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Angharad Rees was one of the most glamorous actresses of the 1970s... | 0:00:02 | 0:00:05 | |
I'm cold... | 0:00:05 | 0:00:08 | |
and lonely. | 0:00:08 | 0:00:09 | |
..as the heroine of the original bodice-ripping Sunday night drama Poldark, | 0:00:09 | 0:00:14 | |
this young girl from Wales captivated the nation. | 0:00:14 | 0:00:18 | |
Married to a dashing star of Dynasty, she had it all, | 0:00:18 | 0:00:22 | |
but Angharad's life was turned upside down | 0:00:22 | 0:00:24 | |
when tragedy struck her family. | 0:00:24 | 0:00:27 | |
Angharad Rees was born in 1944. | 0:00:43 | 0:00:46 | |
Her father, psychiatrist Linford Rees, who later became president | 0:00:46 | 0:00:50 | |
of the British Medical Association came from Burry Port. | 0:00:50 | 0:00:54 | |
Her mother Catherine was a keen amateur artist | 0:00:54 | 0:00:56 | |
from Alltwen, near Swansea. | 0:00:56 | 0:00:58 | |
Angharad grew up with her sister | 0:00:58 | 0:01:00 | |
and two brothers in the genteel village of Rhiwbina, near Cardiff. | 0:01:00 | 0:01:04 | |
My sister was a lot of fun to be with. | 0:01:07 | 0:01:11 | |
A wonderful sense of humour, a naughty sense of humour | 0:01:11 | 0:01:14 | |
and we all loved that. | 0:01:14 | 0:01:16 | |
Angharad and Catrin's great aunt, who lived nearby, | 0:01:18 | 0:01:22 | |
was the celebrated actress Rachel Thomas. | 0:01:22 | 0:01:25 | |
For the Rees girls performing was in the blood. | 0:01:25 | 0:01:29 | |
'She and I were always doing little performances.' | 0:01:29 | 0:01:32 | |
We'd hide behind the curtains and, you know, present ourselves, | 0:01:32 | 0:01:36 | |
and always doing shows. | 0:01:36 | 0:01:38 | |
You know, I was probably part of the chorus | 0:01:38 | 0:01:41 | |
but she was there being a lovely star. | 0:01:41 | 0:01:44 | |
The family spent their summers in Larne, | 0:01:47 | 0:01:49 | |
where Angharad's father would write while her mother painted. | 0:01:49 | 0:01:53 | |
We stayed in a lovely cottage just down the lane, | 0:01:53 | 0:01:58 | |
opposite where Dylan Thomas did his writing. | 0:01:58 | 0:02:02 | |
Dylan's daughter Aeronwy wrote in her memoirs, | 0:02:04 | 0:02:07 | |
"Other summer visitors included Angharad Rees, | 0:02:07 | 0:02:10 | |
"a girl younger than me but with the same interests. | 0:02:10 | 0:02:13 | |
"She had long, light brown hair, which she wore around her shoulders, | 0:02:13 | 0:02:16 | |
"like a pashmina, with no awareness of her blossoming beauty. | 0:02:16 | 0:02:20 | |
"We immediately liked each other." | 0:02:20 | 0:02:23 | |
One of the funny memories that we all laughed about a great deal was... | 0:02:23 | 0:02:28 | |
Angharad wanting to go to the loo and opening the door, | 0:02:28 | 0:02:31 | |
and seeing Dylan Thomas sitting there reading The Beano. | 0:02:31 | 0:02:34 | |
When Angharad was around eight | 0:02:34 | 0:02:37 | |
her father got a job as a consultant at a London hospital. | 0:02:37 | 0:02:40 | |
The family left Rhiwbina, although they returned regularly to Wales, | 0:02:40 | 0:02:44 | |
and to Larne, and the Gower Peninsular in particular. | 0:02:44 | 0:02:47 | |
At her new school Angharad showed a flair for drama | 0:02:47 | 0:02:51 | |
and at the age of 16 she got a place at the Rose Bruford drama school, | 0:02:51 | 0:02:55 | |
in Kent, but she first spent two terms studying at one | 0:02:55 | 0:02:58 | |
of the world's oldest universities, the Sorbonne, in Paris. | 0:02:58 | 0:03:02 | |
So that was a good way of, sort of, a good growing up process. | 0:03:02 | 0:03:06 | |
By the time she'd done a year in Paris she was ready for the acting career. | 0:03:06 | 0:03:11 | |
But life at Rose Bruford wasn't easy, | 0:03:11 | 0:03:13 | |
with many students falling by the wayside. | 0:03:13 | 0:03:16 | |
One of those endeavouring to make the grade was Roger Chapman. | 0:03:16 | 0:03:19 | |
Less than 50% would get through the three-year course | 0:03:19 | 0:03:24 | |
so, constantly, people are getting thrown out. | 0:03:24 | 0:03:27 | |
There's that going on and, at the same time, there's the drama | 0:03:27 | 0:03:31 | |
of putting on plays, and acting, | 0:03:31 | 0:03:32 | |
