Browse content similar to Guyana/London. Check below for episodes and series from the same categories and more!
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Many of us feel like we're stuck in a rut. | 0:00:03 | 0:00:06 | |
My heart sinks when I think about sitting in front of a screen | 0:00:06 | 0:00:10 | |
for another 20 years. | 0:00:10 | 0:00:11 | |
But what if you could experience a world | 0:00:11 | 0:00:13 | |
which couldn't be further from the one you know? | 0:00:13 | 0:00:15 | |
There's so much more to life than going to work. | 0:00:15 | 0:00:18 | |
Imagine being flown across the world... | 0:00:18 | 0:00:20 | |
..and opening your eyes... | 0:00:21 | 0:00:23 | |
Wow! | 0:00:24 | 0:00:26 | |
..to find yourself in someone else's life. | 0:00:26 | 0:00:29 | |
Good grief! | 0:00:29 | 0:00:30 | |
I'm certainly outside the M25 now! | 0:00:30 | 0:00:32 | |
In this series, six Brits... | 0:00:32 | 0:00:34 | |
Excuse me, do you speak English? | 0:00:34 | 0:00:36 | |
..will swap places with complete strangers... | 0:00:36 | 0:00:39 | |
Welcome to your new home. | 0:00:39 | 0:00:41 | |
..from across the globe. | 0:00:41 | 0:00:42 | |
I never dreamed to be in a place like this. | 0:00:42 | 0:00:45 | |
While their opposite numbers... | 0:00:45 | 0:00:47 | |
Are there any crocodiles in here? | 0:00:47 | 0:00:49 | |
No. | 0:00:49 | 0:00:51 | |
..test-drive life in Britain. | 0:00:51 | 0:00:53 | |
Oh, my gosh! | 0:00:53 | 0:00:54 | |
Is that Big Ben? | 0:00:54 | 0:00:56 | |
For seven days... | 0:00:56 | 0:00:58 | |
It's coming. | 0:00:58 | 0:00:59 | |
..both will be immersed in a culture | 0:00:59 | 0:01:01 | |
which is totally different from their own. | 0:01:01 | 0:01:03 | |
I'm not in Kansas any more, Toto! | 0:01:03 | 0:01:05 | |
Could walking in someone else's shoes... | 0:01:07 | 0:01:10 | |
It's been a wake-up call. | 0:01:10 | 0:01:11 | |
..pave the way to a better life back home? | 0:01:11 | 0:01:14 | |
I really want to have life just like this. | 0:01:14 | 0:01:17 | |
What can you learn by seeing your world through a stranger's eyes? | 0:01:17 | 0:01:22 | |
Hi! | 0:01:22 | 0:01:24 | |
What would you do if you were me? | 0:01:24 | 0:01:26 | |
I really don't know what the impact of this is going to be. | 0:01:26 | 0:01:30 | |
Having family and keeping them happy. | 0:01:38 | 0:01:40 | |
I think that's the biggest thing in life. | 0:01:40 | 0:01:43 | |
This time, two men from different sides of the world... | 0:01:45 | 0:01:49 | |
..have agreed to swap lives. | 0:01:50 | 0:01:52 | |
I'll take your blindfold off, but just keep your eyes closed, OK? | 0:01:52 | 0:01:55 | |
Both have to provide for young families. | 0:01:55 | 0:01:57 | |
Both are at a crossroads. | 0:01:57 | 0:01:59 | |
One feels trapped by the hustle and bustle of the city. | 0:02:01 | 0:02:04 | |
I feel I'm just going through the motions. | 0:02:04 | 0:02:07 | |
I've often thought about escaping to a different way of life. | 0:02:07 | 0:02:11 | |
The other lives by the most basic means | 0:02:12 | 0:02:15 | |
in the remote South American rainforest. | 0:02:15 | 0:02:18 | |
His may be a simple life, but it's far from easy. | 0:02:18 | 0:02:22 | |
Here it is very difficult to get a job. | 0:02:22 | 0:02:24 | |
This is a changing world | 0:02:24 | 0:02:26 | |
and I need to earn money to survive. | 0:02:26 | 0:02:28 | |
Now they're about to get a window into a world | 0:02:28 | 0:02:31 | |
which is the complete opposite of their own. | 0:02:31 | 0:02:34 | |
Civil servant John lives in south-east London | 0:02:35 | 0:02:38 | |
and feels caught up in the rat-race. | 0:02:38 | 0:02:41 | |
My heart sinks when I think about | 0:02:41 | 0:02:43 | |
sitting in front of a screen | 0:02:43 | 0:02:46 | |
for another 15-20 years. | 0:02:46 | 0:02:48 | |
I'd be a bit disappointed | 0:02:48 | 0:02:51 | |
if life just continues as it is now. | 0:02:51 | 0:02:54 | |
John dreams of leaving the nine-to-five behind him. | 0:02:54 | 0:02:57 | |
I feel restless, as if there's more to life than this. | 0:02:57 | 0:03:01 | |
I think he needs to experience some sort of shake-up | 0:03:01 | 0:03:05 | |
or sort of shift that's dramatic, | 0:03:05 | 0:03:07 | |
and experience something completely new. | 0:03:07 | 0:03:10 | |
I think this whole adventure | 0:03:10 | 0:03:12 | |
will wake me up to the possibilities | 0:03:12 | 0:03:15 | |
of what's out there. | 0:03:15 | 0:03:17 | |
Office worker John is about to swap lives with Lionel, | 0:03:18 | 0:03:22 | |
a tribesman from Guyana. | 0:03:22 | 0:03:25 | |
A member of the Macushi tribe, 48-year-old Lionel | 0:03:26 | 0:03:30 | |
lives on the edge of the North Rupununi Savannah. | 0:03:30 | 0:03:32 | |
We just live basic, | 0:03:34 | 0:03:36 | |
by farming, fishing, hunting. | 0:03:36 | 0:03:40 | |
One of 9,000 Macushi in Guyana, | 0:03:40 | 0:03:43 | |
Lionel lives as his ancestors have for thousands of years. | 0:03:43 | 0:03:47 | |
Actually, up to maybe seven years, we were naked. | 0:03:47 | 0:03:50 | |
That's how we used to live. Very simple - naked. | 0:03:50 | 0:03:54 | |
The tribe still grow and hunt their own food in order to survive. | 0:03:54 | 0:03:59 | |
Got him. | 0:03:59 | 0:04:00 | |
A skilled craftsman, Lionel makes everything his family needs, | 0:04:00 | 0:04:03 | |
from bows and arrows to fishing rods and baskets. | 0:04:03 | 0:04:07 | |
But times are changing. | 0:04:07 | 0:04:09 | |
In the old days, we never knew anything about a dollar or a coin. | 0:04:09 | 0:04:13 | |
These days, we are changing | 0:04:13 | 0:04:16 | |
because we are forgetting some of our culture. | 0:04:16 | 0:04:20 | |
So Lionel needs to find a way to make his way of life pay. | 0:04:20 | 0:04:24 | |
Now money is playing a bigger role. | 0:04:24 | 0:04:27 | |
Going to the big city, | 0:04:27 | 0:04:28 | |
and there might be something that I can bring back here | 0:04:28 | 0:04:31 | |
and improve my life. | 0:04:31 | 0:04:33 | |
I think we'll have a better future. | 0:04:33 | 0:04:35 | |
Their adventure begins when they open their eyes. | 0:04:36 | 0:04:39 | |
Wow! | 0:04:43 | 0:04:44 | |
Whoa! | 0:04:45 | 0:04:46 | |
Where am I? | 0:04:48 | 0:04:49 | |
That's better. I can see it now! | 0:04:49 | 0:04:51 | |
Gosh, I've never been anywhere like this before! | 0:04:51 | 0:04:54 | |
I think I'm outside of the M25 now! | 0:04:56 | 0:04:59 | |
DISTANT SIRENS WAIL | 0:05:02 | 0:05:05 | |
Oh! | 0:05:05 | 0:05:07 | |
I never dreamed... | 0:05:09 | 0:05:10 | |
..to be in a place like this in my life. | 0:05:11 | 0:05:13 | |
People are all dressed the same. | 0:05:15 | 0:05:17 | |
White and black, white and black. | 0:05:17 | 0:05:20 | |
First job for both men - | 0:05:20 | 0:05:22 | |
find their way to their new home and their new identity. | 0:05:22 | 0:05:26 | |
Lionel, Surama village, | 0:05:27 | 0:05:30 | |
North Rupun-er-ini. | 0:05:30 | 0:05:34 | |
Wow, that's all I've got! | 0:05:34 | 0:05:35 | |
Their only clue is each other's name and address. | 0:05:36 | 0:05:39 | |
Oh! | 0:05:39 | 0:05:41 | |
Brockley, south-east London. | 0:05:41 | 0:05:43 | |
Where is that? | 0:05:45 | 0:05:46 | |
This is really exciting! | 0:05:48 | 0:05:51 | |
Certainly more eventful than the time I got lost in Southwold park. | 0:05:51 | 0:05:55 | |
Good morning, mister. | 0:05:56 | 0:05:58 | |
Can you please help me? | 0:05:58 | 0:06:00 | |
-No. -No. | 0:06:00 | 0:06:02 | |
There are ten times more people in London | 0:06:02 | 0:06:04 | |
than there are in the whole of Guyana. | 0:06:04 | 0:06:07 | |
I've no idea where it is, I'm afraid. | 0:06:07 | 0:06:09 | |
But, so far, Lionel's not having much luck. | 0:06:09 | 0:06:12 | |
Can you help me get to this individual home? | 0:06:12 | 0:06:16 | |
No. | 0:06:17 | 0:06:18 | |
After a string of rejections... | 0:06:18 | 0:06:20 | |
Hello, Miss Lady. | 0:06:20 | 0:06:22 | |
..his persistence finally pays off. | 0:06:22 | 0:06:25 | |
So you want to get on the DLR downstairs. | 0:06:25 | 0:06:27 | |
-Yeah. -And get it to Shadwell station, | 0:06:27 | 0:06:29 | |
that's where you want to get off. | 0:06:29 | 0:06:30 | |
-Thank you. -Good luck. Thanks very much. -Nice meeting you. -Welcome to London. -Thanks for your help. | 0:06:30 | 0:06:34 | |
In Guyana, John is on the edge | 0:06:35 | 0:06:37 | |
of 5,000 square miles of untouched plains | 0:06:37 | 0:06:40 | |
known as the Rupununi Savannah. | 0:06:40 | 0:06:43 | |
I can't see any cars yet. | 0:06:43 | 0:06:45 | |
Still 85 miles from Lionel's village, | 0:06:45 | 0:06:47 | |
he's hoping to flag down a lift. | 0:06:47 | 0:06:49 | |
I can see a buzzard circling... | 0:06:51 | 0:06:53 | |
..ready to pick my bones when I drop dead! | 0:06:54 | 0:06:57 | |
HE CHUCKLES | 0:06:57 | 0:06:58 | |
There are no railways in Guyana. | 0:07:00 | 0:07:03 | |
Taking a ride on a train is like riding a horse. | 0:07:03 | 0:07:06 | |
