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It's great to be back with Santer, | 0:00:02 | 0:00:03 | |
where you'll get all the very, best in Ulster-Scots music, | 0:00:03 | 0:00:06 | |
storytelling, history, lifestyle, and, of course, good craic. | 0:00:06 | 0:00:09 | |
In this week's programme, | 0:00:15 | 0:00:17 | |
Paula will be making a feast at the Cairncastle Music Festival. | 0:00:17 | 0:00:21 | |
-Your "fine" is my "rough"! -Or maybe your "fine" is my "rough"! | 0:00:21 | 0:00:24 | |
Andy Mattison finds out all about a Greek chieftain | 0:00:24 | 0:00:27 | |
that worked as a minister at Kilwarlin Moravian Church. | 0:00:27 | 0:00:31 | |
The legend is that he didn't die in Dublin, that he faked his own death? | 0:00:31 | 0:00:35 | |
Well, it could have happened that way. | 0:00:35 | 0:00:37 | |
Mark Wilson, who'll be taking off on his musical journey in Scotland, | 0:00:37 | 0:00:40 | |
starts that journey in England. | 0:00:40 | 0:00:43 | |
You might be wondering | 0:00:43 | 0:00:44 | |
why I'm starting a journey about Ulster-Scots music, | 0:00:44 | 0:00:47 | |
south of the border, here at Carlisle Castle. | 0:00:47 | 0:00:51 | |
And, young Luke Drysdale takes us round a queer selection of cars | 0:00:51 | 0:00:54 | |
at the Yesteryear Exhibition at Mount Stewart. | 0:00:54 | 0:00:57 | |
Whoever owns this isn't afraid to get a bit of mud on it. | 0:00:57 | 0:01:00 | |
That's what motoring's about. | 0:01:00 | 0:01:02 | |
But before all that, | 0:01:07 | 0:01:09 | |
why don't you enjoy some really good Lowland Piping from Fred Morrison? | 0:01:09 | 0:01:13 | |
CHEERING AND APPLAUSE | 0:04:31 | 0:04:35 | |
This is a great place you've brought me to for your cooking tonight. | 0:04:35 | 0:04:39 | |
It's beautiful, isn't it? | 0:04:39 | 0:04:40 | |
-You can see Scotland behind me. -Look at the Ailsa Craig. | 0:04:40 | 0:04:43 | |
We're not on our own here tonight. | 0:04:43 | 0:04:45 | |
There are folk coming in the gate there for Cairncastle Festival. | 0:04:45 | 0:04:49 | |
FIDDLE MUSIC | 0:04:49 | 0:04:51 | |
What are you making? | 0:04:54 | 0:04:55 | |
I'm making a brine beef, but I'm going to spice it, | 0:04:55 | 0:04:58 | |
and then we'll do a turnip hash. | 0:04:58 | 0:05:01 | |
So we're sort of going for a Cajuny Ulster-Scots theme. | 0:05:01 | 0:05:05 | |
I've taken the beef out of the brine. | 0:05:05 | 0:05:07 | |
There's juniper berries, there's coriander. Coriander... | 0:05:07 | 0:05:13 | |
And then I've got a wee bit of peppercorn - pink peppercorn here. | 0:05:13 | 0:05:16 | |
Cumin and coriander here. | 0:05:16 | 0:05:18 | |
And then you've got your turmeric. | 0:05:18 | 0:05:21 | |
All these were used traditionally, as you know, in Ulster-Scots. | 0:05:21 | 0:05:24 | |
No salt - it's been in brine so you don't need that. | 0:05:24 | 0:05:27 | |
Aye. Are those scallions fine enough for you now? | 0:05:27 | 0:05:30 | |
Yes, they're fine. | 0:05:30 | 0:05:31 | |
Your "fine" is my "rough", would that be right? | 0:05:31 | 0:05:33 | |
Or maybe your "fine" is my rough! | 0:05:33 | 0:05:35 | |
So, I've got some nice crispy, streaky bacon in there. | 0:05:35 | 0:05:39 | |
You've got a wee bit of oil come out, so that's good. | 0:05:39 | 0:05:41 | |
And then I put in some turnip that I've cooked beforehand. | 0:05:41 | 0:05:46 | |
OK, so that just goes in there, that'll be great there. | 0:05:46 | 0:05:51 | |
Do you want to throw your scallions in there? | 0:05:51 | 0:05:54 | |
-Aye. A few in here? -Uh-huh. | 0:05:54 | 0:05:56 | |
Last year I grew my own scallions. | 0:05:56 | 0:05:58 | |
-Did you? -And chopped them myself. | 0:05:58 | 0:06:00 | |
That's ready now in my book. | 0:06:00 | 0:06:02 | |
The hash is coming on lovely - look at that. | 0:06:02 | 0:06:04 | |
