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With his electric shock hair and those unmissable teeth, | 0:00:14 | 0:00:16 | |
Ken Dodd has the face that launched a thousand quips. | 0:00:16 | 0:00:20 | |
For a time in the '60s and '70s, | 0:00:21 | 0:00:22 | |
Doddy was Britain's most successful comic, | 0:00:22 | 0:00:25 | |
and the BBC's highest-paid entertainer. | 0:00:25 | 0:00:27 | |
He was a national phenomenon. | 0:00:28 | 0:00:31 | |
That meant filling theatres across the country, | 0:00:31 | 0:00:34 | |
and being booked on the nation's top chat shows. | 0:00:34 | 0:00:38 | |
-APPLAUSE -Young man, back there! | 0:00:38 | 0:00:40 | |
-All right? -Yes. -At last. | 0:00:40 | 0:00:42 | |
Is Ken Dodd your real name? | 0:00:42 | 0:00:44 | |
-No, it's an anagram. -An anagram? | 0:00:44 | 0:00:45 | |
LAUGHTER | 0:00:45 | 0:00:47 | |
-It's a joke! -It's a joke. | 0:00:50 | 0:00:52 | |
What is the anagram of? | 0:00:52 | 0:00:54 | |
Den Kodd. | 0:00:54 | 0:00:55 | |
And you're from... Clear this up. | 0:00:56 | 0:00:58 | |
Is Knotty Ash mythical or real? | 0:00:58 | 0:01:01 | |
Oh, no, Knotty Ash is a real place. | 0:01:01 | 0:01:03 | |
A lot of people think it is a figleaf of my imagination, but, no, | 0:01:03 | 0:01:06 | |
it's a real place. | 0:01:06 | 0:01:07 | |
Knotty Ash, a little village about four and a half miles east | 0:01:07 | 0:01:10 | |
of Liverpool, and it's there all right, and we have... | 0:01:10 | 0:01:12 | |
That's where we have all the Knotty Ash industries, you know, | 0:01:12 | 0:01:15 | |
the snuff quarries and broken biscuit repair works... | 0:01:15 | 0:01:17 | |
LAUGHTER | 0:01:17 | 0:01:19 | |
..and the gravy wells, where we export Knotty Ash gravy | 0:01:19 | 0:01:22 | |
all over the world in our fleet of gravy boats. | 0:01:22 | 0:01:25 | |
LAUGHTER | 0:01:25 | 0:01:26 | |
That type of vessel. | 0:01:26 | 0:01:27 | |
Have you got your right teeth in? | 0:01:29 | 0:01:31 | |
Oh, these are the ones. Yes. | 0:01:31 | 0:01:33 | |
Central eating! | 0:01:33 | 0:01:35 | |
Listen, were they always there, these...? | 0:01:36 | 0:01:38 | |
I mean, you were born in Knotty Ash, weren't you? | 0:01:38 | 0:01:40 | |
-Yes, yes. -And raised there. | 0:01:40 | 0:01:42 | |
-Yes. -All these industries were there were you were a child, I assume? | 0:01:42 | 0:01:45 | |
Oh, yes, yes. We had them all there. | 0:01:45 | 0:01:46 | |
The jam butty mines and the treacle wells. | 0:01:46 | 0:01:48 | |
And... Oh, yes, all there. | 0:01:48 | 0:01:50 | |
As a matter fact, we have our own motorway sign now, on the M62, | 0:01:50 | 0:01:53 | |
this lovely big "Knotty Ash". A lot of people come to be all... | 0:01:53 | 0:01:56 | |
They can't believe it. | 0:01:56 | 0:01:58 | |
But what kind of childhood did you have, Ken? Very happy. Was it? | 0:01:58 | 0:02:01 | |
Yes, very, very happy. I think I had the best... | 0:02:01 | 0:02:03 | |
The best mum and dad in the world. And a brother and a sister. | 0:02:03 | 0:02:06 | |
There was three of us, one of each. | 0:02:06 | 0:02:07 | |
LAUGHTER | 0:02:07 | 0:02:08 | |
Mum and Dad... | 0:02:10 | 0:02:12 | |
I had a little Diddy Man Daddy and a little Mini Mum. | 0:02:12 | 0:02:14 | |
And they... | 0:02:14 | 0:02:16 | |
They all, between them, my family life in Knotty Ash, | 0:02:16 | 0:02:19 | |
I think, I owe it all to them. | 0:02:19 | 0:02:21 | |
I started entertaining in Knotty Ash. | 0:02:21 | 0:02:23 | |
But was there a lot of laughter in the family? | 0:02:23 | 0:02:25 | |
Oh, yes, yes. A lot of people often say, who is your favourite comic? | 0:02:25 | 0:02:28 | |
Who's the comedian you model... | 0:02:28 | 0:02:29 | |
-Well, it's my dad. -Really? | 0:02:29 | 0:02:30 | |
Definitely. He was a funny man, funniest man I ever knew. | 0:02:30 | 0:02:33 | |
Very, very funny man. Every Sunday afternoon, when we had... | 0:02:33 | 0:02:36 | |
You know, you're having your tea, had pineapple chunks. | 0:02:36 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:41 | |
Chunks and Carnation. | 0:02:41 | 0:02:42 | |
After that, my dad was used to do impressions for us | 0:02:44 | 0:02:46 | |
and sing us songs, like, An N'Egg And Some N'Ham And An N'Onion. | 0:02:46 | 0:02:50 | |
All his great favourites were, you know, | 0:02:50 | 0:02:53 | |
Will Hay, Jack Pleasance... | 0:02:53 | 0:02:56 | |
What about school? Were you a funny lad at school? | 0:02:56 | 0:02:58 | |
Were you different? | 0:02:58 | 0:03:00 | |
Er... Oh, yes! | 0:03:00 | 0:03:03 | |
Yes. Bit difficult, this... | 0:03:03 | 0:03:05 | |
You see, on one hand, I'm trying to answer you with a sensible remark, | 0:03:05 | 0:03:08 | |
and on the other hand, the brain, the computer, | 0:03:08 | 0:03:10 | |
it takes over and you're trying to think of the funny ones. | 0:03:10 | 0:03:13 | |
Yes, I went to... I was teacher's pet, | 0:03:13 | 0:03:15 | |
I used to sit in a cage at the back of the classroom. | 0:03:15 | 0:03:17 | |
LAUGHTER | 0:03:17 | 0:03:19 | |
I went to a mixed school, we wouldn't drink anything else. | 0:03:19 | 0:03:22 | |