It's like boom, boom. | 0:07:06 | 0:07:09 | |
-TANNOY: -'This is Shadwell.' | 0:07:11 | 0:07:13 | |
So train travel is a new experience for Lionel. | 0:07:13 | 0:07:17 | |
What should I do? | 0:07:19 | 0:07:21 | |
Push? Either way. | 0:07:21 | 0:07:23 | |
Oh! | 0:07:23 | 0:07:25 | |
HE LAUGHS | 0:07:25 | 0:07:27 | |
Can you help me? What should I...? | 0:07:27 | 0:07:30 | |
Oh, ooh-ho, ho-ho! | 0:07:35 | 0:07:37 | |
Oh, no! | 0:07:38 | 0:07:39 | |
Whereas John couldn't be further from the London rush hour. | 0:07:43 | 0:07:46 | |
Stop! No. Didn't work. | 0:07:48 | 0:07:50 | |
Oh, it did. Yes, it worked! | 0:07:50 | 0:07:53 | |
Lionel's village is so remote | 0:07:53 | 0:07:54 | |
that even a trip to Guyana's capital, Georgetown, | 0:07:54 | 0:07:57 | |
means a 12-hour drive down an unpaved road. | 0:07:57 | 0:08:00 | |
Hello there. Hi. | 0:08:00 | 0:08:01 | |
Are you going to Surama village? | 0:08:01 | 0:08:05 | |
Surama village. Er... I will drop you at the junction. | 0:08:05 | 0:08:08 | |
That would be wonderful. | 0:08:08 | 0:08:09 | |
After 30 years in London, | 0:08:12 | 0:08:14 | |
John and his wife have been questioning whether city life | 0:08:14 | 0:08:17 | |
is really for them. | 0:08:17 | 0:08:18 | |
We've thought about moving out of London | 0:08:18 | 0:08:20 | |
ever since we've been in London, so...! | 0:08:20 | 0:08:22 | |
A massive decision that we, as a family, need to make | 0:08:22 | 0:08:26 | |
is whether or not to stay in London or move away. | 0:08:26 | 0:08:29 | |
It would be quite a big thing, | 0:08:29 | 0:08:31 | |
and I'm fearful of going to exile | 0:08:31 | 0:08:34 | |
and having to start from scratch. | 0:08:34 | 0:08:36 | |
At last, I think I'm at Brockley, | 0:08:37 | 0:08:41 | |
and now I'm feeling like I'm close. | 0:08:41 | 0:08:44 | |
This is Lionel's first time outside South America. | 0:08:47 | 0:08:50 | |
That's a big machine. Hi, guys. | 0:08:51 | 0:08:53 | |
That's a useful piece of machine to do some work like that. | 0:08:54 | 0:08:57 | |
We do everything with a hoe or a pickaxe. | 0:08:57 | 0:09:01 | |
Manual work. | 0:09:01 | 0:09:03 | |
Lionel's family rely on him to provide for them, | 0:09:03 | 0:09:06 | |
but his physically challenging lifestyle | 0:09:06 | 0:09:09 | |
is not sustainable long-term. | 0:09:09 | 0:09:11 | |
Lionel is a hard-working man, and he's getting old, | 0:09:11 | 0:09:15 | |
and he has to find other ways and means | 0:09:15 | 0:09:18 | |
to earn money for his family. | 0:09:18 | 0:09:20 | |
If Lionel learns practical skills | 0:09:20 | 0:09:23 | |
to provide for his family, | 0:09:23 | 0:09:25 | |
that would be good for him. | 0:09:25 | 0:09:27 | |
He hopes that seeing how the Western world works | 0:09:27 | 0:09:29 | |
could pave the way for a better future back home. | 0:09:29 | 0:09:32 | |
Development changes everything, | 0:09:32 | 0:09:34 | |
and if you're not ready for whatever is coming towards you, | 0:09:34 | 0:09:38 | |
he's going to be at loss. | 0:09:38 | 0:09:39 | |
After a two-hour drive, | 0:09:41 | 0:09:43 | |
John has arrived in the ancient tribal village of Surama, | 0:09:43 | 0:09:46 | |
on the edge of the Amazon rainforest... | 0:09:46 | 0:09:48 | |
OK, bye. | 0:09:49 | 0:09:51 | |
..home to around 300 people and one tapir. | 0:09:51 | 0:09:54 | |
Wow, what a great nose. | 0:09:57 | 0:09:58 | |
Sorry to disturb you, I know you're busy, | 0:09:59 | 0:10:01 | |
but do you know Lionel by any chance? | 0:10:01 | 0:10:04 | |
HE LAUGHS | 0:10:04 | 0:10:06 | |
After a journey of thousands of miles... | 0:10:08 | 0:10:11 | |
HE KNOCKS AT DOOR | 0:10:11 | 0:10:12 | |
..both men get a chance to meet their new families. | 0:10:12 | 0:10:16 | |
Hello there. Good evening. | 0:10:16 | 0:10:17 | |
-Hello, I'm Rachel. -Hello! | 0:10:17 | 0:10:20 | |
-Welcome to Surama. -Great to meet you. Thank you. | 0:10:20 | 0:10:23 | |
-Hello. Great to meet you. -Welcome to Surama. -Thank you. | 0:10:23 | 0:10:26 | |
For the next week, John will be living with Lionel's wife, Sylvia, | 0:10:26 | 0:10:30 | |
and their seven children. | 0:10:30 | 0:10:32 | |
This is Lionel's family. | 0:10:32 | 0:10:34 | |
Wow. Lovely to meet you all. | 0:10:34 | 0:10:37 | |
I feel like I'm at a wedding. | 0:10:37 | 0:10:39 | |
OK, John, let's have a seat. | 0:10:39 | 0:10:41 | |
Thank you. I need a sit-down. | 0:10:41 | 0:10:42 | |
So, what do you do for a living? | 0:10:42 | 0:10:45 | |
Well, we do simple things, like... | 0:10:45 | 0:10:47 | |
-For living, we do, like, fishing, hunting and farming... -Whoa. | 0:10:47 | 0:10:50 | |
..and we're living in the community. | 0:10:50 | 0:10:52 | |
That sounds very different from my life. | 0:10:52 | 0:10:54 | |
While in London, Lionel will live with John's wife, Rachel, | 0:10:54 | 0:10:57 | |
and their two kids, Evie and Elijah. | 0:10:57 | 0:11:00 | |
I'm dying to ask, where have you travelled from? | 0:11:00 | 0:11:03 | |
Actually I come from Guyana, | 0:11:03 | 0:11:06 | |
-in a small village... -Uh-huh. -..in the forest. | 0:11:06 | 0:11:09 | |
-Oh, wow! -Or in the jungle. | 0:11:09 | 0:11:11 | |
-Is that where Daddy is? -Yes. | 0:11:11 | 0:11:14 | |
So, what does your dad do for a living? | 0:11:14 | 0:11:17 | |
He's mainly on the computer and goes into his office. | 0:11:17 | 0:11:21 | |
He's called a civil servant. | 0:11:21 | 0:11:23 | |
Oh, OK, OK. Uh-huh. | 0:11:23 | 0:11:24 | |
'It's really wonderful being at John's home.' | 0:11:26 | 0:11:31 | |
Mmm! Not too bad. | 0:11:31 | 0:11:34 | |
I'm looking forward to learning more about London | 0:11:34 | 0:11:37 | |
and the way people live | 0:11:37 | 0:11:39 | |
and their culture. | 0:11:39 | 0:11:42 | |
-Here's your room here. -Right, thank you. | 0:11:44 | 0:11:46 | |
Here's your hammock. | 0:11:46 | 0:11:47 | |
'I'm not quite sure | 0:11:47 | 0:11:48 | |
'about how I'm going to step into Lionel's shoes...' | 0:11:48 | 0:11:51 | |
Whoa! | 0:11:51 | 0:11:52 | |
'..because I don't quite know exactly what's expected of me yet.' | 0:11:52 | 0:11:57 | |
But I'm going to give it all my best shot. | 0:11:57 | 0:11:59 | |
Being here, it's like a big tsunami has come in | 0:12:06 | 0:12:09 | |
and I've been left on the beach somehow. | 0:12:09 | 0:12:12 | |
I woke up at two o'clock in the morning, and everything was like, | 0:12:17 | 0:12:20 | |
"Oh, what should I do?" And then I put extra head pieces | 0:12:20 | 0:12:24 | |
and get a towel and just put it here just to keep myself warm. | 0:12:24 | 0:12:29 | |
-CAMERA PERSON: -But you didn't sleep under your duvet. | 0:12:29 | 0:12:32 | |
I didn't understand that first of all. | 0:12:32 | 0:12:34 | |
I was just looking at it - "Should I get under here?" | 0:12:34 | 0:12:37 | |
Then I think, "It'll make little difference," | 0:12:37 | 0:12:39 | |
so I just keep on top. | 0:12:39 | 0:12:41 | |
In Guyana, temperatures are around 30 degrees all year round, | 0:12:43 | 0:12:48 | |
and John is enjoying a warmer start to the day. | 0:12:48 | 0:12:51 | |
Where can I have a wash, kids? | 0:12:51 | 0:12:53 | |
The villagers in Surama live in simple houses, | 0:12:53 | 0:12:56 | |
many without gas, electricity or running water. | 0:12:56 | 0:13:00 | |
I'm not really used to wandering around outside | 0:13:00 | 0:13:02 | |
just in underpants, but, you know, everybody seems OK with that. | 0:13:02 | 0:13:07 | |
Oh, wow! What do we have here? | 0:13:07 | 0:13:10 | |
It's the first time in my life | 0:13:10 | 0:13:12 | |
I've actually drawn water from out of a well. | 0:13:12 | 0:13:15 | |
Yay, water to wash in! Wonderful. | 0:13:21 | 0:13:24 | |
-Now you can have your shower. -Right. I draw the shower curtain. | 0:13:24 | 0:13:27 | |
JOHN LAUGHS | 0:13:27 | 0:13:30 | |
I'm wet already, so... | 0:13:30 | 0:13:31 | |
HE SQUEALS | 0:13:33 | 0:13:36 | |
# La-la-la-la-la. # | 0:13:36 | 0:13:38 | |
HE HUMS A TUNE | 0:13:38 | 0:13:40 | |
As experiences go, I'm quite enjoying it. | 0:13:40 | 0:13:44 | |
I think I'll just tip this bucket up and over. | 0:13:44 | 0:13:47 | |
Whoa! | 0:13:49 | 0:13:50 | |
That was good! | 0:13:52 | 0:13:53 | |
Having familiarised himself with the shower facilities, | 0:13:56 | 0:13:59 | |
John takes a tour of the hut where Lionel and Sylvia live | 0:13:59 | 0:14:02 | |
with their seven children. | 0:14:02 | 0:14:04 | |
And this is Victoria's bed and Victoria sleeps over here. | 0:14:04 | 0:14:08 | |
OK, yes. | 0:14:08 | 0:14:09 | |
-And this is my bed, where I sleep, and that's Paul's bed. -Yeah. | 0:14:09 | 0:14:13 | |
That's Don's bed and this is my mother's bed. | 0:14:13 | 0:14:16 | |
-Where are your toys, Jesse? -I don't have any toys. | 0:14:16 | 0:14:19 | |
-You don't have any toys? -No. -Wow. | 0:14:19 | 0:14:22 | |
So for you, your toys are the trees to climb | 0:14:22 | 0:14:25 | |
