Browse content similar to Bristol. Check below for episodes and series from the same categories and more!
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Around the coast of Britain are cities | 0:00:02 | 0:00:04 | |
where lives are shaped by the sea. | 0:00:04 | 0:00:05 | |
-SHIP HORN BLOWS -Gets the heart going a bit. | 0:00:05 | 0:00:07 | |
Each city is a gateway to the wider world. | 0:00:07 | 0:00:10 | |
And around each city, | 0:00:11 | 0:00:13 | |
thousands of people work in jobs that touch all of our lives. | 0:00:13 | 0:00:16 | |
Lovely to meet you. | 0:00:16 | 0:00:18 | |
-Whether it's keeping us safe... -The casualty's breathing. | 0:00:18 | 0:00:20 | |
..or keeping us smiling. | 0:00:20 | 0:00:21 | |
Yes, my love? Don't spend your bus fare, will you. | 0:00:21 | 0:00:24 | |
Jobs that keep the nation afloat. | 0:00:25 | 0:00:27 | |
We're at call 24/7, 365 days a year. | 0:00:27 | 0:00:31 | |
From clocking on in the morning... | 0:00:31 | 0:00:33 | |
..to relaxing after work. | 0:00:34 | 0:00:36 | |
The seaside beckons. | 0:00:36 | 0:00:37 | |
Around the shores and rivers of their home towns, | 0:00:37 | 0:00:41 | |
water brings people together. | 0:00:41 | 0:00:43 | |
On the west coast of England, | 0:00:46 | 0:00:48 | |
Bristol's port is waiting for a precious cargo. | 0:00:48 | 0:00:51 | |
Guys, we got a bit of a problem with these traffic lights, haven't we? | 0:00:51 | 0:00:54 | |
In the old docks, new skills are on show. | 0:00:54 | 0:00:57 | |
That's better, that'll do. | 0:00:57 | 0:00:59 | |
Eight weeks ago, I couldn't do a single length. | 0:00:59 | 0:01:01 | |
It feels like a big challenge. | 0:01:01 | 0:01:02 | |
And the Harbour Festival has more on show than usual. | 0:01:02 | 0:01:05 | |
I've got two naked people struggling to get out of the water. | 0:01:05 | 0:01:08 | |
The Port of Bristol sits at the point where the River Avon | 0:01:32 | 0:01:36 | |
empties into the Severn estuary. | 0:01:36 | 0:01:38 | |
It's made up of three docks that handle around 3,000 ships a year | 0:01:43 | 0:01:48 | |
from all over the world. | 0:01:48 | 0:01:50 | |
And just 18 men are responsible for tying and untying them, | 0:01:55 | 0:01:59 | |
day or night. | 0:01:59 | 0:02:01 | |
It's a job they call hobbling. | 0:02:01 | 0:02:03 | |
Quite a busy week so far, as you can see, all the wrong side of midnight. | 0:02:03 | 0:02:08 | |
Alan Ring is one of this select group of dock workers, | 0:02:09 | 0:02:13 | |
known as pill hobblers. | 0:02:13 | 0:02:15 | |
We come on whenever there's ships coming in, | 0:02:15 | 0:02:19 | |
two or three hours before high water, two or three hours after. | 0:02:19 | 0:02:23 | |
So, you could be out six, eight, nine hours, home, | 0:02:23 | 0:02:28 | |
and wait for the next tide. | 0:02:28 | 0:02:30 | |
There's basically two shifts in a 24-hour period. | 0:02:30 | 0:02:33 | |
So at the moment we've got the Aristidis, | 0:02:38 | 0:02:40 | |
which is currently holding a cargo of molasses. | 0:02:40 | 0:02:44 | |
We're just waiting for her to come alongside so we can receive her lines. | 0:02:44 | 0:02:48 | |
Matthew Stephen, or Boff as his friends call him, | 0:02:48 | 0:02:51 | |
is the newest recruit. | 0:02:51 | 0:02:53 | |
In the split. | 0:02:53 | 0:02:54 | |
Another two lines to go. | 0:02:56 | 0:02:58 | |
We're fine, as long as these go up all right. | 0:02:58 | 0:03:00 | |
Basically, if we're not there, if the hobblers aren't in attendance, | 0:03:01 | 0:03:04 | |
the ships don't get moored, they can't come alongside, | 0:03:04 | 0:03:07 | |
they can't discharge cargo, you can't pick up cargo. | 0:03:07 | 0:03:09 | |
So the hobblers are quite an intrinsic part | 0:03:09 | 0:03:11 | |
of the day-to-day running of the port. | 0:03:11 | 0:03:14 | |
The pill hobblers have a unique history, | 0:03:15 | 0:03:18 | |
dating back to medieval times. | 0:03:18 | 0:03:21 | |
To be one, you have to live in the village of Pill, | 0:03:21 | 0:03:24 | |
two miles upriver from Avonmouth. | 0:03:24 | 0:03:26 | |
In the days of sail, they've no engines, | 0:03:27 | 0:03:30 | |
and when a ship comes into a river or an estuary, | 0:03:30 | 0:03:33 | |
they're at the mercy of the tides. | 0:03:33 | 0:03:36 | |
And because of our position on the river, | 0:03:36 | 0:03:38 | |
we play a major, major part in Bristol developing as a port. | 0:03:38 | 0:03:43 | |
In effect, this was part of the Port of Bristol. | 0:03:43 | 0:03:47 | |
The old Port of Bristol is a few miles upriver from Pill. | 0:03:50 | 0:03:53 | |
Beyond Isambard Kingdom Brunel's famous suspension bridge, | 0:03:55 | 0:03:58 | |
there are plenty of reminders of its proud maritime past. | 0:03:58 | 0:04:02 | |
Today, warehouses and wharfs have been redeveloped | 0:04:05 | 0:04:09 | |
into bars, shops, and luxury apartments. | 0:04:09 | 0:04:12 | |
Even one of the city's cranes is getting a face-lift. | 0:04:17 | 0:04:20 | |
-Hiya, you all right? -You all right? -Yeah, good. | 0:04:21 | 0:04:24 | |
Tom Dixon and his team are in the final stages of converting it into | 0:04:24 | 0:04:28 | |
a high-end bed and breakfast, and with only a week to go before | 0:04:28 | 0:04:31 | |
the first guests arrive, the pressure's on. | 0:04:31 | 0:04:34 | |
This is a little bit all hands to the pump | 0:04:34 | 0:04:36 | |
just in this final push to get it all finished. | 0:04:36 | 0:04:39 | |
The whole project is about being creative and clever in how you use | 0:04:42 | 0:04:46 | |
materials, so recycling where we can, | 0:04:46 | 0:04:48 | |
trying to keep things as locally as possible. | 0:04:48 | 0:04:51 | |
We are going to have a compost loo and a shower, | 0:04:51 | 0:04:54 | |
we are even going to try to use an old watering can | 0:04:54 | 0:04:56 | |
for the, for the shower head, which I think is going to be really fun. | 0:04:56 | 0:04:59 | |
Oh, look at that. Ollie, that's brilliant. | 0:05:01 | 0:05:04 | |
-Looks all right, doesn't it? -It looks awesome. | 0:05:04 | 0:05:06 | |
Great call on painting it black as well. | 0:05:06 | 0:05:08 | |
It looks just brilliant. | 0:05:08 | 0:05:10 | |
This is the living area, | 0:05:10 | 0:05:11 | |
and we're going to have a big sofa along here, loads of plants. | 0:05:11 | 0:05:14 | |
We've got the really cool wall at the end. | 0:05:14 | 0:05:16 | |
And then it's just the amazing view, that's really what this is about, | 0:05:16 | 0:05:20 | |
so it's really going to feel like this bubble of nature. | 0:05:20 | 0:05:23 | |
There is still a lot to do. | 0:05:26 | 0:05:27 | |
And with only seven days to go, | 0:05:27 | 0:05:29 | |
the project's architect Simon Parfitt | 0:05:29 | 0:05:32 | |
is literally climbing the walls. | 0:05:32 | 0:05:34 | |
The most difficult challenges have been around the structure | 0:05:34 | 0:05:37 | |
and getting that to work, and then it's really just been timing, | 0:05:37 | 0:05:40 | |
trying to get around the weather. | 0:05:40 | 0:05:43 | |
We're doing the last seals on the roof. | 0:05:43 | 0:05:45 | |
So been welding the roof watertight. | 0:05:45 | 0:05:47 | |
We've had just torrential rain for the last three or four days. | 0:05:47 | 0:05:50 | |
We're maybe one day behind, perhaps two days behind. | 0:05:50 | 0:05:54 | |
We've got no contingency time at all now, | 0:05:54 | 0:05:57 | |
so we really are up against it. | 0:05:57 | 0:05:59 | |
Back in Pill, | 0:06:06 | 0:06:08 | |
Alan likes to keep some of the old hobbler traditions alive, | 0:06:08 | 0:06:11 | |
including sculling. | 0:06:11 | 0:06:12 | |
This, sculling, is a form of moving a boat, | 0:06:12 | 0:06:15 | |
propelling a boat with one oar. | 0:06:15 | 0:06:17 | |
It was a common practice in dockland, rivers. | 0:06:17 | 0:06:21 | |
And if you imagine you're coming alongside a moving vessel, | 0:06:21 | 0:06:25 | |
if you're rowing, you then, as you come alongside, | 0:06:25 | 0:06:28 | |
you have to pull the oars in. | 0:06:28 | 0:06:30 | |
So there is a point where you have no control over that boat. | 0:06:30 | 0:06:34 | |
Nowadays, you would just pull the cord and go "zzz" | 0:06:34 | 0:06:37 | |
and zip across with your outboard motor. | 0:06:37 | 0:06:39 | |
He's on his way to pick up their newest hobbler recruit, Boff. | 0:06:46 | 0:06:50 | |
All right, Boff. | 0:06:50 | 0:06:51 | |
I joined up in April of this year. | 0:06:51 | 0:06:54 | |
So still an infant in comparison to some of the other guys | 0:06:54 | 0:06:58 | |
which have been doing it for many, many years. | 0:06:58 | 0:07:01 | |
At their height, more than 100 Pill hobblers worked the ships | 0:07:03 | 0:07:07 | |
