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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:06 | |
I've come to a wedding... with a difference. CHEERING | 0:00:06 | 0:00:09 | |
I don't know who's covered in more of the stuff, the bride or me. | 0:00:09 | 0:00:12 | |
It's taking place in a refugee camp in Jordan, in the Middle East, | 0:00:12 | 0:00:16 | |
and is home to 80,000 people, | 0:00:16 | 0:00:19 | |
who have fled the bombs and bullets or Syria's civil war. | 0:00:19 | 0:00:23 | |
But what was supposed to be a temporary camp has now become | 0:00:24 | 0:00:27 | |
a city the size of Bath, | 0:00:27 | 0:00:29 | |
complete with nine schools, | 0:00:29 | 0:00:31 | |
11 hospitals and clinics, | 0:00:31 | 0:00:33 | |
two supermarkets, | 0:00:33 | 0:00:34 | |
as well as playgrounds and sports centres, | 0:00:34 | 0:00:37 | |
and it's all been built in just the last four years. | 0:00:37 | 0:00:41 | |
SINGING And it's nothing like you'd expect. | 0:00:41 | 0:00:44 | |
It's a tough place to be and no-one would choose to live here, | 0:00:44 | 0:00:47 | |
but, as you can see, | 0:00:47 | 0:00:48 | |
they're making the most of it because, | 0:00:48 | 0:00:50 | |
even in the most difficult of circumstances, life has to go on. | 0:00:50 | 0:00:53 | |
Like any other city on earth, | 0:00:55 | 0:00:58 | |
Zaatari has births, deaths, marriages and everything in-between. | 0:00:58 | 0:01:03 | |
And in this series, | 0:01:06 | 0:01:07 | |
I will be exploring it with A&E doctor Javid Abdelmoneim. | 0:01:07 | 0:01:11 | |
How often are you changing the dressings in a week? | 0:01:11 | 0:01:13 | |
He'll be meeting the children recovering from the injuries of war. | 0:01:13 | 0:01:17 | |
That big wound there is in the vicinity of a nerve. | 0:01:17 | 0:01:20 | |
Journalist Ben Timberlake, a hostile environment expert, | 0:01:20 | 0:01:23 | |
will find out how you feed tens of thousands of people | 0:01:23 | 0:01:26 | |
who are far from home. | 0:01:26 | 0:01:27 | |
90,000 loaves of bread come out of here in one night? | 0:01:27 | 0:01:31 | |
So you've got the most important job in the camp. | 0:01:31 | 0:01:34 | |
Meanwhile, I'll be meeting the army of workers that provide | 0:01:36 | 0:01:40 | |
the essentials of food, shelter and water in a desert. | 0:01:40 | 0:01:44 | |
Absolutely amazing. | 0:01:48 | 0:01:50 | |
He's got it all up here. Who needs computers? | 0:01:50 | 0:01:53 | |
The Syrian civil war has led to the biggest humanitarian crisis of our time. | 0:01:53 | 0:01:58 | |
And we'll be getting under the skin of this unique metropolis, | 0:01:58 | 0:02:01 | |
a place of huge logistical challenges, | 0:02:01 | 0:02:04 | |
incredible, human stories... | 0:02:04 | 0:02:06 | |
To discover how the spirit and ingenuity of the people | 0:02:06 | 0:02:09 | |
who live here have turned this refugee camp | 0:02:09 | 0:02:12 | |
into somewhere they can call home. | 0:02:12 | 0:02:15 | |
Welcome to Zaatari. | 0:02:15 | 0:02:17 | |
Four years ago, there was nothing here except desert. | 0:02:25 | 0:02:29 | |
Now Zaatari is home to 80,000 people, | 0:02:34 | 0:02:37 | |
one of the biggest cities in all of Jordan. | 0:02:37 | 0:02:40 | |
It's in the far north of the country, | 0:02:42 | 0:02:44 | |
just a few miles from the Syrian border. | 0:02:44 | 0:02:47 | |
It's my first day here | 0:02:50 | 0:02:51 | |
and the obvious place to start is on the high street. | 0:02:51 | 0:02:55 | |
This is not what I was expecting at all. | 0:02:55 | 0:02:58 | |
It's my first time in a refugee camp | 0:02:58 | 0:03:00 | |
and maybe this isn't a typical set-up. | 0:03:00 | 0:03:03 | |
Over 60% of people here have lived in Zaatari for more than two years, | 0:03:06 | 0:03:10 | |
which has helped to create a strong sense of identity | 0:03:10 | 0:03:13 | |
and community in the camp. | 0:03:13 | 0:03:14 | |
From a collection of tents in the desert, | 0:03:17 | 0:03:20 | |
Zaatari has grown organically as more and more refugees have arrived. | 0:03:20 | 0:03:24 | |
It's now made up of 24,000 homes | 0:03:24 | 0:03:27 | |
and covers more than five square kilometres. | 0:03:27 | 0:03:30 | |
Dominating the camp, there are two key roads - | 0:03:32 | 0:03:34 | |
Saudi Street and the main drag, | 0:03:34 | 0:03:37 | |
which the locals have nicknamed the "Champs Elysees". | 0:03:37 | 0:03:40 | |
Just trying to get my head around the scale of it. It's huge. | 0:03:42 | 0:03:45 | |
It seems to just go on and on and on, | 0:03:45 | 0:03:47 | |
and it's business after business after business. | 0:03:47 | 0:03:50 | |
Since Zaatari was established, | 0:03:50 | 0:03:52 | |
almost 3,000 small businesses have sprung up here | 0:03:52 | 0:03:56 | |
as refugees have used whatever money | 0:03:56 | 0:03:58 | |
they've brought from Syria to set up shop. | 0:03:58 | 0:04:01 | |
Somebody's selling spices. | 0:04:01 | 0:04:04 | |
Oh, that smells amazing. | 0:04:04 | 0:04:05 | |
Telephone repair shop, | 0:04:05 | 0:04:06 | |
second-hand TVs in the satellite shop, | 0:04:06 | 0:04:09 | |
toys, torches, socks, clothes, shoes and boots, | 0:04:09 | 0:04:13 | |
bicycles, kettles, nappies... | 0:04:13 | 0:04:16 | |
You name it. I mean, this is... This is just... | 0:04:16 | 0:04:19 | |
This doesn't feel like I'm in a refugee camp at all. | 0:04:19 | 0:04:22 | |
Zaatari is run and paid for by the Jordanian government | 0:04:24 | 0:04:28 | |
and UN's Refugee Agency, along with over 30 different charities | 0:04:28 | 0:04:32 | |
at a cost of £10m a month. | 0:04:32 | 0:04:36 | |
But it is the refugees that have given the camp its character | 0:04:36 | 0:04:40 | |
as they've tried to replicate life back in Syria. | 0:04:40 | 0:04:43 | |
Oh, wow. This is quite interesting. | 0:04:43 | 0:04:45 | |
Now I was not expecting to see ballgowns here! | 0:04:46 | 0:04:50 | |
Assalaamu Alaikum. Salam. | 0:04:52 | 0:04:54 | |
When do Syrian women wear these dresses? | 0:04:54 | 0:04:56 | |
Wow. I had no idea that this is what women wore on their wedding. | 0:05:01 | 0:05:04 | |
They're very glamorous. They're very revealing. | 0:05:04 | 0:05:07 | |
That is incredible. | 0:05:20 | 0:05:23 | |
You know, it's silly to think that I was surprised that | 0:05:23 | 0:05:26 | |
a wedding shop would exist in a refugee camp | 0:05:26 | 0:05:28 | |
cos, of course, people need to get married. | 0:05:28 | 0:05:31 | |
And maybe there will be a wedding I could gate-crash. | 0:05:31 | 0:05:33 | |
HE LAUGHS | 0:05:33 | 0:05:35 | |
There are more than ten weddings in the camp every single week. | 0:05:35 | 0:05:39 | |
Though no-one would choose to marry here, | 0:05:39 | 0:05:41 | |
just as no-one would choose to live here, | 0:05:41 | 0:05:44 | |
it's a sign that people are getting on with their lives. | 0:05:44 | 0:05:48 | |
There's a falafel place just on about every corner here. | 0:05:48 | 0:05:52 | |
Check out how fast this guy is. | 0:05:52 | 0:05:54 | |
How many can you make in a day? How many falafels? | 0:05:56 | 0:05:59 | |