and the grass to run on, | 0:14:25 | 0:14:26 | |
and you've got a great playground out there. | 0:14:26 | 0:14:29 | |
And that might be Lionel. | 0:14:30 | 0:14:33 | |
I think I might have found a picture of Lionel there. | 0:14:33 | 0:14:35 | |
Lionel looks of a similar age to me. | 0:14:35 | 0:14:38 | |
His hair's receding, just like mine, mine's disappearing, | 0:14:38 | 0:14:41 | |
slowly but surely going further back. So, yeah. | 0:14:41 | 0:14:45 | |
He looks a wise man. | 0:14:45 | 0:14:47 | |
-That's your dad? -Yeah. | 0:14:48 | 0:14:50 | |
He seems fat and short. | 0:14:52 | 0:14:55 | |
Lionel usually spends his days hunting for food. | 0:14:56 | 0:15:00 | |
Today, he'll spend it in an office - | 0:15:00 | 0:15:03 | |
something John's been doing for the last three decades. | 0:15:03 | 0:15:07 | |
This bit might be a little puzzling | 0:15:07 | 0:15:09 | |
because I don't know how people use this. | 0:15:09 | 0:15:11 | |
But, first, he'll have to dress for the occasion. | 0:15:11 | 0:15:14 | |
-Sorry, Rachel. -Oh, yeah. | 0:15:14 | 0:15:16 | |
Oh, the tie! | 0:15:18 | 0:15:20 | |
Yeah. | 0:15:20 | 0:15:21 | |
'You see someone putting on long-sleeved shirts | 0:15:22 | 0:15:24 | |
'and black jackets, that means | 0:15:24 | 0:15:26 | |
'you're going to do some important job. | 0:15:26 | 0:15:28 | |
'And we, at home, we don't dress like this, because, you know, | 0:15:28 | 0:15:31 | |
'at the end of the work you're going to be all dirty.' | 0:15:31 | 0:15:34 | |
A little bit big! | 0:15:34 | 0:15:36 | |
It's too big for you. | 0:15:36 | 0:15:38 | |
Suited and booted - next stop for Lionel, the morning commute. | 0:15:42 | 0:15:46 | |
I was given a card. | 0:15:46 | 0:15:48 | |
I don't know if it's going to work, but I'm going to give it a go. | 0:15:48 | 0:15:52 | |
-Sorry. -Wrong way. | 0:15:54 | 0:15:57 | |
Oh! | 0:15:57 | 0:15:58 | |
All right, all right. | 0:15:58 | 0:16:00 | |
4.8 million people use the Tube every day. | 0:16:00 | 0:16:04 | |
You could fit Lionel's entire village into just four carriages. | 0:16:04 | 0:16:08 | |
This big thing here looks like a coral snake, | 0:16:08 | 0:16:11 | |
all the white and red colours, | 0:16:11 | 0:16:14 | |
very, very long. | 0:16:14 | 0:16:16 | |
Unbelievable. | 0:16:16 | 0:16:17 | |
-MOBILE PHONE: -Turn right on to Aldersgate Street. | 0:16:21 | 0:16:25 | |
After a 30-minute Tube journey, | 0:16:25 | 0:16:27 | |
Lionel has made it to central London. | 0:16:27 | 0:16:29 | |
Where I am is confusing me. | 0:16:29 | 0:16:31 | |
Even though I am in the middle of thousands of people, I can be lost. | 0:16:31 | 0:16:35 | |
Used to life in a real jungle, | 0:16:35 | 0:16:37 | |
finding his way in a concrete one is proving a challenge. | 0:16:37 | 0:16:41 | |
-MOBILE PHONE: -Take the first exit on to Montague Street. | 0:16:41 | 0:16:44 | |
In the jungle we navigate by looking at the sun. | 0:16:44 | 0:16:49 | |
But here, in a big city, it is very, very strange, | 0:16:49 | 0:16:52 | |
because I'm not accustomed to looking at a phone | 0:16:52 | 0:16:56 | |
and I'm following the map. | 0:16:56 | 0:16:58 | |
Oh! Where am I going? | 0:16:58 | 0:17:00 | |
Is this the rainforest we're going into? | 0:17:04 | 0:17:07 | |
-Yeah. -Brilliant! | 0:17:07 | 0:17:09 | |
About 70% of Guyana is made up of rainforest. | 0:17:09 | 0:17:13 | |
It's been providing the Amerindian tribes who live here | 0:17:13 | 0:17:16 | |
with food and shelter for thousands of years. | 0:17:16 | 0:17:19 | |
Have you seen Jurassic Park? | 0:17:19 | 0:17:21 | |
Instead of earning money to survive, | 0:17:21 | 0:17:23 | |
people like Lionel's brother Hendricks and friend Sparrow | 0:17:23 | 0:17:26 | |
hunt for their family's food. | 0:17:26 | 0:17:28 | |
Now civil servant John is joining them on their regular fishing trip | 0:17:28 | 0:17:32 | |
to the Burro-Burro River, in the Iwokrama rainforest. | 0:17:32 | 0:17:35 | |
Whee! That was good! | 0:17:37 | 0:17:39 | |
I never thought I'd come to the Amazon rainforest, | 0:17:47 | 0:17:50 | |
so this is a dream come true. | 0:17:50 | 0:17:52 | |
It is incredible. | 0:17:52 | 0:17:54 | |
It's like, when you sneeze here, it's really weird | 0:17:54 | 0:17:57 | |
because it's just clean fluid, it's not normal. | 0:17:57 | 0:18:01 | |
Whereas in London, when I sneeze, | 0:18:01 | 0:18:03 | |
it's normal, it's black bits and little bits of blood, | 0:18:03 | 0:18:06 | |
and that's what I'm used to. | 0:18:06 | 0:18:08 | |
So there's no pollution here at all. | 0:18:08 | 0:18:10 | |
It's really making me think, | 0:18:10 | 0:18:12 | |
"What does it do to my children | 0:18:12 | 0:18:14 | |
"to grow up in all the pollution of London?" | 0:18:14 | 0:18:17 | |
After a four-hour boat journey, John, Hendricks and Sparrow | 0:18:18 | 0:18:22 | |
finally reach their destination. | 0:18:22 | 0:18:25 | |
Home, sweet home! I'm quite hungry. | 0:18:25 | 0:18:28 | |
Can we go fishing first? | 0:18:28 | 0:18:30 | |
We have to build our camp first before dark, you know? | 0:18:30 | 0:18:33 | |
This is jungle. | 0:18:33 | 0:18:35 | |
JOHN GROANS Come on! | 0:18:35 | 0:18:37 | |
Come on, John. | 0:18:37 | 0:18:40 | |
Here I'm well out of my comfort zone. | 0:18:40 | 0:18:42 | |
I'm well out of the nine-to-five. | 0:18:42 | 0:18:44 | |
This ain't no city, it's the jungle. | 0:18:44 | 0:18:47 | |
Oh, wow. So you're stripping the bark off the tree. | 0:18:48 | 0:18:51 | |
Yeah, bark off the tree. | 0:18:51 | 0:18:52 | |
And then that's your string. | 0:18:52 | 0:18:54 | |
It's amazing how they use the jungle here, | 0:18:57 | 0:19:00 | |
because everything's coming in handy. | 0:19:00 | 0:19:02 | |
This is bark off a tree. | 0:19:02 | 0:19:04 | |
That's incredible. | 0:19:04 | 0:19:07 | |
Oh! | 0:19:07 | 0:19:08 | |
Oh, dear. | 0:19:08 | 0:19:09 | |
In this harsh environment, | 0:19:09 | 0:19:11 | |
John is struggling to find something he can contribute. | 0:19:11 | 0:19:14 | |
Well, this isn't working very well, is it? | 0:19:18 | 0:19:20 | |
Oh, dear, I just broke it again. | 0:19:22 | 0:19:24 | |
Well, I'm feeling a bit helpless. | 0:19:27 | 0:19:29 | |
It really makes me think about the fact that people here | 0:19:29 | 0:19:32 | |
have to go through all this just to get food. | 0:19:32 | 0:19:35 | |
It's just I've never been wonderfully practical, | 0:19:35 | 0:19:37 | |
and to be a man out here you have to be practical. | 0:19:37 | 0:19:41 | |
I'd really like to be able to prove myself as man, | 0:19:41 | 0:19:45 | |
if you like, prove that I'm worth something. | 0:19:45 | 0:19:48 | |
OK. Thank you very much. | 0:19:51 | 0:19:54 | |
Right now I'm feeling a real numpty. | 0:19:54 | 0:19:56 | |
Boof! | 0:19:59 | 0:20:01 | |
-MOBILE PHONE: -'You have arrived.' | 0:20:04 | 0:20:05 | |
You have arrived. | 0:20:05 | 0:20:07 | |
In London, Lionel's come to meet a friend of John's | 0:20:07 | 0:20:10 | |
who's going to show him office life. | 0:20:10 | 0:20:13 | |
-Hi, Lionel. -Good morning. -Good morning. I'm Hugh. -I'm Lionel. | 0:20:13 | 0:20:16 | |
-OK. -Come this way. | 0:20:16 | 0:20:18 | |
Lionel's village has no mains power | 0:20:18 | 0:20:20 | |
and, although one nearby hut does use a generator to power a computer, | 0:20:20 | 0:20:25 | |
Lionel's never used it. | 0:20:25 | 0:20:27 | |
So, Lionel, this is our office. | 0:20:27 | 0:20:29 | |
I know very little about technology, | 0:20:29 | 0:20:32 | |
and if there is any opportunity that I can learn about technology, | 0:20:32 | 0:20:36 | |
I'll be glad to do that. | 0:20:36 | 0:20:39 | |
-This is very exciting. -Yeah. | 0:20:39 | 0:20:40 | |
So these are my e-mails at the moment. | 0:20:40 | 0:20:43 | |
What is an e-mail, actually? | 0:20:43 | 0:20:45 | |
It's a bit like a letter. | 0:20:45 | 0:20:47 | |
-Would you like to have a go? -Yes, yes. Why not? | 0:20:47 | 0:20:49 | |
Let's start a new message. | 0:20:49 | 0:20:51 | |
I'll write in the name of who we're going to send it to. | 0:20:51 | 0:20:54 | |
It's going to be to Toby. | 0:20:54 | 0:20:56 | |
Why don't you put in, "Hello, Toby"? | 0:20:56 | 0:20:58 | |
I'll be back in a little bit. | 0:20:58 | 0:21:00 | |
Oh, no! What am I going to do here now? All right. | 0:21:00 | 0:21:04 | |
HE CLEARS HIS THROAT | 0:21:08 | 0:21:09 | |
Lionel's unlikely to ever have a desk job. | 0:21:12 | 0:21:15 | |
But as technology becomes more accessible in Guyana, | 0:21:16 | 0:21:19 | |
basic computer skills could help him in the future... | 0:21:19 | 0:21:23 | |
This is my first time trying to put my finger on a computer and... | 0:21:23 | 0:21:28 | |
..it's very hard. | 0:21:29 | 0:21:31 | |
..but at the moment, it's completely alien to huntsman Lionel. | 0:21:33 | 0:21:38 | |
Being in an office like this is, like, you're not seeing anything | 0:21:38 | 0:21:42 | |
other than lights and walls and computers | 0:21:42 | 0:21:45 | |
