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of one of the most loveable fools in showbusiness. | 0:00:01 | 0:00:04 | |
What separates him from the rest of his profession | 0:00:04 | 0:00:08 | |
is that he is beloved while the rest are merely beliked. | 0:00:08 | 0:00:12 | |
Ladies and gentlemen, Mr Harry Secombe! | 0:00:12 | 0:00:15 | |
# Take me to your heart again | 0:00:20 | 0:00:24 | |
# Let's make a start again | 0:00:24 | 0:00:27 | |
# Forgiving and forgetting... # | 0:00:27 | 0:00:32 | |
This is the story of a man I was lucky enough to call a friend | 0:00:46 | 0:00:50 | |
and mentor. As a comic, he was one of a small group of performers | 0:00:50 | 0:00:55 | |
who changed the face of British comedy. | 0:00:55 | 0:00:57 | |
As a singer, he captivated audiences worldwide, | 0:00:57 | 0:01:00 | |
but it was as a man Harry Secombe touched the hearts of millions. | 0:01:00 | 0:01:04 | |
Harry was born in Swansea in 1921, | 0:01:06 | 0:01:09 | |
the son of a travelling salesman. | 0:01:09 | 0:01:11 | |
His parents, Fred and Gladys Secombe, | 0:01:11 | 0:01:14 | |
lived with their three children in rented rooms in the St Thomas area. | 0:01:14 | 0:01:18 | |
Harry was a shy child but he still got up to his fair share of mischief | 0:01:18 | 0:01:23 | |
What I want to know is was he a bit of a handful? | 0:01:23 | 0:01:27 | |
Not really a handful. He was always larking about. | 0:01:27 | 0:01:30 | |
He certainly was a problem child, | 0:01:30 | 0:01:33 | |
but he was the best and loveliest problem I've ever had. | 0:01:33 | 0:01:36 | |
Thank you, Mr and Mrs Secombe. | 0:01:36 | 0:01:39 | |
When Harry was four, the Secombes moved to a brand new council house | 0:01:39 | 0:01:43 | |
here on St Ledger Crescent. | 0:01:43 | 0:01:45 | |
It seemed immense to the young Harry, | 0:01:45 | 0:01:47 | |
who couldn't believe that a whole house could possible by theirs. | 0:01:47 | 0:01:52 | |
The new house was just up the road from the parish church | 0:01:52 | 0:01:56 | |
that gave the area of St Thomas its name. | 0:01:56 | 0:01:59 | |
It was a solid working class neighbourhood. | 0:01:59 | 0:02:03 | |
The church was at the centre of community life. | 0:02:03 | 0:02:06 | |
Harry, who sang in the choir, used to go four times every Sunday. | 0:02:06 | 0:02:10 | |
When he was singing in church, Harry used to lean forward | 0:02:10 | 0:02:14 | |
so that he'd catch the sunbeams coming in through those windows. | 0:02:14 | 0:02:18 | |
He liked to think of them as his personal spotlight. | 0:02:18 | 0:02:21 | |
When it came to performing outside church, he was far shyer. | 0:02:21 | 0:02:25 | |
Sometimes after school, they'd have a bit of a little party. | 0:02:25 | 0:02:30 | |
Everybody did something. | 0:02:30 | 0:02:32 | |
When they wanted me to sing, I was too embarrassed | 0:02:32 | 0:02:35 | |
to sing in the room, in the house. | 0:02:35 | 0:02:38 | |
So I used to go to the outside toilet, | 0:02:38 | 0:02:41 | |
where I sat on the wooden throne | 0:02:41 | 0:02:44 | |
with the cut out squares of the News of the World on a nail | 0:02:44 | 0:02:49 | |
and I'd sit there and sing with the door open | 0:02:49 | 0:02:53 | |
and they'd listen inside. | 0:02:53 | 0:02:55 | |
Ridiculous really. I'd be... # Bless this house... # | 0:02:55 | 0:03:01 | |
All the dogs and cats would set off. | 0:03:01 | 0:03:03 | |
They'd applaud inside. | 0:03:03 | 0:03:05 | |
A lunatic with trousers around my ankles! | 0:03:05 | 0:03:09 | |
I didn't sit there with my trousers on. I thought I'd do it properly! | 0:03:09 | 0:03:13 | |
What a... What a twit! | 0:03:14 | 0:03:17 | |
Harry went to St Thomas Boys Elementary School. | 0:03:18 | 0:03:21 | |
There, he did well in English and Art, | 0:03:21 | 0:03:24 | |
if not in other subjects. | 0:03:24 | 0:03:26 | |
I wasn't very bright, you know! | 0:03:26 | 0:03:28 | |
LAUGHTER A bit of an idiot! | 0:03:28 | 0:03:31 | |
I remember when the results of the triculation, a filthy habit... | 0:03:31 | 0:03:36 | |
LAUGHTER | 0:03:36 | 0:03:38 | |