coming in and out of Bristol. | 0:07:07 | 0:07:09 | |
It's different to any job that I've ever had. | 0:07:12 | 0:07:14 | |
The hours can be unsocial, we work tidal hours, | 0:07:14 | 0:07:18 | |
so we're at call 24/7, 365 days a year. | 0:07:18 | 0:07:22 | |
Today, the hobblers are taking their work boat downriver | 0:07:23 | 0:07:26 | |
for some maintenance. | 0:07:26 | 0:07:27 | |
Makes it a little bit easier, having an engine, | 0:07:30 | 0:07:32 | |
as opposed to doing it by oar. | 0:07:32 | 0:07:34 | |
In a few days' time they'll be taking care | 0:07:35 | 0:07:38 | |
of a multi-million pound cargo at the Royal Portbury Dock. | 0:07:38 | 0:07:42 | |
Your first commitment is to the job | 0:07:42 | 0:07:44 | |
and to the running of the port. | 0:07:44 | 0:07:46 | |
The Bristol Harbourside Triathlon is a week away. | 0:07:52 | 0:07:56 | |
A gruelling sporting event, it involves swimming in the city docks. | 0:07:56 | 0:08:00 | |
For Alex De Mornay, that's a daunting prospect. | 0:08:01 | 0:08:04 | |
Just two months ago, she could barely swim. | 0:08:06 | 0:08:09 | |
Today is her final lesson before the race. | 0:08:09 | 0:08:12 | |
Well, I've had to start from scratch, basically. | 0:08:12 | 0:08:15 | |
Eight weeks ago I had my first lesson, | 0:08:15 | 0:08:18 | |
Tuesday, 18th of April, I remember, | 0:08:18 | 0:08:20 | |
and I've had a half-hour lesson once a week since then. | 0:08:20 | 0:08:23 | |
The hardest part has just been learning to combine everything, | 0:08:30 | 0:08:34 | |
each of the individual bits of the stroke on their own are OK, | 0:08:34 | 0:08:37 | |
but putting it all together is remarkably complicated, actually. | 0:08:37 | 0:08:40 | |
Ah! | 0:08:44 | 0:08:46 | |
I also have a tendency to panic. | 0:08:46 | 0:08:47 | |
So when I can't feel, when I feel like I'm not about | 0:08:47 | 0:08:50 | |
to breathe properly, then it makes me panic | 0:08:50 | 0:08:52 | |
and I guess that's my biggest fear for the triathlon. | 0:08:52 | 0:08:55 | |
Wait, wait, wait, Alex. Don't drop your elbow before right hand. | 0:08:55 | 0:08:59 | |
Do it... Yeah, better. | 0:08:59 | 0:09:02 | |
When I started eight weeks ago, | 0:09:02 | 0:09:04 | |
I couldn't do a single length in pool. | 0:09:04 | 0:09:07 | |
And on Sunday I've got to do 750 metres in Bristol Harbour, | 0:09:07 | 0:09:11 | |
so it feels a little bit like a big challenge. | 0:09:11 | 0:09:14 | |
Alex is taking part to raise money for Parkinson's UK, | 0:09:15 | 0:09:18 | |
a charity that's very close to her heart. | 0:09:18 | 0:09:21 | |
My father had Parkinson's disease. | 0:09:21 | 0:09:24 | |
He had that when I was growing up, | 0:09:24 | 0:09:26 | |
and very sadly he died when I was just 24. | 0:09:26 | 0:09:29 | |
And that was very painful to watch | 0:09:29 | 0:09:31 | |
because it is a disease that robs you of so much. | 0:09:31 | 0:09:35 | |
It's not just her dad who battled with the disease. | 0:09:35 | 0:09:39 | |
13 years ago, my mum was diagnosed with Parkinson's, | 0:09:39 | 0:09:42 | |
and then, a few years ago, my aunt was diagnosed with Parkinson's, | 0:09:42 | 0:09:46 | |
so it just feels like the whole family has been really affected | 0:09:46 | 0:09:49 | |
by this disease. | 0:09:49 | 0:09:51 | |
Her mum, Elizabeth, is cared for in a specialist nursing home in Sussex. | 0:09:52 | 0:09:57 | |
It doesn't kill you, but it just makes your life so hideous | 0:09:57 | 0:10:01 | |
in so many ways and you lose so much control. | 0:10:01 | 0:10:04 | |
KNOCK ON DOOR | 0:10:04 | 0:10:06 | |
-Hi, Mum. -Hi, lovey. | 0:10:06 | 0:10:07 | |
Hello. How are you? | 0:10:07 | 0:10:09 | |
-How are you? -Gorgeous to see you. What have you got in there? | 0:10:09 | 0:10:12 | |
I've got my tri-gear. | 0:10:12 | 0:10:15 | |
It means an enormous amount to me. | 0:10:15 | 0:10:17 | |
Um... | 0:10:17 | 0:10:19 | |
You know... | 0:10:20 | 0:10:22 | |
She's such a lovable child, person, | 0:10:22 | 0:10:25 | |
she's such a lovable child. | 0:10:25 | 0:10:27 | |
So then I have goggles, | 0:10:27 | 0:10:29 | |
-polarised lenses. -Mm-hm. | 0:10:29 | 0:10:31 | |
So they are quite wide. | 0:10:31 | 0:10:33 | |
-Are you going to try them on? -I won't put them on. I'll do that. | 0:10:33 | 0:10:37 | |
I can't see a thing. | 0:10:37 | 0:10:39 | |
I think she's immensely courageous. | 0:10:39 | 0:10:41 | |
And so lovely that she cares. | 0:10:41 | 0:10:45 | |
And it makes a great difference to my life. | 0:10:47 | 0:10:50 | |
I felt powerless for years, because there's not much you can do, | 0:10:53 | 0:10:56 | |
there are, obviously, medications and things | 0:10:56 | 0:10:59 | |
but on a day-to-day basis, it is a very tough thing to deal with. | 0:10:59 | 0:11:03 | |
And I'm not a scientist, I can't contribute to research or anything, | 0:11:03 | 0:11:07 | |
but the one thing I can do, is try to raise some money | 0:11:07 | 0:11:09 | |
for those people who are researching. | 0:11:09 | 0:11:12 | |
That's why I decided to do the triathlon. | 0:11:12 | 0:11:14 | |
So I've got to somehow read through these between now and the race. | 0:11:14 | 0:11:19 | |
THEY CHUCKLE | 0:11:19 | 0:11:21 | |
It's nearly midnight at the Royal Portbury Dock. | 0:11:25 | 0:11:28 | |
Pill hobblers Alan and Boff are starting the second half | 0:11:31 | 0:11:34 | |
of a gruelling double shift. | 0:11:34 | 0:11:36 | |
At the moment, tired. Still waking up a little bit. | 0:11:37 | 0:11:41 | |
Give us another half an hour or so, | 0:11:41 | 0:11:43 | |
and I'll be wide awake and fighting fit then. | 0:11:43 | 0:11:46 | |
I finished over in Avonmouth this morning, started at ten, | 0:11:46 | 0:11:49 | |
finished at about seven. | 0:11:49 | 0:11:51 | |
By the time showered, had something to eat, | 0:11:51 | 0:11:54 | |
taken the dogs out, bed by nine, | 0:11:54 | 0:11:57 | |
up by midnight ready to go again. | 0:11:57 | 0:12:00 | |
RADIO STATIC | 0:12:00 | 0:12:02 | |
Boff's not been long in the job, so how's he measuring up? | 0:12:02 | 0:12:06 | |
He's doing OK, yeah. | 0:12:06 | 0:12:08 | |
They do say it takes a couple of years to get used to the tides | 0:12:08 | 0:12:12 | |
and the rosters and the timing, you know, things like that. | 0:12:12 | 0:12:16 | |
You know, he's coming on well, yeah. | 0:12:16 | 0:12:19 | |
I've got to put up with him until I retire anyway, | 0:12:20 | 0:12:23 | |
so I've got to say nice things! | 0:12:23 | 0:12:25 | |
The ship they're tending is the Ciudad de Cadiz. | 0:12:27 | 0:12:30 | |
It's waiting to load an £8 million cargo from the Airbus factory | 0:12:30 | 0:12:34 | |
ten miles up the road. | 0:12:34 | 0:12:35 | |
At Airbus, Stewart Slatford is the man in charge | 0:12:40 | 0:12:43 | |
of delivering it to the port safely. | 0:12:43 | 0:12:45 | |
Right, let's go and find some wings. | 0:12:46 | 0:12:48 | |
Welcome to darkness. | 0:12:50 | 0:12:51 | |
Hope the lights come on. | 0:12:53 | 0:12:54 | |
Beneath the tarpaulin is one of two wings for the military aircraft, | 0:12:56 | 0:13:00 | |
the A400M. | 0:13:00 | 0:13:02 | |
They were made here at the Filton factory a week ago, | 0:13:02 | 0:13:05 | |
and are each worth £4 million. | 0:13:05 | 0:13:08 | |
This is quite an expensive load, obviously. | 0:13:10 | 0:13:14 | |
Normally about six escort vehicles. | 0:13:14 | 0:13:17 | |
We look after the security of the load | 0:13:17 | 0:13:19 | |
as we're travelling down the motorway. | 0:13:19 | 0:13:22 | |
They'll be travelling in convoy, and to keep stops to a minimum, | 0:13:22 | 0:13:25 | |
they have a secret weapon that is sure to be the envy | 0:13:25 | 0:13:28 | |
of every motorist. | 0:13:28 | 0:13:30 | |
On our usual route we have full control of the traffic light system. | 0:13:30 | 0:13:34 | |
So we have a little transponder tag in each vehicle, | 0:13:35 | 0:13:38 | |
so as we approach a set of lights, | 0:13:38 | 0:13:39 | |
they turn green for us, red for everybody else. | 0:13:39 | 0:13:42 | |
Not that we're going to tell necessarily, | 0:13:42 | 0:13:44 | |
but that's what the transponder tag looks like. | 0:13:44 | 0:13:46 | |
That means I can run a red light. | 0:13:46 | 0:13:48 | |
-Well, no, because it will make them green. -Good point. | 0:13:48 | 0:13:50 | |
You won't run a red light, that'll make them green for you. | 0:13:50 | 0:13:53 | |
It keeps the whole convoy together, | 0:13:55 | 0:13:58 | |
we don't have any issues with red lights, it keeps everything moving, | 0:13:58 | 0:14:01 | |
and keeps our convoy on time. | 0:14:01 | 0:14:04 | |
Jerry Williams is driving the lead truck. | 0:14:09 | 0:14:12 | |
-RADIO: -Keep that line, Jerry. Looking good. | 0:14:12 | 0:14:14 | |