and people moving around. | 0:21:45 | 0:21:48 | |
I come from the forest and I miss it, yeah. | 0:21:49 | 0:21:54 | |
Hi, Lionel. How are you getting on? | 0:21:55 | 0:21:57 | |
-Very slow. -OK. | 0:21:57 | 0:21:59 | |
And then you click on this button here, | 0:21:59 | 0:22:01 | |
and you've sent your first e-mail. | 0:22:01 | 0:22:03 | |
-This is very good. -Yeah. -Yeah. | 0:22:03 | 0:22:06 | |
This little writing that you did is... | 0:22:06 | 0:22:08 | |
Now I understand what the computer can be | 0:22:08 | 0:22:11 | |
a very good piece of equipment. | 0:22:11 | 0:22:14 | |
And maybe one day, who knows, | 0:22:14 | 0:22:16 | |
I will have one of these. | 0:22:16 | 0:22:18 | |
E-mailing mastered, Lionel takes a well-earned break. | 0:22:23 | 0:22:27 | |
Tastes like a very old, dead fish. | 0:22:27 | 0:22:30 | |
This morning has given him a glimpse | 0:22:30 | 0:22:32 | |
into how people provide for their families in the Western world. | 0:22:32 | 0:22:36 | |
If I was to work like John | 0:22:36 | 0:22:38 | |
I don't think I would make it, | 0:22:38 | 0:22:41 | |
because even though it looks simple, I know it's hard. | 0:22:41 | 0:22:45 | |
Especially if you was not born in a technology world, | 0:22:45 | 0:22:48 | |
it's very confusing. | 0:22:48 | 0:22:50 | |
Very, very confusing. | 0:22:50 | 0:22:51 | |
In the depths of the rainforest... | 0:22:55 | 0:22:58 | |
-Look, snake, John. -Snake! Oh, wow. | 0:22:58 | 0:23:02 | |
..John is getting a window into Lionel's way of life. | 0:23:02 | 0:23:06 | |
It all seems a bit more foreboding at night, | 0:23:06 | 0:23:10 | |
a bit more scary. | 0:23:10 | 0:23:11 | |
When out hunting for meat and fish, | 0:23:13 | 0:23:15 | |
the Macushi's working day can begin before dawn | 0:23:15 | 0:23:18 | |
and go on late into the night. | 0:23:18 | 0:23:21 | |
Right now they're on the hunt for catfish, | 0:23:21 | 0:23:23 | |
which are more active and easier to catch when it's cooler. | 0:23:23 | 0:23:26 | |
John needs a good haul if he's to provide for his new family. | 0:23:30 | 0:23:34 | |
Each of the two or three fishing trips a week | 0:23:35 | 0:23:38 | |
needs to provide at least 20 fish. | 0:23:38 | 0:23:42 | |
Yeah, it must be quite difficult for Lionel with so many kids. | 0:23:42 | 0:23:45 | |
Seven kids. Wow! | 0:23:45 | 0:23:47 | |
He must be under tremendous pressure to bring home fish for his family. | 0:23:47 | 0:23:51 | |
Yeah, this is real hard work, you know? This is a man's work. | 0:23:51 | 0:23:54 | |
Whoa, look at that! | 0:23:56 | 0:23:58 | |
Well done, Sparrow. That is incredible. | 0:23:58 | 0:24:00 | |
The jungle's newest breadwinner has been up for over 16 hours | 0:24:00 | 0:24:04 | |
and is yet to eat a thing. | 0:24:04 | 0:24:06 | |
Oh, no. | 0:24:07 | 0:24:08 | |
I caught a leaf! | 0:24:08 | 0:24:10 | |
If I had to do this two or three times a week, | 0:24:11 | 0:24:15 | |
I'd really struggle. | 0:24:15 | 0:24:16 | |
Come on, fish! Where are you? | 0:24:17 | 0:24:18 | |
It makes me think my life is very, very easy indeed, | 0:24:19 | 0:24:22 | |
and I take a lot of things for granted. | 0:24:22 | 0:24:26 | |
I've got a bite, lads. I've got a bite. Don't panic. | 0:24:26 | 0:24:29 | |
I can feel it tugging. | 0:24:30 | 0:24:33 | |
I think I've got something. | 0:24:33 | 0:24:34 | |
Look, look, you've got it. | 0:24:34 | 0:24:35 | |
Pull it up in the boat. In the boat, John. | 0:24:35 | 0:24:38 | |
In the boat. Yes! | 0:24:38 | 0:24:40 | |
Hooray! | 0:24:40 | 0:24:41 | |
I got ya! | 0:24:41 | 0:24:44 | |
It's a great feeling, isn't it, catching a fish like that? | 0:24:46 | 0:24:49 | |
And to think we can take it back now to Sylvia and the kids. | 0:24:49 | 0:24:52 | |
-Yeah! -And have something to eat. It's wonderful. | 0:24:52 | 0:24:55 | |
-So, does this make me a man now? -Yes, yes. -Yeah? | 0:24:55 | 0:24:58 | |
That's awesome. | 0:24:58 | 0:25:00 | |
How's your fish doing? | 0:25:00 | 0:25:02 | |
-Dead. -Dead! | 0:25:02 | 0:25:04 | |
JOHN LAUGHS | 0:25:04 | 0:25:06 | |
They've only caught two fish, | 0:25:09 | 0:25:11 | |
but must return to camp and smoke them | 0:25:11 | 0:25:12 | |
so they don't spoil on the journey home. | 0:25:12 | 0:25:15 | |
-How long will it take to cook? -Three hours. | 0:25:15 | 0:25:19 | |
-Three hours?! -Yeah. | 0:25:19 | 0:25:20 | |
It's a hard life in the jungle, isn't it? | 0:25:20 | 0:25:23 | |
-Nothing's easy. -Yeah. | 0:25:23 | 0:25:24 | |
They must save these fish in order to feed the family. | 0:25:24 | 0:25:27 | |
So, tonight, they'll be going hungry. | 0:25:27 | 0:25:30 | |
There's one way that shows if you love your family, | 0:25:30 | 0:25:33 | |
and you have to sacrifice for them, you know? | 0:25:33 | 0:25:36 | |
But at least I can go to sleep satisfied | 0:25:36 | 0:25:38 | |
that I've provided for them. | 0:25:38 | 0:25:41 | |
Technology may have proved tricky, | 0:25:48 | 0:25:50 | |
but Lionel wants to look for other ways | 0:25:50 | 0:25:52 | |
that the modern world could help him make some money back home. | 0:25:52 | 0:25:56 | |
Hello, Rachel. | 0:25:56 | 0:25:59 | |
Hello. | 0:25:59 | 0:26:00 | |
-What are you doing? -Hi. | 0:26:00 | 0:26:02 | |
-I'm doing, erm, welding. -Oh! | 0:26:02 | 0:26:04 | |
Rachel is an artist and trained welder | 0:26:04 | 0:26:07 | |
and is showing him some of her work. | 0:26:07 | 0:26:09 | |
So this is one way that I use | 0:26:09 | 0:26:11 | |
to join two pieces of metal together. | 0:26:11 | 0:26:14 | |
-Sounds very useful. -Yeah. | 0:26:14 | 0:26:16 | |
Back home, Lionel relies on basic hand tools to survive, | 0:26:16 | 0:26:21 | |
but working in the unforgiving landscape of Surama | 0:26:21 | 0:26:24 | |
means they rarely last long. | 0:26:24 | 0:26:26 | |
A skill like welding could be a lifeline. | 0:26:26 | 0:26:29 | |
We have things that are broken and we cannot fix it. | 0:26:29 | 0:26:31 | |
You know, it's a lot of money to send things | 0:26:31 | 0:26:34 | |
and getting it fixed, and if I can learn about it, | 0:26:34 | 0:26:37 | |
I could weld up all the broken tools. | 0:26:37 | 0:26:40 | |
It is something you could make a living off. | 0:26:40 | 0:26:42 | |
It is exciting to be showing you a technique that's new | 0:26:42 | 0:26:47 | |
that you may be able to make use of, | 0:26:47 | 0:26:49 | |
because this type of welding doesn't require any electricity. | 0:26:49 | 0:26:53 | |
-Oh, OK. Just the gas? -It's the gas. -OK. | 0:26:53 | 0:26:56 | |
So it's something that's doable without electricity. | 0:26:56 | 0:26:59 | |
This technique may be simple by Western standards, | 0:27:02 | 0:27:05 | |
but it's still beyond the reach of rural Guyana. | 0:27:05 | 0:27:08 | |
Even though it is a simple thing to, besides electricity, | 0:27:08 | 0:27:13 | |
we don't even have that type of gas in Guyana. | 0:27:13 | 0:27:16 | |
Welding is not the answer for Lionel. | 0:27:16 | 0:27:19 | |
I really thank you for showing me what you do | 0:27:19 | 0:27:22 | |
and I'm really impressed about it. | 0:27:22 | 0:27:24 | |
-Oh, thank you. -Yeah, it's nice. | 0:27:24 | 0:27:26 | |
But his time with Rachel has inspired him | 0:27:26 | 0:27:28 | |
to look for ways to monetise his practical skills as a craftsman. | 0:27:28 | 0:27:33 | |
'What I have learned here is a big thing for me.' | 0:27:33 | 0:27:36 | |
John and Hendricks arrive back in Surama with their catch. | 0:27:47 | 0:27:51 | |
Home sweet home. | 0:27:51 | 0:27:52 | |
Home sweet home. Right! | 0:27:52 | 0:27:55 | |
On average, they'd expect to bring home | 0:27:55 | 0:27:57 | |
anything between 20 and 100 fish per trip. | 0:27:57 | 0:28:00 | |
But John only has two. | 0:28:02 | 0:28:04 | |
-Hi, good afternoon. -Hi, Sylvia. Hello. | 0:28:04 | 0:28:07 | |
We went hunting | 0:28:07 | 0:28:09 | |
and we caught two fish. | 0:28:09 | 0:28:11 | |
Is that all right? Is that good? | 0:28:13 | 0:28:16 | |
At least you tried. You tried very hard. | 0:28:20 | 0:28:23 | |
I did. I did my best. | 0:28:23 | 0:28:24 | |
It did make me realise... | 0:28:24 | 0:28:27 | |
what people have to do just to survive here. | 0:28:27 | 0:28:30 | |
And that is why I said our life is very hard. | 0:28:30 | 0:28:33 | |
We have... In a way that sometimes we get, | 0:28:33 | 0:28:36 | |
sometimes we don't get for us to eat enough. | 0:28:36 | 0:28:40 | |
Sylvia thought it was good that I'd caught a fish | 0:28:42 | 0:28:45 | |
but she wasn't really all that impressed. | 0:28:45 | 0:28:48 | |
I think if I'd been Lionel, she would have sent me back out again | 0:28:48 | 0:28:52 | |
on another hunting trip. | 0:28:52 | 0:28:54 | |
If you want to be man, you have to fish, you have to hunt, | 0:28:54 | 0:28:58 | |
you have to bring everything for the family. | 0:28:58 | 0:29:01 | |
There's little ants on it. Do they matter? | 0:29:01 | 0:29:03 | |
