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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
Meet Malcolm Walker, Chief Executive of Iceland Supermarkets. | 0:00:06 | 0:00:09 | |
'How would you describe yourself as a businessman then?' | 0:00:09 | 0:00:11 | |
Cowboy. | 0:00:11 | 0:00:15 | |
This is a place where the boss dishes out briefcases of cash | 0:00:15 | 0:00:18 | |
to his staff. | 0:00:18 | 0:00:20 | |
There you are, this is what you've won. | 0:00:20 | 0:00:22 | |
I always believe that | 0:00:22 | 0:00:23 | |
having fun is a big part of why we are so successful. | 0:00:23 | 0:00:26 | |
It's the Iceland incentive. | 0:00:26 | 0:00:29 | |
It's a Hummer, so just imagine that parked outside your store. | 0:00:29 | 0:00:34 | |
It's been voted the happiest place to work in a national poll. | 0:00:34 | 0:00:37 | |
Good morning. | 0:00:37 | 0:00:39 | |
I've never worked in a place like Iceland | 0:00:39 | 0:00:41 | |
and I hope to never work in a place that is not like Iceland. | 0:00:41 | 0:00:44 | |
Malcolm started the company from a handful of freezers in Shropshire. | 0:00:44 | 0:00:47 | |
CORK POPS | 0:00:47 | 0:00:49 | |
Today, 25,000 staff provide budget frozen food | 0:00:49 | 0:00:53 | |
to over four million families every week. | 0:00:53 | 0:00:55 | |
Long live Iceland. | 0:00:55 | 0:00:57 | |
I'm in love with all our customers because they give me | 0:00:57 | 0:01:01 | |
everything I've got. They pay for my car, my house, my holidays. | 0:01:01 | 0:01:04 | |
After the media disaster of the horse meat scandal... | 0:01:04 | 0:01:07 | |
Right, Nick, what are we going to do? | 0:01:07 | 0:01:10 | |
Green mushy pea. Green, yeah. | 0:01:11 | 0:01:13 | |
..an image relaunch is now more important than ever. | 0:01:13 | 0:01:17 | |
This is about drawing a line in the sand and saying what we are. | 0:01:17 | 0:01:20 | |
But can they win over the sceptics... | 0:01:20 | 0:01:22 | |
Oh, this is Iceland. | 0:01:22 | 0:01:24 | |
You have to say the shop, not the country. | 0:01:24 | 0:01:27 | |
..while keeping their loyal customers? | 0:01:27 | 0:01:30 | |
The extra food went whoof, gone. | 0:01:30 | 0:01:32 | |
That's fine. Yeah. | 0:01:37 | 0:01:40 | |
For CEO Malcolm, tonight is one of the most important nights | 0:01:43 | 0:01:47 | |
in the Iceland calendar. | 0:01:47 | 0:01:49 | |
The business is defending its title | 0:01:49 | 0:01:51 | |
as the best big company to work for in Britain. | 0:01:51 | 0:01:54 | |
Now, this is the tricky bit, you see, ah, doing it right, | 0:01:54 | 0:01:59 | |
no bloody clip-on ties here. | 0:01:59 | 0:02:01 | |
This is not the Iceland way, clip-on ties. | 0:02:02 | 0:02:05 | |
Anybody has a clip-on tie in Iceland, they get fired. | 0:02:05 | 0:02:08 | |
Bloody hell, that's a masterpiece, that is. | 0:02:08 | 0:02:11 | |
Well, it's the Best Companies To Work For dinner | 0:02:13 | 0:02:16 | |
which we won last year, of course. | 0:02:16 | 0:02:18 | |
I'll be seriously pissed off if we don't win, | 0:02:18 | 0:02:20 | |
but I'll pretend that we're all happy. | 0:02:20 | 0:02:22 | |
Have we all got a drink? Right. | 0:02:22 | 0:02:24 | |
To the best company to work for, | 0:02:24 | 0:02:26 | |
irrespective of what happens tonight. | 0:02:26 | 0:02:29 | |
Yeah. Iceland. | 0:02:29 | 0:02:30 | |
Last year, Malcolm beat blue chip firms like Goldman Sachs | 0:02:30 | 0:02:34 | |
to the best company crown. | 0:02:34 | 0:02:36 | |
Ohhh, yeah! There you go, see. | 0:02:36 | 0:02:38 | |
But his outspoken reaction to the horse meat crisis has won him | 0:02:38 | 0:02:42 | |
notoriety among his fellow chief execs in the food business. | 0:02:42 | 0:02:46 | |
How are you anyway? | 0:02:46 | 0:02:48 | |
Ah, I'm OK, barring the horse meat, which is... | 0:02:48 | 0:02:52 | |
But you've been unaffected, haven't you? No. | 0:02:52 | 0:02:54 | |
Apart from your comments? | 0:02:54 | 0:02:55 | |
No, it's cost us three million a week in sales. Really? | 0:02:55 | 0:02:59 | |
The PR fallout was horrendous. | 0:02:59 | 0:03:02 | |
I heard it on Breakfast News, | 0:03:02 | 0:03:03 | |
and even Chris Evans was saying he should have stopped. | 0:03:03 | 0:03:07 | |
But I've been proved right! | 0:03:07 | 0:03:09 | |
Ladies and Gentlemen, time for us to find out | 0:03:13 | 0:03:17 | |
who are the best companies to work for in 2013. | 0:03:17 | 0:03:20 | |
The second place has a real family feel. | 0:03:22 | 0:03:26 | |
This employee says it best, "We're not just a team but a family." | 0:03:26 | 0:03:30 | |
Bugger, that's us. | 0:03:30 | 0:03:32 | |
Ladies and gentlemen, last year's number one, | 0:03:32 | 0:03:35 | |
the number two best big company is Iceland Foods. | 0:03:35 | 0:03:40 | |
APPLAUSE | 0:03:40 | 0:03:43 | |
Malcolm and his team have been knocked off the top spot | 0:03:47 | 0:03:51 | |
by Pets at Home. | 0:03:51 | 0:03:53 | |
We were never going to win. No. | 0:03:55 | 0:03:58 | |
Well, that's a result. | 0:03:58 | 0:03:59 | |
I mean, of course, I'm disappointed we're not number one, which is where, | 0:03:59 | 0:04:03 | |
rightly, we deserve to be, but number two's OK. | 0:04:03 | 0:04:06 | |
Malcolm's concerned that the horse meat scandal has | 0:04:08 | 0:04:10 | |
tarnished the company's image and cost millions in sales. | 0:04:10 | 0:04:14 | |
Back at Head Office, he's pressing on with the relaunch | 0:04:16 | 0:04:19 | |
to help get the business back on track. | 0:04:19 | 0:04:21 | |
He'll be personally overseeing things from top to bottom | 0:04:22 | 0:04:25 | |
starting with the new Party Fare range. | 0:04:25 | 0:04:28 | |
Hello. Hi. Right. | 0:04:28 | 0:04:30 | |
Talk us through it. | 0:04:32 | 0:04:33 | |
OK, so we've got for you... | 0:04:33 | 0:04:37 | |
So this is just chicken strips | 0:04:37 | 0:04:38 | |
and then you've got a chip shop curry sauce. | 0:04:38 | 0:04:40 | |
Buyer Alistair Krimp developed the new products | 0:04:40 | 0:04:43 | |
in Thailand in an attempt to revamp their frozen finger food. | 0:04:43 | 0:04:47 | |
In essence, what we've tried to do this year is really brighten it up, | 0:04:47 | 0:04:51 | |
so, you know, the fish, chip and mushy pea products is one example, | 0:04:51 | 0:04:55 | |
just trying to keep it Iceland. | 0:04:55 | 0:04:59 | |
So you've just got a massive piece of fish, mushy peas | 0:04:59 | 0:05:03 | |
and then the chip on top. | 0:05:03 | 0:05:06 | |
Very good, innit? Yeah. | 0:05:07 | 0:05:08 | |
Well, lightly-coated fish chunk. | 0:05:10 | 0:05:14 | |
Green mushy pea. Green, yeah. | 0:05:14 | 0:05:17 | |
For the last six months, | 0:05:17 | 0:05:18 | |
the company has been planning to refresh its image. | 0:05:18 | 0:05:21 | |
The horse meat crisis has made the need for this more urgent. | 0:05:21 | 0:05:25 | |
and we're giving the stores a new look, | 0:05:26 | 0:05:28 | |
they're going to be brighter, | 0:05:28 | 0:05:30 | |
we're having new point of sale material, | 0:05:30 | 0:05:32 | |
new packaging, lots of new products being launched. | 0:05:32 | 0:05:35 | |
And it works better if you have the big launch | 0:05:35 | 0:05:39 | |
than if you drip feed it in. | 0:05:39 | 0:05:41 | |
In charge of the Iceland relaunch is Malcolm's right-hand man, | 0:05:42 | 0:05:46 | |
Nick Canning. | 0:05:46 | 0:05:47 | |
Nick's dream is to achieve what budget supermarket Aldi has. | 0:05:48 | 0:05:52 | |
RADIO: 'Hello, good afternoon. | 0:05:52 | 0:05:54 | |
'Today, what we're buying, where we're shopping...' | 0:05:54 | 0:05:57 | |
Aldi's great success over recent years is how they've wooed | 0:05:57 | 0:05:59 | |
the middle classes. It's a badge of honour of going to an Aldi | 0:05:59 | 0:06:03 | |
and saying, "I've found a bargain" in a way that they wouldn't do | 0:06:03 | 0:06:07 | |
actually going to Asda and certainly not to Iceland. | 0:06:07 | 0:06:11 | |
Despite Nick's ambitions, Malcolm's always been | 0:06:11 | 0:06:13 | |
cautious about changing the company's image. | 0:06:13 | 0:06:17 | |
A part of the issue we have here is about saying who are we trying | 0:06:17 | 0:06:20 | |
to influence because if we are just talking about existing customers... | 0:06:20 | 0:06:23 | |
But I'm nervous of taking... | 0:06:23 | 0:06:27 | |
..taking it to market. OK. | 0:06:28 | 0:06:30 | |
The only point I'd make on that is that you can't just change a pack. | 0:06:30 | 0:06:33 | |
We're going to have to go a lot broader and a lot wider than that. | 0:06:33 | 0:06:38 | |
There are only around about one in five households | 0:06:38 | 0:06:40 | |
that shop in an Iceland and that is about | 0:06:40 | 0:06:42 | |
a load of baggage around the brand that some people simply reject. | 0:06:42 | 0:06:45 | |
It's very cheap and very fattening. | 0:06:45 | 0:06:47 | |
Well, it's nice and clean and cheap. | 0:06:47 | 0:06:49 | |
Donkey burgers, horse burgers. | 0:06:49 | 0:06:51 | |
The brand that used Kerry Katona as a spokesperson, you know, | 0:06:51 | 0:06:54 | |
their view would be that the quality of the food we sell isn't | 0:06:54 | 0:06:56 | |
fantastic and that when you set foot into an Iceland, | 0:06:56 | 0:07:00 | |
the standards won't be great, | 0:07:00 | 0:07:01 | |
partly because of the location of our stores. | 0:07:01 | 0:07:03 | |
'And what do you think about that?' | 0:07:03 | 0:07:05 | |
Well, I think it's an opportunity. | 0:07:05 | 0:07:07 | |
We have to make sure that people throw all of their prejudices | 0:07:07 | 0:07:10 | |
about the Iceland brand out of the window. | 0:07:10 | 0:07:12 | |
Someone who's less optimistic is Keith Hann, | 0:07:14 | 0:07:17 | |