and, "Are you going to get a career?", and all of that. | 0:03:32 | 0:03:36 | |
So, you've got people in a state of tension and high anxiety, | 0:03:36 | 0:03:39 | |
and they used to turn to Angharad because she had... | 0:03:39 | 0:03:44 | |
a serenity, I think. And she was a listener. | 0:03:44 | 0:03:47 | |
But while other students shared their difficulties with Angharad | 0:03:47 | 0:03:51 | |
she was facing her own challenges. | 0:03:51 | 0:03:53 | |
I think the staff thought she had everything going for her | 0:03:53 | 0:03:57 | |
and therefore they were always pushing her | 0:03:57 | 0:04:00 | |
but she never complained and, of course... | 0:04:00 | 0:04:03 | |
..she wouldn't give up either. | 0:04:04 | 0:04:06 | |
She sailed through whereas a lot of people from her background just gave up. | 0:04:06 | 0:04:11 | |
Angharad was committed to becoming an actress. | 0:04:12 | 0:04:15 | |
When she wasn't studying, she was busy gaining professional experience | 0:04:15 | 0:04:18 | |
though this caused a brief identity crisis. | 0:04:18 | 0:04:21 | |
I had a holiday job working in a theatre | 0:04:22 | 0:04:24 | |
and I had to join Equity, | 0:04:24 | 0:04:26 | |
and they said, "Oh, Angharad Rees, what a funny name." | 0:04:26 | 0:04:30 | |
It's a family name, it's my grandmother's name, | 0:04:30 | 0:04:33 | |
they said, "Oh, change it. Change it to Cathy Rees." | 0:04:33 | 0:04:35 | |
So I, for some reason, listened to them | 0:04:35 | 0:04:38 | |
and changed my name to Cathy Rees for about eight weeks, | 0:04:38 | 0:04:41 | |
but it didn't help because I was the ASM, which was the dogsbody. | 0:04:41 | 0:04:44 | |
Whenever anyone shouted for Cathy I certainly didn't go, | 0:04:44 | 0:04:48 | |
I didn't know who they were talking about. | 0:04:48 | 0:04:51 | |
The name Angharad Rees would soon be up in lights. | 0:04:51 | 0:04:54 | |
After graduating, Angharad got minor roles in television series | 0:04:54 | 0:04:58 | |
such as The Avengers but her big break came in 1969 | 0:04:58 | 0:05:02 | |
when she appeared in Catch My Soul, a rock musical based Othello | 0:05:02 | 0:05:07 | |
starring trouser splitting pop star PJ Proby. | 0:05:07 | 0:05:10 | |
Everybody carried microphones with great long leads around the stage | 0:05:10 | 0:05:16 | |
and she was playing Desdemona opposite the wild man of the time! | 0:05:16 | 0:05:21 | |
PJ and Angharad were soon more than just colleagues. | 0:05:23 | 0:05:26 | |
We shared a flat in Chelsea, which was such fun, | 0:05:26 | 0:05:29 | |
and he used to come and stay sometimes, but also bringing | 0:05:29 | 0:05:33 | |
all his paraphernalia that a cowboy would bring. | 0:05:33 | 0:05:37 | |
Like saddles and boots, cowboy boots, and all sorts of things and... | 0:05:37 | 0:05:43 | |
But think my parents weren't quite aware of the situation. | 0:05:43 | 0:05:48 | |
So, every time they visited Angharad and I would dash around, | 0:05:48 | 0:05:52 | |
kicking things under the bed and hiding bits of evidence. | 0:05:52 | 0:05:57 | |
In 1971, at the age of 26, Angharad returned to Wales | 0:05:59 | 0:06:04 | |
to appear in a BBC play about a troubled pair of lovers | 0:06:04 | 0:06:07 | |
from The Valleys. | 0:06:07 | 0:06:08 | |
Why don't you take your trousers off then, boy, and do the job properly? | 0:06:09 | 0:06:13 | |
Better than you standing there | 0:06:13 | 0:06:15 | |
like someone who's escaped from a nuthouse. | 0:06:15 | 0:06:17 | |
Dai, you listening? Dai? | 0:06:20 | 0:06:22 | |
Dai Williams, if you think that muck's | 0:06:24 | 0:06:26 | |
going to wash out without soap, you got another think coming. | 0:06:26 | 0:06:30 | |
Don't get your pants wet, use a bit of common, the God's sake! | 0:06:30 | 0:06:34 | |
Oh, chuck them over, Dai. | 0:06:35 | 0:06:38 | |
Oh! | 0:06:38 | 0:06:41 | |
Now, what memories have you got of that play, then? | 0:06:41 | 0:06:43 | |
I'd only just started in the business and I remember working from, | 0:06:43 | 0:06:47 | |
you know, about six clock in the morning | 0:06:47 | 0:06:48 | |
until about 7.30 at night, | 0:06:48 | 0:06:51 | |
and I was tired so I just went to the director and I said, | 0:06:51 | 0:06:53 | |
"Oh, Clive, I'm tired now, can we stop?" | 0:06:53 | 0:06:56 | |