7,000 pieces? That's pretty impressive. | 0:06:03 | 0:06:06 | |
It's very hard for refugees to work legally in Jordan, | 0:06:09 | 0:06:12 | |
but, in the camp, the authorities turn a blind eye. | 0:06:12 | 0:06:15 | |
Around 60% of the working age population earn some income, | 0:06:15 | 0:06:19 | |
either from a business | 0:06:19 | 0:06:21 | |
or by working for one of the charities that operate here. | 0:06:21 | 0:06:24 | |
It's enough to give Zaatari a sense of normality, | 0:06:24 | 0:06:27 | |
until you look a little closer. | 0:06:27 | 0:06:29 | |
It's taken me a while to grasp, on the face of it, | 0:06:29 | 0:06:32 | |
this is a completely normal high street. | 0:06:32 | 0:06:35 | |
But, actually, there isn't a single building that's got a first floor. | 0:06:35 | 0:06:40 | |
It's a clear indication of the fact that Zaatari isn't an ordinary town. | 0:06:40 | 0:06:45 | |
And the people here may have escaped war, | 0:06:45 | 0:06:48 | |
but they have no citizenship rights in Jordan | 0:06:48 | 0:06:50 | |
and aren't allowed to leave the camp without a permit. | 0:06:50 | 0:06:54 | |
I keep having to remind myself that everybody who lives here | 0:06:54 | 0:06:57 | |
is here because, just six miles in that direction, | 0:06:57 | 0:07:00 | |
there is a war raging in their country. | 0:07:00 | 0:07:02 | |
After five years of this brutal civil war, | 0:07:06 | 0:07:09 | |
Syria is in ruins. | 0:07:09 | 0:07:11 | |
Civilian areas have borne the brunt of the fighting, | 0:07:13 | 0:07:15 | |
with thousands of schools, hospitals and houses turned to rubble. | 0:07:15 | 0:07:20 | |
A quarter of a million people have been killed | 0:07:21 | 0:07:25 | |
and more than five million have fled. | 0:07:25 | 0:07:28 | |
Of those, a million have made the journey to Europe whilst the | 0:07:28 | 0:07:31 | |
majority have stayed in neighbouring countries. | 0:07:31 | 0:07:35 | |
Now thousands of Syrians are trying to build new homes | 0:07:36 | 0:07:39 | |
and new lives here in Zaatari. | 0:07:39 | 0:07:42 | |
So, when you step off the main road, this is what it's like. | 0:07:45 | 0:07:47 | |
It's not Tarmac-ed at all. It's just the raw desert underfoot - | 0:07:47 | 0:07:51 | |
very dusty, very sandy - | 0:07:51 | 0:07:52 | |
and then there's just rows and rows of these pre-fabricated caravans | 0:07:52 | 0:07:57 | |
that everyone lives in, really. | 0:07:57 | 0:07:59 | |
It's all very samey, it's all very monotonous, it's all very basic. | 0:07:59 | 0:08:03 | |
When people first came here in July 2012, | 0:08:03 | 0:08:07 | |
they were initially living in tents. | 0:08:07 | 0:08:09 | |
But as temperatures range from below freezing to over 40, | 0:08:09 | 0:08:13 | |
the tents have been replaced by 24,000 portakabins. | 0:08:13 | 0:08:17 | |
I'm on my way to meet someone who has turned his portakabin | 0:08:18 | 0:08:21 | |
into one of the most distinctive homes in the camp. | 0:08:21 | 0:08:25 | |
What is that? | 0:08:25 | 0:08:26 | |
That's the first swing I've seen. | 0:08:27 | 0:08:29 | |
CHILDREN SHOUTING Someone's having fun. | 0:08:29 | 0:08:31 | |
Assalaamu Alaikum. | 0:08:31 | 0:08:33 | |
-Hello, hello, hello! -Oh, hello, hello! | 0:08:33 | 0:08:35 | |
Did you build this? | 0:08:37 | 0:08:39 | |
What else have you built? | 0:08:55 | 0:08:56 | |
I'm fascinated by your house. | 0:08:56 | 0:08:58 | |
Can we have a look inside? | 0:08:58 | 0:08:59 | |
He's got yoghurt, he's got cheese, and that's butter. | 0:09:02 | 0:09:06 | |
Yeah. | 0:09:06 | 0:09:07 | |
And that's because this is really cool. | 0:09:07 | 0:09:10 | |
So it's like a fridge. | 0:09:10 | 0:09:12 | |
Yeah. | 0:09:12 | 0:09:13 | |
If you're bald, you've got brains. | 0:09:23 | 0:09:25 | |
SHE LAUGHS | 0:09:25 | 0:09:26 | |
So you made a gym? | 0:09:26 | 0:09:28 | |
You ready? | 0:09:28 | 0:09:30 | |
SHE GROANS | 0:09:30 | 0:09:31 | |
HE LAUGHS | 0:09:31 | 0:09:33 | |
THEY LAUGHS | 0:09:33 | 0:09:35 | |
'As well as being a handyman about the house, | 0:09:35 | 0:09:37 | |
'back in Syria, Ziad made a living by selling fruit and veg.' | 0:09:37 | 0:09:42 | |
Oh, wow! ROOSTER CROW | 0:09:42 | 0:09:44 | |
Of course you'd have a garden. | 0:09:44 | 0:09:46 | |
Ziad, this is incredible. | 0:09:46 | 0:09:48 | |
Hmm. | 0:09:48 | 0:09:49 | |
Mint. | 0:09:51 | 0:09:53 | |
What was your house in Syria like? | 0:09:53 | 0:09:55 | |
How does it feel to have had to leave it all behind? | 0:10:03 | 0:10:06 | |
So just how bad were things in Syria when you left? | 0:10:23 | 0:10:27 | |
'Like everyone in Zaatari, Ziad has left everything behind, | 0:10:43 | 0:10:47 | |
'but he is doing all he can to turn this small patch of desert | 0:10:47 | 0:10:51 | |
'into a new home.' | 0:10:51 | 0:10:53 | |
Ziad, what type of tree is this? | 0:10:53 | 0:10:54 | |
Lemons. | 0:10:56 | 0:10:58 | |
We're planting a lemon tree in the desert - fantastic. | 0:10:58 | 0:11:02 | |
It's a bit rocky. | 0:11:02 | 0:11:03 | |
To have a herb garden in the desert is not an easy job. | 0:11:03 | 0:11:07 | |
SHE LAUGHS | 0:11:15 | 0:11:16 | |
You're going to call it Anita? | 0:11:16 | 0:11:18 | |
HE LAUGHS | 0:11:18 | 0:11:19 | |
I hope it gives you nice, big, juicy lemons. | 0:11:19 | 0:11:22 | |
Well, that was totally unexpected. | 0:11:26 | 0:11:29 | |
I'm amazed at Ziad's ingenuity. | 0:11:29 | 0:11:31 | |
He's obviously the Mr Fix It who can build absolutely anything. | 0:11:31 | 0:11:35 | |
Even in a desert, in a refugee camp, humans have the ability | 0:11:35 | 0:11:39 | |
to turn a little corner of it into their castle. | 0:11:39 | 0:11:42 | |
But despite Ziad's talents, it's hard to imagine anyone | 0:11:45 | 0:11:48 | |
surviving here without the help of the authorities, | 0:11:48 | 0:11:51 | |
who provide the building blocks of life in the camp. | 0:11:51 | 0:11:54 | |
There's just so much to get your head around about this place, | 0:11:54 | 0:11:57 | |
how it was set up and how it's run. | 0:11:57 | 0:11:59 | |
So I'm off to meet the guy who's the top dog here, | 0:11:59 | 0:12:03 | |
who's in control of the entire camp. | 0:12:03 | 0:12:06 | |
Assalaamu Alaikum. | 0:12:06 | 0:12:07 | |
-This is one of the imams. -Ah, Assalaamu Alaikum. | 0:12:09 | 0:12:11 | |
Hovig Etyemezian, from Lebanon, is the UN's manager on-site, | 0:12:13 | 0:12:17 | |
and knows how hard it is to establish a camp like this. | 0:12:17 | 0:12:21 | |
I think every camp has different stages. | 0:12:21 | 0:12:24 | |
At its inception, | 0:12:24 | 0:12:25 | |
usually it's difficult moments where you have thousands of | 0:12:25 | 0:12:29 | |
refugees crossing the border, traumatised, in need of assistance. | 0:12:29 | 0:12:35 | |
So at the beginning, it's usually a little bit more chaotic. | 0:12:35 | 0:12:38 | |
Although the camp seems safe and well organised, | 0:12:41 | 0:12:43 | |
Zaatari used to be a very different place. | 0:12:43 | 0:12:46 | |
