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I'm Fazer. I'm a rapper, musician and multi-platinum music producer. | 0:00:04 | 0:00:08 | |
but last year, I got to play with | 0:00:11 | 0:00:17 | |
It was like the most overwhelming | 0:00:19 | 0:00:22 | |
that I've had because it was like, "Wow." It's all live instruments. | 0:00:22 | 0:00:25 | |
like this through a computer, | 0:00:30 | 0:00:53 | |
'But I think they're missing out | 0:00:53 | 0:01:02 | |
beats to Beethoven and I'm giving them a classical crash course. | 0:01:02 | 0:01:06 | |
They'll listen to it... This needs to stop getting in my ears, really. | 0:01:07 | 0:01:10 | |
..learn about it... Mosh the beat. | 0:01:10 | 0:01:14 | |
'I'm going to challenge this group | 0:01:19 | 0:01:21 | |
In under two months, we're going to be playing at this year's BBC Proms | 0:01:28 | 0:01:30 | |
the stereotypes of young people | 0:01:33 | 0:01:36 | |
'and the classical world...' | 0:01:36 | 0:01:37 | |
When I walked in there, like, | 0:01:37 | 0:01:40 | |
It's an emotional experience. | 0:01:40 | 0:01:42 | |
'..so they can learn to appreciate classical music and hopefully, | 0:01:43 | 0:01:47 | |
The job that I have with this project and what I'm taking on | 0:01:49 | 0:01:52 | |
Shevelle, Samara and Benji, | 0:02:07 | 0:02:12 | |
I know that my eyes were watering | 0:02:24 | 0:02:26 | |
It was actually overwhelming. | 0:02:26 | 0:02:28 | |
Do you listen to rap music, mate? Er, yeah. I mean, no question. | 0:02:29 | 0:02:33 | |
..and we wrote a track together that works for both the pop | 0:02:33 | 0:02:36 | |
It's a big risk because you never | 0:02:38 | 0:02:40 | |
..all in a bid to see if I can | 0:02:44 | 0:02:48 | |
So far, the challenge hasn't | 0:02:51 | 0:02:54 | |
When the orchestra first came out, | 0:02:54 | 0:02:58 | |
I can't think. I feel like I'm letting everyone down here. | 0:03:00 | 0:03:03 | |
The question is, will they accept classical music like I did? | 0:03:29 | 0:03:33 | |
And will they be ready on the night? | 0:03:36 | 0:03:38 | |
Do you reckon that's good enough | 0:03:38 | 0:03:41 | |
for the band's first rehearsals | 0:03:44 | 0:03:47 | |
Last time, The Chapters were here, rapper Curtis was struggling | 0:03:54 | 0:03:58 | |
with his bars and some of the group | 0:03:58 | 0:04:00 | |
the pressure is on to step up. | 0:04:04 | 0:04:06 | |
still don't seem to get it... | 0:04:16 | 0:04:19 | |
Benji's walking up and I'm leaving Benji. Can't we just react there, | 0:04:25 | 0:04:29 | |
interact there? Yeah. It looks dead. | 0:04:29 | 0:04:32 | |
First and foremost thing for me is making sure the vocal is tight. | 0:04:32 | 0:04:36 | |
That will come natural anyway. | 0:04:36 | 0:04:39 | |
I'm going to be doing my songs which I know back to front, inside out, | 0:04:42 | 0:04:46 | |
Wretch ain't going to be messing up. Maverick ain't going to be. | 0:04:48 | 0:04:50 | |
I don't want you guys to look silly in front of everyone. I want you lot to smash it just as much as we are. | 0:04:50 | 0:04:55 | |
Get some discipline and really | 0:04:55 | 0:04:58 | |
'so we keep running the track | 0:05:03 | 0:05:05 | |
'But after only a few minutes | 0:05:12 | 0:05:15 | |
'I noticed Samara's getting upset. | 0:05:15 | 0:05:17 | |
about their parents and stuff | 0:05:33 | 0:05:36 | |
coming to the Proms and that. | 0:05:36 | 0:05:38 | |
Yeah, my mum's not going to be | 0:05:43 | 0:05:54 | |
..she's not going to be there | 0:06:01 | 0:06:04 | |
shouting my nickname, embarrassing me in front of all those people | 0:06:04 | 0:06:08 | |
because to be honest, I'd do anything | 0:06:08 | 0:06:11 | |
her than not have her there at all. | 0:06:11 | 0:06:15 | |
Fazer's been quite supportive. | 0:06:19 | 0:06:23 | |
like a big brother. "Look, you can do this. Your mum's there in spirit. | 0:06:23 | 0:06:27 | |
I'm quite thankful, otherwise I don't know if I'd be able | 0:06:30 | 0:06:33 | |
Samara's been incredibly brave to put herself forward for my project | 0:06:35 | 0:06:38 | |
