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Hundreds of thousands of children across the UK | 0:00:03 | 0:00:06 | |
struggle with the simplest tasks, | 0:00:06 | 0:00:08 | |
hampered by their health or the environment around them. | 0:00:08 | 0:00:12 | |
I've never played with my friends out here. | 0:00:12 | 0:00:15 | |
So, race it, then. Race the car. Good girl! | 0:00:15 | 0:00:17 | |
With no obvious solutions to their problems, | 0:00:19 | 0:00:21 | |
there's often nowhere to turn for help. | 0:00:21 | 0:00:23 | |
In this programme, we've brought together eight | 0:00:24 | 0:00:27 | |
of the UK's leading engineers, designers and computer programmers. | 0:00:27 | 0:00:31 | |
Our team will get to know four children | 0:00:32 | 0:00:34 | |
facing very different challenges. | 0:00:34 | 0:00:36 | |
They'll use cutting-edge science and technology | 0:00:36 | 0:00:38 | |
to build life-changing solutions for Children In Need. | 0:00:38 | 0:00:41 | |
They'll help a young lad who's blind. | 0:00:45 | 0:00:47 | |
Something that could help him | 0:00:48 | 0:00:51 | |
be able to navigate his environment with more confidence. | 0:00:51 | 0:00:55 | |
They'll attempt to help a girl who suffered a severe brain injury. | 0:00:55 | 0:00:59 | |
I would like to become more independent | 0:00:59 | 0:01:03 | |
and remember what happened. | 0:01:03 | 0:01:05 | |
And they'll try to bring together twin sisters | 0:01:05 | 0:01:08 | |
whose lives have been divided by disability. | 0:01:08 | 0:01:11 | |
She's literally trapped in her own body. | 0:01:11 | 0:01:14 | |
If they get this right, | 0:01:14 | 0:01:15 | |
they could potentially change the lives of not just those children, | 0:01:15 | 0:01:18 | |
but thousands more like them across the UK. | 0:01:18 | 0:01:21 | |
I don't know how reliable it's going to be. | 0:01:21 | 0:01:24 | |
This is the only one of its kind in the world. | 0:01:24 | 0:01:27 | |
The code is killing me. | 0:01:28 | 0:01:30 | |
-I'm just, I'm shocked. -Speechless! -Aw! | 0:01:30 | 0:01:33 | |
THEY CHEER | 0:01:33 | 0:01:35 | |
Group hug. | 0:01:35 | 0:01:37 | |
This is Big Life Fix: Children In Need Special! | 0:01:37 | 0:01:41 | |
THEY CHEER | 0:01:41 | 0:01:44 | |
Our team's base is in East London. | 0:01:52 | 0:01:55 | |
Known as a maker space, | 0:01:55 | 0:01:57 | |
it's one of a national network of inventors' hubs | 0:01:57 | 0:01:59 | |
crammed full of the latest technology. | 0:01:59 | 0:02:01 | |
It's from here that our leading inventors | 0:02:03 | 0:02:05 | |
will attempt to create fixes | 0:02:05 | 0:02:06 | |
for people who don't know where else to turn. | 0:02:06 | 0:02:09 | |
It's great because I think you have the opportunity | 0:02:09 | 0:02:11 | |
to really change people's lives. | 0:02:11 | 0:02:14 | |
The team include a director from Microsoft, | 0:02:14 | 0:02:17 | |
engineers who trained at Dyson, | 0:02:17 | 0:02:19 | |
award-winning designers who have built everything from ambulances | 0:02:19 | 0:02:23 | |
to smart cities. | 0:02:23 | 0:02:24 | |
This has to be really good. | 0:02:24 | 0:02:26 | |
There's, like, so much that can go wrong! | 0:02:26 | 0:02:28 | |
Our first assignment is led by senior design strategist Ruby Steele | 0:02:31 | 0:02:35 | |
and engineer Jude Pullen. | 0:02:35 | 0:02:37 | |
Jude is an expert in technology and children's play. | 0:02:39 | 0:02:43 | |
Ruby specialises in finding solutions for people | 0:02:43 | 0:02:46 | |
with chronic health issues. | 0:02:46 | 0:02:47 | |
She'll make the first research visit. | 0:02:47 | 0:02:49 | |
We're in Blackheath in south-east London, | 0:02:55 | 0:02:57 | |
and we're on our way to meet Josh, | 0:02:57 | 0:02:59 | |
who is eight years old and has Norrie disease, | 0:02:59 | 0:03:04 | |
and was born completely, totally blind. | 0:03:04 | 0:03:07 | |
Josh attends his local mainstream school | 0:03:08 | 0:03:11 | |
as there aren't specialist blind centres nearby. | 0:03:11 | 0:03:14 | |
He needs Ruby and Jude to help him find a way | 0:03:15 | 0:03:18 | |
to join his friends in the playground. | 0:03:18 | 0:03:20 | |
Thank you! | 0:03:21 | 0:03:23 | |
Today, he's at home with his mum, Wendy. | 0:03:23 | 0:03:25 | |
-Hello. -Hello, hi! | 0:03:27 | 0:03:29 | |
-Wendy! -Hi, nice to meet you. I'm Ruby. -Pleased to meet you. | 0:03:29 | 0:03:32 | |
-Hi, Josh. -Hi. | 0:03:33 | 0:03:35 | |
-Hello. -Hi. | 0:03:35 | 0:03:37 | |
Hello, Josh. | 0:03:37 | 0:03:38 | |
So, you've got Simon in front of you, and Ruby. | 0:03:38 | 0:03:42 | |
We'll make ourselves comfortable | 0:03:42 | 0:03:44 | |
and maybe you could show us some of the things that you love. | 0:03:44 | 0:03:48 | |
I like pop, hip-hop, rap, Pokemon Go, shopping and Jack 2. | 0:03:48 | 0:03:55 | |
I like indie music. | 0:03:55 | 0:03:58 | |
And kind of like rock kind of music. | 0:03:58 | 0:04:00 | |
Yeah, Mum likes that. | 0:04:00 | 0:04:02 | |
-Would you like a cup of tea? -Absolutely love one, thanks. | 0:04:03 | 0:04:06 | |
-We can go outside first. -We can go outside. | 0:04:06 | 0:04:09 | |
-Come on. -Coming. | 0:04:10 | 0:04:12 | |
-It's a nice garden. -Do you like being outside, Josh? -Yeah. | 0:04:16 | 0:04:20 | |
Norrie disease is a rare genetic eye disorder. | 0:04:20 | 0:04:24 | |
It causes the retina to develop abnormally | 0:04:24 | 0:04:26 | |
and can lead to blindness. | 0:04:26 | 0:04:29 | |
What's this rope thing? | 0:04:29 | 0:04:31 | |
-God knows. -God knows! -SHE LAUGHS | 0:04:31 | 0:04:34 | |
And he's done! | 0:04:38 | 0:04:39 | |
-Are you looking for a wall? -No, it's hard. | 0:04:40 | 0:04:42 | |
It's hard. All right. | 0:04:42 | 0:04:44 | |
You going to go and have a look at the trampoline? | 0:04:48 | 0:04:51 | |
-I think so. -OK. | 0:04:51 | 0:04:53 | |
-There we go. -No, it's soaking. | 0:04:53 | 0:04:55 | |
-See if you can... -You've got to do...! | 0:04:55 | 0:04:57 | |
See if you can ping Ruby off. | 0:04:57 | 0:04:59 | |
-You want to stay out here and have a chat with Josh? -Yeah, I'd love to. | 0:05:01 | 0:05:04 | |
You've got quite a lad there, haven't you? | 0:05:07 | 0:05:09 | |
Yes, there is never a dull moment. | 0:05:09 | 0:05:11 | |
Tell us about Norrie disease. | 0:05:14 | 0:05:16 | |
When Josh was born, we were told it was probably one in 12 million... | 0:05:16 | 0:05:19 | |
-One in 12 million? -Yeah, it's really rare. | 0:05:21 | 0:05:24 | |
So, what's then, the issue about playtime? | 0:05:24 | 0:05:27 | |
Noisy, busy. | 0:05:27 | 0:05:29 | |
It's trying to identify where people are and what games are they playing. | 0:05:29 | 0:05:33 | |
It's really hard to know what games you're playing! | 0:05:33 | 0:05:35 | |
And to join in if you can't see where they are | 0:05:35 | 0:05:38 | |
or what they're doing. | 0:05:38 | 0:05:39 | |
How many friends do you have? | 0:05:41 | 0:05:43 | |
-A gazillion. -A gazillion friends? | 0:05:43 | 0:05:45 | |
What's your favourite class? | 0:05:45 | 0:05:47 | |
My favourite class is playtime. | 0:05:47 | 0:05:49 | |
My class always goes outside but the playground's too big. | 0:05:49 | 0:05:53 | |
-It's too big? -And I can't find my friends. | 0:05:53 | 0:05:56 | |
What are you hoping for? | 0:05:57 | 0:05:59 | |
Well, I think, for Josh, | 0:05:59 | 0:06:01 | |
if there was something that could help him | 0:06:01 | 0:06:04 | |
be able to navigate his environment with more confidence, | 0:06:04 | 0:06:09 | |
more ease, you know, | 0:06:09 | 0:06:11 | |
it would mean that Josh could be included more in social settings, | 0:06:11 | 0:06:16 | |
be able to join in more, | 0:06:16 | 0:06:17 | |
something that would help him and his friends bond, | 0:06:17 | 0:06:21 | |
games for him and his friends to play. | 0:06:21 | 0:06:23 | |
He's physically not very confident. | 0:06:23 | 0:06:26 | |
-Yeah. -And that's completely understandable, | 0:06:26 | 0:06:30 | |
and hardly surprising, given... | 0:06:30 | 0:06:32 | |
..this incredible situation and condition that he's got. | 0:06:33 | 0:06:38 | |
To understand the challenges Josh faces, | 0:06:42 | 0:06:45 | |
Ruby and I are paying a visit to his school. | 0:06:45 | 0:06:47 | |
BELL RINGS | 0:06:47 | 0:06:49 | |
Morning. | 0:06:51 | 0:06:52 | |
In the classroom, Josh is helped by learning support assistant Shane. | 0:06:52 | 0:06:57 | |
-All right? -So far, so good with the enter key! | 0:06:57 | 0:06:59 | |
At break time, Josh needs Shane's help getting to the playground. | 0:07:04 | 0:07:07 | |
Hello! | 0:07:15 | 0:07:17 | |
Can I come and join you? | 0:07:17 | 0:07:18 | |
When you hear the noise of all the children running around, | 0:07:20 | 0:07:24 | |
does it feel appealing or threatening? | 0:07:24 | 0:07:27 | |