the company's PR Consultant. | 0:07:17 | 0:07:19 | |
This is confidential. Oh, I never tell anyone anything. | 0:07:19 | 0:07:21 | |
That's key to the whole PR strategy - | 0:07:21 | 0:07:23 | |
never tell anyone anything. | 0:07:23 | 0:07:25 | |
THEY LAUGH | 0:07:25 | 0:07:26 | |
We gathered that. | 0:07:26 | 0:07:28 | |
He's recently rebranded his own department in the wake | 0:07:29 | 0:07:32 | |
of the PR disaster of the horse meat scandal. | 0:07:32 | 0:07:35 | |
'What? The Centre of Mediocrity? | 0:07:35 | 0:07:37 | |
'I have no qualifications in public relations,' | 0:07:37 | 0:07:39 | |
I haven't done a degree in public relations which are very popular now | 0:07:39 | 0:07:43 | |
as I know from the degree students who keep e-mailing me | 0:07:43 | 0:07:47 | |
asking me for my lessons I've learned from "Horsegate". | 0:07:47 | 0:07:50 | |
'What were you aspirations when you were at university?' | 0:07:50 | 0:07:53 | |
I wanted to stay at Cambridge and be one of those Dons who | 0:07:53 | 0:07:59 | |
makes frightfully witty jokes and shags lots of young students. | 0:07:59 | 0:08:04 | |
Female students, so there wouldn't be so much competition. | 0:08:04 | 0:08:07 | |
'What happened?' I wasn't clever enough. | 0:08:07 | 0:08:10 | |
HE LAUGHS | 0:08:10 | 0:08:11 | |
Keith's dubious about whether the company can ever move upmarket. | 0:08:11 | 0:08:16 | |
You're never going to convince the hardcore Guardian-reading, | 0:08:16 | 0:08:20 | |
media-conscious person in London that Iceland sells anything | 0:08:20 | 0:08:24 | |
other than total crap, it's just I've spent years trying to do it. | 0:08:24 | 0:08:28 | |
Perhaps if they employed a decent PR man rather than one who is | 0:08:28 | 0:08:31 | |
clearly shit at his job, they might have made more headway. | 0:08:31 | 0:08:35 | |
Nick is more optimistic. | 0:08:39 | 0:08:41 | |
He's in London with his head of marketing, Alison, | 0:08:41 | 0:08:44 | |
to meet advertising agency Karmarama. | 0:08:44 | 0:08:47 | |
To seduce new customers, he needs a game-changing TV advert. | 0:08:49 | 0:08:54 | |
People who hate us, haven't ate us. | 0:08:54 | 0:08:57 | |
Karmarama's Dave and Sid are the masterminds | 0:08:57 | 0:09:00 | |
behind campaigns for Costa Coffee and Ikea. | 0:09:00 | 0:09:03 | |
Iceland is better than you think. | 0:09:03 | 0:09:04 | |
Nick's given them the brief "better than you think" | 0:09:04 | 0:09:07 | |
but he knows it's a risky one. | 0:09:07 | 0:09:09 | |
Iceland is better than you think. | 0:09:09 | 0:09:11 | |
Iceland's better than you think is the strategic bull's-eye, isn't it? | 0:09:11 | 0:09:14 | |
My problem with it, I guess, is it feels a bit chippy. | 0:09:14 | 0:09:16 | |
There is a degree of chippiness. I think you need that. | 0:09:16 | 0:09:20 | |
You are dealing with a group of people who believe they know you | 0:09:20 | 0:09:23 | |
and you've got to agitate against that | 0:09:23 | 0:09:25 | |
and you've got to say, actually, think again. | 0:09:25 | 0:09:28 | |
But Nick's got to contend with boss Malcolm's more conventional tastes. | 0:09:30 | 0:09:34 | |
The London agencies, they're all out of the same mould. | 0:09:34 | 0:09:37 | |
You get two or three guys in sharp suits | 0:09:37 | 0:09:40 | |
and then you get one in a denim jacket and maybe a ponytail, | 0:09:40 | 0:09:42 | |
he's the creative director, | 0:09:42 | 0:09:44 | |
and then you always get a beautiful girl in a very tailored suit | 0:09:44 | 0:09:48 | |
and they'll start the presentation with PowerPoint, | 0:09:48 | 0:09:52 | |
just to prove that they've done all the research and then they'll come | 0:09:52 | 0:09:56 | |
to the punchline and our proposal for your next advert is da-dah. | 0:09:56 | 0:10:02 | |
So the first route, "People need to know." | 0:10:02 | 0:10:04 | |
It's almost like Iceland Tourette's. | 0:10:04 | 0:10:05 | |
I really like the idea of Iceland Tourette's... | 0:10:05 | 0:10:08 | |
I was just thinking I've got a perfect spokesperson for that. | 0:10:08 | 0:10:11 | |
You know whether its bloody polar bears, penguins... | 0:10:12 | 0:10:15 | |
As if we haven't had all that before. | 0:10:17 | 0:10:19 | |
This is a beautifully-shot film about a lovely wedding. | 0:10:19 | 0:10:22 | |
We see people being offered lovely canapes on elegant platters, | 0:10:22 | 0:10:25 | |
we see the groom take the microphone and announce, | 0:10:25 | 0:10:27 | |
"And finally, I just want to say a big thank you to | 0:10:27 | 0:10:29 | |
"Iceland Supermarket for providing all the food we've enjoyed today." | 0:10:29 | 0:10:32 | |
We then pan round the room and we start to record people's | 0:10:32 | 0:10:34 | |
absolutely stunned and flabbergasted faces. | 0:10:34 | 0:10:36 | |
We see the bottom of someone's profiterole bowl, | 0:10:36 | 0:10:41 | |
It's certainly bold and it certainly will, you know, get people talking. | 0:10:41 | 0:10:46 | |
Karmarama's experience of wooing the middle classes | 0:10:46 | 0:10:50 | |
could give them the edge. | 0:10:50 | 0:10:51 | |
We've got people on the team who have been eating, religiously, | 0:10:51 | 0:10:54 | |
huge amounts of Iceland food and they're loving it. | 0:10:54 | 0:10:58 | |
Every day is a revelation. | 0:10:58 | 0:11:00 | |
When you experience a Chicken Tikka Masala Lasagne | 0:11:00 | 0:11:04 | |
for the very first time, it blows your mind. | 0:11:04 | 0:11:07 | |
I think that we're not going to come back with a Kerry Katona campaign | 0:11:07 | 0:11:10 | |
or a, you know, whoever it is, a Division 5 celebrity, | 0:11:10 | 0:11:14 | |
it kind of works, but what it doesn't do, | 0:11:14 | 0:11:16 | |
it just keeps feeding the beast that you're going to become. | 0:11:16 | 0:11:19 | |
If you're doing advertising with Kerry Katona, | 0:11:19 | 0:11:21 | |
what are people going to think about your product? | 0:11:21 | 0:11:24 | |
Competing against Karmarama is Malcolm's favourite | 0:11:27 | 0:11:29 | |
advertising man - 70-year-old veteran Tom Reddy. | 0:11:29 | 0:11:35 | |
Head of a small northern agency, Tom does most of his work | 0:11:35 | 0:11:38 | |
out of his car on the M60. | 0:11:38 | 0:11:41 | |
Tom is...he's well into his 70s, | 0:11:41 | 0:11:43 | |
grey hair, at least 15 stone overweight. | 0:11:43 | 0:11:47 | |
You'd be amused to know our latest client is a slimming product. | 0:11:47 | 0:11:51 | |
When they saw me panting my way upstairs, | 0:11:51 | 0:11:55 | |
they must have thought there's our chap, that's our agency. | 0:11:55 | 0:11:58 | |
But Iceland is our main client. | 0:11:58 | 0:12:00 | |
It was Tom who was responsible for the company's most successful | 0:12:00 | 0:12:04 | |
advertising campaign featuring I'm A Celebrity Winner Kerry Katona. | 0:12:04 | 0:12:10 | |
Tom really came shuffling in and I could see Nick Canning | 0:12:10 | 0:12:13 | |
rolling his eyes - who on earth are these people? | 0:12:13 | 0:12:16 | |
And he said I've got an idea for your next advert | 0:12:16 | 0:12:18 | |
and you need an attention-grabber, a shocker - | 0:12:18 | 0:12:23 | |
Kerry Katona. | 0:12:23 | 0:12:25 | |
Who? Who's she? Kerry Katona? | 0:12:25 | 0:12:27 | |
But what an absolutely brilliant idea. | 0:12:27 | 0:12:31 | |
And it was a jackpot, a hole in one. | 0:12:31 | 0:12:35 | |
Base, turn, stuff, check. | 0:12:35 | 0:12:37 | |
Kerry was the face of Iceland for four years | 0:12:37 | 0:12:40 | |
until a series of tabloid scandals brought the campaign to an end. | 0:12:40 | 0:12:44 | |
That's why mums go to Iceland. | 0:12:44 | 0:12:45 | |
Today, Tom is back at Head Office pitching his idea to convince | 0:12:47 | 0:12:50 | |
people to think again about Iceland. | 0:12:50 | 0:12:53 | |
The music of celebrity Michael Buble. | 0:12:53 | 0:12:56 | |
We found a song called "We Just Haven't Met You Yet." | 0:12:56 | 0:12:59 | |
It sounds a little bit cynical from an advertising man | 0:12:59 | 0:13:01 | |
to say that Michael Buble and his partner | 0:13:01 | 0:13:04 | |
are expecting a baby and he posted | 0:13:04 | 0:13:06 | |
the scan on the internet and put this song over the scan. | 0:13:06 | 0:13:11 | |
See what you think of it anyway, this is a very rough cut. | 0:13:11 | 0:13:13 | |
So we let the pictures and the music kind of do the talking. | 0:13:17 | 0:13:21 | |
The idea of just haven't met you yet is a strong one, | 0:13:21 | 0:13:24 | |
in terms of the song. | 0:13:24 | 0:13:25 | |
What I'm thinking about, as I'm seeing the visuals and reading | 0:13:25 | 0:13:29 | |
the script, is whether or not we need to be a little bit more direct. | 0:13:29 | 0:13:32 | |
Nick is keen to explore his bolder strategy. | 0:13:32 | 0:13:35 | |
You could go direct at them | 0:13:35 | 0:13:37 | |
with a... | 0:13:37 | 0:13:40 | |
strategy thought of better than you think. | 0:13:40 | 0:13:42 | |
Advertising men and politicians were told never apologise, never explain. | 0:13:42 | 0:13:47 | |
I agree. | 0:13:47 | 0:13:49 | |
Once you start, sort of, explaining better than you think, | 0:13:49 | 0:13:53 | |
it could be... I never thought that in the first place, but I might | 0:13:53 | 0:13:57 | |
start thinking it now. It's got to be very carefully approached really. | 0:13:57 | 0:14:00 | |
And you're right, Tom, you should never apologise. | 0:14:00 | 0:14:04 | |
But we've been struggling with this one for a while now. | 0:14:04 | 0:14:08 | |
One of the downsides of having an agency that's been with us for | 0:14:08 | 0:14:11 | |
a long time is that they'll often come up with ideas | 0:14:11 | 0:14:14 | |
that are very comfortable in the space we're in. | 0:14:14 | 0:14:16 | |
