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and ?120million of investment. And it has a secret weapon... Music. | :01:20. | :01:31. | |
Almost every child in this community has learned to play an instrument. I | :01:32. | :01:39. | |
think it's probably changed a lot of people's opinions about the area, | :01:40. | :01:42. | |
cos they think it's this big, rough place to stay and it's not really. | :01:43. | :01:49. | |
It's a really close community. Five and a half years ago Raploch set out | :01:50. | :01:53. | |
to launch its own orchestra, made up of children from the neighbourhood. | :01:54. | :01:57. | |
It was called Big Noise and it was a big undertaking. The first time | :01:58. | :02:02. | |
anything like this had been tried in the UK. No-one knew if it would | :02:03. | :02:09. | |
work! When we started with about 35 children were involved with Big | :02:10. | :02:13. | |
Noise, now we've got 450 children involved every week and Raploch's a | :02:14. | :02:16. | |
small community, so that means that in some ways everybody in the | :02:17. | :02:20. | |
community is almost connected. They've got grandchildren in the | :02:21. | :02:23. | |
orchestra or they've got a neighbour in the orchestra, so it's a very | :02:24. | :02:24. | |
musical community. Raploch's musical transformation | :02:25. | :02:33. | |
owes much to Venezuela, home to El Sistema, a network of more than 150 | :02:34. | :02:41. | |
youth orchestras. Big Noise was based upon this system. Two years | :02:42. | :02:45. | |
ago El Sistema's flagship, the Simon Bolivar Orchestra performed in | :02:46. | :02:50. | |
Stirling. And they invited the local children to come to Caracas. This | :02:51. | :03:09. | |
afternoon we had a board meeting with the great maestro Abreu himself | :03:10. | :03:16. | |
and... He started this whole business. ..who started this whole | :03:17. | :03:20. | |
business in Venezuela 37 years ago. And we wondered about bringing our | :03:21. | :03:23. | |
children to Venezuela, he said, "Get the diaries out!" | :03:24. | :03:45. | |
CHEERING A generous invitation but who would imagine that a community | :03:46. | :03:50. | |
like Raploch could afford to send its orchestra halfway around the | :03:51. | :03:54. | |
world? The Venezuelans have absorbed a lot of the cost for us, so it was | :03:55. | :03:58. | |
a wonderful partnership gesture and offer. They're covering all of the | :03:59. | :04:01. | |
costs for the hotels when we're there, all of the transport, all of | :04:02. | :04:05. | |
our food when we're there. So, they asked to get the us to get the | :04:06. | :04:09. | |
children to Caracas. In terms of the planning round about it, I think, | :04:10. | :04:13. | |
for me, one of the things about Big Noise that we always tell the | :04:14. | :04:17. | |
children is that, you know, really anything is possible! So, if you set | :04:18. | :04:21. | |
your mind to it and you work really hard, you know, the world is open to | :04:22. | :04:25. | |
you. So, I think the Big Trip really sums it up for us. Five and half | :04:26. | :04:29. | |
years ago, maybe we would never have thought we'd be doing this and look | :04:30. | :04:31. | |
what's possible now! Soon, these children will travel | :04:32. | :04:42. | |
5,000 miles to Venezuela. We've been given the chance to follow them on | :04:43. | :04:47. | |
this trip of a lifetime. Once there, they'll have just four days to | :04:48. | :04:50. | |
prepare for a concert, where they'll perform with El Sistema. That's not | :04:51. | :04:58. | |
long! Guys, I really do need you to listen, we've got half an hour to | :04:59. | :05:02. | |
rehearse three pieces. Lewis has only been playing the oboe for three | :05:03. | :05:13. | |
years. Trumpets, ba-ba-ba. But already he's good enough to win a | :05:14. | :05:16. | |
place in the National Youth Orchestra of Scotland, as well as on | :05:17. | :05:20. | |
the Big Trip. When I heard they were thinking about it, I was like, | :05:21. | :05:24. | |