When the results of the board examination came out, | 0:03:41 | 0:03:44 | |
we were all sitting in class and Teddy Test Tube, | 0:03:44 | 0:03:49 | |
who was the Maths master, also the Chemistry master, hence the name... | 0:03:49 | 0:03:54 | |
Anyway... LAUGHTER | 0:03:54 | 0:03:56 | |
He was reading out the results and he hadn't got to my name. | 0:03:56 | 0:04:00 | |
He picked up a piece of paper off the desk and said... | 0:04:00 | 0:04:03 | |
He waved it like this. "We are in the presence of history," he said. | 0:04:03 | 0:04:07 | |
"History. There is a paper here, no marks out of a hundred for geometry. | 0:04:07 | 0:04:12 | |
"Secombe, stand up." I stood up, took a call. "Thank you!" | 0:04:12 | 0:04:16 | |
Everybody clapped. "We've got a clown," he said. | 0:04:16 | 0:04:19 | |
Clowning was something Harry did take seriously. | 0:04:19 | 0:04:23 | |
He was a wireless fanatic | 0:04:23 | 0:04:25 | |
and a keen admirer of comics like Max Miller and Tommy Handley. | 0:04:25 | 0:04:29 | |
He and his sister Carol used to do a a double act | 0:04:29 | 0:04:32 | |
at local social nights, and when Harry left school | 0:04:32 | 0:04:35 | |
and started work as a junior pay clerk, | 0:04:35 | 0:04:37 | |
his impersonation of his boss almost cost him his job. | 0:04:37 | 0:04:41 | |
AIR RAID SIREN | 0:04:41 | 0:04:43 | |
But in 1939, life was about to get far more series | 0:04:43 | 0:04:46 | |
for him and everyone else in the country. | 0:04:46 | 0:04:49 | |
With war looming, Harry decided to join the Territorials in Swansea. | 0:04:49 | 0:04:54 | |
The only problem was that he was chronically short-sighted. | 0:04:54 | 0:04:58 | |
He got a friend to copy out the army eye chart for him | 0:04:58 | 0:05:01 | |
and Harry learned it all off by heart. | 0:05:01 | 0:05:04 | |
In the army, Harry continued to play the clown. | 0:05:04 | 0:05:08 | |
During his training as a gunner, he almost shot a postman | 0:05:08 | 0:05:11 | |
on Margam dunes, but he survived that incident | 0:05:11 | 0:05:14 | |
and was soon sailing for Africa with the Operation Torch invasion force. | 0:05:14 | 0:05:18 | |
Once they'd landed at the port of Algiers, | 0:05:18 | 0:05:21 | |
all that stood between them and their objective, Tunis, | 0:05:21 | 0:05:25 | |
was 500 miles of desert and the German 10th Panzer Division. | 0:05:25 | 0:05:29 | |
We went there in November 1942. | 0:05:29 | 0:05:33 | |
And we had quite a touch time. 132 Field Regiment. | 0:05:33 | 0:05:38 | |
Swansea Territorial regiment. | 0:05:38 | 0:05:41 | |
We had a lot of... Lost a lot of lads out there. | 0:05:41 | 0:05:45 | |
You can't share your experience with anybody else. | 0:05:45 | 0:05:48 | |
You can't tell people what war is like. | 0:05:48 | 0:05:50 | |
You can't tell them about what it is to see your pal dying, | 0:05:50 | 0:05:54 | |
that sort of thing, but those people who'd been through it with you | 0:05:54 | 0:05:59 | |
understand, even if they don't say anything. | 0:05:59 | 0:06:02 | |
You hold hands now and again and shake hands and share memories. | 0:06:02 | 0:06:07 | |
Harry wrote, "132 Field Regiment was home to me for four years | 0:06:07 | 0:06:12 | |
"and I could not have grown up with a better bunch of lads." | 0:06:12 | 0:06:15 | |
You realise that you just walk about with a sort of... | 0:06:15 | 0:06:20 | |
frail...covering of flesh and the rest is all pretty vulnerable. | 0:06:21 | 0:06:27 | |
And your mental attitude changes, I think. | 0:06:27 | 0:06:31 | |
I remember thinking - I'm not going to call anyone "sir" again after this | 0:06:31 | 0:06:36 | |
Harry was one of a generation of young men | 0:06:37 | 0:06:39 | |
whose attitude to authority was fundamentally changed by war. | 0:06:39 | 0:06:44 | |
In the deserts of North Africa, | 0:06:44 | 0:06:46 | |
he had a fateful meeting with the biggest anti-authoritarian | 0:06:46 | 0:06:49 | |
in the British army. | 0:06:49 | 0:06:51 | |
-Did you meet any of the generals, or...? -I met a very famous person. | 0:06:51 | 0:06:55 | |
