need to improve their American dancing techniques. | 0:27:21 | 0:27:24 | |
All the way down, all the way down! | 0:27:24 | 0:27:26 | |
But I think they've got the hang of it by the end | 0:27:28 | 0:27:30 | |
and so nice so many people are here. | 0:27:30 | 0:27:33 | |
I don't know who they are. | 0:27:33 | 0:27:34 | |
So it's all been good. | 0:27:38 | 0:27:39 | |
CHEERING | 0:27:39 | 0:27:42 | |
Rather a pretty girl coming. | 0:27:53 | 0:27:54 | |
Oh, yes? | 0:27:54 | 0:27:56 | |
Look at that. That's astonishing! | 0:27:56 | 0:27:58 | |
Dad is obsessed, he's verging on pyromaniac. | 0:28:00 | 0:28:03 | |
Wow! | 0:28:03 | 0:28:05 | |
Look, that's nice. | 0:28:05 | 0:28:07 | |
Hey! | 0:28:07 | 0:28:08 | |
Oh, my God! | 0:28:09 | 0:28:11 | |
That is very keen. | 0:28:11 | 0:28:13 | |
Oh, so is Edmund. | 0:28:13 | 0:28:14 | |
Ooh! | 0:28:14 | 0:28:16 |