It's like a comfortable old jumper. | 0:14:16 | 0:14:19 | |
Every now and then, we have to stop that and we have to sort of make sure | 0:14:19 | 0:14:22 | |
we're looking a bit further afield to challenge ourselves to say, | 0:14:22 | 0:14:26 | |
well, is that what our customers and potential customers want? | 0:14:26 | 0:14:29 | |
The problem is to move up without moving out. | 0:14:29 | 0:14:33 | |
If you move out, then you lose your core market. | 0:14:33 | 0:14:36 | |
Tom's been making Iceland's adverts on and off for 30 years. | 0:14:38 | 0:14:41 | |
Losing the account would be a blow. | 0:14:41 | 0:14:44 | |
It's funny cos one of our writers said, "I wonder | 0:14:44 | 0:14:48 | |
"if anybody will be able to be as emotional about Iceland as we are." | 0:14:48 | 0:14:53 | |
And... | 0:14:53 | 0:14:55 | |
..I thought that kind of summed it up really. | 0:14:56 | 0:15:01 | |
In Tooting, news is in from Head Office that the stores need | 0:15:01 | 0:15:05 | |
a facelift ahead of the relaunch. | 0:15:05 | 0:15:07 | |
Ah, that's better. | 0:15:09 | 0:15:11 | |
Cricket enthusiast Sandra is | 0:15:11 | 0:15:13 | |
looking for new ways to motivate her team of 45 staff. | 0:15:13 | 0:15:17 | |
Good morning. | 0:15:17 | 0:15:19 | |
As part of Easter, | 0:15:19 | 0:15:21 | |
we've just got every team member, | 0:15:21 | 0:15:22 | |
when they're on break or before they started or when they finish, | 0:15:22 | 0:15:26 | |
just to colour themselves on an egg. This is Abraham, our supervisor. | 0:15:26 | 0:15:29 | |
This is Balol's one. | 0:15:31 | 0:15:32 | |
And the reason it looks like this is because Balol went wrong | 0:15:32 | 0:15:35 | |
and so instead of just using a different egg, | 0:15:35 | 0:15:38 | |
he just coloured the whole egg in, so that's fine. | 0:15:38 | 0:15:40 | |
I'm this egg in the middle. | 0:15:42 | 0:15:44 | |
I have a Sandra name badge on. | 0:15:44 | 0:15:46 | |
It doesn't look a lot like me, | 0:15:46 | 0:15:48 | |
but I wanted to make sure my egg stood out among everyone else's egg. | 0:15:48 | 0:15:53 | |
I talk an exceptional amount all the time | 0:15:53 | 0:15:56 | |
and I probably am quite controlling of what goes on in the store. | 0:15:56 | 0:16:01 | |
One of Malcolm's biggest bugbears is shoplifting. | 0:16:01 | 0:16:05 | |
For law graduate Sandra, it's a daily challenge. | 0:16:05 | 0:16:09 | |
You can watch across the entire store from the gap, | 0:16:09 | 0:16:12 | |
so we just watch to see if there's anything we need to be | 0:16:12 | 0:16:14 | |
aware of that we're not aware of. | 0:16:14 | 0:16:17 | |
We know the common shoplifters, so we have Mr Leg of Lamb | 0:16:17 | 0:16:20 | |
who would only remove legs of lamb from the store. | 0:16:20 | 0:16:23 | |
He regularly comes in but he's now swapped his tactics, | 0:16:23 | 0:16:28 | |
he doesn't come to take the legs of lamb to steal the legs of lamb, | 0:16:28 | 0:16:31 | |
he comes to take the legs of lamb so the police will arrest him | 0:16:31 | 0:16:34 | |
so he can stay in the cell overnight. | 0:16:34 | 0:16:37 | |
So he's got a bit of a win/win situation going on now. | 0:16:37 | 0:16:40 | |
So we just seal them all up and then they should be fine for the day. | 0:16:40 | 0:16:46 | |
Sandra has foiled leg of lamb man with locked boxes, | 0:16:46 | 0:16:50 | |
but there is another thief eluding her net. | 0:16:50 | 0:16:53 | |
We've got salmon and prawn man. | 0:16:53 | 0:16:54 | |
Last year, we lost nearly ?1,500 on salmon fillets | 0:16:54 | 0:16:59 | |
and prawn alone, so he's our next lookout | 0:16:59 | 0:17:02 | |
but we've not caught him yet. | 0:17:02 | 0:17:04 | |
Guys, we're getting very, very close | 0:17:05 | 0:17:07 | |
now to catching the person who's responsible for the salmon, OK? | 0:17:07 | 0:17:10 | |
We've narrowed it down | 0:17:10 | 0:17:11 | |
that those products go missing between 9.15 and 10.00, so.. | 0:17:11 | 0:17:15 | |
Do we know what he looks like? No. No, OK. | 0:17:15 | 0:17:18 | |
And I say it's a guy, I'm assuming it's a guy? | 0:17:18 | 0:17:20 | |
Yeah, OK, OK. We'll keep our eyes open. | 0:17:20 | 0:17:22 | |
Keep your eyes open, don't headlock anyone, please? | 0:17:22 | 0:17:25 | |
No, I'll try not to. Choke slam? Yeah, that's all right. | 0:17:25 | 0:17:27 | |
So what I want us to do is to go downstairs. | 0:17:27 | 0:17:29 | |
Now, we'll be doing stuff, | 0:17:29 | 0:17:32 | |
but we need to keep an eye on those three cabinets. | 0:17:32 | 0:17:35 | |
So what are you guys going to do downstairs? | 0:17:35 | 0:17:37 | |
Just going to pretend that we're working. | 0:17:37 | 0:17:39 | |
Well, you can do some work. We're going to work. | 0:17:39 | 0:17:41 | |
You can do some work. I'm going to watch you now, | 0:17:41 | 0:17:43 | |
I'm going to watch you more than prawn man. | 0:17:43 | 0:17:46 | |
The company loses ?5 million to shoplifters every year. | 0:17:51 | 0:17:55 | |
With sales struggling, the staff are on orders to be extra vigilant. | 0:17:55 | 0:18:00 | |
Well, we're looking for anyone that comes in that doesn't have a basket | 0:18:00 | 0:18:03 | |
because why would you come into the store without a basket? | 0:18:03 | 0:18:05 | |
Like that gentleman has come into the store without a basket. | 0:18:05 | 0:18:09 | |
Just keep an eye for anyone who's come in without a basket | 0:18:10 | 0:18:13 | |
and a massive bag. We'll find him. Yeah. | 0:18:13 | 0:18:16 | |
Store number two, Tim. | 0:18:16 | 0:18:18 | |
When an incident occurs in any of the 800 stores, | 0:18:18 | 0:18:21 | |
it's reported directly to the security department at Head Office. | 0:18:21 | 0:18:25 | |
That's a male who was violent who came in store and was asked to leave. | 0:18:25 | 0:18:28 | |
We're pretty sure that Tooting know exactly what they're doing | 0:18:28 | 0:18:31 | |
with these toerags. | 0:18:31 | 0:18:32 | |
Ex-accountant Duncan Miles is responsible for all crime | 0:18:32 | 0:18:35 | |
and security at the company. | 0:18:35 | 0:18:38 | |
The team will tell you here that when something bad happens | 0:18:38 | 0:18:41 | |
to someone in a store or to a store, I'm walking round like I've been | 0:18:41 | 0:18:44 | |
kicked between the legs because we do care passionately about it. | 0:18:44 | 0:18:47 | |
Physical attack, Hackney, male became aggressive | 0:18:47 | 0:18:50 | |
and punched the manager in the face. | 0:18:50 | 0:18:51 | |
Our job is to protect our staff | 0:18:51 | 0:18:53 | |
and I'll tell you what, that's something we all strive to do | 0:18:53 | 0:18:56 | |
to the best of our ability because this company doesn't work like | 0:18:56 | 0:19:00 | |
faceless bureaucrats, we all get our sleeves rolled up and get stuck in. | 0:19:00 | 0:19:06 | |
In London alone, the company's store detectives catch | 0:19:06 | 0:19:10 | |
more than 3,000 shoplifters every year. | 0:19:10 | 0:19:13 | |
Certain police forces have sent out an edict that they're not to | 0:19:13 | 0:19:17 | |
attend for shoplifting incidents where it's less than ?20. | 0:19:17 | 0:19:22 | |
They're saying that as a rule, | 0:19:22 | 0:19:23 | |
but we are still getting prosecutions at under ?20. Right. | 0:19:23 | 0:19:26 | |
I mean, it is a huge problem and even the police are treating it | 0:19:26 | 0:19:31 | |
as a victimless crime, and so many times, the police won't come. | 0:19:31 | 0:19:35 | |
No problem getting you doing 32mph down the road here, | 0:19:35 | 0:19:39 | |
you can go to jail for that, but stealing something, no, that's OK. | 0:19:39 | 0:19:45 | |
So, again, how do you change people's attitudes towards it? It is a crime. | 0:19:45 | 0:19:51 | |
Near Sloane Square in Chelsea, Malcolm's drive to refresh | 0:19:55 | 0:19:59 | |
the business is gathering pace. | 0:19:59 | 0:20:02 | |
He's handpicked the company's newest store manager, | 0:20:02 | 0:20:05 | |
his only son, Richard. | 0:20:05 | 0:20:08 | |
We are out in Chelsea, um... | 0:20:09 | 0:20:11 | |
just driving to my new store in Swiss Cottage | 0:20:11 | 0:20:15 | |
where I'll be working for the next couple of months managing the store. | 0:20:15 | 0:20:21 | |
After a successful career in property, Richard is deciding | 0:20:23 | 0:20:26 | |
whether to follow his dad into the business | 0:20:26 | 0:20:29 | |
but he needs to start on the shop floor. | 0:20:29 | 0:20:32 | |
He's hoping to bring some fresh ideas. | 0:20:32 | 0:20:35 | |
I think...I think my dad thinks that, er, | 0:20:35 | 0:20:38 | |
the role I'm doing now is obviously invaluable | 0:20:38 | 0:20:40 | |
and I'm quite aware that the eyes of the company are on me now. | 0:20:40 | 0:20:43 | |
So I'm going into a store that's performed below expectation | 0:20:43 | 0:20:47 | |
and I think they think I'm going to go in and try and sort it out. | 0:20:47 | 0:20:52 | |
Don't actually know where to park. | 0:20:56 | 0:20:59 | |
Guess we walk in the front, I think. | 0:20:59 | 0:21:01 | |
I'm very nervous actually, very nervous. | 0:21:02 | 0:21:06 | |
Hello, I'm Richard, how you doing? You all right? Good to meet you. | 0:21:06 | 0:21:09 | |
How you doing? Good to meet you. | 0:21:09 | 0:21:11 | |
Do you want me to help you with that, madam? Can I help you with this? | 0:21:11 | 0:21:14 | |
Here is a basket holder that wasn't there before, | 0:21:17 | 0:21:20 | |
but what I've found is a lot of people are coming straight | 0:21:20 | 0:21:23 | |
into the store and they're just thinking about bread, milk, eggs | 0:21:23 | 0:21:26 | |
or whatever they've got to buy | 0:21:26 | 0:21:28 | |
and they get here and they're struggling to hold stuff | 0:21:28 | 0:21:30 | |