In the early days, crime was rife, and there were a couple of | 0:12:47 | 0:12:50 | |
riots every week, as residents fought for better conditions. | 0:12:50 | 0:12:54 | |
Now, thanks to a local Jordanian police force, | 0:12:55 | 0:12:58 | |
and the maturing services, the situation has got better. | 0:12:58 | 0:13:02 | |
How much of the way Zaatari has developed and become what it is, | 0:13:02 | 0:13:05 | |
how much of that is down to the people themselves, | 0:13:05 | 0:13:08 | |
the Syrian people that are here? | 0:13:08 | 0:13:09 | |
I think, most of it, the refugees take the credit. | 0:13:09 | 0:13:13 | |
Because what happens in camps is that refugees try | 0:13:13 | 0:13:16 | |
to replicate a resemblance of what is a normal life back home. | 0:13:16 | 0:13:20 | |
In a camp set-up. | 0:13:20 | 0:13:21 | |
It is also not a secret that we have a highly skilled Syrian population. | 0:13:21 | 0:13:26 | |
We have the doctors and the engineers and the teachers | 0:13:27 | 0:13:30 | |
and the carpenters and the welders and all of them are trying to | 0:13:30 | 0:13:34 | |
make the best out of a situation. | 0:13:34 | 0:13:37 | |
What does Zaatari say about the Syrian people? | 0:13:37 | 0:13:39 | |
Life in a camp is a very difficult life. It's a life of dependency. | 0:13:39 | 0:13:44 | |
But the Syrians are not waiting for a hand-out, | 0:13:44 | 0:13:47 | |
they are pushing the boundaries. | 0:13:47 | 0:13:49 | |
They are trying to, within the realm of possibilities, | 0:13:49 | 0:13:53 | |
have a decent life. | 0:13:53 | 0:13:55 | |
You can see that, that's all around us. | 0:13:55 | 0:13:57 | |
With 80,000 people living here, Zaatari is now full. | 0:14:02 | 0:14:06 | |
But a few refugees every month still move into the camp, | 0:14:06 | 0:14:10 | |
because they have a medical need to be here. | 0:14:10 | 0:14:13 | |
As a doctor himself, Javid Abudul-Monim is heading to | 0:14:13 | 0:14:16 | |
one of the camp's hospitals to find out what they have to deal with. | 0:14:16 | 0:14:21 | |
Which patients do you envisage coming in this ward? | 0:14:21 | 0:14:24 | |
We'll put a patient with a spinal-cord injury here, | 0:14:24 | 0:14:27 | |
and another one next to him. | 0:14:27 | 0:14:29 | |
There are 11 hospitals and medical centres in Zaatari. | 0:14:29 | 0:14:33 | |
They all treat the usual health issues that you'd find in | 0:14:33 | 0:14:36 | |
any city of this size, anywhere in the world. | 0:14:36 | 0:14:38 | |
Except this one. | 0:14:38 | 0:14:40 | |
It's run by the medical charity Medecins Sans Frontieres, | 0:14:43 | 0:14:47 | |
and looks after patients recovering from injuries of war. | 0:14:47 | 0:14:51 | |
-So they're all trauma victims? -Yes, they are all blast injury. | 0:14:51 | 0:14:54 | |
Recently, we are receiving more spinal-cord injuries than before. | 0:14:54 | 0:14:58 | |
-So they come with paraplegia, hemiplegia, sometimes quadriplegia. -Gosh. | 0:14:58 | 0:15:03 | |
We received patients who couldn't move anything but their face. | 0:15:03 | 0:15:07 | |
-It's really difficult. They are young people. -It's a lot of input. | 0:15:07 | 0:15:12 | |
One third of the hospitals in Syria have been destroyed, | 0:15:12 | 0:15:15 | |
and half the country's doctors have fled. | 0:15:15 | 0:15:18 | |
So many injured Syrians end up leaving their homeland for treatment. | 0:15:18 | 0:15:22 | |
Every week, we receive five to six patients, | 0:15:22 | 0:15:26 | |
today we are receiving seven. | 0:15:26 | 0:15:27 | |
When they come, they're weak, they are hungry, they are cold. | 0:15:27 | 0:15:31 | |
So we have everything ready for them, we welcome them, | 0:15:31 | 0:15:35 | |
and give them what they need. | 0:15:35 | 0:15:38 | |
There are 40 beds in the hospital, | 0:15:38 | 0:15:40 | |
looked after by ten foreign and Jordanian doctors. | 0:15:40 | 0:15:43 | |
They oversee the rehabilitation of patients here. | 0:15:43 | 0:15:46 | |
But major surgery takes place at hospitals elsewhere in Jordan. | 0:15:46 | 0:15:50 | |
So I've just been given a list of the admissions this afternoon. | 0:15:50 | 0:15:54 | |
Seven patients. | 0:15:54 | 0:15:55 | |
The first two are related, it's an aunt and niece. | 0:15:56 | 0:15:59 | |
The niece is only ten months old. | 0:15:59 | 0:16:01 | |
Her mother died in the very same explosion. | 0:16:01 | 0:16:04 | |
The next three are 22, 21 and 20-year-olds, | 0:16:04 | 0:16:08 | |
all with spinal-cord injuries. | 0:16:08 | 0:16:11 | |
And the last two are orthopaedic - one with a thigh bone fracture, | 0:16:11 | 0:16:15 | |
but also a head injury and a left arm broken. | 0:16:15 | 0:16:19 | |
And the other is a right above-knee amputation, | 0:16:19 | 0:16:21 | |
so a whole list of blast injuries. | 0:16:21 | 0:16:23 | |
Patients arriving here come from other hospitals | 0:16:28 | 0:16:30 | |
closer to the front line. | 0:16:30 | 0:16:33 | |
They've already had the emergency treatment that in many cases | 0:16:33 | 0:16:36 | |
will have saved their lives. | 0:16:36 | 0:16:37 | |
But many more operations could lie ahead. | 0:16:37 | 0:16:40 | |
It's complicated surgery. | 0:16:41 | 0:16:43 | |
Infections deep in bones, metalwork inside and out, nerve damage, | 0:16:43 | 0:16:47 | |
vessel damage, skin grafting. | 0:16:47 | 0:16:49 | |
It's really high-end surgery, it's not simple stuff. | 0:16:49 | 0:16:52 | |
Even in Britain, this would be tough. | 0:16:52 | 0:16:55 | |
Tomorrow, I'm going to meet some of the patients, | 0:16:55 | 0:16:58 | |
to find out exactly what they need. | 0:16:58 | 0:17:00 | |
Most refugees arrived into the camp | 0:17:05 | 0:17:07 | |
with hardly any possessions or money. | 0:17:07 | 0:17:10 | |
That means the vast majority rely on food aid. | 0:17:10 | 0:17:13 | |
And feeding tens of thousands of people is an enormous challenge. | 0:17:15 | 0:17:19 | |
Hi. | 0:17:19 | 0:17:20 | |
Do I need to get the whole outfit on as well? | 0:17:22 | 0:17:25 | |
Ben Timberlake has come to a bakery in the camp, | 0:17:25 | 0:17:28 | |
run by the World Food Programme. | 0:17:28 | 0:17:30 | |
I feel like I'm scrubbing up for an operation, | 0:17:30 | 0:17:32 | |
rather than making some bread. | 0:17:32 | 0:17:34 | |
Head baker Nibal Sawahla - a baker from Syria who's worked | 0:17:34 | 0:17:38 | |
here for three years - is going to show me around. | 0:17:38 | 0:17:42 | |
It's absolutely huge in here, and dusty. | 0:17:42 | 0:17:45 | |
And incredibly hot as well. | 0:17:45 | 0:17:46 | |
These bags of flour, | 0:17:51 | 0:17:53 | |
how many of those do you get through every night? | 0:17:53 | 0:17:55 | |
Wow. | 0:17:57 | 0:17:58 | |
And how many pieces of bread does that make? | 0:17:58 | 0:18:00 | |
90,000 loaves of bread come out of here in one night? | 0:18:05 | 0:18:08 | |
So you've got the most important job in the camp? | 0:18:08 | 0:18:11 | |
Bread is a staple of Syrian life. | 0:18:16 | 0:18:19 | |
So important, that the bakery opened | 0:18:19 | 0:18:21 | |
just a few months after people first arrived here. | 0:18:21 | 0:18:23 | |
