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Christchurch. A small town on the South coast of England, | 0:00:02 | 0:00:04 | |
where a third of the population is over 60. | 0:00:04 | 0:00:07 | |
Nicknamed God's waiting room, it's the ultimate pensioners' paradise. | 0:00:07 | 0:00:11 | |
But now the town has opened its gates to a swam of young job seekers | 0:00:14 | 0:00:18 | |
to work in their old-fashioned businesses. | 0:00:18 | 0:00:20 | |
All the butchers that I know are all getting old now. | 0:00:20 | 0:00:23 | |
This trade needs new blood. | 0:00:23 | 0:00:26 | |
Senior employers have offered eight weeks' work experience | 0:00:26 | 0:00:29 | |
and, for those that impress, the chance of a permanent job. | 0:00:29 | 0:00:33 | |
In exchange, the town will receive an injection of new blood. | 0:00:33 | 0:00:36 | |
Lovely to meet you. | 0:00:36 | 0:00:37 | |
I'm Adam. We're on the boat then, yeah? | 0:00:37 | 0:00:39 | |
The invasion has begun as 13 young people have been selected to | 0:00:39 | 0:00:43 | |
live together and work across nine local businesses, | 0:00:43 | 0:00:48 | |
from a fish stall... | 0:00:48 | 0:00:50 | |
I nearly broke a nail as well. | 0:00:50 | 0:00:51 | |
..to the local butchers. | 0:00:51 | 0:00:53 | |
My little mate. As you can see, | 0:00:53 | 0:00:55 | |
there are the hairs on his chinny-chin-chin. | 0:00:55 | 0:00:58 | |
The bosses review the trainees' work at weekly appraisals... | 0:00:58 | 0:01:01 | |
That's very good, Renee. Absolutely. | 0:01:01 | 0:01:03 | |
..and already three people have fallen by the wayside. | 0:01:03 | 0:01:06 | |
I can't take this. | 0:01:06 | 0:01:08 | |
I'm afraid we're going to have to let you go. | 0:01:08 | 0:01:11 | |
For the remaining nine trainees, there's only two weeks left. | 0:01:11 | 0:01:15 | |
If they can maintain their focus and make it to the end, that | 0:01:15 | 0:01:18 | |
elusive permanent job and a new life in Christchurch could be theirs. | 0:01:18 | 0:01:22 | |
Till's broken. | 0:01:23 | 0:01:25 | |
If I got offered a job here, I'd snap it up. | 0:01:25 | 0:01:27 | |
# I love her, she wants it. # | 0:01:27 | 0:01:30 | |
I really want it, man. That is an absolute life-changing situation. | 0:01:30 | 0:01:35 | |
Coming up, the trainees get out and about | 0:01:35 | 0:01:38 | |
and spend some quality time with the locals... | 0:01:38 | 0:01:40 | |
HORSE SNORTS | 0:01:40 | 0:01:42 | |
Sex. | 0:01:42 | 0:01:43 | |
THEY LAUGH | 0:01:43 | 0:01:44 | |
Right now I do feel like I'm going to court. | 0:01:45 | 0:01:48 | |
..and find time for some drink and disorder. | 0:01:48 | 0:01:52 | |
It's a good night but I think them girls | 0:01:52 | 0:01:54 | |
had me out for free drinks, didn't they? | 0:01:54 | 0:01:56 | |
SHE LAUGHS | 0:01:56 | 0:01:57 | |
Oh, you turd, you've been sick on yourself. | 0:01:57 | 0:02:01 | |
You cannot do everything you want to do. | 0:02:01 | 0:02:04 | |
You can't carry on like this. | 0:02:04 | 0:02:05 | |
This programme contains strong language | 0:02:05 | 0:02:10 | |
Last time, two new trainees arrived in Christchurch. | 0:02:10 | 0:02:13 | |
Hiya. | 0:02:13 | 0:02:14 | |
THEY SCREAM | 0:02:14 | 0:02:16 | |
Oh, my God! | 0:02:16 | 0:02:17 | |
Sean struggled with the workload at the smoke house... | 0:02:17 | 0:02:20 | |
I did throw up a little bit but that's probably just from exhaustion. | 0:02:20 | 0:02:22 | |
..and was let go... | 0:02:22 | 0:02:24 | |
There's no way we can continue the relationship. | 0:02:24 | 0:02:26 | |
..but given a second chance at the garden centre. | 0:02:26 | 0:02:29 | |
-How are you? -I'm good. I'm Sean. | 0:02:29 | 0:02:31 | |
With his character, I think he'll fit in really well. | 0:02:31 | 0:02:33 | |
Amber filled a vacancy at the fish store... | 0:02:33 | 0:02:35 | |
-Hiya. -You must be Amber. | 0:02:35 | 0:02:37 | |
..and took a shine to fellow trainee Adam. | 0:02:37 | 0:02:40 | |
No. | 0:02:40 | 0:02:42 | |
Oh, less of it, yeah? | 0:02:42 | 0:02:43 | |
Others weren't having quite so much fun. | 0:02:43 | 0:02:45 | |
Leave me alone, yeah? Please, just leave me alone. | 0:02:45 | 0:02:48 | |
Carl lost his enthusiasm for the job | 0:02:48 | 0:02:50 | |
when mentor Robin went on holiday and began to let the team down. | 0:02:50 | 0:02:54 | |
Mark, sorry I'm late, mate. | 0:02:54 | 0:02:56 | |
That is an important thing, though, getting up, ain't it, to be fair? | 0:02:56 | 0:02:59 | |
Yeah. | 0:02:59 | 0:03:00 | |
Deneka started well at the salon... | 0:03:00 | 0:03:02 | |
Quite sharp really, aren't you? | 0:03:02 | 0:03:05 | |
She's not been using me like I'm some skivvy, | 0:03:05 | 0:03:07 | |
like all the other placements I done. | 0:03:07 | 0:03:09 | |
..but as the novelty wore off so did her interest. | 0:03:09 | 0:03:12 | |
Smile. Don't look so cross. | 0:03:12 | 0:03:14 | |
Boring. Getting bored of it now. | 0:03:14 | 0:03:17 | |
Because it's beginning to show you're fed up. | 0:03:17 | 0:03:20 | |
Even so, Irene allowed Deneka a day off to go back home to Manchester. | 0:03:20 | 0:03:25 | |
-Thank you very much. -But I'm still cross with you | 0:03:25 | 0:03:27 | |
-and you need to pull your socks up. -OK. | 0:03:27 | 0:03:29 | |
It's Sunday evening in Christchurch | 0:03:42 | 0:03:45 | |
and, while the housemates relax before a new week at work, | 0:03:45 | 0:03:48 | |
Deneka returns from her long weekend back home in Manchester. | 0:03:48 | 0:03:53 | |
I'm really knackered. | 0:03:57 | 0:03:59 | |
-How long was your train? -BLEEP too long. | 0:04:01 | 0:04:04 | |
And I've not... I've hardly had any sleep. On the Friday, I didn't | 0:04:04 | 0:04:07 | |
go to bed till, like, nine in the morning. Yeah, nine in the morning. | 0:04:07 | 0:04:11 | |
Being home was great. Devastated about being back. | 0:04:15 | 0:04:19 | |
I didn't even want to come back, to be honest. | 0:04:19 | 0:04:21 | |
I like Manchester, not here. | 0:04:22 | 0:04:25 | |
House is full of mad heads. | 0:04:25 | 0:04:27 | |
THEY LAUGH | 0:04:27 | 0:04:30 | |
And now I'm back to this shit hole. Yay(!) | 0:04:30 | 0:04:34 | |
Monday morning and, with two weeks left | 0:04:48 | 0:04:50 | |
of their eight-week work placement, Carl's up before dawn. | 0:04:50 | 0:04:53 | |
Today is a special day. His mentor Robin returns from holiday. | 0:04:53 | 0:04:59 | |
I'm looking forward to finding out what he got up to. | 0:04:59 | 0:05:04 | |
I've come to an epiphany recently. I want to... I don't want to leave. | 0:05:04 | 0:05:09 | |
I don't think wild horses could drag me away if they offered me the job. | 0:05:09 | 0:05:12 | |
So, as Carl heads into work, his mentor Robin catches up | 0:05:12 | 0:05:15 | |
with fellow butcher Mark to see how Carl has been getting on. | 0:05:15 | 0:05:19 | |
Yeah, no, it's all been good, to be honest with you. | 0:05:19 | 0:05:22 | |
I can't really think of any down...downsides really. | 0:05:22 | 0:05:24 | |
Good. Time keeping all right? | 0:05:24 | 0:05:27 | |
-He had a couple of issues but he made that up. -Yeah? | 0:05:27 | 0:05:30 | |
All right with the customers. Probably needs to just turn himself | 0:05:30 | 0:05:32 | |
down a little, turn the volume down a little bit. But he's missed you. | 0:05:32 | 0:05:35 | |
You'll be able to see what he can do this week, really. | 0:05:35 | 0:05:38 | |
That's the thing, ain't it? To see him get on with stuff and that. | 0:05:38 | 0:05:41 | |
That's the main thing, yeah. | 0:05:41 | 0:05:42 | |
-I think he'll be an asset, to be honest with you. -Good. Jolly good. | 0:05:42 | 0:05:46 | |
Morning, Robin. | 0:05:46 | 0:05:47 | |
He's here. The man himself. | 0:05:47 | 0:05:49 | |
-How are you, Rob? -All right, mate? Yeah, fine. -And you got a tan. | 0:05:49 | 0:05:52 | |
-No that's... -Yeah, you got a tan. I used a paint brush. | 0:05:52 | 0:05:56 | |
-You not had a bath for three weeks? -No, that's right. | 0:05:56 | 0:05:59 | |
Yeah. You all right, are you? | 0:05:59 | 0:06:01 | |
-Yeah, yeah, I've enjoyed myself. -Good. | 0:06:01 | 0:06:03 | |
I'm getting to see the place a little bit more. | 0:06:03 | 0:06:05 | |
I've seen the beach. I went up onto the hill the other day. | 0:06:05 | 0:06:08 | |
-Yeah. -Yeah, really... -Good. -..really going for it. | 0:06:08 | 0:06:11 | |
-Jolly good. -Coffee? First things first. -Well, yeah, yeah. | 0:06:11 | 0:06:15 | |
ALARM BLARES | 0:06:17 | 0:06:19 | |
I'm really looking forward to today. | 0:06:19 | 0:06:21 | |
Back at the house, the rest of the trainees drag | 0:06:21 | 0:06:24 | |
themselves into another week. | 0:06:24 | 0:06:25 | |
Oh, my head really hurts today. | 0:06:25 | 0:06:28 | |
With the end of their work experience two weeks away, | 0:06:28 | 0:06:30 | |
it's time to pull out all the stops to ensure | 0:06:30 | 0:06:33 | |
they secure that coveted permanent job and a new life in Christchurch. | 0:06:33 | 0:06:37 | |
If they don't, they face the sack and a return home. | 0:06:40 | 0:06:43 | |
It is alive! It is alive! | 0:06:45 | 0:06:49 | |
Oh! | 0:06:51 | 0:06:53 | |
Today is a new start for Sean. He leaves the house with Rachel | 0:06:55 | 0:06:58 | |
and James for his first day of work at Stewarts Garden Centre. | 0:06:58 | 0:07:03 | |
Sean is struggling up the hill, while James and Rachel march on. | 0:07:03 | 0:07:07 | |
25-year-old Sean's a single parent from Liverpool who's found it | 0:07:07 | 0:07:10 | |
difficult to hold down a job | 0:07:10 | 0:07:12 | |
while trying to raise his six-year-old daughter. | 0:07:12 | 0:07:15 | |
Oh, what a tune. | 0:07:15 | 0:07:17 | |
At the garden centre, | 0:07:17 | 0:07:18 | |