and so having the basket holder there is just quite good. | 0:21:30 | 0:21:33 | |
What else have we done? I don't know really. | 0:21:33 | 0:21:35 | |
Rome wasn't built in a day, so just a few little things. | 0:21:35 | 0:21:40 | |
The trouble for Richard is that Iceland traditionally | 0:21:42 | 0:21:44 | |
thrives in low-income areas. | 0:21:44 | 0:21:47 | |
The newly-opened Swiss Cottage store is next to a Waitrose | 0:21:47 | 0:21:51 | |
on a high street that serves some of | 0:21:51 | 0:21:52 | |
the most affluent neighbourhoods in London. | 0:21:52 | 0:21:56 | |
Oh, this is Iceland. Yes. | 0:21:56 | 0:21:58 | |
People get confused. You have to say the shop, not the country. | 0:21:58 | 0:22:03 | |
Richard's success will depend on bringing a different | 0:22:03 | 0:22:05 | |
kind of customer through the doors. | 0:22:05 | 0:22:08 | |
10 Jaffa cakes ice cream. Oh, I'm going to get one of those. | 0:22:10 | 0:22:14 | |
I think it's very interesting because I think most of us | 0:22:14 | 0:22:17 | |
are having to look around now when we didn't. | 0:22:17 | 0:22:19 | |
I mean I'm a Marks Spencer and Waitrose shopper, | 0:22:19 | 0:22:22 | |
I'm in Marks Spencer daily, but this is great to know it's here. | 0:22:22 | 0:22:27 | |
We think that you should advertise in say the Ham High. | 0:22:27 | 0:22:32 | |
In the...? In the Ham High, the local paper. | 0:22:32 | 0:22:34 | |
Ah, the local paper. | 0:22:34 | 0:22:35 | |
Get pictures of people shopping in Iceland into the Ham High. | 0:22:35 | 0:22:41 | |
I suppose advertising would help. | 0:22:41 | 0:22:43 | |
Perhaps it might have to be a little | 0:22:43 | 0:22:46 | |
more sophisticated than Iceland's advertising currently is. | 0:22:46 | 0:22:49 | |
I don't think anybody wants to be known for shopping | 0:22:49 | 0:22:51 | |
because it's cheap. | 0:22:51 | 0:22:53 | |
The fact that it is is a bonus. | 0:22:53 | 0:22:55 | |
Hello. Hello. | 0:22:57 | 0:22:59 | |
Look at your hair. | 0:23:00 | 0:23:02 | |
It looks like you work in a bloody clothes shop. | 0:23:02 | 0:23:05 | |
Malcolm is down in London to take Richard to lunch. | 0:23:05 | 0:23:07 | |
It's, er, practical. | 0:23:07 | 0:23:09 | |
When you come into Head Office, you have to have a bit of gravitas. | 0:23:09 | 0:23:12 | |
He's taking a keen interest in Richard's progress on the shop floor. | 0:23:12 | 0:23:17 | |
So how did the, er, the manager's meeting go yesterday? | 0:23:17 | 0:23:20 | |
It went really well, but I need to be... | 0:23:20 | 0:23:23 | |
You can't fail. I know. | 0:23:23 | 0:23:25 | |
But I need to be allowed to... | 0:23:25 | 0:23:28 | |
to fail, you know, and if... | 0:23:28 | 0:23:31 | |
Hopefully, I won't. | 0:23:31 | 0:23:32 | |
A lot of people bring their son in almost at board level | 0:23:32 | 0:23:36 | |
which is completely wrong, you've got to earn your spurs. | 0:23:36 | 0:23:44 | |
It's very important to bring up your children with a work ethic | 0:23:44 | 0:23:50 | |
and they all had holiday jobs, | 0:23:50 | 0:23:52 | |
they all know the value of money, where some people I know | 0:23:52 | 0:23:56 | |
who have done well in life, their kids are a nightmare. | 0:23:56 | 0:23:59 | |
In Treorchy, an ex-mining town in Wales, | 0:24:02 | 0:24:05 | |
Malcolm's other new store manager Martin | 0:24:05 | 0:24:07 | |
is keeping the company's more traditional customers happy. | 0:24:07 | 0:24:11 | |
The store opened four months ago, bringing with it | 0:24:11 | 0:24:13 | |
24 new jobs to a deprived area. | 0:24:13 | 0:24:17 | |
Yorkshire puddings. | 0:24:17 | 0:24:19 | |
Yeah, just down this way and I'll show you now. | 0:24:20 | 0:24:23 | |
You need to get some new batteries for your glasses perhaps. | 0:24:23 | 0:24:27 | |
All right, anything else I can help you with? | 0:24:27 | 0:24:29 | |
Cheers then. | 0:24:29 | 0:24:31 | |
The store is doing very, very well. | 0:24:31 | 0:24:32 | |
The team and the staff know a lot of the local people. | 0:24:32 | 0:24:34 | |
Yeah, of course, you come in and have a chat any time. | 0:24:34 | 0:24:37 | |
A lot of their feedback is generally along the lines of | 0:24:37 | 0:24:39 | |
we're glad Iceland came, it's done so much for the town centre. | 0:24:39 | 0:24:42 | |
We could get like... Are we getting...? | 0:24:42 | 0:24:45 | |
Yeah, mini ones, but they're down by there. Oh, the party ones. | 0:24:45 | 0:24:48 | |
The first customers through the door when the store opened | 0:24:48 | 0:24:51 | |
were 55-year-old electrician Mark and his fiancee Lisa. | 0:24:51 | 0:24:55 | |
Now they are back to cater for their upcoming wedding. | 0:24:55 | 0:24:59 | |
So we'll have these. Yeah. Right, the Indian platter. | 0:24:59 | 0:25:01 | |
This is going to be nice, pastry swirls. | 0:25:01 | 0:25:04 | |
Chicken, they look weird. Yeah. | 0:25:04 | 0:25:06 | |
It's unusual, innit? That's what we want. | 0:25:06 | 0:25:09 | |
All wedding food is always the same, wedding buffets, you know, | 0:25:09 | 0:25:13 | |
the same thing - sandwiches, this, this, that, you know, and these | 0:25:13 | 0:25:17 | |
kind of stuff is going to be very unusual because they'll be looking | 0:25:17 | 0:25:20 | |
at them and they'll be thinking "Wow. What is this? What is that?" | 0:25:20 | 0:25:24 | |
More so these because these, you never see, I've never seen them. | 0:25:24 | 0:25:28 | |
No, potato skins, mini potato skins, | 0:25:28 | 0:25:30 | |
I mean they'll be unusual in a party, you know. | 0:25:30 | 0:25:33 | |
You know and they're going to look at them | 0:25:33 | 0:25:35 | |
and hopefully they're going to eat them. | 0:25:35 | 0:25:37 | |
Do you want to have a look at the gateau's now? | 0:25:37 | 0:25:39 | |
And my favourite lemon meringue, look. | 0:25:39 | 0:25:41 | |
You don't want that at the wedding though, do you? | 0:25:43 | 0:25:45 | |
Lemon meringue pie, yeah, people love it. | 0:25:45 | 0:25:47 | |
Right, can you give this a wipe down for me? | 0:25:47 | 0:25:50 | |
I've got to be honest, he is good at housework. | 0:25:50 | 0:25:52 | |
I don't go for the looks. | 0:25:52 | 0:25:55 | |
Pardon. | 0:25:55 | 0:25:57 | |
I'm not a lovable person, I'm not romantic either, | 0:25:57 | 0:26:00 | |
I've never been romantic, I don't know how to be romantic, you know. | 0:26:00 | 0:26:03 | |
He has his little ways but he shows them when he doesn't realise | 0:26:03 | 0:26:09 | |
he's showing them. | 0:26:09 | 0:26:10 | |
Oh, they're only little things. Yeah. | 0:26:10 | 0:26:13 | |
With 200 guests coming to the wedding, | 0:26:13 | 0:26:15 | |
Mark and Lisa are planning to spend ?1.75 per head on food. | 0:26:15 | 0:26:18 | |
Very nice. | 0:26:18 | 0:26:20 | |
Putting it on proper trays and everything else, I mean. Yeah. | 0:26:20 | 0:26:23 | |
Like many of Iceland's core customers, Lisa is used to | 0:26:23 | 0:26:26 | |
operating on a tight budget. | 0:26:26 | 0:26:29 | |
Me and my stepmother had to apply for a loan | 0:26:29 | 0:26:31 | |
when my father passed away to help with the funeral. | 0:26:31 | 0:26:34 | |
For me, at that particular time, cos I mean | 0:26:34 | 0:26:36 | |
I wasn't with Mark, I was on my own. It was a struggle but I coped, | 0:26:36 | 0:26:42 | |
just as much as anyone else, you know. Lived on ready meals, really. | 0:26:42 | 0:26:46 | |
Hmm, I like this one. They're like lollipops, innit? Yeah. | 0:26:46 | 0:26:49 | |
It does look like a lollipop, not classy, but maybe strange. | 0:26:49 | 0:26:53 | |
These are going to go down a treat, I think. | 0:26:53 | 0:26:56 | |
Although sales are flying in Treorchy, | 0:26:56 | 0:26:58 | |
the company as a whole is feeling the pinch. | 0:26:58 | 0:27:02 | |
RADIO: 'It's been a eventful new year for the high street and a depressing one? | 0:27:02 | 0:27:06 | |
'It is undeniably a challenging time for high street retailers. | 0:27:06 | 0:27:09 | |
'Businesses have to adapt to the way consumers are now choosing to shop.' | 0:27:09 | 0:27:14 | |
Hello. | 0:27:15 | 0:27:17 | |
At HQ, Malcolm's worries are all about sales. | 0:27:17 | 0:27:22 | |
We're not doing as well as we should be. | 0:27:22 | 0:27:24 | |
It's a bit flat at the moment. | 0:27:24 | 0:27:27 | |
Flagging sales are making Malcolm cautious, | 0:27:27 | 0:27:30 | |
but Nick is pressing on with his risk-taking ad campaign. | 0:27:30 | 0:27:35 | |
So you need to just come round here a bit, Nigel, if you can. | 0:27:35 | 0:27:38 | |
He's presenting Karmarama's wedding idea to the board. | 0:27:38 | 0:27:42 | |
Who's put this together Nick? | 0:27:42 | 0:27:43 | |
So this is from a new agency called Karmarama. | 0:27:43 | 0:27:46 | |
In terms of agitate, the phrase "better than you think", | 0:27:46 | 0:27:49 | |
imagine the perfect idyllic British summer wedding, OK? | 0:27:49 | 0:27:53 | |
It's beautifully set, you've got a buffet wedding platter | 0:27:56 | 0:27:59 | |
and the food just looks fantastic. | 0:27:59 | 0:28:01 | |
It's everything you do that you would expect to see at a wedding. | 0:28:01 | 0:28:04 | |
We get the classic wedding scenes of the bridesmaids dancing, | 0:28:04 | 0:28:07 | |
so we see guests sipping bubbly being served trays of canapes, | 0:28:07 | 0:28:10 | |
they love it, they think it's fantastic. | 0:28:10 | 0:28:13 | |
John makes his speech and he | 0:28:13 | 0:28:14 | |
and Louise have one final surprise for their guests - | 0:28:14 | 0:28:17 | |
"And finally, I would just like to thank Iceland, the supermarket, | 0:28:17 | 0:28:20 | |
"for providing all of the food. | 0:28:20 | 0:28:21 | |
"Without them, none of this would have been possible." | 0:28:21 | 0:28:23 | |