Oh, I'm looking good. | 0:14:14 | 0:14:16 | |
No, the trailer's looking good by the sounds of it. | 0:14:16 | 0:14:19 | |
Green lights. We're go, go, go. | 0:14:21 | 0:14:23 | |
He's followed by another eight vehicles, taking up both lanes, | 0:14:25 | 0:14:29 | |
and more than 100 metres of road. | 0:14:29 | 0:14:32 | |
INDISTINCT RADIO CHATTER | 0:14:34 | 0:14:38 | |
-70mph. -Looking good at the back. | 0:14:38 | 0:14:40 | |
Stewart's bringing up the rear, | 0:14:40 | 0:14:42 | |
keeping other drivers from cutting into the convoy. | 0:14:42 | 0:14:45 | |
It's essential for safety that they all stick together. | 0:14:45 | 0:14:48 | |
OK, I've got a red light here. | 0:14:52 | 0:14:54 | |
Guys, we've got a bit of a problem with these traffic lights, haven't we? | 0:14:54 | 0:14:58 | |
Mick's stopped the traffic so we're going to proceed. | 0:15:00 | 0:15:03 | |
It looks like those transponders aren't working. | 0:15:03 | 0:15:06 | |
Right, this isn't good news. | 0:15:06 | 0:15:08 | |
And whatever happens, I should not go through a red light. | 0:15:10 | 0:15:13 | |
At the next set of lights, it's confirmed, | 0:15:15 | 0:15:17 | |
there's a problem with the transponders. | 0:15:17 | 0:15:19 | |
Traffic lights have changed. | 0:15:22 | 0:15:24 | |
These lights should be green for me. | 0:15:24 | 0:15:27 | |
-RADIO: -Are you in a safe position, yeah? | 0:15:27 | 0:15:29 | |
Yeah, I'm in a safe position, yeah, I am, I don't know about Kev. | 0:15:29 | 0:15:32 | |
But there's two cars, a couple of cars coming up the slipway now. | 0:15:32 | 0:15:38 | |
They have no option but to run the red light. | 0:15:38 | 0:15:41 | |
I'm afraid I've got to, | 0:15:43 | 0:15:44 | |
because otherwise the convoy is going to break up. | 0:15:44 | 0:15:48 | |
All right, James, we are all on the slip, I think. | 0:15:48 | 0:15:50 | |
The whole system is not working this evening so, um... | 0:15:50 | 0:15:52 | |
I don't know why, we're going to have to get it investigated | 0:15:54 | 0:15:56 | |
when I get back to work on Thursday. | 0:15:56 | 0:15:59 | |
-RADIO: -Lane one is clear, and lane two is clear. | 0:15:59 | 0:16:03 | |
Next stop, the Royal Portbury Dock. | 0:16:04 | 0:16:07 | |
The wings are so wide they're causing a massive tailback. | 0:16:12 | 0:16:16 | |
And there's the boat across there. | 0:16:25 | 0:16:28 | |
Despite the technical problems, | 0:16:28 | 0:16:30 | |
they've arrived at the port on time and in one piece. | 0:16:30 | 0:16:33 | |
All that's left is to get the wings safely into the hole. | 0:16:35 | 0:16:38 | |
Keep it coming, Jerry, keep it coming. | 0:16:38 | 0:16:41 | |
They'll come out with a plan and they'll check it, | 0:16:41 | 0:16:43 | |
and if we're not in exactly the right position, they'll make us move the trailer. | 0:16:43 | 0:16:46 | |
-RADIO: -Stop, stop, stop. | 0:16:49 | 0:16:51 | |
We're good, we're in position. That is good news. | 0:16:53 | 0:16:55 | |
We're just waiting for the first officer | 0:16:58 | 0:17:01 | |
to be happy with the trailers. | 0:17:01 | 0:17:03 | |
And then we'll sign off the paperwork | 0:17:03 | 0:17:05 | |
and we'll wave the vessel goodbye. | 0:17:05 | 0:17:07 | |
It's leaving on the early tide. Ready to go. | 0:17:07 | 0:17:11 | |
That's fine. Was that the ramp? | 0:17:11 | 0:17:13 | |
Hopefully not. | 0:17:13 | 0:17:15 | |
-If that was the ramp, we're running now, all right. -Yes! | 0:17:15 | 0:17:18 | |
Job done. | 0:17:20 | 0:17:21 | |
Another set of wings from Airbus delivered safely for export. | 0:17:21 | 0:17:26 | |
It's the 20th pair this year to be shipped to Spain, | 0:17:26 | 0:17:29 | |
where they're put together with parts from all over Europe | 0:17:29 | 0:17:32 | |
to make up the A400M military aircraft. | 0:17:32 | 0:17:36 | |
Alan and Boff just need to do their job to see her off safely. | 0:17:37 | 0:17:42 | |
Stand well back from the ropes, please. | 0:17:42 | 0:17:45 | |
There's a bit of a language barrier, obviously, | 0:17:47 | 0:17:49 | |
with different ships coming in, so a lot of hand signals, | 0:17:49 | 0:17:52 | |
a lot of gestures, two lines, one line, slack, | 0:17:52 | 0:17:56 | |
winch up, winch down. | 0:17:56 | 0:17:57 | |
Some ships crews are absolutely brilliant | 0:17:59 | 0:18:02 | |
but it only takes one or two crew members to heave up on a line | 0:18:02 | 0:18:06 | |
when they should be slacking a line, | 0:18:06 | 0:18:07 | |
and it can all throw it out a little bit. | 0:18:07 | 0:18:09 | |
But the Cadiz, especially, is one of our regular runners, | 0:18:09 | 0:18:13 | |
so they're pretty switched on, this crew. | 0:18:13 | 0:18:16 | |
Bristol's harbourside has a thriving community of people | 0:18:28 | 0:18:32 | |
who live on boats. | 0:18:32 | 0:18:34 | |
This former Dutch barge is home to the Wakeham family. | 0:18:34 | 0:18:38 | |
I'm probably the only one in my school who lives on a boat. | 0:18:40 | 0:18:43 | |
Same with me. | 0:18:43 | 0:18:44 | |
Maria and Billy live with their parents, Rick and Helen. | 0:18:47 | 0:18:50 | |
It's surprisingly like family life anywhere else, | 0:18:52 | 0:18:55 | |
it's probably not as bohemian as it looks. | 0:18:55 | 0:18:58 | |
We've got normal things like bedrooms and baths, | 0:18:58 | 0:19:02 | |
and washing up, and all the things that everybody else has. | 0:19:02 | 0:19:05 | |
I mean, I think what's different about it, | 0:19:09 | 0:19:12 | |
is we've got access to the water, | 0:19:12 | 0:19:14 | |
so the kids wake up in the morning and there's a swan looking in the... | 0:19:14 | 0:19:17 | |
..in the porthole window. | 0:19:18 | 0:19:20 | |
I love my shoe. | 0:19:22 | 0:19:24 | |
This is our living room, | 0:19:29 | 0:19:31 | |
or saloon, I suppose I should call it, because it's a boat. | 0:19:31 | 0:19:34 | |
Sometimes we do find canoeists come and poke their noses in | 0:19:36 | 0:19:39 | |
through our windows. | 0:19:39 | 0:19:40 | |
Sometimes it's tempting to nip upstairs | 0:19:40 | 0:19:43 | |
and pour water over the side but I haven't done it yet. | 0:19:43 | 0:19:45 | |
Helen is a scientist at the Environment Agency | 0:19:45 | 0:19:49 | |
just across the harbour. | 0:19:49 | 0:19:50 | |
We're right in the centre of the city, | 0:19:50 | 0:19:53 | |
so it's easy to get everywhere. | 0:19:53 | 0:19:55 | |
It's a very short commute. | 0:19:55 | 0:19:57 | |
About 15 minutes' walk, | 0:19:57 | 0:19:59 | |
or five minutes if I get the little cross-harbour ferry. | 0:19:59 | 0:20:01 | |
The only person who has a shorter commute to work than me is Rick, | 0:20:01 | 0:20:04 | |
because his is about two minutes. | 0:20:04 | 0:20:06 | |
Rick is the skipper of one of Bristol's most famous ships, | 0:20:08 | 0:20:12 | |
The Matthew. | 0:20:12 | 0:20:13 | |
Where's the lid for your lunch? | 0:20:14 | 0:20:16 | |
Right, kid, get your jumper on, let's go. | 0:20:16 | 0:20:19 | |
Billy is coming to work with me. | 0:20:19 | 0:20:21 | |
We're doing a gorge trip, | 0:20:21 | 0:20:23 | |
which is Bristol down to | 0:20:23 | 0:20:26 | |
about Avonmouth and back. | 0:20:26 | 0:20:29 | |
Come on then, we're going. | 0:20:29 | 0:20:30 | |
Right. That's all right. Just chuck it over your shoulder. | 0:20:32 | 0:20:34 | |
We have a full boat, 40 passengers plus crew, | 0:20:34 | 0:20:38 | |
which Billy is the youngest crew member. | 0:20:38 | 0:20:41 | |
See you, Helen. | 0:20:41 | 0:20:42 | |
All I do is, really, run the shop | 0:20:42 | 0:20:45 | |
and sometimes do the safety announcement. | 0:20:45 | 0:20:48 | |
-You steer the ship from time to time. -Oh, yeah. | 0:20:48 | 0:20:51 | |
But not in the gorge though because I might run the ship aground. | 0:20:51 | 0:20:54 | |
And if that happened, I'd probably... | 0:20:54 | 0:20:57 | |
He'd probably kill me. | 0:20:58 | 0:20:59 | |
The Matthew is a replica of the ship that John Cabot sailed from Bristol | 0:21:02 | 0:21:07 | |
to discover North America in 1497. | 0:21:07 | 0:21:11 | |
Rick and his team of volunteers | 0:21:11 | 0:21:13 | |
take her on daily runs down the Avon gorge to raise money for the | 0:21:13 | 0:21:17 | |
charitable trust that owns her. | 0:21:17 | 0:21:19 | |
This is Penny. | 0:21:20 | 0:21:22 | |
She's one of the elder volunteers. | 0:21:22 | 0:21:25 | |
-Was that really necessary? -Sorry. | 0:21:26 | 0:21:28 | |
-Can I start again? -Can I hit him? | 0:21:29 | 0:21:32 | |
This is Penny, one of our...one of our very efficient volunteers, | 0:21:32 | 0:21:37 | |
and she's actually counting the passengers on at the moment. | 0:21:37 | 0:21:41 | |
Thank you, skipper. | 0:21:41 | 0:21:42 | |