Gorgeous, can't wait for a spoonful of that. | 0:06:04 | 0:06:06 | |
It does smell gorgeous. | 0:06:15 | 0:06:17 | |
I cannae describe the smell of the spices. Beautiful. | 0:06:17 | 0:06:20 | |
Take a wee bit of the hash - just put it down the middle. | 0:06:20 | 0:06:24 | |
The turnip and bacon are lovely together. | 0:06:24 | 0:06:26 | |
-Aye, gorgeous. -It's just lovely. | 0:06:26 | 0:06:28 | |
Do you think anybody will like theirs well done? | 0:06:28 | 0:06:31 | |
A bit of music, a wee bit of good Ulster-Scots meat, | 0:06:31 | 0:06:33 | |
it couldn't get better! | 0:06:33 | 0:06:35 | |
Here's one of the festival organisers. Do you want to try a this? | 0:06:35 | 0:06:38 | |
It smells brilliant. | 0:06:38 | 0:06:40 | |
-Turnip, bacon and scallions. -You can't beat turnip. | 0:06:40 | 0:06:43 | |
Get a spoonful of that in you. What do you think of that? | 0:06:43 | 0:06:45 | |
A bit of good Ulster-Scots cooking, Anne. | 0:06:45 | 0:06:48 | |
We slaved hard over a hot stove. | 0:06:48 | 0:06:50 | |
I saw that, yes. You've done well. | 0:06:50 | 0:06:52 | |
Geordie, come here and taste this good Ulster-Scots meat | 0:06:52 | 0:06:56 | |
and let me know what you think. Nice, spicy steak. | 0:06:56 | 0:06:58 | |
Not too much, just a wee tiny bit. | 0:06:58 | 0:07:00 | |
Don't you be eating it all now! | 0:07:00 | 0:07:02 | |
What do you think of that? | 0:07:02 | 0:07:03 | |
It's lovely! | 0:07:03 | 0:07:04 | |
Isn't it gorgeous? Take a wee bit of the steak. | 0:07:04 | 0:07:07 | |
-We'll just take the plate now, will we? -Do you want the whole thing?! | 0:07:07 | 0:07:12 | |
We'll be back with Paula later on in the show for pudding. | 0:07:19 | 0:07:23 | |
Tha Proota Getherin. | 0:07:25 | 0:07:26 | |
Dae ye mind the times in harvest climes | 0:07:26 | 0:07:29 | |
When we went gatherin prootas | 0:07:29 | 0:07:32 | |
Me, my ma, and once my da | 0:07:32 | 0:07:34 | |
An the neighbours roon aboot us | 0:07:34 | 0:07:37 | |
Bend yer back and dinnae slack | 0:07:37 | 0:07:39 | |
Heid doon and dinnae stop | 0:07:39 | 0:07:41 | |
The winter's not so far away | 0:07:41 | 0:07:43 | |
And we cannae lose the crop | 0:07:43 | 0:07:45 | |
Then pour tea away to the back of the hedge | 0:07:45 | 0:07:48 | |
Which you take from a gallon can | 0:07:48 | 0:07:49 | |
A loaf of bread wi' butter well spread | 0:07:49 | 0:07:52 | |
And a coating of homemade jam | 0:07:52 | 0:07:54 | |
An uncle sits by the proota pits | 0:07:54 | 0:07:57 | |
as if that should shovel soil | 0:07:57 | 0:07:59 | |
With a fire o' peat and a bite to eat | 0:07:59 | 0:08:01 | |
At the end o' a hard day's toil. | 0:08:01 | 0:08:04 | |
Well, I know in the last series, | 0:08:04 | 0:08:06 | |
a lot of you enjoyed Mark Wilson's musical journey | 0:08:06 | 0:08:08 | |
down the Old Wagon Road in America. | 0:08:08 | 0:08:10 | |
Mark's off again. This time he's in Scotland. | 0:08:10 | 0:08:15 | |
Last series, I packed up my drums and headed to America. | 0:08:27 | 0:08:30 | |
I took a musical journey down through the Shenandoah Valley, | 0:08:30 | 0:08:34 | |
down the Old Wagon Road. | 0:08:34 | 0:08:36 | |
This time, I'm coming back to where the music all started, | 0:08:36 | 0:08:40 | |
back in Scotland. | 0:08:40 | 0:08:42 | |
But I'm starting my journey in England. | 0:08:42 | 0:08:45 | |
And you might, quite rightly, be wondering why | 0:08:53 | 0:08:56 | |
I'm starting a journey about Ulster-Scots music south of the border, | 0:08:56 | 0:09:00 | |
here at Carlisle Castle. | 0:09:00 | 0:09:02 | |
But it was within these walls | 0:09:02 | 0:09:04 | |
that many of the border people were imprisoned. | 0:09:04 | 0:09:07 | |
The rescue to capture one back again from the English forces, | 0:09:07 | 0:09:11 | |
spawned a song 46 verses long, known as The Ballad Of Kinmont Willie. | 0:09:11 | 0:09:16 | |