Silence. Everyone looks stunned. OK? | 0:28:23 | 0:28:25 | |
And then it's, "Iceland - better than you think." | 0:28:25 | 0:28:28 | |
Thinking of the simple idea, this is complicated. | 0:28:28 | 0:28:32 | |
It's a story that's complicated, I don't know. | 0:28:32 | 0:28:35 | |
I don't know, ah. | 0:28:35 | 0:28:37 | |
I like the principle. What I'm struggling to get me head round is | 0:28:37 | 0:28:41 | |
that I'm not sure you make | 0:28:41 | 0:28:42 | |
the stretch between Iceland retail food and a wedding. | 0:28:42 | 0:28:46 | |
Look, here's the reason for showing you now. | 0:28:46 | 0:28:48 | |
If I don't show you now, I'll go back into development | 0:28:48 | 0:28:51 | |
if I'm not 100% and we will miss this summer. | 0:28:51 | 0:28:53 | |
Well, I... Yeah. OK, so... | 0:28:53 | 0:28:54 | |
Right. I'm not 100%, I don't think any of us are. | 0:28:54 | 0:28:57 | |
Look, at the end of the day, if there's no better idea, go with it, | 0:28:57 | 0:29:01 | |
but you're not 100% convinced. | 0:29:01 | 0:29:03 | |
We haven't sort of had the eureka moment, have we? | 0:29:03 | 0:29:06 | |
The Kerry Katona ads hit the bull's-eye for exactly what | 0:29:06 | 0:29:09 | |
we were trying to do from day one. | 0:29:09 | 0:29:11 | |
How about bringing her back? Oh, sorry, I shouldn't have said that. | 0:29:11 | 0:29:14 | |
I wouldn't do it, because what she does is | 0:29:14 | 0:29:16 | |
she reinforces all of the bad things about our business. | 0:29:16 | 0:29:19 | |
In Treorchy, Lisa's wedding dress has come back from its final alterations. | 0:29:21 | 0:29:26 | |
My stepdaughter I had it off. Well, my stepdaughter-to-be. | 0:29:26 | 0:29:31 | |
She was going to get married and it didn't work out. | 0:29:31 | 0:29:34 | |
She was going to sell it and then when she found out | 0:29:34 | 0:29:37 | |
me and her dad were getting married, she offered it to me, | 0:29:37 | 0:29:41 | |
so she's happy in a way that it's being used. | 0:29:41 | 0:29:43 | |
'Are you excited about seeing Mark's face | 0:29:43 | 0:29:46 | |
'when he sees you for the first time?' | 0:29:46 | 0:29:48 | |
No, not really, cos he's not going to show anything. | 0:29:48 | 0:29:52 | |
In Bredbury, near Manchester, Head of Security Duncan is | 0:29:55 | 0:29:59 | |
doing his bit to spring clean the company image. | 0:29:59 | 0:30:02 | |
He's recording an instructional video | 0:30:04 | 0:30:06 | |
to show staff how to spot shoplifters. | 0:30:06 | 0:30:10 | |
The whole idea of this is to get robbing bastards down to the | 0:30:10 | 0:30:14 | |
Co-op or somewhere else where they can get away with it easier. | 0:30:14 | 0:30:17 | |
Responsible for delivering Duncan's vision is director | 0:30:19 | 0:30:22 | |
Beverley Ashworth. | 0:30:22 | 0:30:24 | |
..and then fling it. | 0:30:24 | 0:30:25 | |
Stand by... | 0:30:25 | 0:30:27 | |
..and action. | 0:30:28 | 0:30:30 | |
CLATTER | 0:30:36 | 0:30:37 | |
Duncan wants the crime re-enactments to look as convincing as possible. | 0:30:44 | 0:30:48 | |
You wouldn't walk down here past a cashier, would you? | 0:30:48 | 0:30:51 | |
because you've got a chance of getting stopped, | 0:30:51 | 0:30:53 | |
so you would walk round. | 0:30:53 | 0:30:54 | |
All right, I'll sort something out. | 0:30:54 | 0:30:56 | |
Are you with me, real life? I'm talking real life. | 0:30:56 | 0:30:59 | |
Yeah, all right. Real world. | 0:30:59 | 0:31:02 | |
Oh, I don't think, I think you just get on the radio. | 0:31:02 | 0:31:04 | |
Don't chase him, let's not... that looks a bit vigilante then. | 0:31:04 | 0:31:07 | |
Most of our staff are vigilante, they just want to stop things | 0:31:07 | 0:31:10 | |
and it's not right, we don't want to tell them to do that. | 0:31:10 | 0:31:12 | |
No, no, not at all, do something, but don't do that, yeah. | 0:31:12 | 0:31:15 | |
They do, cos they just hate shoplifters so much. | 0:31:15 | 0:31:18 | |
Bastards. Right. | 0:31:18 | 0:31:20 | |
Sorry, I'll let you get on. Chill. Just chill. | 0:31:20 | 0:31:23 | |
Jack Regan in The Sweeny, I thought that was brilliant, | 0:31:25 | 0:31:28 | |
I thought it was superb. | 0:31:28 | 0:31:30 | |
Ray Winstone, I'm a big fan of his. | 0:31:30 | 0:31:36 | |
people like Telly Savalas and Clint Eastwood. | 0:31:36 | 0:31:40 | |
Well, we can compromise. We can do one more where she doesn't go in, | 0:31:40 | 0:31:43 | |
how does that sound? We'll use that one if we can. | 0:31:43 | 0:31:46 | |
Yeah, as I've always said, Bev, I don't give a stuff, | 0:31:46 | 0:31:49 | |
I'd drag them out the back and give them a kicking | 0:31:49 | 0:31:51 | |
just for trying it, but... | 0:31:51 | 0:31:52 | |
Once again, we're rolling, excellent. | 0:31:52 | 0:31:54 | |
SHE LAUGHS | 0:31:54 | 0:31:56 | |
'Do you dream about crime?' | 0:31:56 | 0:31:58 | |
I dream about Iceland. | 0:31:58 | 0:32:00 | |
The missus gets pissed off with it. | 0:32:02 | 0:32:04 | |
'What do you dream of about Iceland?' | 0:32:04 | 0:32:06 | |
Apparently, a couple of weeks ago, I woke up and told the missus that | 0:32:08 | 0:32:13 | |
she knew fuck all about security. Don't know where that one came from. | 0:32:13 | 0:32:18 | |
At HQ, Malcolm is about to talk shop with one of his family members. | 0:32:20 | 0:32:24 | |
With Richard as his man on the ground, | 0:32:26 | 0:32:28 | |
he's able to keep tabs on how the stores are running. | 0:32:28 | 0:32:31 | |
Hello. | 0:32:31 | 0:32:33 | |
Hello. Hi. | 0:32:33 | 0:32:34 | |
Hi. Um, are you going online today? | 0:32:34 | 0:32:38 | |
Ah, we're going online tomorrow. It's tomorrow morning | 0:32:38 | 0:32:40 | |
and we've just had a conference call about it, | 0:32:40 | 0:32:44 | |
so the orders are going to be placed up to 10pm tonight. | 0:32:44 | 0:32:47 | |
If there are any orders. | 0:32:47 | 0:32:49 | |
OK. Can't think of anything else to talk about, OK. Right. Cheers. | 0:32:49 | 0:32:54 | |
'Pretty no-nonsense guy.' | 0:32:56 | 0:32:59 | |
Yeah. Yeah, exactly. | 0:32:59 | 0:33:00 | |
Come to see that as an endearing trait of his personality. | 0:33:00 | 0:33:03 | |
One trait that Richard shares with his father is impatience with | 0:33:05 | 0:33:09 | |
things that don't work. | 0:33:09 | 0:33:10 | |
He's trying to order supplies for the staff room. | 0:33:10 | 0:33:14 | |
I can't see it on the list, it's the blue Tork roll, paper towel. | 0:33:14 | 0:33:18 | |
I can see that, actually. It's not the paper roll. Could you... | 0:33:18 | 0:33:21 | |
You couldn't put me through to the suppliers then, could you? | 0:33:21 | 0:33:25 | |
I can't believe it. | 0:33:27 | 0:33:28 | |
Now they've just hung up on me as I was waiting. | 0:33:28 | 0:33:33 | |
It's, like, unbelievable. | 0:33:33 | 0:33:35 | |
I mean, I'd actually... I'd pay someone ?10 | 0:33:35 | 0:33:38 | |
if they could actually work out how to order something from that. | 0:33:38 | 0:33:41 | |
It's impossible. | 0:33:41 | 0:33:42 | |
It is impossible to order anything from that. | 0:33:42 | 0:33:44 | |
It's the shittest system ever. | 0:33:44 | 0:33:47 | |
Some of the systems are just so archaic. | 0:33:50 | 0:33:53 | |
These are the things Dad doesn't realise cos he's on his Mac, | 0:33:53 | 0:33:55 | |
you know, he's on a different system and a different e-mail address. | 0:33:55 | 0:33:59 | |
Malcolm hopes all will improve | 0:33:59 | 0:34:01 | |
if they move back to the simplicity of the company he first started. | 0:34:01 | 0:34:05 | |
See, in 2005, we developed this as our plan. | 0:34:06 | 0:34:11 | |
2005. Keep it simple, focus and accept reality. | 0:34:11 | 0:34:16 | |
And I've just realised over the last week or two, | 0:34:16 | 0:34:19 | |
mainly because Richard was working in a store | 0:34:19 | 0:34:21 | |
and keeps feeding me information, | 0:34:21 | 0:34:23 | |
it's creep, and it's all crept back. | 0:34:23 | 0:34:26 | |
And people here in ivory towers in their office | 0:34:26 | 0:34:29 | |
designing programmes for stores, | 0:34:29 | 0:34:31 | |
sending it out without any appreciation | 0:34:31 | 0:34:34 | |
of the workload that's piled onto a manager. | 0:34:34 | 0:34:37 | |
When you look through it, it's just complete bollocks. | 0:34:37 | 0:34:40 | |
So what is this? | 0:34:40 | 0:34:41 | |
What's it for? | 0:34:42 | 0:34:43 | |
I've no idea, but I think these guys will probably tell us. | 0:34:46 | 0:34:49 | |
Well, we don't know. Oh, you don't know either? | 0:34:49 | 0:34:51 | |
Nobody's going to read it. | 0:34:51 | 0:34:54 | |
I don't think, to be fair, we've got... | 0:34:54 | 0:34:56 | |
What's that? | 0:34:56 | 0:35:03 | |
from a jar. | 0:35:03 | 0:35:04 | |
Look, absolutely get the message loud and clear. | 0:35:04 | 0:35:07 | |
Can we have an agreement that as from today nothing goes in store | 0:35:07 | 0:35:11 | |
unless I say so? | 0:35:11 | 0:35:12 | |
Unless, as soon as he goes... | 0:35:13 | 0:35:15 | |
No, no... | 0:35:15 | 0:35:16 | |
It's a balance between consensus management and JFDI. | 0:35:17 | 0:35:21 | |
JFDI? Just Fucking Do It. | 0:35:23 | 0:35:25 | |
But there's one thing they haven't done - decided on a new TV advert. | 0:35:27 | 0:35:32 | |
Rival supermarkets have launched their summer TV campaigns | 0:35:32 | 0:35:35 | |
but Iceland has missed the slot. | 0:35:35 | 0:35:38 | |
I make my way through the ferns of summer here. | 0:35:38 | 0:35:42 | |
Instead they've asked old-hand Tom Reddy | 0:35:42 | 0:35:44 | |
to make some ten-second trade adverts as a stopgap. | 0:35:44 | 0:35:47 | |
These are just essentially to sell food. | 0:35:48 | 0:35:50 | |
Food is the A-line | 0:35:50 | 0:35:54 | |