Threatening. | 0:07:27 | 0:07:28 | |
-Why? -So... | 0:07:29 | 0:07:31 | |
Would you like to be playing and taking part with them | 0:07:31 | 0:07:34 | |
or do you think it's, or do you think you could get hurt? | 0:07:34 | 0:07:37 | |
I could get hurt. | 0:07:37 | 0:07:39 | |
And have you tried? | 0:07:39 | 0:07:41 | |
-Have you ever tried and got hurt? -Yeah, yes. | 0:07:41 | 0:07:44 | |
What happened to you? | 0:07:44 | 0:07:46 | |
I got a graze all the way up my leg, | 0:07:46 | 0:07:50 | |
which was the first day in year three, so since, | 0:07:50 | 0:07:54 | |
I've never played with my friends out here since. | 0:07:54 | 0:07:57 | |
What if I say to you that getting hurt is part of play? | 0:07:57 | 0:08:02 | |
-Is it? -Yeah, I get... | 0:08:03 | 0:08:05 | |
I got hurt all the time when I was playing, when I was your age. | 0:08:05 | 0:08:08 | |
Did you ever cry and play? | 0:08:08 | 0:08:10 | |
Oh, yeah! Sometimes I nearly cry now. | 0:08:10 | 0:08:13 | |
You don't ever stop wanting to cry. | 0:08:14 | 0:08:16 | |
You just sometimes maybe, as you get older, you can handle it better. | 0:08:16 | 0:08:20 | |
And there is a lot of activity and running around, | 0:08:20 | 0:08:23 | |
and I know that you would love to be doing that with them. | 0:08:23 | 0:08:26 | |
Yeah. | 0:08:26 | 0:08:27 | |
I'm feeling kind of nervous now because this is | 0:08:27 | 0:08:29 | |
a lot more complicated than I thought it was going to be. | 0:08:29 | 0:08:32 | |
I was imagining one open space with children in it but it's at an angle. | 0:08:32 | 0:08:37 | |
-The floor is an angle. It's uneven. -Yeah, yeah. | 0:08:37 | 0:08:40 | |
And you're an adult and you were given space by the other kids. | 0:08:40 | 0:08:43 | |
Josh isn't afforded that space | 0:08:43 | 0:08:45 | |
because he's just one of them, so they'll just pile past him. | 0:08:45 | 0:08:48 | |
To imagine him missing out on things that children should be doing, | 0:08:51 | 0:08:55 | |
like being outside and running around, | 0:08:55 | 0:08:57 | |
it's sad to think that Josh isn't able to do that. | 0:08:57 | 0:09:00 | |
Back at the inventors hub, | 0:09:06 | 0:09:07 | |
we discuss just how difficult Josh's fix could be. | 0:09:07 | 0:09:10 | |
We are dealing with, with a lot, and you kind of, erm... | 0:09:12 | 0:09:15 | |
-Of moving objects, yeah. -A lot of moving objects. | 0:09:15 | 0:09:17 | |
A lot of kind of hazards. | 0:09:17 | 0:09:19 | |
Are we trying to bring an experience | 0:09:19 | 0:09:22 | |
where he can interact with everyone else? | 0:09:22 | 0:09:24 | |
Or is it about them interacting with him? | 0:09:24 | 0:09:26 | |
Or is it about creating a bridge between the two? | 0:09:26 | 0:09:28 | |
Ultimately, this seems to me that it's really much about inclusion. | 0:09:28 | 0:09:32 | |
-We are designing a play experience for all of them. -Yeah. | 0:09:32 | 0:09:35 | |
That puts them all on an equal footing. | 0:09:35 | 0:09:37 | |
-Socialising with his friends. -We're not trying to fix Josh. | 0:09:37 | 0:09:39 | |
-We're trying to fix play. -Right. -Yeah. | 0:09:39 | 0:09:41 | |
I like what you did there, but I'd take it this way... | 0:09:42 | 0:09:45 | |
Ruby and Jude begin brainstorming different ideas. | 0:09:45 | 0:09:48 | |
They think they've found a solution | 0:09:48 | 0:09:50 | |
that could help Josh in the playground, | 0:09:50 | 0:09:52 | |
and want to use a combination of Bluetooth | 0:09:52 | 0:09:55 | |
and GPS tracking technology, | 0:09:55 | 0:09:57 | |
similar to satellite navigation used in cars. | 0:09:57 | 0:09:59 | |
Six weeks after her first visit, | 0:10:02 | 0:10:04 | |
Ruby's heading back to his school with Jude | 0:10:04 | 0:10:07 | |
and software engineer Akram Hussain. | 0:10:07 | 0:10:09 | |
I'll do, like, that tree and then maybe by the blue house. | 0:10:11 | 0:10:14 | |
I think this is going to be really interesting. | 0:10:15 | 0:10:18 | |
We've got these little beacons which work with Bluetooth. | 0:10:18 | 0:10:20 | |
And hopefully, Akram has designed us a basic app, | 0:10:20 | 0:10:25 | |
so we can work out whether Josh could navigate | 0:10:25 | 0:10:27 | |
around between the beacons. | 0:10:27 | 0:10:29 | |
They're hoping satellite technology can help Josh receive instructions | 0:10:30 | 0:10:34 | |
to tell him exactly where he is and what's around him. | 0:10:34 | 0:10:38 | |
So, let's imagine we want to go to the blue hut. | 0:10:38 | 0:10:40 | |
Turn left, 19 degrees and walk for 18 metres. | 0:10:40 | 0:10:44 | |
Blue hut. You are now at the blue hut. | 0:10:46 | 0:10:49 | |
-Ah, OK! So, it's here. -Yeah. | 0:10:49 | 0:10:51 | |
That's how far? Oh, OK. That's not bad. | 0:10:51 | 0:10:54 | |
So let's try it from that side. | 0:10:54 | 0:10:55 | |
Yeah, let's come up from the other way. | 0:10:55 | 0:10:57 | |
-36 metres. -There we go. Pick it up. -You are now at the blue hut. | 0:11:00 | 0:11:03 | |
Ah, OK, that's quite far away. | 0:11:03 | 0:11:06 | |
But the signal is nowhere near as accurate as they'd hoped. | 0:11:06 | 0:11:09 | |
We'll just remind ourselves that GPS is using a satellite. | 0:11:10 | 0:11:13 | |
-Yeah. -In outer space. -And we're covered here. | 0:11:13 | 0:11:15 | |
Which... Is it the trees? | 0:11:15 | 0:11:17 | |
-It is possible that there are... -Because there's a lot of trees here. | 0:11:17 | 0:11:20 | |
-Occluding the... -I know that doesn't help. | 0:11:20 | 0:11:22 | |
-I know tall buildings, trees. -Metal. -Metal. | 0:11:22 | 0:11:25 | |
One of the problems is going to be, if we don't get that down, | 0:11:25 | 0:11:27 | |
-he's going to get wildly off course. -Yeah. | 0:11:27 | 0:11:29 | |
He's not even going to be at the next beacon | 0:11:29 | 0:11:31 | |
before he starts to go to the next beacon. | 0:11:31 | 0:11:33 | |
We have to be really careful because a lot of this | 0:11:33 | 0:11:36 | |
is about building Josh's confidence and encouraging him to do it. | 0:11:36 | 0:11:39 | |
You know, he already doesn't know where he is | 0:11:39 | 0:11:41 | |
and by giving him false information, | 0:11:41 | 0:11:44 | |
we're making him more lost, so we're making a lost person more lost. | 0:11:44 | 0:11:48 | |
For Ruby and Jude, it's back to the drawing board. | 0:11:50 | 0:11:53 | |
Leading the next fix is Haiyan Zhang, | 0:11:59 | 0:12:02 | |
a technologist and designer | 0:12:02 | 0:12:04 | |
who's worked for high-profile companies all over the world. | 0:12:04 | 0:12:07 | |
She's currently innovation director at Microsoft. | 0:12:07 | 0:12:10 | |
Haiyan and I are heading to Birmingham to see if she can help | 0:12:14 | 0:12:16 | |
a ten-year-old girl who has brain damage | 0:12:16 | 0:12:19 | |
and is struggling with severe memory loss. | 0:12:19 | 0:12:21 | |
And I don't quite remember that one. | 0:12:23 | 0:12:26 | |
-I don't... -You don't remember? -I don't remember that. | 0:12:26 | 0:12:29 | |
-Do you remember where we went to eat? -No. | 0:12:29 | 0:12:31 | |
We're going to see Aman, and she had a horrific car accident, | 0:12:33 | 0:12:37 | |
which means she has tremors down one side of her body but also, | 0:12:37 | 0:12:41 | |
she suffers from memory loss. | 0:12:41 | 0:12:43 | |
I can't imagine what it must be like to be so young, | 0:12:43 | 0:12:46 | |
and you just can't remember where you are, how you got there. | 0:12:46 | 0:12:48 | |
The world must be such a scary place. | 0:12:48 | 0:12:51 | |
We're arriving early to catch Aman at home with mum Rupinder | 0:12:53 | 0:12:58 | |
before she heads to school. | 0:12:58 | 0:13:00 | |
DOORBELL RINGS | 0:13:00 | 0:13:01 | |
-Morning, morning. -Hi! | 0:13:04 | 0:13:05 | |
Hello. Lovely to see you. | 0:13:05 | 0:13:07 | |
Nice dressing gown. In for breakfast. | 0:13:07 | 0:13:09 | |
Would you like a tea, coffee? | 0:13:09 | 0:13:10 | |
-Oh, I'd love a tea. -A tea? | 0:13:10 | 0:13:13 | |
-All right, you go and get ready. -Yeah. -We're out of the way. -OK. | 0:13:13 | 0:13:16 | |
You've got a beautiful, lovely daughter. | 0:13:16 | 0:13:19 | |
Can we talk about the accident? | 0:13:20 | 0:13:22 | |
We were involved in a car accident, two and half years ago, in India. | 0:13:22 | 0:13:27 | |
We went for a family wedding. | 0:13:27 | 0:13:29 | |
-Erm... -What do you remember? | 0:13:29 | 0:13:32 | |
Well, the actual accident happening, nothing, none of us remember that. | 0:13:33 | 0:13:37 | |
We just literally remember waking up in hospital. | 0:13:37 | 0:13:40 | |
And then when we were told about Aman, they kind of just said, | 0:13:41 | 0:13:46 | |
"She's not going to make it," | 0:13:46 | 0:13:47 | |
so she got flown over by air ambulance | 0:13:47 | 0:13:50 | |