But there were many ballads written about these people | 0:09:16 | 0:09:19 | |
because there were many Border Reivers. | 0:09:19 | 0:09:22 | |
# Come a' ye gallant Borderers | 0:09:22 | 0:09:24 | |
# Ilk water, moss and fell | 0:09:24 | 0:09:27 | |
# Tae a' your weel kent nooks and crooks | 0:09:27 | 0:09:30 | |
# Forever fare thee well | 0:09:30 | 0:09:33 | |
# We'll gaun nae mair a-rovin' | 0:09:33 | 0:09:35 | |
# A-rovin' in the nicht | 0:09:35 | 0:09:38 | |
# We'll gaun nae mair a-rovin' | 0:09:38 | 0:09:40 | |
# Let the moon shine e'er so bricht | 0:09:40 | 0:09:43 | |
# We'll gaun nae mair a-rovin' | 0:09:43 | 0:09:45 | |
# And when the harvest moon shone | 0:09:48 | 0:09:51 | |
# What blithe times we did see... # | 0:09:51 | 0:09:53 | |
Rod Paterson, you're probably the leading performer, | 0:09:53 | 0:09:56 | |
singer and authority on Scottish Lowland and Border ballads. | 0:09:56 | 0:10:02 | |
And the ballads was a huge tradition within the Border Reivers, | 0:10:02 | 0:10:06 | |
and there are many ballads about the Reivers. | 0:10:06 | 0:10:09 | |
There certainly are. | 0:10:09 | 0:10:10 | |
When there's stuff going on | 0:10:10 | 0:10:12 | |
like the wild kind of lawless antics of the Border Reivers, | 0:10:12 | 0:10:18 | |
then that's going to occupy quite a lot of the available ballad space. | 0:10:18 | 0:10:25 | |
# ..The king is ower the border gane | 0:10:25 | 0:10:27 | |
# In London for tae dwell... # | 0:10:27 | 0:10:30 | |
In the song that I sang you there which, incidentally, is not a ballad. | 0:10:30 | 0:10:35 | |
That song was written in the early 1800s, | 0:10:35 | 0:10:39 | |
with a retrospective view on the Border Reiving. | 0:10:39 | 0:10:42 | |
But in the song they mention that the Border Reivers | 0:10:42 | 0:10:47 | |
used to go to the Trent and the Humber. | 0:10:47 | 0:10:49 | |
Now, that's weeks' ride away. | 0:10:49 | 0:10:51 | |
These must have been massive expeditions, | 0:10:51 | 0:10:55 | |
organised well in advance and with a goodly number of people. | 0:10:55 | 0:11:00 | |
# ..And how can I, tether'd | 0:11:00 | 0:11:02 | |
# On Yarrow's banks abide? | 0:11:02 | 0:11:05 | |
# Wha far as Trent an Humber hae | 0:11:05 | 0:11:08 | |
# Scour'd the Southrons wide. | 0:11:08 | 0:11:10 | |
# We'll gaun nae mair a-rovin'... # | 0:11:10 | 0:11:13 | |
Across the road from Carlisle Castle, | 0:11:13 | 0:11:15 | |
is the Tully House Museum, which has a permanent exhibition on the Reivers. | 0:11:15 | 0:11:19 | |
Reivers were basically lawless thieves, raiders and bandits. | 0:11:19 | 0:11:23 | |
Families such as Armstrongs, Grahams, Elliots, | 0:11:23 | 0:11:28 | |
were notorious raiding families from this area. | 0:11:28 | 0:11:31 | |
But that was all to change | 0:11:31 | 0:11:33 | |
when James VI and I came to the throne. | 0:11:33 | 0:11:37 | |
He established a system called the Jedart System, | 0:11:37 | 0:11:41 | |
which was basically zero tolerance. | 0:11:41 | 0:11:44 | |
He told them to desist from their ways, move to Ulster or be hanged. | 0:11:44 | 0:11:50 | |
Now, the Reivers loved their lawless way of life, | 0:11:50 | 0:11:54 | |
and the only place they could continue that was Ulster. | 0:11:54 | 0:11:59 | |
# An how now break ma bonnie Broon Tae harl't like a snail... # | 0:11:59 | 0:12:04 | |
They must have had a bit of a gripe | 0:12:04 | 0:12:06 | |
with the reasons that they've had to leave. | 0:12:06 | 0:12:09 | |
Especially the ones that James VI and I | 0:12:09 | 0:12:13 | |
transplanted over to Ulster. | 0:12:13 | 0:12:16 | |
I mean, nobody was happy with that, I'm sure. | 0:12:16 | 0:12:19 | |
I think the question you have to ask is, | 0:12:19 | 0:12:22 | |
why did they take the ballads with them? | 0:12:22 | 0:12:26 | |