I don't have a clue what I'm doing, but this is like, | 0:18:25 | 0:18:29 | |
welcome to the Great Syrian Bake-Off. | 0:18:29 | 0:18:31 | |
What is this? | 0:18:35 | 0:18:36 | |
OK. | 0:18:38 | 0:18:39 | |
After being mixed, the dough is ready to be shaped into loaves. | 0:18:43 | 0:18:47 | |
Go on! | 0:18:53 | 0:18:54 | |
The weight of each loaf has to be precisely 65g. | 0:18:54 | 0:18:58 | |
Uh-huh. | 0:19:00 | 0:19:01 | |
So you adjust that one. | 0:19:07 | 0:19:09 | |
Now, shall I check? | 0:19:09 | 0:19:10 | |
Bingo! | 0:19:11 | 0:19:12 | |
So all of those little, | 0:19:17 | 0:19:18 | |
tiny balls of dough are now being squished into something | 0:19:18 | 0:19:22 | |
that's much more recognisable as Middle Eastern bread. | 0:19:22 | 0:19:26 | |
Despite the effort that goes into getting every piece of bread | 0:19:26 | 0:19:29 | |
just right... | 0:19:29 | 0:19:30 | |
..it doesn't always go according to plan. | 0:19:33 | 0:19:36 | |
OK, cool. | 0:19:42 | 0:19:44 | |
This is the final bit, | 0:19:45 | 0:19:46 | |
they're going into the oven right now and being baked. | 0:19:46 | 0:19:49 | |
How long do they spend in the oven then? | 0:19:51 | 0:19:54 | |
Five seconds? That's nothing! | 0:19:58 | 0:20:01 | |
It's like the magic of finding out | 0:20:03 | 0:20:05 | |
where little baby pitta breads come from. | 0:20:05 | 0:20:07 | |
How many does every person in the camp get? | 0:20:09 | 0:20:11 | |
How many pieces of bread? | 0:20:11 | 0:20:12 | |
Are they good to eat now? | 0:20:14 | 0:20:16 | |
That's actually very, very good. | 0:20:19 | 0:20:21 | |
Once the bread has cooled, it's packed up. | 0:20:23 | 0:20:26 | |
So the room that was empty about ten minutes ago, | 0:20:30 | 0:20:32 | |
is suddenly starting to fill up with these crates of bread. | 0:20:32 | 0:20:36 | |
All of the people working in the bakery are refugees who live in | 0:20:36 | 0:20:39 | |
the camp, and earn a small wage for their efforts. | 0:20:39 | 0:20:43 | |
After a long night's work here, do you go home and eat more bread, | 0:20:43 | 0:20:46 | |
or are you completely sick of the sight of it? | 0:20:46 | 0:20:49 | |
LAUGHTER | 0:20:59 | 0:21:01 | |
The workers continue through the night. | 0:21:01 | 0:21:04 | |
And at 6am, the bread is ready to be distributed around the camp. | 0:21:04 | 0:21:08 | |
Smells so good in here! | 0:21:13 | 0:21:14 | |
Freshly baked bread, and it's really warm. | 0:21:14 | 0:21:17 | |
The final job of the shift is to load the bread onto the trucks. | 0:21:17 | 0:21:21 | |
All right, here we go. | 0:21:23 | 0:21:24 | |
Last one. We're done. | 0:21:24 | 0:21:27 | |
Now, this truck's going to go to one of four distribution points, | 0:21:27 | 0:21:30 | |
where the residents of the camp will turn up with their vouchers | 0:21:30 | 0:21:32 | |
to receive their four loaves of bread. | 0:21:32 | 0:21:35 | |
I'd better get going. | 0:21:35 | 0:21:36 | |
Now you can see that the camp is coming to life. | 0:21:41 | 0:21:44 | |
Little girls with their rucksacks on going to school. | 0:21:44 | 0:21:47 | |
These women have got their bread. | 0:21:49 | 0:21:51 | |
Carrying it on their heads. | 0:21:51 | 0:21:53 | |
Seeing all these people ready to collect their free bread | 0:22:05 | 0:22:09 | |
is a reminder just how reliant people are on aid. | 0:22:09 | 0:22:12 | |
This is the distribution point, you've got men on one side, women on the other. | 0:22:15 | 0:22:19 | |
-Assalaamu Alaikum. -Assalaamu Alaikum. | 0:22:19 | 0:22:20 | |
Run by the world food programme, | 0:22:20 | 0:22:22 | |
refugees have to bring their ration cards, showing how many people | 0:22:22 | 0:22:26 | |
are in their family, and therefore how much bread they're entitled to. | 0:22:26 | 0:22:29 | |
How many families are you collecting for? | 0:22:29 | 0:22:32 | |
One, two, three, four, | 0:22:32 | 0:22:35 | |
five, six, seven, eight! | 0:22:35 | 0:22:37 | |
Eight families! | 0:22:37 | 0:22:39 | |
You're going to carry all this bread home? | 0:22:39 | 0:22:41 | |
So this young man, he's got... | 0:22:41 | 0:22:44 | |
Six. So that's 24. | 0:22:44 | 0:22:46 | |
So that'll be one of these, because it's got 18. | 0:22:46 | 0:22:49 | |
And an extra six. They you go. | 0:22:49 | 0:22:52 | |
He's very chatty... Are you all right? | 0:22:52 | 0:22:54 | |
-No, no, no. -There you go. THE BOY PROTESTS | 0:22:54 | 0:22:56 | |
What do you want? | 0:22:56 | 0:22:57 | |
He's obviously got a problem with my service here. | 0:22:57 | 0:23:00 | |
Things are starting to quiet down, | 0:23:03 | 0:23:04 | |
but they're not going to stop for another hour and a half. | 0:23:04 | 0:23:07 | |
They've been at it from seven till ten in the morning, | 0:23:07 | 0:23:09 | |
and they won't finish until all the bread's gone. | 0:23:09 | 0:23:11 | |
Altogether, more than 300,000 loaves are given out in Zaatari | 0:23:13 | 0:23:17 | |
every single day. | 0:23:17 | 0:23:19 | |
But people can't survive on bread alone. | 0:23:19 | 0:23:22 | |
Residents are free to buy whatever they want | 0:23:22 | 0:23:24 | |
in the various shops on the high street, if they've got the money. | 0:23:24 | 0:23:27 | |
But I'm heading to one of the two supermarkets in Zaatari, | 0:23:28 | 0:23:32 | |
to see what other support people here receive. | 0:23:32 | 0:23:36 | |
When the camp first opened, people were given a food ration box | 0:23:36 | 0:23:40 | |
with the basics - salt, sugar, rice, pasta, lentils. | 0:23:40 | 0:23:43 | |
But as it became obvious they were going to be staying here | 0:23:43 | 0:23:46 | |
longer than they thought, to allow people to feel more normal | 0:23:46 | 0:23:49 | |
and to give them some choice, they decided to change the system, | 0:23:49 | 0:23:53 | |
and now each person in a family is given a £20 food allowance. | 0:23:53 | 0:23:57 | |
So a family of five get £100 per month to spend at two supermarkets | 0:23:57 | 0:24:02 | |
in the camp. One of them is Safeway. | 0:24:02 | 0:24:06 | |
Oh, wow. It's a proper supermarket. | 0:24:07 | 0:24:11 | |
You presume that in a refugee camp things would be quite basic, | 0:24:11 | 0:24:15 | |
but you've got vegetables, fresh fruit, dates, olive oil. | 0:24:15 | 0:24:20 | |
It says here, "Made in Jordan." | 0:24:21 | 0:24:23 | |
With much of the produce home-grown in this country, | 0:24:25 | 0:24:28 | |
the supermarket is one of the ways in which the Jordanian economy | 0:24:28 | 0:24:32 | |
benefits from the arrival of refugees. | 0:24:32 | 0:24:35 | |
It's just like any supermarket in the world, | 0:24:35 | 0:24:37 | |
where they even try and push products on you by samples. | 0:24:37 | 0:24:41 | |
What are we sampling here? What is it? | 0:24:41 | 0:24:43 | |
What am I about to eat? | 0:24:43 | 0:24:45 | |
"Chicken Luncheon," oh, gosh. | 0:24:45 | 0:24:49 | |
Is it good? Let's try. I have to smell it. | 0:24:49 | 0:24:52 | |
Mm. It's like Spam. | 0:24:55 | 0:24:57 | |
The prices are a little bit expensive. | 0:24:59 | 0:25:01 | |