and went straight to Birmingham Children's. | 0:13:50 | 0:13:53 | |
Everything was, was baby steps. | 0:13:53 | 0:13:54 | |
She literally had to learn how to eat again, how to talk, how to walk. | 0:13:54 | 0:13:59 | |
-My goodness. -Erm, it was almost like having a newborn baby, | 0:13:59 | 0:14:03 | |
because it was the left side of the brain that was damaged. | 0:14:03 | 0:14:06 | |
People with an acquired brain injury | 0:14:09 | 0:14:11 | |
often have problems with short-term memory. | 0:14:11 | 0:14:14 | |
For children, this is particularly challenging. | 0:14:14 | 0:14:17 | |
It can make it difficult for them to make new friends, | 0:14:17 | 0:14:20 | |
maintain relationships and has the potential | 0:14:20 | 0:14:23 | |
to lead to anxiety or depression. | 0:14:23 | 0:14:25 | |
How worried about her are you? | 0:14:26 | 0:14:28 | |
I, I think for her long-term future, yes, I'm worried. | 0:14:29 | 0:14:32 | |
I mean, at the minute, I pretty much do everything for her. | 0:14:32 | 0:14:35 | |
But things like going to secondary school, getting a job, | 0:14:35 | 0:14:38 | |
you need a degree of memory, even for the most simplest jobs. | 0:14:38 | 0:14:42 | |
-Yeah. -She's quite worried about that herself. | 0:14:42 | 0:14:45 | |
-We are running late, aren't we? -Yeah. | 0:14:45 | 0:14:47 | |
And just to understand in terms of your memory, | 0:14:47 | 0:14:50 | |
do you remember us arriving? | 0:14:50 | 0:14:52 | |
Erm... | 0:14:54 | 0:14:55 | |
-Do you remember what...? -I, I remember, like, waking up. | 0:14:59 | 0:15:03 | |
But then I, like, don't remember what I did after that. | 0:15:03 | 0:15:06 | |
-OK. -And... | 0:15:07 | 0:15:09 | |
And does it just feel like a bit of a blank in your mind? | 0:15:09 | 0:15:12 | |
It just, like, yeah, but it makes me feel, like, | 0:15:12 | 0:15:16 | |
dizzy when I don't know what...happens, and it's just, like, | 0:15:16 | 0:15:21 | |
I feel, like, really dizzy sometimes. | 0:15:21 | 0:15:24 | |
It's making me a bit upset. | 0:15:24 | 0:15:26 | |
Haiyan and I are heading to Aman's school to see how her memory | 0:15:29 | 0:15:33 | |
is affecting her education. | 0:15:33 | 0:15:35 | |
It's memories, but it's... Sort of more than that, isn't it? | 0:15:35 | 0:15:38 | |
-Yeah, yeah, exactly. -It's the very essence of... | 0:15:38 | 0:15:41 | |
Of us, is to have that structure, that, those marker points | 0:15:41 | 0:15:46 | |
through your family life, through your time with your friends, | 0:15:46 | 0:15:50 | |
through your time at school. | 0:15:50 | 0:15:52 | |
Hello. Morning! Hello! | 0:15:56 | 0:15:59 | |
Before the accident, Aman was doing well at school. | 0:16:00 | 0:16:03 | |
Now, she can struggle in class | 0:16:03 | 0:16:05 | |
and needs the help of a full-time teaching assistant. | 0:16:05 | 0:16:08 | |
I want you to look through that last pass that you've done | 0:16:08 | 0:16:11 | |
and I want you to find five words in the dictionary. | 0:16:11 | 0:16:13 | |
I want you to find the definition of them and then, | 0:16:13 | 0:16:16 | |
I want you to write them out in a sentence. | 0:16:16 | 0:16:19 | |
OK? | 0:16:19 | 0:16:21 | |
So, Miss Powell gave us three instructions, | 0:16:21 | 0:16:24 | |
so you've done the first two. | 0:16:24 | 0:16:26 | |
What was the third instruction? Can you remember? | 0:16:26 | 0:16:28 | |
-Erm, no. -It was to write a sentence with the word "nymph" in it. | 0:16:30 | 0:16:35 | |
She's really struggling with her memory | 0:16:35 | 0:16:37 | |
-and what the instructions are. -Yes. | 0:16:37 | 0:16:39 | |
What problems does Aman face in class? | 0:16:40 | 0:16:44 | |
If we're studying, perhaps a piece of writing, | 0:16:44 | 0:16:47 | |
she will have to recap it quite a few times | 0:16:47 | 0:16:49 | |
in order to get back on track, | 0:16:49 | 0:16:52 | |
so if she's perhaps writing a recount of something, | 0:16:52 | 0:16:54 | |
going on trips and things like that, | 0:16:54 | 0:16:56 | |
-she won't actually remember the trip fully. -Right. | 0:16:56 | 0:16:58 | |
Do you see frustration coming out of her as a result? | 0:16:58 | 0:17:01 | |
I think, yes, quite a lot, because she's, | 0:17:01 | 0:17:04 | |
she's very, very bright and she wants to get a lot of work done. | 0:17:04 | 0:17:07 | |
She wants to work really hard | 0:17:07 | 0:17:09 | |
and I think she doesn't necessarily like to rely on somebody | 0:17:09 | 0:17:12 | |
to remind her all the time. | 0:17:12 | 0:17:14 | |
-I think the hall's empty, Aman. -What, what was said there? | 0:17:16 | 0:17:19 | |
-Is she, she wants to...? -She just goes for a little break, | 0:17:19 | 0:17:22 | |
so sometimes, either she gets quite uncomfortable | 0:17:22 | 0:17:24 | |
sat still or sometimes, kind of like, the information overload. | 0:17:24 | 0:17:27 | |
Can we talk? | 0:17:28 | 0:17:30 | |
Why did you go out of the class? | 0:17:30 | 0:17:32 | |
Er, because I felt a bit dizzy, so I felt like I needed a walk to, like, | 0:17:32 | 0:17:39 | |
take myself away and go a little quiet break. | 0:17:39 | 0:17:44 | |
So, with Aman, it is, it is heartbreaking. | 0:17:50 | 0:17:53 | |
I think we need two fixes. | 0:17:54 | 0:17:57 | |
One, to help her in the classroom, | 0:17:57 | 0:18:02 | |
so that she's not falling behind the rest of the class. | 0:18:02 | 0:18:05 | |
And one to help her with her family memories, | 0:18:05 | 0:18:07 | |
so that she can just remember her childhood. | 0:18:07 | 0:18:11 | |
But you know, brain injury is really complex, | 0:18:11 | 0:18:13 | |
and I think it's going to be a tough one. | 0:18:13 | 0:18:15 | |
Ruby and Jude are still working on a way to help eight-year-old Josh | 0:18:21 | 0:18:25 | |
gain the confidence he needs | 0:18:25 | 0:18:26 | |
to join his friends in the school playground. | 0:18:26 | 0:18:29 | |
While Ruby's crossing the street one morning, inspiration strikes. | 0:18:30 | 0:18:34 | |
So, I've been thinking a lot about this guidance paving. | 0:18:34 | 0:18:37 | |
Wouldn't it be cool if it did more than just indicate underfoot? | 0:18:37 | 0:18:42 | |
What if it had a sound attached to it with more information? | 0:18:42 | 0:18:46 | |
This is called tactile paving. | 0:18:46 | 0:18:48 | |
It helps the visually impaired move around independently | 0:18:48 | 0:18:51 | |
in public spaces, like at road crossings | 0:18:51 | 0:18:53 | |
and the edge of train platforms. | 0:18:53 | 0:18:55 | |
Ruby begins to plan a design of tactile paving that makes sounds. | 0:18:57 | 0:19:01 | |
She's enlisted the help of technology expert Ross Atkins. | 0:19:02 | 0:19:06 | |
So this, erm, touch board turns touch into sound. | 0:19:07 | 0:19:12 | |
So, if I connect it up with a wire to something conductive, | 0:19:12 | 0:19:16 | |
when I touch it, it makes a sound. | 0:19:16 | 0:19:18 | |
This is similar technology to the touch-screen on mobile phones. | 0:19:22 | 0:19:27 | |
But instead of using fingers, they're going to use feet. | 0:19:27 | 0:19:31 | |
This board can detect when part of your body is, er, | 0:19:31 | 0:19:35 | |
touching or very close to something that's connected to it. | 0:19:35 | 0:19:39 | |
And so, when you put your foot near the tinfoil, | 0:19:39 | 0:19:42 | |
the board knows that you've done that and it plays a sound. | 0:19:42 | 0:19:46 | |
Ruby and Ross enlist the help of the Winchester GoalBall Club | 0:19:49 | 0:19:52 | |
to test their prototype. | 0:19:52 | 0:19:54 | |
So, goalball started just after the Second World War, | 0:19:54 | 0:19:56 | |
as a rehab sport for, erm, soldiers who lost their sight during the war, | 0:19:56 | 0:20:00 | |
so it was their support, to help them get back to, | 0:20:00 | 0:20:03 | |
to fitness, I guess. | 0:20:03 | 0:20:04 | |
So, everyone is visually impaired or blind. | 0:20:05 | 0:20:07 | |
The blindfold makes everyone even. Yes, much better! | 0:20:07 | 0:20:10 | |
It's a brilliant game. | 0:20:10 | 0:20:11 | |
Goalball players compete in teams of three | 0:20:12 | 0:20:15 | |
to throw a ball with a bell in it into the opponent's goal. | 0:20:15 | 0:20:19 | |
It's now a Paralympic sport, with clubs all over the UK, | 0:20:19 | 0:20:23 | |
bringing together and supporting | 0:20:23 | 0:20:25 | |
hundreds of blind and visually impaired players. | 0:20:25 | 0:20:27 | |
Winchester Goalball is just one of many brilliant projects supported by | 0:20:32 | 0:20:35 | |
Children In Need, and you can help give children across the country | 0:20:35 | 0:20:38 | |
similar opportunities by sending a text now. | 0:20:38 | 0:20:41 | |
Right, thank you so much for agreeing to test this stuff out. | 0:21:15 | 0:21:18 | |
Visually impaired members of the goalball club | 0:21:18 | 0:21:21 | |