And I think it just shows to what extent | 0:12:26 | 0:12:28 | |
these stories were a part of their sense of themselves, you know. | 0:12:28 | 0:12:33 | |
Are you going to leave your very heritage in Scotland, | 0:12:33 | 0:12:37 | |
even although you're having to leave yourself? | 0:12:37 | 0:12:40 | |
No, I think you take it all with you. | 0:12:40 | 0:12:42 | |
It didn't occupy much space in your holdall, a ballad. | 0:12:42 | 0:12:47 | |
# ..We'll gaun nae mair a-rovin' A-rovin' in the nicht | 0:12:47 | 0:12:53 | |
# We'll gaun nae mair a-rovin' Let the moon shine e'er so bricht | 0:12:53 | 0:12:58 | |
# We'll gaun nae mair a-rovin'! # | 0:12:58 | 0:13:01 | |
Along the underpass between Carlisle Castle and the Tully House Museum, | 0:13:04 | 0:13:09 | |
surnames of the Reivers are etched on the ground. | 0:13:09 | 0:13:12 | |
Many of these names are common in Ulster, including Wilson. | 0:13:12 | 0:13:17 | |
Maybe we weren't always good boys! | 0:13:17 | 0:13:20 | |
Mark's Scottish journey that has taken off in Carlisle | 0:13:23 | 0:13:27 | |
will take him to Dumfries, then on to Wigtown and Portpatrick, | 0:13:27 | 0:13:31 | |
before he heads north to Dunoon, | 0:13:31 | 0:13:33 | |
and finishes up in Campbeltown at the tip of the Mull of Kintyre. | 0:13:33 | 0:13:36 | |
We'll be following his progress all through the series. | 0:13:36 | 0:13:39 | |
My name is Luke Drysdale. | 0:13:43 | 0:13:45 | |
I've come to the Cars Of Yesteryear exhibition at Mount Stewart. | 0:13:45 | 0:13:48 | |
Now I'm going to have a look around. | 0:13:48 | 0:13:50 | |
This here is a Ferrari 308 and it's got a V8 engine, right? | 0:13:56 | 0:14:01 | |
And if you come round the back here, | 0:14:01 | 0:14:03 | |
you can see that it's got a "4" on the back. | 0:14:03 | 0:14:05 | |
It tells you that it's not a two-seater, | 0:14:05 | 0:14:08 | |
which most Ferraris nowadays are. | 0:14:08 | 0:14:10 | |
It's a four-seater, which makes it less valuable. | 0:14:10 | 0:14:14 | |
This car has a three-litre V8 engine, | 0:14:16 | 0:14:20 | |
and it's got 250 brake horse power. | 0:14:20 | 0:14:23 | |
The top speed of it is 154 miles per hour. | 0:14:23 | 0:14:27 | |
It goes from 0 to 60 in 6.9 seconds. | 0:14:27 | 0:14:29 | |
Now, Michael Schumacher used to drive a Ferrari for most of his career, | 0:14:35 | 0:14:39 | |
but now he's an old man he doesn't do very well. | 0:14:39 | 0:14:42 | |
I've heard that choosing a Ferrari is like choosing a woman. | 0:14:42 | 0:14:45 | |
You wouldn't want to go for an ugly one. | 0:14:45 | 0:14:48 | |
You'd want to go for the nicest one you would see. | 0:14:48 | 0:14:50 | |
But I'm too young to know about that stuff. | 0:14:50 | 0:14:53 | |
You come from the same place as me, Michael. | 0:14:55 | 0:14:58 | |
That's right, I'm from Portavogie. | 0:14:58 | 0:15:00 | |
How many cars do you reckon are here today? | 0:15:00 | 0:15:03 | |
I think there are at least 130. | 0:15:03 | 0:15:05 | |
Why do you think they're so popular? | 0:15:05 | 0:15:08 | |
If you look at the backdrop of this place, | 0:15:08 | 0:15:10 | |
and you see the big house there, | 0:15:10 | 0:15:13 | |
everybody loves to come to a place like this, | 0:15:13 | 0:15:16 | |
because it's a lovely backdrop. | 0:15:16 | 0:15:18 | |
What's your favourite car here today? | 0:15:22 | 0:15:24 | |
I think it has to be this car. | 0:15:24 | 0:15:26 | |
It's my favourite car here today, this Bugatti. | 0:15:26 | 0:15:28 | |
Whoever owns this isn't afraid to get a bit of mud on it. | 0:15:28 | 0:15:31 | |
Look at the dirt on her. He's not worried by that. | 0:15:31 | 0:15:34 | |
That's what motoring's about. | 0:15:34 | 0:15:37 | |
Now, this here car is a Morgan. | 0:15:39 | 0:15:41 | |
I don't know very much about them, but I do know a man who does. | 0:15:41 | 0:15:45 | |
