Iron Maiden: Behind the Beast Legends


Iron Maiden: Behind the Beast

Similar Content

Browse content similar to Iron Maiden: Behind the Beast. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

RADIO CHATTER: 'Five star 666 clear to land runway 04,

0:00:020:00:05

'surface end 1007 knots.'

0:00:050:00:07

'Five star 666.'

0:00:070:00:09

'I have a check list.'

0:00:100:00:11

It was my idea, basically.

0:00:430:00:45

It went back to something I did

0:00:450:00:47

for an album called Skunkworks,

0:00:470:00:49

one of my solo albums,

0:00:490:00:51

when we actually took a very much smaller aeroplane

0:00:510:00:54

with little propellers on it, little piston engines on it,

0:00:540:00:57

and we went and bashed our way around the US,

0:00:570:01:01

and I thought, "Wow, why couldn't you do this on a bigger scale?"

0:01:010:01:05

And I think his real purpose in coming up with the idea

0:01:050:01:07

is so he got two wages, one to be a singer and one to be a pilot.

0:01:070:01:12

We were asked to go to Australia in '08

0:01:450:01:48

and we hadn't been there for a long time.

0:01:480:01:50

We also wanted to go to South America.

0:01:500:01:52

So if you think about doing Australia

0:01:520:01:55

and maybe somewhere on the way,

0:01:550:01:56

and then around South America by scheduled airlines nowadays,

0:01:560:02:00

with all the security precautions and everything else,

0:02:000:02:02

and the way it's very hard to link up the freight

0:02:020:02:06

and the flights efficiently,

0:02:060:02:09

then it just seemed to be a good idea

0:02:090:02:11

to see if there's some way of doing it.

0:02:110:02:13

So I offered up this idea of an aeroplane, and I thought,

0:02:270:02:30

"Can we get enough gear in the holds to make it viable?"

0:02:300:02:34

And it became pretty clear that we couldn't.

0:02:340:02:37

I said, "OK, why can't we use the back end of the aeroplane?"

0:02:370:02:39

"Take the seats out and put a big cargo net in?"

0:02:390:02:43

The idea of the splitted bus in the air just seemed to be ideal

0:02:430:02:47

if it could be done, and so we went to quite immense

0:02:470:02:50

logistics and bureaucracy to get it done.

0:02:500:02:54

The main thing that has completely changed

0:03:040:03:06

the dynamic of our regular touring with Iron Maiden is the fact

0:03:060:03:10

that we're flying everywhere on Ed Force One.

0:03:100:03:12

Working out the logistics of once we get to the country,

0:03:120:03:16

how we get into the venues, how we get into the hotels,

0:03:160:03:19

and all of that is all planned in advance, as well,

0:03:190:03:22

which Steve Gadd does for me.

0:03:220:03:23

From the minute we land, you get away from the airport

0:03:230:03:27

where there's up to 1,000 people there watching the plane coming in,

0:03:270:03:30

and you think you're out of dodge, but you're not,

0:03:300:03:33

because you get to the hotel and there's 500 people

0:03:330:03:35

camped out for a couple of days.

0:03:350:03:36

Iron Maiden! Iron Maiden!

0:03:360:03:39

I think the thing that keeps everybody awake at night

0:03:390:03:41

is thinking of what you haven't done,

0:03:410:03:44

because the band have been around for so long, but also because of

0:03:440:03:47

the changes in the industry, there's a phenomenal amount of detail.

0:03:470:03:50

We're obviously covering some territories we've never been to,

0:03:520:03:55

so there's been interesting challenges in terms of

0:03:550:03:58

going to Korea and those Pacific Rim countries

0:03:580:04:00

that we've never been to before.

0:04:000:04:02

Everything around the plane is complicated.

0:04:020:04:05

You don't actually just get a 757 and put your gear on and fly off.

0:04:050:04:08

It's all advance work.

0:04:080:04:12

The plane dictates what you can take, nothing else dictates it.

0:04:120:04:16

Well, here we are on Ed Force One.

0:04:220:04:23

In what would normally be 60 passengers

0:04:230:04:27

sitting in this compartment space.

0:04:270:04:29

The only restriction we have, really, is that everything

0:04:290:04:32

has to be able to fit through the main doors.

0:04:320:04:35

As long as it'll go through here, it'll go on board the aircraft.

0:04:350:04:38

We'll probably get a heads up of maybe a year, nine months,

0:04:400:04:45

something like that, as to the tour's happening,

0:04:450:04:47

and then we'll go and have a meeting with Rod and he'll give us

0:04:470:04:51

maybe an album name or just a gem of an idea which we'll then

0:04:510:04:54

go away with and come up with some designs for the set.

0:04:540:04:57

Hangman will send us initial drawings of what it's going to look like,

0:04:570:05:02

we'll move that on a bit until we're all happy, then they'll do

0:05:020:05:05

a model, and then we'll sign it off and we'll start building it.

0:05:050:05:09

The rest of it looks great,

0:05:100:05:12

but it just needs to really stand out when he does it. He's very flat.

0:05:120:05:15

It's very flat lighting...

0:05:150:05:16

It's always the same, I don't know why, but no matter how much time

0:05:160:05:19

you have on these things, it always seems to end up

0:05:190:05:21

that we haven't got any time at the end of it!

0:05:210:05:23

MUSIC: "Brave New World" by Iron Maiden

0:05:230:05:25

# Wilderness

0:05:250:05:27

# House of pain

0:05:270:05:29

# Makes no sense of it all. #

0:05:290:05:34

We're in Paris, in a rehearsal room,

0:05:340:05:36

and we've just finished rehearsal for the day.

0:05:360:05:39

We've got one more rehearsal before we head off on the Final Frontier.

0:05:390:05:42

We circulate a copy of the set between us

0:05:460:05:48

a couple of weeks before we actually get to the rehearsal.

0:05:480:05:51

You know you're going to be playing Hallowed Be Thy Name,

0:05:510:05:54

you know you're going to be playing Iron Maiden,

0:05:540:05:57

so it was just working in a couple of the new songs, really.

0:05:570:05:59

Yeah, been rehearsing for

0:06:030:06:06

just over a week and a half now,

0:06:060:06:08

and we've got one more tomorrow, one more run through,

0:06:080:06:12

and the new songs we're doing off the new album sounded really good.

0:06:120:06:16

And yeah, we're all excited to be... Off we go, you know.

0:06:160:06:20

We're feeling pretty confident, a little tentative on a few little bits here and there,

0:06:200:06:24

but, I mean, that's always the way, and I think, really, it'll take

0:06:240:06:27

a couple of gigs before we really settle down.

0:06:270:06:30

The first one will be nervy, as usual.

0:06:300:06:32

We can rehearse till the cows come home,

0:06:320:06:34

but it's only when you get on stage, that first night,

0:06:340:06:36

and then everything falls into place.

0:06:360:06:40

You find once you get out there, it's good fun, and, you know,

0:06:400:06:42

you get in front of the audience and connect with the audience again

0:06:420:06:45

and you realise why you do it.

0:06:450:06:47

But when you're rehearsing in an empty room

0:06:470:06:49

you sometimes wonder why you do it!

0:06:490:06:51

Because this band just feeds off an audience,

0:06:520:06:55

and it's, you know, that's where it comes alive.

0:06:550:06:58

Right.

0:07:260:07:27

Morning.

0:07:290:07:30

Dreadful, isn't it?

0:07:300:07:31

Well, here we are, on the Embankment on our way to Stansted.

0:07:360:07:41

We're in civvies at the moment.

0:07:440:07:46

Uniform's in the back, so I shall be finding a phone booth

0:07:460:07:50

and having a convenient change of clothes.

0:07:500:07:54

You'll believe a man can fly.

0:07:540:07:55

So we'll be on our way to Moscow shortly,

0:07:570:08:01

which I expect will be cold.

0:08:010:08:04

Normally marked to go in the front hold.

0:08:070:08:10

As and when I start packing it. It's a bit of a Tardis.

0:08:100:08:13

This is such a unique aircraft

0:08:130:08:16

and it's such a unique way of touring around the world.