will help Ruby and Ross discover if they're on the right road | 0:21:21 | 0:21:24 | |
to finding a fix for Josh. | 0:21:24 | 0:21:26 | |
What we've got here are kind of really, really quick, early ideas. | 0:21:26 | 0:21:29 | |
-And who wants to go first? -I will, I'll go first. -Paddy. | 0:21:29 | 0:21:32 | |
I would like you... Actually, yeah, I forgot an important thing. | 0:21:32 | 0:21:34 | |
Shoes off, if you guys don't mind. Shades on, shoes off. | 0:21:34 | 0:21:37 | |
So, if you take a couple of steps forward... | 0:21:38 | 0:21:40 | |
Can you feel you're standing on something different? | 0:21:41 | 0:21:43 | |
If you want to push your foot along one of the lines. | 0:21:43 | 0:21:46 | |
Now we're going to get onto the exciting bit. | 0:21:46 | 0:21:49 | |
-NOTE PLAYS -Oh, my God! | 0:21:49 | 0:21:52 | |
-Step forward. -NOTE PLAYS | 0:21:52 | 0:21:54 | |
-Go for it. Paddy. -NOTES PLAY | 0:21:54 | 0:21:56 | |
-So... -You have to work as a team. | 0:21:56 | 0:21:59 | |
MELODY PLAYS | 0:21:59 | 0:22:01 | |
Ruby and Ross also want to test another idea. | 0:22:02 | 0:22:05 | |
They've programmed the tiles to give directions | 0:22:05 | 0:22:08 | |
when someone stands on them. | 0:22:08 | 0:22:10 | |
Towards Pudsey Bear. | 0:22:10 | 0:22:11 | |
-Yeah! -Found him. Nice job. -Very good. | 0:22:14 | 0:22:18 | |
Wicked. And do you want to go back and choose a different one? | 0:22:18 | 0:22:21 | |
Towards the door. | 0:22:21 | 0:22:23 | |
And then, do you want to go back again? | 0:22:23 | 0:22:25 | |
Towards the door. | 0:22:25 | 0:22:27 | |
-See, that's interesting because that is not towards the door! -No. | 0:22:28 | 0:22:31 | |
Well, the only problem is, is when you come back the opposite way, | 0:22:31 | 0:22:34 | |
it's going to kind of trigger. | 0:22:34 | 0:22:36 | |
He would think he's over there, but actually, he's here. | 0:22:36 | 0:22:39 | |
It would kind of mess him up. | 0:22:39 | 0:22:41 | |
If he's standing on this one and someone else stands on that one... | 0:22:41 | 0:22:44 | |
..which way is he going? | 0:22:46 | 0:22:47 | |
It's true that he'll still be able to hear when | 0:22:47 | 0:22:49 | |
-someone else stands on the other one. -Yeah, but I mean... | 0:22:49 | 0:22:51 | |
If someone else stands on it before he does, he's like, | 0:22:51 | 0:22:54 | |
"Oh, I'm going towards the crash... Oh, no, maybe I'm not." | 0:22:54 | 0:22:56 | |
I don't know how reliable it's going to be. Is it...? | 0:22:56 | 0:22:59 | |
Yeah, I think that's something I'm worried about as well. | 0:22:59 | 0:23:01 | |
The last thing we want to do is make him more disorientated. | 0:23:01 | 0:23:04 | |
The elephant in the room that hasn't come up | 0:23:06 | 0:23:08 | |
because I haven't even, like, admitted it, is at the moment, | 0:23:08 | 0:23:10 | |
this doesn't work if you're wearing shoes and that's, like, a major | 0:23:10 | 0:23:13 | |
fail for the playground so, like, we have to work out a way | 0:23:13 | 0:23:16 | |
of making it work when you're wearing shoes. | 0:23:16 | 0:23:18 | |
It's... It feels very vulnerable. | 0:23:18 | 0:23:20 | |
It feels like there's a big challenge | 0:23:20 | 0:23:22 | |
to get it to work in the playground. | 0:23:22 | 0:23:24 | |
Now the team must try to get their playground paving system | 0:23:26 | 0:23:30 | |
to work with shoes, and stop it sending Josh in the wrong direction. | 0:23:30 | 0:23:34 | |
Meanwhile, Ross travels to Hertfordshire | 0:23:36 | 0:23:38 | |
to begin the third and final assignment. | 0:23:38 | 0:23:41 | |
-Hello, you must be Nicole. -Yeah, nice to meet you. | 0:23:42 | 0:23:45 | |
Hi, Ayala! | 0:23:45 | 0:23:47 | |
He's here to see single mum Nicole and her eight-year-old twins. | 0:23:47 | 0:23:51 | |
Do we have a measuring cup? | 0:23:51 | 0:23:53 | |
-Oh, yes, here! -OK. | 0:23:53 | 0:23:55 | |
Ayala and Kyra were born 15 weeks premature. | 0:23:55 | 0:23:59 | |
They both had bleeds to the brain and holes in their hearts. | 0:23:59 | 0:24:02 | |
-And we need to be sensible. -Yeah. | 0:24:02 | 0:24:05 | |
Kyra recovered, apart from a problem with her vocal cords. | 0:24:05 | 0:24:09 | |
Today, we are going to make a burger and today, | 0:24:09 | 0:24:12 | |
we've already been starting to make it. | 0:24:12 | 0:24:14 | |
But her sister has severe cerebral palsy. | 0:24:16 | 0:24:18 | |
OK, well, shall we take her outside and then she's got space to walk? | 0:24:20 | 0:24:24 | |
Cerebral palsy affects movement and coordination | 0:24:25 | 0:24:29 | |
and can occur if a baby's brain doesn't develop normally | 0:24:29 | 0:24:33 | |
in the womb or is damaged soon after birth. | 0:24:33 | 0:24:36 | |
Ooh! | 0:24:36 | 0:24:38 | |
In the UK, it affects around one in 400 children. | 0:24:38 | 0:24:42 | |
-Kyra? -Yeah. | 0:24:42 | 0:24:44 | |
Can I... Can I go around you? | 0:24:44 | 0:24:46 | |
Ayala's a brainy, wonderful kid. | 0:24:46 | 0:24:49 | |
But her condition's left her with little control of her body. | 0:24:49 | 0:24:52 | |
If you don't mind, can you... | 0:24:56 | 0:24:57 | |
From the beginning, tell me what happened? | 0:24:57 | 0:24:59 | |
I went into hospital at 24 weeks and I had them at 25. | 0:24:59 | 0:25:02 | |
How much did they weigh when they were born? | 0:25:02 | 0:25:04 | |
Erm, Kyra was 850g, so 1lb 14. | 0:25:04 | 0:25:09 | |
And Ayala was 800g, so 1lb 12. | 0:25:09 | 0:25:12 | |
So, so when did you first find out that Ayala had cerebral palsy? | 0:25:12 | 0:25:15 | |
Er, when she was nine months old, | 0:25:15 | 0:25:17 | |
I went for what I thought was just a check-up appointment | 0:25:17 | 0:25:20 | |
at the paediatrician's and, erm, | 0:25:20 | 0:25:22 | |
she told me then that Ayala had cerebral palsy | 0:25:22 | 0:25:26 | |
and that she'd never walk. | 0:25:26 | 0:25:27 | |
I was 21 and I was like, "I don't know what to do with two kids, | 0:25:27 | 0:25:31 | |
"let alone one that's going to have a disability." | 0:25:31 | 0:25:34 | |
I was just scared. I was petrified! | 0:25:34 | 0:25:36 | |
Ayala has to rely on her mother and her sister | 0:25:37 | 0:25:40 | |
to help with simple, everyday tasks, | 0:25:40 | 0:25:42 | |
as she is unable to use her arms independently | 0:25:42 | 0:25:45 | |
and has little control over her hands. | 0:25:45 | 0:25:48 | |
Not being able to walk and not being able to use your hands, | 0:25:48 | 0:25:51 | |
but being so clever, because Ayala is so clever... | 0:25:51 | 0:25:54 | |
I just... I'm just, like, is there a worse combination? | 0:25:56 | 0:26:00 | |
Because she knows exactly what she wants to do | 0:26:00 | 0:26:02 | |
but she just cannot physically do it, so it's, like, | 0:26:02 | 0:26:04 | |
she's literally trapped in her own body | 0:26:04 | 0:26:07 | |
and there's nothing she can do about it. | 0:26:07 | 0:26:09 | |
When she's playing with her sister, | 0:26:09 | 0:26:11 | |
you don't want it to feel like her sister's playing | 0:26:11 | 0:26:14 | |
and she's a spectator. | 0:26:14 | 0:26:15 | |
No, because I mean, like, they are twins and they are, | 0:26:15 | 0:26:19 | |
they do like the same stuff and they are the same age. | 0:26:19 | 0:26:22 | |
And, you know, like, so when they are playing, | 0:26:22 | 0:26:25 | |
and watching Kyra doing one thing but Ayala will want her | 0:26:25 | 0:26:28 | |
to do it another way, and then they end up arguing and, erm... | 0:26:28 | 0:26:31 | |
-It's a really tough position for both of them to be in, right? -Yeah. | 0:26:31 | 0:26:34 | |
-Hi, girls. -To figure out how to help the twins play together, | 0:26:35 | 0:26:39 | |
Ross wants to know what their dream toy looks like. | 0:26:39 | 0:26:43 | |
All right, we're going to play a game. | 0:26:43 | 0:26:45 | |
We're going... I'm going to draw you the best toy ever and you've got to | 0:26:45 | 0:26:49 | |
tell me what it looks like. | 0:26:49 | 0:26:51 | |
-I want... -You want to draw? | 0:26:51 | 0:26:53 | |
-With my mouth. -She can draw it with her mouth if she wants. | 0:26:53 | 0:26:55 | |
Hey, Ayala's drawed on mine. | 0:26:55 | 0:26:57 | |
It doesn't matter. You'll get a new page. | 0:26:57 | 0:26:59 | |
-What is it? -A fire engine. | 0:26:59 | 0:27:02 | |
-A fire engine? -Yeah. | 0:27:02 | 0:27:04 | |
Oh, right. Makes a lot of sense. | 0:27:04 | 0:27:07 | |
Talking to Nicole about, um, | 0:27:07 | 0:27:10 | |
about the birth of the twins | 0:27:10 | 0:27:12 | |
and everything that she went through, just, | 0:27:12 | 0:27:16 | |
um, you know, blew my mind, I guess. | 0:27:16 | 0:27:18 | |
I just can't imagine at 21, and coming through it, um, | 0:27:18 | 0:27:22 | |
with that attitude that she has. | 0:27:22 | 0:27:24 | |