and order this food, so you present it as beautifully as you can. | 0:35:54 | 0:35:58 | |
London agency Karmarama has been asked | 0:36:01 | 0:36:04 | |
back up to HQ to pitch again. | 0:36:04 | 0:36:06 | |
They're limbering up for their presentation with a name game. | 0:36:08 | 0:36:12 | |
BA? Bryan Adams. | 0:36:12 | 0:36:15 | |
Bryan Adams is a good one. | 0:36:15 | 0:36:17 | |
CM? Chris Martin. | 0:36:17 | 0:36:18 | |
Charles Manson. Charles Manson. | 0:36:18 | 0:36:21 | |
OH? Oliver Hardy. | 0:36:21 | 0:36:23 | |
Oliver Hardy - good call. | 0:36:23 | 0:36:25 | |
That is class. Very good. | 0:36:25 | 0:36:27 | |
'What are you aiming to get out of this meeting?' | 0:36:27 | 0:36:30 | |
The green light. Yeah, the go ahead. | 0:36:32 | 0:36:35 | |
ON LAPTOP: If you like authentic tasting curry | 0:36:35 | 0:36:38 | |
you're in for a real treat. | 0:36:38 | 0:36:41 | |
Oh, and a little bit of a surprise. | 0:36:41 | 0:36:43 | |
Iceland - better than you think. | 0:36:43 | 0:36:45 | |
The wedding idea has been rejected | 0:36:48 | 0:36:50 | |
but they are back with something new. | 0:36:50 | 0:36:52 | |
I think we've really got to knock in this whole thing of the humour. | 0:36:54 | 0:36:57 | |
Yeah, yeah, yeah, yeah, definitely. | 0:36:57 | 0:36:59 | |
I want to make sure that they really get that. | 0:36:59 | 0:37:01 | |
What I'm worried about is that when you show them all the other stuff | 0:37:01 | 0:37:04 | |
that they're going to go, "Oh, yeah, that looks lovely. | 0:37:04 | 0:37:07 | |
"That's lovely, innit? The food looks amazing. Do we need the funny bit at the end? | 0:37:07 | 0:37:10 | |
"Why can't we just go back to 'that's why mums go to Iceland.'"? | 0:37:10 | 0:37:13 | |
'Nick needs to decide | 0:37:20 | 0:37:22 | |
'whether to go ahead with his game-changing campaign. | 0:37:22 | 0:37:25 | |
'With the crucial autumn season approaching, | 0:37:25 | 0:37:27 | |
'he'll have to make up his mind soon.' | 0:37:27 | 0:37:30 | |
We just wanted to show you | 0:37:30 | 0:37:31 | |
these little clips that we've put together. | 0:37:31 | 0:37:34 | |
ON TV: 'You're in for a real treat. | 0:37:34 | 0:37:36 | |
'Oh, and a little bit of a surprise. | 0:37:36 | 0:37:39 | |
'Iceland, better than you think.' | 0:37:39 | 0:37:41 | |
I've got to say, I'm just trying | 0:37:41 | 0:37:43 | |
to read your body language which is poker. | 0:37:43 | 0:37:45 | |
Obviously we need to know from you, | 0:37:45 | 0:37:48 | |
cos you're controlling the light switch on this. | 0:37:48 | 0:37:50 | |
The overt challenge to convince cynical mums that Iceland is | 0:37:50 | 0:37:53 | |
better than you think is still an overt challenge. | 0:37:53 | 0:37:55 | |
But I'm not sure it's one I want to take on at autumn and Christmas. | 0:37:55 | 0:37:59 | |
Yeah. I think, given where we're at and everything we've talked about, | 0:37:59 | 0:38:03 | |
you know, the creative needs to be a bit more mainstream - | 0:38:03 | 0:38:06 | |
funnier, populist, traditionally comfortable Iceland advertising. | 0:38:06 | 0:38:09 | |
I don't know. I'm not you, but my instinct would be, | 0:38:09 | 0:38:12 | |
I think you need to go out there with a new message. | 0:38:12 | 0:38:14 | |
But it doesn't feel to me like an Iceland campaign at the moment. | 0:38:14 | 0:38:18 | |
OK. We'll carry on thinking. | 0:38:18 | 0:38:19 | |
With sales still shaky and no suitable idea on the table, | 0:38:21 | 0:38:25 | |
Nick's starting to have doubts about | 0:38:25 | 0:38:27 | |
the risks of the bold new ad campaign. | 0:38:27 | 0:38:29 | |
The timescale is tight. | 0:38:29 | 0:38:32 | |
We need, in the next couple of weeks, to be going to the board and saying | 0:38:32 | 0:38:35 | |
this is the one we've chosen and what we're going to do. | 0:38:35 | 0:38:37 | |
Trying to get that Iceland brand a bit further out there, | 0:38:37 | 0:38:40 | |
that hasn't come to pass. | 0:38:40 | 0:38:42 | |
With the vital autumn period already looming, the priority for Nick | 0:38:43 | 0:38:48 | |
is any advertising now needs to reassure core customers. | 0:38:48 | 0:38:51 | |
I think we need to make sure we have | 0:38:52 | 0:38:54 | |
an idea that people understand, they get. | 0:38:54 | 0:38:56 | |
My job is make sure it challenges and is as good as it needs to be. | 0:38:56 | 0:39:00 | |
I mean, if I was just making advertising for Malcolm | 0:39:00 | 0:39:03 | |
then I could do that tomorrow. | 0:39:03 | 0:39:04 | |
In the head office test store, | 0:39:06 | 0:39:08 | |
Malcolm is having some relaunch ideas of his own. | 0:39:08 | 0:39:11 | |
He's decided that what his customers want is simple. | 0:39:11 | 0:39:15 | |
Now, when you look at that, at the wine display, | 0:39:17 | 0:39:20 | |
All the different wines... How do you really know? | 0:39:24 | 0:39:28 | |
So, I've got an idea. | 0:39:29 | 0:39:31 | |
Right, as an experiment we're going to take five stores and this label... | 0:39:34 | 0:39:40 | |
Imagine that bigger and bolder, | 0:39:40 | 0:39:43 | |
but all it needs to say is | 0:39:43 | 0:39:45 | |
"Good red wine." | 0:39:45 | 0:39:47 | |
"Good white wine." | 0:39:47 | 0:39:49 | |
"Good rose wine." | 0:39:49 | 0:39:51 | |
And that's it. | 0:39:51 | 0:39:52 | |
And we have good red wine, good white wine and good rose wine and... | 0:39:52 | 0:39:58 | |
..just blocked. | 0:39:59 | 0:40:01 | |
So we sell three wines instead of 30 and see how that works. | 0:40:01 | 0:40:05 | |
And that's it. Good red wine. | 0:40:05 | 0:40:08 | |
This isn't white label, | 0:40:08 | 0:40:10 | |
this isn't cheap, it's just simplicity. | 0:40:10 | 0:40:16 | |
Good cheddar cheese, good red wine. | 0:40:16 | 0:40:19 | |
There's something there. I don't know how it'll develop - | 0:40:19 | 0:40:22 | |
it might not go anywhere, but it might. | 0:40:22 | 0:40:23 | |
Ahead of the relaunch, the store facelifts are entering | 0:40:26 | 0:40:29 | |
the final push. | 0:40:29 | 0:40:31 | |
In Tooting, an undercover detective has been sent from head office | 0:40:31 | 0:40:35 | |
to help Sandra stop the shoplifters. | 0:40:35 | 0:40:37 | |
So today we've got Bayou in store. | 0:40:38 | 0:40:40 | |
Bayou is an undercover store detective, | 0:40:40 | 0:40:42 | |
and so what he does, he will move round the store | 0:40:42 | 0:40:45 | |
in the appearance of shopping, so that he can then stop any | 0:40:45 | 0:40:50 | |
potential shoplifters and also catch shoplifters as they leave the store. | 0:40:50 | 0:40:55 | |
Obviously we don't announce to the team downstairs that we have | 0:40:55 | 0:40:57 | |
an undercover detective, it's only because we don't | 0:40:57 | 0:41:00 | |
want his cover to be given away. | 0:41:00 | 0:41:01 | |
What we have had in the past, and what Bayou's experienced, and so I've had to speak to the team, | 0:41:01 | 0:41:05 | |
is that they will see him in the store | 0:41:05 | 0:41:07 | |
and they'll assume that he is a shoplifter. | 0:41:07 | 0:41:09 | |
So they then start to follow him round the store. | 0:41:09 | 0:41:12 | |
He's trying to follow someone else, they're following him | 0:41:12 | 0:41:15 | |
and it gets to be a bit of a circus. | 0:41:15 | 0:41:18 | |
So the guys know that he's here and they notice him, | 0:41:18 | 0:41:21 | |
but where they will have seen him before, today they should put | 0:41:21 | 0:41:24 | |
two and two together and not follow him around the shop. | 0:41:24 | 0:41:28 | |
He is very stealthy. | 0:41:28 | 0:41:29 | |
We've seen him go from the front to the back of the store in about two seconds. | 0:41:29 | 0:41:33 | |
Excuse me, sir, I'm a store detective, | 0:41:33 | 0:41:35 | |
I believe that your bag consists of items you haven't paid for. | 0:41:35 | 0:41:38 | |
Can you follow me back to the store, please? Thank you. | 0:41:38 | 0:41:41 | |
This is me first time and I didn't mean to do it. | 0:41:41 | 0:41:43 | |
Why did you decide to take it? | 0:41:43 | 0:41:45 | |
I...I don't know. | 0:41:45 | 0:41:47 | |
Why you do this, sir? You've got a job and you still steal from Iceland. | 0:41:47 | 0:41:51 | |
You will now be banned from Iceland stores | 0:41:51 | 0:41:53 | |
and also any other businesses that take part in the same scheme. | 0:41:53 | 0:42:01 | |
So you care now? OK, obviously. | 0:42:01 | 0:42:03 | |
Madam, why are you stealing this from Iceland? | 0:42:03 | 0:42:06 | |
Because I'm a bit broke. | 0:42:06 | 0:42:07 | |
The reason I'm stopping you is because I believe you conceal items. | 0:42:07 | 0:42:14 | |
What can be difficult is | 0:42:14 | 0:42:16 | |
when see mothers come in with young children. | 0:42:16 | 0:42:18 | |
And what I personally find very... | 0:42:18 | 0:42:20 | |
not difficult, because you'll do it because you have to do it, | 0:42:20 | 0:42:24 | |
um, is when you then have to take the mother | 0:42:24 | 0:42:27 | |
and the child out to the back. | 0:42:27 | 0:42:29 | |
And I think because I have a young son, you are terrified about | 0:42:29 | 0:42:32 | |
what on earth does your child think is going on? | 0:42:32 | 0:42:34 | |
And we deal with the mum and we get her out as quickly as possible. | 0:42:34 | 0:42:37 | |
But we would not let it go, | 0:42:37 | 0:42:38 | |
because she has stolen from us, she has no right to steal from us. | 0:42:38 | 0:42:42 | |
She's got a couple of children and she's stealing, | 0:42:42 | 0:42:44 | |
so when those children grow up and they steal, | 0:42:44 | 0:42:47 | |
she can't turn round and say that, you know what, stop doing that. | 0:42:47 | 0:42:53 | |
'Have you ever stolen?' | 0:42:53 | 0:42:55 | |