I went to Knotty Ash... No, I don't think so, I was... | 0:03:22 | 0:03:24 | |
I was quite... When I was three, I could read, | 0:03:24 | 0:03:28 | |
and I used to read all these... | 0:03:28 | 0:03:30 | |
The Wizard, and The Hotspur, and The Rover, | 0:03:30 | 0:03:32 | |
and that's how it all started. | 0:03:32 | 0:03:33 | |
One day, in The Wizard, I read this advertisement that said, | 0:03:33 | 0:03:36 | |
"Fool your teachers, amaze your friends, send sixpence in stamps." | 0:03:36 | 0:03:39 | |
So I did, and I got this book on how to become a ventriloquist. | 0:03:39 | 0:03:42 | |
Didn't I? (Yes.) He'll tell you. | 0:03:42 | 0:03:43 | |
LAUGHTER | 0:03:43 | 0:03:45 | |
And this little bird warbler you put in your mouth and you go... | 0:03:47 | 0:03:50 | |
HE WHISTLES LIKE A BIRD | 0:03:50 | 0:03:52 | |
And months later, through going in the woods a lot | 0:03:52 | 0:03:55 | |
and lying in the long grass, I became an ornithologist. | 0:03:55 | 0:03:58 | |
People say it affects your eyesight, but it never has with me. | 0:03:58 | 0:04:01 | |
LAUGHTER | 0:04:01 | 0:04:02 | |
You went... Your first job, in fact, wasn't in show business, was it? | 0:04:02 | 0:04:06 | |
I mean, you were on the knock, on the door, weren't you? | 0:04:06 | 0:04:08 | |
I worked with my father in a coal business with my brother, | 0:04:08 | 0:04:11 | |
and then I was on the knocker, as you say. | 0:04:11 | 0:04:13 | |
You know, going round and selling... | 0:04:13 | 0:04:15 | |
You know, pots and pans and tickling sticks. | 0:04:15 | 0:04:18 | |
And I think that's where the "missus" bit started. | 0:04:18 | 0:04:20 | |
All my life, I've always sold things and served, you know, like, | 0:04:20 | 0:04:24 | |
tried to serve the... Being of service to the public. | 0:04:24 | 0:04:26 | |
I still am, I suppose. | 0:04:26 | 0:04:28 | |
Whereas, at one time, I used to have a bucket and... | 0:04:28 | 0:04:30 | |
and pan round, now, I have...a tickle round. | 0:04:30 | 0:04:34 | |
-A laughter round? -Aye. | 0:04:34 | 0:04:36 | |
Yes. But what about when you started making people laugh professionally? | 0:04:36 | 0:04:39 | |
What kind of places did you work? | 0:04:39 | 0:04:41 | |
You can't make people laugh. | 0:04:41 | 0:04:42 | |
You can only give people laugh. | 0:04:42 | 0:04:44 | |
Laughter is inside you, you see. | 0:04:44 | 0:04:46 | |
Everybody has got laughter inside them, and a comic... | 0:04:46 | 0:04:48 | |
As a comic, all you do is you just touch the spring of laughter. | 0:04:48 | 0:04:51 | |
Everybody is born, as a baby, | 0:04:51 | 0:04:53 | |
-you're all born with a chuckle muscle. -A chuckle muscle? -LAUGHTER | 0:04:53 | 0:04:57 | |
It's worked its way up, past your clack and out through your titter-box. | 0:04:58 | 0:05:01 | |
It's very like an attack of wind. | 0:05:01 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
As a baby, you're born with a chuckle muscle | 0:05:05 | 0:05:07 | |
and if you don't use it... | 0:05:07 | 0:05:08 | |
You must use your chuckle muscle every day and have a laugh. | 0:05:08 | 0:05:10 | |
You're doing great, yours is... | 0:05:10 | 0:05:12 | |
If you don't, it will wither and drop off. | 0:05:12 | 0:05:15 | |
LAUGHTER | 0:05:15 | 0:05:16 | |
-Sorry. -No, I was asking you, actually... | 0:05:18 | 0:05:20 | |
That's your trouble, you shoot off, and then you forget what I asked. | 0:05:20 | 0:05:23 | |
How did you begin making people laugh? | 0:05:23 | 0:05:25 | |
I got some jokes, and then, whenever I used to play a club, | 0:05:25 | 0:05:29 | |
or, I used to go in and ask the steward for a cork. | 0:05:29 | 0:05:32 | |
-A cork? -It wasn't that I was a nervous performer. | 0:05:32 | 0:05:34 | |
I just used to... | 0:05:34 | 0:05:36 | |
LAUGHTER | 0:05:36 | 0:05:37 | |
I'd burn it and put a big moustache on. | 0:05:38 | 0:05:41 | |
Because, at 15, | 0:05:41 | 0:05:43 | |
I didn't think I had the authority to tell gags to grown-ups. | 0:05:43 | 0:05:46 | |
-I see. -So I started off, and... | 0:05:46 | 0:05:48 | |
I'd seen this advertisement somewhere which said... | 0:05:48 | 0:05:52 | |
"Arnold Ramsbottom, plumber and artificial leg maker." | 0:05:55 | 0:05:58 | |
-So that tickled me. -Artificial leg maker! | 0:05:58 | 0:06:01 | |
It was the two things... | 0:06:01 | 0:06:04 | |
And so, I called myself Professor Yaffle Chuckabutty, | 0:06:04 | 0:06:06 | |
operatic tenor and sausage-knotter. | 0:06:06 | 0:06:09 | |
And I used to go around telling gags in clubs, | 0:06:09 | 0:06:13 | |
and then I graduated to Masonics. | 0:06:13 | 0:06:15 | |
-Are you in the...? -No. | 0:06:15 | 0:06:16 | |
LAUGHTER | 0:06:16 | 0:06:18 | |
-Is that what they do? Is that the secret...? -Oh, yes! | 0:06:19 | 0:06:22 | |
-Didn't you know that? -I didn't know that. | 0:06:22 | 0:06:25 | |
-Mr Fisher, the producer. -Mr Fisher, my producer? | 0:06:25 | 0:06:28 | |
Yes, we are... He took me, last week, to join. | 0:06:28 | 0:06:30 | |
We are now... We know a secret that nobody in the whole world knows about. | 0:06:30 | 0:06:33 | |