I think it's absolutely amazing. | 0:27:24 | 0:27:27 | |
I think our challenge is to create a way for them to play that doesn't | 0:27:27 | 0:27:32 | |
increase the gap between them but reduces the gap between them. | 0:27:32 | 0:27:36 | |
I really hope that we're able to create some things that, um, | 0:27:36 | 0:27:39 | |
do allow her to do the things she wants to do more easily. | 0:27:39 | 0:27:42 | |
Back in London, the team are battling to design a way for Josh | 0:27:47 | 0:27:51 | |
to take part in play time with his friends. | 0:27:51 | 0:27:53 | |
I don't really want to do it when there's so many kids, though. | 0:27:55 | 0:27:58 | |
OK. | 0:27:58 | 0:28:00 | |
The team believe tactile paving that plays sound is the solution but so far, it only works without shoes. | 0:28:01 | 0:28:08 | |
They think they've come up with a plan - pressure pads. | 0:28:09 | 0:28:13 | |
When you step on it, | 0:28:13 | 0:28:15 | |
it squishes the black stuff and allows the electricity to flow | 0:28:15 | 0:28:18 | |
and connect the circuit. | 0:28:18 | 0:28:20 | |
They hope that when Josh stands on the paving, | 0:28:20 | 0:28:24 | |
it will trigger sounds to help him navigate the playground. | 0:28:24 | 0:28:27 | |
NOISE | 0:28:27 | 0:28:28 | |
To avoid confusing him, | 0:28:30 | 0:28:32 | |
they've ditched the idea of verbal directions in favour of simple sounds. | 0:28:32 | 0:28:37 | |
WHISTLING TYPE NOISE | 0:28:37 | 0:28:40 | |
Jude has transformed his home into an electronics factory. | 0:28:42 | 0:28:46 | |
He begins building 30 pressure pads | 0:28:46 | 0:28:49 | |
and designing a surround sound system. | 0:28:49 | 0:28:52 | |
I'm going to chop out a chunk in the wood so that I can reach through | 0:28:52 | 0:28:56 | |
and adjust all the controls. | 0:28:56 | 0:28:58 | |
This is the last pressure-sensitive pad coming off the production line. | 0:29:00 | 0:29:05 | |
While Jude's making progress, Haiyan has a long way to go. | 0:29:09 | 0:29:14 | |
She's trying to come up with an invention to help ten-year-old Aman, | 0:29:14 | 0:29:18 | |
who has memory loss. | 0:29:18 | 0:29:19 | |
How can we provide some kind of technology to help Aman get through class, | 0:29:20 | 0:29:27 | |
be a little more independent and also be able to review that material later? | 0:29:27 | 0:29:32 | |
A simple recording device triggers an idea for something far more ambitious. | 0:29:32 | 0:29:38 | |
Hello. This is Haiyan recording a message. | 0:29:38 | 0:29:42 | |
Hello, this is Haiyan... | 0:29:42 | 0:29:44 | |
So, with the classroom fix for Aman, | 0:29:44 | 0:29:47 | |
what I'm trying to do is just capture the lesson but capture it in a really simple way | 0:29:47 | 0:29:52 | |
so that Aman can bookmark it, | 0:29:52 | 0:29:54 | |
can automatically record notes, | 0:29:54 | 0:29:57 | |
I need to take what Miss Powell was saying and train a artificial | 0:29:57 | 0:30:03 | |
intelligence algorithm to turn it into text. | 0:30:03 | 0:30:08 | |
That's not very easy to do. | 0:30:08 | 0:30:11 | |
"The rainbow is a division of white light into many beautiful colours." | 0:30:11 | 0:30:14 | |
For some reason, the computer's just spewing up random text, but, you know, | 0:30:14 | 0:30:19 | |
in a normal class, if we get three words wrong in a sentence, | 0:30:19 | 0:30:23 | |
Aman's just going to be completely lost. | 0:30:23 | 0:30:25 | |
Haiyan spends weeks painstakingly building software. It needs to | 0:30:28 | 0:30:33 | |
recognise every word in the English language | 0:30:33 | 0:30:35 | |
and decipher the nuances in Aman's teacher's voice. | 0:30:35 | 0:30:39 | |
Two months after her first visit, Haiyan is back at Aman's school, | 0:30:42 | 0:30:47 | |
to show her the prototype. | 0:30:47 | 0:30:48 | |
The idea is that it's a tablet that sits next to you, | 0:30:48 | 0:30:53 | |
so as the teacher is giving the lesson, | 0:30:53 | 0:30:56 | |
you'll see the text of what they're saying appear on screen. | 0:30:56 | 0:30:59 | |
-OK. -And when you need to, you can rewind... | 0:30:59 | 0:31:04 | |
If Miss Powell says something, I can just play it back on this? | 0:31:04 | 0:31:10 | |
-Yes. -Yeah. And then the other thing you can do is we have a bookmarking | 0:31:10 | 0:31:13 | |
button, so if you try it, there, so there you go. | 0:31:13 | 0:31:17 | |
'And then the other thing you can do is in class, if Miss Powell says something...' | 0:31:17 | 0:31:22 | |
But the real test comes at lesson time. | 0:31:28 | 0:31:31 | |
Showtime. | 0:31:31 | 0:31:32 | |
-Oh, this is so nerve-racking! -What's the plan? | 0:31:33 | 0:31:36 | |
So this is the first time that it's ever been tried out, | 0:31:36 | 0:31:39 | |
so we'll see how it goes. | 0:31:39 | 0:31:41 | |
Hello. | 0:31:42 | 0:31:44 | |
-Hello. -In a moment, with your tables, | 0:31:44 | 0:31:47 | |
you are going to come up with at least five things | 0:31:47 | 0:31:53 | |
that are a source of light, so where light originates. | 0:31:53 | 0:31:57 | |
You are going to have about two minutes. | 0:31:57 | 0:32:00 | |
Off you go. | 0:32:00 | 0:32:01 | |
I don't understand how it will handle the challenge of | 0:32:05 | 0:32:09 | |
30 children's voices and the cacophony of it all... | 0:32:09 | 0:32:14 | |
So you know what helps? | 0:32:14 | 0:32:16 | |
Miss Powell's wearing a microphone and it's just recording | 0:32:16 | 0:32:20 | |
-her talking. -Yeah. | 0:32:20 | 0:32:23 | |
OK, so, Aman, can you provide me with a quick reminder of what your task was? | 0:32:23 | 0:32:28 | |
You said that... Um... | 0:32:28 | 0:32:32 | |
Come up with a collection of things that are sources of light. | 0:32:32 | 0:32:38 | |
How many did you have to come up with? | 0:32:38 | 0:32:40 | |
-Five. -Five, brilliant. | 0:32:40 | 0:32:41 | |
-At least five. -At least five. | 0:32:41 | 0:32:43 | |
So you had to come up with, with your table, | 0:32:43 | 0:32:45 | |
at least five sources of light. | 0:32:45 | 0:32:47 | |
It's working! | 0:32:47 | 0:32:48 | |
We have learned that lightning is a light source. | 0:32:48 | 0:32:51 | |
Lightning is a light source. | 0:32:51 | 0:32:52 | |
As the lesson continues, there are clearly problems with Haiyan's prototype. | 0:32:54 | 0:32:58 | |
I can never... | 0:32:58 | 0:33:00 | |
I think they're complaining about the bookmarking system. | 0:33:01 | 0:33:04 | |
Is it causing problems? | 0:33:04 | 0:33:05 | |
I mean, I can already see some challenges with the way that, you know, | 0:33:07 | 0:33:11 | |
we've done the interface, the text is scrolling. | 0:33:11 | 0:33:14 | |
Go on, enjoy break. | 0:33:14 | 0:33:16 | |
But Aman, the key question, really, did you find it useful? | 0:33:16 | 0:33:21 | |
I did, However, it says, like, strange things, like, "white listen carefully." | 0:33:21 | 0:33:27 | |
Yeah, I-I saw..."tie, sun seed." | 0:33:27 | 0:33:30 | |
-Yeah. -I can't imagine what it thought that was. | 0:33:30 | 0:33:33 | |
Like... I know it's only a prototype but, like, in the actual, like, | 0:33:33 | 0:33:38 | |
I would like it more clear. | 0:33:38 | 0:33:41 | |
Obviously, in the prototype, there's a lot of things in the way, you know, | 0:33:41 | 0:33:45 | |
it wasn't working quite right. The transcription's not quite right. | 0:33:45 | 0:33:48 | |
There are too many buttons on the screen. | 0:33:48 | 0:33:51 | |
But can we make it more visual? | 0:33:51 | 0:33:52 | |
Can we take images of what's happening in the class and help remind her of | 0:33:52 | 0:33:56 | |
what's been going on, rather than the text? | 0:33:56 | 0:33:58 | |
So you've got more work to do? | 0:33:58 | 0:34:00 | |
I've got a lot more work to do, yeah. | 0:34:00 | 0:34:02 | |
While Aman's at school, we're going to see her family. | 0:34:04 | 0:34:07 | |
Aman's inability to remember events from her past could be having | 0:34:07 | 0:34:12 | |
a negative impact on her emotional development, but Haiyan has come up with an idea which may help. | 0:34:12 | 0:34:18 | |
-There is research out there that talks about using visual imagery to jog people's memories. -Hm. | 0:34:19 | 0:34:26 | |
-Hello. -Hi! | 0:34:28 | 0:34:30 | |
-Hello. -Hi! I'm Haiyan. | 0:34:30 | 0:34:32 | |
I think as a family, you guys are really focused on photos. | 0:34:32 | 0:34:36 | |
I see a lot of photos around the house. | 0:34:36 | 0:34:38 | |
What we could do is have her family record stories for her. | 0:34:38 | 0:34:43 | |
Haiyan's idea is a personalised interactive photo album, | 0:34:43 | 0:34:49 | |
combining photos with audio recordings, to trigger Aman's memory. | 0:34:49 | 0:34:53 | |
You press the pink button. | 0:34:55 | 0:34:56 | |