A very glamorous lady. | 0:21:43 | 0:21:45 | |
Hello, there. | 0:21:46 | 0:21:48 | |
In the highly unlikely event of anything untoward happening, | 0:21:51 | 0:21:54 | |
please, remain calm and wait for further instructions from the crew. | 0:21:54 | 0:21:58 | |
Um, Bill, do you want to say something? | 0:21:58 | 0:22:01 | |
If anyone's interested in merchandise, | 0:22:01 | 0:22:04 | |
I'm selling stuff down there. | 0:22:04 | 0:22:06 | |
How much is it, Billy? | 0:22:07 | 0:22:09 | |
There's a price list. | 0:22:09 | 0:22:11 | |
-OK. -Of course. -Thank you, Bill. | 0:22:11 | 0:22:14 | |
PEOPLE LAUGH | 0:22:14 | 0:22:16 | |
That was... Bill, that was fine. | 0:22:16 | 0:22:18 | |
-Right, OK. -Well done. | 0:22:18 | 0:22:20 | |
The wind is our worst enemy with this ship. | 0:22:24 | 0:22:27 | |
You know, when it's windy, I mean, you know, | 0:22:28 | 0:22:30 | |
it can become dangerous to use it in the harbour. | 0:22:30 | 0:22:33 | |
Only because, you know, there's not a lot of space. | 0:22:33 | 0:22:36 | |
When you look what is above the water line, | 0:22:36 | 0:22:39 | |
it's a lot more than what's below. | 0:22:39 | 0:22:41 | |
So, you know, you get the wind beam on, sideways, | 0:22:41 | 0:22:45 | |
you can get yourself in a bit of a pickle. | 0:22:45 | 0:22:48 | |
Bill, can you take the helm for me, please? | 0:22:48 | 0:22:50 | |
Just keep her going round the bend. | 0:22:50 | 0:22:52 | |
Go on, over a bit more, kid. | 0:22:52 | 0:22:54 | |
Stand down by it, please, Bill. | 0:22:54 | 0:22:56 | |
That's better. | 0:22:56 | 0:22:57 | |
If it's windy then I find it hard. | 0:22:57 | 0:22:59 | |
And if there's a very big current, I find it hard. | 0:22:59 | 0:23:02 | |
So I don't do it all the time but, when I do it, | 0:23:02 | 0:23:05 | |
it's a pretty good feeling. | 0:23:05 | 0:23:07 | |
Little Steve, he's got his accordion with him today | 0:23:09 | 0:23:12 | |
and he can't resist having a little play with it, you know? | 0:23:12 | 0:23:16 | |
Terr, going to want a couple of fenders on the other side. | 0:23:19 | 0:23:22 | |
Terry's the one with the blonde locks, as he likes to think. | 0:23:24 | 0:23:27 | |
Colin, midships. | 0:23:34 | 0:23:36 | |
There's just one lock to go to get down to sea level. | 0:23:43 | 0:23:47 | |
This lock now, we'll drop a good few feet at the moment, | 0:23:47 | 0:23:50 | |
maybe 15, 20 foot. | 0:23:50 | 0:23:53 | |
And then it should be at the same level as the river outside... | 0:23:56 | 0:23:59 | |
..and they will open the front gates and then we'll go. | 0:24:01 | 0:24:05 | |
They're out and on their way down river to Avonmouth... | 0:24:12 | 0:24:15 | |
..passing Victorian jetties where steamships once ferried passengers | 0:24:19 | 0:24:24 | |
to take the healing waters of Hotwells | 0:24:24 | 0:24:27 | |
and, then, under the world-famous Clifton Suspension Bridge. | 0:24:27 | 0:24:31 | |
DRILLS WHIR | 0:24:40 | 0:24:42 | |
At The Crane bed and breakfast, work is coming to a head. | 0:24:44 | 0:24:47 | |
The first guests arrive in 48 hours, and it's got to look right. | 0:24:49 | 0:24:53 | |
Interior decorators have got to come in before the bank holiday weekend | 0:24:55 | 0:24:58 | |
and they've got people coming in doing photo shoots, etc. | 0:24:58 | 0:25:01 | |
So there's not a lot of time left. | 0:25:01 | 0:25:03 | |
One of the themes of the build is recycling. | 0:25:07 | 0:25:10 | |
Tom Dixon, the company's MD, is here to check progress. | 0:25:10 | 0:25:14 | |
Yeah, it's looking really good, | 0:25:14 | 0:25:16 | |
compared to when I came in a few days ago. | 0:25:16 | 0:25:18 | |
This is looking really good as well. | 0:25:18 | 0:25:20 | |
This is all from the pallets that we reclaimed and sanded down. | 0:25:20 | 0:25:23 | |
It's definitely come on loads. | 0:25:23 | 0:25:26 | |
A tight space and a tight timeline. | 0:25:26 | 0:25:27 | |
-And warm. -Yeah, and warm. | 0:25:27 | 0:25:29 | |
This whole unit is made from materials we've recycled | 0:25:29 | 0:25:33 | |
or made ourselves. | 0:25:33 | 0:25:35 | |
So this rather cool looking set of taps, | 0:25:35 | 0:25:38 | |
this is something that we've made. | 0:25:38 | 0:25:40 | |
This is from copper pipe. | 0:25:40 | 0:25:42 | |
It's just about trying to be creative and resourceful | 0:25:42 | 0:25:44 | |
with the kind of materials that we're using. | 0:25:44 | 0:25:46 | |
Planters that are going at the front | 0:25:47 | 0:25:49 | |
need those trailing stuff in them, don't they? | 0:25:49 | 0:25:51 | |
Nic Cross is in charge of planting. | 0:25:51 | 0:25:54 | |
It's all quite exciting. | 0:25:54 | 0:25:55 | |
The whole office is filled with plants for the inside | 0:25:55 | 0:25:58 | |
and now we've got to get this living wall up on the outside of the building, | 0:25:58 | 0:26:02 | |
which is going to make it look so much more beautiful | 0:26:02 | 0:26:04 | |
than it does at the moment. | 0:26:04 | 0:26:05 | |
There's a ledge all ready for them to just be sat onto | 0:26:08 | 0:26:11 | |
and then it is fixed in place. | 0:26:11 | 0:26:13 | |
The only problem is, I'm going to have to get roped up | 0:26:14 | 0:26:16 | |
and transfer them up and over onto the water side | 0:26:16 | 0:26:19 | |
because we no longer have scaffolding | 0:26:19 | 0:26:21 | |
and you can't obviously put the cherry picker over that side. | 0:26:21 | 0:26:24 | |
DRILL WHIRS | 0:26:24 | 0:26:27 | |
There's masses still to do, as you can see, so the race is on. | 0:26:30 | 0:26:33 | |
We'll all just do our best to get it ready in time for the weekend. | 0:26:33 | 0:26:36 | |
CHERRY PICKER BEEPS | 0:26:36 | 0:26:39 | |
It's the morning of the Bristol Harbourside Triathlon. | 0:26:45 | 0:26:48 | |
530 competitors of all ages and abilities are taking part. | 0:26:50 | 0:26:54 | |
It's crunch time for Alex de Mornay, | 0:26:57 | 0:26:59 | |
who could barely swim a few weeks ago. | 0:26:59 | 0:27:02 | |
Oh, um, excited and absolutely petrified, | 0:27:02 | 0:27:06 | |
to be honest, but it feels good. | 0:27:06 | 0:27:08 | |
It feels good. I'm glad to be here, you know. | 0:27:08 | 0:27:10 | |
I've been training for three months now, | 0:27:10 | 0:27:12 | |
so it's good to finally get it over and done with. | 0:27:12 | 0:27:15 | |
Oh, bright green. I like that. | 0:27:15 | 0:27:17 | |
She'll be doing what's called a triathlon sprint, | 0:27:17 | 0:27:20 | |
which is a 750m swim, | 0:27:20 | 0:27:23 | |
a 20km bike ride, and finishing with a 5km run. | 0:27:23 | 0:27:27 | |
I've just registered. | 0:27:27 | 0:27:29 | |
I'm in the right race, number 600, where I belong, at the back, | 0:27:29 | 0:27:33 | |
wave seven. | 0:27:33 | 0:27:35 | |
It's my first triathlon. In fact, I'm not remotely sporty. | 0:27:35 | 0:27:37 | |
So this has been a bit of a shock to the system. | 0:27:37 | 0:27:40 | |
And none of my friends thought... | 0:27:40 | 0:27:42 | |
It was sort of, "What are you doing? You don't do anything. | 0:27:42 | 0:27:44 | |
"Why are you doing a triathlon?" | 0:27:44 | 0:27:46 | |
Alex is doing this to raise money for Parkinson's research. | 0:27:48 | 0:27:52 | |
Her father died after having the disease | 0:27:52 | 0:27:54 | |
and her mother and aunt also have it. | 0:27:54 | 0:27:57 | |
Took mum a while to get her head round what I was doing. | 0:27:57 | 0:28:00 | |
"What? Darling, what IS a triathlon?" | 0:28:00 | 0:28:02 | |
I was like, "Well, you know, it involves a lot of swimming, | 0:28:02 | 0:28:06 | |
"and cycling and running." | 0:28:06 | 0:28:08 | |
Her cousin Philippa is here to cheer her on. | 0:28:08 | 0:28:10 | |
I know exactly what she's going through because I did it a couple of years ago. | 0:28:10 | 0:28:14 | |
You just, kind of... You don't know really what to expect. | 0:28:14 | 0:28:17 | |
As soon as you start it, it's going to be fine. | 0:28:17 | 0:28:19 | |
As soon as you start, you'll be like, right, this is my mission. | 0:28:19 | 0:28:22 | |
You'll be fine. | 0:28:22 | 0:28:24 | |
OK. I'll be fine. | 0:28:25 | 0:28:27 | |
-TANNOY: -Some great times for the ladies today. Fantastic! | 0:28:27 | 0:28:31 | |
I had to learn to swim the front crawl to do this. | 0:28:31 | 0:28:34 | |
I mean, I'd learned to swim kind of doggy paddle as a kid | 0:28:34 | 0:28:36 | |
but I hadn't really done any since then. | 0:28:36 | 0:28:39 | |
So I thought, look, if I'm going to do this, I've got to do this properly, | 0:28:39 | 0:28:42 | |
so I've had eight weeks to learn to swim. | 0:28:42 | 0:28:44 | |
So it's, er... That's definitely the scary bit. | 0:28:44 | 0:28:48 | |
Swimming in a pool's completely different to swimming in open water. | 0:28:52 | 0:28:56 | |