-Don't we, Gladys? -LAUGHTER | 0:06:33 | 0:06:35 | |
-We're in the Oddfellows, you see. -The Oddfellows? | 0:06:35 | 0:06:38 | |
And he took me to the Oddfellows Temple, he said, on the way, | 0:06:38 | 0:06:41 | |
"Doddy, on the way, if anybody stops us on the way, swallow this." | 0:06:41 | 0:06:44 | |
"What is it?" He said, "An enamel bucket." | 0:06:44 | 0:06:48 | |
We got to the lodge, we gave the secret knock, thrice, | 0:06:48 | 0:06:51 | |
or was it force? | 0:06:51 | 0:06:52 | |
Anyway, somebody opened the door, | 0:06:52 | 0:06:54 | |
the big door, and chucked a midget out. | 0:06:54 | 0:06:56 | |
A big fellow opened the door with a long nose. He'd lost his key. | 0:06:56 | 0:06:59 | |
LAUGHTER | 0:06:59 | 0:07:01 | |
One big, tall, ginger-headed fellow, he had the scrolls, he said, | 0:07:01 | 0:07:03 | |
"I'm sorry lads, I'll have to go home, I've got the scrolls." | 0:07:03 | 0:07:06 | |
LAUGHTER | 0:07:06 | 0:07:08 | |
Sorry. What did I ask you again? | 0:07:08 | 0:07:10 | |
I don't know. Try and think... I've no idea. | 0:07:10 | 0:07:13 | |
Oh, we started off doing Masonics. Masonics, that's right. | 0:07:13 | 0:07:17 | |
And then Sunday concerts, and Sunday concerts, and then I met this... | 0:07:17 | 0:07:23 | |
This fellow, this agent. | 0:07:23 | 0:07:25 | |
LAUGHTER THEN APPLAUSE | 0:07:25 | 0:07:28 | |
I was introduced to a man called David Forrester | 0:07:34 | 0:07:38 | |
in Liverpool 25 years ago. | 0:07:38 | 0:07:40 | |
And we had tea at the Adelphi hotel, we had tea and cakes, | 0:07:40 | 0:07:43 | |
the bill came to one and nine and he let me pay. | 0:07:43 | 0:07:46 | |
So I thought, well, if he looks after his money like that, | 0:07:46 | 0:07:49 | |
he'll be all right for me. So... | 0:07:49 | 0:07:50 | |
He came to see me working. | 0:07:51 | 0:07:52 | |
I was playing just an odd week at Wigan Hippodrome, | 0:07:52 | 0:07:55 | |
and it was in a strip show, you know, one of these nude shows. | 0:07:55 | 0:07:57 | |
And it's very difficult telling gags with just socks on. | 0:07:57 | 0:08:00 | |
LAUGHTER | 0:08:00 | 0:08:02 | |
You're not allowed to move, you know, the stagehands get the sack. | 0:08:03 | 0:08:07 | |
Some of them bring white mice into the theatre. | 0:08:07 | 0:08:09 | |
LAUGHTER | 0:08:09 | 0:08:10 | |
And I signed up with David Forrester, and we've been friends... | 0:08:10 | 0:08:14 | |
My friend, my mentor, my agent, for 25 years. | 0:08:14 | 0:08:17 | |
Has he given you that one and nine back yet? | 0:08:17 | 0:08:19 | |
No! Reminds me... | 0:08:19 | 0:08:21 | |
What about the... What stage did the hair, you know when you do the hair? | 0:08:21 | 0:08:25 | |
-What did... -I'm a very... I'm a very nervous... | 0:08:25 | 0:08:28 | |
I get stage fright very easily. | 0:08:28 | 0:08:29 | |
And I... In the first days, I had to have some, I used to go... | 0:08:29 | 0:08:32 | |
And one night, it was in Norwich at the Carlton, | 0:08:33 | 0:08:36 | |
I was doing this and it actually stood on end like this. | 0:08:36 | 0:08:40 | |
LAUGHTER THEN APPLAUSE | 0:08:40 | 0:08:42 | |
So I used to say, "How's that, missus? By Jove?" | 0:08:49 | 0:08:52 | |
PAL, puts 'airs on lads. | 0:08:52 | 0:08:53 | |
PLJ, puts lumps on Judies. | 0:08:54 | 0:08:56 | |
The hair and the...something. | 0:08:58 | 0:09:00 | |
People say, how did your fingers get like that? | 0:09:00 | 0:09:02 | |
Well, actually, I had them trapped in a till. | 0:09:02 | 0:09:03 | |
LAUGHTER | 0:09:03 | 0:09:05 | |
And the teeth, that came | 0:09:08 | 0:09:09 | |
because I always used to try and do things differently. | 0:09:09 | 0:09:12 | |
My dad always used to say to me, | 0:09:12 | 0:09:14 | |
"You must be original. There can only be one of everything." | 0:09:14 | 0:09:16 | |
I remember Ronnie Taylor saying that about Jimmy Clitheroe, | 0:09:16 | 0:09:19 | |
"There can only be one Jimmy Clitheroe." | 0:09:19 | 0:09:21 | |
There can only be one Frankie Howerd. | 0:09:21 | 0:09:23 | |
There can only be one... One anybody. | 0:09:23 | 0:09:24 | |
And so... | 0:09:24 | 0:09:25 | |
As I say, I'm a one-off. | 0:09:25 | 0:09:27 | |
The doctor said, "There's nothing you can do about it." | 0:09:27 | 0:09:30 | |
LAUGHTER | 0:09:30 | 0:09:32 | |
I wanted to be an original. | 0:09:32 | 0:09:33 | |
So I capitalised on the teeth and the hair and used to say | 0:09:33 | 0:09:36 | |
"I'm the only one who can eat a tomato through a tennis racket." | 0:09:36 | 0:09:39 | |
"I'm the only one who can kiss a girl | 0:09:40 | 0:09:42 | |
"and nibble her ear at the same time." | 0:09:42 | 0:09:44 | |
That appearance on Parkinson would prove to be so popular | 0:09:46 | 0:09:49 | |
that Dodd was invited back a year later, | 0:09:49 | 0:09:52 | |
which gave Parky the chance to ask some questions | 0:09:52 | 0:09:55 | |
he hadn't managed to squeeze in the first time round. | 0:09:55 | 0:09:58 | |
-Now then, sir... -Young man. | 0:09:59 | 0:10:01 | |
The question, last time I met you, we did a one-man show. | 0:10:01 | 0:10:04 | |