Do they just add flavour, the ants? | 0:29:03 | 0:29:05 | |
John made himself a man. | 0:29:08 | 0:29:09 | |
He bring home a fish for the family. | 0:29:09 | 0:29:12 | |
For his kids to eat. | 0:29:13 | 0:29:15 | |
During the whole rainforest experience | 0:29:17 | 0:29:19 | |
I didn't have anything to eat, so I was really starving-hungry - | 0:29:19 | 0:29:23 | |
hungrier than probably I've ever been in my life before. | 0:29:23 | 0:29:27 | |
So it helped me to understand | 0:29:27 | 0:29:29 | |
that life is bloody hard out here. | 0:29:29 | 0:29:32 | |
In the UK, Lionel's taking a break from the city... | 0:29:44 | 0:29:49 | |
Here we are, here we are. | 0:29:49 | 0:29:50 | |
..to experience life in the country | 0:29:50 | 0:29:52 | |
with Rachel and the children. | 0:29:52 | 0:29:54 | |
-Being in a big city and then coming out to the countryside... -Yeah. | 0:29:54 | 0:29:59 | |
..it makes me feel like I'm at home. | 0:29:59 | 0:30:01 | |
They're heading to Scotland, home to Rachel's parents. | 0:30:01 | 0:30:04 | |
The family have discussed moving here. | 0:30:04 | 0:30:07 | |
What do you think about your parents moving? | 0:30:07 | 0:30:09 | |
I think Mummy would be OK with it, to be honest, | 0:30:09 | 0:30:14 | |
because I think you already really kind of want to move up there. | 0:30:14 | 0:30:17 | |
But I don't think it's good for Daddy, | 0:30:17 | 0:30:20 | |
because he's going to have to work from home | 0:30:20 | 0:30:22 | |
and he's not going to have a good job. | 0:30:22 | 0:30:25 | |
How do you know? | 0:30:25 | 0:30:26 | |
Because he was always complaining about it. | 0:30:27 | 0:30:30 | |
After failing to catch enough fish for the family, | 0:30:34 | 0:30:37 | |
Hendricks wants to show John how the Macushi help those in need. | 0:30:37 | 0:30:40 | |
Here, you can see a structure there, | 0:30:42 | 0:30:44 | |
up there, that Lionel has built. | 0:30:44 | 0:30:45 | |
We need to finish this for him. | 0:30:45 | 0:30:47 | |
That sounds like hard work. | 0:30:47 | 0:30:49 | |
Whenever there's a job too big for one family, | 0:30:49 | 0:30:52 | |
help is always at hand. | 0:30:52 | 0:30:54 | |
Wow! | 0:30:58 | 0:30:59 | |
One of our traditions is... | 0:31:01 | 0:31:05 | |
-Yes. -It's people coming together to help one and other. | 0:31:05 | 0:31:09 | |
-That's really good. -Yeah, people working together. | 0:31:09 | 0:31:12 | |
We haven't got a word for that kind of thing in England. | 0:31:12 | 0:31:15 | |
This old tradition in Lionel's tribe, | 0:31:15 | 0:31:17 | |
is one of the ways the community helps support each other | 0:31:17 | 0:31:21 | |
through hard times. | 0:31:21 | 0:31:22 | |
It's a great concept for having everybody coming together | 0:31:22 | 0:31:25 | |
and working hard and getting things done. | 0:31:25 | 0:31:28 | |
There you go, Francis. | 0:31:30 | 0:31:31 | |
I wish I had a group of men coming around my house to help! | 0:31:33 | 0:31:36 | |
I think in London we've really lost community, | 0:31:40 | 0:31:44 | |
because we're all so busy. | 0:31:44 | 0:31:46 | |
And here they have a great community, | 0:31:46 | 0:31:49 | |
the people pull together. | 0:31:49 | 0:31:51 | |
There's a closeness that I've never really felt in London at all. | 0:31:51 | 0:31:56 | |
This must be an important tradition for you? | 0:31:56 | 0:31:59 | |
Yes, of course, it is important tradition for me, | 0:31:59 | 0:32:02 | |
and I will never like it to be lost. | 0:32:02 | 0:32:04 | |
I'll never lose it, you know? | 0:32:04 | 0:32:05 | |
-Yeah. -I don't want to lose it. | 0:32:05 | 0:32:07 | |
Oh, wow! There's a great spider over here. | 0:32:07 | 0:32:10 | |
Wow, look at him. Gosh. | 0:32:10 | 0:32:13 | |
Hendricks, what kind of spider is this? | 0:32:13 | 0:32:16 | |
-Tarantula. -It's a tarantula?! -Yeah! | 0:32:16 | 0:32:20 | |
Oh, OK, right, that's groovy. Will that one bite then? | 0:32:20 | 0:32:23 | |
-Yeah. Bite. -It'll bite? | 0:32:23 | 0:32:24 | |
-All spiders bite. -Right. | 0:32:24 | 0:32:26 | |
I'll steer clear of spiders then. | 0:32:26 | 0:32:29 | |
It was a close encounter of the spidery kind. | 0:32:29 | 0:32:32 | |
-Come on, John. Grab. -And is this...? | 0:32:32 | 0:32:34 | |
-"Come on, John. Do some work!" -Yeah. | 0:32:34 | 0:32:37 | |
It's hard physical work, but the Macushi way of life | 0:32:40 | 0:32:43 | |
has awoken something in John. | 0:32:43 | 0:32:46 | |
Helping out here today does make me feel | 0:32:46 | 0:32:49 | |
more of a valued member of the community. | 0:32:49 | 0:32:52 | |
'It's a bit of a watershed moment. | 0:32:52 | 0:32:54 | |
'I'd love to be part of something like this back home | 0:32:54 | 0:32:57 | |
'where people pull together. | 0:32:57 | 0:32:59 | |
'Or, whatever it is, just have people more involved | 0:32:59 | 0:33:02 | |
'with other people's lives.' | 0:33:02 | 0:33:04 | |
I think we're really missing something. | 0:33:04 | 0:33:07 | |
After a five-hour journey, Lionel has left the city far behind. | 0:33:11 | 0:33:15 | |
-Welcome to Scotland! -Oh, thank you! | 0:33:18 | 0:33:21 | |
They've arrived in Duns, on the Scottish border. | 0:33:21 | 0:33:25 | |
With its sprawling mountains, | 0:33:25 | 0:33:27 | |
luscious forests and untouched coastline, | 0:33:27 | 0:33:29 | |
Scotland boasts some of the most extraordinary countryside in the UK. | 0:33:29 | 0:33:33 | |
But it's 30 degrees colder than Lionel is used to. | 0:33:34 | 0:33:37 | |
Oh! | 0:33:39 | 0:33:40 | |
Look at this. | 0:33:40 | 0:33:42 | |
What is that? This is frozen, | 0:33:42 | 0:33:45 | |
which makes you feel very, very cold. | 0:33:45 | 0:33:49 | |
This is first time I'm seeing something like this. | 0:33:49 | 0:33:52 | |
Look at this! This looks like glass. | 0:33:52 | 0:33:56 | |
I can't really imagine not seeing it. | 0:33:56 | 0:33:59 | |
It may be cold outside, but Lionel is given a warm welcome | 0:33:59 | 0:34:03 | |
by Rachel's parents, Ken and Carol. | 0:34:03 | 0:34:05 | |
Would Lionel like to taste some Scottish shortbread? | 0:34:07 | 0:34:10 | |
-Yes. Look, you've got to try... -It's a speciality of Scotland. | 0:34:10 | 0:34:13 | |
OK. Let me have a go! | 0:34:13 | 0:34:15 | |
Quite nice? | 0:34:18 | 0:34:20 | |
Tastes like milk. | 0:34:20 | 0:34:21 | |
-Butter. -Butter. | 0:34:21 | 0:34:23 | |
Very delicious and I love it. | 0:34:23 | 0:34:27 | |
Lionel wants to find out more about what rural life is like in the UK. | 0:34:27 | 0:34:31 | |
Rachel was talking about moving from London here, | 0:34:31 | 0:34:37 | |
and the kids are very keen of moving. | 0:34:37 | 0:34:41 | |
We've been trying to persuade Rachel and John | 0:34:41 | 0:34:43 | |
to move up with the children for several years | 0:34:43 | 0:34:46 | |
because we think it's... | 0:34:46 | 0:34:48 | |
It's a lovely environment for the children. | 0:34:48 | 0:34:51 | |
I think in a place like Duns, you've got a local community, | 0:34:51 | 0:34:54 | |
-people recognise one and other. -Yes. | 0:34:54 | 0:34:56 | |
Strangers will say hello to each other here. | 0:34:56 | 0:34:58 | |
Whereas, in London, it's impossible to do that. | 0:34:58 | 0:35:02 | |
But coming from a poor, rural community, | 0:35:02 | 0:35:05 | |
Lionel understands what the family would be giving up | 0:35:05 | 0:35:07 | |
by leaving the city. | 0:35:07 | 0:35:10 | |
John's job, it's a good job. | 0:35:10 | 0:35:13 | |
If they decide to move here it will be a little puzzling | 0:35:13 | 0:35:16 | |
to John to find a job and settle again. | 0:35:16 | 0:35:20 | |
I understand that. I mean, he's fortunate to have a job | 0:35:20 | 0:35:24 | |
that probably is fairly secure. | 0:35:24 | 0:35:27 | |
So therefore you justify remaining. | 0:35:27 | 0:35:30 | |
'I think the biggest problem in moving to Scotland | 0:35:34 | 0:35:37 | |
'I think is a financial problem, because John has a wonderful job.' | 0:35:37 | 0:35:42 | |
'It seems like if they move | 0:35:42 | 0:35:43 | |
'from where they have already rooted themselves, come to a new area, | 0:35:43 | 0:35:48 | |
'maybe they would trouble for the first couple of months | 0:35:48 | 0:35:52 | |
'to get a job or settle in properly' | 0:35:52 | 0:35:54 | |
and, erm... | 0:35:54 | 0:35:56 | |
..I don't know how to advise him. | 0:35:58 | 0:36:00 | |
THEY SING IN OWN LANGUAGE | 0:36:02 | 0:36:05 | |
After finishing their work on the hut, | 0:36:09 | 0:36:10 | |
the villagers have come together to celebrate | 0:36:10 | 0:36:13 | |
with some traditional dancing. | 0:36:13 | 0:36:15 | |
I have to go and join them? | 0:36:15 | 0:36:17 | |
With pleasure! | 0:36:17 | 0:36:19 | |
THEY SING IN OWN LANGUAGE | 0:36:19 | 0:36:23 | |
'I'm starting to slowly realise | 0:36:25 | 0:36:28 | |
'why I've been dropped here, | 0:36:28 | 0:36:30 | |
'of all places on the planet. | 0:36:30 | 0:36:32 | |
'Because, in Surama Village, | 0:36:32 | 0:36:35 | |