he's hoping he'll be able to cope with the workload | 0:07:18 | 0:07:21 | |
after he struggled last week at the smoke house and was let go. | 0:07:21 | 0:07:24 | |
-Appreciate it, mate. -Thank you. -# Good morning, good morning. # | 0:07:24 | 0:07:28 | |
It's nice to be back in an environment where you're working with a lot of people. | 0:07:28 | 0:07:31 | |
It should be fun, hence why I'm smiling of a morning. | 0:07:31 | 0:07:35 | |
There to meet him is mentor Martin Stewart. | 0:07:35 | 0:07:38 | |
Come on, I'll show you round. | 0:07:38 | 0:07:40 | |
-We didn't go round on Friday, did we? -No. | 0:07:40 | 0:07:42 | |
Can I introduce you Sean, who's starting in the garden shop? | 0:07:42 | 0:07:45 | |
-This is Julie. -Very nice to meet you. | 0:07:45 | 0:07:47 | |
You're from Rachel's neck of the woods then? | 0:07:47 | 0:07:48 | |
I'm from Liverpool, she's from Birkenhead. | 0:07:48 | 0:07:51 | |
We have Sunday dinners, they have beans on toast. | 0:07:51 | 0:07:53 | |
THEY LAUGH | 0:07:53 | 0:07:54 | |
Right, this is going to be entertaining then. Brilliant. | 0:07:56 | 0:07:58 | |
So you're going to be working in the garden shop? | 0:07:58 | 0:08:01 | |
-Garden shop. -Let me loose on your public. | 0:08:01 | 0:08:04 | |
This week at Stewarts, | 0:08:04 | 0:08:05 | |
his new job will be on the shop floor in garden produce. | 0:08:05 | 0:08:09 | |
So we'll get rid of these, we'll get some onto the shop floor there. | 0:08:09 | 0:08:12 | |
You're just going to replace them with the teapot nesters | 0:08:12 | 0:08:14 | |
and we've got some hedgehog houses. | 0:08:14 | 0:08:16 | |
The department supervisor is Matt | 0:08:16 | 0:08:18 | |
and he'll be overseeing Sean's work today. | 0:08:18 | 0:08:20 | |
So whatever we can, | 0:08:20 | 0:08:22 | |
we're going to squeeze onto this little weed killer part. | 0:08:22 | 0:08:25 | |
Again, there's massive space underneath there. | 0:08:25 | 0:08:28 | |
'Compared to last Monday, the tempo is a bit different. | 0:08:28 | 0:08:32 | |
'It's a lot more relaxed here.' | 0:08:32 | 0:08:34 | |
I'm happy here. This is a place I could see that | 0:08:38 | 0:08:41 | |
I could work for the rest of my days. | 0:08:41 | 0:08:44 | |
Matt knows that Sean found | 0:08:44 | 0:08:45 | |
the physical nature of the work at the smoke house too much. | 0:08:45 | 0:08:48 | |
He needs to get the measure of their new employee, | 0:08:48 | 0:08:50 | |
so gets him busy straightaway. | 0:08:50 | 0:08:53 | |
All right. Give it a wipe down? | 0:08:53 | 0:08:54 | |
Yeah, with these. We'll take them all off, apart from the base | 0:08:54 | 0:08:57 | |
and we'll just work our way up. | 0:08:57 | 0:08:58 | |
Five minutes and I'm already wringing. | 0:08:58 | 0:09:01 | |
It gets warm in here, doesn't it? | 0:09:01 | 0:09:03 | |
Physically, yeah, I feel that I could survive here | 0:09:04 | 0:09:08 | |
whereas, after about a week of the smoke room I'd have been dead, yeah. | 0:09:08 | 0:09:12 | |
-Do you want a water? -No, no, no, I'm good. -Are you sure? | 0:09:12 | 0:09:15 | |
-I'll ask. -It does get quite... | 0:09:15 | 0:09:17 | |
-It's me as well. I'm a sweaty git as well. -Well, feel free to pop off | 0:09:17 | 0:09:20 | |
-if you want to get a drink. -Oh, cheers, man. | 0:09:20 | 0:09:22 | |
Matt just said to me, "Well, you know, if you're a bit hot | 0:09:22 | 0:09:25 | |
"and you're a bit thirsty, go and get yourself a drink." | 0:09:25 | 0:09:27 | |
I mean, I had to ask in the smoke room. | 0:09:27 | 0:09:30 | |
Just the feel to this place and the atmosphere, everything about | 0:09:30 | 0:09:33 | |
it is a lot different from that job and it's more me, this place. | 0:09:33 | 0:09:37 | |
Ew, what did I just touch that was wet in the bin? Ugh. | 0:09:45 | 0:09:49 | |
After a great weekend at home in Manchester, | 0:09:49 | 0:09:51 | |
Deneka's not happy to be back in Christchurch. | 0:09:51 | 0:09:54 | |
To make matters worse, her mentor Irene is off sick. | 0:09:55 | 0:09:58 | |
Assistant Gemma is in charge and has a long list of cleaning chores. | 0:09:58 | 0:10:02 | |
Yeah, I think I do more cleaning than actually | 0:10:05 | 0:10:07 | |
the hairdressing side of the job. | 0:10:07 | 0:10:09 | |
I don't expect to be cutting hair and colouring and all that | 0:10:09 | 0:10:13 | |
but I do want to learn a bit more. | 0:10:13 | 0:10:16 | |
Their fucking grey hairs. | 0:10:16 | 0:10:19 | |
I'm going backwards instead of forwards. | 0:10:19 | 0:10:21 | |
I think, anyway, I am, anyway. | 0:10:21 | 0:10:22 | |
Like, I did like it at first cos, like, for my first few weeks, | 0:10:25 | 0:10:29 | |
like, she was letting me have a go at the hair | 0:10:29 | 0:10:31 | |
and, like, let me do the tint | 0:10:31 | 0:10:33 | |
but, like, now I'm just, like, not doing anything. | 0:10:33 | 0:10:36 | |
Hairs flying around my nose and everything. It's fucking disgusting. | 0:10:37 | 0:10:41 | |
One trainee who IS having a crash course in learning new skills | 0:10:45 | 0:10:49 | |
is 18-year-old Amber from Slough. | 0:10:49 | 0:10:51 | |
Look how big he is. | 0:10:53 | 0:10:55 | |
Last week, Amber started at the fish store, working with mentor Russell. | 0:10:55 | 0:10:59 | |
If I give you...give you these... | 0:10:59 | 0:11:00 | |
-OK. -..that's everything that's there...there now. | 0:11:00 | 0:11:04 | |
Then we'll have a little look in a minute and see how you did. | 0:11:04 | 0:11:07 | |
-OK. -All right? | 0:11:07 | 0:11:08 | |
Done. | 0:11:12 | 0:11:13 | |
That was quick. You've got them all right. | 0:11:13 | 0:11:15 | |
I'm not sure I'd have done that on my first morning | 0:11:15 | 0:11:18 | |
but anyway, well done. | 0:11:18 | 0:11:19 | |
Today, Amber's working with Russell's wife, Becky. | 0:11:19 | 0:11:22 | |
Go on, don't tickle it, pull it. | 0:11:22 | 0:11:24 | |
Do you fancy one for your tea tonight? | 0:11:24 | 0:11:27 | |
Do I fuck! | 0:11:27 | 0:11:29 | |
We will make a fishmonger out of you yet, Amber. | 0:11:29 | 0:11:32 | |
I'm definitely getting over, like, the whole phobia of the fish thing. | 0:11:32 | 0:11:35 | |
Like, I work here, I do have to touch the fish. | 0:11:35 | 0:11:37 | |
And it's not as bad as I thought it was going to be. | 0:11:37 | 0:11:40 | |
Today, Amber is being taught how to prepare the fish for sale. | 0:11:40 | 0:11:43 | |
We're going to head and gut this fish, OK? | 0:11:43 | 0:11:46 | |
When there's loads of customers, I can't always help out | 0:11:46 | 0:11:48 | |
cos I can't do things like that | 0:11:48 | 0:11:50 | |
so being able to do that would...would be good. | 0:11:50 | 0:11:52 | |
Hold it hard. | 0:11:52 | 0:11:54 | |
I would hold that hand there, yeah. Where you are, yeah. | 0:11:54 | 0:11:57 | |
Flip it over. | 0:11:57 | 0:12:00 | |
Again, go in at an angle. In halfway. Again, don't tickle it. | 0:12:00 | 0:12:04 | |
Cool. OK. So now you're going to pull your guts out. | 0:12:06 | 0:12:10 | |
Oh, wow. | 0:12:10 | 0:12:12 | |
10/10 for your head and gutting. | 0:12:12 | 0:12:13 | |
Really, truly, you've just shown me that you can do it | 0:12:13 | 0:12:16 | |
so I know you can. | 0:12:16 | 0:12:18 | |
The next person that comes in for a whole fish headed and gutted, | 0:12:18 | 0:12:22 | |
can you do it with Amber, please? | 0:12:22 | 0:12:24 | |
-Well done. -Thank you. | 0:12:24 | 0:12:26 | |
Across Christchurch, it's lunchtime... | 0:12:28 | 0:12:30 | |
-See you in a bit, Gemma. -Bye. | 0:12:30 | 0:12:33 | |
..and an opportunity for Deneka to catch up with Renee, | 0:12:33 | 0:12:35 | |
who works at the wool shop. | 0:12:35 | 0:12:37 | |
-Thank you. -You're welcome. | 0:12:40 | 0:12:42 | |
How was your weekend? | 0:12:42 | 0:12:44 | |
It was great without you. | 0:12:44 | 0:12:45 | |
What? | 0:12:45 | 0:12:47 | |
-I'm only joking. I did miss you. -Did you? -Yeah. | 0:12:47 | 0:12:50 | |
How was going home making you feel? Especially when you had to come back here. | 0:12:50 | 0:12:53 | |
Well, to be honest, I didn't really want to come back but... | 0:12:53 | 0:12:56 | |
I'm back. | 0:12:56 | 0:12:58 | |
Yay. Cos I didn't want to come back, I just had to think, | 0:12:58 | 0:13:01 | |
"Right, you've done so long so you might as well just, like, | 0:13:01 | 0:13:04 | |
-"face it out." -Do you want to stay here though? Like, if she offered | 0:13:04 | 0:13:07 | |
-you a job, would you stay here? -No. -You wouldn't? -No. -Why? | 0:13:07 | 0:13:10 | |
It's too far. Nah, I couldn't live round here. | 0:13:10 | 0:13:12 | |
Number one, it's too expensive. Number two, it's too far. | 0:13:12 | 0:13:15 | |
Do I have a number three? No, I don't have a number three. | 0:13:15 | 0:13:18 | |
But you'd be getting a job, though. | 0:13:18 | 0:13:20 | |
Yeah, I know but forget that. Not down here. | 0:13:20 | 0:13:23 | |
BOTH: Thank you. | 0:13:23 | 0:13:24 | |
Why do you need to scrub your feet? Are they dry? | 0:13:24 | 0:13:26 | |
THEY LAUGH | 0:13:26 | 0:13:29 | |
After her lunch with Renee, Deneka is feeling upbeat. | 0:13:31 | 0:13:35 | |
HORN BEEPS | 0:13:35 | 0:13:36 | |
Swing on my nip, mate. | 0:13:37 | 0:13:39 | |
Back at the salon, it's quiet so Irene's assistant Gemma | 0:13:40 | 0:13:43 | |
boosts her mood even more with a chance of some extra training. | 0:13:43 | 0:13:47 | |
-OK, do you want to put some rollers in my hair? -Now? -Yes. -Yeah. | 0:13:47 | 0:13:51 | |
I think Gemma, like, kind of seen I was kind of bored | 0:13:52 | 0:13:55 | |
so she just said, "You can do my hair." | 0:13:55 | 0:13:57 | |
If you just take it just a little bit from there | 0:13:57 | 0:14:00 | |