Things in here are not as cheap as you think. | 0:25:01 | 0:25:04 | |
Just under £3 for all those eggs. | 0:25:04 | 0:25:06 | |
So your £20 per person isn't going to go that far. | 0:25:06 | 0:25:09 | |
Everyone in the camp gets that £20 per month from the authorities, | 0:25:11 | 0:25:14 | |
whether they're a baby or an adult. | 0:25:14 | 0:25:16 | |
It isn't a lot of money, | 0:25:19 | 0:25:20 | |
but crucially it allows people here to take control of their own | 0:25:20 | 0:25:24 | |
spending, rather than relying on ration packs and food hand-outs. | 0:25:24 | 0:25:27 | |
HE SHOUTS | 0:25:29 | 0:25:31 | |
I'm back at the hospital, run by Medecins Sans Frontieres, | 0:25:38 | 0:25:41 | |
to meet some of Zaatari's newest arrivals. | 0:25:41 | 0:25:45 | |
-Good morning. Shall we start with the little boy? -Yes. -All right. | 0:25:45 | 0:25:49 | |
I'm just going to join the whole team for the morning ward round. | 0:25:49 | 0:25:52 | |
Nine years old, | 0:25:55 | 0:25:56 | |
the patient was injured in Syria and that caused the left eye loss. | 0:25:56 | 0:26:01 | |
-The plan is getting the prosthetic eye. -The prosthetic eye. | 0:26:01 | 0:26:04 | |
While he waits for a prosthetic eye, Mohamed is living in the | 0:26:04 | 0:26:07 | |
hospital with his father sleeping in the bed next to his. | 0:26:07 | 0:26:10 | |
Identical, huh? | 0:26:26 | 0:26:28 | |
Do you remember that day, Mohamed? | 0:26:30 | 0:26:32 | |
In some respects, Mohamed is one of the lucky ones. | 0:26:52 | 0:26:56 | |
More than 15,000 children have so far been killed during the conflict. | 0:26:56 | 0:27:00 | |
In the ward is another boy, also called Mohamed, | 0:27:04 | 0:27:07 | |
also permanently affected by the war. | 0:27:07 | 0:27:10 | |
His current problem is his tib fib fracture. | 0:27:10 | 0:27:13 | |
Mohamed's leg was severely wounded when | 0:27:15 | 0:27:17 | |
he was hit by shrapnel eight months ago. | 0:27:17 | 0:27:19 | |
-It's an open fracture, soft tissue defect. -It's open as well? -Yes. | 0:27:19 | 0:27:23 | |
Soft tissue defect, so a really awful injury. | 0:27:23 | 0:27:26 | |
So, doing the best to save the leg at all costs, rather than amputate? | 0:27:26 | 0:27:29 | |
-Yes. -How he sustained the injury initially, it was a blast? | 0:27:29 | 0:27:33 | |
OK. | 0:27:33 | 0:27:35 | |
When you're out and about inside Zaatari camp itself, life feels | 0:27:39 | 0:27:42 | |
calm, it feels safe, people are getting on with things, | 0:27:42 | 0:27:45 | |
and it's easy to forget therefore that there's a war going on | 0:27:45 | 0:27:48 | |
just a few miles away. | 0:27:48 | 0:27:50 | |
But in here, in the rehab hospital, | 0:27:50 | 0:27:52 | |
you meet people who have lost limbs, people who are really being | 0:27:52 | 0:27:55 | |
affected by that violence, victims of war. It brings it home. | 0:27:55 | 0:27:59 | |
Mohamed's bones still haven't healed and he needs | 0:28:09 | 0:28:12 | |
regular painful changes of the cast on his leg to prevent | 0:28:12 | 0:28:15 | |
the open wound becoming infected. | 0:28:15 | 0:28:17 | |
HE SHOUTS | 0:28:20 | 0:28:22 | |
How often are you changing the dressings in a week? | 0:28:23 | 0:28:26 | |
We change the dressing twice weekly. | 0:28:26 | 0:28:29 | |
When he's cleaning in there, he feels electric nerve pain | 0:28:32 | 0:28:34 | |
coming down here. | 0:28:34 | 0:28:36 | |
And that big wound there is in the vicinity of a nerve | 0:28:36 | 0:28:39 | |
-which wraps around your knee. -MOHAMED GROANS | 0:28:39 | 0:28:42 | |
He's lost that nerve, he can't lift up his foot any more. | 0:28:42 | 0:28:45 | |
That's something that cannot recover, so he's | 0:28:45 | 0:28:47 | |
permanently paralysed, in the sense that he can't lift his foot up. | 0:28:47 | 0:28:51 | |
The dressing change is a two-man job, and Mohamed's father, | 0:28:57 | 0:29:01 | |
who lives in the hospital with him, often helps. | 0:29:01 | 0:29:03 | |
He feels that the bone moves and that's what's painful when | 0:29:06 | 0:29:09 | |
the whole leg was lifted, without the support of the plaster of Paris. | 0:29:09 | 0:29:12 | |
So, the bones aren't likely to heal now unless he has a bone graft, | 0:29:16 | 0:29:20 | |
so the plaster there now is really just to stop the bone ends | 0:29:20 | 0:29:23 | |
rubbing and causing him pain. | 0:29:23 | 0:29:25 | |
It's as raw as having two broken bones rubbing against each other. | 0:29:25 | 0:29:29 | |
HE CRIES OUT | 0:29:29 | 0:29:31 | |
Mohamed will have to wait until the risk of infection in his leg | 0:29:32 | 0:29:35 | |
is clear before he can potentially have a bone graft to heal the break. | 0:29:35 | 0:29:39 | |
It still gets me to see this many of this type of injury in one place. | 0:29:45 | 0:29:51 | |
Everybody here has this type of blast injury caused by violence. | 0:29:51 | 0:29:56 | |
Look how many patients are in wheelchairs. That's not normal. | 0:29:56 | 0:30:00 | |
That's when it hits me, that it's something big going on, | 0:30:00 | 0:30:04 | |
something quite extraordinary. | 0:30:04 | 0:30:05 | |
Every one of the 80,000 people in Zaatari has a story about the war. | 0:30:07 | 0:30:12 | |
The home they've given up, the friends or family they might | 0:30:12 | 0:30:15 | |
have lost, the future that was taken from them. | 0:30:15 | 0:30:19 | |
But people here are also trying to build a new future. | 0:30:22 | 0:30:26 | |
In Indian culture, they say the darker the henna, | 0:30:28 | 0:30:30 | |
the more your mother-in-law loves you. | 0:30:30 | 0:30:33 | |
THEY LAUGH | 0:30:34 | 0:30:37 | |
She's got it on her nose! Hang on, hang on, we need a tissue. | 0:30:37 | 0:30:39 | |
She can't be having henna on her nose on her wedding day. | 0:30:39 | 0:30:43 | |
'I've met up with 18-year-old Montaha as she prepares to get | 0:30:43 | 0:30:46 | |
'married to someone she's met in the camp.' | 0:30:46 | 0:30:49 | |
Tell me about your husband-to-be. Tell me what you know about him. | 0:30:49 | 0:30:53 | |
Have you spoken to him? Have you had a conversation? | 0:31:06 | 0:31:09 | |
What did you like about him? | 0:31:09 | 0:31:10 | |
Like most of the people in the camp, Montaha is from | 0:31:18 | 0:31:21 | |
a very conservative part of Syria, where arranged marriages are common. | 0:31:21 | 0:31:25 | |
Do you think if you were still in Syria you'd be getting | 0:31:45 | 0:31:48 | |
married now, at 18? | 0:31:48 | 0:31:49 | |
What did you want to do? What was your dream? | 0:32:04 | 0:32:07 | |
Montaha's wedding is in a few days' time. | 0:32:19 | 0:32:22 | |
Javid is off to meet her husband-to-be, | 0:32:22 | 0:32:25 | |
20-year-old hairdresser Moussa. | 0:32:25 | 0:32:28 | |
Wow, what's this room? | 0:32:28 | 0:32:30 | |
Cool. | 0:32:35 | 0:32:36 | |
Come and look in here. | 0:33:06 | 0:33:07 | |
They've gone as far as getting face creams and perfumes, | 0:33:07 | 0:33:10 | |
some jewellery, hairbrush... | 0:33:10 | 0:33:12 | |
Every last detail. It's really cool. | 0:33:12 | 0:33:14 | |