And he said, "Oh, Angharad, if you wouldn't just mind going | 0:06:56 | 0:06:59 | |
"on a little bit longer?" I thought you just stopped when you got tired! | 0:06:59 | 0:07:03 | |
Of course, it's not like that at all. | 0:07:03 | 0:07:05 | |
You go on until the director says you stop. | 0:07:05 | 0:07:09 | |
Around this time, at a dinner party, | 0:07:10 | 0:07:12 | |
Angharad was introduced to a fellow actor, | 0:07:12 | 0:07:15 | |
an Eton educated son of a brigadier called Christopher Cazenove. | 0:07:15 | 0:07:19 | |
He was the handsomest man I'd ever seen in my life, when he was young, | 0:07:19 | 0:07:23 | |
and women appeared, and jobs appeared, | 0:07:23 | 0:07:26 | |
and things just, kind of, rolled down the hill towards him, you know? | 0:07:26 | 0:07:30 | |
Life just fell into place for him. | 0:07:30 | 0:07:33 | |
But Christopher would have to work hard to woo Angharad. | 0:07:33 | 0:07:36 | |
After four months of turning up on her doorstep with flowers, | 0:07:36 | 0:07:40 | |
notes and romantic gifts, he finally won her over. | 0:07:40 | 0:07:44 | |
The couple were married in 1973 | 0:07:44 | 0:07:47 | |
at St Bartholomew the Great Church, in London. | 0:07:47 | 0:07:51 | |
It was a marriage of two young actors | 0:07:51 | 0:07:53 | |
who were making their mark on the scene. | 0:07:53 | 0:07:56 | |
Her career at the beginning was really quite an interesting one | 0:07:56 | 0:08:00 | |
and she was... | 0:08:00 | 0:08:01 | |
..doing plays, she was picked up pretty early on, | 0:08:02 | 0:08:06 | |
and was doing plays by Alan Plater, and Johnny Speight, and... | 0:08:06 | 0:08:10 | |
..Dennis Potter was a big one. | 0:08:11 | 0:08:13 | |
In the play Joe's Ark, | 0:08:14 | 0:08:16 | |
written by one of the most talented television dramatists of the time, | 0:08:16 | 0:08:19 | |
Angharad played a young Welshwoman who is terminally ill. | 0:08:19 | 0:08:23 | |
-Do you remember our first walk? -By the river, yeah. | 0:08:23 | 0:08:26 | |
-You were... I'll never forget it. -Unforgettable, it seems. | 0:08:26 | 0:08:29 | |
You were going on a bit about Wordsworth and Coleridge, | 0:08:29 | 0:08:32 | |
the weird way they regarded each other and so on. | 0:08:32 | 0:08:34 | |
I don't care for that sort of detail any more. | 0:08:34 | 0:08:36 | |
But I... No? | 0:08:36 | 0:08:38 | |
-It's quite a relief, really. -What do you care about now, Lucy? | 0:08:38 | 0:08:42 | |
What sort of things do... | 0:08:42 | 0:08:44 | |
-SHE WHIMPERS -Lucy? | 0:08:44 | 0:08:46 | |
'It was a big, big success, you know?' | 0:08:46 | 0:08:49 | |
And she was considered a really exciting young actress, | 0:08:49 | 0:08:53 | |
and, in fact, that same quality she had in life, | 0:08:53 | 0:08:56 | |
which is to be very graceful, | 0:08:56 | 0:08:58 | |
and very beautiful but very strong inside, | 0:08:58 | 0:09:01 | |
and have this absolute iron core, gave her acting a kind of fillip. | 0:09:01 | 0:09:06 | |
You know, she was stronger than just the young girl. | 0:09:06 | 0:09:09 | |
Angharad's strength of character shone through the following year | 0:09:09 | 0:09:13 | |
when she played a society heiress in the comedy Mr Oddy. | 0:09:13 | 0:09:16 | |
I shall paint whoever I want to paint and I shall go wherever I want to go. | 0:09:17 | 0:09:22 | |
I shall see whoever I want to see and do whatever I want to do... | 0:09:22 | 0:09:26 | |
..and I WILL marry you. | 0:09:27 | 0:09:30 | |
You will?! | 0:09:32 | 0:09:33 | |
Why? | 0:09:35 | 0:09:36 | |
You're malleable, that's in your favour, | 0:09:38 | 0:09:42 | |
but you must promise not to be silly. I hate silly men. | 0:09:42 | 0:09:47 | |
Of course, the man should be cleverer than I am, | 0:09:47 | 0:09:50 | |
but, quite simply, none of them are. | 0:09:50 | 0:09:53 | |
She was the strength in that marriage. | 0:09:53 | 0:09:55 | |
I mean, Christopher was the beauty who was being carried along by life | 0:09:55 | 0:10:00 | |
and the woman at the helm, you know, was Angharad. | 0:10:00 | 0:10:04 | |
In 1974 the couple's first child Linford was born. | 0:10:04 | 0:10:10 | |
He was soon followed by a brother called Rhys. | 0:10:10 | 0:10:12 | |