"It'll be quite good." And then I found out that it was happening and | :05:25. | :05:28. | |
I was invited and I was like, "Yes!" Only 52 members of the Big Noise | :05:29. | :05:31. | |
Orchestra can go. Percussionist Charlie had an anxious wait. We | :05:32. | :05:47. | |
found out in August, I would say, that we going to definitely go but | :05:48. | :05:50. | |
we didn't know who was going, that was the thing. So, we were all being | :05:51. | :05:54. | |
behaving and stuff like that... So we are to this day...yeah. Samira | :05:55. | :06:01. | |
plays the flute. Like many of the children, this is her first foreign | :06:02. | :06:04. | |
trip. Where's the furthest you've been before now? Erm...probably | :06:05. | :06:12. | |
Blackpool. Blackpool? And she's not alone. She's one of four children | :06:13. | :06:16. | |
from this family, as well as cousin Amy-Lee who are off to Caracas. | :06:17. | :06:24. | |
That goes here and that goes there. Well done! At 11, Alexandra is one | :06:25. | :06:37. | |
of the youngest musicians going on the Big Trip. But she has a big | :06:38. | :06:44. | |
issue to overcome! I've never been on a plane before. And it's just the | :06:45. | :06:50. | |
flying part that's creeping me out. And her dad has come up with the | :06:51. | :06:53. | |
novel solution for her fear of flying. She says at first that the | :06:54. | :06:59. | |
plane was going to frighten her because it leaned, it banked. So, we | :07:00. | :07:03. | |
says, "Right, well Daddy does more banking "on the motorbike on the | :07:04. | :07:05. | |
than what you do on the aeroplane. For a couple of weeks, Ivan's been | :07:06. | :07:17. | |
taking Alex around Stirling on his motorbike. It's helped with the | :07:18. | :07:27. | |
banking part, the going over to the side, so I'm really not going to be | :07:28. | :07:32. | |
nervous. It's going to be a huge challenge for Big Noise. As a | :07:33. | :07:35. | |
journalist, I've been following them right from the start and watching | :07:36. | :07:40. | |
them grow as musicians. They've improved dramatically! But the | :07:41. | :07:45. | |
children they've been matched with in Venezuela are used to a much | :07:46. | :07:49. | |
tougher music regime. They rehearse 20 hours a week, Big Noise less than | :07:50. | :07:58. | |
half that. They're going to have to work really hard to reach that level | :07:59. | :08:03. | |
in a matter of days. Well done, everybody. The next time they play | :08:04. | :08:07. | |
together will be in Venezuela! The capital of Venezuela is home to | :08:08. | :08:28. | |
around three million people. It's also the birthplace of Simon | :08:29. | :08:31. | |
Bolivar, revered as the man who helped much of South America gain | :08:32. | :08:33. | |
its independence from Spain. But it's been a troubled | :08:34. | :08:53. | |
independence for Venezuela, whilst oil has made the country rich, it's | :08:54. | :08:56. | |
still a place of enormous inequalities. | :08:57. | :09:03. | |
Most of those who live in Caracas, live in the barrios, the shanty | :09:04. | :09:08. | |
towns which cover the mountain sides. These are notorious for crime | :09:09. | :09:16. | |
and no-go area for visitors. It's from here that most of Venezuela's | :09:17. | :09:19. | |
orchestras are drawn. El Sistema, The System, was created in 1975. | :09:20. | :09:34. | |
Driven by a belief in the transformational power of music. An | :09:35. | :09:45. | |
estimated two million children have come through the system, most | :09:46. | :09:47. | |
famously the conductor, Gustavo Dudamel. | :09:48. | :09:53. | |
Key to the programme is its intensity, children start young and | :09:54. | :09:59. | |
practise often. Big Noise will be working with Montalban Children's | :10:00. | :10:03. | |
Orchestra. They rehearse after school for four hours every day. I | :10:04. | :10:09. | |
know you're exhausted, we don't have a lot of time. The Scottish | :10:10. | :10:12. | |