-You did? -No, I didn't, you did a one-man show. | 0:10:04 | 0:10:08 | |
And I... One question I didn't ask you back then, was your appearance. | 0:10:08 | 0:10:11 | |
-We never got round to your... -Well, I must admit, I'm glad you... | 0:10:11 | 0:10:15 | |
Because I do find it very difficult, actually, being a comedian, I mean, | 0:10:15 | 0:10:18 | |
when you have perfect features, it makes it... | 0:10:18 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:22 | |
Sorry, I was laughing at Barry, he... | 0:10:22 | 0:10:25 | |
Oh, right. You see, when you have a Grecian profile like mine, I mean, | 0:10:25 | 0:10:28 | |
look, what do you think? | 0:10:28 | 0:10:31 | |
It's very good. I think it's very winsome, myself. | 0:10:31 | 0:10:34 | |
-Yes? -Yes. -Winston? | 0:10:34 | 0:10:36 | |
No, winsome. | 0:10:36 | 0:10:37 | |
Handsome. It's a dog food. | 0:10:37 | 0:10:40 | |
It's a dog food. | 0:10:40 | 0:10:42 | |
Did you ever think? | 0:10:42 | 0:10:44 | |
He's starting early. | 0:10:44 | 0:10:46 | |
Did you ever think of having the teeth straightened? | 0:10:46 | 0:10:50 | |
-The teeth? Pardon! -The teeth straightened. | 0:10:50 | 0:10:53 | |
Teeth... Is that a threat? | 0:10:53 | 0:10:55 | |
Well, I did actually, I tried to look after them. | 0:10:57 | 0:10:59 | |
And... I capitalise on them, I tell jokes about them. | 0:10:59 | 0:11:03 | |
I went to the dentist the other day, and... | 0:11:03 | 0:11:05 | |
A lot of people, you know, | 0:11:05 | 0:11:06 | |
when you go to the dentist, it's usually full of fear. | 0:11:06 | 0:11:09 | |
With me it's different, because the dentist is full of fear. | 0:11:09 | 0:11:11 | |
And I went to the dentist, I... | 0:11:11 | 0:11:14 | |
As I went up the dentist's path, I got this sinking feeling... | 0:11:14 | 0:11:17 | |
I fell in his goldfish pond. | 0:11:17 | 0:11:19 | |
The receptionist said, "Will you need gas?" | 0:11:19 | 0:11:21 | |
I said, "I don't think so." | 0:11:21 | 0:11:23 | |
Well, she said, "Please yourself, it's freezing in that waiting room." | 0:11:23 | 0:11:26 | |
I went in, | 0:11:26 | 0:11:27 | |
the dentist, he said, "Now, you've got to stop eating sweets." | 0:11:27 | 0:11:30 | |
I said, "Why?" He said, "You've bitten my finger twice." | 0:11:30 | 0:11:33 | |
He got this big needle, he said, "Now, won't feel a thing." | 0:11:33 | 0:11:35 | |
And he jammed it in my gums, and you know, he didn't feel it. | 0:11:35 | 0:11:38 | |
And when he'd finished, he said, | 0:11:38 | 0:11:40 | |
"Now, I want you to take your trousers off and jump up and down." | 0:11:40 | 0:11:43 | |
Why? | 0:11:43 | 0:11:45 | |
I said, "I want my money back!" | 0:11:45 | 0:11:47 | |
He said, "I want my forceps back!" | 0:11:47 | 0:11:50 | |
LAUGHTER THEN APPLAUSE | 0:11:50 | 0:11:52 | |
But people do... | 0:11:52 | 0:11:55 | |
APPLAUSE | 0:11:55 | 0:11:57 | |
People do try to... People do go to dentists and have... | 0:11:58 | 0:12:01 | |
There was a lady, this was a true story, | 0:12:01 | 0:12:03 | |
a lady who had a real sort of snagglepuss mouth. | 0:12:03 | 0:12:06 | |
She had, you know, she had a mouth like a burnt-out fuse box. | 0:12:06 | 0:12:09 | |
And she went to this | 0:12:09 | 0:12:10 | |
posh cosmetic dentist in Wimpole Street, I think I've got it right, | 0:12:10 | 0:12:15 | |
and... | 0:12:15 | 0:12:17 | |
We're doing them in alphabetical order! | 0:12:17 | 0:12:19 | |
This is Wimpole Street... | 0:12:19 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:21 | |
He... He fixed her up beautifully. | 0:12:23 | 0:12:25 | |
And she was the landlady of a pub, actually. | 0:12:25 | 0:12:27 | |
She was back in a year's time with a nervous breakdown | 0:12:27 | 0:12:29 | |
because none of her friends were speaking to her. | 0:12:29 | 0:12:31 | |
She had this lovely set of choppers and nobody would speak to her, | 0:12:31 | 0:12:34 | |
and she was a nervous wreck. | 0:12:34 | 0:12:35 | |
Why wouldn't they speak to her? | 0:12:35 | 0:12:37 | |
Because she changed her appearance, | 0:12:37 | 0:12:39 | |
The same dentist said to me, doing my... | 0:12:39 | 0:12:41 | |
He said, "That's it, Ken." | 0:12:41 | 0:12:42 | |
"Nothing else I can do, unless you want them straightened." | 0:12:42 | 0:12:45 | |
I said, "You're kidding." | 0:12:45 | 0:12:46 | |
"I was told when I was 11 I could never have nice teeth." | 0:12:46 | 0:12:49 | |
"Oh," he said, "I'd fix those up." | 0:12:49 | 0:12:51 | |
So then I was in a dilemma. | 0:12:51 | 0:12:52 | |
Had to ask everyone, "Shall I have my teeth straightened?" | 0:12:52 | 0:12:55 | |
They said, "No, no, leave it as it is." | 0:12:55 | 0:12:57 | |
"We've got to have somebody to laugh at." | 0:12:57 | 0:12:59 | |
But I think a comic has to realise very early on in, | 0:12:59 | 0:13:02 | |
when you start being a comic, | 0:13:02 | 0:13:04 | |
you have to learn to let people laugh at you, as well as with you. | 0:13:04 | 0:13:06 | |
Yes. So you have to learn to take it all in your stride, | 0:13:06 | 0:13:10 | |