while she's still grieving. | 0:06:38 | 0:06:39 | |
After a few moments away from the group, she rejoins rehearsals. | 0:06:41 | 0:06:45 | |
# Here are Seven chapters... | 0:06:48 | 0:06:50 | |
# We're turning the page. # | 0:06:52 | 0:06:54 | |
For me, this project is about more than just performing on the night. | 0:06:57 | 0:07:00 | |
I really want to see if I can break down some of the barriers | 0:07:00 | 0:07:02 | |
that stopped The Chapters from | 0:07:02 | 0:07:06 | |
Samara and Sin-Seer down to leafy | 0:07:09 | 0:07:11 | |
the Thames Youth Orchestra. | 0:07:11 | 0:07:14 | |
That's it because, like, this is | 0:07:19 | 0:07:21 | |
Although a lot of young people don't | 0:07:25 | 0:07:28 | |
there are some that do prefer | 0:07:28 | 0:07:31 | |
a thing or two on some instruments and see if you guys can learn | 0:07:56 | 0:08:02 | |
My hope is that if they can understand classical instruments, | 0:08:02 | 0:08:13 | |
Sin-Seer has chosen the oboe, | 0:08:13 | 0:08:15 | |
I'm going to try and teach him Swan Lake which is quite ambitious. | 0:08:23 | 0:08:29 | |
and then put all the fingers down. | 0:08:29 | 0:08:31 | |
the natural concept of the violin. | 0:08:54 | 0:08:57 | |
So, where you put your hands, | 0:08:57 | 0:09:01 | |
I'm actually really impressed. | 0:09:01 | 0:09:03 | |
I didn't expect someone to pick | 0:09:03 | 0:09:05 | |
HE PLAYS THE BEGINNING OF SWAN LAKE | 0:09:06 | 0:09:09 | |
Before coming today, I didn't know nothing about this instrument. | 0:09:14 | 0:09:17 | |
Now I can play Swan Lake on it so I think that's progress. | 0:09:17 | 0:09:20 | |
..learning a brand-new instrument is proving to be more of a struggle. | 0:09:26 | 0:09:29 | |
I'm still doing it too tight. OK. | 0:09:37 | 0:09:40 | |
I've got it but my hands don't work. | 0:09:40 | 0:09:43 | |
groups get to know each other | 0:09:46 | 0:09:49 | |
So, what is it that made you pick up | 0:09:51 | 0:09:56 | |
Well, when I was about four, | 0:09:56 | 0:09:59 | |
at my older brother's school | 0:09:59 | 0:10:01 | |
and I just saw like a flute being played and I thought, | 0:10:01 | 0:10:04 | |
I wish I'd not got kicked out of school in the first place, | 0:10:10 | 0:10:19 | |
how much you've been exposed, | 0:10:19 | 0:10:25 | |
They are from, like, different end of the stick kind of thing, | 0:10:33 | 0:10:49 | |
but performing in front of people | 0:10:51 | 0:10:54 | |
a tune which I just learnt, | 0:10:54 | 0:10:58 | |
It's now time for us to see | 0:10:58 | 0:11:01 | |
so we start with Hermione who's | 0:11:01 | 0:11:05 | |
I'm actually really scared. | 0:11:10 | 0:11:13 | |
SONG: Twinkle Twinkle Little Star | 0:11:14 | 0:11:17 | |
You played it so well. Thanks. | 0:11:20 | 0:11:22 | |
It definitely makes me think that | 0:11:44 | 0:11:47 | |
I would have liked to have had | 0:11:47 | 0:11:50 | |
I think anyone would say yes | 0:11:50 | 0:11:53 | |
to learn a classical instrument | 0:11:53 | 0:11:56 | |
and gives it his best shot. | 0:11:56 | 0:11:59 | |
I wouldn't have given them a chance. | 0:11:59 | 0:12:03 | |
they'd have hid their handbags | 0:12:03 | 0:12:06 | |
or run a mile down the road | 0:12:06 | 0:12:08 | |
He's a G. We were just busting jokes. He was making me laugh. | 0:12:10 | 0:12:14 | |
It's more about giving people | 0:12:18 | 0:12:21 | |
Don't let a stereotype stop you from getting to know someone. | 0:12:21 | 0:12:25 | |
Jesus taught me how to play | 0:12:27 | 0:12:30 | |
so I'm going to have a try. | 0:12:30 | 0:12:31 | |
after making a great start, | 0:12:36 | 0:12:38 | |
and the orchestra got on so well | 0:12:55 | 0:13:19 | |
to posh Richmond. He lives in | 0:13:19 | 0:13:22 | |
You won't see no-one who plays | 0:13:31 | 0:13:34 | |
Sin-Seer turned down a place | 0:13:34 | 0:13:37 | |
But this decision has caused | 0:13:37 | 0:13:40 | |
no interest in education whatsoever. | 0:13:42 | 0:13:47 | |
I do feel pressure to succeed. | 0:13:47 | 0:13:49 | |
they don't get encouraged to do | 0:13:49 | 0:13:51 | |
stuff like music. Their parents | 0:13:51 | 0:13:55 | |