Waves, wind... | 0:28:56 | 0:28:58 | |
The scariest thing for me is just how feral it looks out there | 0:29:02 | 0:29:05 | |
at the start because, you know, they just shoot off | 0:29:05 | 0:29:08 | |
and people like swim over you. | 0:29:08 | 0:29:09 | |
I'm terrified I'll get a black eye in the first 30 seconds! | 0:29:09 | 0:29:13 | |
I think she looks as if she's doing really well. | 0:29:18 | 0:29:21 | |
I just feel really nervous for her, but so proud of her, | 0:29:23 | 0:29:25 | |
because I know this is the worst part of it for her. | 0:29:25 | 0:29:28 | |
Genuinely, the swim was just terrifying. | 0:29:31 | 0:29:33 | |
For a start, I kept drinking in water and I just thought, | 0:29:33 | 0:29:36 | |
"Oh, my God, I'm not going to get round this." | 0:29:36 | 0:29:38 | |
With the swim completed, they have to collect their bikes for the next part of the race. | 0:29:38 | 0:29:42 | |
I'm so glad that's over. | 0:29:42 | 0:29:44 | |
Oh, my God! I'm so terrified. | 0:29:44 | 0:29:45 | |
The first...the first leg was horrible, absolutely horrible. | 0:29:45 | 0:29:48 | |
It's amazing. | 0:29:48 | 0:29:50 | |
Yay! | 0:29:55 | 0:29:56 | |
They are so close now to finding a cure for Parkinson's. | 0:29:58 | 0:30:01 | |
You know, there've been really exciting developments | 0:30:01 | 0:30:03 | |
but they need more funding. | 0:30:03 | 0:30:05 | |
And that will help cut the research time down from decades | 0:30:05 | 0:30:08 | |
to possibly years to find a cure. | 0:30:08 | 0:30:10 | |
You know, it may not be in time for my family, for my mum and aunt, | 0:30:12 | 0:30:16 | |
but at least it will be in time for the next generation of people | 0:30:16 | 0:30:19 | |
who, unfortunately, get this awful disease. | 0:30:19 | 0:30:22 | |
After the 20km cycle ride through the Avon Gorge | 0:30:25 | 0:30:28 | |
and under the Clifton Suspension Bridge, | 0:30:28 | 0:30:30 | |
it's a 5km run to the finish line. | 0:30:30 | 0:30:33 | |
This is my way of fighting back. | 0:30:35 | 0:30:37 | |
And it's the one thing I can do to just not be defeated | 0:30:38 | 0:30:41 | |
and make it better. | 0:30:41 | 0:30:43 | |
CROWD SHOUTS ENCOURAGMENT | 0:30:43 | 0:30:45 | |
She's crossed the line in a very respectable one hour and 46 minutes, | 0:30:48 | 0:30:52 | |
raising £4,000 for Parkinson's UK. | 0:30:52 | 0:30:55 | |
I've discovered a new me. Who knew I was an athlete? | 0:30:55 | 0:30:58 | |
I had no idea. | 0:30:58 | 0:30:59 | |
I think I'll do it again, but maybe take a bit of a rest first. | 0:30:59 | 0:31:02 | |
Mud and silt from the River Avon and River Severn | 0:31:11 | 0:31:14 | |
are a big problem for ships going in and out of the Port of Bristol. | 0:31:14 | 0:31:18 | |
Next week they're expecting the largest fuel tanker | 0:31:21 | 0:31:24 | |
the port's ever had here - the Amazon Falcon. | 0:31:24 | 0:31:27 | |
So they have to make sure the water's deep enough to dock her. | 0:31:27 | 0:31:31 | |
Their brand-new plough dredger is being dispatched | 0:31:35 | 0:31:38 | |
to clear mud and silt from the sea bed. | 0:31:38 | 0:31:40 | |
Jack Fryatt and Luke Goodley are putting it through its paces. | 0:31:40 | 0:31:44 | |
Yeah, it's a hell of a, sort of, accomplishment for myself and Luke. | 0:31:45 | 0:31:49 | |
24, to be in charge of a very expensive | 0:31:51 | 0:31:55 | |
and powerful, sort of, dredger and tug. | 0:31:55 | 0:31:58 | |
We've got the plough on the back-end of the boat | 0:32:02 | 0:32:05 | |
and we'll lower that down | 0:32:05 | 0:32:07 | |
to the required depth. | 0:32:07 | 0:32:10 | |
And then we drag from the back end of the entrance | 0:32:10 | 0:32:14 | |
out into the deeper water | 0:32:14 | 0:32:16 | |
and we raise it up and back back in, | 0:32:16 | 0:32:19 | |
and carry on like that all day. | 0:32:19 | 0:32:23 | |
The act of ploughing is probably the most boring thing you'll ever do. | 0:32:26 | 0:32:30 | |
Back up, drop it, go forwards, lift it. | 0:32:30 | 0:32:32 | |
Back up, drop it, go forwards, lift it. | 0:32:32 | 0:32:34 | |
But there is so much more to it, and it's really fun. | 0:32:34 | 0:32:38 | |
We've got to make out that dredging isn't a really nice job to have | 0:32:38 | 0:32:43 | |
because if we make it too glamorous, everyone will want it | 0:32:43 | 0:32:46 | |
-and then that's just bad. -It is a very repetitive job. | 0:32:46 | 0:32:49 | |
It is repetitive. | 0:32:49 | 0:32:51 | |
If you like repetition, you're going to be a good plough boat person. | 0:32:51 | 0:32:55 | |
The Amazon Falcon arrives in two days. | 0:32:58 | 0:33:01 | |
But, even with the mud cleared, | 0:33:01 | 0:33:03 | |
getting a ship of her size into port safely will be a challenge. | 0:33:03 | 0:33:07 | |
The Port of Bristol stretches out for nearly 3,000 acres. | 0:33:14 | 0:33:18 | |
A gateway to the world, | 0:33:22 | 0:33:24 | |
it handles more than 12 million tonnes of anything | 0:33:24 | 0:33:27 | |
from orange juice and coal, to animal feed and cars. | 0:33:27 | 0:33:31 | |
It's a big beat for the port police - | 0:33:35 | 0:33:38 | |
a private force of 28 officers employed by the port. | 0:33:38 | 0:33:41 | |
Kevin Hazel is in charge. | 0:33:44 | 0:33:46 | |
This is the control room for us, our main sort of operating centre. | 0:33:46 | 0:33:50 | |
To my right is the duty sergeant, Carl, who is at the moment | 0:33:51 | 0:33:55 | |
trying to work out the roster and the duty stake for this afternoon. | 0:33:55 | 0:33:59 | |
On the other side, and over here, | 0:33:59 | 0:34:01 | |
he's in charge of international shipping and port facility security. | 0:34:01 | 0:34:05 | |
Hello. Good morning, Port of Bristol Police. | 0:34:05 | 0:34:08 | |
Last night, they caught a stowaway on board a car transporter ship. | 0:34:08 | 0:34:13 | |
As he doesn't speak any English, | 0:34:13 | 0:34:15 | |
they're trying to figure out what country he's from. | 0:34:15 | 0:34:18 | |
We probably think... Looking at the ship it's arrived on.... | 0:34:18 | 0:34:21 | |
This is what is called a pre-arrival notice. | 0:34:21 | 0:34:23 | |
The ship's been in on... | 0:34:23 | 0:34:26 | |
..Panama, Costa Rica, Guatemala. | 0:34:26 | 0:34:29 | |
After being in South America, I've just noticed on here, | 0:34:29 | 0:34:32 | |
last port of call was Spain. | 0:34:32 | 0:34:35 | |
One of the ways we prevent and detect crime | 0:34:37 | 0:34:39 | |
is searching vehicles when they leave the port. | 0:34:39 | 0:34:42 | |
The officer on the gate today is PC Nick Grant. | 0:34:44 | 0:34:48 | |
Morning, sir, all right? | 0:34:50 | 0:34:52 | |
Just a bit more of an extensive search, if that's OK. | 0:34:52 | 0:34:55 | |
What I'm going to get you to do is, if you just jump out, | 0:34:55 | 0:34:57 | |
I'll search inside the vehicle. | 0:34:57 | 0:34:59 | |
Just wait there a second. | 0:34:59 | 0:35:02 | |
We all do the back of van searches here, | 0:35:02 | 0:35:04 | |
especially the new vans coming out. | 0:35:04 | 0:35:07 | |
Um, over the past 12 months, | 0:35:07 | 0:35:08 | |
we have had a slight increase in stowaways and migrants. | 0:35:08 | 0:35:11 | |
And, as we don't want to be seen as a soft touch, we deal with it here. | 0:35:13 | 0:35:16 | |
We had one a couple of months back, | 0:35:16 | 0:35:18 | |
we had a group of four, or five migrants. | 0:35:18 | 0:35:20 | |
They basically ran, spread out over the docks, | 0:35:20 | 0:35:23 | |
and we managed to scramble some guys together and made four arrests. | 0:35:23 | 0:35:27 | |
Morning, sir. Are you OK? Is this a new vehicle you've just picked up? | 0:35:27 | 0:35:30 | |
-Yeah. -All right. If you come out the back with me, we'll just have a quick search. | 0:35:30 | 0:35:33 | |
They think the character they caught last night is from South America. | 0:35:33 | 0:35:37 | |
He's being held inside the police station. | 0:35:37 | 0:35:40 | |
Do you want to come and see our latest stowaway? | 0:35:40 | 0:35:43 | |
One of our car force drivers found this guy, | 0:35:43 | 0:35:46 | |
a gentleman from South America, running round the deck. | 0:35:46 | 0:35:49 | |
So we've given him some water... | 0:35:49 | 0:35:52 | |
It's an emerald swift, | 0:35:57 | 0:35:59 | |
..sometimes known as a green spiny lizard. | 0:36:01 | 0:36:04 | |
Also known as the swift lizard. | 0:36:07 | 0:36:09 | |
As you can see, it's quite quick. | 0:36:09 | 0:36:11 | |
Quite a fast little chap. | 0:36:12 | 0:36:14 | |
Um, not an endangered species. | 0:36:15 | 0:36:17 | |
We've been told it's from Belize, Honduras, Nicaragua. | 0:36:17 | 0:36:21 | |
And apparently he also likes insects, | 0:36:21 | 0:36:23 | |