and a little bit from that side and then do that, yeah? | 0:14:00 | 0:14:04 | |
It's like brickwork. So you've got like two then one, | 0:14:04 | 0:14:06 | |
then two then one, then two then one. | 0:14:06 | 0:14:08 | |
I like to do things. I don't like to be stood around. | 0:14:08 | 0:14:12 | |
'That's what work placements are for, to train you up.' | 0:14:12 | 0:14:14 | |
Even when we started, | 0:14:14 | 0:14:16 | |
we had models come in regular for us to...to practise. | 0:14:16 | 0:14:20 | |
Salon stylist Jane tells Deneka about her early days | 0:14:20 | 0:14:23 | |
hairdressing and her first work placement. | 0:14:23 | 0:14:25 | |
For the first six months, you didn't do the cutting. | 0:14:25 | 0:14:28 | |
The thing is, even though they were models, they didn't want to go out | 0:14:28 | 0:14:31 | |
with one side shorter than the other. With pieces missing. | 0:14:31 | 0:14:34 | |
'I think I was expecting a bit too much. Maybe I'm just not | 0:14:35 | 0:14:38 | |
'being patient enough but I'm just going to stick it out.' | 0:14:38 | 0:14:41 | |
This is what you call buckling. | 0:14:43 | 0:14:45 | |
-Can you see? -Oh, right, yeah. I can tell. | 0:14:45 | 0:14:48 | |
-Where the ends go like that, yeah? -Yeah. | 0:14:48 | 0:14:50 | |
Where you haven't put the roller quite to the end, | 0:14:50 | 0:14:53 | |
it causes buckling. | 0:14:53 | 0:14:54 | |
'Even if I make mistakes, I can always show, | 0:14:54 | 0:14:56 | |
'like, get shown ways of improvement.' | 0:14:56 | 0:14:58 | |
It's like bridal hair. Yeah, well done, Deneka. | 0:15:01 | 0:15:05 | |
Oh. | 0:15:05 | 0:15:07 | |
'You know what they say. Practice makes perfect. | 0:15:07 | 0:15:09 | |
'Me saying I'm not going to stick it out, I think | 0:15:09 | 0:15:12 | |
'I was just being a bit moody cos I really enjoyed today.' | 0:15:12 | 0:15:15 | |
-Ciao for now. See you tomorrow. -Bye. -Bye. | 0:15:15 | 0:15:19 | |
You all right, you turd? | 0:15:26 | 0:15:27 | |
Turning into a trolley dolly. | 0:15:28 | 0:15:31 | |
It's the end of Sean's first day at the garden centre. | 0:15:31 | 0:15:34 | |
Mentor and owner Martin Stewart is keen to check on his progress. | 0:15:34 | 0:15:38 | |
-How's he getting on? -Really well. -Yeah? | 0:15:38 | 0:15:41 | |
-Yeah, really well. Fits in quite well with the team. -Good. | 0:15:41 | 0:15:45 | |
It is a lot better here than the smokey? I mean, I'm smiling. | 0:15:45 | 0:15:49 | |
'Last week I was smiling but inside I wasn't, whereas here, I am.' | 0:15:49 | 0:15:54 | |
-I think he's so excited to be here... -Yeah. | 0:15:54 | 0:15:56 | |
..and so relieved to be here that you know when we were showing him | 0:15:56 | 0:16:00 | |
round this morning he was so eager to get going, | 0:16:00 | 0:16:02 | |
his enthusiasm bubbles over and I didn't know whether | 0:16:02 | 0:16:05 | |
he'd be too enthusiastic, you know what I mean? | 0:16:05 | 0:16:07 | |
No, no. He's, he's been perfectly fine. | 0:16:07 | 0:16:09 | |
He likes talking to people, meeting new people. | 0:16:09 | 0:16:11 | |
If he's being over-familiar and over-jovial then just say... | 0:16:11 | 0:16:15 | |
-Yeah. -..calm it. | 0:16:15 | 0:16:16 | |
I mean, it's nice round here, ain't it? It's really... It's a nice place. | 0:16:21 | 0:16:24 | |
-It's quiet, it's relaxed. -It's bright. It IS relaxed | 0:16:24 | 0:16:27 | |
and I've noticed that. | 0:16:27 | 0:16:28 | |
I feel so relaxed and so myself and down to earth down here, ain't it? | 0:16:28 | 0:16:32 | |
Back at the house, other trainees | 0:16:32 | 0:16:34 | |
are thinking about a permanent future in Christchurch. | 0:16:34 | 0:16:36 | |
I think a new start would do you the world of good. | 0:16:36 | 0:16:39 | |
Essentially, you could be | 0:16:39 | 0:16:40 | |
moving down here with a couple of people that live here. | 0:16:40 | 0:16:43 | |
I'd just be like, proper... I was lonely in Warrington, man. | 0:16:43 | 0:16:45 | |
Do you know what I mean? | 0:16:45 | 0:16:46 | |
Can you imagine how lonely I could possibly be down here? | 0:16:46 | 0:16:50 | |
I would take a job down here. I think the main thing that would | 0:16:50 | 0:16:54 | |
make me want to take the job is if somebody off this got it as well. | 0:16:54 | 0:16:58 | |
If I could now get a bedsit or just, like, an apartment, | 0:16:58 | 0:17:01 | |
I would leave here and just, I'd carry on my job happily. | 0:17:01 | 0:17:04 | |
They're like a little family at my work. Do you know what I mean? | 0:17:04 | 0:17:07 | |
Everyone's so caring and thoughtful and it's just nice to feel that. | 0:17:07 | 0:17:10 | |
I like it here and I like the fact it's near a big city. | 0:17:10 | 0:17:12 | |
It's near Bournemouth, it's not far from London | 0:17:12 | 0:17:14 | |
but then you have that country feel as well. | 0:17:14 | 0:17:16 | |
Yeah, I think I would move down here, you know, though. | 0:17:16 | 0:17:19 | |
The things I think about is missing, like, me family and stuff. | 0:17:19 | 0:17:21 | |
I miss me cats. They was only, like, three months when I left them. | 0:17:21 | 0:17:25 | |
-You got a cat? -Yeah, two cats. John and Yoko. | 0:17:25 | 0:17:28 | |
John and Yoko? Where does that... where did them names come from? | 0:17:28 | 0:17:31 | |
John and Yoko - John Lennon and Yoko Ono. | 0:17:31 | 0:17:34 | |
You've heard of John Lennon, haven't you? | 0:17:34 | 0:17:36 | |
Ain't he a football player? | 0:17:36 | 0:17:37 | |
HE LAUGHS | 0:17:37 | 0:17:39 | |
-Adam, mate. -What? -John Lennon, like, | 0:17:39 | 0:17:41 | |
one of the most famous people to ever walk the earth. | 0:17:41 | 0:17:44 | |
THEY LAUGH | 0:17:45 | 0:17:46 | |
Next morning, and the trainees head into work. | 0:18:03 | 0:18:05 | |
See you later, bitches. | 0:18:05 | 0:18:07 | |
With the possibility of a new life in Christchurch on the horizon, | 0:18:07 | 0:18:11 | |
some of them have been getting to know the area. | 0:18:11 | 0:18:14 | |
It's funny, the past few weeks, I've realised what a gorgeous | 0:18:14 | 0:18:16 | |
place we live in. You know, I went to the, the beach the other day. | 0:18:16 | 0:18:20 | |
I've been to the hills, the top of the Christ...St Catherine's hill. | 0:18:20 | 0:18:24 | |
Absolutely idyllic place to live. | 0:18:24 | 0:18:26 | |
So I'm treating it like a girl at the moment - you know, | 0:18:26 | 0:18:29 | |
she's shown me her beach, she's shown me her hills | 0:18:29 | 0:18:33 | |
and now she's going to show me her forest. | 0:18:33 | 0:18:35 | |
Today, some of the trainees have been invited on a day trip | 0:18:35 | 0:18:39 | |
by a group of Christchurch's older residents. | 0:18:39 | 0:18:42 | |
I'm looking forward to this afternoon | 0:18:42 | 0:18:45 | |
cos we're going to the New Forest with, | 0:18:45 | 0:18:49 | |
I believe, 50...50 young dears of the widows club. | 0:18:49 | 0:18:53 | |
In Christchurch, nearly one in three people is over 60 | 0:18:55 | 0:18:59 | |
so a move to the area would mean mixing with a lot more old people | 0:18:59 | 0:19:02 | |
than they're used to. | 0:19:02 | 0:19:04 | |
Fucking hate old people. | 0:19:04 | 0:19:06 | |
I've worked with them and I got shit on and it was disgusting. | 0:19:06 | 0:19:10 | |
I've spoken to guys in the cafe that are getting on a bit. | 0:19:10 | 0:19:13 | |
They're not aliens. Old people are just people. | 0:19:13 | 0:19:15 | |
I think the ladies at the widows club will be really nice | 0:19:17 | 0:19:20 | |
but I don't want to, like, hear, like, death stories | 0:19:20 | 0:19:22 | |
cos they really do depress me. | 0:19:22 | 0:19:24 | |
I might get a bit depressed but I could be wrong. | 0:19:24 | 0:19:27 | |
I might come back to the house smiling. | 0:19:27 | 0:19:29 | |
We've got some lovely young people with us today, joining us. | 0:19:32 | 0:19:36 | |
The New Horizons Widows Club is a local group who get together | 0:19:36 | 0:19:40 | |
to support each other and have some fun in the autumn of their lives. | 0:19:40 | 0:19:43 | |
My name's Betty. If you want to know anything, just ask us ladies. | 0:19:43 | 0:19:49 | |
We've been there and done it, haven't we, girls? Right? | 0:19:49 | 0:19:52 | |
APPLAUSE | 0:19:54 | 0:19:55 | |
I've always wanted a cuddle from a big fella. | 0:19:57 | 0:20:00 | |
You can have plenty. You can have... Come on, bring it in. | 0:20:00 | 0:20:03 | |
-Girls, can you hear me? -ALL: Yeah. -Now, I want you to start a clap up. | 0:20:03 | 0:20:07 | |
All together. | 0:20:09 | 0:20:11 | |
# We are the New Horizon ladies | 0:20:11 | 0:20:15 | |
# We are going to rise above it all | 0:20:15 | 0:20:19 | |
# Support, love, companionship we offer... # | 0:20:19 | 0:20:22 | |
Come on. | 0:20:22 | 0:20:24 | |
# We are going to open up the door | 0:20:24 | 0:20:26 | |
# Open up the door | 0:20:26 | 0:20:28 | |
# For us sweet, old ladies now and forever | 0:20:28 | 0:20:32 | |
# We will rise, we will rise we will rise! | 0:20:32 | 0:20:36 | |
# Once more. # | 0:20:36 | 0:20:39 | |
Thank you. Thank you, Sean, very much. | 0:20:42 | 0:20:44 | |
Sing-song over, the group arrive in the New Forest, | 0:20:45 | 0:20:48 | |
home of the famous wild ponies. | 0:20:48 | 0:20:50 | |
-Have you lost your young lady? -Yeah. -Blonde girl? | 0:20:50 | 0:20:53 | |
-No, she's tall. -Oh, Deneka. -Deneka, yes. -Yeah, yeah. | 0:20:53 | 0:20:57 | |
Lovely. | 0:20:57 | 0:20:58 | |
She's from Manchester. Boo! | 0:20:58 | 0:21:00 | |
HE LAUGHS | 0:21:00 | 0:21:02 | |
-Come on, then. -What if I get chased? | 0:21:02 | 0:21:03 | |
HORSE NEIGHS Oh. | 0:21:03 | 0:21:06 | |
HORSE SNORTS | 0:21:06 | 0:21:07 | |
SHE WHIMPERS | 0:21:07 | 0:21:08 | |