His name escapes me... Wait a minute. Milligan. Spike Milligan. | 0:06:55 | 0:06:59 | |
-No! -Yes, indeed. That's where we met. | 0:06:59 | 0:07:02 | |
-When did you meet Spike? -He was washing his white flag for surrender. | 0:07:02 | 0:07:08 | |
LAUGHTER AND APPLAUSE | 0:07:08 | 0:07:10 | |
There he is! | 0:07:11 | 0:07:14 | |
APPLAUSE | 0:07:14 | 0:07:16 | |
Can you enlighten us? Harry was telling us where you met. He said... | 0:07:19 | 0:07:24 | |
-We were alive when we met. -LAUGHTER | 0:07:24 | 0:07:26 | |
-He's got a point there! -Did you threw a large gun at him? | 0:07:30 | 0:07:34 | |
Tell him the story. | 0:07:34 | 0:07:35 | |
We were on a cliff and this huge gun of 7.4, | 0:07:35 | 0:07:40 | |
and...we fired the gun and it rolled backwards over the cliff. | 0:07:40 | 0:07:46 | |
When we looked back, it was gone. | 0:07:46 | 0:07:49 | |
LAUGHTER | 0:07:49 | 0:07:51 | |
The captain said, "Somebody must go down and look for it." | 0:07:51 | 0:07:54 | |
"I'll go, sir. Anything to get out of the war!" | 0:07:54 | 0:07:57 | |
LAUGHTER | 0:07:57 | 0:07:59 | |
This regiment were parked out in tents. | 0:07:59 | 0:08:02 | |
I went round and opened the tents and said, | 0:08:02 | 0:08:05 | |
"Have you seen a gun?" This bloke said, "What colour?" | 0:08:05 | 0:08:09 | |
LAUGHTER AND APPLAUSE | 0:08:09 | 0:08:11 | |
After they'd taken Tunis, 132 Field Regiment were sent to Italy. | 0:08:12 | 0:08:17 | |
There, Harry joined the divisional concert party. | 0:08:17 | 0:08:20 | |
Performing sketches alongside female impersonators and comedy vicars, | 0:08:20 | 0:08:25 | |
he realised he'd found his calling. | 0:08:25 | 0:08:28 | |
In April 1946, Harry found himself back on Civvy Street | 0:08:35 | 0:08:40 | |
with a one way ticket to Swansea in his hand. | 0:08:40 | 0:08:43 | |
A few days after he'd been demobbed, Harry went for a night out | 0:08:43 | 0:08:47 | |
at Mumbles Pier Dancehall. He was going through a Canadian phase, | 0:08:47 | 0:08:51 | |
wearing a lumberjack shirt, putting an accent | 0:08:51 | 0:08:54 | |
and pretending to chew gum. | 0:08:54 | 0:08:56 | |
He must have been doing something right. | 0:08:56 | 0:08:58 | |
He asked a pretty girl called Myra for a dance and she said yes. | 0:08:58 | 0:09:03 | |
Do you remember the dancehall at the Mumbles near Swansea? | 0:09:03 | 0:09:06 | |
Of course. I met my wife. | 0:09:06 | 0:09:09 | |
Yes, that's where you met your wife to be. Come in, Mrs Myra Secombe. | 0:09:09 | 0:09:13 | |
Myra! You didn't tell me! | 0:09:13 | 0:09:15 | |
APPLAUSE | 0:09:15 | 0:09:17 | |
-Right there, beside your husband. -There's lovely! | 0:09:20 | 0:09:24 | |
I was at the Mumbles with a few of my girlfriends | 0:09:25 | 0:09:29 | |
and I was just about to get my last bus home | 0:09:29 | 0:09:32 | |
when this fellow comes up to me and says, "Can I have this dance?" | 0:09:32 | 0:09:36 | |
It was Harry. | 0:09:36 | 0:09:37 | |
I made a date to meet her the following day outside the Plaza. | 0:09:37 | 0:09:41 | |
The following morning, I'd had a few more drinks than I should have had | 0:09:41 | 0:09:45 | |
and I couldn't remember what she looked like. | 0:09:45 | 0:09:48 | |
I thought, "I know what I'll do." LAUGHTER | 0:09:48 | 0:09:51 | |
I got there early and there were pillars outside the Plaza, | 0:09:53 | 0:09:57 | |
so I got behind one of the pillars | 0:09:57 | 0:09:59 | |
and said, "I'll wait now till 6.00pm | 0:09:59 | 0:10:02 | |
"and if I don't like her, I won't step out from behind the pillar." | 0:10:02 | 0:10:06 | |
-A bit of a gentleman! -So I got there at five to six, | 0:10:06 | 0:10:10 | |
got behind the pillar, didn't see her. | 0:10:10 | 0:10:13 | |
When I stepped out from behind my pillar, she stepped out from hers. | 0:10:13 | 0:10:17 | |
LAUGHTER That's true! | 0:10:17 | 0:10:19 | |
Mutual mistrust! | 0:10:19 | 0:10:21 | |
While they were courting, Harry took Myra to Swansea Empire every week. | 0:10:21 | 0:10:27 | |
Watching the acts on stage, he found himself filled with a desire | 0:10:27 | 0:10:30 | |