0:08:160:08:19

Loading it, on average, anywhere between four to five hours.

0:08:190:08:23

I have worked with lots of other bands, and A list bands,

0:08:240:08:27

and I don't know of another act who would take this risk

0:08:270:08:31

and would downsize their equipment to such a level.

0:08:310:08:34

It's a high risk strategy in terms of the people,

0:08:340:08:36

the aircraft, the crew, you know,

0:08:360:08:38

everything has to slot into place, and it's a big wheel.

0:08:380:08:42

I'm just one small cog of that.

0:08:420:08:44

In terms of flying, the most stressful things about flying

0:08:470:08:51

on this particular tour are actually really not to do

0:08:510:08:55

with the actual flying bits of it,

0:08:550:08:58

they're to do with the administrative bits of it.

0:08:580:09:00

Because so much of planning a tour like this

0:09:000:09:05

is down to the advent of it. There's no real slack in any of it.

0:09:050:09:10

It's not like, "Oh, we can come back tomorrow and get it to work."

0:09:100:09:13

It's got to happen exactly on those days,

0:09:130:09:15

and it's got to happen like clockwork.

0:09:150:09:17

MUSIC: "The Final Frontier" by Iron Maiden

0:09:170:09:20

# The Final Frontier

0:09:200:09:22

# The Final Frontier

0:09:220:09:25

# The Final Frontier

0:09:260:09:29

# The Final Frontier

0:09:290:09:32

# The Final Frontier

0:09:320:09:36

# The Final Frontier

0:09:360:09:39

# The Final Frontier

0:09:390:09:43

# The Final Frontier. #

0:09:430:09:47

AEROPLANE INSTRUMENTS: 50, 40, 30, 20, ten.

0:10:050:10:12

We're in Moscow, and it's snowing, and it's cold.

0:10:180:10:21

It's snowing and it's getting colder.

0:10:240:10:26

Tomorrow will be much colder, unfortunately.

0:10:260:10:28

You'll never guess where I am.

0:10:300:10:33

Three degrees difference, 15, 18 degrees who cares?

0:10:330:10:35

It's bloody freezing! But look at this, what an amazing place.

0:10:350:10:39

The first place on the tour. What can I say?

0:10:390:10:42

Nastravya!

0:10:420:10:43

How far did you come? How many miles?

0:10:530:10:56

Oh it's eight, nine hours, especially for this concert,

0:10:560:10:59

especially to meet him and special for Iron Maiden,

0:10:590:11:02

Iron Maiden are the best.

0:11:020:11:03

CHEERING

0:11:030:11:07

The fans have been brilliant. They've been waiting outside in the cold, God knows how they do it.

0:11:080:11:12

We're standing here since nine o'clock in the morning.

0:11:120:11:15

This is it, it's the old Olympic arena, which is a massive building.

0:11:200:11:25

Absolutely freezing outside, minus 20 degrees,

0:11:250:11:29

so the doors have just opened out there

0:11:290:11:32

and some rather cold fans will start coming into here,

0:11:320:11:35

but I'm sure we'll warm them up!

0:11:350:11:36

It's good to get these tours rolling, you know?

0:11:360:11:40

We've been planning it for months and months and months, of course,

0:11:400:11:43

and it's great to finally get everyone out on the road.

0:11:430:11:45

So, as you just saw, we had a little run through,

0:11:510:11:54

a little demo version of the intro,

0:11:540:11:55

going through a few ideas with Steve and Bruce

0:11:550:11:58

and the rest of the guys there.

0:11:580:12:00

I think we've got a little concept. Now we're going to put those ideas

0:12:000:12:03

into some kind of comprehensive queue stack,

0:12:030:12:05

so I'm not spinning plates tomorrow night.

0:12:050:12:08

We've got about 80-odd moving lights,

0:12:080:12:11

sort of split evenly between washes and spots.

0:12:110:12:14

We've also got some of these great big wash lights with the LED rings.

0:12:140:12:18

They're show beams, they're really...

0:12:180:12:19

Got two and half K bulb in them, they're pretty punchy.

0:12:190:12:22

We've got nice little LED strips around the chevrons that highlight

0:12:220:12:25

the shapes of the truss, and we've got a good few hundred PAR cans

0:12:250:12:28

thrown in just for good measure, just to beef up the whole thing.

0:12:280:12:31

Not to mention all our audience crowd blinders and follow spots.

0:12:310:12:35

We don't bring anything, we just bring a lighting desk, that's it.

0:12:350:12:38

All I've got is my lighting desk and these truss borders,

0:12:380:12:41

Every single nut, bolt, bulb, cable, is all supplied locally.

0:12:410:12:44

I have to advance all this stuff,

0:12:440:12:46

you know, a series of diagrams and equipment lists and everything,

0:12:460:12:50

3D renderings and everything else you can think of, with about 30 individual lighting companies,

0:12:500:12:54

who all then kind of give me their interpretation of what I've asked,

0:12:540:12:57

and then we have to fine tune it and end up with something resembling this every day.

0:12:570:13:01

MUSIC: "Two Minutes To Midnight" by Iron Maiden

0:13:010:13:03

# Two minutes to midnight

0:13:030:13:06

# To kill the unborn in the womb. #

0:13:060:13:08

One of the hardest things is no matter how much effort

0:13:080:13:11

we put into all this and all the care and attention we put in,

0:13:110:13:13

a big part of the show is a follow spot, and we're putting it

0:13:130:13:17

in the hands of people I've never met before

0:13:170:13:18

who don't really speak English,

0:13:180:13:20

they definitely haven't seen Iron Maiden before.

0:13:200:13:22

Upstairs.

0:13:220:13:26

I can do it in French, Portuguese, Spanish and German

0:13:280:13:31

which has helped a hell of a lot,

0:13:310:13:34

but my Russian and South Korean left a little to be..!

0:13:340:13:37

This has become a pretty busy part of the show now, right?

0:13:400:13:43

Jesus. Getting stressed.

0:13:430:13:46

Getting stressed, Nick!

0:13:460:13:48

MUSIC: "El Dorado" by Iron Maiden

0:13:500:13:52

# El Dorado, come and play

0:13:520:13:53

# El Dorado, step this way

0:13:530:13:56

# Take a ticket for the ride

0:13:560:13:59

# El Dorado, streets of gold

0:14:000:14:03

# See the ship, it's oversold

0:14:030:14:06

# You've got one last chance To try. #

0:14:060:14:10

Get the promoter to come and tell these three security guys

0:14:150:14:18

that we've got to open these doors to get our stuff out.

0:14:180:14:21

One of the most important things to remember

0:14:230:14:25

whenever you're doing a load out,

0:14:250:14:27

especially somewhere like Moscow, at one o'clock in the morning

0:14:270:14:30

at about minus 18, is to make sure you're wearing some long trousers.

0:14:300:14:33

What I do want to do is make sure that the gear,

0:14:350:14:38

that everyone's responsible to their gear,

0:14:380:14:41

so if each department dedicates one person that,

0:14:410:14:44

until that gear's locked up in the back of the truck...

0:14:440:14:47

I mean, putting it to the dark

0:14:470:14:49

or handing it off to Bill the stage hand isn't good enough.

0:14:490:14:51

I want eyes on that gear till it's locked,

0:14:510:14:53

because, as you know, like the last tour...

0:14:530:14:56

Needs to go down town, boys.

0:14:560:14:58

And what else am I worried about?

0:14:580:15:01

Jakarta, Jakarta's going to be...

0:15:010:15:03

Is probably, as you're all fully aware,

0:15:030:15:05

is the show that we're having the most trouble with at the moment,

0:15:050:15:08

and that's because at the moment, we don't have a show.

0:15:080:15:10

MUSIC: "Mother Russia" by Iron Maiden

0:15:100:15:13

# Mother Russia Dance of the tsars

0:15:130:15:15

# Hold up your heads Be proud of what you are

0:15:150:15:18

# Now it has come Freedom at last

0:15:180:15:20

# Turning the tides of history And your past. #

0:15:200:15:22

So, here we have show two on the Iron Maiden Around The World Tour.

0:15:320:15:36

Last night at nine o'clock, they tore down Eric Clapton

0:15:360:15:39

and began to build our show.