Be a lawyer, doctor, whatever. | 0:13:55 | 0:13:57 | |
Adil's parents are sceptical about him making it in the music industry, | 0:13:57 | 0:14:01 | |
cutting off financial support while he tries to pursue his dream. | 0:14:01 | 0:14:04 | |
to let him stand on his feet. | 0:14:08 | 0:14:11 | |
I said to him, "You have to go out and do things for yourself." | 0:14:11 | 0:14:14 | |
HE RAPS: I want to be a master | 0:14:14 | 0:14:16 | |
So I spend my days at home alone | 0:14:16 | 0:14:18 | |
Despite this lack of support, | 0:14:18 | 0:14:20 | |
Sin-Seer's still keen to prove his dad wrong and win his backing. | 0:14:20 | 0:14:24 | |
when I make it into a career. | 0:14:24 | 0:14:26 | |
like they might have thought I was. | 0:14:26 | 0:14:30 | |
HE RAPS: No need to picture the past | 0:14:30 | 0:14:33 | |
'It'd be a good feeling if my parents | 0:14:33 | 0:14:36 | |
cos they've not really told me | 0:14:36 | 0:14:39 | |
I think this lack of support has had an effect on Sin-Seer's self-esteem | 0:14:45 | 0:14:48 | |
and confidence in the group. | 0:14:48 | 0:14:50 | |
So it's a priority to get him pumped | 0:14:50 | 0:14:54 | |
I decided to meet up with him | 0:14:54 | 0:14:56 | |
so he knows I'm backing him, even if his family aren't yet. | 0:14:56 | 0:15:00 | |
Is there anything you're worried | 0:15:02 | 0:15:04 | |
like, confidence might be a thing. | 0:15:06 | 0:15:10 | |
everyone thought I was BLEEP | 0:15:18 | 0:15:20 | |
but now they've got a lot to prove | 0:15:20 | 0:15:23 | |
Wicked, man. Well, I've set up something for today to maybe | 0:15:23 | 0:15:27 | |
The idea of today is to give Adil an experience of being on stage | 0:15:50 | 0:15:54 | |
and giving him an idea of what it's | 0:15:54 | 0:15:58 | |
and you feel good standing and the places that actually, you go, | 0:16:03 | 0:16:06 | |
'The first thing Polly needs | 0:16:08 | 0:16:10 | |
'body language and stage presence.' | 0:16:10 | 0:16:12 | |
I feel comfortable anywhere. | 0:16:13 | 0:16:16 | |
Ooh! There you go, very good. | 0:16:35 | 0:16:39 | |
proper weird me doing this. | 0:16:40 | 0:16:43 | |
You throw it back to him. All right? | 0:17:00 | 0:17:04 | |
Can we add a little sound effect? | 0:17:09 | 0:17:10 | |
You can kind of tell that he's not used to this at all and it's | 0:17:12 | 0:17:15 | |
completely out of his comfort zone | 0:17:15 | 0:17:18 | |
'With Sin Seer finally letting down his guard, Polly decides to | 0:17:25 | 0:17:28 | |
Fantastic. Ah, look at your face! | 0:17:37 | 0:17:46 | |
really, really exciting. You look | 0:17:46 | 0:17:53 | |
I'm finding it weird. That's good. | 0:17:53 | 0:17:55 | |
# Made a promise till death | 0:17:55 | 0:17:58 | |
# Heading towards the open doors | 0:17:58 | 0:18:00 | |
# I don't mind, just let me | 0:18:00 | 0:18:19 | |
'I realise the benefits of just | 0:18:19 | 0:18:21 | |
and there's nothing to really be | 0:18:21 | 0:18:24 | |
You've got to try it to overcome it and, like, I did that today | 0:18:26 | 0:18:29 | |
I'm really glad that Sin-Seer has got his lack of confidence in check | 0:18:33 | 0:18:37 | |
because tonight I've arranged for the Chapters to play their first | 0:18:37 | 0:18:40 | |
some of the professional musicians from the Symphony Orchestra. | 0:18:46 | 0:18:50 | |
Yeah. What? Yeah, tonight. Oh, yeah. | 0:18:50 | 0:18:55 | |
No, I just carry this around with me for fun when I go out. | 0:18:55 | 0:18:58 | |
With less than a week to go | 0:18:58 | 0:19:00 | |
at the Royal Albert Hall with | 0:19:00 | 0:19:03 | |
it's the perfect opportunity | 0:19:03 | 0:19:05 | |
and urban are coming together | 0:19:05 | 0:19:08 | |
and how the Chapters cope with the pressure of a live gig. | 0:19:08 | 0:19:11 | |
Tonight's probably going to be a rehearsal for the real thing | 0:19:11 | 0:19:13 | |
but we've still got to get it right. | 0:19:13 | 0:19:16 | |
Except, on the night there'll be 90 of you and 7,000 people there. | 0:19:16 | 0:19:19 | |
While this is the Chapters' | 0:19:21 | 0:19:24 | |