children, by contrast, rehearse for just two hours, three times a week. | :10:13. | :10:19. | |
If you need help with tuning, put your hand up. Right, guys, Alex...it | :10:20. | :10:23. | |
just gets quite wearing if I have to shout and then it sounds unpleasant, | :10:24. | :10:32. | |
which is not great...OK? There's a noticeable difference between them. | :10:33. | :10:41. | |
If they're going to succeed in staging a concert together in just | :10:42. | :10:44. | |
three days' time, they're going to have to raise their game. Violas and | :10:45. | :10:47. | |
seconds, from the beginning. Bam-bam-bam-bam-bam, | :10:48. | :10:49. | |
bam-bam-bam-bam-bam, Really at the heel, OK? Big Trip it may be, | :10:50. | :10:56. | |
holiday it's not. Day after day they make the trip | :10:57. | :11:15. | |
from the hotel to the community centre, where they'll rehearse. | :11:16. | :11:19. | |
Passing along the way the cities sprawling barrios. This is Petare, | :11:20. | :11:23. | |
which is not only the largest barrio in Caracas, it's the largest in | :11:24. | :11:32. | |
Latin America. It's home to almost a million people and many of them are | :11:33. | :11:35. | |
children, who are in El Sistema, which is why all the events this | :11:36. | :11:39. | |
week have been deliberately designed to end early, to allow them to get | :11:40. | :11:43. | |
back to their homes before it gets dark. In fact, very few people | :11:44. | :11:46. | |
anywhere in Caracas venture out after dark. Venezuela boasts a | :11:47. | :11:49. | |
dubious title of murder capital of South America. And just days before | :11:50. | :11:59. | |
Big Noise visit, a reminder hits headlines across the globe. Monica | :12:00. | :12:02. | |
Spear had been on vacation with her five-year-old daughter and British | :12:03. | :12:05. | |
ex-husband. Police say they were attacked by armed men after their | :12:06. | :12:08. | |
car broke down on Monday night near the country's main port. The actress | :12:09. | :12:11. | |
and her ex-husband, Thomas Berry, were shot and killed and their | :12:12. | :12:15. | |
daughter survived but had also been shot. | :12:16. | :12:25. | |
It's hard to see how music can change a culture where violence and | :12:26. | :12:30. | |
fear are so much part of everyday life. But those who run El Sistema | :12:31. | :12:42. | |
believe it does make a difference. Because sometimes you go to a poor | :12:43. | :12:45. | |
neighbourhood, not only Venezuela, in many countries and they don't | :12:46. | :12:49. | |
have opportunities to anything. The only thing they see in the streets | :12:50. | :12:53. | |
is the problems, they don't see good things because they don't have the | :12:54. | :12:56. | |
possibilities to go and to be included in that but here they have, | :12:57. | :13:00. | |
they see a family, they see a real strong possibility to be a different | :13:01. | :13:04. | |
person and in that moment the change is happening and this kid or this | :13:05. | :13:08. | |
young, youth guy is going into a different way to see the life. So, | :13:09. | :13:12. | |
that's why the programme is a social development programme. | :13:13. | :13:39. | |
Excellent, well done! It sounds so much better. | :13:40. | :13:44. | |
I'm going to meet a musician who was there at the beginning | :13:45. | :13:46. | |
Rosana was one of a handful of teenagers who just wanted to | :13:47. | :13:56. | |
So, I never thought it was going to be as big as it is now. | :13:57. | :14:12. | |
Rosana went on to become a professional musician | :14:13. | :14:15. | |
but she says that's not the point of El Sistema. | :14:16. | :14:18. | |
Although probably most of them won't be | :14:19. | :14:21. | |
musicians in the future, they'll be better people in whatever they do in | :14:22. | :14:25. | |
the future because music makes you sensible, makes you a perfectionist. | :14:26. | :14:32. | |