Right, Andrew, I hear you like your cars. | 0:15:48 | 0:15:50 | |
I'm very much into them. | 0:15:50 | 0:15:52 | |
Can you tell me about this particular car? | 0:15:52 | 0:15:54 | |
This one's a Morgan Plus 8. Morgan set out in 1909, | 0:15:54 | 0:15:59 | |
building three-wheelers. | 0:15:59 | 0:16:01 | |
Now these three-wheelers had a motorbike engine in them. | 0:16:01 | 0:16:05 | |
From 1923, they started making four-wheelers with big V8s in them. | 0:16:05 | 0:16:09 | |
Now this particular model here has a 4.6 litre V8 in it. | 0:16:09 | 0:16:13 | |
So, that says 2006 here. So this here Morgan is a replica? | 0:16:19 | 0:16:24 | |
Oh, no. All Morgans are hand-built nowadays. | 0:16:24 | 0:16:27 | |
This one here, and the one behind it, they're both originals. | 0:16:27 | 0:16:32 | |
Of the 130 cars on exhibit today, | 0:16:35 | 0:16:37 | |
this Rolls Royce Silver Shadow has to be my favourite. | 0:16:37 | 0:16:41 | |
It was made in 1978. | 0:16:41 | 0:16:44 | |
Underneath the bonnet, it's got a 6.75 litre V8 engine. | 0:16:44 | 0:16:49 | |
It's pretty big. | 0:16:49 | 0:16:51 | |
Stephen, I see this is for sale. How much are you looking for it? | 0:16:54 | 0:16:58 | |
24,000. | 0:16:58 | 0:17:00 | |
That's a large amount. | 0:17:00 | 0:17:02 | |
Would you take a tenner? | 0:17:02 | 0:17:04 | |
-LAUGHING: -I don't think so, not today, not today. | 0:17:04 | 0:17:07 | |
That's all I've got in my piggy-bank. | 0:17:07 | 0:17:09 | |
That's all you've got in your piggy-bank?! | 0:17:09 | 0:17:12 | |
You know the way in English, | 0:17:19 | 0:17:21 | |
you could have one word spelled one road with one meaning? | 0:17:21 | 0:17:24 | |
Well, in Ulster-Scots, | 0:17:24 | 0:17:25 | |
we could have the very same word, spelled the very same road, | 0:17:25 | 0:17:28 | |
but with two or three different meanings. | 0:17:28 | 0:17:30 | |
This is something that could keep you talking for hours, | 0:17:30 | 0:17:33 | |
as Liam Logan and Gary Blair found out. | 0:17:33 | 0:17:36 | |
Gary, we talked about some words | 0:17:43 | 0:17:46 | |
that have shared meanings and different meanings. | 0:17:46 | 0:17:48 | |
One of the words that I would look at would be "road". | 0:17:48 | 0:17:52 | |
Aye, I know that many a time I use it in many different ways, | 0:17:52 | 0:17:55 | |
in many different "roads" even! | 0:17:55 | 0:17:56 | |
Out of interest, since you're a lot of years my senior... | 0:17:56 | 0:17:59 | |
You cheeky blurt, you! | 0:17:59 | 0:18:01 | |
..what would you call a main thoroughfare, a main road? | 0:18:01 | 0:18:05 | |
It was always called a "line". | 0:18:05 | 0:18:07 | |
It still is. | 0:18:07 | 0:18:08 | |
The Ballymena Line. The Portrush Line. | 0:18:08 | 0:18:11 | |
And the Rasharkin Line. | 0:18:11 | 0:18:12 | |
That was about the full extent of my universe when I was young. | 0:18:12 | 0:18:16 | |
The funny thing is for a stranger coming, | 0:18:16 | 0:18:18 | |
"Do you know the Finvoy Road?", | 0:18:18 | 0:18:20 | |
if they were asking someone local, they'd say, "The Finvoy Road? | 0:18:20 | 0:18:23 | |
"I'm not sure - I know where the Rasharkin Line is," though it's one and the same. | 0:18:23 | 0:18:27 | |
And if you weren't doing too well in your work, | 0:18:27 | 0:18:31 | |
and your employer wasn't impressed | 0:18:31 | 0:18:32 | |
with what you were bringing to your daily task, | 0:18:32 | 0:18:35 | |
he maybe would "give you the road". | 0:18:35 | 0:18:37 | |
He more than likely would! | 0:18:37 | 0:18:39 | |
And I think I've heard that used a wee bit in English | 0:18:39 | 0:18:42 | |
about people being "down the road". | 0:18:42 | 0:18:44 | |
"Down the road", meaning they got sacked or paid off. | 0:18:44 | 0:18:47 | |
And then you have that other meaning for it, | 0:18:47 | 0:18:49 | |