to get up and show them what he could do. | 0:10:30 | 0:10:33 | |
He decided to take the plunge. He got in touch with a theatre critic | 0:10:33 | 0:10:37 | |
he'd met in the army who suggested he tried the Windmill Theatre. | 0:10:37 | 0:10:40 | |
The Windmill was famous as the only theatre in London | 0:10:40 | 0:10:43 | |
with a live nude revue. | 0:10:43 | 0:10:45 | |
The thing was I found I had more friends... | 0:10:46 | 0:10:49 | |
'Harry Secombe joined in 1946.' | 0:10:49 | 0:10:51 | |
..than I've had before or since. | 0:10:51 | 0:10:53 | |
People would come and say, "Hello, Harry. Remember me?" | 0:10:53 | 0:10:56 | |
You'd take them up the canteen for a cup of tea and a sandwich | 0:10:56 | 0:11:00 | |
and all the girls would come up there between shows | 0:11:00 | 0:11:04 | |
in very wispy negligees and things. | 0:11:04 | 0:11:07 | |
Anyone from outside would sit there and go, "Cor! Look at...!" | 0:11:07 | 0:11:13 | |
You couldn't have a conversation. They weren't listening. | 0:11:13 | 0:11:17 | |
My brother's a vicar | 0:11:17 | 0:11:18 | |
and four of his clerical friends came along to see me, | 0:11:18 | 0:11:22 | |
they came about four times a week! | 0:11:22 | 0:11:25 | |
With six shows a day and an audience that didn't come for the comedy, | 0:11:26 | 0:11:30 | |
the Windmill was a tough training ground for a young comic. | 0:11:30 | 0:11:34 | |
Harry got through it with a routine he'd dreamt up in Italy, | 0:11:34 | 0:11:37 | |
the shaving act. | 0:11:37 | 0:11:38 | |
First of all, a young boy shaving for the first time. | 0:11:38 | 0:11:42 | |
LAUGHTER | 0:11:44 | 0:11:46 | |
And then he finds there's no blade! | 0:11:59 | 0:12:01 | |
LAUGHTER | 0:12:01 | 0:12:02 | |
Those early years as a variety turn weren't glamorous. | 0:12:02 | 0:12:06 | |
Harry often found himself kipping on friends' floors. | 0:12:06 | 0:12:10 | |
But appearances on radio shows like Variety Band Box | 0:12:10 | 0:12:13 | |
began to win him more live bookings. | 0:12:13 | 0:12:16 | |
Harry learned his trade working in musichalls up and down the country. | 0:12:16 | 0:12:20 | |
It was a tough apprenticeship for any young performer, | 0:12:20 | 0:12:24 | |
as Harry found out one night in Bolton. | 0:12:24 | 0:12:27 | |
I was in the bar having a drink, a large rum. | 0:12:27 | 0:12:30 | |
The bar had cleared except for one fella with his back to me | 0:12:30 | 0:12:34 | |
and a group of people around him, a big fat guy. | 0:12:34 | 0:12:37 | |
He said, "I've seen 'owt like it in me life. By 'eavens!" | 0:12:37 | 0:12:42 | |
I tapped him on the shoulder, emboldened by the rum. | 0:12:42 | 0:12:45 | |
I said, "Excuse me," in a polite manner, cos I was drunk... | 0:12:45 | 0:12:49 | |
LAUGHTER | 0:12:49 | 0:12:51 | |
I said... | 0:12:51 | 0:12:53 | |
I said, "Excuse me, but I'm the fella you're talking about." | 0:12:53 | 0:12:56 | |
He said, "That's him! You should ashamed of yourself!" | 0:12:56 | 0:13:00 | |
I said, "I haven't adjusted myself. I've been playing in the West End. | 0:13:00 | 0:13:06 | |
"I haven't had time to adjust." | 0:13:06 | 0:13:08 | |
He said, "You couldn't adjust your braces!" | 0:13:08 | 0:13:10 | |
"Who do you think you're talking to?" | 0:13:10 | 0:13:12 | |
He said, "Who do you think you're talking to? I own this theatre." | 0:13:12 | 0:13:17 | |
I said, "Oh, do you...?" | 0:13:17 | 0:13:19 | |
I said, "It's very draughty backstage." | 0:13:19 | 0:13:22 | |
He took out his wallet and he said, "'Ere you are. 'Ere's your money. | 0:13:22 | 0:13:27 | |
"Get 'train in 'morning. You're not shaving in my bloody time." | 0:13:27 | 0:13:31 | |
In 1948, Harry and Myra got married. | 0:13:32 | 0:13:35 | |
Their first child a year later. | 0:13:35 | 0:13:38 | |
When he wasn't being a family man, | 0:13:38 | 0:13:40 | |
Harry liked to hang out in Graftons, a pub owned by ex-serviceman | 0:13:40 | 0:13:44 | |
and comedy writer Jimmy Grafton. | 0:13:44 | 0:13:46 | |
There he'd meet up with his old mate Spike | 0:13:46 | 0:13:49 | |