Tell me about your bride, though. Where did you meet? | 0:33:14 | 0:33:17 | |
The cost of keeping this camp running is huge, | 0:33:44 | 0:33:47 | |
at around £320,000 every single day. | 0:33:47 | 0:33:52 | |
I'm heading to the outskirts of the camp to see how one of the | 0:33:52 | 0:33:55 | |
biggest challenges is dealt with - getting water in a desert. | 0:33:55 | 0:34:00 | |
Originally, water was being trucked into Zaatari at great expense | 0:34:00 | 0:34:04 | |
and when it became obvious that people were going to be here | 0:34:04 | 0:34:07 | |
for quite some time, they had to come up with another solution. | 0:34:07 | 0:34:10 | |
This is it. | 0:34:10 | 0:34:11 | |
So they dug three boreholes within the camp and this is one of them | 0:34:11 | 0:34:16 | |
that's tapping into a water table 450 metres deep. | 0:34:16 | 0:34:21 | |
There we go. | 0:34:21 | 0:34:22 | |
There we go, that is water coming straight out of the earth | 0:34:22 | 0:34:26 | |
and it's warm, because it's coming from so deep down. | 0:34:26 | 0:34:28 | |
The water is filtered and chlorinated | 0:34:31 | 0:34:34 | |
so that it meets the standards of tap water across Jordan. | 0:34:34 | 0:34:38 | |
With no mains delivery system in the camp, it has to be trucked | 0:34:38 | 0:34:42 | |
to individual tanks that directly feed the Portakabins. | 0:34:42 | 0:34:45 | |
But first, every truckload has to undergo some vigorous testing. | 0:34:46 | 0:34:50 | |
He's the most hydrated man on camp! | 0:34:52 | 0:34:54 | |
And now this is the chlorine test. | 0:34:56 | 0:34:59 | |
So, they put a little tablet in and then he'll look at his chart, | 0:34:59 | 0:35:03 | |
along the side, to see whether it falls within the right numbers. | 0:35:03 | 0:35:07 | |
-What do you think? -This is good. -Yeah. | 0:35:07 | 0:35:09 | |
'Then it's just a matter of getting the purified water | 0:35:09 | 0:35:12 | |
'to Zaatari's residents.' | 0:35:12 | 0:35:13 | |
Assalaamu Alaikum. OK. The water's going to get delivered. | 0:35:13 | 0:35:17 | |
Another truck coming back to base camp to fill up with more water. | 0:35:21 | 0:35:25 | |
There's 55 of these trucks and each of them does about four trips a day. | 0:35:25 | 0:35:29 | |
OTHER TRUCK HONKS | 0:35:29 | 0:35:30 | |
I mean, just running these trucks is about £1 million a year. | 0:35:30 | 0:35:34 | |
It's dawning on me the importance and the difficulty | 0:35:34 | 0:35:38 | |
of getting water to Zaatari. | 0:35:38 | 0:35:39 | |
I mean, look around - it's just deserts. | 0:35:39 | 0:35:41 | |
Every individual gets 35 litres of water a day. | 0:35:46 | 0:35:50 | |
It may sound like a lot, but that's for drinking, cooking, | 0:35:51 | 0:35:54 | |
cleaning, washing, flushing the toilet, everything. | 0:35:54 | 0:35:58 | |
In the UK, we each use five times that. | 0:35:58 | 0:36:01 | |
When the truck arrives at its destination, | 0:36:02 | 0:36:05 | |
it's met by a team of local Syrian residents | 0:36:05 | 0:36:07 | |
whose job it is to allocate the water in their area. | 0:36:07 | 0:36:12 | |
Here we go. No messing about - the pipe's already in. | 0:36:12 | 0:36:16 | |
It's up to the local water team to know who needs water, when. | 0:36:19 | 0:36:22 | |
Where is this water going? Who is this for? | 0:36:23 | 0:36:26 | |
But how do you know that? What, have you memorised them all? | 0:36:29 | 0:36:32 | |
What about this one, then? | 0:36:32 | 0:36:34 | |
Absolutely amazing. How do you remember it? | 0:36:38 | 0:36:41 | |
How long have you been doing the job? | 0:36:43 | 0:36:45 | |
Two months?! Is that all? | 0:36:46 | 0:36:48 | |
It's brilliant. He's got it all up here. Who needs computers? | 0:36:49 | 0:36:53 | |
It's done. | 0:36:59 | 0:37:01 | |
22,000 litres of water, gone like that. | 0:37:01 | 0:37:05 | |
The water system may be effective, but it's financially unsustainable, | 0:37:08 | 0:37:13 | |
so there's a new plan in the pipeline, | 0:37:13 | 0:37:15 | |
and stage one has just been completed. | 0:37:15 | 0:37:17 | |
Wow. | 0:37:22 | 0:37:24 | |
Wow, that's quite some view. | 0:37:24 | 0:37:27 | |
It's amazing. | 0:37:27 | 0:37:28 | |
This is the highest point in Zaatari. | 0:37:28 | 0:37:30 | |
I'm standing on one of three reservoirs that have been | 0:37:30 | 0:37:33 | |
built to service the whole of this camp. | 0:37:33 | 0:37:36 | |
It's enormous, and it has to be, | 0:37:36 | 0:37:39 | |
because this will hold 1,500 cubic metres of water | 0:37:39 | 0:37:43 | |
that will be coming directly from the borehole and this will | 0:37:43 | 0:37:46 | |
provide 30,000 people in this area with water. | 0:37:46 | 0:37:51 | |
In about a year's time, every single household in Zaatari | 0:37:51 | 0:37:55 | |
will have mains-connected, running water. | 0:37:55 | 0:37:57 | |
I've come back to the MSF hospital. | 0:38:07 | 0:38:10 | |
I want to catch up with Mohamed and his father, Abu Abdullah, | 0:38:10 | 0:38:13 | |
to find out more about how he was injured. | 0:38:13 | 0:38:15 | |
How's your leg? | 0:38:15 | 0:38:16 | |
The day of the injury, Mohamed, can you remember what happened? | 0:38:19 | 0:38:22 | |
Abu Abdullah, were you with them in the car that day? | 0:38:48 | 0:38:51 | |
To add to the physical and emotional trauma that Mohamed has suffered, | 0:39:03 | 0:39:07 | |
he's now spent eight months living in hospital, | 0:39:07 | 0:39:10 | |
unable to go to school and live like a normal child. | 0:39:10 | 0:39:14 | |
But hopefully that could be about to change. | 0:39:14 | 0:39:17 | |
Are you looking forward to making friends? | 0:39:29 | 0:39:31 | |
A good student, Abu Abdullah? | 0:39:32 | 0:39:34 | |
And what was your best subject? | 0:39:39 | 0:39:41 | |
LAUGHTER | 0:39:42 | 0:39:44 | |
I really hope you get to go to school, and will you let me | 0:39:44 | 0:39:47 | |
come to school with you on your first day if you get to go? | 0:39:47 | 0:39:50 | |
Mohamed will find out tomorrow whether the medical team | 0:39:54 | 0:39:57 | |
feel that his leg has healed enough for him to go back to school. | 0:39:57 | 0:40:01 | |
Over half of the population in the camp are under 18 | 0:40:08 | 0:40:12 | |
and the nine schools that cater for them split their days, | 0:40:12 | 0:40:15 | |
with girls studying in the morning and boys in the afternoon. | 0:40:15 | 0:40:19 | |
But not all the kids in the camp go to school. | 0:40:19 | 0:40:22 | |
Ben is off to meet two of the estimated 3,000 children | 0:40:23 | 0:40:26 | |
who have jobs here in Zaatari. | 0:40:26 | 0:40:28 | |
-Salam. -Hello. | 0:40:33 | 0:40:35 | |
Mohamed, all right, good stuff. | 0:40:38 | 0:40:40 | |
Mohamed and Hafez work in a bike shop owned by Mohamed's father. | 0:40:42 | 0:40:47 | |
Mohamed only works in the mornings, | 0:40:47 | 0:40:48 | |
before going to school, but Hafez spends the day here. | 0:40:48 | 0:40:51 | |
How old are you guys? | 0:41:08 | 0:41:09 | |
You are not! You're a tiny bit younger than that, surely? | 0:41:14 | 0:41:17 | |