where if you're going to a dance, a disco or somewhere, | 0:18:49 | 0:18:53 | |
you may "pay your own road in". | 0:18:53 | 0:18:54 | |
You might have paid HER road in, | 0:18:54 | 0:18:57 | |
but unfortunately, when I was doing a bit of courting, | 0:18:57 | 0:19:00 | |
the girl sometimes had to pay her own road in! | 0:19:00 | 0:19:02 | |
Did that happen often? | 0:19:02 | 0:19:04 | |
Very often! But I'm like most Ulster-Scots - | 0:19:04 | 0:19:06 | |
I'm very fond of a pound. | 0:19:06 | 0:19:08 | |
She can pay her own road! | 0:19:08 | 0:19:10 | |
Paula, that last bit of meat went down very well. | 0:19:19 | 0:19:22 | |
What are we having after? | 0:19:22 | 0:19:24 | |
Well, I'm going to do... It's a sticky Indian meal cake, | 0:19:24 | 0:19:27 | |
so it's not polenta. | 0:19:27 | 0:19:28 | |
But we use Indian meal in Ulster-Scots cooking. | 0:19:28 | 0:19:31 | |
So, if you beat that, and I'll add the eggs. | 0:19:31 | 0:19:34 | |
I'm beating this, right? | 0:19:34 | 0:19:35 | |
Yes, that's lovely. Faster, come on! | 0:19:35 | 0:19:38 | |
What do you think I am, a Kenwood? | 0:19:38 | 0:19:42 | |
So, what do you have in this now? | 0:19:42 | 0:19:44 | |
That's just the beaten butter and the sugar, | 0:19:44 | 0:19:46 | |
then you add four eggs. | 0:19:46 | 0:19:48 | |
-Right. -Now we're going to put in some plain flour, | 0:19:48 | 0:19:51 | |
so if you keep beating. | 0:19:51 | 0:19:53 | |
This is the corn meal, OK? | 0:19:53 | 0:19:54 | |
It's nice in a cake because it's light - | 0:19:54 | 0:19:56 | |
it lightens the cake. | 0:19:56 | 0:19:58 | |
Oh, I tell you what, this better be some cake! | 0:19:58 | 0:20:01 | |
Yes, so this is the cake. Now what I did... | 0:20:01 | 0:20:04 | |
It came out of the oven, right, | 0:20:04 | 0:20:06 | |
and I ran a skewer round the whole cake. | 0:20:06 | 0:20:08 | |
Then just pour your whisky and honey syrup all over. | 0:20:08 | 0:20:11 | |
I suppose that goes right in through the sponge. | 0:20:11 | 0:20:14 | |
-That goes in and gives you a lovely, sticky cake. -Oh, lovely. | 0:20:14 | 0:20:17 | |
We're going to do a wee bit of... | 0:20:17 | 0:20:19 | |
I'm just going to do some apples and pears with this. | 0:20:19 | 0:20:22 | |
A wee bit of raisins and some whisky action as well. | 0:20:22 | 0:20:24 | |
So, a nice hot pan. | 0:20:24 | 0:20:25 | |
Do you think Ulster-Scots cookery is fond of whisky? | 0:20:25 | 0:20:28 | |
Whisky and honey. | 0:20:28 | 0:20:30 | |
Paula, I hate this bit. | 0:20:48 | 0:20:50 | |
I know you do, Anne. | 0:20:50 | 0:20:51 | |
Especially when there's whisky in it. | 0:20:51 | 0:20:53 | |
-Aye! -And it's sticky and... | 0:20:53 | 0:20:55 | |
-Aye, whisky and honey. -Mmmmm! | 0:20:55 | 0:20:57 | |
So, you're playing here at the festival, are you, | 0:21:04 | 0:21:08 | |
-and your name is Duke Joint? -Duke Joint. | 0:21:08 | 0:21:10 | |
And where are yous frae? | 0:21:10 | 0:21:11 | |
We're frae Lurgan in Armagh! | 0:21:11 | 0:21:13 | |
You'll have to get tasting this cake first then. | 0:21:13 | 0:21:17 | |
There's whisky and honey in the apples and pears. | 0:21:17 | 0:21:20 | |
There's Indian cornmeal in the cake. | 0:21:20 | 0:21:23 | |
-It's beautiful. -Well fed and well musicked - | 0:21:23 | 0:21:25 | |
well everything at this festival! | 0:21:25 | 0:21:28 | |
APPLAUSE | 0:21:31 | 0:21:33 | |
Just outside Hillsborough, you'll find the Kilwarlin Moravian Church. | 0:21:36 | 0:21:40 | |
Out of the five Moravian churches in Ireland, | 0:21:40 | 0:21:43 | |
Kilwarlin's the only one that can say it had a Greek chieftain | 0:21:43 | 0:21:46 | |
working as its minister. | 0:21:46 | 0:21:48 | |
In 1828, Basil Patras Zula, a young Greek chieftain, | 0:21:48 | 0:21:52 | |
had to go into exile with a price on his head, put in place by the Turks. | 0:21:52 | 0:21:57 | |