This was Hyde Park in London when we went in the Easter holidays. | 0:34:57 | 0:35:02 | |
'This was Hyde Park in London when we went in the Easter holidays.' | 0:35:02 | 0:35:06 | |
Aman will have hours of fun with this. | 0:35:06 | 0:35:10 | |
-Yeah. -Over and over again. | 0:35:10 | 0:35:13 | |
So if she, like, felt a particular emotion, | 0:35:13 | 0:35:16 | |
it would help her try and relive that that, like, obviously, | 0:35:16 | 0:35:18 | |
she's really happy in this photo, where it was, like, anything, | 0:35:18 | 0:35:22 | |
the weather, everything to just bring her back to that place, really. | 0:35:22 | 0:35:26 | |
If she doesn't know anything about this, | 0:35:26 | 0:35:28 | |
we can have a big surprise and reveal it to her. Ooh! | 0:35:28 | 0:35:32 | |
Cooking is under way. | 0:35:34 | 0:35:36 | |
So if we record, "This is when your tooth came out, | 0:35:36 | 0:35:39 | |
"and someone was baby-sitting." | 0:35:39 | 0:35:41 | |
When we were getting changed, that's all you kept saying to me | 0:35:41 | 0:35:44 | |
and you just kept showing your socks off to me as well. | 0:35:44 | 0:35:47 | |
With the plan still a secret, Aman comes back from school. | 0:35:49 | 0:35:54 | |
Haiyan must now take all of the family's messages and finish building her invention. | 0:35:54 | 0:36:00 | |
In Hertfordshire, Ross and I are heading to Ayala's school to observe how she plays with her friends. | 0:36:05 | 0:36:11 | |
Everybody's going to be part of this story so we want everybody in a circle. | 0:36:12 | 0:36:16 | |
Today, they're receiving a visit from the Discover Children's Story Centre, | 0:36:16 | 0:36:21 | |
a charity which works to inspire children's curiosity and imagination. | 0:36:21 | 0:36:25 | |
# One two, pass it on | 0:36:25 | 0:36:28 | |
# One two, pass it on | 0:36:28 | 0:36:30 | |
# One two, pass it on | 0:36:30 | 0:36:32 | |
# Who has got the sandwich? # | 0:36:32 | 0:36:35 | |
And now, because you've got the sandwich, can you hold it up and say, "I have got the sandwich!" | 0:36:35 | 0:36:41 | |
I have got the sandwich. | 0:36:41 | 0:36:43 | |
Well done. Fantastic. Well done! | 0:36:43 | 0:36:45 | |
Excellent. | 0:36:45 | 0:36:47 | |
Last year, Discover helped over 100,000 adults and children across the UK. | 0:36:47 | 0:36:53 | |
Discover is one of many brilliant charities up and down the country | 0:36:54 | 0:36:57 | |
supported by Children In Need, and you can help ensure that support continues simply by texting now. | 0:36:57 | 0:37:04 | |
Shall we go back down the hall, then we can have lunch? | 0:37:40 | 0:37:42 | |
At school, Ayala's able to navigate the corridors on her own, | 0:37:42 | 0:37:47 | |
driving her wheelchair with buttons on her head rest. | 0:37:47 | 0:37:50 | |
So, this thing spins round. | 0:37:52 | 0:37:55 | |
When it's pointing the direction you want to go, you press the switch? | 0:37:56 | 0:38:00 | |
Yeah. | 0:38:00 | 0:38:01 | |
-360? -OK. | 0:38:04 | 0:38:06 | |
-Can I have your hand? -Yeah, of course, Ayala. | 0:38:06 | 0:38:09 | |
-OK. -That would be great. | 0:38:09 | 0:38:11 | |
-Let go. -I'm so impressed by your control of this switch. | 0:38:11 | 0:38:14 | |
Do you know who Lewis Hamilton is? | 0:38:14 | 0:38:16 | |
-No. -Well, you're better than him. | 0:38:16 | 0:38:19 | |
That single switch is a really good way for her to control things, and she can control things that move | 0:38:19 | 0:38:23 | |
very quickly with that switch, and that seems | 0:38:23 | 0:38:26 | |
like a really good model to use for other things that we might make that she's controlling, | 0:38:26 | 0:38:31 | |
and I think, really, that's probably where I think we're going to start with this fix. | 0:38:31 | 0:38:35 | |
So we're about to get on a flight to China. | 0:38:37 | 0:38:41 | |
On a business trip to China, | 0:38:42 | 0:38:44 | |
Ross and Akram come across an army of robots which gives them an idea. | 0:38:44 | 0:38:49 | |
We've got ones that have arms and legs and look like people. | 0:38:49 | 0:38:54 | |
We've got ones that have wheels. | 0:38:54 | 0:38:56 | |
There are ones that walk and ones that roll. | 0:38:56 | 0:39:00 | |
They think it might be possible to operate these robots with the same switches that Ayala uses | 0:39:00 | 0:39:05 | |
to operate her wheelchair. | 0:39:05 | 0:39:07 | |
Back in London, Ross reports back to the team. | 0:39:09 | 0:39:13 | |
The reason I got these robot toys is because Ayala's really good at driving her wheelchair | 0:39:13 | 0:39:17 | |
and so I thought, if she can drive her wheelchair, | 0:39:17 | 0:39:20 | |
then she can drive some other stuff. | 0:39:20 | 0:39:22 | |
Oh! | 0:39:22 | 0:39:24 | |
Seriously! | 0:39:24 | 0:39:26 | |
Oh, my goodness. | 0:39:27 | 0:39:29 | |
-It's too much. -This is quite a simple one, | 0:39:29 | 0:39:31 | |
but I've done a quick little app that mimics the way that Ayala's wheelchair control works. | 0:39:31 | 0:39:37 | |
So she's not actually hitting different buttons to go in different directions? | 0:39:37 | 0:39:40 | |
No, she's got one button connected to her, that's by her head, that she touches with her head. | 0:39:40 | 0:39:44 | |
-Right, right. -These are like classic playground games of catch me if you can. | 0:39:44 | 0:39:47 | |
-Yeah. -Hide and seek. -Yeah. | 0:39:47 | 0:39:49 | |
So if you had Ayala, Kyra, | 0:39:49 | 0:39:52 | |
and then they're both | 0:39:52 | 0:39:54 | |
doing things together, chasing each other or psyching each other out, | 0:39:54 | 0:39:57 | |
-yeah. -It's always really amazing to work with this team. | 0:39:57 | 0:40:00 | |
When they said, "Why don't we do this?" I was like, "Yeah, you're right. | 0:40:00 | 0:40:03 | |
"Why don't we do that?" And that's always really, really helpful and so, | 0:40:03 | 0:40:06 | |
in a way, it's made the fix more difficult, | 0:40:06 | 0:40:08 | |
cos it's raised my level of ambition of what the fix could be. | 0:40:08 | 0:40:12 | |
Ross and Akram start work on a pair of robots. | 0:40:13 | 0:40:17 | |
A fire engine for Ayala and an aeroplane for Kyra, | 0:40:17 | 0:40:20 | |
both built with 3-D printers. | 0:40:20 | 0:40:22 | |
It's going to need 18 metres of filament, | 0:40:22 | 0:40:26 | |
because I'm going to have to run this overnight. | 0:40:26 | 0:40:28 | |
It's a bad sign here. | 0:40:31 | 0:40:33 | |
The filament on the floor is still there. | 0:40:33 | 0:40:36 | |
So it looks like it broke. | 0:40:36 | 0:40:38 | |
Bit of a disappointment. I'm going to start again. | 0:40:39 | 0:40:43 | |
Hey, hey, hey. | 0:40:47 | 0:40:49 | |
I've got a fire engine. | 0:40:49 | 0:40:51 | |
Does it fit on the robot? | 0:40:51 | 0:40:53 | |
Quite nice, I think. | 0:40:53 | 0:40:56 | |
Use a button to control the robot. | 0:40:56 | 0:40:59 | |
If I press the button on forward, the robot goes forward. | 0:41:00 | 0:41:05 | |
If I press it when it's going backwards, | 0:41:05 | 0:41:07 | |
the robot drives backwards. | 0:41:07 | 0:41:09 | |
So look at this, Akram. | 0:41:09 | 0:41:11 | |
Next, they attempt to build another toy, | 0:41:11 | 0:41:14 | |
inspired by Ayala's love of drawing. | 0:41:14 | 0:41:16 | |
What I'm wondering is if we can make this drawing machine | 0:41:18 | 0:41:21 | |
be switch accessible, so we've got a hell of a lot to do. | 0:41:21 | 0:41:24 | |
Ross and Akram have bought a robotic drawing machine, but they need to find a way to modify the software, | 0:41:25 | 0:41:32 | |
so that Ayala can operate it with her head switch. | 0:41:32 | 0:41:35 | |
Looking good, looking good. | 0:41:36 | 0:41:39 | |
No! | 0:41:39 | 0:41:41 | |
It's 1.30am in the morning. | 0:41:41 | 0:41:44 | |
Still quite a lot to do. | 0:41:44 | 0:41:45 | |
Long, long night ahead. | 0:41:45 | 0:41:47 | |
Haiyan has been working flat out for the last three weeks | 0:41:52 | 0:41:55 | |
to finish a design to help Aman record her childhood memories. | 0:41:55 | 0:42:00 | |
It's one o'clock in the morning and I'm up late coding, | 0:42:01 | 0:42:05 | |
writing code for Aman. | 0:42:05 | 0:42:07 | |
I mean, I think it's really lovely but the code is killing me. | 0:42:07 | 0:42:13 | |
Aaaah! | 0:42:13 | 0:42:16 | |
She's created a specially designed interactive website in the hope | 0:42:16 | 0:42:21 | |
that photos combined with audio recordings will ignite Aman's memories. | 0:42:21 | 0:42:25 | |
So memory sparks is like a little mini Instagram | 0:42:25 | 0:42:29 | |
that basically I'm having to build from scratch, | 0:42:29 | 0:42:32 | |
and I'm writing code for how that server should process information. | 0:42:32 | 0:42:38 | |
When the photo's uploaded, it's pulling out the metadata that's embedded in the photo. | 0:42:38 | 0:42:44 | |