Angharad worked hard to balance the competing demands of motherhood | 0:10:14 | 0:10:18 | |
with her increasingly busy career. | 0:10:18 | 0:10:20 | |
In 1975 she was cast in the role that would define her | 0:10:22 | 0:10:26 | |
in the eyes of millions. | 0:10:26 | 0:10:28 | |
Poldark was a period drama set in Cornwall, | 0:10:28 | 0:10:31 | |
based on the historical novels of Winston Graham. | 0:10:31 | 0:10:34 | |
Angharad auditioned for the role of the heroin, Demelza. | 0:10:34 | 0:10:39 | |
The head of drama asked me to interview her | 0:10:39 | 0:10:42 | |
and they sent her across to LWT. | 0:10:42 | 0:10:43 | |
I remember we had a cup of tea on the balcony by the river | 0:10:43 | 0:10:46 | |
and sat there, and I thought she was absolutely enchanting, | 0:10:46 | 0:10:50 | |
which she was. | 0:10:50 | 0:10:52 | |
She had this wonderful pixie quality | 0:10:52 | 0:10:54 | |
and I thought she'd be dead right for it. | 0:10:54 | 0:10:57 | |
But when Demelza, the daughter of a Cornish tin miner, | 0:10:57 | 0:11:01 | |
first meets the dashing young mine owner, Ross Poldark, | 0:11:01 | 0:11:05 | |
her beauty is far from apparent. | 0:11:05 | 0:11:07 | |
-What's your name? -Demelza. | 0:11:07 | 0:11:09 | |
Demelza! | 0:11:11 | 0:11:13 | |
It was a, kind of, personality role | 0:11:13 | 0:11:15 | |
and the personality that she possessed worked so completely | 0:11:15 | 0:11:20 | |
well for the role, and for the public, that people adored her. | 0:11:20 | 0:11:24 | |
Oh, it hurts! | 0:11:24 | 0:11:25 | |
Oh, my poor leg, I twisted it bad. | 0:11:25 | 0:11:28 | |
Oh, oh, my poor leg! | 0:11:28 | 0:11:31 | |
Oh, oh, oh, oh. | 0:11:31 | 0:11:34 | |
Let me see. | 0:11:35 | 0:11:37 | |
-Does that hurt? -Oh! | 0:11:39 | 0:11:41 | |
-Or that? -Mm. | 0:11:42 | 0:11:43 | |
And there? | 0:11:46 | 0:11:47 | |
Mm? | 0:11:51 | 0:11:53 | |
I could take them off for a shilling. I done it before. | 0:11:53 | 0:11:55 | |
Well, obviously, she fell madly in love with Ross | 0:11:58 | 0:12:02 | |
because he was dashing and handsome, | 0:12:02 | 0:12:04 | |
but all the time there was | 0:12:04 | 0:12:07 | |
this thing in the background of him loving another woman. | 0:12:07 | 0:12:12 | |
There were three people in that marriage, as they say, | 0:12:12 | 0:12:15 | |
and I think that...hurt her very much. | 0:12:15 | 0:12:20 | |
Demelza's rival for Ross's affections | 0:12:20 | 0:12:24 | |
was his aristocratic ex-fiance Elizabeth. | 0:12:24 | 0:12:27 | |
Remember, it was the '70s and both she and Jill Townsend, | 0:12:27 | 0:12:31 | |
who played Elizabeth, they started off with modest wigs | 0:12:31 | 0:12:36 | |
and each episode I'd see them come onto the set, and I thought... | 0:12:36 | 0:12:41 | |
"It's grown a bit! Something has got bigger." | 0:12:43 | 0:12:46 | |
And I finally discovered that both ladies had been phoning up to say, | 0:12:46 | 0:12:51 | |
"Can we just add a little more hair to the wig, please?" | 0:12:51 | 0:12:55 | |
Because it was the age of bigger and bigger hair. | 0:12:55 | 0:12:59 | |
With its lavish make-up, costume and scenery, Poldark proved | 0:13:00 | 0:13:04 | |
so popular that churches in Cornwall | 0:13:04 | 0:13:06 | |
had to reschedule their Sunday evening services. | 0:13:06 | 0:13:09 | |
I don't think anybody, least of all her, realised how... | 0:13:09 | 0:13:13 | |
what a success it was going to be. | 0:13:13 | 0:13:16 | |
Poldark ran for 29 episodes over two series | 0:13:16 | 0:13:20 | |
and was watched by 13 million viewers a week. | 0:13:20 | 0:13:23 | |
Riding high on the success of this TV phenomenon, | 0:13:23 | 0:13:27 | |
Angharad was cast in another period drama. | 0:13:27 | 0:13:30 | |
In the Duchess of Duke Street she played the young | 0:13:30 | 0:13:33 | |
bride of an ageing aristocrat. | 0:13:33 | 0:13:35 | |
I was faced with having to become the companion of an awful old harridan | 0:13:35 | 0:13:40 | |
when George saw me in church. | 0:13:40 | 0:13:42 | |
He doesn't often go so it must have been Easter, or something. | 0:13:42 | 0:13:46 | |
He kept staring at me from that great big family pew of his, | 0:13:46 | 0:13:49 | |
with all the coats of arms on it. | 0:13:49 | 0:13:51 | |
Then, after church, he talked to my mother, | 0:13:51 | 0:13:54 | |