that Rosana has a religious like belief in the transformational | :14:33. | :14:37. | |
power of El Sistema and for many Venezuelans the proof | :14:38. | :14:42. | |
is that these orchestras have made this country famous for music. | :14:43. | :14:51. | |
Big Noise are getting a well earned break from rehearsing today. | :14:52. | :14:56. | |
The Big Trip heads off on a slightly smaller trip. | :14:57. | :15:02. | |
The Caracas aerial tramway was built in the 1950s to take visiting heads | :15:03. | :15:07. | |
of state to Hotel Humboldt, at one time the swankiest venue in town. | :15:08. | :15:12. | |
7,000 feet up, it's a big draw for tourists and locals alike. | :15:13. | :15:20. | |
But no-one comes here for the hotel anymore, nor the views today. | :15:21. | :15:26. | |
For the children, it's a chance to take a breath after almost | :15:27. | :15:30. | |
Intense, I would say, it's hard to do six hours of rehearsals, | :15:31. | :15:37. | |
And Big Noise have been creating a big stir! | :15:38. | :15:43. | |
There was a guy in reception and he said, "Where are you from?" | :15:44. | :15:46. | |
And I said, "Scotland". He was like, "What group are you?" | :15:47. | :15:49. | |
The hotel's been very nice and the rooms are really good. | :15:50. | :15:56. | |
Big Noise are really starting to get a flavour of Venezuelan culture. | :15:57. | :16:34. | |
A new country brings a chance to try new food. | :16:35. | :16:38. | |
And there's a chance to assess the Big Trip so far. | :16:39. | :16:59. | |
When we got here it was quite an eye-opener, | :17:00. | :17:01. | |
it was quite scary but at the same time it was really exciting, | :17:02. | :17:05. | |
cos you were really mixed with emotion. | :17:06. | :17:07. | |
But then when we got to the point when you got to the hotel, | :17:08. | :17:10. | |
you were like, "Actually, I'm actually here! I totally made it. | :17:11. | :17:14. | |
And getting to know the Venezuelan musicians has also been fun, | :17:15. | :17:23. | |
They can understand a wee bit of English | :17:24. | :17:28. | |
and we can only understand the key words in Spanish. | :17:29. | :17:31. | |
So, you can make out what they were saying. | :17:32. | :17:33. | |
and all the people are really welcoming. | :17:34. | :17:37. | |
I've never had such a welcome in my life. | :17:38. | :17:39. | |
it was like cramped in to what we usually are, | :17:40. | :17:51. | |
cos we're normally spaced out but we were all cramped in, so... | :17:52. | :17:59. | |
she kept hitting me in the face with her bow. | :18:00. | :18:13. | |
and everything rests on their performance. | :18:14. | :18:26. | |
Back on the bus to the practice room. | :18:27. | :18:37. | |
Musical Director Francis Cummings is still not convinced they're ready. | :18:38. | :18:42. | |
After five days together, many friendships have been formed. | :18:43. | :18:52. | |
Everyone's excited but with only hours to go, the pressure's on. | :18:53. | :18:58. | |
I'm feeling quite nervous but thankful that I'm here, | :18:59. | :19:01. | |
cos this wouldn't be happening if it wasn't for Big Noise. | :19:02. | :19:07. | |
Rehearsals over, friendships are cemented and souvenirs swapped. | :19:08. | :20:36. | |
The next time they meet will be for the big concert. | :20:37. | :20:47. | |
A rare moment of relaxation, before it's time to get ready. | :20:48. | :21:09. | |
Finally, it's show time and one of Caracas' best venues, | :21:10. | :21:14. | |
This is where all the top orchestras play, | :21:15. | :21:20. | |
including El Sistema's flagship, the Bolivars. | :21:21. | :21:25. | |
and an audience that's used to hearing the very best! | :21:26. | :21:30. | |
are on stage, the moment of truth has arrived. | :21:31. | :22:10. | |
but the Scots are determined to steal show! | :22:11. | :22:21. | |
the concert ends on a Latin high note. | :22:22. | :23:34. | |
As the two orchestras sway and then dance their way to the finale. | :23:35. | :23:51. | |
I was so excited when I saw them all together | :23:52. | :24:28. | |