players that they were coming down | 0:19:27 | 0:19:30 | |
from the Symphony Orchestra, I know | 0:19:30 | 0:19:31 | |
they were like, "OK, we are going | 0:19:31 | 0:19:35 | |
of the BBC Symphony Orchestra | 0:19:38 | 0:19:41 | |
are used are used to playing in the world's finest concert halls | 0:19:41 | 0:19:44 | |
so they're well and truly out of their comfort zone tonight, too. | 0:19:44 | 0:19:47 | |
It's kind of like the polar opposite of any concert hall. | 0:19:52 | 0:19:56 | |
The staging is minute down there. Yeah, it's very, very small. | 0:20:00 | 0:20:03 | |
can't lie. I'm actually scared today. | 0:20:18 | 0:20:29 | |
'whilst me and my production partner Pete Ibsen look on.' | 0:20:29 | 0:20:32 | |
'an idea of whether my project is going to succeed or not.' | 0:20:45 | 0:20:48 | |
# Here are seven chapters... # | 0:20:48 | 0:20:50 | |
go hard or go home so if we can | 0:20:50 | 0:20:53 | |
'win them around, we should be able | 0:20:53 | 0:20:57 | |
# You'll never know the paths | 0:20:57 | 0:21:01 | |
an underwhelming performance. | 0:21:04 | 0:21:07 | |
What do you reckon? Do you reckon | 0:21:16 | 0:21:18 | |
If they came offstage doing that at the Royal Albert Hall, | 0:21:24 | 0:21:27 | |
they'll be disappointed. Yeah, I think they would be, too. | 0:21:27 | 0:21:30 | |
How did you guys feel it went? It went good but that's as far as I go. | 0:21:31 | 0:21:36 | |
I don't think it was the raps that was the issue, tonight. | 0:21:38 | 0:21:41 | |
I think everyone was on point | 0:21:42 | 0:21:45 | |
I'm just going to say it how it is. | 0:21:45 | 0:21:48 | |
It was a bit messy in the chorus and it was partly because when the | 0:21:48 | 0:21:51 | |
lead comes in, you guys still felt | 0:21:51 | 0:21:55 | |
But that's only for that little part and then you guys take over | 0:21:58 | 0:22:02 | |
so you have to learn - "Ah! I'm | 0:22:02 | 0:22:05 | |
"Oh, I'm back on." That kind of | 0:22:05 | 0:22:09 | |
Not everyone's got the whole tone and key thing on point. Yeah. | 0:22:10 | 0:22:13 | |
at all through the monitors. | 0:22:14 | 0:22:17 | |
'At the moment, the singers are competing with each other | 0:22:22 | 0:22:25 | |
'and belting out their parts | 0:22:25 | 0:22:27 | |
'But they need to think more like orchestral players, who know | 0:22:27 | 0:22:30 | |
discovered her musical roots | 0:22:42 | 0:22:50 | |
I joined the first gospel choir that I've ever joined in Jamaica. | 0:22:50 | 0:23:13 | |
See, boy, I thought you knew. # | 0:23:13 | 0:23:16 | |
ever connected with is classical. | 0:23:16 | 0:23:20 | |
I think classical music is for rich, uptight people. It's boring. | 0:23:20 | 0:23:26 | |
But I think Shev could learn | 0:23:30 | 0:23:31 | |
which could really help not just her performance on the night | 0:23:33 | 0:23:36 | |
a more versatile singer, too. | 0:23:36 | 0:23:40 | |
Up until now, Shevelle's been | 0:23:43 | 0:23:46 | |
sending her to see opera singer | 0:23:46 | 0:23:50 | |
and experienced Prom performer | 0:23:50 | 0:23:52 | |
she needs to nail it on the night. | 0:23:55 | 0:23:58 | |
I'm really looking forward to | 0:24:06 | 0:24:09 | |
I'm looking forward to hearing her sing something a bit more classical | 0:24:09 | 0:24:12 | |
just to see how her voice sounds when she's singing more like that. | 0:24:12 | 0:24:15 | |
The first thing Rebecca does is get Shevelle to warm up. | 0:24:17 | 0:24:19 | |
Can you feel a stretch? Cool. | 0:24:19 | 0:24:22 | |
Her classical techniques will help | 0:24:28 | 0:24:31 | |
over her voice, which will, in turn, | 0:24:31 | 0:24:32 | |
the other vocalists in the group. | 0:24:32 | 0:24:35 | |
Did that feel like hard work? Or did your voice just keep climbing up? | 0:24:42 | 0:24:46 | |
Oh, my God, you've got a massive range, a really even voice. | 0:24:48 | 0:24:51 | |
I'm beginning to hate you already, | 0:24:51 | 0:24:57 | |
Classical favourite Ave Maria is poles apart from Shevelle's | 0:25:22 | 0:25:41 | |
Let nobody tell you that you can't sing classical music, | 0:25:49 | 0:25:52 | |