saying how sorry he was that Father had died, and that sort of thing, | 0:13:54 | 0:13:57 | |
then he invited us for tea, | 0:13:57 | 0:14:00 | |
and then the next Sunday he asked me to marry him. | 0:14:00 | 0:14:02 | |
And you said yes? | 0:14:02 | 0:14:03 | |
Well, yes, he lived in a great house and a lovely park, | 0:14:04 | 0:14:09 | |
and everybody said how rich he was. | 0:14:09 | 0:14:12 | |
My poor mother was so pathetically pleased. | 0:14:12 | 0:14:15 | |
And you really married for your family's sake? | 0:14:15 | 0:14:17 | |
Well, that was a kind thing to do. | 0:14:17 | 0:14:19 | |
Well, not really, I married to spite my sister, | 0:14:19 | 0:14:23 | |
if you really want to know, because she was so jealous. | 0:14:23 | 0:14:26 | |
Wasn't that wicked? | 0:14:26 | 0:14:28 | |
Also appearing in the Duchess of Duke Street | 0:14:28 | 0:14:30 | |
was Christopher Cazenove. | 0:14:30 | 0:14:32 | |
Together, he and Angharad were becoming and A list couple. | 0:14:32 | 0:14:35 | |
Angharad's star status was confirmed when she was invited to appear | 0:14:36 | 0:14:40 | |
in the 1977 Morecambe and Wise Christmas Show, | 0:14:40 | 0:14:44 | |
one of the most watched programmes in British television history. | 0:14:44 | 0:14:47 | |
From Poldark, Angharad Rees! | 0:14:47 | 0:14:51 | |
APPLAUSE | 0:14:51 | 0:14:53 | |
Don't hang about, love, were waiting for Angharad Rees to come on. | 0:15:05 | 0:15:08 | |
ERIC SQUEALS | 0:15:08 | 0:15:10 | |
Angharad, lovely to see you. | 0:15:10 | 0:15:12 | |
Wonderful. Look at Eric, look at him. He's absolutely SHATTERED. | 0:15:12 | 0:15:15 | |
-Good Lord. -He's... You're one of his favourites. | 0:15:15 | 0:15:19 | |
-Am I, Eric? I didn't know I was one of your favourites. -Good Lord. | 0:15:19 | 0:15:23 | |
He's completely nonplussed. Look at him, he's all embarrassed. | 0:15:23 | 0:15:26 | |
-It's lovely to have you on the show, Angharad. -Thank you. -Eric? -Yes? | 0:15:26 | 0:15:30 | |
-Your hand. -I know, I've got another one here. | 0:15:30 | 0:15:32 | |
He's watched all of your series, really. | 0:15:34 | 0:15:37 | |
I didn't know you are a fan, Eric. | 0:15:37 | 0:15:38 | |
Excuse me...I'll tell you something, hand grenade... | 0:15:39 | 0:15:43 | |
-..I was thrilled when I realised that you'd escaped. -Escaped? | 0:15:47 | 0:15:51 | |
From Colditz. | 0:15:51 | 0:15:52 | |
The following year Angharad appeared in the BBC production | 0:15:54 | 0:15:57 | |
of Shakespeare's comedy As You Like It. | 0:15:57 | 0:16:00 | |
She played Celia, whose cousin Rosalind, played by Helen Mirren, | 0:16:00 | 0:16:04 | |
is infatuated with a handsome, young nobleman. | 0:16:04 | 0:16:07 | |
Proceed! | 0:16:07 | 0:16:09 | |
There lay he, stretched along, like a wounded knight. | 0:16:10 | 0:16:14 | |
Oh, though it be pity to see such a sight. | 0:16:14 | 0:16:17 | |
Yet, it well becomes the ground. | 0:16:17 | 0:16:19 | |
Cry 'holla' to thy tongue, I prithee. It curvets unseasonably. | 0:16:19 | 0:16:23 | |
He was furnished like a...hunter. | 0:16:24 | 0:16:27 | |
Oh, ominous, he comes to kill my heart! | 0:16:27 | 0:16:31 | |
I would sing my song without a burden. | 0:16:31 | 0:16:33 | |
Thou bringst me out of tune. | 0:16:33 | 0:16:35 | |
Do you not know I am a woman? When I think I must speak. Sweet, say on. | 0:16:35 | 0:16:41 | |
You bring me out. | 0:16:41 | 0:16:42 | |
Soft! Comes he not here? | 0:16:43 | 0:16:46 | |
It is he. | 0:16:47 | 0:16:48 | |
Slink by and note him. | 0:16:52 | 0:16:54 | |
Oh! | 0:16:56 | 0:16:58 | |
But just as Angharad's career was going from strength to strength, | 0:16:59 | 0:17:02 | |
she found herself faced with a dilemma. | 0:17:02 | 0:17:05 | |
She thought, "Now, am I going to be a really successful actress | 0:17:05 | 0:17:09 | |
"and, 'Oh, yes, she's got children,' | 0:17:09 | 0:17:11 | |
"or is the family going to play a central role?" And she made | 0:17:11 | 0:17:16 | |
the decision that she was going to give motherhood her best shot. | 0:17:16 | 0:17:21 | |
A few years after Poldark, I cut the work right back | 0:17:21 | 0:17:25 | |
and just looked after the children. | 0:17:25 | 0:17:27 | |
Gave up nannies and did it myself for quite a few years. | 0:17:27 | 0:17:30 | |