people say to you, you know, sometimes, | 0:13:10 | 0:13:11 | |
"Doddy," someone said to me a couple of months ago, in Leek, he said, | 0:13:11 | 0:13:15 | |
"How do you manage to look so young on the stage... | 0:13:15 | 0:13:19 | |
"and so blooming old on television?" | 0:13:19 | 0:13:21 | |
This is the kind of thing you have to take, you know. | 0:13:21 | 0:13:25 | |
If you're a comic, you have to let people laugh at you. I don't mind. | 0:13:25 | 0:13:28 | |
Ken Dodd wasn't just making people laugh. | 0:13:28 | 0:13:31 | |
He's always been a student of comedy, too, | 0:13:31 | 0:13:34 | |
analysing it and trying to understand why people laugh. | 0:13:34 | 0:13:37 | |
Humour, I think, was given to us as a great and wonderful gift. | 0:13:38 | 0:13:43 | |
The gift of laughter, the gift of humour. | 0:13:43 | 0:13:45 | |
God, the Almighty, our maker, whatever name you like to give him, | 0:13:45 | 0:13:49 | |
he gave us, gave human beings this wonderful gift of laughter. | 0:13:49 | 0:13:53 | |
Cos nobody else can laugh, you know, animals can't laugh, | 0:13:53 | 0:13:56 | |
did you know that? There's... There isn't... Man is the only... | 0:13:56 | 0:13:59 | |
Man is the only being that laughs. | 0:13:59 | 0:14:01 | |
When was the last time you hard a tom cat say, | 0:14:01 | 0:14:03 | |
"By Jove, that was a good one!" | 0:14:03 | 0:14:05 | |
How can you, as a non-Jewish comedian, | 0:14:05 | 0:14:07 | |
tell Jewish jokes without being anti-Semitic? | 0:14:07 | 0:14:11 | |
Because you, being an entertainer, you are... | 0:14:11 | 0:14:14 | |
If we have a gift at all, if there's any gift we have, | 0:14:14 | 0:14:17 | |
it's the gift of empathy. | 0:14:17 | 0:14:20 | |
And sympathy. We are able... | 0:14:20 | 0:14:22 | |
You're able... The good entertainer is able to actually sit | 0:14:22 | 0:14:25 | |
in the audience and watch himself. | 0:14:25 | 0:14:27 | |
And so, therefore, I would think like a Jewish person. | 0:14:27 | 0:14:30 | |
I would think, really, first and foremost, | 0:14:30 | 0:14:32 | |
I would think like a human being, and I would think, | 0:14:32 | 0:14:34 | |
"Well, would that joke offend me?" | 0:14:34 | 0:14:37 | |
There was a comedian who went to heaven, | 0:14:37 | 0:14:39 | |
and they said he can only go in | 0:14:39 | 0:14:41 | |
if he'd done something very brave in his life. | 0:14:41 | 0:14:45 | |
And he said that he'd done something brave. | 0:14:48 | 0:14:50 | |
They said, "What did you do?" | 0:14:50 | 0:14:52 | |
He said, "I stood up in Belfast and said, | 0:14:52 | 0:14:54 | |
'to hell with all the Protestants and Catholics'." | 0:14:54 | 0:14:56 | |
He said, "When did you do this?" He said, "About ten seconds ago." | 0:14:56 | 0:15:00 | |
And here is Doddy showing Nationwide reporter Michael Barrett | 0:15:02 | 0:15:05 | |
how the humour in his home city of Liverpool | 0:15:05 | 0:15:08 | |
is a little different from anywhere else. | 0:15:08 | 0:15:11 | |
Liverpool is a very beautiful city, if you know where to look. | 0:15:13 | 0:15:16 | |
We've got some lovely beauty spots and some fine architecture. | 0:15:16 | 0:15:19 | |
Here, for instance, we have our own column, the Duke of Wellington. | 0:15:19 | 0:15:23 | |
The Duke of Wellington, who in 1600 and something, | 0:15:23 | 0:15:27 | |
at the Battle of Fazakerley, repulsed the 44th Mounted Wimpies. | 0:15:27 | 0:15:32 | |
The Duke of Wellington was also responsible for a very famous piece | 0:15:32 | 0:15:36 | |
of equipment that no self-respecting Liverpudlian would be without. | 0:15:36 | 0:15:41 | |
His wellies. | 0:15:41 | 0:15:42 | |
St George's Hall, | 0:15:46 | 0:15:47 | |
16 Corinthian columns, 60 feet high, supporting the facade. | 0:15:47 | 0:15:53 | |
It started off as a bus shelter, but it just got a bit out of hand. | 0:15:53 | 0:15:56 | |
And why the Earl of...? | 0:15:56 | 0:15:58 | |
-Bill Shankly. -Is it? | 0:15:58 | 0:16:00 | |
Is it the Earl of Beaconsfield? | 0:16:00 | 0:16:02 | |
Yes. I always thought it was Mr Shankly. | 0:16:02 | 0:16:04 | |
We learn something every day. | 0:16:05 | 0:16:08 | |
MUSIC: Orchestrated Version of Penny Lane | 0:16:10 | 0:16:12 | |
Well, visitors to Liverpool are quite often charmed by the place. | 0:16:13 | 0:16:16 | |
Charles Dickens, when Charles Dickens came to Liverpool, | 0:16:16 | 0:16:19 | |
he described it as, "That rich and beautiful port." | 0:16:19 | 0:16:23 | |
And John Masefield, the poet, said it was, "Lovely in all weathers." | 0:16:23 | 0:16:27 | |
It's the only city I can think of that has its own particular dialect. | 0:16:27 | 0:16:31 | |
Ah, but, ah, but, ah, but, you see, this goes back a long time to... | 0:16:31 | 0:16:34 | |
When there were the Seven Lost Tribes of Liverpool. | 0:16:34 | 0:16:36 | |
The Seven Lost Tribes, and when the town planners came in, at one time, | 0:16:36 | 0:16:40 | |
the town planners seemed to favour demolition | 0:16:40 | 0:16:44 | |
more than replacing places. | 0:16:44 | 0:16:45 | |