Ah, it's a good little horse. | 0:21:09 | 0:21:13 | |
IT SNORTS LOUDLY | 0:21:13 | 0:21:14 | |
LAUGHTER | 0:21:17 | 0:21:18 | |
I told you something was going to happen with them horses. | 0:21:18 | 0:21:21 | |
AMBER LAUGHS | 0:21:21 | 0:21:23 | |
Yeah, you fucking laugh. You laugh. | 0:21:23 | 0:21:26 | |
IT WHINNIES | 0:21:26 | 0:21:27 | |
The lady who I sat next to on the bus didn't actually smell of wee | 0:21:29 | 0:21:32 | |
like I thought they were going to. | 0:21:32 | 0:21:33 | |
But, you know, there probably is one round here somewhere. | 0:21:33 | 0:21:36 | |
But, you know, I'll take it as it comes. | 0:21:36 | 0:21:39 | |
-We'll circle round. -Yeah, we could circle round, | 0:21:39 | 0:21:41 | |
-have a good look at the village. -Come on, then. | 0:21:41 | 0:21:43 | |
Obviously, once upon a time, old people were young but times have | 0:21:43 | 0:21:46 | |
changed a lot since they were young. | 0:21:46 | 0:21:48 | |
They probably don't like the stuff that we like now. | 0:21:48 | 0:21:52 | |
Like, it's the 21st century now. | 0:21:52 | 0:21:55 | |
I don't even know when these people were born | 0:21:55 | 0:21:57 | |
but it probably was a long time ago. | 0:21:57 | 0:21:59 | |
I always say we've all been there and worn the T-shirt. | 0:21:59 | 0:22:01 | |
Fortunately I've always had work. | 0:22:01 | 0:22:04 | |
You owned your own knicker shop, didn't you? | 0:22:04 | 0:22:06 | |
I swore... My own knicker shop. | 0:22:06 | 0:22:08 | |
Yeah, it was, I'm not kidding you. | 0:22:08 | 0:22:09 | |
If you saw the number of knickers I used to sell. | 0:22:09 | 0:22:11 | |
While Sean talks pants, Carl drums up some trade for the butchers. | 0:22:11 | 0:22:15 | |
I'll get your order all sorted | 0:22:15 | 0:22:17 | |
and I'll get it sent out for you delivery, how about that? | 0:22:17 | 0:22:20 | |
-Very nice. -Sounds as if you're in charge. | 0:22:20 | 0:22:22 | |
THEY LAUGH | 0:22:22 | 0:22:24 | |
I use me initiative, go on. It's a lovely place though, ain't it? | 0:22:24 | 0:22:29 | |
Amber and Deneka are still struggling to find common ground | 0:22:29 | 0:22:32 | |
with the elderly of Christchurch. | 0:22:32 | 0:22:34 | |
We don't really have anything in common. Our music tastes | 0:22:34 | 0:22:36 | |
are probably totally different. | 0:22:36 | 0:22:38 | |
I like house music I can dance to, get drunk to. | 0:22:38 | 0:22:40 | |
They probably listen to, like, Michael Buble or shit like that. | 0:22:40 | 0:22:43 | |
Like, I fucking hate him. | 0:22:43 | 0:22:44 | |
Or clothes, no. | 0:22:44 | 0:22:48 | |
I don't see them rocking a leather jacket like I am today. | 0:22:48 | 0:22:50 | |
No, they are wearing rain macs cos they came prepared for the weather. | 0:22:50 | 0:22:53 | |
I didn't. | 0:22:53 | 0:22:55 | |
No, they don't have fashion and... See? I can't relate to them. | 0:22:55 | 0:23:00 | |
Come on you turd, let's go. This way. | 0:23:00 | 0:23:03 | |
Is this the menu? | 0:23:06 | 0:23:07 | |
HE LAUGHS | 0:23:07 | 0:23:08 | |
No way. | 0:23:08 | 0:23:10 | |
Hey, girls, have you seen this? | 0:23:11 | 0:23:13 | |
Freddie Lambe's gammon ham. | 0:23:13 | 0:23:16 | |
-I peel that ham. They've got it on the menu here. -Oh. | 0:23:16 | 0:23:20 | |
Despite her misgivings... | 0:23:20 | 0:23:22 | |
-Excuse me. Hot chocolate incoming. -Thank you. | 0:23:22 | 0:23:24 | |
..Amber settles down for some lunch and a chat with 68-year-old Janet. | 0:23:24 | 0:23:29 | |
How long have you been living in Christchurch? | 0:23:29 | 0:23:31 | |
I've been here about two and a half years now. | 0:23:31 | 0:23:33 | |
The only people I knew were my daughter, who has a husband | 0:23:33 | 0:23:36 | |
and kids so she's got a busy life, | 0:23:36 | 0:23:39 | |
so I had to make my own life | 0:23:39 | 0:23:41 | |
and, in Christchurch, for a person my age, that is not difficult. | 0:23:41 | 0:23:44 | |
Christchurch works for me | 0:23:44 | 0:23:45 | |
but I would imagine, as a younger person, it is a bit quiet. | 0:23:45 | 0:23:49 | |
Compared to what I'm used to, | 0:23:49 | 0:23:51 | |
there's not many young people around. | 0:23:51 | 0:23:53 | |
No, and what about you, James? | 0:23:53 | 0:23:55 | |
-I don't mind. -If you were to go out on an evening where would you go? | 0:23:55 | 0:23:58 | |
-I wouldn't go out. -You're not one... | 0:23:58 | 0:24:00 | |
No, I'm not one for going out. I don't mind. | 0:24:00 | 0:24:03 | |
Old, young, you know, it don't bother me. | 0:24:03 | 0:24:05 | |
How long have you been, like, a widow for? | 0:24:05 | 0:24:09 | |
My husband died five years last August. | 0:24:09 | 0:24:12 | |
So although I don't like... I didn't like being on my own, | 0:24:12 | 0:24:15 | |
I've never liked being in a house on my own, | 0:24:15 | 0:24:18 | |
I used to think it was eerie at night, | 0:24:18 | 0:24:20 | |
but you kind of get used to it. | 0:24:20 | 0:24:23 | |
-I'm afraid you have to, really. -I'm sorry to hear about that. | 0:24:23 | 0:24:27 | |
Yeah, it was... it was a blow, actually. | 0:24:27 | 0:24:30 | |
AMBER: You must get a lot of support from all the others | 0:24:30 | 0:24:33 | |
-that are in the club as well. -Well, we're all widows | 0:24:33 | 0:24:35 | |
and although we don't have therapy or counselling or | 0:24:35 | 0:24:39 | |
anything like that, we do understand each other and... | 0:24:39 | 0:24:42 | |
Particularly with the music, the music session. | 0:24:42 | 0:24:45 | |
You'll see a little tear in somebody's eye and you know why. | 0:24:45 | 0:24:48 | |
-And you just give them a hug. -Oh, that's lovely. | 0:24:48 | 0:24:50 | |
-You know, nobody's embarrassed. -No. | 0:24:50 | 0:24:53 | |
We've all got favourite songs, haven't we? I'm teary myself now. | 0:24:53 | 0:24:56 | |
-Oh. -No, it's worked well. | 0:24:56 | 0:24:58 | |
After today, after meeting all the women | 0:24:58 | 0:25:00 | |
my perception has changed a little bit on old people, | 0:25:00 | 0:25:02 | |
that they don't all smell of wee | 0:25:02 | 0:25:03 | |
and they don't all want to poo on me and sick on me and die on me, | 0:25:03 | 0:25:07 | |
that they are actually quite nice people and they've all gone through | 0:25:07 | 0:25:11 | |
some hard times and they all come together and it's nice that they can | 0:25:11 | 0:25:14 | |
have each other for support as well. | 0:25:14 | 0:25:16 | |
Whilst Amber has warmed to the charms of the older generation, | 0:25:16 | 0:25:19 | |
one trainee has built up quite a fan club. | 0:25:19 | 0:25:22 | |
Yes, he... Carl will make a good butcher. | 0:25:22 | 0:25:25 | |
-He's got that personality... -Yeah. -..for putting customers at ease. | 0:25:25 | 0:25:30 | |
Very tall, very handsome. | 0:25:30 | 0:25:33 | |
She's cheeky, ain't she? | 0:25:33 | 0:25:35 | |
-He's caught everyone's eye here. -Yeah, and at church, ain't he? -Yeah. | 0:25:35 | 0:25:39 | |
And he's got time for everyone and I love him for it | 0:25:39 | 0:25:43 | |
and I can see that he's a very considerate young man. | 0:25:43 | 0:25:45 | |
-I've not had a girl's phone number for ages! I'm only joking. -I know. | 0:25:47 | 0:25:52 | |
His biggest fan is club president Betty Hope. | 0:25:52 | 0:25:56 | |
Because I know so much about you and I know you're above board | 0:25:56 | 0:26:01 | |
and everything, yes, you can come round my home. | 0:26:01 | 0:26:03 | |
Oh, really? Have you got any jobs that need doing? | 0:26:03 | 0:26:06 | |
Yeah. By the time you come round, the windows will want doing again. | 0:26:06 | 0:26:11 | |
Yeah, yeah? | 0:26:11 | 0:26:12 | |
Sex. | 0:26:12 | 0:26:13 | |
THEY LAUGH | 0:26:13 | 0:26:15 | |
Will we try another one? | 0:26:15 | 0:26:16 | |
Sit on me knee. Come on, then. | 0:26:16 | 0:26:18 | |
Don't blame it on me. | 0:26:18 | 0:26:20 | |
You look quite worried there. | 0:26:20 | 0:26:21 | |
THEY LAUGH | 0:26:21 | 0:26:22 | |
You know what's coming, don't you? | 0:26:26 | 0:26:29 | |
# We are the New Horizon ladies | 0:26:29 | 0:26:32 | |
# We are going to rise above it all... # | 0:26:32 | 0:26:35 | |
I'm late! | 0:26:43 | 0:26:45 | |
It's Wednesday morning and our trainees head off, focused | 0:26:45 | 0:26:48 | |
on doing good work and being one step closer to that permanent job. | 0:26:48 | 0:26:52 | |
PHONE RINGS | 0:26:55 | 0:26:57 | |
Hello. Peeks The Event Makers. Benny speaking. How can I help? | 0:26:57 | 0:27:00 | |
One second. I'll just put you through to one of our sales team. | 0:27:00 | 0:27:03 | |
At Peeks Party Store, Benny has been working for a week now, | 0:27:03 | 0:27:05 | |
in telesales with department head Alan Trowbridge. | 0:27:05 | 0:27:09 | |
I hope there's loads of cock. | 0:27:09 | 0:27:11 | |
Benny arrived in Christchurch six weeks ago. | 0:27:11 | 0:27:14 | |
Thank you, Mr Taxi Man, you sexy bitch. | 0:27:14 | 0:27:16 | |
I don't want no midnight visiting, thank you. | 0:27:16 | 0:27:18 | |
SHE LAUGHS | 0:27:18 | 0:27:20 | |
Oh, my God, it's massive. | 0:27:20 | 0:27:22 | |
When he started at Peeks, his short attention span | 0:27:23 | 0:27:25 | |
and potty mouth nearly got him the sack. | 0:27:25 | 0:27:28 | |
They're fucking lovely. Oh, I thought I fucking shit it. | 0:27:28 | 0:27:31 | |
You have to watch how much you swear on the shop floor. | 0:27:31 | 0:27:33 | |
-You can't use that language. -Sorry. | 0:27:33 | 0:27:35 | |
-It's not funny. -No, it's not funny. | 0:27:35 | 0:27:37 | |
But his behaviour quickly improved. | 0:27:37 | 0:27:39 | |
-I work well as well though. -You do now. -What did you mean before? | 0:27:39 | 0:27:42 | |