It supposed to be the death of an actress, though, isn't it? | 0:17:30 | 0:17:32 | |
To not be seen on screen for a while. Do think it was actually...? | 0:17:32 | 0:17:35 | |
But it's the making of a woman. I mean, it's the best... | 0:17:35 | 0:17:39 | |
Oh, you can't, everybody knows, who has children, it's just the most | 0:17:39 | 0:17:42 | |
lovely thing bringing up your children so it's better than any part. | 0:17:42 | 0:17:45 | |
There is that slight trace of a lost career | 0:17:45 | 0:17:48 | |
because she was on track to be one of the big stars of that period. | 0:17:48 | 0:17:54 | |
Instead, Angharad poured her creative energy into her home life. | 0:17:58 | 0:18:02 | |
'When Angharad Rees designed her kitchen, | 0:18:02 | 0:18:04 | |
'this is one of the gadgets she most wanted room for. | 0:18:04 | 0:18:07 | |
'The computer doesn't help her cooking, | 0:18:07 | 0:18:10 | |
'but it does mean she sees a lot more of her children.' | 0:18:10 | 0:18:13 | |
I decided to incorporate an area for the children | 0:18:13 | 0:18:17 | |
because if you have a kitchen that's just a kitchen, | 0:18:17 | 0:18:20 | |
you never see your children. | 0:18:20 | 0:18:21 | |
They're now, seven and ten, they have a computer. | 0:18:21 | 0:18:24 | |
So, I thought that should be in here and television, and my desk | 0:18:24 | 0:18:29 | |
-because I work a lot at the desk. -She was a great cook. | 0:18:29 | 0:18:32 | |
You know, she could be out all day, | 0:18:32 | 0:18:34 | |
she'd be having a dinner party at night, | 0:18:34 | 0:18:37 | |
40, 50 people and she come back, | 0:18:37 | 0:18:39 | |
like, 15 minutes before everyone was coming, and I was all a panic, | 0:18:39 | 0:18:43 | |
and, "Oh, don't worry, darling." Bang, bang, bang, done! | 0:18:43 | 0:18:46 | |
And then she'd float down, ever the consummate actress, you know, | 0:18:46 | 0:18:50 | |
as she'd been at it all day. | 0:18:50 | 0:18:51 | |
-Angharad, you've got some friends coming for dinner tonight. -Yes. | 0:18:51 | 0:18:55 | |
Can you show us what you're going to cook for them? | 0:18:55 | 0:18:57 | |
Yes, well, for starters and giving them this. | 0:18:57 | 0:19:00 | |
-Would you like to try some? -Thank you, I will, yes. | 0:19:00 | 0:19:03 | |
Mm, delicious. | 0:19:06 | 0:19:07 | |
But Angharad would soon have to leave her ideal home. | 0:19:07 | 0:19:10 | |
In 1986, Christopher got a part in Dynasty | 0:19:13 | 0:19:16 | |
and the family moved to Los Angeles for two years. | 0:19:16 | 0:19:19 | |
There Angharad found herself playing the role of Hollywood wife. | 0:19:19 | 0:19:23 | |
Hollywood is a factory town and, you know... | 0:19:23 | 0:19:28 | |
..you're either in the factory and it's all about you or you're not. | 0:19:30 | 0:19:34 | |
Christopher relished the Hollywood lifestyle, | 0:19:36 | 0:19:39 | |
but he and Angharad were very different characters, | 0:19:39 | 0:19:42 | |
and this was causing tensions in their relationship. | 0:19:42 | 0:19:45 | |
She said, "What you do with a husband who goes to the corner | 0:19:45 | 0:19:48 | |
"for a newspaper and comes back with an Aston Martin?" | 0:19:48 | 0:19:51 | |
And even I could see that's pretty difficult when you're trying | 0:19:51 | 0:19:57 | |
to raise two kids, budget the whole thing and all the rest of it. | 0:19:57 | 0:20:02 | |
And she had to be the grown-up. | 0:20:02 | 0:20:05 | |
In 1992, after 19 years of marriage, the couple divorced. | 0:20:05 | 0:20:10 | |
With her boys growing up, Angharad felt able to return to acting. | 0:20:10 | 0:20:14 | |
That same year she appeared in the series Trainer, | 0:20:17 | 0:20:20 | |
about life among the horse racing set. | 0:20:20 | 0:20:23 | |
I'm very sorry about the bailiffs, I really had no other choice. | 0:20:23 | 0:20:28 | |
Oh, I know that. | 0:20:28 | 0:20:31 | |
Good. | 0:20:31 | 0:20:32 | |
If there's anything I can do to help, just let me know. | 0:20:32 | 0:20:35 | |
-Is this the way you always call in your bad debts? -NO! | 0:20:37 | 0:20:41 | |
Only with those as attractive as you, Caroline, | 0:20:41 | 0:20:44 | |
and there aren't that many. | 0:20:44 | 0:20:46 | |