and a comic he knew from the Windmill called Michael Bentine. | 0:13:49 | 0:13:52 | |
But it was when Harry met a comedian called Peter Sellers | 0:13:52 | 0:13:55 | |
that the final piece of the puzzle fell into place. | 0:13:55 | 0:13:58 | |
Together, these four men would revolutionise British comedy. | 0:13:58 | 0:14:02 | |
We did a trial recording for Pat Dixon. It was pretty incoherent, | 0:14:02 | 0:14:06 | |
but he thought there was something in it. | 0:14:06 | 0:14:10 | |
The BBC, God bless 'em, gave us a trial - six or thirteen or something | 0:14:10 | 0:14:15 | |
shows to start with and that's how it began. | 0:14:15 | 0:14:18 | |
We did these first six and we began to get a bit clearer, you know. | 0:14:18 | 0:14:23 | |
It was all... (VARIOUS SILLY NOISES) ..and all this terrible... | 0:14:23 | 0:14:26 | |
But eventually, they settled to a sort of storyline. | 0:14:26 | 0:14:31 | |
And it was discovered fairly early on the voices I did sounded like me. | 0:14:31 | 0:14:36 | |
So I was told rather quietly that I should stick to one voice. | 0:14:36 | 0:14:40 | |
They got me to do Neddie and everything happened round Neddie. | 0:14:40 | 0:14:45 | |
Bloodnok and the other characters. | 0:14:45 | 0:14:47 | |
-Who are you? -Me? I'm Lance Private Eccles. | 0:14:47 | 0:14:51 | |
-Most people call me by nickname. -What's that? -Nick! | 0:14:51 | 0:14:55 | |
That's a joke. I made a joke about... | 0:14:55 | 0:14:58 | |
I inspected the man closely. | 0:14:58 | 0:15:00 | |
He was the nearest thing I'd seen to a human being | 0:15:00 | 0:15:04 | |
without actually being one. LAUGHTER | 0:15:04 | 0:15:06 | |
I say, Seagoon, surely you don't suspect this man? | 0:15:06 | 0:15:10 | |
Why, we were together in the same company during that disaster. | 0:15:10 | 0:15:14 | |
-What company was that? -Desert Song 1933. | 0:15:14 | 0:15:17 | |
LAUGHTER | 0:15:17 | 0:15:19 | |
-Were you both in the doily cart? -Right in the doily cart! | 0:15:19 | 0:15:22 | |
LAUGHTER | 0:15:22 | 0:15:23 | |
For an audience that had grown up on traditional musichall humour, | 0:15:23 | 0:15:27 | |
this was mind-blowing stuff. | 0:15:27 | 0:15:30 | |
The show was a smash hit. | 0:15:30 | 0:15:32 | |
Every Sunday, no matter where he was performing, | 0:15:33 | 0:15:36 | |
Harry would rush back to London for the Goon Show. | 0:15:36 | 0:15:39 | |
In fact, for all the Goons, Sunday was the highlight of the week. | 0:15:39 | 0:15:43 | |
After rehearsal, they'd nip into the pub nextdoor | 0:15:43 | 0:15:46 | |
for a bottle of brandy and a pint of milk, | 0:15:46 | 0:15:49 | |
then back on the stage, they'd let rip. | 0:15:49 | 0:15:52 | |
Thank you. | 0:15:55 | 0:15:57 | |
LAUGHTER | 0:15:57 | 0:15:59 | |
Hello, folks of the world. I am speaking to you | 0:15:59 | 0:16:03 | |
using the new aluminium voice cone projector. | 0:16:03 | 0:16:06 | |
I will start my comeback with a new trick | 0:16:06 | 0:16:10 | |
taught to me by a one-legged sailor | 0:16:10 | 0:16:12 | |
who did toffee-apple impressions for Noel Coward. | 0:16:12 | 0:16:15 | |
LAUGHTER | 0:16:15 | 0:16:16 | |
Pop! | 0:16:17 | 0:16:19 | |
LAUGHTER Did you hear that? | 0:16:19 | 0:16:21 | |
The show ran for nine years and made Harry a household name. | 0:16:21 | 0:16:24 | |
During that time, he also continued his successful solo career | 0:16:24 | 0:16:28 | |
as both a comedian and a gifted singer. | 0:16:28 | 0:16:31 | |
For many years, he hadn't dared take his singing seriously, | 0:16:31 | 0:16:34 | |
using it mainly for comic effect. | 0:16:34 | 0:16:37 | |
# ..Everywhere, everywhere, everywhere, everywhere | 0:16:37 | 0:16:41 | |
# Where e'er you walk | 0:16:41 | 0:16:44 | |
# Cool gale shall fan the glen | 0:16:44 | 0:16:49 | |
# Trees where you sit | 0:16:49 | 0:16:54 | |
# In an English country garden | 0:16:54 | 0:16:58 | |
-# Hear my song -# I've got a handful of songs to sing | 0:17:01 | 0:17:05 | |
-# Your letter -# Sit right down and write myself a letter | 0:17:05 | 0:17:09 | |
-# Hear my song -# I feel a song coming on | 0:17:09 | 0:17:12 | |