And he went on to be a hit with his colleagues and his boss. | 0:27:42 | 0:27:45 | |
-A lot of good reports. -Have you had any negatives at all? -No. | 0:27:45 | 0:27:48 | |
HE GASPS Yes! | 0:27:48 | 0:27:50 | |
Success in telesales is important to Benny | 0:27:50 | 0:27:52 | |
because this is where the vacancy lies at Peeks. | 0:27:52 | 0:27:54 | |
I don't know whether you want to make notes of this. | 0:27:54 | 0:27:56 | |
Are you comfortable with it? | 0:27:56 | 0:27:57 | |
Yeah, honestly, I'm really good at things like this. | 0:27:57 | 0:27:59 | |
Last week, his work was outstanding... | 0:27:59 | 0:28:02 | |
Correct. Spot on, 100%. I mean, that is brilliant. | 0:28:02 | 0:28:06 | |
..but since then, his concentration has lapsed... | 0:28:06 | 0:28:09 | |
You ready to put the order on now then, Benny? | 0:28:09 | 0:28:11 | |
Do you want to do that now? | 0:28:11 | 0:28:13 | |
..and old habits have returned. | 0:28:13 | 0:28:15 | |
F for fanny. W for wanker. | 0:28:15 | 0:28:18 | |
Seb? Seb? Do you fancy a coffee? | 0:28:20 | 0:28:24 | |
-Do you want a coffee or a tea? -No thanks. -Are you sure? | 0:28:24 | 0:28:28 | |
Benny has lost his focus. | 0:28:28 | 0:28:29 | |
He isn't concentrating on processing orders and it's worrying Alan. | 0:28:29 | 0:28:33 | |
There's a few little niggly things that have sort of come to the fore. | 0:28:33 | 0:28:38 | |
There's a few things that he's not sort of... | 0:28:38 | 0:28:41 | |
Not what I would call... Unacceptable. | 0:28:41 | 0:28:44 | |
Alan, do you want a coffee or a tea? | 0:28:44 | 0:28:45 | |
I was going to grab you for a quick ten-minute meeting just to | 0:28:45 | 0:28:48 | |
sort of catch up and then we can grab one. | 0:28:48 | 0:28:51 | |
-You're on the old cranberry juice, are you? -Yeah. | 0:28:51 | 0:28:53 | |
Yeah. Come on in. Let's have a catch up. | 0:28:53 | 0:28:56 | |
-Grab a seat, mate. I know you initially sat with me... -Yeah. | 0:28:57 | 0:29:01 | |
..on sort of training or watching how orders were put on. | 0:29:01 | 0:29:05 | |
I noticed that whilst you were sort of being trained, | 0:29:05 | 0:29:08 | |
you didn't make any notes. Was there any reason for that? | 0:29:08 | 0:29:13 | |
I like to think that I've got a photographic memory. | 0:29:13 | 0:29:16 | |
-Oh, right. -And I do pick up things quite quickly and I find | 0:29:16 | 0:29:18 | |
if I make notes I'll rely on them too much. | 0:29:18 | 0:29:20 | |
I think in life you have to know how to go wrong to go right. | 0:29:20 | 0:29:23 | |
I think I've picked it up better by doing that than... | 0:29:23 | 0:29:25 | |
Yeah. At the moment, the success rate of obviously you completing | 0:29:25 | 0:29:29 | |
an order are 100% stands at 20, 22%. | 0:29:29 | 0:29:33 | |
I thought I was doing all right. A bit shocked by that but... | 0:29:33 | 0:29:36 | |
You're missing off telephone numbers, you're missing off... | 0:29:36 | 0:29:38 | |
-Yeah, really simple things. -..names, you're missing off house numbers. | 0:29:38 | 0:29:42 | |
-Yeah. -So I'm just wondering whether you're not fully focused. | 0:29:42 | 0:29:48 | |
Is it just a lack of concentration or...? | 0:29:48 | 0:29:51 | |
Yeah, I just think it's a lack of love for it really. | 0:29:51 | 0:29:53 | |
My head's not really in it, I don't think, up here. | 0:29:53 | 0:29:55 | |
-Maybe I think that's probably the issue. -You think? -Yeah, I think. | 0:29:55 | 0:29:58 | |
And then obviously I get distracted so easy. | 0:29:58 | 0:30:00 | |
When something else is distracted, I lose concentration. | 0:30:00 | 0:30:03 | |
I'm like, "Screw this. You know, that phone keeps ringing, | 0:30:03 | 0:30:06 | |
"that's pissing me off," so my mind goes elsewhere, unfortunately. | 0:30:06 | 0:30:09 | |
That's terrible, I know. | 0:30:09 | 0:30:10 | |
What I'm, what I'm thinking, Benny, is that perhaps revisit | 0:30:10 | 0:30:13 | |
-some of the training... -Yeah. -..on the web orders. We'll get out there, | 0:30:13 | 0:30:16 | |
-we'll get some more orders for you. -Thank you. | 0:30:16 | 0:30:19 | |
OK. | 0:30:19 | 0:30:21 | |
Little bit tricky there, I found, | 0:30:22 | 0:30:24 | |
because obviously he hasn't got a particularly high esteem | 0:30:24 | 0:30:28 | |
of himself, doing this particular function here, | 0:30:28 | 0:30:30 | |
and I need him, even if he doesn't particularly relish the job, | 0:30:30 | 0:30:34 | |
to actually be a bit more concentrated and focused on what he's doing and try and obviously | 0:30:34 | 0:30:42 | |
avoid all these interruptions. | 0:30:42 | 0:30:44 | |
And try and get him focused. | 0:30:44 | 0:30:46 | |
If he doesn't like office work, he doesn't like office work, but I just | 0:30:46 | 0:30:50 | |
need to sort of try and encourage him to actually leave here with | 0:30:50 | 0:30:54 | |
a bit more bounce in his step than what he is at the moment. | 0:30:54 | 0:30:56 | |
Nice to hear some negatives, obviously. | 0:30:56 | 0:30:58 | |
With doing so well here and stuff it's nice to be brought back down to earth a little bit and stuff, | 0:30:58 | 0:31:03 | |
and I like to improve on things. | 0:31:03 | 0:31:05 | |
When I first got told I was coming up here I was like, "Oh, it's | 0:31:05 | 0:31:08 | |
"sitting at a desk, when you could be downstairs interacting with people, | 0:31:08 | 0:31:12 | |
"the new people of Christchurch." And I love people. I think everyone | 0:31:12 | 0:31:16 | |
here kind of knows that I really loved being in that party store. | 0:31:16 | 0:31:18 | |
Alan will feed back to company boss John Peek | 0:31:18 | 0:31:21 | |
so it's vital that Benny regains his focus before his weekly appraisal. | 0:31:21 | 0:31:25 | |
The green buoy you've got to go round... That's the one. | 0:31:31 | 0:31:33 | |
And your next green is down there, yeah? | 0:31:33 | 0:31:36 | |
Down on Mudeford Quay, 19-year-old reformed bad boy Adam | 0:31:36 | 0:31:40 | |
is working the ferry with mentor Paul. | 0:31:40 | 0:31:42 | |
You can knock her up to 11. | 0:31:42 | 0:31:44 | |
He's a long way from his gang life in Nottingham, | 0:31:44 | 0:31:46 | |
where he's seen friends killed and was once stabbed himself. | 0:31:46 | 0:31:49 | |
To be able to walk around and not have to keep a guard up | 0:31:49 | 0:31:52 | |
all the time, like, it's a totally different new planet. | 0:31:52 | 0:31:56 | |
There's never any trouble, it's just so nice. | 0:31:56 | 0:31:58 | |
I feel like a brand-new person down in Christchurch. | 0:31:58 | 0:32:00 | |
He's grown to love it here and wants to make the move | 0:32:00 | 0:32:03 | |
if he can land a permanent job. | 0:32:03 | 0:32:05 | |
And down the left-hand side here... | 0:32:06 | 0:32:09 | |
On the quayside, Adam's parents have made a surprise day trip | 0:32:09 | 0:32:12 | |
to Christchurch. | 0:32:12 | 0:32:13 | |
They're here to see for themselves where their son | 0:32:13 | 0:32:15 | |
is considering spending his future. | 0:32:15 | 0:32:18 | |
It's nice to come down here and see if he is really, | 0:32:18 | 0:32:21 | |
really serious about staying here. | 0:32:21 | 0:32:23 | |
Our Adam is going to be shocked that we're down here. | 0:32:23 | 0:32:26 | |
-Doesn't know a thing. -200 miles, to come down here and surprise him. | 0:32:26 | 0:32:30 | |
It's going to be worth every mile. | 0:32:30 | 0:32:31 | |
He's just going to scream like a girl! | 0:32:31 | 0:32:34 | |
I think he's going to be so surprised he'll end up crashing the boat into the harbour, I really do. | 0:32:34 | 0:32:38 | |
Why is my mum and dad here? | 0:32:38 | 0:32:41 | |
-What are you even doing here? -Have we been rumbled? | 0:32:42 | 0:32:46 | |
You're making me worry now. | 0:32:46 | 0:32:47 | |
Excuse me! Has one of you lot left your hat down here? | 0:32:50 | 0:32:53 | |
You knew, didn't you? | 0:32:55 | 0:32:57 | |
Surprised? | 0:33:02 | 0:33:03 | |
I thought you'd be screaming like a girly! | 0:33:03 | 0:33:06 | |
I think they've come down, yeah, because obviously I've been gone for two months now. | 0:33:09 | 0:33:13 | |
I really want to stay down here, I don't want to go home. | 0:33:13 | 0:33:16 | |
I think that's part of the reason they have come down, to see the area, | 0:33:16 | 0:33:19 | |
and think, yeah, this is the right area for Adam to live in. | 0:33:19 | 0:33:21 | |
Like, so start a nice fresh life. | 0:33:21 | 0:33:23 | |
I can understand why you don't want to leave down here. | 0:33:23 | 0:33:25 | |
-Isn't it gorgeous?! -Beautiful. -You telling me this ain't gorgeous? | 0:33:25 | 0:33:29 | |
It's a bit cold and windy today, but... | 0:33:29 | 0:33:31 | |
It's so picturesque, it's lovely. | 0:33:31 | 0:33:33 | |
Do you want to come for a boat trip to see what Adam gets up to? | 0:33:33 | 0:33:35 | |
-Why not? -Come on, then. | 0:33:35 | 0:33:37 | |
-As long as it's not going to be a submarine, Adam. -No! | 0:33:37 | 0:33:40 | |
He just seems such a totally different person. | 0:33:45 | 0:33:48 | |
Two months ago he was sat at home in his boring little flat, | 0:33:48 | 0:33:51 | |
pulling his hair out, trying to apply for jobs, and getting nowhere. | 0:33:51 | 0:33:55 | |
To then come down here, and in the space of a few weeks, | 0:33:55 | 0:33:58 | |
he's driving a boat. | 0:33:58 | 0:34:01 | |
I am very impressed at you doing that. | 0:34:01 | 0:34:04 | |
-Are you, Darren? -Yeah, can't believe he's driving it. | 0:34:04 | 0:34:07 | |
-Know what all the buttons are for? -He tells me which one! | 0:34:07 | 0:34:10 | |
-Drive forward, captain! -Keep your eyes at the front! | 0:34:10 | 0:34:14 | |
I'm a person that's prepared to try anything. | 0:34:16 | 0:34:19 | |