It opens up a whole new way of doing things, you see. Yeah. Cool. | 0:25:54 | 0:25:58 | |
And she was like, "Oh, you're hitting | 0:26:02 | 0:26:05 | |
And I was like, "Is that me, yeah? | 0:26:05 | 0:26:08 | |
to dawn on her that she's got | 0:26:08 | 0:26:10 | |
and to be able to do all kinds | 0:26:12 | 0:26:15 | |
isn't something that had perhaps occurred to her before today. | 0:26:15 | 0:26:19 | |
'This has given me the confidence | 0:26:19 | 0:26:22 | |
It's never really occurred to me, like, joining a classical choir but | 0:26:22 | 0:26:26 | |
now, like, I might just have to jump on that, you know what I mean, like? | 0:26:26 | 0:26:32 | |
first rehearsal with the full | 0:26:47 | 0:26:49 | |
for the Urban Classic Prom. | 0:26:49 | 0:26:52 | |
who are playing on the night | 0:26:55 | 0:26:57 | |
'And I've asked the Chapters to listen in on my rehearsals | 0:27:02 | 0:27:05 | |
'so they can get an idea of | 0:27:05 | 0:27:09 | |
here, yeah? And Fazer's down there. | 0:27:27 | 0:27:32 | |
'I'm so excited to see my band | 0:27:37 | 0:27:39 | |
The Chapters have never rehearsed with in-ear monitors before | 0:28:27 | 0:28:30 | |
# We're turning the page. # | 0:28:33 | 0:28:36 | |
# Yeah, yeah, I'm used to being on my own when I didn't know no-one | 0:28:40 | 0:28:44 | |
# I remember them times... # | 0:28:44 | 0:28:46 | |
Thankfully, the group make it to the end of the performance. | 0:28:57 | 0:29:01 | |
I mean, like, doing it with the orchestra is something different. | 0:29:12 | 0:29:15 | |
Then having in-ear monitors - like, we're legit nowadays. | 0:29:15 | 0:29:19 | |
pleased with the end result | 0:29:20 | 0:29:23 | |
is still seriously concerned. | 0:29:25 | 0:29:27 | |
'It was a bit of a mess, actually.' | 0:29:27 | 0:29:28 | |
themselves and they shouldn't be. | 0:29:33 | 0:29:37 | |
about Benji, who has the huge | 0:29:37 | 0:29:41 | |
the opening bars of the track. | 0:29:41 | 0:29:44 | |
I mean, I've just gone on camera | 0:29:50 | 0:29:52 | |
I know in-ears and all that stuff is all new and stuff, so... | 0:30:01 | 0:30:33 | |
Pete's constructive criticism is given for all the right reasons | 0:30:33 | 0:30:36 | |
but, for Benji, the journey from singing in his home town | 0:30:36 | 0:30:39 | |
to singing at the Royal Albert Hall | 0:30:39 | 0:30:42 | |
which has not a lot going on. There's not really much of a music scene. | 0:30:49 | 0:30:53 | |
from the rock 'n' roll lifestyle. | 0:30:56 | 0:31:00 | |
'I go and visit the elderly in their homes and make their lunch,' | 0:31:04 | 0:31:08 | |
'they have no-one visit them in the day apart from their carers.' | 0:31:11 | 0:31:14 | |
It's just nice to be able to bring a smile to someone's day, I guess, | 0:31:14 | 0:31:18 | |
When he's not caring for the elderly and those in need, Benji puts on | 0:31:22 | 0:31:25 | |
his own nights in his hometown | 0:31:25 | 0:31:29 | |
the only way to sort of get | 0:31:29 | 0:31:32 | |
yourself out there is sometimes by putting on your own shows. | 0:31:32 | 0:31:35 | |
classical music in one word,' | 0:31:44 | 0:31:46 | |
'Living in, like, little towns like Calne, I haven't had much | 0:31:51 | 0:31:53 | |
passionate about performing, | 0:31:56 | 0:31:58 | |
his ambitions remain modest. | 0:31:58 | 0:32:00 | |
'If I can sort of pay the rent | 0:32:00 | 0:32:04 | |
are cool but in a few days' time, | 0:32:09 | 0:32:13 | |
he'll be playing the Urban Classic Prom with Wretch 32, Laura Mvula | 0:32:13 | 0:32:16 | |
So he needs to get used to the idea of playing on a bigger stage. | 0:32:20 | 0:32:23 | |
a feel for what it's like to play to a packed Royal Albert Hall. | 0:32:54 | 0:33:06 | |
on their classical journey, | 0:33:06 | 0:33:08 | |
they will be experiencing a purely | 0:33:08 | 0:33:11 | |
classical event without beats | 0:33:11 | 0:33:14 | |
Tonight, I'm expecting, like, proper, like, surround sound. | 0:33:16 | 0:33:19 | |
Do you get me? Like, beautiful music. Like, not no MP3 ting. | 0:33:19 | 0:33:24 | |