so that's one of the tasks for one of the PCs later, | 0:36:23 | 0:36:25 | |
trying to catch some insects for it. | 0:36:25 | 0:36:28 | |
This is lizard man, come to collect our lizard. | 0:36:28 | 0:36:30 | |
Yeah, it's a stowaway, I understand. | 0:36:30 | 0:36:32 | |
Kevin's found him a new home with a council-approved reptile keeper. | 0:36:32 | 0:36:37 | |
A bit of a happy ending there. | 0:36:38 | 0:36:40 | |
It's nice to know he's going to somebody | 0:36:40 | 0:36:42 | |
who obviously understands how to look after lizards. | 0:36:42 | 0:36:44 | |
So, happy with that. | 0:36:44 | 0:36:46 | |
It's been six weeks of hard graft, and three years in the planning | 0:36:49 | 0:36:54 | |
but finally The Crane B&B is finished. | 0:36:54 | 0:36:57 | |
The team behind it are busy hosting the launch party | 0:36:57 | 0:37:00 | |
when Tom Dixon gets an unexpected call. | 0:37:00 | 0:37:03 | |
Oh! Oh, let's go and show her now. Yeah. Yeah, of course. | 0:37:04 | 0:37:07 | |
Two people from Bristol City Council are outside. | 0:37:09 | 0:37:12 | |
Hey, Zak. Yeah. Good to see you. Yeah. | 0:37:14 | 0:37:16 | |
Hi, Laura. Lovely to meet you. Yeah. | 0:37:16 | 0:37:19 | |
I haven't actually got a key. This is going to be the biggest... | 0:37:19 | 0:37:22 | |
Oh, no, wait a minute. Have I? Yes, I do. | 0:37:22 | 0:37:24 | |
-That would be embarrassing. -Yeah, it would have been embarrassing. | 0:37:24 | 0:37:27 | |
Um, I'm a little bit nervous, I suppose. | 0:37:27 | 0:37:29 | |
Zak and Laura from Bristol City Council, | 0:37:29 | 0:37:32 | |
they're effectively almost like the landlord, I suppose, of the project, | 0:37:32 | 0:37:35 | |
so this is their crane. | 0:37:35 | 0:37:37 | |
Without their support, it would just never have happened. | 0:37:37 | 0:37:40 | |
So this is like the walkway through into nature | 0:37:40 | 0:37:43 | |
and all the lovely sensory sounds and smells. | 0:37:43 | 0:37:47 | |
What do you think, Zak? | 0:37:47 | 0:37:50 | |
-It's really good. -Yeah? There's a lot of hard work in the whole thing. | 0:37:50 | 0:37:53 | |
They've worked just incredibly hard. | 0:37:53 | 0:37:55 | |
-Yeah. It looks brilliant. -Yeah. | 0:37:55 | 0:37:57 | |
The bathroom continues the rustic feel. | 0:38:00 | 0:38:03 | |
But the talk of the town is the toilet. | 0:38:03 | 0:38:06 | |
Er, everyone's asking about this compost loo. | 0:38:06 | 0:38:09 | |
This is a state... | 0:38:09 | 0:38:11 | |
This is a state of the art eco-compost loo, | 0:38:11 | 0:38:16 | |
so, it separates... | 0:38:16 | 0:38:18 | |
-Lovely. -Yep. Do you need more details? | 0:38:19 | 0:38:21 | |
No. Thanks. | 0:38:21 | 0:38:23 | |
The bedroom has a double in it with views of the dockside. | 0:38:25 | 0:38:28 | |
Nick has done an amazing job of the build. | 0:38:29 | 0:38:31 | |
From my point of view, it's kind of like, it's gone really smoothly. | 0:38:31 | 0:38:34 | |
It's really good. Yeah, it's fantastic. | 0:38:34 | 0:38:37 | |
The council are happy with it. | 0:38:37 | 0:38:39 | |
The crane has been given a new lease of life | 0:38:39 | 0:38:42 | |
and is ready for its first guests. | 0:38:42 | 0:38:45 | |
At the Royal Portbury Dock, | 0:38:54 | 0:38:56 | |
they're waiting for a mega shipment of aviation fuel. | 0:38:56 | 0:38:59 | |
She's actually just coming round Portishead Point now as we speak. | 0:39:01 | 0:39:04 | |
The Amazon Falcon has come from Qatar. | 0:39:04 | 0:39:06 | |
She's carrying 80 million litres in her tanks. | 0:39:06 | 0:39:09 | |
And, thanks to the hard work of the dredging crew, | 0:39:11 | 0:39:14 | |
the entrance is now deep enough to take her. | 0:39:14 | 0:39:16 | |
Mark Kelleher will be keeping a keen eye on things as they develop. | 0:39:18 | 0:39:22 | |
He's in charge of the lock. | 0:39:22 | 0:39:24 | |
It's nice to see the big ones. | 0:39:25 | 0:39:26 | |
Obviously, car boats and other vessels come day by day, | 0:39:26 | 0:39:30 | |
container boats. | 0:39:30 | 0:39:31 | |
So these ones are just the one-offs. | 0:39:31 | 0:39:34 | |
They keep the job a little bit more interesting. | 0:39:34 | 0:39:36 | |
So, yes, gets the heart going a bit. | 0:39:36 | 0:39:39 | |
INDISTINCT RADIO CHATTER | 0:39:39 | 0:39:42 | |
She's the length of two football pitches and 40 metres wide. | 0:39:42 | 0:39:47 | |
That's across her beam in nautical terms. | 0:39:47 | 0:39:49 | |
She's a very beamy vessel, to be honest. | 0:39:49 | 0:39:52 | |
I don't know of a time that I've seen one at 40 metres beam. | 0:39:52 | 0:39:55 | |
The lock is only 42.7 metres. | 0:39:55 | 0:39:58 | |
Getting a ship this size into port will take some doing. | 0:39:59 | 0:40:03 | |
-RADIO: -A metre and a half left. | 0:40:03 | 0:40:05 | |
RADIO CHATTER | 0:40:05 | 0:40:08 | |
She's rubbing...she's rubbing the fender as she comes in. | 0:40:08 | 0:40:12 | |
So there's probably... | 0:40:12 | 0:40:13 | |
I can't see the other side but I wouldn't have thought | 0:40:13 | 0:40:16 | |
that there's any more than two metres at most. | 0:40:16 | 0:40:18 | |
Unfortunately, the middle gates have got a mind of their own and they... | 0:40:19 | 0:40:22 | |
With the way the water is going to be sucked around them, | 0:40:22 | 0:40:25 | |
they've got a tendency to creep out, | 0:40:25 | 0:40:28 | |
so it's just keeping a close eye on that one, with this one, | 0:40:28 | 0:40:30 | |
with having no room at all. | 0:40:30 | 0:40:32 | |
If she was to damage herself, the consequences could be catastrophic. | 0:40:32 | 0:40:35 | |
We'd hope that she doesn't injure herself in the lock | 0:40:37 | 0:40:40 | |
and lose her load. | 0:40:40 | 0:40:41 | |
I wouldn't expect a fire | 0:40:41 | 0:40:44 | |
but the risk of losing her load into the sea | 0:40:44 | 0:40:47 | |
is a greater risk than fire, I would say. | 0:40:47 | 0:40:50 | |
And just keeping an eye out for the hobblers as well. | 0:40:52 | 0:40:55 | |
These vessels, this size, they don't use just standard ropes. | 0:40:55 | 0:40:59 | |
They use steel cables. | 0:40:59 | 0:41:00 | |
So it's making sure that the hobblers | 0:41:00 | 0:41:02 | |
are doing the job safely as well. | 0:41:02 | 0:41:04 | |
-Lovely. Thank you, Alan. -Cheers, mate. | 0:41:04 | 0:41:07 | |
There's just 20 metres to go. | 0:41:07 | 0:41:09 | |
She's through the lock and into port. | 0:41:09 | 0:41:12 | |
All that's left is for the Pill hobblers to use their boats | 0:41:15 | 0:41:18 | |
to tie her safely to the quayside. | 0:41:18 | 0:41:20 | |
It takes nearly two days to off-load her 80 million litre cargo | 0:41:24 | 0:41:28 | |
of jet fuel into this pipeline. | 0:41:28 | 0:41:31 | |
It's pumped directly to London Heathrow. | 0:41:31 | 0:41:34 | |
The airport gets a quarter of all its aviation fuel | 0:41:34 | 0:41:37 | |
delivered this way. | 0:41:37 | 0:41:39 | |
A couple of miles down the coast from Avonmouth is Portishead Marina. | 0:41:49 | 0:41:54 | |
Once part of the Port of Bristol, | 0:42:01 | 0:42:03 | |
its warehouses and wharfs | 0:42:03 | 0:42:06 | |
have now been turned into apartments and restaurants. | 0:42:06 | 0:42:09 | |
Today it offers the perfect location | 0:42:09 | 0:42:12 | |
to train a pack of extraordinary, life-saving animals. | 0:42:12 | 0:42:15 | |
Newfound Friends have been established for 28 years. | 0:42:15 | 0:42:19 | |
We are unique. | 0:42:19 | 0:42:20 | |
We are the only ones in the world that do what we do. | 0:42:20 | 0:42:23 | |
Dave Pugh is passionate about Newfoundland dogs. | 0:42:23 | 0:42:26 | |
Over the years the animals he's trained | 0:42:26 | 0:42:30 | |
have helped to save nine people from drowning. | 0:42:30 | 0:42:32 | |
Newfoundlands are working dogs. | 0:42:32 | 0:42:34 | |
The island they come from, Newfoundland, | 0:42:34 | 0:42:36 | |
is a bleak and austere place. | 0:42:36 | 0:42:38 | |
Because it's an island, it's got to be able to swim. | 0:42:38 | 0:42:40 | |
Temperature's very cold, windy. | 0:42:40 | 0:42:42 | |
He's got to be strong to do a job helping fishermen pull carts. | 0:42:42 | 0:42:45 | |
All kinds of things like that. | 0:42:45 | 0:42:46 | |
One of the dogs being trained here is Chewy. | 0:42:48 | 0:42:51 | |
His owner is Sue Pawson. | 0:42:51 | 0:42:53 | |
Me and my husband have been doing this for about 25 years now. | 0:42:53 | 0:42:57 | |
We've had quite a few Newfoundlands through the years, | 0:42:57 | 0:43:00 | |
from being puppies right through to adults, | 0:43:00 | 0:43:03 | |
doing the water rescue, doing the training. | 0:43:03 | 0:43:06 | |
Really enjoying it. | 0:43:06 | 0:43:07 | |
Dogs love the water. | 0:43:07 | 0:43:08 | |