He ended up in Dublin, married a Moravian, | 0:21:57 | 0:22:00 | |
trained to be a minister, and was called to work at Kilwarlin. | 0:22:00 | 0:22:04 | |
Andy Mattison finds out more. | 0:22:04 | 0:22:06 | |
So, Reverend Quaite, you served here for four years in the '60s | 0:22:06 | 0:22:11 | |
and, of course, you were well beloved by the local folk around here. | 0:22:11 | 0:22:15 | |
But an even more famous and even more, you could say, | 0:22:15 | 0:22:18 | |
beloved person, was Basil Patras Zula. | 0:22:18 | 0:22:20 | |
Indeed. Zula came here early in 1834, of course, | 0:22:20 | 0:22:25 | |
when he found the church, manse etc in a ruinous state. | 0:22:25 | 0:22:30 | |
If you look up above the entrance to the church, | 0:22:30 | 0:22:34 | |
you can see the plaque. | 0:22:34 | 0:22:36 | |
It tells you when Zula rebuilt the church - | 0:22:36 | 0:22:38 | |
October 13th, 1834. | 0:22:38 | 0:22:42 | |
There are not many churches like this one. | 0:22:43 | 0:22:46 | |
It looks slightly Grecian | 0:22:46 | 0:22:48 | |
with the minarets on either side. | 0:22:48 | 0:22:51 | |
Zula, of course, as you know, was a Greek nobleman. | 0:22:53 | 0:22:56 | |
There was a price on his head, put there by the Turks. | 0:22:56 | 0:22:59 | |
And, even though he had arrived here in Ireland, | 0:22:59 | 0:23:02 | |
and arrived here at Kilwarlin, he still had a fear of assassination. | 0:23:02 | 0:23:07 | |
And so, when he was rebuilding the manse, | 0:23:07 | 0:23:10 | |
he rebuilt it in such a way | 0:23:10 | 0:23:11 | |
that every room in the house had two doors. | 0:23:11 | 0:23:15 | |
And, indeed, the house had two staircases. | 0:23:15 | 0:23:18 | |
Why two doors in every room? | 0:23:18 | 0:23:19 | |
Was it if someone came through one, he could run out the other? | 0:23:19 | 0:23:22 | |
Correct - a means of escape. | 0:23:22 | 0:23:25 | |
And the little addition to the back of the building here | 0:23:25 | 0:23:29 | |
is very interesting. | 0:23:29 | 0:23:30 | |
Zula had that specially built, | 0:23:30 | 0:23:32 | |
and on the floor there was a trap-door. | 0:23:32 | 0:23:35 | |
Underneath was a hiding place, so that if he saw someone coming, | 0:23:35 | 0:23:39 | |
thought he was going to be assassinated, | 0:23:39 | 0:23:41 | |
he could nip in there through the trap-door and hide. | 0:23:41 | 0:23:45 | |
Indeed, my wife actually used that little outshot as a sewing room | 0:23:45 | 0:23:49 | |
when we lived here. | 0:23:49 | 0:23:51 | |
She used to hide from you? | 0:23:51 | 0:23:52 | |
Well, that's possible! | 0:23:52 | 0:23:54 | |
Zula was homesick but couldn't return home | 0:23:54 | 0:23:58 | |
so he employed the local Ulster-Scots folk | 0:23:58 | 0:24:00 | |
to lay out and maintain the church grounds | 0:24:00 | 0:24:03 | |
on the plan of the famous Greek battle of Thermopylae, | 0:24:03 | 0:24:06 | |
including a grassy brae to represent Mount Oeta. | 0:24:06 | 0:24:10 | |
You can't help but wonder what the local folk thought | 0:24:10 | 0:24:14 | |
of this strange building - | 0:24:14 | 0:24:15 | |
a representation of a Greek battle in front of their church, | 0:24:15 | 0:24:19 | |
here in the middle of Kilwarlin outside Hillsborough. | 0:24:19 | 0:24:22 | |
You know the Ulster folk as well as I do. | 0:24:22 | 0:24:24 | |
They're rather pragmatic people, aren't they? | 0:24:24 | 0:24:26 | |
Here was this gentleman employing them. | 0:24:26 | 0:24:30 | |
They could feed their families at this rather difficult time. | 0:24:30 | 0:24:33 | |
What Zula did, of course, was to put in a pond. | 0:24:36 | 0:24:40 | |
It's a bit overgrown now. | 0:24:40 | 0:24:42 | |
The pond represented the hot springs that gave Thermopylae its name. | 0:24:42 | 0:24:46 | |
Around the pond, | 0:24:46 | 0:24:48 | |