Like, something legit, you get me? | 0:33:24 | 0:33:27 | |
I don't even know what to expect. | 0:33:27 | 0:33:29 | |
I really can't believe this. Like, oh, my days, this is amazing. | 0:33:33 | 0:33:37 | |
MUSIC: Beethoven's Fifth Symphony | 0:33:47 | 0:33:49 | |
It was amazing. It was epic, | 0:34:14 | 0:34:17 | |
It definitely converted me. | 0:34:17 | 0:34:19 | |
my own money to come hear it | 0:34:19 | 0:34:21 | |
it takes you away to another place. | 0:34:21 | 0:34:24 | |
If you go, like, to where I'm from and you tell people about classical | 0:34:25 | 0:34:29 | |
music, they'll tell you to get out of here, basically, innit? | 0:34:29 | 0:34:32 | |
Eventually, the length of some of the pieces it did get to | 0:34:39 | 0:34:42 | |
But at least everyone stuck | 0:34:52 | 0:34:54 | |
I've been converted. Give it | 0:35:33 | 0:35:38 | |
some of the guys talk about classical music with such passion. | 0:35:38 | 0:35:43 | |
But while most of the group | 0:35:44 | 0:35:47 | |
Vic still remains a classical | 0:35:47 | 0:35:53 | |
really click for me at times. | 0:35:55 | 0:36:00 | |
and the sacrifices he's made to pursue his musical dream, | 0:36:05 | 0:36:08 | |
would appreciate classical music. | 0:36:08 | 0:36:11 | |
but I'm originally from Portsmouth. | 0:36:15 | 0:36:18 | |
Music student Vic is trying to make it as a session musician. | 0:36:18 | 0:36:22 | |
But the decision to make it in | 0:36:22 | 0:36:25 | |
Vic was a high achiever at school. | 0:36:25 | 0:36:28 | |
there has to be other options. | 0:36:37 | 0:36:39 | |
about what's going to make me happy | 0:36:39 | 0:36:42 | |
what's going to make me money. | 0:36:42 | 0:36:45 | |
Finally, the pressure of making big life decisions so young | 0:36:45 | 0:36:48 | |
led to Vic having a breakdown. | 0:36:48 | 0:36:51 | |
I didn't even talk to anyone | 0:36:55 | 0:36:58 | |
Vic's mum and dad were very | 0:36:58 | 0:37:01 | |
as he figured out what he needed to do to make himself happy. | 0:37:01 | 0:37:04 | |
At the time, they were worried | 0:37:04 | 0:37:07 | |
leave school to try and make | 0:37:16 | 0:37:20 | |
But not everyone understood. | 0:37:20 | 0:37:22 | |
I think my mates at the time | 0:37:24 | 0:37:27 | |
People are going off to have | 0:37:27 | 0:37:31 | |
and I think I'm going to be happy | 0:37:42 | 0:37:54 | |
but so far, I've still not managed to convert him to classical music. | 0:37:54 | 0:38:07 | |
A lot of classical music that | 0:38:07 | 0:38:11 | |
on the piece you're hearing, | 0:38:14 | 0:38:16 | |
it's dependent on the interpreter | 0:38:16 | 0:38:19 | |
They might play it like this. HE PLAYS A STRAIGHTFORWARD TUNE | 0:38:21 | 0:38:26 | |
That's what it's all about for me. How have you got this good? | 0:38:39 | 0:38:43 | |
Although I've sort of specialised | 0:38:46 | 0:38:48 | |
is the influence of Spanish music | 0:39:03 | 0:39:06 | |
Vic decides to give it a go. | 0:39:16 | 0:39:20 | |
It is literally just twitching to get back up every time I move! | 0:39:45 | 0:39:49 | |
it was way better than I expected. | 0:39:53 | 0:39:57 | |
Something that I've somehow missed from classical music | 0:40:20 | 0:40:29 | |
It's now Friday and it's the final rehearsal for the Chapters | 0:40:39 | 0:40:41 | |
before the Urban Classic Prom. | 0:40:41 | 0:40:43 | |
Any issues that they have inside, | 0:40:46 | 0:40:49 | |
and they need to get over it. | 0:40:49 | 0:40:50 | |
Our level was here and yet, | 0:41:06 | 0:41:09 | |
Fair enough, everything was going on, but when it comes to things | 0:41:09 | 0:41:13 | |
that shouldn't be a problem. | 0:41:13 | 0:41:15 | |
Do you understand? The day before the show, innit? That's the thing. | 0:41:15 | 0:41:19 | |
That's why it's called rehearsals, | 0:41:19 | 0:41:22 | |
Because anything can happen, | 0:41:22 | 0:41:24 | |
It's best for it to happen now than it happen on stage and we don't know. | 0:41:24 | 0:41:28 | |
We had a group chat, really. | 0:41:28 | 0:41:31 | |
I found that that was so much better because we didn't really feel we could speak to each other before. | 0:41:31 | 0:41:37 | |