0:15:390:15:41

And I came down a few months ago and did a site visit,

0:15:430:15:45

had a quick look around the venue, met the sound company,

0:15:450:15:48

went through all the monitor rig with them,

0:15:480:15:51

because they were offering me something I hadn't used before,

0:15:510:15:54

so I wanted to listen to it.

0:15:540:15:56

So I came down, had a day out here which is nice,

0:15:560:15:58

and had a listen to the gear, which was fine.

0:15:580:16:00

Basically, carry Bruce's wedges, and we carry the drum fill,

0:16:000:16:04

we carry the desks, and everything that connects the desks together,

0:16:040:16:08

and then the local companies supply us the stacks, basically,

0:16:080:16:11

amplifiers and speakers,

0:16:110:16:14

and we have a list of what we like to use, we send that out,

0:16:140:16:17

they send us a list back saying, "We don't have this,

0:16:170:16:20

"We have that system, we don't have that system",

0:16:200:16:23

and this just goes backwards and forwards and backwards and forwards

0:16:230:16:26

till we get to a point where everybody's happy.

0:16:260:16:28

Then we turn up on the day and hopefully they turn up

0:16:280:16:30

with the same gear they've told us they're going to bring us.

0:16:300:16:33

So we're going into a venue every day

0:16:330:16:35

using a completely different system, and we've just got to make it work

0:16:350:16:38

and make it work so the band are happy on stage.

0:16:380:16:41

Well with any luck, if we get all this right, you know,

0:16:500:16:53

plugged on a daily basis, turns on and fires up, no problems,

0:16:530:16:56

but that's the importance of the prep.

0:16:560:16:58

Most of it's all about the prep work.

0:16:580:17:00

We supply the sound equipment that Iron Maiden use

0:17:010:17:05

when they go on tour.

0:17:050:17:06

There are discussions as to what's logistically possible

0:17:060:17:10

as far as sound is concerned, moving the systems.

0:17:100:17:14

Usually, once we've done all this in the warehouse, it works,

0:17:140:17:16

and it's very rare we have to mess with anything.

0:17:160:17:19

Obviously, we do get things go down, mics go off, mic cables go down,

0:17:190:17:25

channels on the multi-pins pack up, and you just deal with it.

0:17:250:17:28

Basically, I look after the whole stage end of the show,

0:17:280:17:32

so if anything goes down, it's down to me to be able to fix it.

0:17:320:17:35

This is my world and everybody else keeps out of it.

0:17:350:17:38

MUSIC: "Fear Of The Dark" by Iron Maiden

0:17:380:17:40

# Fear of the dark Fear of the dark

0:17:400:17:42

# I have a constant fear

0:17:420:17:44

# That something's always near

0:17:440:17:46

# Fear of the dark

0:17:470:17:49

# Fear of the dark

0:17:490:17:51

# I have a phobia

0:17:530:17:54

# That someone's always there. #

0:17:540:17:57

After today, we're going to fly to Indonesia, Jakarta,

0:17:580:18:01

and, in fact, probably the first time

0:18:010:18:04

that a production of this size and a band of this size

0:18:040:18:07

have actually played there in a long time,

0:18:070:18:09

and that has been a challenging show,

0:18:090:18:11

and we're going to have to make the show work.

0:18:110:18:13

Bali's a small venue.

0:18:130:18:15

At the moment, they don't have enough PA on the island

0:18:150:18:18

to actually fulfil our requirements.

0:18:180:18:21

So at the moment, they're looking for more PA,

0:18:210:18:24

and we really won't know how good that PA is

0:18:240:18:27

until we actually get there, plug it in

0:18:270:18:29

and make some noise through it.

0:18:290:18:31

We've had a lot of problems up front.

0:18:320:18:34

I didn't actually decide finally

0:18:340:18:36

until about two days before we were due to arrive there

0:18:360:18:38

that we were going to go.

0:18:380:18:39

Dickie had to go out from Moscow early to try to put a crew together.

0:18:390:18:43

He had to get a new production manager, almost start from scratch.

0:18:430:18:46

I mean, I had a sleepless night about three nights before,

0:18:460:18:49

wondering, "Are we going to do this or not?"

0:18:490:18:51

Iron Maiden, welcome to Jakarta, yeah!

0:18:590:19:02

We're from Indonesia. We love you! Up the Iron!

0:19:040:19:08

FANS SHOUT AND CHANT

0:19:080:19:14

We're waiting for Iron Maiden to come here almost 20 years!

0:19:140:19:18

All my friends in Indonesia, they come from every single city,

0:19:270:19:31

from different directions.

0:19:310:19:32

They finally found their idol here.

0:19:320:19:35

They forget their religion, they forget their skin,

0:19:370:19:39

they forget everything,

0:19:390:19:40

they just want to hear and sing Iron Maiden songs.

0:19:400:19:44

You wouldn't call this our normal stage.

0:19:440:19:46

This is the show we've had a lot of trouble getting together.

0:19:460:19:50

Really nice people who haven't done many shows here.

0:19:500:19:52

This stage is made up of all sorts of different steel,

0:19:520:19:57

towers and trusses, and there's, like, loads of it back here,

0:19:570:20:01

that's all rusty, it's all a little bit bent.

0:20:010:20:03

This stage has got a hell of a slope on it!

0:20:030:20:06

We spent two months asking them

0:20:070:20:09

if there's any layer scaffolding available, they told me there wasn't.

0:20:090:20:13

This is the first thing I found when I walked into the building!

0:20:130:20:17

Loads of it.

0:20:170:20:18

That's the show power right there, the whole lot.

0:20:180:20:20

Don't fall into that, that's all live.

0:20:260:20:29

That whole thing is live, you know?

0:20:290:20:31

Obviously, what we're used to is a door that's closed, when you open it,

0:20:310:20:36

it disconnects everything and makes it safe.

0:20:360:20:39

This is completely live. The whole lot.

0:20:390:20:42

And if it rains, it's going to be getting wet.

0:20:420:20:45

Standard procedure, there's a bomb dog.

0:20:450:20:47

We're going to go ahead and check the production office for bombs,

0:20:470:20:50

and we're doing it all over the venue.

0:20:500:20:52

And it's serious, you know, it's a serious threat.

0:20:520:20:55

So there we go, the dressing rooms are safe

0:21:000:21:03

and we didn't find any bombs in there.

0:21:030:21:05

Which is nice to know!

0:21:050:21:06

Some tours go dead easy, some go a little bit awry,

0:21:060:21:11

and as you know, in Indonesia, there were a few hiccups there.

0:21:110:21:16

What have you got in here?

0:21:160:21:18

Oh, my God.

0:21:180:21:19

This isn't the same as the photograph that we sent you.

0:21:190:21:23

What was very heartening for me was, I talked to Dickie,

0:21:230:21:26

and a couple of days before, he's getting all very defensive

0:21:260:21:29

about the production crew there, saying

0:21:290:21:31

"Well, they're really nice people,

0:21:310:21:33

"the most wonderful people, and they're trying really hard."

0:21:330:21:37

From, really, this nightmare scenario three days before,

0:21:400:21:43

then it ended out to be a pretty cracking show.

0:21:430:21:46

Is it safe?

0:21:460:21:47

It's nice, Jakarta is.

0:21:470:21:49

I haven't been out much, due to the fact someone said

0:21:490:21:51

I might get kidnapped!

0:21:510:21:53

MUSIC: 2 Minutes To Midnight by Iron Maiden

0:21:530:21:55

# But don't you pray for my soul any more.

0:21:550:21:58

# Two minutes to midnight

0:22:000:22:04

# The hands that threaten doom. #

0:22:050:22:10

Playing in Bali was absolutely tremendous,

0:22:160:22:19

and the feeling that they generated,

0:22:190:22:21

they're a beautiful culture, beautiful nation of people there.

0:22:210:22:26

So it really had a, kind of, spiritual feel about that show.