It's getting better now. They are building some beautiful places, | 0:16:45 | 0:16:48 | |
but, at one time, there were the Seven Lost Tribes, | 0:16:48 | 0:16:50 | |
they sent one lot out to Skelmersdale, | 0:16:50 | 0:16:52 | |
they didn't want to go, but they went. | 0:16:52 | 0:16:54 | |
Another lot went out to Runcorn, Kirby, | 0:16:54 | 0:16:56 | |
and all these places became very sort of... | 0:16:56 | 0:16:59 | |
You know, colonies of Liverpool. | 0:16:59 | 0:17:01 | |
And not always, didn't always get a good name. | 0:17:01 | 0:17:04 | |
They said, in one of those places, | 0:17:04 | 0:17:05 | |
if you saw a cat with a tail, it was a tourist. | 0:17:05 | 0:17:07 | |
And each... Each tribe has its own dialect. | 0:17:07 | 0:17:10 | |
For instance, the very posh people, | 0:17:10 | 0:17:12 | |
in Crosby and over the water, they say, | 0:17:12 | 0:17:15 | |
"Where are you working, Mary?" | 0:17:15 | 0:17:16 | |
Whereas the people in the south end of Liverpool here, they say, | 0:17:16 | 0:17:19 | |
"All right, all right, big 'ed." | 0:17:19 | 0:17:21 | |
"Get down there and give us one of those furry coats." | 0:17:21 | 0:17:24 | |
They have Judies with "fur her". | 0:17:24 | 0:17:26 | |
This is our own language, we have our own words, like, | 0:17:26 | 0:17:29 | |
if I said to you, if you had a Judy down a jigger | 0:17:29 | 0:17:32 | |
and this fellow came along and he was bevvied, | 0:17:32 | 0:17:34 | |
so this scuffer came along and took him away. | 0:17:34 | 0:17:37 | |
-OK? -I don't know what that means. | 0:17:37 | 0:17:38 | |
Well, you were with this young lady and you're doing a spot of courting, | 0:17:38 | 0:17:42 | |
and this gentleman came along who was inebriated, | 0:17:42 | 0:17:44 | |
so a policeman came along and escorted him to the police station. | 0:17:44 | 0:17:49 | |
So der! | 0:17:49 | 0:17:50 | |
In the 1980s, | 0:17:52 | 0:17:54 | |
Dodd was made an OBE for services to the entertainment industry. | 0:17:54 | 0:17:57 | |
He was also charged with tax evasion, | 0:17:57 | 0:18:01 | |
for which he was eventually acquitted. | 0:18:01 | 0:18:03 | |
Between those two events, | 0:18:03 | 0:18:05 | |
he set himself the challenge of performing at every British theatre, | 0:18:05 | 0:18:09 | |
which led to this encounter with Terry Wogan. | 0:18:09 | 0:18:13 | |
What about this bet? You're doing it again, actually, | 0:18:13 | 0:18:15 | |
going round the theatres. | 0:18:15 | 0:18:16 | |
This bet that you're going to play every live theatre. | 0:18:16 | 0:18:18 | |
Yes. Two years ago, | 0:18:18 | 0:18:19 | |
I made a bet that I would play every live theatre left in Great Britain, | 0:18:19 | 0:18:22 | |
and here I am. | 0:18:22 | 0:18:24 | |
LAUGHTER | 0:18:24 | 0:18:25 | |
All the different theatres, all over. | 0:18:27 | 0:18:28 | |
I thought there'd be about 60, 70 theatres | 0:18:28 | 0:18:31 | |
but, in actual fact, there are hundreds. | 0:18:31 | 0:18:33 | |
There are probably more theatres in Britain now | 0:18:33 | 0:18:35 | |
-than there were 40 years ago. -How many have you done so far? | 0:18:35 | 0:18:37 | |
A lot. I think it's going to be the one bet I hope I'll never win. | 0:18:37 | 0:18:41 | |
-Yes. -Because there's... Entertaining live audiences, | 0:18:41 | 0:18:44 | |
when you go to watch a live show, you don't just watch the show. | 0:18:44 | 0:18:46 | |
You're in it. You take part in it. | 0:18:46 | 0:18:49 | |
You love playing to a live audience? | 0:18:49 | 0:18:51 | |
Yes. A live theatre, it's a one-to-one experience. | 0:18:51 | 0:18:53 | |
There's not all this... | 0:18:53 | 0:18:55 | |
Ahem! ..scrap iron in the way. | 0:18:55 | 0:18:58 | |
You can get to them. | 0:18:58 | 0:19:00 | |
There's my audience up there! | 0:19:00 | 0:19:01 | |
-By Jove, missus! -APPLAUSE | 0:19:01 | 0:19:03 | |
You see? | 0:19:06 | 0:19:07 | |
It's a beautiful day! | 0:19:07 | 0:19:10 | |
You sit here, if you want. You can face them. | 0:19:10 | 0:19:13 | |
No! No, no! What a beautiful day! | 0:19:13 | 0:19:14 | |
All the husbands, try, shoving a handful of ice cubes | 0:19:14 | 0:19:16 | |
down your wife's nightie and saying, | 0:19:16 | 0:19:18 | |
"There's the chest freezer you've always wanted!" | 0:19:18 | 0:19:20 | |
LAUGHTER | 0:19:20 | 0:19:22 | |
It's a live audience. I think... | 0:19:22 | 0:19:25 | |
Anyone in from Scotland? | 0:19:25 | 0:19:26 | |
Never mind, I'll do it anyway. What a beautiful day for | 0:19:26 | 0:19:28 | |
putting your kilt on upside down, standing outside the town hall, | 0:19:28 | 0:19:31 | |
and shouting, "How's this for a shuttlecock?" | 0:19:31 | 0:19:33 | |
LAUGHTER | 0:19:33 | 0:19:34 | |
This is all good stuff! | 0:19:34 | 0:19:36 | |
What a beautiful day for ramming a cucumber | 0:19:36 | 0:19:39 | |
through the vicar's letterbox | 0:19:39 | 0:19:41 | |
and saying, "Look out, the Martians are coming!" | 0:19:41 | 0:19:43 | |
LAUGHTER | 0:19:43 | 0:19:45 | |
The most beautiful sound in the world is the sound of laughter. | 0:19:45 | 0:19:49 | |
-Brilliant. -You're bringing... -You all right? | 0:19:49 | 0:19:52 | |