# Give me the moonlight, give me the girl | 0:17:12 | 0:17:18 | |
# In an English country garden. # | 0:17:18 | 0:17:22 | |
It was singing teacher Manlio di Veroli | 0:17:23 | 0:17:27 | |
who turned Harry into a serious singer. | 0:17:27 | 0:17:29 | |
Harry said that Di Veroli took his voice apart | 0:17:29 | 0:17:32 | |
the way a skilled mechanic dismantles an engine. | 0:17:32 | 0:17:35 | |
When he put it back together, it was a thing of beauty. | 0:17:35 | 0:17:38 | |
HARRY SINGS OPERA STYLE | 0:17:38 | 0:17:41 | |
Harry's talent as a singer was to take him to the top of the charts. | 0:18:05 | 0:18:09 | |
It was while he was holidaying in Barbados with Wolf Mankowitz | 0:18:09 | 0:18:14 | |
that Harry mentioned an idea he had for a musical | 0:18:14 | 0:18:17 | |
based on the Dickens novel The Pickwick Papers. | 0:18:17 | 0:18:20 | |
Mankowitz liked it. | 0:18:20 | 0:18:22 | |
He set about writing Pickwick and in the process, | 0:18:22 | 0:18:25 | |
created a star role for Harry. | 0:18:25 | 0:18:27 | |
Pickwick was a big challenge for Harry. | 0:18:27 | 0:18:30 | |
For the first time, he had to step out of his musichall persona | 0:18:30 | 0:18:33 | |
and really act. | 0:18:33 | 0:18:35 | |
When the first night of the show's American tour | 0:18:35 | 0:18:38 | |
was met with rapturous applause, Harry cried more than ever before. | 0:18:38 | 0:18:42 | |
# If I ruled the world | 0:18:43 | 0:18:46 | |
# Every day would be the first day of spring | 0:18:46 | 0:18:51 | |
# Every heart would have a new song to sing | 0:18:51 | 0:18:56 | |
# And we'd sing of the joy every morning would bring | 0:18:56 | 0:19:02 | |
# If I ruled the world | 0:19:04 | 0:19:07 | |
# Every man would be as free as a bird | 0:19:07 | 0:19:12 | |
# Every voice would be a voice to be heard | 0:19:12 | 0:19:17 | |
# Take my word, we would treasure each day that occurred... # | 0:19:17 | 0:19:23 | |
If I Ruled The World was a number one hit for Harry. | 0:19:25 | 0:19:28 | |
During the 1970s, he enjoyed one success after another, | 0:19:28 | 0:19:31 | |
blending music and comedy in TV shows that attracted millions. | 0:19:31 | 0:19:36 | |
MIMED SINGING DROWNED OUT BY LAUGHTER | 0:19:37 | 0:19:40 | |
MIMES TO A WOMAN SINGING | 0:19:47 | 0:19:50 | |
MIMES TO A DEEP MAN'S VOICE | 0:19:53 | 0:19:56 | |
MIMES TO A DEEP MAN'S VOICE BY MISTAKE | 0:20:00 | 0:20:03 | |
MIMES TO A HIGH WOMAN'S VOICE | 0:20:05 | 0:20:08 | |
While his solo career went from strength to strength, | 0:20:08 | 0:20:11 | |
Harry still found time for the odd reunion with old friends. | 0:20:11 | 0:20:15 | |
..And in the year of 1883 that the monster whale | 0:20:15 | 0:20:20 | |
came to Dundee, | 0:20:20 | 0:20:22 | |
for a few days to sport and play. | 0:20:23 | 0:20:27 | |
And devour the small wee fishes in the silvery Tay! | 0:20:28 | 0:20:32 | |
ALL: Woooooaaaaah! | 0:20:32 | 0:20:35 | |
LAUGHTER | 0:20:35 | 0:20:37 | |
-So the monster... Thank you! -Slightly under-rehearsed! | 0:20:39 | 0:20:42 | |
So the monster whale did sport and play... | 0:20:42 | 0:20:46 | |
LAUGHTER | 0:20:46 | 0:20:48 | |
-Amongst the decent... -Go on, keep going. | 0:20:49 | 0:20:52 | |
..innocent little fishes in the beautiful Tay | 0:20:52 | 0:20:55 | |
until he was seen by some men one day | 0:20:55 | 0:20:57 | |
and they resolved to catch him without delay. Oooooohhhhhh! | 0:20:57 | 0:21:02 | |
Camera Two! | 0:21:02 | 0:21:04 | |
Aye, you're next! | 0:21:04 | 0:21:06 | |
Oh, yes. | 0:21:07 | 0:21:09 | |
Then the water did descend on the men in the boats... | 0:21:09 | 0:21:13 | |
Hard night tonight. LAUGHTER | 0:21:13 | 0:21:15 | |
In 1981, having entertained the nation for four decades, | 0:21:16 | 0:21:20 | |
Harry was awarded a knighthood. | 0:21:20 | 0:21:22 | |
I was practising yesterday and I split my trousers! | 0:21:22 | 0:21:26 | |
So I thought... | 0:21:26 | 0:21:28 | |
If it happens today... I had my trousers reinforced. | 0:21:28 | 0:21:31 | |
Fortunately, it was a high stool and no bother. | 0:21:31 | 0:21:34 | |