0:22:260:22:30

It's definitely unusual here, we don't usually play quarries,

0:22:300:22:33

but as you can see, we've got really high walls here,

0:22:330:22:35

so it's actually like playing in a cardboard box without

0:22:350:22:38

a roof on top of it, so what we've tried to do is aim the PA

0:22:380:22:42

so that it doesn't bounce off the walls to much, because as

0:22:420:22:44

you can see, what's going to happen, the sound hits that wall,

0:22:440:22:47

it hits that wall, then it hits that wall, and then comes back at us.

0:22:470:22:50

I've mixed the audio for Iron Maiden since December '79,

0:22:520:22:56

For the public, I mix the out-front.

0:22:560:22:58

They call it the front of house sound.

0:22:580:23:00

I mix for what the audience hears.

0:23:000:23:02

From here, I can make it sound real good,

0:23:020:23:05

but I can't see what's happening up in that corner of the room

0:23:050:23:08

or that part of the ballpark or whatever,

0:23:080:23:10

so it's Mike's job to make sure that what I'm doing here

0:23:100:23:12

gets to all the people.

0:23:120:23:14

Expectations for sound these days are a lot higher.

0:23:140:23:16

The sound systems are much, much better,

0:23:160:23:18

and I think the audience,

0:23:180:23:20

they listen to the sound all the time now on CDs.

0:23:200:23:23

Ten, 15 years ago it was a different story.

0:23:230:23:25

If you were sat at the back of one of these places,

0:23:250:23:27

you didn't really expect to hear it quite so well.

0:23:270:23:29

So here we have the actual main PA system.

0:23:290:23:32

We have two hangs per side for this system,

0:23:320:23:34

one covers the main front part of the audience, another hang

0:23:340:23:38

exactly the same size covers the outer part of the audience.

0:23:380:23:42

So we have four delay speakers. Now, where we're standing here,

0:23:420:23:44

we're probably something like 80 to 90 metres from the PA.

0:23:440:23:48

If you were seeing the band in a normal big arena, sports arena,

0:23:480:23:51

you'd be at the very back at this position.

0:23:510:23:54

If you look up to the back, here,

0:23:540:23:56

we've probably got another 100 metres of throw to the very back.

0:23:560:24:00

So what we do is we put in another set of speakers,

0:24:000:24:03

we have two sets here that cover the very back of the arena,

0:24:030:24:07

and then we have speakers at the side

0:24:070:24:09

that will cover the very top sides of the arena.

0:24:090:24:12

MUSIC: "Hallowed Be Thy Name"

0:24:190:24:22

Seven shows in Australia, it's like a mini-tour.

0:24:260:24:28

We've taken on an Aussie crew, got our own lighting crew,

0:24:280:24:31

got our own sound crew,

0:24:310:24:33

we've got our own trucks for the next seven shows, which is going to be really nice.

0:24:330:24:37

It's going to be more like the regular touring

0:24:370:24:40

that we do in the US and Europe.

0:24:400:24:42

You know, we'll still be using the plane,

0:24:420:24:44

the crew will be travelling on the plane,

0:24:440:24:46

but all our equipment will be in the trucks.

0:24:460:24:48

I'll tell you the biggest problem I have right now,

0:24:480:24:51

is we're not putting equipment in the plane,

0:24:510:24:54

so that means we all have to sit in the back of the plane

0:24:540:24:57

for take off because there's not enough weight.

0:24:570:24:59

That's my biggest logistical problem.

0:24:590:25:01

I've got three 48-foot trucks,

0:25:010:25:03

we carry our set in one and a half of them,

0:25:030:25:06

we carry extra lighting in the other half,

0:25:060:25:08

and then we carry our back line of monitors

0:25:080:25:10

and front of house in the third one.

0:25:100:25:12

It's pretty much a breeze to load in and out.

0:25:120:25:15

We flew over our set, our rolling set,

0:25:230:25:27

because we need to get out of the way on a festival situation,

0:25:270:25:32

so other bands can play in front of us.

0:25:320:25:34

As you can see we're having fun with our own stage set,

0:25:340:25:36

for when we were back in Norfolk all those months ago,

0:25:360:25:39

loading the sea container with the stage set.

0:25:390:25:42

Well, this is it in Australia,

0:25:420:25:44

and we're using this throughout this leg,

0:25:440:25:47

and it saves people building one for us, which is very nice.

0:25:470:25:50

It's so much easier. It has wheels, for a start!

0:25:500:25:55

And all the back line can live in it,

0:25:550:25:58

all the cabs and all the decorations,

0:25:580:26:00

everything can all live in there.

0:26:000:26:03

Getting in here early so we can get the set here

0:26:040:26:09

and work out how it's all going to fit in with everyone else.

0:26:090:26:12

We've got Sydney Festival tomorrow,

0:26:120:26:14

we don't get there till two o'clock in the afternoon,

0:26:140:26:17

the doors are already open, the show's already started,

0:26:170:26:20

so we need to build our set behind a black drop, and it's just Bill's job

0:26:200:26:24

and the local stage manager, Dougal's, to keep it organised,

0:26:240:26:28

because really, really quickly it could turn into a complete cluster.

0:26:280:26:33

A festival's a festival at the end of the day,

0:26:350:26:37

it's one of those days where you do so much

0:26:370:26:40

and you have to wait for all the bands to get off stage

0:26:400:26:42

and then you hope that everything's working fine,

0:26:420:26:45

because you haven't had that much time during the day

0:26:450:26:47

because obviously you haven't had the stage.

0:26:470:26:49

Because everybody else will be on there.

0:26:490:26:51

You just hope that everything's working.

0:26:510:26:53

We're trying to make some noise by six, so I've only got

0:26:530:26:55

about an hour and ten minutes to get it all going for Doug.

0:26:550:26:57

This whole aspect of the tour's been pretty elastic,

0:26:570:27:01

doing, say, festivals, for example, you do a back-to-back festival,

0:27:010:27:04

we might not get there until, I don't know,

0:27:040:27:06

10:30, 11 in the morning, and the doors are at two.

0:27:060:27:08

So it's like, panic, "What comes off the truck first?

0:27:080:27:11

"Whatever it is, go ahead and set that up."

0:27:110:27:14

It's not just about ourselves, there's a lot of other bands on,

0:27:140:27:17

so it's going to be a real tough one,

0:27:170:27:19

we could probably be here overnight tonight,

0:27:190:27:21

just to get this stuff built, it's what we have to do.

0:27:210:27:23

# As the guards march me out to the courtyard... #

0:27:250:27:28

Just waiting for these lights to go up and then we'll bring the carts in

0:27:280:27:32

and try to get the set built and as much as we can tonight.

0:27:320:27:35

And now this is the fun part of festivals

0:27:350:27:37

where we have to take certain bits of it apart

0:27:370:27:40

and move it for the other bands to get on and off.

0:27:400:27:42

Luckily, on this one, we're hoping we can leave the riser

0:27:440:27:48

and the two back-line carts.

0:27:480:27:49

The next problem is created because of this,

0:27:510:27:53

because normally when we would roll these carts on, we'd have room here,

0:27:530:27:56

but, obviously, today we haven't because of the structure,

0:27:560:27:58

so where the guitar amps would live here,

0:27:580:28:00

Sean Brady, as well, looks after Adrian Smith,

0:28:000:28:03

that cart would come crashing straight through it.

0:28:030:28:06

So we've got to make sure that we let everybody know, because

0:28:060:28:08

they're going to build all their kit tomorrow while we're not here.

0:28:080:28:11

That's the thing we do in festivals.

0:28:110:28:13

Every day we have to change the plot,

0:28:130:28:15

every day there's a new problem.

0:28:150:28:17

Here we are at Soundwave, the first day, Brisbane, 47,500,

0:28:180:28:22

sold out a while ago.

0:28:220:28:24

A lot of great bands, we're going to play to a whole load of people

0:28:240:28:27

we haven't played to before.

0:28:270:28:29

We've only played Brisbane once in the last 20-odd years,

0:28:290:28:31

that was last time, we did about 12,000 people,

0:28:310:28:34

so there's got to be a big amount of travellers.

0:28:340:28:37

30,000 haven't seen us before,

0:28:370:28:39

so it's going to be interesting, it's going to be fun.