It's one of them, I need work, | 0:34:19 | 0:34:21 | |
and I have to work, I can't sit on my ass and be a dole dosser. | 0:34:21 | 0:34:24 | |
It's surprising how, in the space of six weeks, | 0:34:26 | 0:34:28 | |
-there's such a change in you. -You seem so much more focused here. | 0:34:28 | 0:34:32 | |
Do you actually feel like you're achieving something? | 0:34:32 | 0:34:35 | |
That's what it seems to be, and it's brilliant to see. | 0:34:35 | 0:34:38 | |
I feel like I'm a fresh born baby. | 0:34:38 | 0:34:42 | |
I really don't know what it is about it, it's just being down here, | 0:34:42 | 0:34:45 | |
-right, just to ride down the street and not know nobody that's going to shout your name. -Yeah. | 0:34:45 | 0:34:49 | |
You've got to think in Nottingham I've got areas I can't even go | 0:34:49 | 0:34:52 | |
to because I know if I go in that area I'll never get seen again. | 0:34:52 | 0:34:56 | |
Yeah, I want a new life. | 0:34:56 | 0:34:57 | |
'I want to come down here and start a fresh life, start a family off, have some babies,' | 0:34:57 | 0:35:02 | |
and start a brand-new Adam off. | 0:35:02 | 0:35:03 | |
-Like some ketchup, brown sauce? -We'll probably need more mayonnaise soon, but I'll let you know! | 0:35:03 | 0:35:09 | |
It's appraisal day in Christchurch, when all the trainees | 0:35:22 | 0:35:26 | |
sit down with their mentors for a weekly assessment of their progress. | 0:35:26 | 0:35:30 | |
HE BURPS | 0:35:32 | 0:35:33 | |
In telesales at Peeks Party Store, Benny's gone from 100% perfect | 0:35:33 | 0:35:37 | |
processing to 20% this week, and his concentration is flagging. | 0:35:37 | 0:35:42 | |
They're not answering, she said I'll definitely be in at ten, if not before ten. | 0:35:44 | 0:35:48 | |
She's not in, she obviously doesn't want to pay. | 0:35:48 | 0:35:50 | |
Well, you ain't getting the goods, then, are you, love? | 0:35:50 | 0:35:52 | |
His choice of outfit is also causing a real distraction to the rest of the office. | 0:35:52 | 0:35:56 | |
-She can remember what she said now. -"Oh," I said, "I like your new boots, Benny." | 0:35:56 | 0:36:01 | |
-Oh, thank you. -They look well nice. Oh, I say! | 0:36:01 | 0:36:04 | |
-When you've finished that Benny can I borrow you for a minute in the office? -Yeah, that's fine. | 0:36:06 | 0:36:11 | |
Benny's a popular member of the telesales department so before | 0:36:11 | 0:36:14 | |
his appraisal with mentor John Peek, Alan wants to offer him some advice. | 0:36:14 | 0:36:18 | |
I thought I'd drag you in here a little bit early because | 0:36:19 | 0:36:23 | |
you know you've got your weekly appraisal with John Peek today? | 0:36:23 | 0:36:27 | |
-Yeah. -The actual clothing you're wearing today I think is | 0:36:27 | 0:36:31 | |
inappropriate to see John. | 0:36:31 | 0:36:33 | |
Why? | 0:36:35 | 0:36:36 | |
Believe me, Benny, if you go into a meeting to see John Peek dressed | 0:36:36 | 0:36:40 | |
like that, he'll turn you straight round and you'll be back out again, | 0:36:40 | 0:36:43 | |
so you'll be wasting his time and your time. | 0:36:43 | 0:36:45 | |
Why is that? Why would he turn me around and... | 0:36:45 | 0:36:47 | |
It is just not accepted. | 0:36:47 | 0:36:48 | |
But why is it not accepted? | 0:36:48 | 0:36:50 | |
From the sort of side view, I mean those trousers, | 0:36:50 | 0:36:52 | |
they're probably showing more than what you intended. | 0:36:52 | 0:36:55 | |
Like what? | 0:36:55 | 0:36:57 | |
You know, that sales office environment where we've potentially got clients coming in, | 0:36:57 | 0:37:01 | |
that's just not really suitable. | 0:37:01 | 0:37:04 | |
Would you not feel that that sort of dress is perhaps not becoming | 0:37:04 | 0:37:09 | |
-of a meeting of that importance, or not? -I don't really dress to impress, I dress to express | 0:37:09 | 0:37:13 | |
and personally I don't really think there's anything wrong with it | 0:37:13 | 0:37:16 | |
but it's his company not mine, who am I to argue with that? | 0:37:16 | 0:37:19 | |
Just...take it, as is, this is experience talking. | 0:37:19 | 0:37:24 | |
And so what I was going to do was arrange to get you sent back home, | 0:37:24 | 0:37:29 | |
get a change of clothing, get you back here in time for John's meeting. | 0:37:29 | 0:37:33 | |
Mm-hm. | 0:37:34 | 0:37:35 | |
Feeling a bit shit about it, really, if I'm honest, | 0:37:47 | 0:37:49 | |
but I'm just looking for something to wear. | 0:37:49 | 0:37:52 | |
So, as Benny thinks about a different outfit, the other trainees | 0:37:52 | 0:37:55 | |
catch up with their mentors. | 0:37:55 | 0:37:56 | |
-Morning. -Morning. | 0:37:56 | 0:37:59 | |
-You all right? -Yeah, are you OK? | 0:37:59 | 0:38:01 | |
Yeah. So another week. | 0:38:01 | 0:38:03 | |
Another week now, I'm getting much much better | 0:38:03 | 0:38:06 | |
and much more comfortable answering questions, as well, | 0:38:06 | 0:38:08 | |
and, you know, if I don't know the answer I know where to go | 0:38:08 | 0:38:12 | |
and find it or I know who will know the answer. | 0:38:12 | 0:38:15 | |
So another good week for Rachel at the garden centre | 0:38:15 | 0:38:18 | |
and in the cafe it's all going well for James. | 0:38:18 | 0:38:21 | |
Personally, I think you're doing well. | 0:38:21 | 0:38:23 | |
You're in on time now, which is good. | 0:38:23 | 0:38:25 | |
I have to say, personal appearance is good. | 0:38:25 | 0:38:29 | |
-It's good for the customers to see somebody nicely turned out, you know? -Yeah. | 0:38:29 | 0:38:33 | |
Last week, Sean was let go from the smoke house | 0:38:33 | 0:38:37 | |
because he wasn't fit enough to cope with the physical work, | 0:38:37 | 0:38:39 | |
so it's vital that this week he's proved he can deal with the workload at Stewarts. | 0:38:39 | 0:38:44 | |
His first appraisal is with garden shop manager Duncan. | 0:38:44 | 0:38:48 | |
I don't think you need to be too worried about the speed | 0:38:48 | 0:38:50 | |
of doing things. It's far better to do the job properly than | 0:38:50 | 0:38:53 | |
quickly. If you end up doing it quickly, you make mistakes | 0:38:53 | 0:38:56 | |
and you'll then end up coming back to re-correct those mistakes. | 0:38:56 | 0:39:00 | |
So I, I'm not worried about you taking time to do a job. | 0:39:00 | 0:39:02 | |
I've been quite impressed how you've picked things up, | 0:39:02 | 0:39:05 | |
and talking to Matt and the rest of the team they echo that. | 0:39:05 | 0:39:08 | |
They tell you once how to do something and you've picked | 0:39:08 | 0:39:12 | |
it up straightaway, so you should be proud of yourself for that. | 0:39:12 | 0:39:15 | |
-Thanks a lot. -Keep doing what you're doing. -I will do, thank you. | 0:39:15 | 0:39:18 | |
The feedback Duncan give me was fairly positive, to be honest. | 0:39:18 | 0:39:21 | |
In here, it's just been one big nice confidence boost | 0:39:21 | 0:39:24 | |
because, as I say, I've put more pressure on myself than | 0:39:24 | 0:39:27 | |
probably anyone else does, so to hear him just say, yeah, just | 0:39:27 | 0:39:31 | |
doesn't matter. You know, I mean obviously don't spend two hours | 0:39:31 | 0:39:35 | |
on one display, or like a whole day, but, you know, as long as it's | 0:39:35 | 0:39:39 | |
done properly he's happy...and I've just opened a bag I shouldn't of. | 0:39:39 | 0:39:43 | |
At the salon, Irene is still poorly | 0:39:45 | 0:39:47 | |
but she makes it in to hear how Deneka's week has gone. | 0:39:47 | 0:39:49 | |
This week's been all right though. The girls have been keeping me busy. | 0:39:51 | 0:39:54 | |
-Have they? -Mm-hm. I put rollers in Gemma's hair as well. | 0:39:54 | 0:39:56 | |
Oh, that's good. So we'll start again next week. | 0:39:56 | 0:40:00 | |
Okey dokey. Are you feeling more better now? | 0:40:00 | 0:40:03 | |
Well, I will do, I'm sure, after a weekend of antibiotics. | 0:40:03 | 0:40:05 | |
I'm sure I shall. I'd better. | 0:40:05 | 0:40:08 | |
Take the weekend easy then, that's what I say. | 0:40:08 | 0:40:10 | |
At Peeks Party Store, the job vacancy is in telesales. | 0:40:11 | 0:40:15 | |
Hello. Is there a Miss Fiona Williams available | 0:40:15 | 0:40:17 | |
to talk to, please? | 0:40:17 | 0:40:18 | |
Benny's changed into something a little less comfy | 0:40:18 | 0:40:21 | |
and joins mentor John Peek. | 0:40:21 | 0:40:24 | |
He's been receiving reports from Alan about Benny's | 0:40:24 | 0:40:26 | |
performance in telesales. | 0:40:26 | 0:40:28 | |
Hi, Mr John. | 0:40:28 | 0:40:30 | |
Welcome, Benny. I'm a bit perplexed and I don't really | 0:40:30 | 0:40:33 | |
know how to help you. | 0:40:33 | 0:40:35 | |
When you started you, you got absolutely 100% right | 0:40:35 | 0:40:38 | |
and then the next day you go back and it's... | 0:40:38 | 0:40:41 | |
Yeah, my concentration span's terrible. | 0:40:41 | 0:40:44 | |
I'm so keen on getting so much done and them being, | 0:40:44 | 0:40:46 | |
"Wow, Benny, you've done so many orders", | 0:40:46 | 0:40:48 | |
when really I should've slowed down and focused | 0:40:48 | 0:40:50 | |
on the quality of it rather than the quantity of how many I'd done. | 0:40:50 | 0:40:52 | |
Yeah, quality is important because | 0:40:52 | 0:40:54 | |
people are relying on what you're writing down. | 0:40:54 | 0:40:56 | |
If you are concentrating and up to the job then I'd like you in there, | 0:40:56 | 0:41:01 | |
-but you've got to prove that you are... -Worthy. | 0:41:01 | 0:41:04 | |
Worthy of doing that last week, but I think you can do it. | 0:41:04 | 0:41:07 | |
-I hope so. -All right. | 0:41:07 | 0:41:09 | |