We get in the water with the dogs. | 0:43:08 | 0:43:11 | |
Smashing. | 0:43:11 | 0:43:12 | |
I think the most challenging part is the boat | 0:43:14 | 0:43:16 | |
because the boat is a very scary thing, as a young dog. | 0:43:16 | 0:43:20 | |
You know, to actually jump out of the boat into the water, | 0:43:20 | 0:43:24 | |
to rescue that person. | 0:43:24 | 0:43:25 | |
Newfound Friends has raised over £1 million for good causes, | 0:43:26 | 0:43:30 | |
mainly by performing at public events. | 0:43:30 | 0:43:33 | |
Go! | 0:43:33 | 0:43:34 | |
DOG BARKS | 0:43:36 | 0:43:38 | |
Go, go, go! | 0:43:38 | 0:43:40 | |
One of the biggest in their annual diary | 0:43:41 | 0:43:44 | |
is the Bristol Harbour Festival. | 0:43:44 | 0:43:45 | |
And they've got just two weeks left to prepare. | 0:43:45 | 0:43:48 | |
The dog would do different situations, | 0:43:51 | 0:43:54 | |
different kinds of rescues for people, | 0:43:54 | 0:43:56 | |
multi-rescues, lifeguard rescues. | 0:43:56 | 0:43:59 | |
All kinds of scenarios that we've run through. | 0:43:59 | 0:44:01 | |
Go! | 0:44:04 | 0:44:05 | |
They will pull different things, | 0:44:05 | 0:44:08 | |
do log pulls, line pulls, boat pulls, | 0:44:08 | 0:44:10 | |
to show the strength of the dog. | 0:44:10 | 0:44:13 | |
I think the biggest challenge this year with the festival is | 0:44:14 | 0:44:17 | |
we've got a lot of young dogs. | 0:44:17 | 0:44:18 | |
We've lost quite a few of our experienced dogs | 0:44:18 | 0:44:21 | |
that have been old stalwarts to the festival. | 0:44:21 | 0:44:23 | |
So it's going to be a challenge to see how they react. | 0:44:23 | 0:44:26 | |
Not that we're not confident of what their ability in the water | 0:44:26 | 0:44:30 | |
but it's the reaction with the crowds and that sort of environment, | 0:44:30 | 0:44:33 | |
the noise, and everything else like that, | 0:44:33 | 0:44:36 | |
that can tend to put a dog off. | 0:44:36 | 0:44:37 | |
Yoda is Sue's other dog. | 0:44:37 | 0:44:40 | |
He's the youngest in the pack | 0:44:40 | 0:44:42 | |
and will make his debut at the Harbour Festival. | 0:44:42 | 0:44:45 | |
Yoda is... He is a challenge. | 0:44:46 | 0:44:48 | |
He's the only challenge that we've had. | 0:44:48 | 0:44:51 | |
My other Newfoundlands have never been as bad as what he is | 0:44:51 | 0:44:54 | |
but we'll see. We'll see how he gets on. | 0:44:54 | 0:44:57 | |
DOG BARKS | 0:44:58 | 0:45:01 | |
The build-up to the Bristol Harbour Festival has begun. | 0:45:12 | 0:45:15 | |
Ships from all over the UK come to take part in the two-day event. | 0:45:18 | 0:45:22 | |
But first they have to get through the lock. | 0:45:25 | 0:45:27 | |
Ben Wookey is in charge but not everyone's listening. | 0:45:29 | 0:45:33 | |
Hudson Bay City Docks. | 0:45:33 | 0:45:34 | |
Radio, can you back away, sir, over? | 0:45:34 | 0:45:37 | |
Hudson Bay, Hudson Bay. City Docks Radio, Channel 1-4. | 0:45:40 | 0:45:43 | |
Please answer me, over. | 0:45:43 | 0:45:45 | |
She's not answering her radio | 0:45:45 | 0:45:47 | |
and she thought that she would get in the way of the warship. | 0:45:47 | 0:45:50 | |
Hudson Bay, move. | 0:45:50 | 0:45:52 | |
Put your radio to channel 14 and then you can talk to me. | 0:45:54 | 0:45:58 | |
Stay out of the way until the warship is in. | 0:45:58 | 0:46:02 | |
He was clearly in the wrong. So... | 0:46:02 | 0:46:04 | |
And without his radio turned to channel 14, | 0:46:04 | 0:46:06 | |
there's no way that I could advise him. | 0:46:06 | 0:46:09 | |
These things happen. | 0:46:11 | 0:46:12 | |
It's a bit slow going, | 0:46:13 | 0:46:15 | |
as a lot of the ships are first-time visitors to Bristol. | 0:46:15 | 0:46:18 | |
Ah, well, we're running a little bit late. | 0:46:18 | 0:46:21 | |
Everyone's all a bit new to it, | 0:46:21 | 0:46:24 | |
so they like to take their time, especially over their own boats. | 0:46:24 | 0:46:28 | |
Takes a little bit longer for everyone to get tied up | 0:46:28 | 0:46:30 | |
on a very busy lock like today. | 0:46:30 | 0:46:32 | |
It's the busiest weekend of the year for the docks. | 0:46:47 | 0:46:50 | |
Well, sort of, 150 to 200 vessels, depending on the year really. | 0:46:50 | 0:46:53 | |
We've got to make spaces for them. | 0:46:55 | 0:46:56 | |
Deputy Harbour Master Pete Seed is on the hunt for last-minute berths. | 0:46:56 | 0:47:01 | |
Is Clive around? I just wondered if there was any spaces. | 0:47:01 | 0:47:04 | |
We've got a few boats we could fit in potentially. | 0:47:04 | 0:47:07 | |
Yeah, we've got... I think there's two of ours out. Oh, there he is. | 0:47:07 | 0:47:10 | |
Oh, there you go. Hello, mate. | 0:47:10 | 0:47:12 | |
Would you mind not making so much bloody noise? | 0:47:12 | 0:47:15 | |
How you doing, all right? | 0:47:15 | 0:47:17 | |
-How's it going, boys? -All good, mate. All good. | 0:47:18 | 0:47:20 | |
Alan Ring has got the day off from hobbling, | 0:47:21 | 0:47:25 | |
so he's come to enjoy himself too. | 0:47:25 | 0:47:28 | |
One of my days out, Bristol Harbour Festival. | 0:47:28 | 0:47:31 | |
The plan today is just to have a gentle skull up the docks | 0:47:31 | 0:47:35 | |
and just generally mill about. | 0:47:35 | 0:47:37 | |
Er, you know, have a look, see what's going on. | 0:47:39 | 0:47:41 | |
You know, show off my skills a little bit, you know. | 0:47:42 | 0:47:45 | |
The Bristol Harbour Festival is officially underway | 0:47:51 | 0:47:55 | |
after a traditional soaking from the Pyronaut Fire Ship. | 0:47:55 | 0:47:58 | |
Mum always said I'd walk on water. She was right. | 0:48:00 | 0:48:03 | |
It's one of Bristol's biggest events of the year. | 0:48:08 | 0:48:11 | |
Crowds of a quarter of a million are expected over the two days | 0:48:11 | 0:48:15 | |
for a packed programme of maritime fun. | 0:48:15 | 0:48:18 | |
Crafts of all shapes and sizes are here, | 0:48:19 | 0:48:21 | |
made from all kinds of materials. | 0:48:21 | 0:48:23 | |
BOAT HORN HOOTS | 0:48:23 | 0:48:25 | |
There are races for boats made from paper... | 0:48:25 | 0:48:28 | |
..and those made from cardboard. | 0:48:33 | 0:48:35 | |
This is the Baby Balmoral. | 0:48:36 | 0:48:38 | |
This is a cardboard boat, this is. | 0:48:38 | 0:48:40 | |
We've got special permission from Hugh Thomas to paint her because | 0:48:40 | 0:48:43 | |
that's not strictly in the rules. | 0:48:43 | 0:48:45 | |
I think the boat will only just float. | 0:48:45 | 0:48:47 | |
It's ambitious to get so many of us in it. | 0:48:49 | 0:48:51 | |
Well, it may not look like much but that's because it isn't, | 0:48:51 | 0:48:54 | |
but we're confident. | 0:48:54 | 0:48:56 | |
We plan to win the most beautiful boat | 0:48:57 | 0:48:59 | |
and hopefully the Titanic Award for the most spectacular sinking. | 0:48:59 | 0:49:03 | |
Three, two... | 0:49:03 | 0:49:04 | |
..one, go! | 0:49:05 | 0:49:07 | |
One of them sinks before even starting, | 0:49:10 | 0:49:14 | |
while others take an early lead. | 0:49:14 | 0:49:16 | |
It's not long before the Baby Balmoral closes the gap. | 0:49:23 | 0:49:26 | |
But this lot can't seem to get away from the pontoon. | 0:49:29 | 0:49:33 | |
Keep going. Keep going. | 0:49:39 | 0:49:41 | |
The winner is the first round the buoy and back. | 0:49:42 | 0:49:46 | |
Top marks for getting round without your oars. | 0:49:48 | 0:49:51 | |
But it's too late. | 0:49:53 | 0:49:54 | |
The Baby Balmoral steams home. | 0:49:54 | 0:49:57 | |
Must be down to that paint job. | 0:49:57 | 0:49:59 | |
And their hopes of winning are sunk. | 0:50:00 | 0:50:02 | |
Of course, the full Harbour Festival experience wouldn't be complete | 0:50:10 | 0:50:15 | |
without a trip on The Matthew. | 0:50:15 | 0:50:17 | |
We're doing our round trips all day. | 0:50:17 | 0:50:20 | |
We'll carry a few hundred people down to Hotwells, | 0:50:20 | 0:50:24 | |
through the festival, past the Great Britain, and back. | 0:50:24 | 0:50:28 | |
There's a load of souvenirs that need shifting. | 0:50:28 | 0:50:31 | |
Billy... | 0:50:31 | 0:50:33 | |
No supper for you tonight if you don't sell some of that merchandise. | 0:50:33 | 0:50:36 | |
Anyone for merchandise? | 0:50:38 | 0:50:39 | |
I'm selling pencils, key rings, sharpeners, | 0:50:40 | 0:50:44 | |
stuff like that. | 0:50:44 | 0:50:45 | |
Rubbers. | 0:50:47 | 0:50:48 | |
And... | 0:50:48 | 0:50:49 | |
And cards for any occasions. | 0:50:51 | 0:50:53 | |
Looks like Billy will be going hungry tonight then. | 0:50:55 | 0:50:58 | |
Floating Harbour, Matthew. | 0:50:58 | 0:51:01 | |
-RADIO: -Matthew, Floating Harbour. | 0:51:01 | 0:51:03 | |
Rick's got a plan he hopes will get people's attention, | 0:51:03 | 0:51:06 | |