0:28:390:28:41

It's always good to play to a new audience,

0:28:410:28:43

because it makes them work hard to get them into the family. I'm expecting a good day.

0:28:430:28:47

Always love playing Australia, the Soundwave festivals were fantastic.

0:28:470:28:51

Back stage was really nice,

0:28:510:28:53

and we had, you know, that guy turn up with the weird animals,

0:28:530:28:56

and seeing other bands - its nice to do gigs with other bands,

0:28:560:29:00

because we're normally quite isolated, we do our shows,

0:29:000:29:03

we get our audience, which is great, but it's nice to get the energy.

0:29:030:29:06

There's a different energy at those festivals.

0:29:060:29:09

# Happy birthday, dear Adrian... #

0:29:100:29:13

Thank you very much.

0:29:130:29:14

# Happy birthday to you. #

0:29:140:29:17

You're doing this just for the cameras, aren't you?!

0:29:170:29:21

# And many more. #

0:29:210:29:22

Woo-hoo!

0:29:220:29:24

I've still got it mate, I've still got it!

0:29:240:29:26

MUSIC: "Hallowed Be Thy Name"

0:29:260:29:28

# Whoa

0:29:280:29:29

# Whoa

0:29:290:29:30

# Whoa

0:29:300:29:32

# Whoa

0:29:350:29:37

# Whoa. #

0:29:370:29:41

We're going to have a late loading,

0:29:440:29:46

so it's going to be a rush for us tomorrow,

0:29:460:29:48

we just land straight for the gig

0:29:480:29:49

and then if the trucks are there, load it in straight away.

0:29:490:29:52

We're looking at about one o'clock, I believe.

0:29:520:29:56

Come down.

0:29:560:29:57

The chain hook has come out the top of the piece,

0:29:570:30:00

there's no way of lifting this up,

0:30:000:30:01

and we have to lift this up to dismantle it.

0:30:010:30:03

Robin, put yourself in there, right? I'm going to send you up a rope.

0:30:030:30:09

There's no physical structure down there,

0:30:090:30:11

it's just the actual curtain side of the stage,

0:30:110:30:13

and obviously working up there in the dark with no safety rails

0:30:130:30:15

and stuff they've gotta stay clipped on to at least two points.

0:30:150:30:19

If one of them guys falls... No rock and roll show's worth that,

0:30:190:30:22

so it literally is that classic story of safety first, you know?

0:30:220:30:26

Andy's just putting a rope across it now

0:30:270:30:29

just so that we can keep the weight of the tower.

0:30:290:30:31

The danger is with the chain that's on

0:30:310:30:33

it could swing about 20 foot across the stage,

0:30:330:30:35

hit some lights and bring the lights down on everybody,

0:30:350:30:37

so it's slowly, slowly, catchy, monkey on this one, I'm afraid.

0:30:370:30:41

Nobody got hurt, mate, most important thing,

0:30:430:30:45

nothing else really matters today, Andy.

0:30:450:30:48

Yeah, a serious pack up, this time.

0:30:510:30:53

We have to trim down back to our fighting weight of 12 tons,

0:30:530:30:57

so that means our rolling set has to be packed into a sea container

0:30:570:31:01

to go forth to England for the summer tour,

0:31:010:31:04

and then there's the normal stuff

0:31:040:31:06

that goes into the back of Ed Force One,

0:31:060:31:09

so it'll be a little bit longer load out and more breaking apart of things

0:31:090:31:12

that normally we'd just throw right in the truck, use it the next day.

0:31:120:31:16

My boys did an hour and 15 minute load out the last show,

0:31:160:31:18

it was really, really good.

0:31:180:31:19

Thank you and goodnight, Australia!

0:31:190:31:22

February 9th we started this part of the tour,

0:31:270:31:30

and today we're in Adelaide, it's the 6th March,

0:31:300:31:33

and so far it's 18,000 shots.

0:31:330:31:36

I'm averaging about 1,000 pictures per show,

0:31:360:31:39

and then you've got all the shots that come outside of that

0:31:390:31:43

with the plane, with the loadings and hotels and things like that.

0:31:430:31:46

But at the moment it's 18,000.

0:31:460:31:48

My job is to edit them down to the cream of the crop

0:31:480:31:51

and they're the ones that go out.

0:31:510:31:53

We're just about to take some nice portraits of the band

0:31:530:31:57

in front of the plane, and you would think

0:31:570:32:00

this sort of thing would be simple, but it isn't.

0:32:000:32:02

It involves many people clearing runways and taxi ways,

0:32:020:32:06

getting special permission to park the plane here

0:32:060:32:09

so we haven't got a load of clutter behind it.

0:32:090:32:11

And also we're getting the wind moved,

0:32:120:32:14

so it's blowing in the other direction,

0:32:140:32:16

so it'll be better for the pictures(!)

0:32:160:32:18

If only that was true!

0:32:180:32:20

We then headed to Japan, which was a really exciting time for us.

0:32:430:32:48

We were going to do two shows in Tokyo,

0:32:480:32:51

everyone was looking forward to the show so much,

0:32:510:32:54

and certainly, from the advance point of view,

0:32:540:32:56

everything had gone very smoothly

0:32:560:32:58

and everything was in place for the two Tokyo shows.

0:32:580:33:02

We were up in the air, about ten minutes away

0:33:020:33:09

from landing at Tokyo, when they had a massive earthquake.

0:33:090:33:12

BRUCE: 'We haven't any further details on the quake

0:33:120:33:16

'at the moment, simply that obviously it's fairly serious,

0:33:160:33:19

'the whole of the airports in the region are closed

0:33:190:33:23

'and there is no determination

0:33:230:33:26

'as to when they will be able to accept aircraft.'

0:33:260:33:29

'Air traffic control, as you can imagine,

0:33:290:33:31

'is under quite some stress at the moment.'

0:33:310:33:34

'We have made a decision early to go to Nagoya,

0:33:340:33:40

'where we will get on the ground and find out what the situation is,

0:33:400:33:43

'put some more petrol on the aeroplane

0:33:430:33:45

'and then see how we can resolve the situation.'

0:33:450:33:50

We've landed now in Nagoya, a lot of airplanes are all diverting,

0:33:500:33:54

it sounds very serious, there's an 8.8 magnitude quake,

0:33:540:33:59

just north of Narita.

0:33:590:34:02

We can't get hold of anyone in Tokyo,

0:34:020:34:05

all the phone lines are down, all the cell...

0:34:050:34:07

I got through to a landline

0:34:070:34:08

but there was a recorded message in Japanese

0:34:080:34:10

which, of course, I don't understand.

0:34:100:34:12

If there's going to be a show, I think the sensible thing

0:34:120:34:15

at the moment, for us, would probably be to leave the aeroplane here,

0:34:150:34:19

truck the equipment in and out, if there's going to be a show.

0:34:190:34:22

By the sounds of it, that's sounding increasingly unlikely.

0:34:220:34:26

The show must go on,

0:34:260:34:29

but we really don't know what's happening there at the moment.

0:34:290:34:32

So it's a question of do we stay here?

0:34:320:34:35

The airports are still closed, both airports are closed in Tokyo,

0:34:350:34:39

so that means there's something relatively serious,

0:34:390:34:41

and we'll figure it out.

0:34:410:34:44

There's a rumour that there's a 20-metre tsunami.

0:34:440:34:47

Now, how... As we said, we just don't know at the moment.

0:34:470:34:50

So here we are, you know, it's the morning after,

0:34:540:34:57

we're still having shakes and quakes and stuff going on, aftershocks,

0:34:570:35:01

but we're in Nagoya, you know, safe.

0:35:010:35:02

We're about to get back on our buses,

0:35:020:35:05

we're going to head back to the aeroplane

0:35:050:35:06

now that we have a game plan and a decision,

0:35:060:35:08

and we're going to fly onto Mexico via Hawaii.

0:35:080:35:13

-Griffin?

-Hello.

-Thank you.

0:35:130:35:15

That morning, the first show was cancelled.

0:35:150:35:18

It seemed fairly obvious as the news unfolded

0:35:180:35:20

that the second show would be cancelled.

0:35:200:35:22

In light of everything else, that's all pretty secondary.