-You didn't need the...? -No. Thank Heavens, no. | 0:21:34 | 0:21:39 | |
-Can you give us a...? -Show you? Yes, there we are. | 0:21:39 | 0:21:42 | |
Harry and his friends had always joked about his weight. | 0:21:42 | 0:21:46 | |
I'm sorry, sir, you cannot park that huge Welsh body there. | 0:21:46 | 0:21:51 | |
LAUGHTER | 0:21:51 | 0:21:53 | |
-Watch it, rozzer! -I have been watching it, sir. | 0:21:53 | 0:21:57 | |
And it gives me no pleasure. | 0:21:57 | 0:21:59 | |
But by the 1980s, it was no longer a laughing matter. | 0:21:59 | 0:22:02 | |
Now weighing in around the 20 stone mark, | 0:22:03 | 0:22:06 | |
Harry was experiencing problems with his health. | 0:22:06 | 0:22:10 | |
Even after a near fatal bout of peritonitis, | 0:22:10 | 0:22:12 | |
he didn't heed doctors' advice to change his behaviour. | 0:22:12 | 0:22:16 | |
A couple of years later, the consequences caught up with him. | 0:22:16 | 0:22:20 | |
In 1982, Harry was performing at Sydney Opera House | 0:22:20 | 0:22:23 | |
when he almost passed out on stage. | 0:22:23 | 0:22:26 | |
The doctor that examined him the next day | 0:22:26 | 0:22:29 | |
told him if he didn't change his lifestyle, | 0:22:29 | 0:22:31 | |
he'd be dead within two years. | 0:22:31 | 0:22:34 | |
-I went on a diet and I haven't had a drink since that day. -Do you miss it? | 0:22:34 | 0:22:38 | |
I'm thirsty! LAUGHTER | 0:22:38 | 0:22:41 | |
No. I don't miss it. I missed it at the beginning. | 0:22:43 | 0:22:47 | |
-Do you miss the drink? -No, I don't! LAUGHTER | 0:22:47 | 0:22:50 | |
No, I don't miss it. APPLAUSE | 0:22:51 | 0:22:54 | |
We do have, thanks to your permission, | 0:22:55 | 0:22:59 | |
-your current passport photograph. -Have you seen it? | 0:22:59 | 0:23:02 | |
Have a look at this. Harry Secombe's current passport photo. | 0:23:02 | 0:23:06 | |
LAUGHTER | 0:23:06 | 0:23:08 | |
How did you get back into the country? | 0:23:08 | 0:23:11 | |
Honestly, they take a second look. | 0:23:11 | 0:23:13 | |
It took a chorus of If I Ruled The World to get in! | 0:23:13 | 0:23:16 | |
Then they kept me out! | 0:23:16 | 0:23:18 | |
At the age of 62, when others might have been winding down their careers | 0:23:18 | 0:23:23 | |
Harry was about to embark on a new one. | 0:23:23 | 0:23:26 | |
In 1983, he was invited to present a new Sunday night show | 0:23:26 | 0:23:30 | |
featuring hymns and real life stories from believers | 0:23:30 | 0:23:33 | |
all over Britain. Though Harry claimed he wasn't heavily religious, | 0:23:33 | 0:23:38 | |
his natural warmth made him the perfect presenter for Highway. | 0:23:38 | 0:23:42 | |
When I was a teenager, I was lucky enough to sing with Harry in Rome | 0:23:42 | 0:23:47 | |
for a special edition of Highway. | 0:23:47 | 0:23:49 | |
It would have been very easy for him to treat me like a "little kid", | 0:23:49 | 0:23:53 | |
but he actually took me under his wing. | 0:23:53 | 0:23:55 | |
I have very fond memories of tasting my first glass of red wine | 0:23:55 | 0:23:58 | |
sat next to Harry Secombe at the piano. | 0:23:58 | 0:24:01 | |
As he used to say - it's nice to be big, | 0:24:01 | 0:24:04 | |
you don't have to be big to be nice. | 0:24:04 | 0:24:06 | |
Highway ran for ten years | 0:24:06 | 0:24:09 | |
and when it ended, Harry was quickly headhunted | 0:24:09 | 0:24:11 | |
by the producers of Songs of Praise. | 0:24:11 | 0:24:14 | |
But in 1999, Harry suffered a double blow. | 0:24:23 | 0:24:28 | |
Just weeks after he'd been diagnosed with prostate cancer, | 0:24:28 | 0:24:31 | |
he had a serious stroke. | 0:24:31 | 0:24:34 | |
In order to improve public awareness of the challenges | 0:24:34 | 0:24:37 | |
faced by stroke sufferers, Harry and Myra allowed documentary makers | 0:24:37 | 0:24:42 | |
to follow them through the long, slow process of recovery. | 0:24:42 | 0:24:46 | |
'Myra has been at Harry's side throughout, | 0:24:48 | 0:24:52 | |
'giving her encouragement and support | 0:24:52 | 0:24:54 | |
'as she's done through the 52 years of their marriage.' | 0:24:54 | 0:24:58 | |