and I felt such an emotion, I couldn't hold my tears back. | :24:29. | :24:33. | |
And when I heard the bagpipes, Oh, my God, it was amazing! | :24:34. | :24:39. | |
and I hope it grows and grows and grows! | :24:40. | :24:46. | |
For the founder of Sistema Scotland, it's an emotional moment. And proof | :24:47. | :24:51. | |
Each rehearsal was a high point for me | :24:52. | :24:56. | |
and in many ways no matter what happened tonight, it would | :24:57. | :24:59. | |
have been an outstandingly successful visit | :25:00. | :25:02. | |
but something happened in that concert tonight. | :25:03. | :25:04. | |
I mean, it just all came together, especially the Scottish piece | :25:05. | :25:08. | |
and when Jakub marched on with his pipes, the whole hall, | :25:09. | :25:12. | |
their hearts just opened! I mean, it was absolutely wonderful! | :25:13. | :25:16. | |
Those children will be changed by that event, | :25:17. | :25:19. | |
So...no, I didn't expect anything quite as wonderful as that. | :25:20. | :25:25. | |
The British Ambassador in Caracas throws | :25:26. | :25:41. | |
Pieces were a bit hard but, you know, that comes with the job. | :25:42. | :25:54. | |
Being a musician, eh, you need to take the challenges, | :25:55. | :25:56. | |
you take them and you just get them... | :25:57. | :25:59. | |
I was quite nervous at the start but when I got in there I was fine. | :26:00. | :26:05. | |
Four days we spent on training and then we pull an amazing | :26:06. | :26:10. | |
concert off, just the feeling inside is absolutely great! | :26:11. | :26:17. | |
For some this experience has given them a whole new perspective. | :26:18. | :26:21. | |
I think I want to take this seriously, | :26:22. | :26:24. | |
maybe progress onto making this my job, | :26:25. | :26:29. | |
I think it's what I enjoy, it's what I do...I won't get bored with it! | :26:30. | :26:37. | |
Oh, yeah, I'd love to be a musician. | :26:38. | :26:40. | |
Erm, one of the woodwind teachers, Mr Allen, he told us, basically, | :26:41. | :26:46. | |
keep it up, it's one of the best jobs you could possibly do. | :26:47. | :26:49. | |
Keep doing it for the music and everything. | :26:50. | :26:55. | |
countries to find out what they're like. | :26:56. | :27:10. | |
OK, so we're going to go to the top half of the bow... | :27:11. | :27:14. | |
Back in Scotland, I wondered what message the Big Trip sent to | :27:15. | :27:18. | |
other communities, every bit as passionate about music. | :27:19. | :27:22. | |
Here in Cumnock, almost every child in this primary school | :27:23. | :27:26. | |
and for local composer James MacMillan, it's further proof | :27:27. | :27:32. | |
that music can make a difference, whatever the scheme. | :27:33. | :27:36. | |
There's only so often you can bring this evidence to those in power, | :27:37. | :27:42. | |
If music is funded well, supported well, | :27:43. | :27:47. | |
it will have a direct impact on so many other things that | :27:48. | :27:50. | |
government and politicians and the public services see as so important. | :27:51. | :27:56. | |
The evidence is right in front of their nose, they need to act on it! | :27:57. | :28:00. | |
There have been piecemeal attempts from year to year, sometimes one | :28:01. | :28:04. | |
government can be better than others but there always seems to be cuts. | :28:05. | :28:08. | |
music will not come to the fruition that it can. | :28:09. | :28:16. | |
The Big Trip may be over but the musical journey has just begun. | :28:17. | :28:21. | |
These musicians will inspire not just the next generation | :28:22. | :28:25. | |
in Raploch but new Sistema Scotland orchestras in Glasgow and Aberdeen. | :28:26. | :28:33. | |
Was it amazing? Was it amazing, though? Yeah. Did you enjoy it? | :28:34. | :28:38. | |
Have fun? Sure? What's the tears for then? Cos I missed you. | :28:39. | :28:51. | |
Was the aeroplane better than the motorbike? | :28:52. | :28:55. |