0:35:230:35:27

We just send our love and best wishes

0:35:270:35:29

to all Japanese fans and Japanese people.

0:35:290:35:32

CROWD: Maiden, Maiden, Maiden!

0:35:330:35:36

Right, so here I am, just collecting the washing

0:35:400:35:44

that I don't want to put in the dryer, just stuff that's air dried.

0:35:440:35:48

This is my wardrobe room today, it's a bit dark and a bit messy.

0:35:480:35:53

I just basically look after the band, as in stage clothes-wise,

0:35:530:35:58

but if they ever need anything,

0:35:580:36:00

I'm usually the one to run and fetch things if they need it.

0:36:000:36:03

I'd describe this job as balancing six plates.

0:36:030:36:07

So this is the lounge area.

0:36:070:36:09

They've done a pretty good job today,

0:36:090:36:12

it's always different every show.

0:36:120:36:15

These are the drum heads, so I have a stash

0:36:150:36:18

and put out three every show for Nicko to sign

0:36:180:36:20

so that he can throw them at the end of the show.

0:36:200:36:22

MUSIC: "Fear Of The Dark"

0:36:280:36:30

# Sometimes when you're scared to take a look

0:36:300:36:33

# At the corner of the room

0:36:330:36:34

# You've sensed that something's watching you

0:36:340:36:38

# Fear of the dark

0:36:380:36:40

# Fear of the dark

0:36:400:36:42

# I have constant fear that something's always near

0:36:420:36:46

# Fear of the dark

0:36:480:36:50

# Fear of the dark... #

0:36:500:36:52

It's a digital desk, it's got the capabilities of 120 inputs,

0:36:520:36:57

30 outputs. We actually use 22 of those.

0:36:570:37:01

There's actually 20 mixes,

0:37:010:37:04

everything's different, totally, totally different.

0:37:040:37:08

If the band want to hear certain things, if they can't hear

0:37:080:37:11

a certain thing on the side of the stage,

0:37:110:37:13

if they want to listen to that.

0:37:130:37:15

We actually go around and make sure that everything's

0:37:150:37:18

working properly so it's all blending, hopefully, together.

0:37:180:37:22

Then we get the guys to actually make some noise.

0:37:220:37:25

HE PLAYS A HEAVY TUNE

0:37:250:37:27

We can't bring a lot of our cases, trunks and things,

0:37:280:37:32

so all the guitars, keyboards, have to travel separately.

0:37:320:37:35

I had to clear out about a third of my workbox

0:37:350:37:38

to make space for other people and to get the weight down.

0:37:380:37:40

I think the best way to talk about things with Steve

0:37:410:37:45

is there is very little to say,

0:37:450:37:46

which is how he prefers it, and I've been with him a long time

0:37:460:37:49

and pretty much anticipate what he might be wanting.

0:37:490:37:52

He knows more about my gear than I do and I'm lost without him.

0:37:520:37:55

He also plays keyboards, as people know.

0:37:550:37:57

I don't actually consider myself to be a keyboard player as such,

0:37:570:38:00

but I can do the stuff that Maiden requires,

0:38:000:38:03

and some of it's not simple.

0:38:030:38:06

Here's the rig.

0:38:190:38:20

We've got all sorts of things in there, you've got wireless,

0:38:200:38:23

he uses wireless on a couple of songs,

0:38:230:38:25

songs like Iron Maiden, where they like to do

0:38:250:38:27

a swinging guitar around his head.

0:38:270:38:29

This is a Pete Cornish unit, it's got pedals built into it,

0:38:290:38:32

and I control the pedals from here.

0:38:320:38:34

Justin Garrick, the man who looks after all my gear,

0:38:340:38:38

does a fantastic job.

0:38:380:38:40

He presses all the buttons for me,

0:38:400:38:42

gets everything together that I need, fixes the guitars,

0:38:420:38:44

fixes the amps, and there's a lot of fixing to be done.

0:38:440:38:47

So on tour we have to bring spares for everything,

0:38:470:38:49

I mean, even on this tour I have changed a pick up on this tour,

0:38:490:38:54

volume pots, things like this go when, you know,

0:38:540:38:56

you spin them around or throw them, sweat gets in them,

0:38:560:38:59

so all these things get changed out so we have spares.

0:38:590:39:01

It's not a daily thing,

0:39:010:39:03

but it's things that may happen once on a tour.

0:39:030:39:06

And he's a very, very competent guy, and not only that,

0:39:060:39:08

he's worked with Ronnie Wood, he's worked with Razorlight.

0:39:080:39:12

He's a tremendous asset to Iron Maiden

0:39:120:39:14

and I'm really thankful that we've found him.

0:39:140:39:17

Well, my world, my name is Sean Brady,

0:39:190:39:22

and I'm Adrian Smith's butler.

0:39:220:39:23

I rely on Sean a lot, because my set-up is not very high-tech,

0:39:230:39:28

so, you know, if I'm taking a solo, for example,

0:39:280:39:30

Sean usually punches my effects in.

0:39:300:39:33

It's also a question of, you know,

0:39:330:39:36

the less wiring you have on stage, the better the sound.

0:39:360:39:39

It's a 100-watt amplifier, of course, not a 50 and not even 101,

0:39:390:39:44

because we don't go to 11 here. As you can see, we only go to ten.

0:39:440:39:49

We've looked into 11

0:39:490:39:50

but it has been patented by a certain other English rock act.

0:39:500:39:54

Yeah, Sean puts up with my moods now and again, you know,

0:39:540:39:58

when things aren't going well, and calms me down a bit,

0:39:580:40:01

and we have a good rapport, you know?

0:40:010:40:05

Usually I have masses of gear, you never know what you're going

0:40:100:40:12

to need, but you know, we work it out down to pretty much

0:40:120:40:15

the nearest amount of strings we're going to need.

0:40:150:40:20

Colin, my guitar tech, has been absolutely tremendous,

0:40:210:40:24

he's been with me now for a few years

0:40:240:40:27

and there's a great working relationship.

0:40:270:40:29

He always kind of knows what sound I'm looking for.

0:40:290:40:31

Everybody keeps coming along and making notes of all these dials

0:40:310:40:35

to get that perfect Davey tone,

0:40:350:40:37

and I just keep doing that, because none of them work!

0:40:370:40:39

We're out there to do a job and to play,

0:40:390:40:43

but then at the same time, you know, we have a laugh.

0:40:430:40:45

The difference is I have six flight cases when we do a normal tour

0:40:470:40:50

with trucks in Europe and America.

0:40:500:40:53

On this, I've got... I think it's 26 pieces.

0:40:530:40:56

Charlie's been with me now for, I can't remember, eight years,

0:40:560:41:00

something like that, maybe nine.

0:41:000:41:02

He's a fantastic drum tech, he's the only drum tech I've ever had

0:41:020:41:05

that I allow to tune my drums for me. I'd showed him

0:41:050:41:08

how I tuned them and tone wise, the difference between each drum.

0:41:080:41:12

The tuning's got to be bang on, and when you've got nine toms,

0:41:120:41:17

it's quite difficult.

0:41:170:41:19

And the cymbals. Everything, just the angles of everything,

0:41:190:41:22

he notices everything and he'll sit there sometimes

0:41:220:41:25

and just close his eyes and just do this with the stick.

0:41:250:41:27

And he'll straight away, and you're talking a couple of millimetres.

0:41:270:41:31

But it really is very essential,

0:41:310:41:33

because it's like a precision instrument, my drum kit,

0:41:330:41:35

if one part of it's out, the whole thing's completely...

0:41:350:41:39

I'll sit there and if one thing is out on this side of the drums,

0:41:390:41:43

by the time you get up here it's way out of position.

0:41:430:41:45

But Charlie is very, very good.

0:41:450:41:47

MUSIC: "2 Minutes To Midnight"

0:41:470:41:50

# Midnight

0:41:530:41:56

# All night. #

0:41:560:41:58

CHEERING

0:41:580:42:01

Oh, yeah!

0:42:010:42:03

-BLEEP

-great audience, phenomenal!

0:42:040:42:07

This is for the people in Japan tonight.