'I've seen a real tribal community in action. | 0:36:35 | 0:36:39 | |
'Perhaps why I feel I need to move to the countryside | 0:36:39 | 0:36:43 | |
'is because I think there's a lack of community, | 0:36:43 | 0:36:47 | |
'and that's been eroded in London.' | 0:36:47 | 0:36:50 | |
THEY CHEER | 0:36:50 | 0:36:53 | |
But John's realised that the thing he's been missing | 0:36:57 | 0:37:00 | |
is something he can help to create, regardless of location. | 0:37:00 | 0:37:03 | |
I think I've found a community here. | 0:37:03 | 0:37:06 | |
Quite an amazing community | 0:37:06 | 0:37:08 | |
that lives a very, very hard life, | 0:37:08 | 0:37:11 | |
but they have a great sense of who they are, | 0:37:11 | 0:37:13 | |
a great sense of cultural identity. | 0:37:13 | 0:37:17 | |
Perhaps I've been far too passive in my life. | 0:37:17 | 0:37:21 | |
I'd like to try and be more proactive in reaching out to others | 0:37:21 | 0:37:24 | |
and to try and create community like it back home, | 0:37:24 | 0:37:30 | |
wherever home becomes for me. | 0:37:30 | 0:37:33 | |
To really share life together and be alive together, | 0:37:33 | 0:37:37 | |
rather than walking through life quite isolated. | 0:37:37 | 0:37:41 | |
Above my head is a big clock, which is famous, I think. | 0:37:47 | 0:37:51 | |
Both men have now spent several days | 0:37:51 | 0:37:53 | |
in each other's worlds. | 0:37:53 | 0:37:55 | |
I'm going to bid for the chicken | 0:37:55 | 0:37:56 | |
and provide some meat for the family. | 0:37:56 | 0:37:59 | |
The Amazon rainforest, | 0:37:59 | 0:38:00 | |
it's as extreme as you can get on the planet, | 0:38:00 | 0:38:03 | |
but it's helping me to shape my thoughts. | 0:38:03 | 0:38:06 | |
Being in London is absolutely unbelievable. | 0:38:09 | 0:38:12 | |
I can see people who live in cities, | 0:38:12 | 0:38:16 | |
how hard they work, because of money, | 0:38:16 | 0:38:18 | |
but I think, the way I live, I love it. | 0:38:18 | 0:38:21 | |
Our movies, our traffic, is songs of wildlife. | 0:38:21 | 0:38:26 | |
Here is concrete jungle, but there it's real jungle. | 0:38:26 | 0:38:29 | |
-1,500. -1,500. | 0:38:31 | 0:38:34 | |
1,600. | 0:38:36 | 0:38:37 | |
Who is that back there?! | 0:38:37 | 0:38:39 | |
'Being here has certainly woken me up, | 0:38:40 | 0:38:43 | |
'because life here is really tough. | 0:38:43 | 0:38:45 | |
'So, when I get back, I'm not going to take things for granted at all.' | 0:38:45 | 0:38:50 | |
A shower, the supermarkets... | 0:38:50 | 0:38:52 | |
I'm going to love it. | 0:38:52 | 0:38:54 | |
It's going to astound me for the first few weeks, I think. | 0:38:54 | 0:38:57 | |
Amerindian people really don't think that far | 0:38:58 | 0:39:01 | |
about big changes in their life. | 0:39:01 | 0:39:03 | |
Once they know that they're living peaceful, happy and simple, | 0:39:03 | 0:39:07 | |
I think that's the main goal. | 0:39:07 | 0:39:09 | |
1,800. Gone. | 0:39:09 | 0:39:12 | |
Hurray! | 0:39:12 | 0:39:13 | |
I love the clean air and the openness around me, | 0:39:14 | 0:39:18 | |
and I feel more connected to the planet | 0:39:18 | 0:39:22 | |
and life and nature. | 0:39:22 | 0:39:24 | |
I'm going to call my chicken Lionel, if that's all right? | 0:39:26 | 0:39:29 | |
Is that OK? Hello, Lionel. How you doing? | 0:39:29 | 0:39:32 | |
Are you doing all right? | 0:39:32 | 0:39:34 | |
CHICKEN CLUCKS | 0:39:34 | 0:39:35 | |
-Hello. -Hi, Sylvia. -Hi. -I've got a present for you. | 0:39:38 | 0:39:42 | |
John's hoping that the chicken | 0:39:42 | 0:39:45 | |
will help to make up for his failures on the fish front. | 0:39:45 | 0:39:48 | |
-I hope you don't mind, but I've called it Lionel. -OK! | 0:39:48 | 0:39:51 | |
-All right?! -Thank you very much, John. | 0:39:53 | 0:39:56 | |
That's all right. | 0:39:56 | 0:39:57 | |
'I was determined to bid for that chicken, | 0:39:57 | 0:40:00 | |
'and I managed to get it, which was great, | 0:40:00 | 0:40:02 | |
'because then I was able to bring home some meat, | 0:40:02 | 0:40:05 | |
'because I only caught two fish and that was it.' | 0:40:05 | 0:40:08 | |
Oh, look, Lionel's making friends over there. That's good. | 0:40:08 | 0:40:11 | |
And in this part of the world, | 0:40:12 | 0:40:14 | |
a man isn't really a man unless he brings home some meat. | 0:40:14 | 0:40:18 | |
So I was pleased about that. | 0:40:18 | 0:40:20 | |
Since being in London, | 0:40:31 | 0:40:32 | |
Lionel has been searching for a way he can make money back home. | 0:40:32 | 0:40:36 | |
Although welding wasn't achievable, | 0:40:36 | 0:40:38 | |
there's a clear need for tool-making and repair in Surama. | 0:40:38 | 0:40:41 | |
-Hello. -Hello. You must be Lionel. | 0:40:41 | 0:40:44 | |
-Yeah, I'm Lionel. -Nice to meet you. -Nice to see you. | 0:40:44 | 0:40:47 | |
So, today he's come to see a traditional blacksmith. | 0:40:47 | 0:40:50 | |
What we thought we'd do would be to make an axe. | 0:40:51 | 0:40:54 | |
OK. OK, that would be nice. | 0:40:54 | 0:40:56 | |
Once you know how to make an axe, | 0:40:56 | 0:40:57 | |
-you can make whatever tool you need on the end. -Yes, OK. | 0:40:57 | 0:41:01 | |
We've got this piece of 25mm rebar. | 0:41:01 | 0:41:04 | |
-It'll be quite good tool-making material. -OK. | 0:41:04 | 0:41:07 | |
-OK. -Let's pop this in. -OK. | 0:41:07 | 0:41:10 | |
And we'll just wait for that to start warming up. | 0:41:10 | 0:41:12 | |
Blacksmithing has been practised in Britain for over 2,000 years | 0:41:14 | 0:41:17 | |
and the technique has barely changed. | 0:41:17 | 0:41:20 | |
All you need is a hot enough fire and some brute strength. | 0:41:20 | 0:41:24 | |
I'm going to come in and strike the first blow. | 0:41:24 | 0:41:27 | |
-OK. -So I go one, then you go, hit it in the same place. | 0:41:27 | 0:41:31 | |
-All right. -Just like that. | 0:41:31 | 0:41:33 | |
That's it. | 0:41:35 | 0:41:37 | |
Being able to work with metal could change the way that Lionel lives, | 0:41:37 | 0:41:41 | |
as tools such as axes and hoes | 0:41:41 | 0:41:44 | |
currently have to be purchased outside the village. | 0:41:44 | 0:41:47 | |
So, Lionel, what's so important about being able to make tools? | 0:41:47 | 0:41:51 | |
Actually, way back home we don't have so many tools, | 0:41:51 | 0:41:55 | |
and so what happens, every now and then some of these tools broke, | 0:41:55 | 0:42:00 | |
but learning from you, | 0:42:00 | 0:42:03 | |
I may have an idea how we can mend it up | 0:42:03 | 0:42:07 | |
so that I would be more productive in farming. | 0:42:07 | 0:42:11 | |
So, this will be a very, very important lesson for me. | 0:42:11 | 0:42:16 | |
OK. Cool. So, on the axe, on the front, we have the blade. | 0:42:16 | 0:42:22 | |
-OK. -On the back, what would you like? | 0:42:22 | 0:42:25 | |
What about if you make, like, a pickaxe edge, a sharp...? | 0:42:25 | 0:42:29 | |
-Like a spike? -Yes. | 0:42:29 | 0:42:31 | |
Because some places, the earth is very hard. | 0:42:31 | 0:42:34 | |
If I can make a small pickaxe it's going to be very valuable | 0:42:34 | 0:42:38 | |
and, financial-wise, it's something very, very important. | 0:42:38 | 0:42:43 | |
So, you know, this is a big thing for me, | 0:42:43 | 0:42:46 | |
-for my family and for my village. -OK. | 0:42:46 | 0:42:48 | |
So, what do you think? Do you think this is sharp enough now... | 0:42:48 | 0:42:52 | |
-Yeah! -..for what you want? OK. | 0:42:52 | 0:42:56 | |
In just a few hours, Lionel has learnt the basics of forging tools. | 0:42:56 | 0:43:00 | |
So... | 0:43:01 | 0:43:04 | |
for you. | 0:43:04 | 0:43:05 | |
Thank you, Kevin. Thank you so much. | 0:43:05 | 0:43:08 | |
-Thank you for teaching me. -No problem. | 0:43:08 | 0:43:10 | |
Sharing your knowledge with me is one of the biggest things. | 0:43:10 | 0:43:12 | |
-I really appreciate. Thank you, man. -No worries. | 0:43:12 | 0:43:15 | |
I will take everything and tell my people | 0:43:15 | 0:43:18 | |
about how you guys make tools. | 0:43:18 | 0:43:21 | |
I think you'll make a very good blacksmith. | 0:43:21 | 0:43:23 | |
-Thank you! Thank you so much. Bye-bye. -Bye-bye. | 0:43:23 | 0:43:26 | |
It is very, very interesting being here. | 0:43:29 | 0:43:31 | |
As soon as I get back, I'm going to try to make something like this. | 0:43:31 | 0:43:35 | |
If I can make my own tools, I don't have to buy tools from no-one. | 0:43:35 | 0:43:39 | |
I just make my own tools, that would be very beneficial. | 0:43:39 | 0:43:42 | |
Maybe I can, as I develop, | 0:43:42 | 0:43:44 | |
I can sell it to other people and make an income. | 0:43:44 | 0:43:48 | |
In Guyana, John's spending the day finding out more | 0:43:53 | 0:43:57 | |
about the skills that people like Lionel have traditionally relied on. | 0:43:57 | 0:44:01 | |
Now we're going to show you how to make the bow. | 0:44:01 | 0:44:06 | |
OK, brilliant. Have you got a lucky bow? | 0:44:06 | 0:44:09 | |