Now, we've got into that zone where we're comfortable and we can say, | 0:41:37 | 0:41:40 | |
Or, you're stepping on my toes here. | 0:41:40 | 0:41:43 | |
trying to fight for the top crown. | 0:41:43 | 0:41:47 | |
One person trying to reach up | 0:41:48 | 0:41:52 | |
We just need to blend together instead of trying to compete | 0:41:56 | 0:41:59 | |
If we didn't have that talk today, | 0:41:59 | 0:42:01 | |
I think we still would have been | 0:42:01 | 0:42:04 | |
and now we're able to move on. | 0:42:11 | 0:42:12 | |
It's really satisfying to see | 0:42:12 | 0:42:16 | |
realising that they need to | 0:42:16 | 0:42:30 | |
The pressure is on now. It's like the final hours now, really. | 0:43:04 | 0:43:09 | |
This time tomorrow, the guys will be getting ready to go on stage. | 0:43:09 | 0:43:13 | |
They all want to get it right. | 0:43:26 | 0:43:28 | |
But will Pete think they've done | 0:43:35 | 0:43:38 | |
Just remember what you've just done. | 0:43:38 | 0:43:42 | |
Are they ready for tomorrow? | 0:43:42 | 0:43:44 | |
I guess tomorrow will tell. | 0:43:44 | 0:43:48 | |
the day of the Proms has arrived | 0:43:53 | 0:43:55 | |
we've got here in one piece! | 0:43:55 | 0:43:58 | |
The last couple of days have been | 0:43:58 | 0:44:01 | |
really gruelling but amazing, | 0:44:01 | 0:44:05 | |
I felt good after rehearsals | 0:44:05 | 0:44:08 | |
I think the vibe is back. I think we're ready to go and do our thing. | 0:44:08 | 0:44:12 | |
Today is the day. We've been preparing all these months, yeah? | 0:44:15 | 0:44:22 | |
there are very personal reasons why this day means so much. | 0:44:29 | 0:44:33 | |
Sin-Seer seems to finally have got his dad believing in him. | 0:44:33 | 0:44:36 | |
shows I've had in Manchester, | 0:44:42 | 0:44:45 | |
I know he's proud of me because he told me for the first time | 0:44:45 | 0:45:10 | |
Since when does MY mic go under Laura Mvula's? That's happy times, right? | 0:45:22 | 0:45:26 | |
The Chapters are getting excited. | 0:45:28 | 0:45:30 | |
We're at the Royal Albert Hall, we're | 0:45:30 | 0:45:36 | |
And so they should be because today these young musicians | 0:45:36 | 0:45:39 | |
who previously knew nothing | 0:45:39 | 0:45:42 | |
with the BBC Symphony Orchestra | 0:45:42 | 0:45:46 | |
Showdown time, do you know what | 0:45:46 | 0:45:50 | |
Nervous. I really want to perform | 0:45:58 | 0:46:02 | |
I paid the Chapters a visit to check on the mood in the camp. | 0:46:07 | 0:46:10 | |
How's everyone feeling in their heads, man? Where are we at? | 0:46:10 | 0:46:13 | |
Weird feeling, man. Excited. | 0:46:13 | 0:46:15 | |
Different feelings. Excited. I wouldn't even say nervous. | 0:46:15 | 0:46:19 | |
Listen, everything we've been | 0:46:21 | 0:46:23 | |
It's all leading up for this. | 0:46:23 | 0:46:26 | |
Let's just go out there and kill it. | 0:46:26 | 0:46:28 | |
opportunities don't come every day. | 0:46:28 | 0:46:33 | |
it's time for my sound check.' | 0:46:35 | 0:46:38 | |
so it's time for the 7 Chapters | 0:46:52 | 0:46:54 | |
and take to the Royal Albert Hall stage for the very first time. | 0:46:54 | 0:46:57 | |
HE RAPS: Used to be at home | 0:47:13 | 0:47:14 | |
Where I didn't know no-one... | 0:47:14 | 0:47:23 | |
because the sound engineers | 0:47:31 | 0:47:43 | |
Blud, it's my turn, I'm rapping and I'm not hearing nothing. | 0:47:51 | 0:47:56 | |
because we're going to have another chance to talk about it in a minute. | 0:47:59 | 0:48:04 | |
If anyone needed some reassurance, | 0:48:04 | 0:48:07 | |
It's actually going to be all right? | 0:48:19 | 0:48:21 | |
By the end of it, it was working. | 0:48:21 | 0:48:24 | |
You can hear it in your ears, | 0:48:24 | 0:48:27 | |
..because now all they need | 0:48:44 | 0:48:48 | |
I just heard the Tannoy say that the doors were opened a minute ago. | 0:48:48 | 0:48:51 | |
People are coming in, getting ready | 0:48:55 | 0:48:58 | |
and we're going to give them | 0:48:58 | 0:49:01 | |
Welcome to the Urban Classic Prom | 0:49:01 | 0:49:04 | |