-How much? -What do you mean? -How much am I worth? You know, for a... | 0:20:49 | 0:20:55 | |
-You know. -What? | 0:20:55 | 0:20:57 | |
I need to know, Hugo, how much a time? 50? 60? 100? 200? | 0:20:57 | 0:21:04 | |
All right, keep your voice down. | 0:21:04 | 0:21:05 | |
Or does it depends on what I have to do? How far I have to go? | 0:21:05 | 0:21:10 | |
-Come on, Hugo, tell me. You obviously know about these things. -Ssh. | 0:21:10 | 0:21:16 | |
I think it's a very good idea. | 0:21:16 | 0:21:19 | |
I'll draw up a business plan and present it to my bank manager. | 0:21:19 | 0:21:22 | |
Caroline, I think you're making a big mistake. | 0:21:22 | 0:21:25 | |
Not as big as the one you're making. | 0:21:25 | 0:21:27 | |
Three years later, HTV announced plans | 0:21:27 | 0:21:30 | |
to film a feature-length Poldark special. | 0:21:30 | 0:21:33 | |
Angharad and her co-star Robin Ellis were to reprise their roles, | 0:21:33 | 0:21:38 | |
but negotiations over fees broke down | 0:21:38 | 0:21:40 | |
and two lesser-known actors were cast instead. | 0:21:40 | 0:21:43 | |
The Poldark Appreciation Society | 0:21:45 | 0:21:47 | |
took to the streets to protest to no avail. | 0:21:47 | 0:21:50 | |
But one member of Angharad's family | 0:21:52 | 0:21:54 | |
was enjoying happier fortunes as an actor. | 0:21:54 | 0:21:57 | |
Her eldest son Linford looked as if he might follow | 0:21:57 | 0:22:00 | |
in his parents' footsteps. | 0:22:00 | 0:22:02 | |
He'd gone to Edinburgh, made a tremendous success there | 0:22:02 | 0:22:06 | |
and won various things, and he was doing his masters at Cambridge, | 0:22:06 | 0:22:11 | |
you know, and all that stuff. And... | 0:22:11 | 0:22:14 | |
..and he directed things, and he was, kind of, a star. | 0:22:16 | 0:22:19 | |
He was the next star of the family. | 0:22:19 | 0:22:23 | |
But on 10 September, 1999, | 0:22:24 | 0:22:25 | |
as Linford was travelling home from Cambridge, | 0:22:25 | 0:22:28 | |
he was killed in a car accident. | 0:22:28 | 0:22:31 | |
It was a pretty, pretty horrendous time. | 0:22:31 | 0:22:34 | |
You know, she was totally heartbroken. Devastated. | 0:22:34 | 0:22:41 | |
Linford's funeral took place a week later at St Paul's Church, in Knightsbridge. | 0:22:43 | 0:22:48 | |
Even then her senses kicked in | 0:22:48 | 0:22:51 | |
because she had us all cleaning the church the day before. | 0:22:51 | 0:22:55 | |
There was an army of us with Hoovers, dusters, | 0:22:55 | 0:22:58 | |
mops and it just had to be, you know, just right. | 0:22:58 | 0:23:01 | |
I don't think it would be correct to say... | 0:23:03 | 0:23:05 | |
..either of them ever got over it. I don't think you do... | 0:23:08 | 0:23:11 | |
..get over that, but I think, in a way, they learned to live with it. | 0:23:15 | 0:23:19 | |
I don't think she wanted to do acting any more. The heart was gone. | 0:23:19 | 0:23:24 | |
It was ripped out. So it was, it was just a day-to-day... | 0:23:24 | 0:23:29 | |
..you know, get up and see what the day brings. | 0:23:30 | 0:23:34 | |
Angharad turned her back on acting and concentrated instead | 0:23:34 | 0:23:38 | |
on a jewellery design business she'd started the previous year. | 0:23:38 | 0:23:42 | |
It provided her with something to do, | 0:23:43 | 0:23:47 | |
something to keep her mind occupied and it was something she enjoyed. | 0:23:47 | 0:23:51 | |
She'd sit down in the... you know, downstairs | 0:23:51 | 0:23:54 | |
and potter about with the jewellery. | 0:23:54 | 0:23:56 | |
She loved it, she absolutely adored her jewellery business. | 0:23:56 | 0:24:01 | |
I went to a trade fair of gems and pearls, and bought some there, | 0:24:01 | 0:24:06 | |
and started making them for friends and nieces. | 0:24:06 | 0:24:10 | |
And people liked them so I kept making them. | 0:24:10 | 0:24:12 | |
I did brides and things like that | 0:24:12 | 0:24:15 | |
because the stuff I did was unusual and people quite liked it. It was... | 0:24:15 | 0:24:20 | |
It was fun and funky, but with beautiful things, you know? | 0:24:20 | 0:24:24 | |
All precious and semi-precious stones. | 0:24:24 | 0:24:26 | |
I went to visit some friends in Los Angeles | 0:24:26 | 0:24:29 | |
and I took some of the pieces I'd been making to show them. | 0:24:29 | 0:24:33 | |