-It's me chest. -It's your chuckle muscles. | 0:19:52 | 0:19:54 | |
It hasn't been properly exercised. | 0:19:54 | 0:19:56 | |
You've studied humour, haven't you? You've made a great study of it. | 0:19:56 | 0:19:59 | |
When I came into show business, I thought, | 0:19:59 | 0:20:00 | |
I was a salesman at the time, on the knocker, and... | 0:20:00 | 0:20:03 | |
I decided to find out what it was selling, so, what is a laugh? | 0:20:03 | 0:20:06 | |
So I went to all the libraries and I looked up the word laugh, | 0:20:06 | 0:20:09 | |
L-A- double F... | 0:20:09 | 0:20:10 | |
And I looked through | 0:20:10 | 0:20:12 | |
Aristotle, and his brother, 'Arris Tweed. | 0:20:12 | 0:20:14 | |
And Schopenhauer, Freud. | 0:20:14 | 0:20:17 | |
Freud said that a laugh is a sudden explosion of psychic energy. | 0:20:17 | 0:20:22 | |
Of course the trouble with Freud was, | 0:20:22 | 0:20:24 | |
he never played second house Friday night at Glasgow Empire. | 0:20:24 | 0:20:27 | |
And I...studied... | 0:20:27 | 0:20:28 | |
I found out, I mean, what a laugh is. | 0:20:28 | 0:20:31 | |
I mean, what is a laugh? I'll talk to you, you look sensible. | 0:20:31 | 0:20:35 | |
What is a laugh? | 0:20:35 | 0:20:36 | |
A laugh is a noise that comes out of a hole in your face. | 0:20:36 | 0:20:39 | |
Anywhere else, you're in dead trouble. | 0:20:39 | 0:20:42 | |
LAUGHTER | 0:20:42 | 0:20:43 | |
This is... | 0:20:43 | 0:20:45 | |
People laugh at all sorts of things. | 0:20:45 | 0:20:47 | |
Some ladies laugh at little things. | 0:20:47 | 0:20:49 | |
It's a pity, really, but there you are! | 0:20:49 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:52 | |
-But I have... -They like to laugh at other people's misfortunes. | 0:20:53 | 0:20:56 | |
People do. People do laugh at other people's misfortunes, | 0:20:56 | 0:20:59 | |
I never forget the time my dad had the boil on the end of his nose. | 0:20:59 | 0:21:01 | |
A boil, throb, throb, on the end of his nose | 0:21:01 | 0:21:03 | |
and my mother couldn't sleep at night for laughing. | 0:21:03 | 0:21:06 | |
And so... We got the doctor in, | 0:21:06 | 0:21:07 | |
and the doctor took one look at this boil on his nose, | 0:21:07 | 0:21:10 | |
and he ordered us all out of this bedroom, | 0:21:10 | 0:21:12 | |
and he took this big needle out of his bag, out... | 0:21:12 | 0:21:14 | |
And we all waited outside, and we could hear... "Ow! Ooh!" | 0:21:14 | 0:21:17 | |
And the doctor came out, and he said, "It looks much better now." | 0:21:17 | 0:21:20 | |
"I've sewn a button on it." | 0:21:20 | 0:21:21 | |
LAUGHTER | 0:21:21 | 0:21:23 | |
People... All sorts of things. | 0:21:23 | 0:21:26 | |
People laugh at all sorts of things, and other people, you know, | 0:21:26 | 0:21:29 | |
strange things, you have to be a little bit strange in this business. | 0:21:29 | 0:21:32 | |
Because people often wonder what you're doing. | 0:21:32 | 0:21:34 | |
-You don't mind about this, do you? -Not at all. | 0:21:34 | 0:21:36 | |
Thank you! | 0:21:36 | 0:21:38 | |
I just wanted to do it! Before... | 0:21:38 | 0:21:39 | |
People... | 0:21:39 | 0:21:41 | |
APPLAUSE | 0:21:41 | 0:21:42 | |
People laugh... | 0:21:42 | 0:21:43 | |
Generally, routines. | 0:21:45 | 0:21:46 | |
Now, there's routines about Christmas, there's routines... | 0:21:46 | 0:21:49 | |
The doctor's routine. Went to the doctor's the other day, | 0:21:49 | 0:21:51 | |
I went to see Doctor Greenberg, he's a wonderful man, | 0:21:51 | 0:21:54 | |
does a bit on the side, and also tends to cats. | 0:21:54 | 0:21:56 | |
And... Yes, that's why you have to be very careful, you know, | 0:21:56 | 0:22:00 | |
make sure he knows exactly what you want. | 0:22:00 | 0:22:02 | |
When he's been on the cough mixture... | 0:22:02 | 0:22:04 | |
One fellow went in to get his tonsils out, | 0:22:04 | 0:22:06 | |
the stretcher was the wrong way round and... | 0:22:06 | 0:22:08 | |
BLOWS RASPBERRY | 0:22:08 | 0:22:10 | |
LAUGHTER | 0:22:10 | 0:22:11 | |
Oh, yes! Went in as Angus, came out as Agnes. | 0:22:11 | 0:22:14 | |
Anyway, I went in. | 0:22:14 | 0:22:16 | |
Went in to his insulting room, he said, "Now, are you paying, or shall I hurt you?" | 0:22:16 | 0:22:19 | |
I said, "No, I'm paying!" | 0:22:19 | 0:22:20 | |
Right, he says, "Take all your clothes off." | 0:22:20 | 0:22:22 | |
So I took off my clothes. | 0:22:22 | 0:22:23 | |
He went in the next room for a laugh. He came back, and said... | 0:22:23 | 0:22:26 | |
He said, "You'll have to diet." I said, "What colour?" | 0:22:26 | 0:22:28 | |
He said, "Never mind that!" | 0:22:28 | 0:22:30 | |
I said, "Well, I'd like a second opinion." | 0:22:30 | 0:22:32 | |
He said, "You're ugly as well." | 0:22:32 | 0:22:34 | |
That's a routine, you see. | 0:22:35 | 0:22:37 | |
And a good one. | 0:22:37 | 0:22:38 | |
Yes, and the Christmas... | 0:22:38 | 0:22:40 | |
A joke is totally, a joke is a story. | 0:22:40 | 0:22:41 | |
A little boy said to his dad just before Christmas, "Dad," he said, | 0:22:41 | 0:22:44 | |