But that's not all. | 0:42:44 | 0:42:46 | |
Haiyan has also created an app to allow Aman's family | 0:42:46 | 0:42:51 | |
to upload their photos and messages to the website anywhere in the world. | 0:42:51 | 0:42:55 | |
That's the experience that I want to give Aman, | 0:42:55 | 0:42:58 | |
the ability to relive something. | 0:42:58 | 0:42:59 | |
Not just remember it, but relive it. | 0:42:59 | 0:43:01 | |
With Haiyan's bespoke invention ready, | 0:43:04 | 0:43:07 | |
we're heading back to Birmingham to present it to Aman. | 0:43:07 | 0:43:10 | |
Big day, Haiyan. | 0:43:10 | 0:43:12 | |
Oh, my gosh. | 0:43:12 | 0:43:14 | |
-Oh, I'm so nervous. -The final reveal. Are you? | 0:43:14 | 0:43:16 | |
-Yeah. -You're nervous. What are your other feelings? | 0:43:16 | 0:43:19 | |
I... Just mostly, the pit of my stomach, nervous that stuff will work! | 0:43:19 | 0:43:26 | |
-Hello, hello. -How are you? | 0:43:26 | 0:43:29 | |
So, I've made something for you. | 0:43:29 | 0:43:32 | |
And I hope you like it. | 0:43:32 | 0:43:35 | |
-OK, so... -If you're ready to burst, it's OK to burst. | 0:43:35 | 0:43:38 | |
I am. I am! | 0:43:38 | 0:43:40 | |
I think it's a box, yeah. | 0:43:40 | 0:43:42 | |
Let's have a look. | 0:43:42 | 0:43:44 | |
In the last few weeks, the whole family's been uploading photos. | 0:43:44 | 0:43:48 | |
Oh! Oh, cool. | 0:43:48 | 0:43:50 | |
But that's not the big deal. | 0:43:50 | 0:43:53 | |
Your family can also record audio memories to remind you about that photo. | 0:43:53 | 0:44:01 | |
-Do you remember these pictures? -No. | 0:44:01 | 0:44:03 | |
-You don't remember the pictures? -No. I don't remember this. | 0:44:03 | 0:44:08 | |
'So this one's when we were in Cambridge to do some punting.' | 0:44:08 | 0:44:12 | |
-Oh, yeah! -'You were really excited about the day ahead of you.' | 0:44:12 | 0:44:15 | |
I remember now. It's just when we had breakfast. | 0:44:15 | 0:44:20 | |
And then we were waiting in the lobby. | 0:44:20 | 0:44:22 | |
But you didn't remember when you were looking at the picture? | 0:44:22 | 0:44:25 | |
-No, but... -You didn't remember where that picture was. | 0:44:25 | 0:44:27 | |
-No... -But when you heard... -What Anisha was saying... | 0:44:27 | 0:44:29 | |
-What Anisha was saying... -..then I remembered. | 0:44:29 | 0:44:32 | |
-Oh! That's great. -So, just to be clear, it works. | 0:44:32 | 0:44:35 | |
-Yes, it does. -Hey!! | 0:44:35 | 0:44:38 | |
Haiyan has thought about this, | 0:44:41 | 0:44:43 | |
realises there's nothing else out there like that | 0:44:43 | 0:44:46 | |
and created it for you. | 0:44:46 | 0:44:48 | |
This is the only one of its kind in the world. | 0:44:48 | 0:44:52 | |
-Well done, Haiyan. -Thank you. | 0:44:52 | 0:44:53 | |
Thanks, guys! | 0:44:56 | 0:44:57 | |
Memory Sparks, yeah! | 0:44:59 | 0:45:01 | |
'Probably one of your first times that you've joined in Monopoly.' | 0:45:01 | 0:45:07 | |
I don't remember this. | 0:45:07 | 0:45:09 | |
-'You still have that smile on your face.' -I remember that. | 0:45:09 | 0:45:15 | |
I remember that! | 0:45:15 | 0:45:17 | |
'That was the night that we were all in the car accident, | 0:45:17 | 0:45:23 | |
'and sometimes I look at this picture and I think, | 0:45:23 | 0:45:26 | |
"Well, had we not gone to this wedding, things would have been a lot different for you. | 0:45:26 | 0:45:33 | |
"I look at your picture and see how happy you are, | 0:45:33 | 0:45:38 | |
'how smiley you are. | 0:45:38 | 0:45:40 | |
'Just how different you were then. | 0:45:40 | 0:45:44 | |
'I remember this hospital room so well, | 0:45:44 | 0:45:47 | |
'being in here every single day during all of December, pretty much, | 0:45:47 | 0:45:52 | |
'January, just... | 0:45:52 | 0:45:55 | |
'just doing really little small things, but for you, | 0:45:55 | 0:46:00 | |
'it was always like it was a massive achievement and such amazing progress that you made. | 0:46:00 | 0:46:06 | |
'It just reminded me of how proud we are of you. | 0:46:06 | 0:46:10 | |
'We have all your friends here, all come together | 0:46:10 | 0:46:14 | |
-'to celebrate your 10th birthday.' -That was it, yeah. | 0:46:14 | 0:46:16 | |
'And you seemed to have had a lovely time.' | 0:46:16 | 0:46:19 | |
I remember that. | 0:46:19 | 0:46:20 | |
'And this hat that she's wearing as well.' | 0:46:20 | 0:46:23 | |
THEY CLAP | 0:46:23 | 0:46:24 | |
You feel almost like parts of your memory are going ping, ping, | 0:46:28 | 0:46:32 | |
as you're remembering. | 0:46:32 | 0:46:35 | |
Yeah, I'm remembering, like, just from the pictures, | 0:46:35 | 0:46:39 | |
it expands in my brain to, like, | 0:46:39 | 0:46:42 | |
a whole nother world of what I can remember about that single picture. | 0:46:42 | 0:46:49 | |
When I see you remembering some of those-those stories, it's just... | 0:46:49 | 0:46:54 | |
I'm so happy...it can help you. | 0:46:54 | 0:46:56 | |
It was lovely, lovely getting to know you. | 0:46:58 | 0:47:01 | |
-Bye-bye. -Bye-bye. -Thank you so much. | 0:47:01 | 0:47:04 | |
Bye. | 0:47:04 | 0:47:06 | |
You could see her rebuilding the memory blocks, almost, | 0:47:06 | 0:47:10 | |
using the Memory Sparks. | 0:47:10 | 0:47:12 | |
-It was fantastic. -Oh, yeah. | 0:47:12 | 0:47:14 | |
I just couldn't believe it. | 0:47:14 | 0:47:15 | |
I think, as a human being, | 0:47:15 | 0:47:17 | |
you just get the need to have these memories as part of your sense | 0:47:17 | 0:47:22 | |
-of yourself. -Just that kind of, it's almost like a eureka moment, | 0:47:22 | 0:47:26 | |
when she's just looking at you, and she's like, "I don't remember," and then, like, "I can remember!" | 0:47:26 | 0:47:30 | |
Haiyan is back at Aman's school | 0:47:36 | 0:47:38 | |
along with mum, Rupinder, to unveil her second invention. | 0:47:38 | 0:47:41 | |
It's called Study Sparks and it's a unique teaching tool. | 0:47:42 | 0:47:47 | |
Haiyan has made the live transcription much more accurate and added a video function, | 0:47:47 | 0:47:53 | |
allowing Aman to instantly review any parts of the lesson she's struggling with. | 0:47:53 | 0:47:57 | |
Sit down. You need to write your learning objective and your date in your book. | 0:47:58 | 0:48:03 | |
Aman will be testing it without any help from a teaching assistant. | 0:48:03 | 0:48:07 | |
Indigo and Violet, they're two different shades of purple. | 0:48:07 | 0:48:09 | |
But I want a mnemonic. Can anybody tell me what a mnemonic is? | 0:48:09 | 0:48:12 | |
What light is going to bounce off what part of this kit? | 0:48:12 | 0:48:15 | |
Look back through what I've given you. | 0:48:16 | 0:48:19 | |
And it will tell you. | 0:48:19 | 0:48:20 | |
So where you last bookmarked, Aman, | 0:48:21 | 0:48:23 | |
that's where I started my instruction. | 0:48:23 | 0:48:26 | |
To describe what you can see, natural light. | 0:48:26 | 0:48:29 | |
So without any paper describe what you can see? | 0:48:29 | 0:48:33 | |
Oh, I think she reviewed it back. | 0:48:33 | 0:48:35 | |
-She did. OK. -OK! | 0:48:35 | 0:48:36 | |
Aman, what did you think of this? | 0:48:37 | 0:48:40 | |
I liked it. | 0:48:40 | 0:48:42 | |
It made me feel like I could do it on my own. | 0:48:42 | 0:48:45 | |
It's just remembering to listen back to it. | 0:48:45 | 0:48:49 | |
-Yeah. -Yeah. | 0:48:49 | 0:48:51 | |
I know I can just bookmark and then listen to what you're saying. | 0:48:51 | 0:48:55 | |
-Yeah. -Do you think you feel better on your own without your teaching assistant nearby? | 0:48:55 | 0:49:01 | |
-Do you feel more confident? -Yeah, because it feels like this is my teaching assistant. | 0:49:01 | 0:49:05 | |
Oh! How many stars out of ten would you give it? | 0:49:05 | 0:49:09 | |
11. It's amazing. | 0:49:09 | 0:49:11 | |
Really? Oh, my God! | 0:49:11 | 0:49:13 | |
Oh, thank you! | 0:49:13 | 0:49:14 | |
In south-east London, construction work is under way. | 0:49:18 | 0:49:23 | |
The team have committed to a tactile musical pathway in Josh's school playground. | 0:49:23 | 0:49:28 | |
Diggers have begun taking up more than 1,000 square metres of tarmac. | 0:49:28 | 0:49:32 | |
Tiles are coming out and going down. | 0:49:36 | 0:49:38 | |
Look at this! | 0:49:38 | 0:49:40 | |
300 tiles and 30 waterproof speakers will be connected to | 0:49:40 | 0:49:44 | |
two miles of cabling, running underneath the ground. | 0:49:44 | 0:49:48 | |
What is this? | 0:49:48 | 0:49:50 | |
This is one of the hubs. | 0:49:50 | 0:49:52 | |
Whenever you see blister tiles like this, | 0:49:52 | 0:49:55 | |
they are going to be magic sound tiles, | 0:49:55 | 0:49:59 | |
so that when you stand on them, | 0:49:59 | 0:50:01 | |
a sound will come out of one of these speakers. | 0:50:01 | 0:50:04 | |