he created flower-beds of the 24 letters of the alphabet. | 0:24:48 | 0:24:52 | |
It's just a little bit difficult to see. | 0:24:52 | 0:24:55 | |
Well, of course this would be 150 years old. | 0:24:55 | 0:24:58 | |
Oh, yes. | 0:24:58 | 0:24:59 | |
So, as you're standing here, | 0:24:59 | 0:25:01 | |
you can trace out - it looks like an upside-down V. | 0:25:01 | 0:25:03 | |
-It does. -It looks like a V from this side, | 0:25:03 | 0:25:06 | |
but come here, you can trace it round as "Alpha". | 0:25:06 | 0:25:08 | |
And over here you do have just the start of the Omega | 0:25:08 | 0:25:13 | |
-going under the trees there. -Yes, uh-huh. | 0:25:13 | 0:25:15 | |
And in the grounds of the churchyard here, | 0:25:16 | 0:25:19 | |
we have Zula lying in his grave. | 0:25:19 | 0:25:21 | |
He died in October 1844. | 0:25:21 | 0:25:24 | |
Yes, down at... | 0:25:24 | 0:25:25 | |
And his wife is beside him. | 0:25:25 | 0:25:27 | |
Yes, she died in 1858. | 0:25:27 | 0:25:29 | |
But, of course, the question really is, is he there? | 0:25:29 | 0:25:32 | |
Is he in the grave? | 0:25:32 | 0:25:33 | |
Ah, you're referring to the legend that grew up following his death. | 0:25:33 | 0:25:38 | |
The story goes that he was supposed to have seen | 0:25:38 | 0:25:41 | |
a couple of rather foreign-looking gentlemen hanging around the place. | 0:25:41 | 0:25:46 | |
He was, of course, going to Dublin on church business. | 0:25:46 | 0:25:49 | |
So he thought that these foreign-looking gentlemen, | 0:25:49 | 0:25:52 | |
-were the Turks come to get him. -Possibly. | 0:25:52 | 0:25:55 | |
The story goes that it was arranged that he would go into hiding. | 0:25:55 | 0:26:00 | |
Some people think that he may have gone back to Greece, | 0:26:00 | 0:26:04 | |
and the coffin, when it was brought up to Kilwarlin from Dublin, | 0:26:04 | 0:26:09 | |
contained stones instead of Zula's body. | 0:26:09 | 0:26:12 | |
So the legend is that he didn't die in Dublin, | 0:26:12 | 0:26:14 | |
that he actually faked his own death? | 0:26:14 | 0:26:17 | |
Well, it could have happened that way, | 0:26:17 | 0:26:19 | |
but I believe that's just a story. | 0:26:19 | 0:26:21 | |
I personally prefer to believe | 0:26:21 | 0:26:23 | |
that his remains are here with us, here at Kilwarlin. | 0:26:23 | 0:26:26 | |
Well, that's near enough it. | 0:26:30 | 0:26:32 | |
We hope you'll stay with us for the rest of the series. | 0:26:32 | 0:26:34 | |
We're going to leave you now with some more good music. | 0:26:34 | 0:26:37 | |
# Working on the farm, up at the crack of dawn | 0:26:45 | 0:26:48 | |
# Jump out of bed, get your overalls on | 0:26:48 | 0:26:52 | |
# Grab a slice of toast and whistle for the dog | 0:26:52 | 0:26:55 | |
# Make the paddock ready, bring the cows down the road | 0:26:56 | 0:27:00 | |
# Make the paddock ready, bring the cows down the road | 0:27:02 | 0:27:06 | |
# Here comes Beauty, Number Eight | 0:27:12 | 0:27:15 | |
# Three pulls of meal for she's milking great | 0:27:15 | 0:27:18 | |
# Heifer behind her needs a kicking bar | 0:27:18 | 0:27:22 | |
# Run and get the new one from the boot of the car | 0:27:23 | 0:27:27 | |
# I'll get the new one from the boot of the car | 0:27:30 | 0:27:33 | |
# Wake up, you boy you, you'd lie all day | 0:27:39 | 0:27:42 | |
# A meal man in the yard and he's looking paid | 0:27:42 | 0:27:45 | |
# You get the cheque book and I'll get the cows | 0:27:45 | 0:27:50 | |
# When the last run's through, take them up to the knowes | 0:27:50 | 0:27:55 | |
# When the last run's through, take them up to the knowes | 0:27:56 | 0:28:00 | |
# Working on the farm, up at the crack of dawn | 0:28:39 | 0:28:42 | |
# Jump out of bed and get your overalls on | 0:28:42 | 0:28:47 | |
# Get your overalls on. # | 0:28:48 | 0:28:57 |