At the butchers, Carl's had another good week. | 0:41:10 | 0:41:12 | |
So instead of an appraisal, | 0:41:12 | 0:41:14 | |
he's arranging to go out with his mentor Robin. | 0:41:14 | 0:41:17 | |
I need a wing man, you see. I've got a few tickets for a gig. | 0:41:17 | 0:41:20 | |
-Great. -Do you want to come? -Oh, you want me...? | 0:41:20 | 0:41:23 | |
Yeah, I do, I'd love to. Oh, brilliant | 0:41:23 | 0:41:25 | |
-Now, I don't buy the drinks. -Oh... | 0:41:25 | 0:41:28 | |
I'm just hoping, with it being like my night, | 0:41:28 | 0:41:31 | |
do you know what I mean? | 0:41:31 | 0:41:32 | |
Is there any possibility I could have the day off on the Saturday | 0:41:32 | 0:41:35 | |
so I can hit it proper? | 0:41:35 | 0:41:36 | |
I'd like to be drinking until the early hours of the morning, | 0:41:36 | 0:41:39 | |
-do you know what I mean? For a good night out. -And what? | 0:41:39 | 0:41:41 | |
And I'm coming with you and I've got to come into work? | 0:41:41 | 0:41:44 | |
-Is that fair? -Not really, but... | 0:41:44 | 0:41:46 | |
You've just had three weeks in Thailand, haven't ya? | 0:41:46 | 0:41:50 | |
-Yeah, well, that's not the point. -It surely is, Robin | 0:41:50 | 0:41:52 | |
Come on. | 0:41:52 | 0:41:54 | |
Bye. | 0:41:54 | 0:41:55 | |
Another week draws to a close, and with wages in their pockets | 0:41:57 | 0:42:00 | |
the trainees gear themselves up for a big night out. | 0:42:00 | 0:42:04 | |
Deneka and Amber are going drinking in town, | 0:42:04 | 0:42:07 | |
Carl's heading to a gig with mentor Robin, | 0:42:07 | 0:42:09 | |
and Adam has a more sedate evening ahead of him. | 0:42:09 | 0:42:12 | |
-Oi, you turd, where you going tonight? -Paul and Julie. | 0:42:12 | 0:42:15 | |
-Oh, are you going to their house? -Mm-hm. -Oh... | 0:42:15 | 0:42:19 | |
You're like their son - it's so cute. | 0:42:19 | 0:42:21 | |
It's not the ideal situation, innit, man? | 0:42:21 | 0:42:24 | |
See you later, everyone! | 0:42:24 | 0:42:26 | |
DANCE MUSIC PLAYS | 0:42:26 | 0:42:29 | |
SHE SINGS | 0:42:29 | 0:42:31 | |
As Amber and Deneka hit the bottle with Benny, | 0:42:31 | 0:42:35 | |
Adam has an appointment at the captain's table. | 0:42:35 | 0:42:38 | |
DOORBELL RINGS | 0:42:38 | 0:42:40 | |
-Good afternoon, sir. -Good evening. | 0:42:42 | 0:42:44 | |
Oh, good evening. Sorry, I got it wrong. | 0:42:44 | 0:42:47 | |
You... You scrub up pretty well, Adam. Come in, come in. | 0:42:47 | 0:42:50 | |
Thank you very much. | 0:42:50 | 0:42:52 | |
-OK. -Two, three... -Ooh! -Guest of honour. | 0:42:52 | 0:42:56 | |
Cheers, Adam. This is your evening. | 0:42:58 | 0:43:00 | |
-Thank you for my invite tonight. -That's all right. | 0:43:00 | 0:43:03 | |
The one thing you've got to do is hold your glass better, | 0:43:03 | 0:43:05 | |
-OK, there's a thing, right? -Sorry. | 0:43:05 | 0:43:09 | |
ALL TALK OVER EACH OTHER | 0:43:09 | 0:43:11 | |
When... When you go cheers with a lady, right? | 0:43:11 | 0:43:15 | |
It's stems and eyes, OK? | 0:43:15 | 0:43:16 | |
-Stems and eyes, OK? -Well done, Adam. | 0:43:16 | 0:43:18 | |
-Thank you very much. -So what's been more of the challenge? | 0:43:18 | 0:43:21 | |
Working with us, because we're so difficult | 0:43:21 | 0:43:24 | |
to work with or, or the house? | 0:43:24 | 0:43:25 | |
Coming down and learning how to work on a boat so fast, | 0:43:25 | 0:43:28 | |
I think that's I think that's been the hardest. | 0:43:28 | 0:43:30 | |
-But you've actually managed to do it... -You said that. | 0:43:30 | 0:43:32 | |
..and passed with flying colours, so well done. | 0:43:32 | 0:43:35 | |
-I'm going to try one of these. -Yeah, very good. | 0:43:35 | 0:43:37 | |
-What's on it? Salmon? -Mm-hm. | 0:43:37 | 0:43:38 | |
I've never even tried salmon, | 0:43:38 | 0:43:41 | |
-so it's going to be the first time. -Hmm. | 0:43:41 | 0:43:43 | |
I've never tied it and that is actually quite beautiful. | 0:43:47 | 0:43:50 | |
That is actually really nice. | 0:43:50 | 0:43:52 | |
While Adam enjoys his amuse bouche, | 0:43:56 | 0:43:58 | |
Carl from Warrington wants to give his mentor Robin | 0:43:58 | 0:44:00 | |
a taste of his northern roots at a gig by Smiths cover band | 0:44:00 | 0:44:04 | |
The Smyths... | 0:44:04 | 0:44:06 | |
and get plenty of drinks in while he's at it. | 0:44:06 | 0:44:08 | |
ROCK MUSIC PLAYS | 0:44:08 | 0:44:11 | |
Did you enjoy that? | 0:44:11 | 0:44:13 | |
Not on me...corduroy T-shirt. | 0:44:13 | 0:44:15 | |
ROCK MUSIC CONTINUES | 0:44:15 | 0:44:18 | |
I feel a bit guilty, you know. | 0:44:32 | 0:44:35 | |
Robin doesn't like dancing, does he? I like dancing. | 0:44:35 | 0:44:38 | |
Plus there's a few young girls on the scene, | 0:44:38 | 0:44:40 | |
you know, giving it a wiggle. | 0:44:40 | 0:44:42 | |
He'll be all right. He's been there, done that, ain't he? | 0:44:42 | 0:44:45 | |
He's got the T-shirt. T-shirt's that old it's gone out of fashion. | 0:44:45 | 0:44:48 | |
CHEERING | 0:44:49 | 0:44:52 | |
-Give us a 20 quid, I'll... -I gave you a 20 in there. | 0:44:54 | 0:44:57 | |
All right then. All right, fair cop. I'll give it you back on Monday. | 0:44:57 | 0:45:01 | |
-There you go. I'll tell you what Carl... -You what? | 0:45:01 | 0:45:03 | |
Don't be late in the morning, will ya? | 0:45:03 | 0:45:05 | |
Oh, fuck off, Robin. HE LAUGHS | 0:45:05 | 0:45:08 | |
That's a nice way to talk to your governor, ain't it? | 0:45:10 | 0:45:13 | |
Fuck off. Take care, mate. | 0:45:13 | 0:45:15 | |
-Are you off? -Have a good weekend. | 0:45:15 | 0:45:18 | |
Robin's got to get up for the morning and fucking...on me own. | 0:45:18 | 0:45:22 | |
It's a good night but I think them girls | 0:45:22 | 0:45:24 | |
had me for free drinks, didn't they? | 0:45:24 | 0:45:27 | |
I'm going to go somewhere else. | 0:45:27 | 0:45:29 | |
As Carl goes in search of his next drink, the bubbles are flowing | 0:45:29 | 0:45:33 | |
at the captain's table and Adam's talking about his childhood. | 0:45:33 | 0:45:36 | |
When I was in school I was diagnosed with ADHD. | 0:45:36 | 0:45:39 | |
I couldn't sit in lessons and look at the teacher | 0:45:39 | 0:45:41 | |
and concentrate on what she had to say. | 0:45:41 | 0:45:43 | |
If I sat in school and a teacher brought a piece of paperwork in front of me, | 0:45:43 | 0:45:46 | |
I'd draw a smiley face and say, "F-you, I ain't doing none of that." | 0:45:46 | 0:45:49 | |
Like it still scares me till this day to bring stuff out like that, | 0:45:49 | 0:45:52 | |
but like I feel like I'm in a good environment to actually | 0:45:52 | 0:45:56 | |
sit there and explain it now. | 0:45:56 | 0:45:57 | |
But what I've seen when you came down here... | 0:45:57 | 0:45:59 | |
Yes, we had a bit of rocky start, | 0:45:59 | 0:46:01 | |
but the way you pick up stuff and the way you... | 0:46:01 | 0:46:04 | |
conduct yourself, I genuinely think that you're a good worker. | 0:46:04 | 0:46:09 | |
We can't employ people all year round, but we do have a lot | 0:46:09 | 0:46:14 | |
of contacts in this area, so all we can do is like put your name forward | 0:46:14 | 0:46:19 | |
to various organisations, set up meetings and then it's up to you. | 0:46:19 | 0:46:25 | |
-If that's possible, that would absolutely be amazing actually. -Ah. | 0:46:25 | 0:46:29 | |
You've got to aim for the stars, mate. | 0:46:29 | 0:46:32 | |
-Aim higher. -Yep. -Aim higher than what... | 0:46:32 | 0:46:35 | |
And I truly believe that you can achieve | 0:46:35 | 0:46:37 | |
-whatever you want to achieve. -Oh, thank you very much. -OK. | 0:46:37 | 0:46:41 | |
As Adam ends the night with a glass of brandy, | 0:46:41 | 0:46:44 | |
Deneka's stayed out, | 0:46:44 | 0:46:45 | |
and Amber returns to find Carl crashed on the floor. | 0:46:45 | 0:46:48 | |
SHE LAUGHS | 0:46:48 | 0:46:50 | |
Carl...you turd, you've been sick on yourself. | 0:46:51 | 0:46:55 | |
The night ends and Deneka still hasn't returned to the house. | 0:46:59 | 0:47:03 | |
You see, I'm just trying to piece together what happened. | 0:47:07 | 0:47:09 | |
The next day and it's one o'clock in the afternoon. | 0:47:09 | 0:47:12 | |
Carl's sleeping off his hangover and Deneka has only just | 0:47:12 | 0:47:15 | |
returned to the house. | 0:47:15 | 0:47:17 | |
She has some disturbing news. | 0:47:17 | 0:47:18 | |
Last night I went out with Amber, went to a club, | 0:47:18 | 0:47:22 | |
got really drunk, wandered off, had an argument with a girl, | 0:47:22 | 0:47:27 | |
got into a fight, got arrested. | 0:47:27 | 0:47:29 | |
-Fucking hell. -Well, she was... She literally gagged for it. | 0:47:29 | 0:47:32 | |
She got on her knees and asked for it. | 0:47:32 | 0:47:34 | |
Cos we was having an argument | 0:47:34 | 0:47:36 | |
and like I offered her out, as in like said, | 0:47:36 | 0:47:38 | |
"Well, come on. Let's just have a fight, right here, right now." | 0:47:38 | 0:47:41 | |
And then like some guy stood in front of her. | 0:47:41 | 0:47:44 | |
And like I was going to leave it, | 0:47:44 | 0:47:45 | |
and then she was like pulling faces behind him like, you know, | 0:47:45 | 0:47:48 | |
smug smileys, and like putting out her tongue. | 0:47:48 | 0:47:51 | |
And I thought, "Fuck this shit." | 0:47:51 | 0:47:54 | |
Managed to get round the guy, swung for her, she fell on the floor. | 0:47:54 | 0:47:57 | |
-Fuckin' hell. -I was about to walk off, police came and marched after me | 0:47:57 | 0:48:02 | |
and arrested me, got took into a cell, got interviewed this morning | 0:48:02 | 0:48:06 | |
I'm on bail. It's like a criminal. Well, I am a criminal. | 0:48:08 | 0:48:13 | |
Hmm. | 0:48:13 | 0:48:14 | |