And at dinner one night, the producer of Frasier was there | 0:24:33 | 0:24:37 | |
and she loved what I was wearing, and asked if I had more so, said, | 0:24:37 | 0:24:41 | |
"Come down to Paramount," and she bought them for the girls in Frasier. | 0:24:41 | 0:24:46 | |
As well as the American sitcom Frasier, | 0:24:46 | 0:24:49 | |
Angharad's jewellery was featured in a number of films and TV dramas. | 0:24:49 | 0:24:53 | |
Away from her business life, she found solace in her | 0:24:53 | 0:24:57 | |
relationship with a fellow actor who had also suffered a tragic loss. | 0:24:57 | 0:25:00 | |
Alan Bates was very helpful, actually, to Angharad because, | 0:25:02 | 0:25:06 | |
you know, people in life always say, | 0:25:06 | 0:25:08 | |
"Oh, my dear, I know exactly what you're going through," | 0:25:08 | 0:25:10 | |
but, of course, they don't. | 0:25:10 | 0:25:12 | |
And he did, you know, his son had died | 0:25:12 | 0:25:15 | |
and he really did know what she was going through. | 0:25:15 | 0:25:18 | |
They both had two sons, of whom one had died. | 0:25:18 | 0:25:22 | |
And, although Alan wasn't right for her or she for him, | 0:25:22 | 0:25:26 | |
in the longer term I think that relationship, | 0:25:26 | 0:25:29 | |
for as long as it's lasted, was tremendously helpful. | 0:25:29 | 0:25:32 | |
The man Angharad chose to spend the rest of her life with was not | 0:25:34 | 0:25:37 | |
an actor but a builder, David McAlpine. | 0:25:37 | 0:25:40 | |
David appeared at just exactly the right time. | 0:25:42 | 0:25:45 | |
I mean, I speak as one who taught Chris, I really did love him, | 0:25:45 | 0:25:49 | |
but he wasn't really a grown-up and, you know, and David is a grown-up. | 0:25:49 | 0:25:55 | |
We gathered we were both dyslexic | 0:25:57 | 0:25:59 | |
and that was a good common bond to start with. | 0:25:59 | 0:26:03 | |
We started to see each other for dinners | 0:26:03 | 0:26:06 | |
then she invited me to a party and it seemed to go on from there. | 0:26:06 | 0:26:11 | |
I don't know, we'd sit around tables gossiping. | 0:26:11 | 0:26:15 | |
The hours used to float past ever so quickly! | 0:26:15 | 0:26:18 | |
They made each other extremely happy. They were devoted to each other. | 0:26:19 | 0:26:24 | |
He is a very lovely, gentle man. | 0:26:24 | 0:26:27 | |
She had good taste in men. | 0:26:27 | 0:26:29 | |
You know, when you think, the three great loves of her adult life | 0:26:29 | 0:26:33 | |
were Christopher Cazenove, Alan Bates and David McAlpine, | 0:26:33 | 0:26:36 | |
you know, it looks like a pretty good hand in a card game to me! | 0:26:36 | 0:26:40 | |
Angharad and David were married in 2005. | 0:26:40 | 0:26:43 | |
Just four years later Angharad was diagnosed with pancreatic cancer. | 0:26:45 | 0:26:50 | |
She underwent a long programme of treatment, | 0:26:50 | 0:26:53 | |
including radiotherapy and chemotherapy. | 0:26:53 | 0:26:56 | |
As she started to spend more time in bed, there was one morning | 0:26:56 | 0:27:01 | |
when she, she leapt out of bed. | 0:27:01 | 0:27:03 | |
She ran out and did a little bit of gardening and I said, | 0:27:03 | 0:27:06 | |
"I'll do it," she wouldn't trust me with a pair of secateurs. Just, you know... | 0:27:06 | 0:27:11 | |
And she got, you know, her make-up, her hair, a Vivienne Westwood. | 0:27:11 | 0:27:17 | |
Now, who gardens... Who gardens in Vivian Westwood, for God's sake? | 0:27:17 | 0:27:21 | |
And, even then, looking her best was important. | 0:27:21 | 0:27:28 | |
Angharad Rees died on 21 July 2012, aged 68. | 0:27:28 | 0:27:35 | |
I don't think, to be honest, I've never met anybody that will | 0:27:35 | 0:27:40 | |
come anywhere close to Angharad because, you know, she was | 0:27:40 | 0:27:43 | |
very beautiful outside, but she was very beautiful from the inside. | 0:27:43 | 0:27:47 | |
Always with a twinkle in her eye | 0:27:47 | 0:27:51 | |
and a smile or wonderful dry sense of humour. Quite, quite enchanting. | 0:27:51 | 0:27:58 | |
I mean, you know, like all... | 0:27:58 | 0:28:00 | |
great stars, you know... | 0:28:00 | 0:28:02 | |
..she wasn't quite like anyone else. | 0:28:04 | 0:28:06 | |
Subtitles by Red Bee Media Ltd | 0:28:15 | 0:28:18 |