the other artists rock the Proms. | 0:49:11 | 0:49:16 | |
Samara and Shev see what performing | 0:49:19 | 0:49:22 | |
Fireflies. He's doing us proud, man. | 0:49:25 | 0:49:28 | |
so we've got to step up to that | 0:49:28 | 0:49:32 | |
It's nearly time to take the stage | 0:49:47 | 0:49:49 | |
This is everything, after all these weeks that we've been going through, | 0:49:52 | 0:49:55 | |
for and it's crunch time now. | 0:49:55 | 0:50:24 | |
'6,500 people are waiting to hear The Chapters perform in the venue, | 0:50:29 | 0:50:33 | |
'as well as many more at home | 0:50:33 | 0:50:37 | |
'I just hope that all the weeks of hard work will pay off for them | 0:50:37 | 0:50:40 | |
off the performance of a lifetime.' | 0:50:40 | 0:50:43 | |
I've never seen that before in my life. It's just amazing. | 0:50:57 | 0:51:00 | |
'I've not performed on a stage in a venue like this so....' | 0:51:05 | 0:51:09 | |
It's like my vocab's limited and I can't even get the words out, | 0:51:09 | 0:51:13 | |
in the goodist way possible. | 0:51:13 | 0:51:17 | |
# Turning my dreams into reality | 0:51:22 | 0:51:24 | |
I was looking from left to right, up and down. I was looking... | 0:51:29 | 0:51:32 | |
My head was everywhere. I was just | 0:51:32 | 0:51:34 | |
I can't run off. I was BLEEP. | 0:51:37 | 0:51:40 | |
# Here are Seven Chapters... | 0:51:40 | 0:51:42 | |
# Here are Seven Chapters... | 0:51:46 | 0:51:48 | |
SHE RAPS: # My heart's ambition | 0:51:50 | 0:51:52 | |
# For the music I make... # | 0:51:52 | 0:51:57 | |
'It was more than what I expected.' | 0:51:57 | 0:52:01 | |
I couldn't see one empty seat, | 0:52:01 | 0:52:04 | |
# We're turning the page. # | 0:52:48 | 0:52:51 | |
Thank you so much. You've been | 0:52:51 | 0:52:55 | |
I'm so proud of them but they should be proud of themselves too. | 0:52:59 | 0:53:03 | |
Over the last two months, they've learned so much about a genre | 0:53:10 | 0:53:13 | |
they hadn't given any time to before this and it's opened | 0:53:13 | 0:53:16 | |
their minds to a whole new world of music and hopefully, opportunity. | 0:53:16 | 0:53:20 | |
You guys just stole the show. | 0:53:20 | 0:53:22 | |
I thought you were going to say | 0:53:24 | 0:53:27 | |
I'm proud of you guys, man. | 0:53:29 | 0:53:33 | |
They've done it. They've done it. | 0:53:40 | 0:53:43 | |
Amazing feeling, better than I've ever felt before in my life. | 0:53:43 | 0:53:47 | |
Can't believe it. I'm buzzing. | 0:53:47 | 0:53:50 | |
Back in the Chapters' dressing room, | 0:53:59 | 0:54:03 | |
to choose music has payed off. | 0:54:10 | 0:54:13 | |
how big this is in my life. | 0:54:13 | 0:54:17 | |
You know, taking music when I was 16 was the best decision I've ever made. | 0:54:17 | 0:54:22 | |
I want to do now and I can do it. | 0:54:22 | 0:54:28 | |
I saw my mum in me tonight, | 0:54:38 | 0:54:47 | |
and chopped it out to everybody else | 0:54:47 | 0:55:01 | |
It's taken 21 years of my life | 0:55:03 | 0:55:14 | |
and I'm representing everyone that | 0:55:19 | 0:55:24 | |
or ever was discouraging in any way. I'm representing those people. | 0:55:24 | 0:55:28 | |
For Curtis, his classical experience | 0:55:28 | 0:55:32 | |
The whole experience was incredible. | 0:55:32 | 0:55:36 | |
It's made me think of music | 0:55:39 | 0:55:42 | |
It's made me think of everything | 0:55:42 | 0:55:44 | |
Classical music, it's a great genre, man. It's great music, man. | 0:55:49 | 0:55:51 | |
For me, it's mission complete. | 0:55:55 | 0:55:58 | |
working with a bunch of guys that had no interest in classical music | 0:55:58 | 0:56:02 | |
and tear down the stage, man, | 0:56:07 | 0:56:08 | |
about the future of classical music. | 0:56:13 | 0:56:16 | |
and the experiences I've had | 0:56:16 | 0:56:19 | |
for classical music and the history | 0:56:19 | 0:56:22 | |
Taking people like Sin and Curtis | 0:56:25 | 0:56:30 | |
to them actually saying to me | 0:56:30 | 0:56:32 | |
"I would love to come next year | 0:56:32 | 0:56:35 | |
Subtitles by Red Bee Media Ltd | 0:56:52 | 0:56:55 |