They are wonderful, these two. They're really wonderful. | 0:25:00 | 0:25:04 | |
Every flicker of a finger excites us, you know. | 0:25:04 | 0:25:09 | |
But that is wonderful. That takes some determination | 0:25:09 | 0:25:13 | |
cos he'd got to sort of... set himself up to do it. | 0:25:13 | 0:25:17 | |
Yeah. It's sad on times. | 0:25:17 | 0:25:20 | |
Good. Well done. Into a rhythm. Lovely. That's it. There we are. | 0:25:20 | 0:25:25 | |
Well done! | 0:25:30 | 0:25:31 | |
That's the first time. | 0:25:31 | 0:25:34 | |
Yes, it is. Yes. It's a better...feeling, yes. | 0:25:34 | 0:25:37 | |
It's worth the hard work, innit? | 0:25:38 | 0:25:40 | |
-Yes. -But you've worked really hard. | 0:25:40 | 0:25:44 | |
It's tissue time in the gym! | 0:25:44 | 0:25:48 | |
Yes, Myra. You and I together. | 0:25:48 | 0:25:50 | |
By the time Harry appeared as a guest on Songs of Praise in 2000, | 0:25:53 | 0:25:58 | |
he was once again back on form. | 0:25:58 | 0:26:00 | |
I've got...prostate cancer, diabetes and a stroke. | 0:26:02 | 0:26:06 | |
The one thing to do...to forget about prostate cancer | 0:26:06 | 0:26:10 | |
is to have a stroke! | 0:26:10 | 0:26:12 | |
LAUGHTER | 0:26:12 | 0:26:14 | |
APPLAUSE | 0:26:16 | 0:26:18 | |
-It concentrates the mind! -I'm sure it does! | 0:26:23 | 0:26:26 | |
There are things that are never going to be the same again. | 0:26:28 | 0:26:31 | |
No. Once, I think, you get a stroke you say, "Well, that's it. | 0:26:31 | 0:26:35 | |
"For now. That's the end of the Harry Secombe that was." | 0:26:35 | 0:26:39 | |
-There's a new life opening up. -Do you grieve for what you've lost? | 0:26:39 | 0:26:43 | |
Not really. If you wallow in self-pity, then... | 0:26:43 | 0:26:47 | |
you don't get anywhere. | 0:26:48 | 0:26:50 | |
You've got to accept what's happened and get on with life. | 0:26:50 | 0:26:53 | |
Harry's positive attitude, his sense of humour | 0:26:53 | 0:26:57 | |
and the love of family and friends all helped pull him through. | 0:26:57 | 0:27:01 | |
LAUGHS HYSTERICALLY | 0:27:01 | 0:27:03 | |
-There's no such thing as a horse called Doris! -One ran away. | 0:27:06 | 0:27:10 | |
They were great days, Harry. | 0:27:10 | 0:27:12 | |
-We actually saw the last days of... -The best of variety. | 0:27:12 | 0:27:18 | |
-You must be one of my oldest friends. -Yeah. | 0:27:18 | 0:27:22 | |
I'm 81, | 0:27:22 | 0:27:24 | |
and I don't seem to be anywhere nearer death than if I was 100. | 0:27:24 | 0:27:28 | |
I was actually wondering what my deathbed seemed to be like. | 0:27:28 | 0:27:33 | |
I'd like to be there and all my children round me. | 0:27:33 | 0:27:36 | |
I think you... When you've passed on, whatever, | 0:27:36 | 0:27:40 | |
there's something in a poem... | 0:27:40 | 0:27:43 | |
"And think this heart all evil shed away, | 0:27:44 | 0:27:47 | |
"A pulse in the eternal mind, | 0:27:47 | 0:27:49 | |
"No less gives somewhere back those thoughts by England given." | 0:27:49 | 0:27:53 | |
The pulse in the eternal mind, to me, represents what happens to us | 0:27:53 | 0:27:57 | |
after we die. | 0:27:57 | 0:27:59 | |
Oh, I'll have to wait for that then! | 0:27:59 | 0:28:01 | |
LAUGHS LOUDLY | 0:28:02 | 0:28:04 | |
Harry passed away on the eleventh of April 2001. | 0:28:07 | 0:28:11 | |
Harry's death didn't really sink in for me | 0:28:14 | 0:28:17 | |
until his memorial service at Westminster Abbey. | 0:28:17 | 0:28:20 | |
Sat there with friends and family, royalty, | 0:28:20 | 0:28:24 | |
and some of the best broadcasters and comedians in the world, | 0:28:24 | 0:28:27 | |
you got a real sense of the man's character. | 0:28:27 | 0:28:30 | |
Yes, he rubbed shoulders with princes, | 0:28:30 | 0:28:33 | |
but he was just as happy passing the time of day with people in Swansea. | 0:28:33 | 0:28:37 | |
That's what made him great. | 0:28:37 | 0:28:39 | |
Harry Secombe, This Is Your Life. | 0:28:39 | 0:28:41 | |
Oh, thank you. APPLAUSE | 0:28:41 | 0:28:44 | |
LAUGHTER | 0:28:59 | 0:29:01 | |
Subtitles by Red Bee Media Ltd | 0:29:17 | 0:29:20 |