Once I stole Chewits when I was about 10, 11 years old. | 0:42:55 | 0:43:00 | |
And I stole it from round the corner from my house | 0:43:00 | 0:43:04 | |
and I got a slipper from my mum - she, she caned me. | 0:43:04 | 0:43:08 | |
After that I never stole again. | 0:43:08 | 0:43:10 | |
'With the brief no longer to challenge but to reassure, | 0:43:14 | 0:43:17 | |
'it's the final pitch for Karmarama.' | 0:43:17 | 0:43:19 | |
THEY CHATTER | 0:43:19 | 0:43:21 | |
'Impressed by their flair, Nick wants | 0:43:23 | 0:43:25 | |
'to give them one last chance to win the autumn/Christmas campaign.' | 0:43:25 | 0:43:29 | |
Where do you want us, Chloe? Usual office, please. | 0:43:29 | 0:43:32 | |
'To deliver the comfort factor, | 0:43:32 | 0:43:33 | |
'they're now thinking of signing up some familiar faces.' | 0:43:33 | 0:43:37 | |
So the first idea we're calling, "Good food, great fun." | 0:43:37 | 0:43:39 | |
This campaign features a fun chat show with surprised celebrities | 0:43:39 | 0:43:42 | |
ringing the Iceland doorbell to be met by our host. | 0:43:42 | 0:43:46 | |
We've written the script with Miranda Hart. | 0:43:46 | 0:43:49 | |
Hold on. There she is. | 0:43:49 | 0:43:53 | |
Look, laugh, yeah? Hey? | 0:43:53 | 0:43:56 | |
Essentially, we give Miranda her very own chat show where various | 0:43:56 | 0:43:59 | |
celebrities ring the doorbell and appear through the Iceland door. | 0:43:59 | 0:44:03 | |
OK, lots of fun people usually laugh, you know. | 0:44:03 | 0:44:06 | |
Tough audience. Don't worry, all right? | 0:44:06 | 0:44:08 | |
It's like playing the working men's clubs up North, isn't it? | 0:44:08 | 0:44:11 | |
Crikey, eh? Blimey. | 0:44:11 | 0:44:13 | |
Oh, somebody take my mother, please. | 0:44:13 | 0:44:17 | |
Right, come on. | 0:44:17 | 0:44:18 | |
Next. Next. | 0:44:18 | 0:44:19 | |
Look who it is, ladies and gentlemen. | 0:44:19 | 0:44:22 | |
You know who that is, don't you? Kerry is back. Right. | 0:44:22 | 0:44:25 | |
If I'm honest, it doesn't matter who we talk to, | 0:44:25 | 0:44:28 | |
whether it's you or another agency or an incumbent agency such as Tom, | 0:44:28 | 0:44:32 | |
when we go back to the core personality and core brand values, | 0:44:32 | 0:44:36 | |
we always end up with the same work on the table. | 0:44:36 | 0:44:40 | |
The point you make is a really interesting one, | 0:44:40 | 0:44:42 | |
Nick, which is, if all roads keep leading back to the same | 0:44:42 | 0:44:46 | |
sort of solutions, it either means that those solutions | 0:44:46 | 0:44:49 | |
are absolutely right or we need to actually step back | 0:44:49 | 0:44:52 | |
and think, "Is there a fundamentally different way in?" | 0:44:52 | 0:44:55 | |
We'll get back to you next week. Thank you very much, gentlemen. | 0:44:55 | 0:44:58 | |
Pleasure. | 0:44:58 | 0:44:59 | |
They have a better understanding than anyone | 0:44:59 | 0:45:02 | |
of their business, their customers and what they need to say. | 0:45:02 | 0:45:05 | |
And it's just taking us a while getting up to speed with that. | 0:45:05 | 0:45:09 | |
They're not the easiest clients to deal with, but nothing is ever | 0:45:09 | 0:45:13 | |
as easy as you imagine it's going to be at the beginning of the journey. | 0:45:13 | 0:45:16 | |
Here we are, Iceland, Chester. This store was built by Bejam | 0:45:23 | 0:45:26 | |
and we acquired it when we took them over. | 0:45:26 | 0:45:29 | |
Down the road from HQ in Chester, Malcolm's good red wine idea | 0:45:30 | 0:45:34 | |
is already in store. | 0:45:34 | 0:45:36 | |
So here we are - Good Red wine. | 0:45:36 | 0:45:38 | |
Now the wine marketing board, whoever it is, | 0:45:38 | 0:45:42 | |
who do have some authority, I understand, | 0:45:42 | 0:45:45 | |
wouldn't let us call it Good Red Wine, | 0:45:45 | 0:45:47 | |
cos that's making a claim. | 0:45:47 | 0:45:49 | |
So we call it Good Red. | 0:45:49 | 0:45:52 | |
Red wine. And I think it looks absolutely amazing. | 0:45:52 | 0:45:56 | |
I mean, if you look at that for a label, | 0:45:56 | 0:45:58 | |
why have all that bullshit on there, why not just call it what it is? | 0:45:58 | 0:46:02 | |
Good White. We choose the best white and the best rose | 0:46:02 | 0:46:06 | |
and we've called it just that - Good Red, Good White and Good Rose. | 0:46:06 | 0:46:10 | |
The idea was we took all the other wine off sale | 0:46:11 | 0:46:14 | |
and just filled it with three types of wine and it didn't sell. | 0:46:14 | 0:46:18 | |
So that was a bit of a disaster. | 0:46:18 | 0:46:21 | |
Now in this store, we've put the old wine back. | 0:46:21 | 0:46:24 | |
So we've got Good Rose, Good White, Good Red | 0:46:24 | 0:46:27 | |
and then we've got all the old wine back and the sales in this store | 0:46:27 | 0:46:32 | |
are probably 15% up on wine, so it's working. | 0:46:32 | 0:46:35 | |
So sometimes you've just to fiddle around and persevere | 0:46:35 | 0:46:38 | |
and make a few tweaks and changes and eventually you get it right. | 0:46:38 | 0:46:42 | |
With a tweaked version of his Michael Buble idea, Tom Reddy | 0:46:48 | 0:46:51 | |
is back at HQ to meet Nick, and with him to pitch is his daughter Verity. | 0:46:51 | 0:46:56 | |
So we're trying to show this can work, and we're saying, | 0:46:56 | 0:46:59 | |
well, you want to go back to a bit of fun to become Iceland again. | 0:46:59 | 0:47:03 | |
You want to have a bit of personality about it, | 0:47:03 | 0:47:06 | |
you don't want to lose the food quality. | 0:47:06 | 0:47:08 | |
You've got an optimistic Buble in autumn and then you've got a magical | 0:47:08 | 0:47:13 | |
Christmas, so it doesn't sound brave but it sounds professional. | 0:47:13 | 0:47:19 | |
And it'll be a nice, tested, bankable, safe, homogenous set of work. | 0:47:19 | 0:47:23 | |
It's the right time to put these things back on the table | 0:47:23 | 0:47:26 | |
and think to ourselves, "You know what? What is it that we need?" | 0:47:26 | 0:47:29 | |
And Buble does a lot of what you talk about, | 0:47:29 | 0:47:32 | |
and it's right up our street, as far as our customers are concerned. | 0:47:32 | 0:47:37 | |
I think it has got a real charm about it, a real warmth. | 0:47:37 | 0:47:40 | |
In a leafy suburb in Manchester, | 0:47:43 | 0:47:45 | |
Iceland's new advert is being filmed. | 0:47:45 | 0:47:47 | |
Tom Reddy has won the job. | 0:47:49 | 0:47:51 | |
This is great for us cos it's a very competitive business. | 0:47:53 | 0:47:57 | |
It's very satisfying to be trusted with the core piece. | 0:47:57 | 0:48:00 | |
Generally, in my personal life I think the quickest way to end a war | 0:48:01 | 0:48:06 | |
is to lose it, you know? | 0:48:06 | 0:48:07 | |
I'd rather walk away from... | 0:48:07 | 0:48:09 | |
So I'm not competitive in that sense, no. | 0:48:09 | 0:48:12 | |
But, um, yes, I suppose you do get a bang out of it. | 0:48:14 | 0:48:18 | |
DIRECTOR: Roll. And...action. | 0:48:18 | 0:48:20 | |
It's quite a simple story really. | 0:48:24 | 0:48:26 | |
This document says, "Romance, it's time we met." | 0:48:26 | 0:48:29 | |
A little romance builds up between her | 0:48:31 | 0:48:35 | |
and the Iceland delivery man. | 0:48:35 | 0:48:38 | |
And so we're kind of courting | 0:48:38 | 0:48:40 | |
the non-shopper through the medium of this little story. | 0:48:40 | 0:48:44 | |
When you cast actors, you say, | 0:48:47 | 0:48:50 | |
"Well, Iceland want to move up without moving out. | 0:48:50 | 0:48:56 | |
The strategy is - | 0:48:56 | 0:48:58 | |
two and a half million of these people are shopping at ASDA, | 0:48:58 | 0:49:01 | |
they're shopping at Sainsburys, | 0:49:01 | 0:49:03 | |
they're shopping at Waitrose. | 0:49:03 | 0:49:06 | |
They should be shopping here. | 0:49:06 | 0:49:08 | |
The relaunch is only a few weeks away. | 0:49:11 | 0:49:13 | |
The risky ad campaign has been put on hold, but the marketing team | 0:49:13 | 0:49:17 | |
have come up with something they hope will appeal to Malcolm. | 0:49:17 | 0:49:22 | |
So, top tier. | 0:49:22 | 0:49:23 | |
I like... Oh, it's a bit dark. | 0:49:23 | 0:49:25 | |
I like Pub Grub, I'm not sure of Posh Grub. | 0:49:25 | 0:49:28 | |
So Posh Grub went in as a wild card, really. | 0:49:28 | 0:49:31 | |
Posh Grub, oh, I like that name. | 0:49:31 | 0:49:33 | |
I like Posh Grub. | 0:49:33 | 0:49:34 | |
You don't even know it's Iceland. | 0:49:34 | 0:49:37 | |
Actually, if you did that and said it was Marks and Spencers you'd believe it. | 0:49:37 | 0:49:40 | |
And what I don't like is this - | 0:49:40 | 0:49:41 | |
I think it's complex, I don't think it's Iceland, | 0:49:41 | 0:49:44 | |
I don't think you know it is and I'm not a fan of Posh Grub, I'm sorry. | 0:49:44 | 0:49:48 | |
I love Posh Grub. | 0:49:48 | 0:49:49 | |
THEY LAUGH | 0:49:49 | 0:49:51 | |
You've just got to make sure they look different. | 0:49:52 | 0:49:55 | |
Posh Grub. | 0:49:55 | 0:49:56 | |
You can always change it in six months. Yeah. | 0:49:57 | 0:50:00 | |
Refresh it. | 0:50:00 | 0:50:02 | |
Very good. | 0:50:05 | 0:50:06 | |
For now, Posh Grub offers a move upmarket, Malcolm-style. | 0:50:06 | 0:50:11 | |
What's aspirational? | 0:50:12 | 0:50:14 | |
We don't have Iceland Finest or a gourmet range. | 0:50:14 | 0:50:18 | |
We're launching Posh Grub, so it's... aspirational to a point. | 0:50:18 | 0:50:24 | |
Back in the Welsh Valleys, preparations are under way | 0:50:27 | 0:50:31 | |
for a wedding. | 0:50:31 | 0:50:32 | |
Anyone got tweezers, I can't find my tweezers anywhere. | 0:50:35 | 0:50:38 | |
I haven't got none. I'm going to have bushy eyebrows! | 0:50:38 | 0:50:41 | |
SHE LAUGHS | 0:50:41 | 0:50:43 | |