Eh? | 0:41:20 | 0:41:21 | |
LAUGHTER That's an amazing answer! | 0:41:22 | 0:41:25 | |
-Yes. -You're very lucky, then. | 0:41:25 | 0:41:27 | |
Most of the bikes in the camp were donated by the Netherlands. | 0:41:35 | 0:41:39 | |
Just like everything else here, they're a tradable commodity | 0:41:39 | 0:41:42 | |
and a good-looking bike is quite the status symbol. | 0:41:42 | 0:41:45 | |
-So, guys, this looks like a pretty amazing bike to me. -Yes. -Yeah? | 0:41:48 | 0:41:53 | |
We've also got a... Ha-ha! | 0:41:56 | 0:41:58 | |
This is properly pimped, here, and it's got diodes on the back. | 0:41:58 | 0:42:02 | |
Let's see this again. Yeah, yeah, yeah. | 0:42:02 | 0:42:04 | |
You see? Look, there's a little light just under here. | 0:42:04 | 0:42:08 | |
You've got one of the best-looking bikes in camp, | 0:42:08 | 0:42:11 | |
but you've also got the leather jacket, | 0:42:11 | 0:42:13 | |
you've got the cigarette, is that all part of the look? | 0:42:13 | 0:42:16 | |
And why do you bring your bike here? | 0:42:19 | 0:42:21 | |
It's midday, and the afternoon school shift is about to begin, | 0:42:39 | 0:42:42 | |
so Hafez and I are walking Mohamed to class. | 0:42:42 | 0:42:45 | |
So, guys, how much do you earn a month at the moment? | 0:42:47 | 0:42:50 | |
That's about £50. | 0:42:53 | 0:42:55 | |
And how much of that do you give back to your family? | 0:42:55 | 0:42:58 | |
And what do you guys want to do when you grow up? | 0:43:03 | 0:43:06 | |
What are your plans for later? | 0:43:06 | 0:43:07 | |
With money tight, many children have to bring cash into the family home, | 0:43:19 | 0:43:24 | |
and a third don't go to school at all. | 0:43:24 | 0:43:27 | |
When was the last time that you actually went to school? | 0:43:27 | 0:43:29 | |
So is it better for you and your family for you to keep working? | 0:43:48 | 0:43:51 | |
Have a good day at school, yeah? | 0:44:01 | 0:44:03 | |
'It isn't just Hafez's future at stake.' | 0:44:05 | 0:44:07 | |
With 4,000 schools back in Syria destroyed, | 0:44:09 | 0:44:12 | |
millions of Syrian children are no longer studying. | 0:44:12 | 0:44:15 | |
ANITA: It's the day before the wedding. | 0:44:26 | 0:44:28 | |
Moussa, the groom, is on his way to do what most Syrian men do | 0:44:28 | 0:44:31 | |
just before their big day. | 0:44:31 | 0:44:33 | |
THEY SING | 0:44:33 | 0:44:34 | |
He's heading to the barber's to spruce himself up, | 0:44:36 | 0:44:39 | |
and he's taking Javid and all his mates along. | 0:44:39 | 0:44:41 | |
Yeah, it's a bit like a stag event, isn't it? | 0:44:43 | 0:44:45 | |
When you watch them bundling him down the road like that. | 0:44:45 | 0:44:48 | |
It's really nice. | 0:44:48 | 0:44:49 | |
Moussa, what are you having done today? | 0:44:52 | 0:44:54 | |
Just like a stag back in the UK, | 0:45:10 | 0:45:13 | |
part of the fun is in stitching up the groom | 0:45:13 | 0:45:16 | |
and over here, it's all about hitting him. | 0:45:16 | 0:45:19 | |
Why are you so keen to hit him? | 0:45:19 | 0:45:21 | |
But you guys who aren't married, see, you have to be careful - | 0:45:29 | 0:45:33 | |
if you stitch him up too much, when it's your turn, | 0:45:33 | 0:45:36 | |
he's going to get you back. | 0:45:36 | 0:45:38 | |
While the boys banter, further down the Champs Elysees, | 0:45:59 | 0:46:02 | |
it's time for the bride to get a dress. | 0:46:02 | 0:46:04 | |
Anything that you see that you like? | 0:46:05 | 0:46:07 | |
This one? | 0:46:07 | 0:46:09 | |
It's a nice one. She's gone for classic white. | 0:46:09 | 0:46:11 | |
I quite like the pink, myself, but it's not about me, | 0:46:11 | 0:46:14 | |
it's not about me. | 0:46:14 | 0:46:15 | |
Montaha is with her mother and soon-to-be mother-in-law. | 0:46:17 | 0:46:21 | |
So, now you've got a new daughter. | 0:46:24 | 0:46:26 | |
Well, she's very beautiful. | 0:46:26 | 0:46:28 | |
The tradition in Syria is that the groom's family pay for the wedding, | 0:46:35 | 0:46:38 | |
including the bride's dress. | 0:46:38 | 0:46:41 | |
How much of a say are they going to have in the choice? | 0:46:41 | 0:46:43 | |
Montaha will be hiring two wedding dresses - | 0:46:54 | 0:46:56 | |
a classic white dress for her wedding day | 0:46:56 | 0:46:58 | |
and a colourful one for her henna party, a women's-only celebration | 0:46:58 | 0:47:02 | |
that happens the night before a wedding. | 0:47:02 | 0:47:04 | |
Come on, come on, show us. She's nervous! | 0:47:04 | 0:47:07 | |
She's so nervous, bless her! | 0:47:07 | 0:47:09 | |
Come on out, my love. Come and show us. | 0:47:09 | 0:47:11 | |
How do you feel? How do you feel? | 0:47:11 | 0:47:15 | |
Oh, yeah, hoik it up. | 0:47:15 | 0:47:17 | |
VOCALISING | 0:47:17 | 0:47:19 | |
Very important question here, Montaha. | 0:47:22 | 0:47:24 | |
Is there any dancing at the wedding? | 0:47:24 | 0:47:26 | |
Can you move in it? | 0:47:26 | 0:47:27 | |
Yeah, she's moving in it. | 0:47:27 | 0:47:29 | |
LAUGHTER | 0:47:29 | 0:47:31 | |
It's... You've got to be able to... | 0:47:32 | 0:47:35 | |
If you can dance in the dress, we're good to go. | 0:47:35 | 0:47:38 | |
Yeah? Yeah. | 0:47:38 | 0:47:40 | |
Is it taking you back to your wedding day? | 0:47:40 | 0:47:42 | |
What would you have met each other if you were living in Syria? | 0:47:50 | 0:47:53 | |
Come on out. | 0:48:02 | 0:48:03 | |
Come on out. | 0:48:06 | 0:48:07 | |
I think it's gorgeous. How do you feel? | 0:48:09 | 0:48:11 | |
-Is this the one, do you think? -Yes. | 0:48:14 | 0:48:16 | |
Back at the barbers, Moussa is getting some serious pampering... | 0:48:24 | 0:48:27 | |
before his beating begins. | 0:48:27 | 0:48:29 | |
Look at the hands being warmed up here. Look at this. Uh-oh. | 0:48:32 | 0:48:36 | |
Gently, gently. Do it gently, huh? | 0:48:38 | 0:48:40 | |
Oh! Ow! | 0:48:44 | 0:48:47 | |
Is it my turn? | 0:48:49 | 0:48:50 | |
You, you! | 0:49:00 | 0:49:02 | |
UPBEAT MUSIC PLAYING | 0:49:06 | 0:49:09 | |
The real party starts outside the groom's house... | 0:49:11 | 0:49:15 | |
where Moussa will be making the most of his final night as a single man. | 0:49:15 | 0:49:19 | |
It's the day of the wedding. | 0:49:36 | 0:49:39 | |
But before we go, Javad is joining Mohamed, | 0:49:39 | 0:49:41 | |
who's also got a big day ahead of him. | 0:49:41 | 0:49:43 | |
How you doing? Good? All right, then. | 0:49:43 | 0:49:46 | |
Having lived in hospital for the past eight months, | 0:49:49 | 0:49:53 | |
Mohamed's finally getting back out into the wider world. | 0:49:53 | 0:49:56 | |
He's going to return to school. | 0:49:56 | 0:49:58 | |
He's definitely got some speed on, | 0:50:02 | 0:50:04 | |
so he's definitely keen to get to school right now. | 0:50:04 | 0:50:06 | |
Hurts his leg a little bit, this rough road. | 0:50:13 | 0:50:15 | |
So he's just asking his dad to slow down a bit. | 0:50:15 | 0:50:18 | |
Look how big the school is. Huh? | 0:50:20 | 0:50:23 | |
Oy, oy, oy. | 0:50:27 | 0:50:28 | |