"I don't want a bike for Christmas. I don't want a bike for Christmas." | 0:22:44 | 0:22:48 | |
He said, "Why not?" | 0:22:48 | 0:22:49 | |
He said, "I've just found one behind the wardrobe." | 0:22:49 | 0:22:52 | |
APPLAUSE | 0:22:52 | 0:22:53 | |
Appearances like that one were classic Ken Dodd, | 0:22:57 | 0:23:00 | |
and encapsulated his act perfectly, | 0:23:00 | 0:23:03 | |
packed with one-liners and with the audience in the palm of his hand. | 0:23:03 | 0:23:08 | |
So how to top that? | 0:23:09 | 0:23:10 | |
Well, let's finish with a song that once was a hit for Wogan himself. | 0:23:10 | 0:23:14 | |
Yes, brace yourselves, it's Doddy's version of The Floral Dance. | 0:23:16 | 0:23:20 | |
APPLAUSE | 0:23:22 | 0:23:23 | |
Oooooooohhhhh! | 0:23:31 | 0:23:35 | |
# As I walked home on a summer's night | 0:23:35 | 0:23:37 | |
# When stars in Heav'n were shining bright | 0:23:40 | 0:23:42 | |
# Far away from the footlights' glare. # | 0:23:45 | 0:23:47 | |
I'm dribbling here. | 0:23:47 | 0:23:48 | |
# Into the sweet and scented air. # | 0:23:48 | 0:23:51 | |
That's funny. | 0:23:51 | 0:23:53 | |
# Of a quaint old Cornish Town. # | 0:23:53 | 0:23:56 | |
DEEP GULPING BREATH | 0:24:00 | 0:24:02 | |
# Borne from afar on the gentle breeze | 0:24:02 | 0:24:04 | |
SWANNEE WHISTLE | 0:24:04 | 0:24:05 | |
# Soft as the murmur of summer seas | 0:24:05 | 0:24:08 | |
# Distant tones of an old world dance | 0:24:08 | 0:24:10 | |
SNARE DRUM BEATS | 0:24:10 | 0:24:12 | |
# Played by the gasworks band, perchance | 0:24:12 | 0:24:15 | |
# On the ca-ha-alm air | 0:24:15 | 0:24:17 | |
# Came flo-ho-at-ing down | 0:24:17 | 0:24:23 | |
# I thought I could hear the spurious tone | 0:24:24 | 0:24:27 | |
# Of the cornet, clarinet and big trombone | 0:24:27 | 0:24:29 | |
# Fiddle, cello, big bass drum | 0:24:29 | 0:24:31 | |
# Trifle spoon, euphonium | 0:24:31 | 0:24:33 | |
# Far away, as in a trance | 0:24:33 | 0:24:35 | |
# I heard the sound of the Floral Dance! | 0:24:35 | 0:24:38 | |
# Tiddlywinks, old man, suck a lemon, if you can | 0:24:40 | 0:24:42 | |
# If you can't suck a lemon suck an old tin can | 0:24:42 | 0:24:45 | |
# I pull my Brutus jeans on. # | 0:24:45 | 0:24:46 | |
Get off your horse and drink your milk! | 0:24:54 | 0:24:56 | |
A man's got to do what a man's got to do. | 0:24:57 | 0:25:01 | |
# And soon I heard such a bustling and prancing | 0:25:01 | 0:25:04 | |
# And then I saw the whole village was dancing | 0:25:04 | 0:25:07 | |
# In and out of the houses they came | 0:25:07 | 0:25:10 | |
# Old folk, young folk, all the same | 0:25:10 | 0:25:12 | |
# In that quaint old Cornish town | 0:25:13 | 0:25:15 | |
# Every boy took a girl by the waist | 0:25:20 | 0:25:23 | |
# And hurried her off in tremendous haste | 0:25:23 | 0:25:27 | |
# Whether they cared for one another I knew not | 0:25:27 | 0:25:30 | |
# Whether they knew one another I care not | 0:25:30 | 0:25:32 | |
# But they kissed as they da-ha-anced along! | 0:25:32 | 0:25:37 | |
# They danced to the band of the spurious tone | 0:25:41 | 0:25:44 | |
# With the cornet, clarinet, and big trombone | 0:25:44 | 0:25:46 | |
# Fiddle, kiddle, big bass drum | 0:25:46 | 0:25:49 | |
# Fife, bassoon, and euphonium | 0:25:49 | 0:25:50 | |
# Each one making the most of his chance | 0:25:50 | 0:25:53 | |
# Altogether in the floral dance | 0:25:53 | 0:25:54 | |
# Hit me with your rhythm stick! Yeah! | 0:25:56 | 0:25:59 | |
# Na-na-na-na-naah! # | 0:26:01 | 0:26:04 | |
Hissing Sid is innocent! | 0:26:05 | 0:26:07 | |
LAUGHTER AND APPLAUSE | 0:26:08 | 0:26:11 | |
# I felt so lonely standing there | 0:26:16 | 0:26:19 | |
# And I could only stand and swear...stare! # | 0:26:19 | 0:26:21 | |
Sorry, sir. | 0:26:21 | 0:26:23 | |
# For I had no friend with me | 0:26:23 | 0:26:25 | |
# Lonely I would have to be | 0:26:25 | 0:26:28 | |
# In that quaint old Cornish town | 0:26:28 | 0:26:32 | |
# When, suddenly hurrying down the lane | 0:26:42 | 0:26:44 | |
# A figure I knew I saw quite plain. # | 0:26:44 | 0:26:46 | |
'Twas Fanny from the fish shop! | 0:26:46 | 0:26:48 | |
# With outstretched arms I rushed along | 0:26:48 | 0:26:51 | |
# And carried her into that merry throng. # | 0:26:51 | 0:26:54 | |
Hop on, Fanny! Show them what you're made of! | 0:26:54 | 0:26:56 | |
# And I fiddled - ha-ha! | 0:26:58 | 0:27:00 | |
# And went dancing...along! | 0:27:00 | 0:27:04 | |
# We danced to the men with the spurious tone | 0:27:07 | 0:27:09 | |
# Of the cornet, clarinet, and big trombone | 0:27:09 | 0:27:11 | |
# Fiddle, cello, big bass drum | 0:27:11 | 0:27:13 | |
# Fife, bassoon, and euphonium | 0:27:13 | 0:27:16 | |
# Each one making the most of his chance | 0:27:16 | 0:27:18 | |
# Altogether in the floral dance | 0:27:18 | 0:27:20 | |
# Dancing here, prancing there | 0:27:21 | 0:27:24 | |
# Jigging, jogging everywhere | 0:27:24 | 0:27:26 | |
# Up and down, around the town | 0:27:26 | 0:27:29 | |
# Hurrah for the Cornish floral dance! # | 0:27:29 | 0:27:36 | |
APPLAUSE | 0:27:37 | 0:27:39 |