Yeah, possibly might have blown my opportunity, but...yeah. | 0:48:16 | 0:48:23 | |
Nothing you can do now...so...yeah. | 0:48:23 | 0:48:28 | |
I'm going to have to explain to Irene what happened. | 0:48:37 | 0:48:40 | |
I don't have a clue what she's going to say, I really don't. | 0:48:40 | 0:48:44 | |
Knowing she'll be appearing in court in three weeks' time, | 0:48:44 | 0:48:47 | |
Deneka has to talk to mentor Irene before she starts work. | 0:48:47 | 0:48:52 | |
I think Irene will be disappointed, but I'll go and see what she says. | 0:48:52 | 0:48:55 | |
-Morning. -Morning. | 0:48:58 | 0:48:59 | |
-All right? -Yeah, thank you. Can I talk to you? | 0:49:03 | 0:49:05 | |
-Yes, you can. -Okey dokey. -We'll go upstairs. -Oh, OK. | 0:49:05 | 0:49:08 | |
Basically, I got into a bit of a fight on Friday. | 0:49:12 | 0:49:17 | |
Have you got a brain? | 0:49:17 | 0:49:19 | |
-Yeah, but... -Have you? -Not when I'm drunk, no. | 0:49:19 | 0:49:23 | |
What did you say to me when you came here? | 0:49:23 | 0:49:25 | |
You said you'd already been told that | 0:49:26 | 0:49:29 | |
-if you were caught fighting once more by the police... -Yeah. | 0:49:29 | 0:49:33 | |
..then you'd get a record. | 0:49:33 | 0:49:34 | |
I just don't know what to say to you. | 0:49:34 | 0:49:36 | |
Trust me, I'm disappointed about it. | 0:49:36 | 0:49:38 | |
You don't look very disappointed. | 0:49:38 | 0:49:40 | |
I am. It might not look like it, but I actually am. | 0:49:40 | 0:49:43 | |
-I'm just horrified that you've done something like that... -I know. | 0:49:43 | 0:49:46 | |
I thought you knew better. | 0:49:46 | 0:49:48 | |
-One thing that I said that I wouldn't have done. -No. | 0:49:48 | 0:49:50 | |
You'll never get a job and keep it if you don't tone your life down. | 0:49:50 | 0:49:55 | |
An employer is not going to... | 0:49:55 | 0:49:58 | |
If you were just working for me, I would've sacked you... | 0:49:58 | 0:50:01 | |
..and I'm going to think about it. | 0:50:02 | 0:50:04 | |
So I think the best thing you can do is go home | 0:50:04 | 0:50:07 | |
-and have a damn good think about it. -OK. | 0:50:07 | 0:50:10 | |
And, seriously, sort your life out. | 0:50:10 | 0:50:12 | |
I'm really not impressed. | 0:50:20 | 0:50:21 | |
Half of me, to be honest, when I knew that there was some trouble, | 0:50:21 | 0:50:25 | |
I thought she'd either had her head | 0:50:25 | 0:50:27 | |
shaved or a tattoo in a ridiculous place. I didn't expect this. | 0:50:27 | 0:50:32 | |
But I do need time to think about it. | 0:50:32 | 0:50:34 | |
I can't seem to make her realise she needs some | 0:50:34 | 0:50:38 | |
standard of behaviour to be working somewhere, | 0:50:38 | 0:50:40 | |
and I cannot get it through to her head, I just can't. | 0:50:40 | 0:50:43 | |
I think this is about the last straw really. | 0:50:43 | 0:50:45 | |
HE LAUGHS | 0:50:47 | 0:50:49 | |
You reckon you'll get sacked? | 0:50:49 | 0:50:51 | |
She asked me if I had brains and I felt like actually turning | 0:50:51 | 0:50:53 | |
round saying, "Are you fucking being real? | 0:50:53 | 0:50:55 | |
"Shove your job up your fucking arse", but I bit..." | 0:50:55 | 0:50:58 | |
Are you fucking stupid? | 0:50:58 | 0:50:59 | |
..my fucking tongue, do you know what I mean? | 0:50:59 | 0:51:01 | |
You know what? You're lucky though. I can't do that, innit? | 0:51:01 | 0:51:04 | |
Back in the day I wouldn't have been able to | 0:51:04 | 0:51:06 | |
take that. "Have you got brains?" Er... "Have you got brains, love?" | 0:51:06 | 0:51:09 | |
Three hours after sending Deneka home, | 0:51:13 | 0:51:16 | |
Irene's made her decision and heads to the house. | 0:51:16 | 0:51:19 | |
I have tried with her. | 0:51:20 | 0:51:23 | |
There are glimpses of when she's... | 0:51:23 | 0:51:25 | |
She's really quite bright, but I don't think she's stupid. | 0:51:25 | 0:51:28 | |
I just don't know what goes on in her head. | 0:51:28 | 0:51:31 | |
And I've tried to make her realise that she is capable of | 0:51:33 | 0:51:36 | |
doing something...but I don't know. | 0:51:36 | 0:51:39 | |
I'm on the verge of getting sacked. | 0:51:45 | 0:51:47 | |
Bit nervous, but maybe if she | 0:51:47 | 0:51:48 | |
wanted to sack me she would've done it there and then, but I don't know. | 0:51:48 | 0:51:52 | |
I really don't have a clue what to expect. | 0:51:52 | 0:51:55 | |
I suppose once you're drunk you don't know what you're doing. | 0:51:55 | 0:51:59 | |
I mean, I drank when I was young. | 0:52:00 | 0:52:02 | |
I'm not saying I didn't. I was no goody-goody. | 0:52:02 | 0:52:04 | |
I'm not too sure what to expect... | 0:52:05 | 0:52:09 | |
because it's my first like proper job and this isn't really good. | 0:52:09 | 0:52:12 | |
-Hello, Deneka. -Hello, do you want to come inside? -Yeah. | 0:52:17 | 0:52:20 | |
I've thought very carefully about what you've told me this morning. | 0:52:29 | 0:52:33 | |
OK. | 0:52:33 | 0:52:34 | |
-And I've decided I think you ought to go home. -OK. | 0:52:34 | 0:52:37 | |
-All right? -Yeah. | 0:52:37 | 0:52:38 | |
-I'm very sad that it's come to this... -Yeah. | 0:52:38 | 0:52:42 | |
..for your sake as well as mine because I've tried hard, Deneka, | 0:52:42 | 0:52:46 | |
but you can't carry on like this. | 0:52:46 | 0:52:49 | |
You just must get your head round the fact that you cannot | 0:52:49 | 0:52:52 | |
-do everything you want to do. -OK. | 0:52:52 | 0:52:55 | |
Nobody will employ you like that. Nobody | 0:52:55 | 0:52:57 | |
-And I don't want that to happen to you. -OK. | 0:52:57 | 0:53:01 | |
You must realise that you have responsibilities towards | 0:53:01 | 0:53:05 | |
your work, and it comes across as you haven't got any at all. | 0:53:05 | 0:53:11 | |
You're a silly girl. You've got a brain, | 0:53:11 | 0:53:14 | |
there's no doubt about that. | 0:53:14 | 0:53:16 | |
You pick up things really quickly, but then you get bored | 0:53:16 | 0:53:19 | |
and you think, "Oh, well I'm nearly at the end of this now." | 0:53:19 | 0:53:23 | |
And I've given you loads of chances, loads and loads, but this... | 0:53:23 | 0:53:29 | |
This just isn't on. | 0:53:29 | 0:53:30 | |
Have you learnt anything from being with me? | 0:53:32 | 0:53:36 | |
I don't know. | 0:53:36 | 0:53:38 | |
I need to go downstairs for one second. | 0:53:44 | 0:53:47 | |
She'll just say whatever she wants to now to cover herself. | 0:53:49 | 0:53:53 | |
I'm afraid that's the way it goes. | 0:53:53 | 0:53:55 | |
She's been backed into a corner, so she's going to come out fighting. | 0:53:55 | 0:54:00 | |
How dare she try to tell me I don't put effort in. How dare you? | 0:54:00 | 0:54:02 | |
Oh, she's just fucking come in my room trying to tell me | 0:54:02 | 0:54:06 | |
I don't try and work. | 0:54:06 | 0:54:07 | |
Are you fucking kidding me? I always ask for extra jobs. | 0:54:07 | 0:54:10 | |
I even asked the other day, "Oh, maybe, | 0:54:10 | 0:54:12 | |
"one day, maybe could you like show me...?" | 0:54:12 | 0:54:15 | |
Don't worry about what's she saying about me - I don't care. | 0:54:15 | 0:54:19 | |
Apparently I don't try, but yet I asked for more jobs. | 0:54:19 | 0:54:22 | |
I feel justified in what I've done. | 0:54:22 | 0:54:24 | |
She's acting as I knew she would act | 0:54:24 | 0:54:27 | |
and so I've done the right thing, I know that. | 0:54:27 | 0:54:31 | |
I've tried to help Deneka and it clearly hasn't gone in, has it? | 0:54:31 | 0:54:35 | |
She doesn't know what she's learnt from me, if anything. | 0:54:35 | 0:54:38 | |
So I'm afraid it's the end of the line. | 0:54:38 | 0:54:41 | |
I actually don't even know what to say, man. | 0:54:41 | 0:54:43 | |
I've never been sacked from a job, that's the thing. | 0:54:43 | 0:54:45 | |
It's a bit hard for me to put a word into... | 0:54:45 | 0:54:47 | |
Just because something happened on the weekend? Oh, my fucking god. | 0:54:47 | 0:54:51 | |
I think it's best if she rants and raves on her own. | 0:54:51 | 0:54:53 | |
If you ask me, she's being a bit unfair there. | 0:55:06 | 0:55:09 | |
I didn't think I'd get sacked, but guess what? | 0:55:09 | 0:55:11 | |
Deneka just got fucking sacked. | 0:55:11 | 0:55:13 | |
I'm going to miss you. Love you. | 0:55:23 | 0:55:26 | |
Love you, too. | 0:55:26 | 0:55:27 | |
-Oh. -Come here. Oh, my gosh. | 0:55:46 | 0:55:49 | |
I think she may regret, you know, being fired. | 0:55:52 | 0:55:54 | |
I hope it doesn't knock her too bad. | 0:55:54 | 0:55:56 | |
I mean, it's near the end and I'm just gutted that she's gone now. | 0:55:56 | 0:56:00 | |
I've let myself down a lot | 0:56:01 | 0:56:03 | |
because I didn't intend to come in here and get sacked. | 0:56:03 | 0:56:06 | |
When she came here, I had some really high hopes for her | 0:56:07 | 0:56:10 | |
and it's not going to anything. | 0:56:10 | 0:56:13 | |
And I think that's sad, | 0:56:14 | 0:56:16 | |
because she's had the opportunity and she's thrown it away. | 0:56:16 | 0:56:19 | |
# I love her | 0:56:24 | 0:56:25 | |
# She wants it... # | 0:56:25 | 0:56:27 | |
Next time, it's make or break as the trainees' placements come to an end. | 0:56:27 | 0:56:30 | |
Five weeks. It flies by when you're having fun, doesn't it? | 0:56:30 | 0:56:34 | |
Who will be sent home? | 0:56:34 | 0:56:36 | |
And who will be offered a permanent job | 0:56:36 | 0:56:38 | |
and a bright new future in Christchurch? | 0:56:38 | 0:56:41 | |
If you really want this job | 0:56:41 | 0:56:43 | |
then you've got to prove that you want it. | 0:56:43 | 0:56:45 | |
I want this, innit? | 0:56:47 | 0:56:49 | |
Like I really, really want it. | 0:56:49 | 0:56:50 | |
CHEERING | 0:56:50 | 0:56:52 |