With husband-to-be Mark getting ready at his brother's, | 0:50:43 | 0:50:46 | |
Lisa has done a lot of the catering herself. | 0:50:46 | 0:50:49 | |
I'm going to have lovely smelly hands. | 0:50:50 | 0:50:52 | |
I just hope it all goes well now | 0:50:56 | 0:50:58 | |
and the cooking's going to go down a treat, I'm hoping. | 0:50:58 | 0:51:01 | |
We've done all these last night, all the cooking. | 0:51:04 | 0:51:07 | |
How long did it take us? Three hours? | 0:51:07 | 0:51:09 | |
Four. Four, was it? | 0:51:09 | 0:51:11 | |
It was something like that. Filled jacket potatoes, | 0:51:11 | 0:51:15 | |
chicken tikka this side and curry this side. | 0:51:15 | 0:51:19 | |
We have got more spring rolls, loads. | 0:51:19 | 0:51:23 | |
It smells lush. | 0:51:27 | 0:51:29 | |
If I had my way I'd have a sneaky taste, but I can't. | 0:51:29 | 0:51:32 | |
However you look at it, everybody in the UK has heard of Iceland. | 0:51:36 | 0:51:40 | |
Half the population of the UK have been into one of our shops. | 0:51:40 | 0:51:44 | |
CHEERING | 0:51:44 | 0:51:47 | |
It's a wonderful feeling for me that I started the business | 0:51:47 | 0:51:50 | |
with ?30, and now we have become part of the local community. | 0:51:50 | 0:51:54 | |
You know, we're a blue-collar store for ordinary people. | 0:51:58 | 0:52:02 | |
We're not Waitrose, | 0:52:02 | 0:52:04 | |
so we accept what market we're in and we're very proud of it. | 0:52:04 | 0:52:07 | |
'What about the naysayers? Do you think...?' | 0:52:07 | 0:52:10 | |
We are not a health food company. | 0:52:10 | 0:52:12 | |
My job isn't here to change the eating habits of the nation. | 0:52:12 | 0:52:16 | |
We're here to sell products that people want to buy | 0:52:16 | 0:52:19 | |
and to make a profit. | 0:52:19 | 0:52:21 | |
And with that profit we can open more stores, create more jobs, | 0:52:21 | 0:52:25 | |
pay more in tax, give more money to charity, | 0:52:25 | 0:52:28 | |
but we have to make a profit. | 0:52:28 | 0:52:30 | |
In the Valleys, we've been brought up, not in poverty, but in... | 0:52:30 | 0:52:36 | |
We've been... | 0:52:36 | 0:52:38 | |
We've struggled at times. | 0:52:38 | 0:52:40 | |
Our parents never, ever let us go hungry. | 0:52:40 | 0:52:43 | |
Never, ever let us go out of clothes. | 0:52:44 | 0:52:46 | |
But this day and age, when you've got places like Iceland, | 0:52:47 | 0:52:51 | |
what more do you want? | 0:52:51 | 0:52:54 | |
And everybody ate the Iceland food, so that's one thing, ain't it? | 0:52:54 | 0:52:57 | |
Yeah. The extra food went, whoof, gone. | 0:52:57 | 0:53:00 | |
Back in London, Richard's been having luck drawing in more | 0:53:01 | 0:53:05 | |
customers in Swiss Cottage. | 0:53:05 | 0:53:07 | |
His small measures are paying off. | 0:53:07 | 0:53:09 | |
I put PG Tips out front, A - because it's an amazing deal - ?4.25. | 0:53:10 | 0:53:15 | |
To have that right at the front as quite a high-value item, | 0:53:15 | 0:53:17 | |
will drive the basket spend which is what it's all about. | 0:53:17 | 0:53:21 | |
Sales are flying at the moment, so in the last couple of weeks since | 0:53:21 | 0:53:25 | |
we started making the changes round store, we've grown ourselves | 0:53:25 | 0:53:29 | |
from 36, 37 to 41 last week | 0:53:29 | 0:53:31 | |
and we're hoping for an even bigger week this week. | 0:53:31 | 0:53:35 | |
So, yeah, we've done really well. | 0:53:36 | 0:53:38 | |
Very happy. | 0:53:38 | 0:53:40 | |
With the company's annual results just out, | 0:53:40 | 0:53:43 | |
things are finally looking up. | 0:53:43 | 0:53:45 | |
PR Consultant Keith thinks it's time for Malcolm to speak to the press. | 0:53:46 | 0:53:50 | |
Do you ever get bored? | 0:53:52 | 0:53:54 | |
LINE RINGS Is this The Grocer or Retail Week? | 0:53:54 | 0:53:57 | |
Retail Week. We've fallen out with The Grocer, haven't we? No, we haven't. | 0:53:57 | 0:54:01 | |
ON PHONE: Retail Week, Alex Wilson. | 0:54:01 | 0:54:03 | |
Alex, Malcolm Walker. Hi, Malcolm, how are you? | 0:54:03 | 0:54:08 | |
Oh, well, I look forward to seeing that... | 0:54:08 | 0:54:11 | |
Well, we don't, but... | 0:54:11 | 0:54:12 | |
On to a better subject now, Malcolm. | 0:54:12 | 0:54:15 | |
How do you assess the year then? | 0:54:15 | 0:54:16 | |
Spectacularly successful, considering everything that's happened. | 0:54:16 | 0:54:19 | |
You know, our sales were a bit negative in the first half | 0:54:19 | 0:54:22 | |
but we got our act together and the second half was really | 0:54:22 | 0:54:26 | |
stunningly good until Horsegate, | 0:54:26 | 0:54:28 | |
and then it just flattened off a bit. | 0:54:28 | 0:54:31 | |
Yeah... | 0:54:31 | 0:54:32 | |
We refreshed the advertising, you know, we just woke up | 0:54:32 | 0:54:35 | |
and we're firing on all cylinders. | 0:54:35 | 0:54:37 | |
I have to go. Cheers. OK. | 0:54:37 | 0:54:39 | |
Well, he didn't sound bored. That's something, isn't it? | 0:54:40 | 0:54:44 | |
Down in South Wales, Treorchy store manager Martin is working late. | 0:54:46 | 0:54:50 | |
After nine months of planning, | 0:54:50 | 0:54:52 | |
product development and marketing meetings, | 0:54:52 | 0:54:54 | |
the big Iceland relaunch is finally happening. | 0:54:54 | 0:54:58 | |
The good thing about Iceland | 0:54:58 | 0:55:02 | |
We definitely try to cater for everybody. | 0:55:02 | 0:55:05 | |
With Sandra's shoplifters under control, | 0:55:06 | 0:55:08 | |
she's focusing on getting the new look right in Tooting. | 0:55:08 | 0:55:12 | |
Tomorrow morning we have to open absolutely perfect. | 0:55:12 | 0:55:17 | |
This is the final push now. | 0:55:17 | 0:55:19 | |
So it's a nice big sign. | 0:55:19 | 0:55:22 | |
Iceland never do anything subtle. | 0:55:22 | 0:55:24 | |
'So do you think it'll work?' | 0:55:24 | 0:55:26 | |
The re-branding? I think it will. | 0:55:26 | 0:55:29 | |
I think we've always had our faithful customers | 0:55:29 | 0:55:32 | |
that'll always come to us, | 0:55:32 | 0:55:33 | |
but I think this will just draw in a few more curious customers. | 0:55:33 | 0:55:37 | |
They'll be like, "Hmm, I didn't think Iceland was like that. | 0:55:37 | 0:55:39 | |
"Let me and have a look and see what it's like." | 0:55:39 | 0:55:41 | |
Then they'll come in and they'll be like, "Wow, great." | 0:55:41 | 0:55:44 | |
'Have you experienced any doubts, Sandra?' | 0:55:47 | 0:55:52 | |
I think if you do...you've already sort of lost, really. | 0:55:52 | 0:55:57 | |
We may as well just keep going and see what happens. | 0:55:57 | 0:56:00 | |
'After a year of highs and lows, Malcolm has invited all | 0:56:02 | 0:56:05 | |
'his staff and their families to his place for a charity garden party.' | 0:56:05 | 0:56:10 | |
Sandra, hello. | 0:56:10 | 0:56:12 | |
Hello. You've come a long way. | 0:56:12 | 0:56:14 | |
I have. Is this your house? | 0:56:14 | 0:56:16 | |
Yeah. It's massive. | 0:56:16 | 0:56:18 | |
Aren't you drinking? He can't multitask. | 0:56:18 | 0:56:21 | |
Oh, you can't drink and look after the kids at the same time? | 0:56:21 | 0:56:24 | |
It's an Iceland do, so I thought I'd better come along | 0:56:24 | 0:56:28 | |
and see everyone having fun in the sunshine. | 0:56:28 | 0:56:31 | |
It's most unusual that the sun is shining cos it's my birthday | 0:56:31 | 0:56:33 | |
tomorrow and I can say with confidence its pissed with rain | 0:56:33 | 0:56:37 | |
on or around my birthday every day for 59 years. | 0:56:37 | 0:56:40 | |
And I can also say I've just lost my one-year-old son. | 0:56:40 | 0:56:45 | |
Look up! Look up in the sky! Don't cover my eyes. | 0:56:45 | 0:56:47 | |
This is not a proper company | 0:56:47 | 0:56:49 | |
and he's not a proper boss. He's a one-off. | 0:56:49 | 0:56:52 | |
I don't think he can ever be accused of being the sort of boss | 0:56:52 | 0:56:54 | |
who'd ask you to do something that he's not prepared to do himself. | 0:56:54 | 0:56:57 | |
If you do tandems, can I have a go? | 0:56:57 | 0:56:59 | |
He is a maverick and Iceland has never been successful by being normal. | 0:57:00 | 0:57:03 | |
You complicated my cheese label. Bloody pictures, more words. | 0:57:03 | 0:57:08 | |
I am. Go back to your wine label, one of the reasons... | 0:57:08 | 0:57:11 | |
You told me to take that picture off it. | 0:57:11 | 0:57:13 | |
Mike, it's never like this when I'm cooking. I know that. I knew he was going to say that. | 0:57:15 | 0:57:19 | |
The Iceland burgers, that's what it is. As soon as I put them on, that's what happens. | 0:57:19 | 0:57:23 | |
It's never been easy. Every year there's been a crisis, | 0:57:23 | 0:57:26 | |
there's competition, you think it's never been as bad | 0:57:26 | 0:57:29 | |
but it has, it is and it always will be. | 0:57:29 | 0:57:32 | |
This place is awesome. | 0:57:32 | 0:57:33 | |
It's well kept but also quite natural | 0:57:33 | 0:57:39 | |
I'm stressing about them damaging my lawn edge. | 0:57:39 | 0:57:42 | |
When you're an entrepreneur you're never happy, you always want more. | 0:57:44 | 0:57:47 | |
And I've come to the conclusion | 0:57:47 | 0:57:48 | |
I never, ever want to retire, because I think when you retire, you die. | 0:57:48 | 0:57:53 | |
You lose purpose. So. um, I'm just going to keep going for ever. | 0:57:53 | 0:57:57 | |
Are you hungry to find out more? | 0:58:01 | 0:58:03 | |
Join the Open University in exploring the changing face | 0:58:03 | 0:58:06 | |
of the high street and discover what's in store for the future. | 0:58:06 | 0:58:10 | |
Go to bbc.co.uk/freezer and follow the links to the Open University. | 0:58:10 | 0:58:15 | |
Subtitles by Red Bee Media Ltd | 0:58:21 | 0:58:23 |