-Yeah. -Yeah, have you?! I have lucky socks. | 0:44:09 | 0:44:12 | |
-This is one of Lionel's skills, making bows. -Right. | 0:44:12 | 0:44:15 | |
-Yeah. -Has your tribe always used bows like this then? | 0:44:15 | 0:44:19 | |
-Yes, our forefathers used this. -Yeah. -Yes. | 0:44:19 | 0:44:22 | |
So, thousands of years ago, | 0:44:22 | 0:44:24 | |
somebody could have been sitting here from your tribe | 0:44:24 | 0:44:28 | |
-making a bow just like Derek's doing now? -Yes! | 0:44:28 | 0:44:30 | |
Yes! That is incredible. | 0:44:30 | 0:44:33 | |
Over the last generation, | 0:44:33 | 0:44:34 | |
the lure of the city and the promise of paid work means that young people | 0:44:34 | 0:44:38 | |
have been leaving villages like Surama in droves. | 0:44:38 | 0:44:41 | |
Skills like bow-making are at risk of being forgotten. | 0:44:41 | 0:44:45 | |
We are losing this | 0:44:45 | 0:44:46 | |
-because other developments are coming into our community. -Yes. | 0:44:46 | 0:44:50 | |
-More jobs, and we have computers and all those things, you know? -Yes. | 0:44:50 | 0:44:53 | |
So our children are less interested | 0:44:53 | 0:44:55 | |
-in those kind of things, you know? -Yes. | 0:44:55 | 0:44:58 | |
So it seems like we are losing our tradition | 0:44:58 | 0:45:01 | |
-in making bows and arrows and using them. -Yeah. | 0:45:01 | 0:45:04 | |
The modern world and technology will bring a lot of really good things, | 0:45:04 | 0:45:08 | |
-but you don't want to lose your traditions. -Yeah. | 0:45:08 | 0:45:11 | |
But there is still demand for the products | 0:45:11 | 0:45:14 | |
that craftsmen like Lionel and Hendricks make. | 0:45:14 | 0:45:17 | |
A few of our people know how to make these bows and arrows, too. | 0:45:17 | 0:45:21 | |
So some of the people buy from the people who made this bow. | 0:45:21 | 0:45:24 | |
-Oh, I see. So they buy the bow. Oh, right. -Yes. | 0:45:25 | 0:45:28 | |
It's a good skill to teach your children, then? | 0:45:28 | 0:45:31 | |
-Yes, it's good skill. -Not only can they hunt and get meat and fish, | 0:45:31 | 0:45:34 | |
-but they can earn money as well through selling bows. -Yeah. | 0:45:34 | 0:45:38 | |
It's a good thing, then. | 0:45:38 | 0:45:40 | |
At the moment, Lionel sells his bows infrequently, | 0:45:42 | 0:45:45 | |
either to other villagers or the odd tourist he happens to meet. | 0:45:45 | 0:45:50 | |
-You see that? -Wow! Did that go right through? | 0:45:50 | 0:45:53 | |
-Yes. -Whoa, good. Right, cool. | 0:45:53 | 0:45:55 | |
But John thinks there could be a way | 0:45:55 | 0:45:57 | |
for Lionel's crafts to provide the family with more of an income. | 0:45:57 | 0:46:02 | |
'I think it's very important for them here | 0:46:02 | 0:46:04 | |
'to cling onto their heritage and to really protect it, | 0:46:04 | 0:46:08 | |
'and if they can, make some money out of it as well | 0:46:08 | 0:46:11 | |
'so that they can improve their lives.' | 0:46:11 | 0:46:13 | |
'Maybe Lionel could open a shop somewhere and sell things. | 0:46:18 | 0:46:21 | |
'That could be a great way of generating money.' | 0:46:21 | 0:46:24 | |
Yes! Well done, me. | 0:46:26 | 0:46:29 | |
-Well done, John. -Thank you. | 0:46:29 | 0:46:31 | |
OK. | 0:46:33 | 0:46:35 | |
In the UK, John's daughter Evie is also getting an insight | 0:46:35 | 0:46:38 | |
into Lionel's skills as a craftsman. | 0:46:38 | 0:46:41 | |
So who does this in the village? | 0:46:41 | 0:46:43 | |
I do it myself, because I'm a huntsman | 0:46:43 | 0:46:46 | |
and I have to get my arrowhead. | 0:46:46 | 0:46:48 | |
-So, do you teach other people how to do it? -My kids. | 0:46:48 | 0:46:51 | |
Skills like arrow-making have been passed down | 0:46:51 | 0:46:54 | |
from generation to generation in Guyana. | 0:46:54 | 0:46:58 | |
My dad hasn't taught me anything like this. | 0:46:58 | 0:47:01 | |
Lionel is only too aware of what's at risk | 0:47:01 | 0:47:04 | |
from the increasing need for cash. | 0:47:04 | 0:47:07 | |
If you are not careful, | 0:47:07 | 0:47:09 | |
we would lose our culture and craft-making, | 0:47:09 | 0:47:12 | |
because it looks like we are following too much | 0:47:12 | 0:47:15 | |
of how developed countries... | 0:47:15 | 0:47:17 | |
Or people in the developed country lives, | 0:47:17 | 0:47:20 | |
rather than just protecting our culture right. | 0:47:20 | 0:47:23 | |
And that's how your arrowhead should look like. | 0:47:23 | 0:47:26 | |
-Wow! -Would you like to have a go? | 0:47:26 | 0:47:29 | |
Yes, please. | 0:47:29 | 0:47:30 | |
'It is very important to pass on knowledge and experiences | 0:47:30 | 0:47:35 | |
'to young generations as to what our forefathers did in the old days.' | 0:47:35 | 0:47:39 | |
Slowly. Yeah, that's good. | 0:47:39 | 0:47:42 | |
'We start teaching our kids from five, six years, | 0:47:42 | 0:47:47 | |
'because they must learn to handle knives skilfully.' | 0:47:47 | 0:47:50 | |
I don't think I would have been able to do this at five! | 0:47:52 | 0:47:57 | |
-You think that's good enough? -No! | 0:47:59 | 0:48:03 | |
It looks weird. | 0:48:03 | 0:48:04 | |
We can hold out together and see which one looks the best. | 0:48:05 | 0:48:08 | |
-Your one. -Yes, but you did good. | 0:48:08 | 0:48:12 | |
-That was really fun, thank you. -Thank you. | 0:48:13 | 0:48:16 | |
In Guyana, John's been thinking about ways | 0:48:22 | 0:48:24 | |
to make the most of Lionel's talents. | 0:48:24 | 0:48:26 | |
Lionel is a really great craftsman. | 0:48:28 | 0:48:31 | |
If they could sell things, that could be a great way | 0:48:31 | 0:48:34 | |
of generating money. | 0:48:34 | 0:48:35 | |
So if I can help somehow, that would be really great. | 0:48:35 | 0:48:38 | |
Over 20,000 tourists travel to Guyana every year | 0:48:38 | 0:48:42 | |
to experience the pristine jungle and traditional way of life. | 0:48:42 | 0:48:45 | |
But with Surama well and truly off the beaten track, | 0:48:47 | 0:48:50 | |
the question is how to attract them. | 0:48:50 | 0:48:53 | |
John has made his way to the nearest computer, | 0:48:53 | 0:48:56 | |
at an eco lodge, 1km from the village. | 0:48:56 | 0:48:58 | |
For me, I'm not a hunter or a fisherman or a farmer, | 0:49:00 | 0:49:05 | |
but I'd like to bring what skills I can | 0:49:05 | 0:49:08 | |
to help these guys out a little bit. | 0:49:08 | 0:49:11 | |
Inspired by the sense of community Surama has shown him, | 0:49:12 | 0:49:15 | |
he wants to do his bit by helping to find a way | 0:49:15 | 0:49:18 | |
to connect with potential tourists passing by. | 0:49:18 | 0:49:21 | |
I'm creating a social media page for Lionel | 0:49:21 | 0:49:24 | |
to market his skills and what he can offer people. | 0:49:24 | 0:49:28 | |
So people will be able to find him and spend money! | 0:49:28 | 0:49:33 | |
I've found a great photo of him in a canoe, | 0:49:33 | 0:49:36 | |
so I think people will be impressed by that. | 0:49:36 | 0:49:38 | |
There you go, he's there. | 0:49:41 | 0:49:44 | |
"Lionel James updated his profile picture." That's good. | 0:49:45 | 0:49:48 | |
So I've put, "I belong to the Macushi tribe | 0:49:48 | 0:49:51 | |
"who have lived here for thousands of years | 0:49:51 | 0:49:53 | |
"and practise the traditional skills, | 0:49:53 | 0:49:55 | |
"such as hunting, fishing, bow-making and weaving, | 0:49:55 | 0:49:59 | |
"in the jungle around Surama Village, Guyana." | 0:49:59 | 0:50:02 | |
OK, I think that's it. | 0:50:02 | 0:50:04 | |
My hope, in doing this, is that it will set him up for the future. | 0:50:06 | 0:50:10 | |
I want him to realise that technology isn't to be feared, | 0:50:11 | 0:50:14 | |
but it's something he can use to market his business | 0:50:14 | 0:50:18 | |
and, really, so he can start making some money. | 0:50:18 | 0:50:21 | |
It's the last night of the swap, | 0:50:26 | 0:50:28 | |
and in the UK Evie, too, wants to show Lionel | 0:50:28 | 0:50:31 | |
how he can use technology to get the message about his crafts | 0:50:31 | 0:50:34 | |
out to the masses. | 0:50:34 | 0:50:35 | |
eBay is basically where you can sell things that you've made. | 0:50:36 | 0:50:43 | |
So you could actually make money from your village. | 0:50:43 | 0:50:47 | |
Maybe that would be useful. | 0:50:47 | 0:50:49 | |
Thank you so much for giving me that information. | 0:50:49 | 0:50:52 | |
So the most important thing | 0:50:52 | 0:50:54 | |
is probably to take a photo. | 0:50:54 | 0:50:57 | |
'Evie, even though she's young, | 0:50:58 | 0:51:01 | |
'she seemed to be knowledgeable about the technology. | 0:51:01 | 0:51:04 | |
'I just taught her simple things | 0:51:04 | 0:51:07 | |
'about making arrowheads, | 0:51:07 | 0:51:10 | |
'that's nothing compared to what she taught me.' | 0:51:10 | 0:51:13 | |
So, as you can see, it says, "What do you want to sell?" | 0:51:13 | 0:51:15 | |
Just put "arrowheads". | 0:51:15 | 0:51:17 | |