0:42:080:42:10

MUSIC: "The Talisman"

0:42:100:42:13

# When I stand and look About the port

0:42:180:42:22

# And contemplate my life... #

0:42:220:42:24

We're in Monterrey, Mexico,

0:42:260:42:27

it's really early o'clock in the morning,

0:42:270:42:29

we basically got out of bed at four o'clock, three thirty,

0:42:290:42:32

after a great show last night, and by the time we'd loaded

0:42:320:42:36

and got to bed, it was one o'clock in the morning. So you do the math.

0:42:360:42:40

that's about three hours sleep for some, if we're lucky.

0:42:400:42:44

You know, it's tough because you're doing lots of flights,

0:42:440:42:47

the crew sleep less than probably we do, but you know,

0:42:470:42:50

they're just trying to cram in a bit of sleep here and there.

0:42:500:42:53

You find odd guys lying across flight cases and things like that,

0:42:530:42:56

just trying to grab a couple of hours' sleep,

0:42:560:42:58

because it's tough on them.

0:42:580:42:59

So we arrived here yesterday,

0:43:100:43:12

we arrived late last night from Lima, Peru on Ed Force One.

0:43:120:43:15

Came in early this morning, we've got gear coming from all over,

0:43:150:43:20

we've got the Big Eddie's coming on the sea container from the UK,

0:43:200:43:22

we have towers that we flew airfreight over from Australia,

0:43:220:43:26

we have the goat that's back out, and we have other bits and pieces,

0:43:260:43:29

so it's a full-production Maiden show, hence the extra day.

0:43:290:43:34

We also have our moving motors which is...

0:43:340:43:37

We have parts of the lighting rig move and give it a spaceship effect.

0:43:370:43:41

You know, we don't have the luxury of using that everywhere we go,

0:43:410:43:44

basically because the technology that you need to use it

0:43:440:43:47

is not available everywhere, you just can't get it,

0:43:470:43:49

and it's quite costly to fly it around.

0:43:490:43:51

But we do have it for these big shows.

0:43:510:43:53

We've been going through this tour with basic set and six drapes,

0:43:530:43:57

but there's four shows here -

0:43:570:44:00

Sao Paulo, Rio, Chile and Argentina - which we'll put a full show in,

0:44:000:44:05

which includes two other drapes.

0:44:050:44:07

We've got the devil goat and, of course, the Big Eddie at the back.

0:44:070:44:12

Big Eddie is in those two carts.

0:44:120:44:14

Big Eddie, he's a one off, bespoke.

0:44:150:44:18

He's a great big fibreglass and metal structure.

0:44:180:44:21

It comes together in the two biggest boxes you've ever seen in your life.

0:44:210:44:24

We're going to places that on a normal, routine tour

0:44:460:44:50

you would never, ever go to, you'd fly over,

0:44:500:44:52

and so we find ourselves in places like Belem in North Brazil,

0:44:520:44:56

just on the edge of the rainforest, and my goodness, did it rain!

0:44:560:45:00

They don't call it the rainforest for nothing, I suppose.

0:45:030:45:05

This is the second day of torrential rain we've had,

0:45:050:45:08

pretty typical for this area.

0:45:080:45:10

Well, a little stronger than normal, we've been told.

0:45:110:45:13

You know, it builds up, all the heat comes out the jungle,

0:45:130:45:16

moisture comes into the air, and then about 2:30 in the afternoon

0:45:160:45:20

it all falls out again, and today it's falling on top of us.

0:45:200:45:23

So anyway, loads of plastic, loads of sweeping,

0:45:230:45:27

trying to keep the equipment dry,

0:45:270:45:28

lots of mosquitoes, dengue fever, torrential rains,

0:45:280:45:33

but, yeah, definitely beats a nine to five job, I can tell you that much!

0:45:330:45:37

CROWD: Maiden, Maiden!

0:45:400:45:41

It's our Amazonian angel, Eddie.

0:45:480:45:51

Maiden!

0:45:530:45:54

We're about three and a half hours away from doors,

0:45:540:45:58

and there's some more thunder, and it'll be another great show tonight,

0:45:580:46:02

you know, it's going to be packed out, really excited Brazilian fans,

0:46:020:46:05

have not seen Maiden yet in this area.

0:46:050:46:08

In fact, very few bands have actually been up this way,

0:46:080:46:10

so that adds some extra excitement for some life-long Maiden fans

0:46:100:46:14

that are going to get to see them for the first time

0:46:140:46:17

up here in the Amazon Basin, in the jungles of Brazil.

0:46:170:46:20

MUSIC: "When The Wild Wind Blows"

0:46:200:46:22

# Hey

0:46:220:46:23

# Hey, hey

0:46:230:46:25

# Hey... #

0:46:250:46:27

-AUDIENCE CHANT:

-Hey! Hey! Hey!

0:46:270:46:31

# He sees the picture on the wall

0:46:410:46:44

# It's falling down

0:46:440:46:46

# Upside down... #

0:46:460:46:48

Somebody, who will remain nameless,

0:46:490:46:51

decided to film a new DVD in Santiago and Buenos Aires

0:46:510:46:57

due to the fact of the good crowd reactions and such.

0:46:570:47:01

All the logistics were put together, months and months,

0:47:010:47:04

sea containing out the Big Eddie.

0:47:040:47:06

Air freighting in the towers, extra drapes.

0:47:060:47:10

We did rock in Rio, but it just seemed the turn to go further south.

0:47:100:47:14

Six o'clock in the morning we got up,

0:47:210:47:24

and as you can see, it's still dark,

0:47:240:47:26

it looks more like the end of a load out than a load in.

0:47:260:47:29

Yeah, early start today, big, big show,

0:47:290:47:31

the crew's been at it all night, moved down here yesterday.

0:47:310:47:34

Yeah, this is Chile's national stadium.

0:47:340:47:36

They were going to pull it down

0:47:360:47:39

but then they decided to keep it as a monument.

0:47:390:47:41

A monument to all the people that were killed in here by Pinochet,

0:47:410:47:45

this is one of the places where he executed thousands of people -

0:47:450:47:48

they reckon up to 100,000 people were killed during his dictatorship,

0:47:480:47:54

that's not that long ago, 1973.

0:47:540:47:57

But we're here for something a bit more lively.

0:47:570:48:00

It can be quite distracting when you've got...

0:48:100:48:12

I think there was 20 or 30 cameras,

0:48:120:48:14

every note, every move you make's being recorded

0:48:140:48:17

but you've just got to try and forget about that.

0:48:170:48:20

Because there is limited space on the plane,

0:48:200:48:23

we have quite a small and compact and sophisticated recording system

0:48:230:48:26

which takes feeds from the front desk,

0:48:260:48:30

and we record everything digitally, and then we have a few other,

0:48:300:48:33

seven or 11 different microphones around to capture the audience.

0:48:330:48:37

The audience is an integral part of the Maiden experience,

0:48:370:48:40

I mean, the audience is something else, they sing every song,

0:48:400:48:43

every lyric, it's something to see.

0:48:430:48:46

The Santiago crowd was particularly animated.

0:48:460:48:49

60,000 people,

0:48:490:48:51

and I don't think there was anyone that wasn't singing along with them.

0:48:510:48:54

MUSIC: "Blood Brothers"

0:48:540:48:55

# We're blood brothers... # Chile!

0:48:550:48:58

# We're blood brothers

0:48:580:49:01

# We're blood brothers... # What are we?!

0:49:010:49:05

# We're blood brothers... #

0:49:050:49:08

Here we are, we're about to launch off from a murky Chile

0:49:110:49:14

towards Puerto Rico.

0:49:140:49:16

Out of here, obviously, it's seven hours and 16 minutes flight plan

0:49:160:49:20

going to Chile, going over the Andes pretty much straight away.

0:49:200:49:25

MUSIC: "Flight of Icarus"

0:49:250:49:26

# Fly on your way

0:49:260:49:29

# Like an eagle

0:49:290:49:31

# Fly as high as the sun

0:49:310:49:34

# On your wings like an eagle... #

0:49:340:49:39

The speed of a beast.