It's also encouraging games that are using these yellow roads. | 0:50:04 | 0:50:08 | |
If you close your eyes... | 0:50:08 | 0:50:09 | |
I can feel with my feet. | 0:50:09 | 0:50:11 | |
It's amazing, you can feel that these straight lines basically mean go in this direction, | 0:50:11 | 0:50:15 | |
which is why it would be pointless to have them... | 0:50:15 | 0:50:17 | |
-The other way. -The other way. | 0:50:17 | 0:50:19 | |
It's Braille for the soles of your feet, really. | 0:50:19 | 0:50:21 | |
It's Braille for the soles of your feet. | 0:50:21 | 0:50:23 | |
Josh remains oblivious to the goings-on in the playground, as the plan's still top secret. | 0:50:26 | 0:50:32 | |
-Re-cipes? -Re-cipes? No, it's recip-ees. | 0:50:33 | 0:50:37 | |
Recip-ees, yeah? | 0:50:37 | 0:50:39 | |
Has this been done before, and is it going to work? | 0:50:41 | 0:50:44 | |
This hasn't been done before and we don't know if it's going to work yet. | 0:50:44 | 0:50:49 | |
The fundamental design should work, but we haven't tested it yet. | 0:50:49 | 0:50:54 | |
It's going to work, Ruby. | 0:50:54 | 0:50:55 | |
Let's have confidence. | 0:50:55 | 0:50:57 | |
Ross has worked through the night, | 0:50:59 | 0:51:02 | |
painstakingly completing his inventions for Ayala and Kyra. | 0:51:02 | 0:51:07 | |
He's created twin robots to enable the girls to play together as equals for the first time. | 0:51:07 | 0:51:13 | |
And it's only quarter to four. | 0:51:15 | 0:51:18 | |
Whoo! | 0:51:18 | 0:51:19 | |
So, Ross, it's a big day. | 0:51:22 | 0:51:25 | |
-How are you feeling? -I'm feeling quite excited. | 0:51:25 | 0:51:28 | |
I mean, there are a lot of moving parts to this fix and anything | 0:51:28 | 0:51:31 | |
could break. But if it all works, I think it's going to be wicked. | 0:51:31 | 0:51:36 | |
Hello, can we come in? | 0:51:36 | 0:51:38 | |
Kyra, how are you? Three, two, one. | 0:51:38 | 0:51:42 | |
Open! | 0:51:42 | 0:51:44 | |
Oh, my goodness! | 0:51:44 | 0:51:46 | |
Actually, inside this fire engine is the robot. | 0:51:46 | 0:51:51 | |
That is so cool. | 0:51:51 | 0:51:53 | |
This is an app that we've made just for you. | 0:51:53 | 0:51:57 | |
If I press the button... | 0:51:57 | 0:51:59 | |
That is genius. | 0:51:59 | 0:52:01 | |
Go! | 0:52:01 | 0:52:03 | |
Both girls can operate their robot cars on an app, | 0:52:03 | 0:52:07 | |
with Ayala's connected to the switch she uses to drive her wheelchair. | 0:52:07 | 0:52:11 | |
That one! | 0:52:11 | 0:52:13 | |
-Go. -I'm escaping! | 0:52:14 | 0:52:16 | |
-All right. -Not the bubble, not the bubble! | 0:52:17 | 0:52:20 | |
Look, the girls playing on a level playing field. | 0:52:20 | 0:52:22 | |
Look, you've got the same controls for these incredible robots. | 0:52:22 | 0:52:27 | |
-Oh! Yeah? -Ayala! -Yeah? | 0:52:27 | 0:52:30 | |
Ross has one more surprise for the twins. | 0:52:30 | 0:52:33 | |
Wow! | 0:52:33 | 0:52:35 | |
Yes! | 0:52:35 | 0:52:38 | |
This is a robot drawing machine, | 0:52:38 | 0:52:41 | |
and it's controlled by another app | 0:52:41 | 0:52:44 | |
on your device, and Akram and I worked really hard on it | 0:52:44 | 0:52:50 | |
and I'm really pleased with it. | 0:52:50 | 0:52:52 | |
I hope you both like it. | 0:52:52 | 0:52:53 | |
Well done, Ross. | 0:52:53 | 0:52:55 | |
Ah! | 0:52:55 | 0:52:56 | |
OK, yeah. Press it. | 0:52:56 | 0:52:58 | |
Oh, my God. | 0:52:59 | 0:53:01 | |
Right, and the yellow switch should be pen up and pen down. | 0:53:01 | 0:53:03 | |
Do you want to try? | 0:53:03 | 0:53:04 | |
Wow! That is quite something, Ross. What do you think? | 0:53:07 | 0:53:11 | |
That is absolutely incredible! | 0:53:11 | 0:53:14 | |
Red switch, red switch, Ayala. | 0:53:14 | 0:53:16 | |
As well as giving her the ability to draw her own pictures, | 0:53:16 | 0:53:20 | |
Ross has pre-programmed some designs especially for Ayala. | 0:53:20 | 0:53:25 | |
And now it's drawing a star. | 0:53:25 | 0:53:27 | |
-What's happening? -It's spelling my name. | 0:53:27 | 0:53:29 | |
A, Y, A, L, A. | 0:53:29 | 0:53:31 | |
You're drawing your name, you're signing your name. | 0:53:31 | 0:53:34 | |
Oh, my God! | 0:53:34 | 0:53:36 | |
Look at that! That is brilliant. | 0:53:36 | 0:53:41 | |
Isn't that a lovely moment? | 0:53:45 | 0:53:47 | |
-Yeah. -Just going to savour this. | 0:53:47 | 0:53:50 | |
Two of them playing together. | 0:53:52 | 0:53:54 | |
So Ayala got stuck. | 0:53:55 | 0:53:57 | |
She hasn't called me to come and help her. | 0:53:57 | 0:54:00 | |
And Kyra just went over and said, "What's wrong", and now, she's... | 0:54:00 | 0:54:03 | |
Working it out themselves. | 0:54:03 | 0:54:04 | |
Yeah. | 0:54:04 | 0:54:05 | |
I'm just in shock. | 0:54:06 | 0:54:08 | |
It's a big change. | 0:54:08 | 0:54:10 | |
Thanks. | 0:54:10 | 0:54:11 | |
It's been really, really, really fun. | 0:54:15 | 0:54:17 | |
Ross, Ross. I want to give you a hug as well, mate. | 0:54:17 | 0:54:20 | |
I know how hard you've worked. | 0:54:20 | 0:54:21 | |
Right, where are we going? I can see Ruby and Jude. | 0:54:24 | 0:54:27 | |
Six months after they first visited the school, | 0:54:27 | 0:54:30 | |
Jude and Ruby are ready to reveal their new playground to Josh and his mum and dad. | 0:54:30 | 0:54:36 | |
Hey, Josh! | 0:54:36 | 0:54:38 | |
Hi, Josh. How are you doing? | 0:54:39 | 0:54:41 | |
Do you want to take the first step? | 0:54:41 | 0:54:43 | |
Yeah, shall we go and have a look? | 0:54:43 | 0:54:44 | |
Something looks incredible, but I'm not quite sure what it is. | 0:54:44 | 0:54:47 | |
Ruby and Jude's invention is a series of tactile musical paths, | 0:54:53 | 0:54:58 | |
giving Josh more fun and more freedom in the playground. | 0:54:58 | 0:55:02 | |
Oh, my goodness! | 0:55:03 | 0:55:05 | |
That's amazing, Josh. | 0:55:05 | 0:55:07 | |
Shall we go and have a bit of an explore? | 0:55:08 | 0:55:11 | |
Yeah. Are you ready? | 0:55:11 | 0:55:12 | |
-Yeah. -What have they done? | 0:55:12 | 0:55:13 | |
-What have we done? -What have they done? | 0:55:13 | 0:55:15 | |
So we're going to go over here to the starting point and we're going to show you, so... | 0:55:15 | 0:55:20 | |
When you feel one of those blisters under your feet, a sound comes out. | 0:55:21 | 0:55:27 | |
WHISTLING | 0:55:27 | 0:55:28 | |
You're doing that. You're doing that with your feet. | 0:55:28 | 0:55:31 | |
This is amazing! | 0:55:31 | 0:55:32 | |
Oh, you did it, Josh! | 0:55:32 | 0:55:34 | |
Oh, you're doing so well, Josh. | 0:55:34 | 0:55:37 | |
At the beginning of every road is a sound and at the end of every road is the same sound. | 0:55:37 | 0:55:43 | |
-Dong! -Oh! | 0:55:43 | 0:55:45 | |
If you ever stray off one of the lines, | 0:55:45 | 0:55:48 | |
you just find one again and you follow it until you get to a sound tile and you jump up and down, | 0:55:48 | 0:55:53 | |
and then you know exactly where you are, cos they're always in the same place. | 0:55:53 | 0:55:56 | |
This is what it was all about, yeah. | 0:55:56 | 0:55:59 | |
WHISTLING NOISE | 0:56:00 | 0:56:02 | |
What's your favourite sound, Josh? | 0:56:05 | 0:56:07 | |
-Yeah! -I like them all. | 0:56:07 | 0:56:08 | |
-You like them all! -Yes! | 0:56:08 | 0:56:10 | |
-Result. -Can you try and get to the end of that road, Josh? | 0:56:10 | 0:56:14 | |
And turn a little bit to your left. | 0:56:14 | 0:56:16 | |
-Turn, turn, turn. That's it. Yeah. -Yay. | 0:56:16 | 0:56:19 | |
And jump. Yeah! | 0:56:19 | 0:56:22 | |
He's on his own. He's doing it without us. | 0:56:24 | 0:56:28 | |
I think he loves it. | 0:56:28 | 0:56:30 | |
Keep going, Josh. | 0:56:32 | 0:56:34 | |
What do you think, Josh? | 0:56:40 | 0:56:41 | |
-It's good. -It's good. | 0:56:41 | 0:56:43 | |
What animal is it? | 0:56:43 | 0:56:44 | |
Oh! | 0:56:44 | 0:56:46 | |
But what will Josh's friends make of the new playground? | 0:56:53 | 0:56:58 | |
It's chaos. It's wonderful chaos. | 0:57:07 | 0:57:10 | |
When I first met him, I just... | 0:57:10 | 0:57:12 | |
You just constantly want to be like holding on to him to make sure nothing bad happens | 0:57:12 | 0:57:17 | |
but when he's in this space, he's just like any other kid. | 0:57:17 | 0:57:20 | |
He's playing like his friends. | 0:57:20 | 0:57:22 | |
He's playing with his friends. | 0:57:22 | 0:57:24 | |
You've smashed it. | 0:57:24 | 0:57:26 | |
Three, two, one, go! | 0:57:26 | 0:57:28 | |
It's exceeded all my expectations. | 0:57:36 | 0:57:38 | |
-Has it? -We talked six months ago in the garden, how do you do it, | 0:57:38 | 0:57:43 | |
where do you start and you've done it and over and over and over. | 0:57:43 | 0:57:47 | |
Yeah! | 0:57:47 | 0:57:49 | |
One, two, three, four! | 0:57:53 | 0:57:56 |