that's if a full-size replica of a 15th century sailing ship hasn't already. | 0:51:06 | 0:51:12 | |
-RADIO: -Thanks so much. | 0:51:12 | 0:51:14 | |
Colin, who is the cannon master, so he calls himself. | 0:51:14 | 0:51:18 | |
We've got Steve, who's the powder monkey. | 0:51:18 | 0:51:21 | |
Right, we're free to fire. | 0:51:21 | 0:51:23 | |
CANNON FIRES | 0:51:26 | 0:51:28 | |
Hey, Yoda. | 0:51:31 | 0:51:33 | |
David, and the team from Newfound Friends have been performing | 0:51:33 | 0:51:37 | |
at the Harbour Festival for 20 years, | 0:51:37 | 0:51:39 | |
but this year is different. | 0:51:39 | 0:51:41 | |
We've got a very young team today. | 0:51:42 | 0:51:45 | |
Um, unfortunately, over the last sort of 18 months, | 0:51:45 | 0:51:48 | |
we've lost a lot of our experienced dogs. | 0:51:48 | 0:51:50 | |
So it's time for the young ones to step up to the plate, | 0:51:50 | 0:51:53 | |
show what they're made of. | 0:51:53 | 0:51:54 | |
So far, they're all performing brilliantly. | 0:52:02 | 0:52:05 | |
Now it's time for the youngest in the pack. | 0:52:05 | 0:52:08 | |
Sue's dog Yoda makes his debut. | 0:52:08 | 0:52:11 | |
I feel very emotional, you know, because he's my baby. | 0:52:12 | 0:52:15 | |
It's all a new experience for Yoda. | 0:52:15 | 0:52:17 | |
And the crowds, the noise... | 0:52:17 | 0:52:19 | |
We're not sure how he's going to do today. | 0:52:19 | 0:52:22 | |
OK, here comes Yoda. | 0:52:22 | 0:52:24 | |
Now, Yoda's 17 months old and this is his first time | 0:52:24 | 0:52:27 | |
doing a public event, ladies and gentlemen, | 0:52:27 | 0:52:29 | |
so let's have some nice encouragement. | 0:52:29 | 0:52:31 | |
APPLAUSE | 0:52:31 | 0:52:33 | |
There he goes. Well done, Yoda. | 0:52:34 | 0:52:36 | |
Come on, ladies and gentlemen, this is his first time. | 0:52:38 | 0:52:41 | |
Good lad. | 0:52:41 | 0:52:43 | |
Well done, Yoda. | 0:52:43 | 0:52:44 | |
Come on, boy. | 0:52:44 | 0:52:46 | |
I'm over the moon. | 0:52:46 | 0:52:48 | |
I was a bit apprehensive because I thought, | 0:52:48 | 0:52:50 | |
will he go, won't he go? | 0:52:50 | 0:52:52 | |
But when he went, oh, God, the relief that was... | 0:52:52 | 0:52:55 | |
I could burst into tears right now, I really could. | 0:52:57 | 0:53:00 | |
Mummy's so proud of you. You're a good boy. | 0:53:02 | 0:53:05 | |
These are the first act's bits. | 0:53:07 | 0:53:10 | |
So they're already set up, which is great. | 0:53:10 | 0:53:12 | |
Yes, just putting the mics in for them now. | 0:53:12 | 0:53:14 | |
Betty Adesanya is in charge of the day's musical entertainment, | 0:53:14 | 0:53:17 | |
which has been months in the planning. | 0:53:17 | 0:53:20 | |
This is the Bristol Ensemble's school projects. | 0:53:21 | 0:53:23 | |
They've been working in schools, | 0:53:23 | 0:53:26 | |
teaching sets of the Handel's Water Music, | 0:53:26 | 0:53:28 | |
and the children have reinvented it and came up with their own thing. | 0:53:28 | 0:53:31 | |
We are from three schools in Bristol. | 0:53:31 | 0:53:34 | |
We've got some amazing professional people from Bristol Ensemble, | 0:53:34 | 0:53:38 | |
including Alison on the cello over there, | 0:53:38 | 0:53:40 | |
and our first piece for you today... | 0:53:40 | 0:53:42 | |
..is called Cucumber Sandwiches. | 0:53:44 | 0:53:45 | |
Sounds good, so I think it's all going all right. | 0:53:49 | 0:53:52 | |
But it's not just the kids she's looking after. | 0:53:52 | 0:53:56 | |
She's also managing the closing ceremony of the Harbour Festival. | 0:53:56 | 0:54:00 | |
A live musical performance from a boat. | 0:54:00 | 0:54:03 | |
The Tower Belle's the boat that the orchestra are going to be on | 0:54:03 | 0:54:06 | |
and they'll be leaving this dock at 5:30pm on the dot, | 0:54:06 | 0:54:09 | |
if everything goes to plan. | 0:54:09 | 0:54:11 | |
There's just time for the Bristol Ensemble orchestra | 0:54:11 | 0:54:14 | |
to have a quick practice. | 0:54:14 | 0:54:16 | |
They'll be performing Handel's Water Music. | 0:54:18 | 0:54:20 | |
But, with minutes to go before they're due to start, | 0:54:22 | 0:54:24 | |
the heavens open. | 0:54:24 | 0:54:26 | |
THUNDER ROLLS | 0:54:26 | 0:54:28 | |
Wow! The weather's not going to plan. | 0:54:32 | 0:54:35 | |
It's absolutely chucking it down. | 0:54:35 | 0:54:38 | |
I'm really hoping it's going to pass in the next 15 minutes. | 0:54:39 | 0:54:42 | |
But if not, the show must go on. | 0:54:42 | 0:54:43 | |
ORCHESTRA PLAYS SINGIN' IN THE RAIN | 0:54:43 | 0:54:46 | |
Right now I'm just waiting for the Harbour Master's boat. | 0:54:48 | 0:54:51 | |
Hopefully he's going to show up soon, um, | 0:54:51 | 0:54:54 | |
and then I guess we'll just start. | 0:54:54 | 0:54:56 | |
We're going to move out into the water in about five minutes. | 0:54:57 | 0:55:00 | |
-We're moving out in about five minutes? -Yes. | 0:55:00 | 0:55:02 | |
And then the music will start at 5:30pm and we'll play here for about | 0:55:02 | 0:55:04 | |
-ten minutes and then we'll move up. -That sounds great. | 0:55:04 | 0:55:07 | |
The sun's going to come out any minute now. | 0:55:07 | 0:55:10 | |
So once the sun's come out, any second now, | 0:55:17 | 0:55:21 | |
we're going to navigate the boat into the middle of the water | 0:55:21 | 0:55:23 | |
and we're just going to let all the rest of the boats | 0:55:23 | 0:55:27 | |
position themselves around us. | 0:55:27 | 0:55:28 | |
I think we're ready to go. Everyone's in place. | 0:55:28 | 0:55:31 | |
OK, let's do it. | 0:55:32 | 0:55:34 | |
Good luck, guys. | 0:55:34 | 0:55:35 | |
Yes! | 0:55:35 | 0:55:37 | |
MUSIC: Water Music, Suite No 1 by Handel | 0:55:37 | 0:55:41 | |
This is a real shame because you can't really see the ensemble | 0:55:59 | 0:56:01 | |
through the plastic covers. | 0:56:01 | 0:56:03 | |
Ideally we want to bring them up. | 0:56:03 | 0:56:05 | |
There's a break in the rain, so Betty decides to raise the curtains. | 0:56:07 | 0:56:11 | |
Shall we do it? OK, guys, let's get the sides up. | 0:56:13 | 0:56:16 | |
Let's get the sides up. | 0:56:16 | 0:56:17 | |
LOUD SHIP HOOTER | 0:56:19 | 0:56:22 | |
MUSIC: Water Music, Suite No 2 by Handel | 0:56:22 | 0:56:24 | |
Some onlookers appear to have been moved so much by the performance | 0:56:32 | 0:56:36 | |
they've bared all to the crowds. | 0:56:36 | 0:56:38 | |
I've come over to make sure you're all right. | 0:56:40 | 0:56:43 | |
I've got two naked people struggling to get out of the water, | 0:56:43 | 0:56:45 | |
-as far as I'm concerned. -Oh, come on. | 0:56:45 | 0:56:47 | |
You're in a public space at the moment, to be honest. | 0:56:47 | 0:56:50 | |
So you've chosen to go swimming in the docks, | 0:56:50 | 0:56:53 | |
which, A, is a bylaws offence... | 0:56:53 | 0:56:55 | |
No, why is a naked body an offence? | 0:56:55 | 0:56:57 | |
After some friendly but firm diplomacy, | 0:56:58 | 0:57:01 | |
Pete finally gets them to cover up. | 0:57:01 | 0:57:04 | |
Well, partially. | 0:57:04 | 0:57:06 | |
Have we got a bottom for the top as well? | 0:57:06 | 0:57:09 | |
There we go. You've got a bottom, she's got a top, has she? | 0:57:09 | 0:57:13 | |
-Yes. -Right, OK. | 0:57:13 | 0:57:14 | |
Take care. | 0:57:14 | 0:57:16 | |
You have a... Have a nice evening, all right. | 0:57:17 | 0:57:20 | |
-HE CHUCKLES -Cheers then. Bye-bye. | 0:57:20 | 0:57:23 | |
There's a first for everything, isn't there? | 0:57:26 | 0:57:28 | |
That's the first time in 24 years I've had to do that. | 0:57:28 | 0:57:30 | |
There have been a few naked men but no naked girls. | 0:57:30 | 0:57:34 | |
LOUD SHIP HOOTER | 0:57:34 | 0:57:37 | |
The 46th Bristol Harbour Festival draws to a close. | 0:57:39 | 0:57:43 | |
It's been a great success despite the damp finish. | 0:57:43 | 0:57:46 | |
All the boats turned up, | 0:57:46 | 0:57:48 | |
the ensemble sounded amazing. | 0:57:48 | 0:57:50 | |
There were just hundreds of people, a really good turnout. | 0:57:50 | 0:57:53 | |
I'm really happy with it. | 0:57:53 | 0:57:55 | |
It is a great city. | 0:57:55 | 0:57:57 | |
If the dogs and what we do as a charity can give something back | 0:57:57 | 0:58:00 | |
to the city, then great. | 0:58:00 | 0:58:02 | |
This is what it's all about and, you know, | 0:58:02 | 0:58:05 | |
everyone's enjoying it and it's a nice thing to be involved with. | 0:58:05 | 0:58:09 | |
It's great, the Harbour Festival. | 0:58:09 | 0:58:11 | |
It's just nice being on the water, | 0:58:11 | 0:58:15 | |
A nice ending to quite a busy week's work. | 0:58:16 | 0:58:20 | |
But there you go, | 0:58:22 | 0:58:23 | |
when you're enjoying yourself, time flies. | 0:58:23 | 0:58:26 |