0:49:390:49:40

# Fly, touch the sun

0:49:400:49:44

# Yeah. #

0:49:440:49:45

Because of the size of the Iron Maiden shows,

0:49:520:49:54

screens are a really important part of the production.

0:49:540:49:58

We use a total of eight cameras, four main cameras

0:49:580:50:02

looking at all the band members which you have to direct and cue.

0:50:020:50:06

..finishing on four.

0:50:070:50:09

We carry three mini cameras of our own which go on Nicko.

0:50:090:50:13

There is one other camera, which, of course, Eddie has,

0:50:130:50:17

which gives us a good show to the screens.

0:50:170:50:20

We're here in Puerto Rico, three shows from the end.

0:50:200:50:24

We've had some interesting challenges along the way

0:50:240:50:27

with language barriers.

0:50:270:50:28

With a lot of these countries, you get what you're given,

0:50:280:50:32

and some of the kit I've seen has been hysterical,

0:50:320:50:35

I mean, it's like early '80's,

0:50:350:50:37

so you do have to take the rough with the smooth.

0:50:370:50:39

This has been slightly easier here in Puerto Rico.

0:50:390:50:43

It's been a very good meeting.

0:50:430:50:45

We have had pretty interesting runs in South America,

0:50:450:50:49

but this is a good one

0:50:490:50:50

and I've got a good feeling about the show tonight.

0:50:500:50:53

LYRICS: "Iron Maiden"

0:50:530:50:54

# Oh well, wherever, wherever you are

0:50:540:50:57

# Iron Maiden's going to get you, No matter how far

0:50:570:51:01

# See the blood flow watching it shed Up above my head

0:51:010:51:06

# Iron Maiden wants you for dead. #

0:51:060:51:10

CHEERING

0:51:100:51:12

PLANE ENGINES ROAR

0:51:120:51:14

So we do two shows in Florida, it was great,

0:51:180:51:20

and to finish up in Tampa, we hadn't been for 20 years or so,

0:51:200:51:24

it capped off the tour well.

0:51:240:51:26

I think, at the end, everyone was pretty well about time to go home.

0:51:260:51:29

And we're back in America now.

0:51:290:51:31

We've been through Chile again, which was a fantastic gig.

0:51:310:51:35

We've done Puerto Rico, and now we're in Florida

0:51:350:51:37

doing the last two gigs, and it's been an absolutely fantastic tour.

0:51:370:51:41

It's not doing the longest tour by any means,

0:51:410:51:44

but for some strange reason

0:51:440:51:46

having it on Ed Force One magnifies everything.

0:51:460:51:48

We really are living in a fish bowl.

0:51:480:51:49

You've spent time with everybody every day for months on end

0:51:490:51:52

when you're on tour, time zone to time zone, different languages,

0:51:520:51:56

different cultures, every day the equipment's different,

0:51:560:51:59

and we're all trying to make the show look and sound the same.

0:51:590:52:02

It's been great, it's been really good, the spirits have been high.

0:52:020:52:06

I think the band's enjoying it as well.

0:52:060:52:09

All in all, I've had a blast.

0:52:090:52:10

We're still standing, you know,

0:52:100:52:12

we might have aged a little bit, maybe a few chinks in the armour,

0:52:120:52:15

every night has been absolutely tremendous, you know,

0:52:150:52:18

and it's hard to determine one night as better than another

0:52:180:52:21

because they're all great.

0:52:210:52:23

With all the pre-work, the money, the agreements,

0:52:230:52:26

the hotels being provided, which hotels,

0:52:260:52:29

when can we land and when can't,

0:52:290:52:32

with all that pre-work, to actually make the tour work,

0:52:320:52:34

it's the crew who make it work.

0:52:340:52:36

We've got a really fantastic crew, and they all know what's needed,

0:52:360:52:40

they're all trying their hardest to get the show looking the best

0:52:400:52:43

it can be, and that's all you can ask of anybody, really.

0:52:430:52:46

Yeah, we're all mates,

0:52:460:52:47

we all watch each other's backs in difficult situations.

0:52:470:52:50

It's part of what it takes to be in a killer crew. I'm sure it's what makes us the best.

0:52:500:52:54

We're all very loyal to Maiden because they are to us,

0:52:540:52:57

it really is like one big family.

0:52:570:52:59

I wouldn't say one big happy family all the time!

0:52:590:53:02

There we go, this'll learn you!

0:53:020:53:04

To put that amount of people together

0:53:040:53:07

is quite a contrived scenario, but when you think about it

0:53:070:53:11

it's like any other regular family, but we're not related.

0:53:110:53:15

We're related through rock and roll!

0:53:160:53:18

MUSIC: "Coming Home"

0:53:180:53:20

# When I stand before you shining

0:53:200:53:22

# In the early morning sun

0:53:220:53:25

# When I feel the engines roar

0:53:250:53:28

# And I think of what we've done... #

0:53:280:53:31

It's been a great tour, we've done a lot of miles,

0:53:310:53:33

time for a break, recharge the batteries and get home

0:53:330:53:36

and put a few shelves up, bit of painting and decorating!

0:53:360:53:40

Well, it's the longest we've ever done, actually.

0:53:400:53:42

It felt like a really, really long time to be away.

0:53:420:53:45

Considering the first one was not much more than six weeks,

0:53:450:53:48

the extra three weeks, you know.

0:53:480:53:50

It's equivalent to 50,000 miles,

0:53:500:53:53

we've been around the planet twice in a couple of months,

0:53:530:53:55

you know, obviously we've spent a lot of it in South America,

0:53:550:53:59

When you go back, although we've been to a lot of places before,

0:53:590:54:02

it always feels new, and especially the audiences, as well,

0:54:020:54:06

they seem to be getting younger.

0:54:060:54:08

Nothing's perfect in this world

0:54:080:54:10

and we try to be the best you can be,

0:54:100:54:12

but at the end of the day, I think we've gone out there

0:54:120:54:14

and we've done the best we can in the given circumstances,

0:54:140:54:17

with quite a lot against us on this tour.

0:54:170:54:19

Yeah, we're on a private plane, but the distances are like,

0:54:190:54:22

you know, ten hours' flight or whatever,

0:54:220:54:24

I mean we actually went through the dateline from Japan to Hawaii

0:54:240:54:27

and then Mexico, and we got there before we left,

0:54:270:54:29

I mean, work that one out!

0:54:290:54:31

I actually had two days' birthdays, and who wants that at my age?

0:54:310:54:34

# Show me the way to go home

0:54:390:54:41

# I'm tired and I want to go to bed. #

0:54:410:54:43

Yee-ha, we're heading home!

0:54:430:54:45

See all them names on that side of the plane there?

0:54:450:54:48

It doesn't say England on the bottom,

0:54:480:54:50

but that's where we're going,

0:54:500:54:51

and that's where I'm looking forward to being.

0:54:510:54:54

We're coming home!

0:54:540:54:56

Is this the bus home, Mark?

0:54:560:54:58

OK, the flying bus home.

0:54:580:55:00

Yes, baby, yeah.

0:55:000:55:02

Success, triumph. Again.

0:55:030:55:06

It's been an emotional rollercoaster ride.

0:55:060:55:09

Good to be going home.

0:55:090:55:11

# I'm going home, I've done my time. #

0:55:110:55:13

I don't want to go. Not finished yet.

0:55:150:55:17

That's it, it's all over.

0:55:180:55:20

# When I see the runway lights

0:55:200:55:23

# In the misty dawn, the night is fading fast

0:55:230:55:29

# Coming home, far away

0:55:290:55:31

# As the vapour trails align

0:55:310:55:34

# Where I've been tonight

0:55:340:55:37

# You know I will not stay

0:55:370:55:41

# Coming home, far away

0:55:410:55:43

# When I see the runway lights

0:55:430:55:46

# In the misty dawn, the night is fading fast

0:55:460:55:52

# Coming home, far away

0:55:520:55:55

# As the vapour trails align

0:55:550:55:58

# Where I've been tonight

0:55:580:56:00

# You know I will not stay. #

0:56:000:56:06

Subtitles by Red Bee Media Ltd

0:56:310:56:34

Download Subtitles

SRT

ASS