It's really tricky. Not easy at all. | 0:50:30 | 0:50:33 | |
But he is excited, he's looking around a lot. | 0:50:33 | 0:50:36 | |
But the ground here is really difficult | 0:50:36 | 0:50:39 | |
for a wheelchair and it's hurting his leg. | 0:50:39 | 0:50:41 | |
Having missed months of school, | 0:50:48 | 0:50:49 | |
Mohamed will need some help to catch up. | 0:50:49 | 0:50:52 | |
THEY INTRODUCE THEMSELVES | 0:51:18 | 0:51:20 | |
Did you like the look of the class, Mohamed? | 0:51:52 | 0:51:54 | |
Do you think you'll make some friends there? | 0:51:55 | 0:51:57 | |
HE LAUGHS | 0:51:59 | 0:52:01 | |
While Javid and I get ready for the celebration, | 0:52:05 | 0:52:07 | |
Ben is off to deal with some last-minute wedding practicalities. | 0:52:07 | 0:52:11 | |
Weddings here are all about food, | 0:52:11 | 0:52:13 | |
and I've heard that this shop is THE place to go. | 0:52:13 | 0:52:17 | |
Abdul Hariri works in a family-run bakery on the Champs-Elysees. | 0:52:20 | 0:52:24 | |
This looks incredible. Are you very busy at the moment? | 0:52:24 | 0:52:27 | |
Do you need any help? | 0:52:29 | 0:52:31 | |
What's the biggest order you've ever done? | 0:52:34 | 0:52:37 | |
3,000?! How much does that cost? | 0:52:39 | 0:52:41 | |
That's almost £400. | 0:52:44 | 0:52:45 | |
How many people would you invite to the average wedding here? | 0:52:51 | 0:52:55 | |
The dough is stuffed with a spiced mince to make little pasties, | 0:53:05 | 0:53:09 | |
-and then they're ready for the oven. -Very good. | 0:53:09 | 0:53:12 | |
It's incredibly hot. What's the best way of doing it, then? | 0:53:17 | 0:53:20 | |
Uh-huh. | 0:53:20 | 0:53:22 | |
Like so? Yeah. Then straight out? | 0:53:22 | 0:53:24 | |
Ah-ha-ha-ha-ha! | 0:53:26 | 0:53:28 | |
-Very good. -Yeah? I can't believe that worked. | 0:53:28 | 0:53:31 | |
It's very satisfying work, isn't it? | 0:53:33 | 0:53:35 | |
Abdul has lost five relatives during the war. | 0:53:46 | 0:53:49 | |
But this bakery helps to support 50 members of the extended family | 0:53:49 | 0:53:53 | |
who are now living in the camp. | 0:53:53 | 0:53:55 | |
Do you think you can taste the difference between the ones I | 0:53:55 | 0:53:57 | |
made and the ones you made? | 0:53:57 | 0:53:59 | |
They're incredibly light. | 0:54:07 | 0:54:08 | |
They're very fluffy, lots of spice, lots of flavour. Are you happy? | 0:54:08 | 0:54:12 | |
Oh! | 0:54:21 | 0:54:22 | |
Finally, the big moment has arrived. | 0:54:30 | 0:54:32 | |
There's no mistaking where the wedding is, is there? | 0:54:32 | 0:54:34 | |
Absolutely not. Do you think they've stopped since last night? | 0:54:34 | 0:54:37 | |
I don't think so. | 0:54:37 | 0:54:39 | |
We've come to Moussa's house, | 0:54:39 | 0:54:41 | |
where he is still celebrating with just the guys. | 0:54:41 | 0:54:43 | |
LOUD MUSIC PLAYING | 0:54:43 | 0:54:45 | |
The groom's still on the shoulders. | 0:54:48 | 0:54:50 | |
A massive two-day-long celebration, | 0:54:52 | 0:54:55 | |
a wedding in the camp is one of the few times that people here | 0:54:55 | 0:54:58 | |
can really let themselves go. | 0:54:58 | 0:55:00 | |
Of course, there's no alcohol, but there is plenty of spray foam. | 0:55:02 | 0:55:05 | |
SINGING AND CLAPPING | 0:55:05 | 0:55:08 | |
-Ohh-ah! -HE LAUGHS | 0:55:08 | 0:55:11 | |
What a way to have a wedding. | 0:55:11 | 0:55:13 | |
First, the bride and groom will celebrate separately | 0:55:14 | 0:55:17 | |
during the wedding - | 0:55:17 | 0:55:18 | |
until the key moment when Moussa goes to collect his bride | 0:55:18 | 0:55:22 | |
and they officially become husband and wife. | 0:55:22 | 0:55:24 | |
As long as he doesn't forget! | 0:55:24 | 0:55:26 | |
Is this the time? Are you going to get your bride? | 0:55:36 | 0:55:39 | |
Really? How are you feeling? | 0:55:39 | 0:55:40 | |
Yeah? | 0:55:42 | 0:55:43 | |
It's basically like an Indian wedding - | 0:55:43 | 0:55:45 | |
no-one knows what the heck is going on. | 0:55:45 | 0:55:47 | |
Mous... Oh, he's off! | 0:55:47 | 0:55:48 | |
CHANTING | 0:55:48 | 0:55:49 | |
He's travelling in style. | 0:55:49 | 0:55:51 | |
It's a short walk to the bride's house, | 0:55:52 | 0:55:55 | |
and Moussa's mates seem to be in charge of the chanting. | 0:55:55 | 0:55:57 | |
CHANTING AND SINGING | 0:55:57 | 0:55:59 | |
Moussa heads into Montaha's house to collect her... | 0:56:08 | 0:56:11 | |
SHE VOCALISES | 0:56:11 | 0:56:13 | |
..and then take her back to his house. | 0:56:13 | 0:56:15 | |
CHEERING | 0:56:15 | 0:56:18 | |
CHANTING AND SINGING | 0:56:18 | 0:56:21 | |
Moussa's two little cousins, who are dressed like mini brides. | 0:56:26 | 0:56:30 | |
It's amazing, they look like Disney characters. | 0:56:30 | 0:56:33 | |
As Moussa ushers Montaha into their new home... | 0:56:35 | 0:56:38 | |
..they're officially married. | 0:56:40 | 0:56:42 | |
I don't know who's covered in more of this stuff - the bride or me. | 0:56:42 | 0:56:46 | |
I think everyone's got the same idea - | 0:56:46 | 0:56:48 | |
they want to come in and congratulate the newlyweds. | 0:56:48 | 0:56:51 | |
Amazing. | 0:56:51 | 0:56:53 | |
She's here. Montaha! | 0:56:53 | 0:56:56 | |
Congratulations. | 0:56:56 | 0:56:58 | |
How many hours were you doing hair and make-up? | 0:56:59 | 0:57:03 | |
Three hours in hair and make-up. | 0:57:03 | 0:57:05 | |
I just want to wish you all the happiness for the rest of your life. | 0:57:05 | 0:57:09 | |
There is so much happiness in this room. | 0:57:09 | 0:57:11 | |
The marriage is done, Samir's got a daughter-in-law. | 0:57:11 | 0:57:14 | |
She is overwhelmed. | 0:57:14 | 0:57:15 | |
SHE VOCALISES | 0:57:15 | 0:57:17 | |
ALL VOCALISING | 0:57:17 | 0:57:18 | |
Although life here is far from perfect, and everyone would rather | 0:57:21 | 0:57:25 | |
be in Syria, that hasn't stopped people making the most of it. | 0:57:25 | 0:57:29 | |
This is what it's about. | 0:57:30 | 0:57:31 | |
Their tradition, their culture, it's just continuing because | 0:57:31 | 0:57:34 | |
that's what you all do, even in a refugee camp. | 0:57:34 | 0:57:37 | |
You can still bring joy to two families. | 0:57:37 | 0:57:40 | |
What better way of doing that than having a wedding? That was amazing. | 0:57:41 | 0:57:45 | |
Next time... | 0:57:48 | 0:57:50 | |
With no sign Zaatari's going anywhere any time soon, | 0:57:50 | 0:57:53 | |
this place is looking to the future. | 0:57:53 | 0:57:55 | |
You bought the suitcases. | 0:57:59 | 0:58:00 | |
Javid will be meeting the families making life-changing decisions. | 0:58:00 | 0:58:04 | |
Ben will be seeing what life's like for kids growing up here. | 0:58:06 | 0:58:09 | |
This is amazing. | 0:58:09 | 0:58:11 | |
And I'll be meeting the next generation born into this | 0:58:13 | 0:58:16 | |
challenging environment. | 0:58:16 | 0:58:18 | |
Gosh, it's just goes to show that, even in the most difficult | 0:58:18 | 0:58:21 | |
circumstances - I'm shaking - people don't just get on with life - | 0:58:21 | 0:58:26 | |
life can thrive. | 0:58:26 | 0:58:27 |