I think we should describe it more, | 0:51:17 | 0:51:20 | |
because when you say "arrowheads", it's not very interesting. | 0:51:20 | 0:51:24 | |
"Handcrafted arrowheads from Guyana." | 0:51:24 | 0:51:28 | |
'I really appreciate what she taught me. | 0:51:28 | 0:51:30 | |
'It seems very interesting. | 0:51:30 | 0:51:32 | |
'Even from home you could sell your produce to the outside world.' | 0:51:32 | 0:51:37 | |
Yeah, it's really impressive. Yeah. | 0:51:38 | 0:51:40 | |
Don't forget your toothbrush. | 0:51:44 | 0:51:46 | |
Having spent the last week living one another's lives, | 0:51:46 | 0:51:49 | |
the time has come for John and Lionel | 0:51:49 | 0:51:51 | |
to start the long journey home. | 0:51:51 | 0:51:52 | |
-OK, Rachel, I am leaving! -Bye-bye! | 0:51:54 | 0:51:58 | |
Oh, Evie! | 0:51:58 | 0:52:00 | |
'I'm going to really miss Lionel.' | 0:52:00 | 0:52:02 | |
Because he was really funny and nice | 0:52:02 | 0:52:04 | |
and he taught us lots of things about his country | 0:52:04 | 0:52:08 | |
and where he lives, | 0:52:08 | 0:52:09 | |
and he's not modern and he just makes his own things | 0:52:09 | 0:52:13 | |
and that's really what I like about him. | 0:52:13 | 0:52:16 | |
I'm very sad at this moment, leaving good people. | 0:52:17 | 0:52:20 | |
Since I come, everybody was so hospitable, friendly. | 0:52:20 | 0:52:25 | |
And at the same time, | 0:52:26 | 0:52:28 | |
I'm looking forward to seeing my family back home. | 0:52:28 | 0:52:32 | |
-That's for you. -Wow, thank you. | 0:52:33 | 0:52:35 | |
You put it up on your wall as a souvenir | 0:52:35 | 0:52:37 | |
and, every time you look at it, you will remember Surama. | 0:52:37 | 0:52:40 | |
Oh, thank you very much indeed. | 0:52:40 | 0:52:42 | |
Thank you. Wow. | 0:52:42 | 0:52:44 | |
I can shoot the squirrels outside now. | 0:52:44 | 0:52:47 | |
'My experiences here | 0:52:48 | 0:52:50 | |
'have been unlike any I've had anywhere else. | 0:52:50 | 0:52:55 | |
'It's such a different environment, | 0:52:55 | 0:52:57 | |
'it's like being on a different planet, and I've enjoyed it. | 0:52:57 | 0:53:01 | |
'It's been hard, but nevertheless | 0:53:01 | 0:53:03 | |
'I'll take something with me from here, | 0:53:03 | 0:53:05 | |
'because there's a deep appreciation of community.' | 0:53:05 | 0:53:08 | |
Before reuniting with their families, | 0:53:15 | 0:53:18 | |
John and Lionel will meet for the first time. | 0:53:18 | 0:53:20 | |
I'm feeling really excited about seeing Lionel today. | 0:53:20 | 0:53:25 | |
He's like a long-lost brother or something, | 0:53:25 | 0:53:27 | |
because I know so much about him but I've never met the fella. | 0:53:27 | 0:53:30 | |
I will be very interested, yes, of course, | 0:53:33 | 0:53:36 | |
to hear how John coped with doing some of my work. | 0:53:36 | 0:53:40 | |
When I get there, | 0:53:40 | 0:53:42 | |
I will get the whole story. | 0:53:42 | 0:53:44 | |
This whole experience has given me great insight into who he is, | 0:53:44 | 0:53:48 | |
so I'm going to be very interested to find out what he has to say. | 0:53:48 | 0:53:52 | |
-Hello! -Hello! Hi. | 0:53:53 | 0:53:56 | |
-You must be John. -Hello, Lionel. -Nice to meet you. | 0:53:56 | 0:53:59 | |
-Hello. Hi, mate. -How are you? -All right, doing well. -Good. | 0:53:59 | 0:54:01 | |
-Take a seat, let's catch up. -Why not! | 0:54:01 | 0:54:05 | |
-How was London for you? -Actually, it was unbelievable. | 0:54:05 | 0:54:08 | |
-Unbelievable?! -Unbelievable. | 0:54:08 | 0:54:11 | |
But, beside everything else, | 0:54:11 | 0:54:13 | |
you have a very lovely family. | 0:54:13 | 0:54:15 | |
-Oh, thank you. Thank you. -So do you. | 0:54:15 | 0:54:17 | |
-Very welcoming. -So do you. | 0:54:17 | 0:54:19 | |
John, I want to ask you, what do you think about the way I live? | 0:54:19 | 0:54:22 | |
I put myself in your shoes for this small slot of time, | 0:54:22 | 0:54:27 | |
but I don't think I could do it for the rest of my life | 0:54:27 | 0:54:29 | |
-or for very long at all, really. -Yeah, yeah. | 0:54:29 | 0:54:31 | |
Something that we're seeking in London is more community... | 0:54:31 | 0:54:35 | |
Mm-hmm. | 0:54:35 | 0:54:37 | |
..and in Surama, people have time for one another | 0:54:37 | 0:54:41 | |
and people care about one another. | 0:54:41 | 0:54:43 | |
-We haven't got that in the same way in the UK. -Yeah. | 0:54:43 | 0:54:46 | |
-That's been lost. -Everything is different, yeah. | 0:54:46 | 0:54:48 | |
Yeah, that's what I see, that's what I experienced. | 0:54:48 | 0:54:51 | |
People don't have that togetherness. | 0:54:51 | 0:54:55 | |
What would you do if you were me? | 0:54:55 | 0:54:57 | |
I found out when I was in Scotland | 0:54:57 | 0:55:00 | |
how people in the countryside were more happier | 0:55:00 | 0:55:04 | |
-than living in the city. -Yeah. | 0:55:04 | 0:55:06 | |
So my advice is, it might be like starting from scratch again | 0:55:06 | 0:55:11 | |
if you decide to move but, for the kids, | 0:55:11 | 0:55:13 | |
they would love the countryside. | 0:55:13 | 0:55:16 | |
-Yes. -They are really... | 0:55:16 | 0:55:17 | |
They're really active. Really active kids. | 0:55:17 | 0:55:20 | |
But it is a big decision. | 0:55:20 | 0:55:23 | |
-It's a difficult one. -It is. Yeah. Yes, yes. | 0:55:23 | 0:55:27 | |
This whole experience has opened my eyes | 0:55:27 | 0:55:30 | |
to what life might be like back in the UK, | 0:55:30 | 0:55:33 | |
and it has set me thinking about how to stimulate community | 0:55:33 | 0:55:38 | |
and shared life with other people wherever I am. | 0:55:38 | 0:55:42 | |
And it will be very influential throughout the rest of my life. | 0:55:43 | 0:55:47 | |
My advice for you, if I could be so bold, | 0:55:47 | 0:55:50 | |
I think opening a shop is a vital way | 0:55:50 | 0:55:53 | |
of keeping your heritage alive, | 0:55:53 | 0:55:56 | |
because it's generating money. | 0:55:56 | 0:55:58 | |
And I think the way to do both of those things | 0:55:58 | 0:56:00 | |
is to start selling crafts | 0:56:00 | 0:56:02 | |
and use the internet to let people know you're there. | 0:56:02 | 0:56:07 | |
So, to help in some small way, I set up a social media page for you. | 0:56:07 | 0:56:12 | |
I think that will be very useful. | 0:56:12 | 0:56:15 | |
Your daughter taught me similar stuff, | 0:56:15 | 0:56:19 | |
and putting it together may be very helpful for me in the future. | 0:56:19 | 0:56:24 | |
-Thank you so much for your encouragement. -Yeah. | 0:56:24 | 0:56:28 | |
He tried to encourage me. I will take it seriously. | 0:56:28 | 0:56:31 | |
If you are not careful, we would lose our culture and craft. | 0:56:31 | 0:56:36 | |
So, actually, that's something very important to be considered, | 0:56:36 | 0:56:39 | |
to start selling my craft. | 0:56:39 | 0:56:42 | |
-OK, John. -Good to know you. | 0:56:42 | 0:56:43 | |
-Nice meeting you. -See you. -Yeah. -See you. | 0:56:43 | 0:56:46 | |
-Yeah, man. -Yeah. Good one. -Yes. -What a way to meet, eh? -Yes! | 0:56:46 | 0:56:50 | |
-Incredible, incredible. -Unbelievable. | 0:56:50 | 0:56:53 | |
-See you again sometime, I hope. -Yeah, goodbye. | 0:56:53 | 0:56:55 | |
-Bye-bye. -OK, bye. See you. | 0:56:55 | 0:56:59 | |
'It is one of the biggest adventures I went on. | 0:56:59 | 0:57:01 | |
'But the tool-making was one big thing for me.' | 0:57:01 | 0:57:04 | |
The little that I have learned in a short time | 0:57:04 | 0:57:07 | |
is going to make a big difference for life back home. | 0:57:07 | 0:57:10 | |
This whole experience has motivated me | 0:57:12 | 0:57:16 | |
to really squeeze the marrow out of life | 0:57:16 | 0:57:19 | |
and not just sit around at home | 0:57:19 | 0:57:23 | |
in front of a TV or a computer waiting to die. | 0:57:23 | 0:57:27 | |
I want to live - and I only get one life, so I want to live it! | 0:57:28 | 0:57:32 | |
DOORBELL RINGS | 0:57:38 | 0:57:40 | |
Hello, what are you doing here?! | 0:57:41 | 0:57:43 | |
-Yay! -Hello! | 0:57:43 | 0:57:45 | |
Hello, hello, hello! How are you? | 0:57:55 | 0:57:57 | |
-Next time... -Good grief! | 0:58:08 | 0:58:10 | |
..a sheltered fisherwoman | 0:58:10 | 0:58:12 | |
is dropped into one of the world's busiest cities... | 0:58:12 | 0:58:15 | |
So many people, so much noise! | 0:58:15 | 0:58:16 | |
..while a city slicker is forced to cope with the muck of country life. | 0:58:16 | 0:58:20 | |
I made the right decision - I didn't take my high heels. | 0:58:20 | 0:58:23 | |
They're a million miles from their comfort zones. | 0:58:23 | 0:58:26 | |
What do I do with this? | 0:58:26 | 0:58:27 | |
I've not done this before. | 0:58:27 | 0:58:29 | |
-Keep going. -OK! | 0:58:29 | 0:58:30 | |
-Will they survive their new lives... -Right. | 0:58:30 | 0:58:32 | |
..and can they change the way they lead their own? | 0:58:32 | 0:58:35 | |
I hope I can learn to be more perfect. | 0:58:35 | 0:58:38 |