Browse content similar to 1981. Check below for episodes and series from the same categories and more!
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MUSIC: "Chant No.1 (I Don't Need This Pressure On)" by Spandau Ballet | 0:00:40 | 0:00:44 | |
# I checked the time | 0:00:50 | 0:00:52 | |
# It was almost time A curious smell | 0:00:52 | 0:00:55 | |
# An intangible crime | 0:00:55 | 0:00:58 | |
# I'm washing my clothes But the stain still grows... # | 0:00:58 | 0:01:01 | |
We'll not let this interrupt us. | 0:01:01 | 0:01:03 | |
We've got one of the finest products and a fabulous team of people here. | 0:01:03 | 0:01:07 | |
We're going to let the world know we're still in business. | 0:01:07 | 0:01:10 | |
# It's my direction It's my proposal | 0:01:11 | 0:01:15 | |
# It's so hard It's leading me astray | 0:01:15 | 0:01:23 | |
# My obsession, it's my creation | 0:01:29 | 0:01:34 | |
# You'll understand It's not important now... # | 0:01:34 | 0:01:42 | |
They're set-up, self-styled | 0:01:42 | 0:01:44 | |
assassins, that's what they are. | 0:01:44 | 0:01:46 | |
And they're a Mafia-type gang. | 0:01:46 | 0:01:49 | |
We have them on both sides of the community. | 0:01:49 | 0:01:52 | |
They decide who they're going to kill, | 0:01:52 | 0:01:55 | |
and attempt to carry that out and succeed on many occasions. | 0:01:55 | 0:01:58 | |
But we will pursue them. | 0:01:58 | 0:02:00 | |
# All I need is coordination | 0:02:17 | 0:02:21 | |
# I can't imagine my destination. # | 0:02:21 | 0:02:26 | |
The BBC History Of Ireland reached its final episode last night. | 0:02:26 | 0:02:30 | |
More than 600 minutes have been devoted to this vast topic | 0:02:30 | 0:02:34 | |
from the earliest days to the present Troubles. | 0:02:34 | 0:02:36 | |
I thought it was very one-sided. | 0:02:36 | 0:02:38 | |
In what way? | 0:02:38 | 0:02:40 | |
All I could see were all these Orange parades. | 0:02:40 | 0:02:43 | |
That's all I could see. | 0:02:43 | 0:02:44 | |
I only saw one nationalist parade. | 0:02:44 | 0:02:47 | |
The rest was all 12th July celebrations. | 0:02:47 | 0:02:49 | |
The first time I seen it, they were always blaming it on Protestants, | 0:02:49 | 0:02:53 | |
whoever was commentating on it. | 0:02:53 | 0:02:55 | |
I personally thought that we've had too much of that in this country. | 0:02:55 | 0:02:58 | |
-Too much of what? -Although I watched it. | 0:02:58 | 0:03:00 | |
Very, very good. There's a lot of young people now that | 0:03:00 | 0:03:04 | |
didn't really know about the Troubles now. | 0:03:04 | 0:03:06 | |
They were really interested. Like my own one, you know. | 0:03:06 | 0:03:10 | |
Although all my wee lads are all in Long Kesh. | 0:03:10 | 0:03:13 | |
I thought it was a very biased and very unevenly balanced programme, | 0:03:13 | 0:03:18 | |
in regard to the present day outline of events. | 0:03:18 | 0:03:23 | |
# Pressure pushing down on me | 0:03:23 | 0:03:27 | |
# Pressing down on you | 0:03:27 | 0:03:29 | |
# No man asks for | 0:03:29 | 0:03:32 | |
# Under pressure | 0:03:32 | 0:03:33 | |
# That burns a building down | 0:03:33 | 0:03:35 | |
# Splits a family in two | 0:03:35 | 0:03:38 | |
# Puts people on streets | 0:03:38 | 0:03:40 | |
# Umm bah bah bay | 0:03:40 | 0:03:42 | |
# Umm bah bah bay | 0:03:42 | 0:03:44 | |
# Ea day da | 0:03:44 | 0:03:47 | |
# Ea day da That's OK | 0:03:47 | 0:03:48 | |
# It's the terror of knowing What this world is about | 0:03:48 | 0:03:53 | |
# Watching some good friends screaming, "Let me out" | 0:03:53 | 0:03:57 | |
# Pray tomorrow takes me higher | 0:03:57 | 0:04:01 | |
# Pressure on people People on streets | 0:04:01 | 0:04:06 | |
# Day day day | 0:04:06 | 0:04:09 | |
# Buh da bah bah bah OK! | 0:04:09 | 0:04:12 | |
# Chippin' around Kick my brains 'round the floor | 0:04:16 | 0:04:18 | |
# These are the days It never rains but it pours... # | 0:04:18 | 0:04:24 | |
'There is no such thing as political murder, political bombing | 0:04:24 | 0:04:27 | |
'or political violence.' | 0:04:27 | 0:04:29 | |
There's only criminal murder, criminal bombing | 0:04:29 | 0:04:32 | |
and criminal violence. | 0:04:32 | 0:04:34 | |
Hear, hear. > | 0:04:34 | 0:04:35 | |
We will not compromise on this. | 0:04:35 | 0:04:39 | |
There will be no political status. | 0:04:39 | 0:04:42 | |
# Knowing what this world is about | 0:04:42 | 0:04:44 | |
# Watching some good friends screaming... # | 0:04:44 | 0:04:46 | |
They are discussing the constitution. | 0:04:46 | 0:04:49 | |
This will all come out in the wash. | 0:04:49 | 0:04:51 | |
And I brand her exactly as Nick Winterton did - | 0:04:51 | 0:04:55 | |
she's lying through her teeth. | 0:04:55 | 0:04:58 | |
# She wonders how she ever got here As she goes under again... | 0:04:58 | 0:05:02 | |
-# Girls on film -Two minutes later | 0:05:07 | 0:05:11 | |
# Girls on film | 0:05:11 | 0:05:15 | |
-# Girls on film -We got your picture | 0:05:15 | 0:05:18 | |
# Girls on film... # | 0:05:18 | 0:05:21 | |
MUSIC: "Don't You Want Me" by The Human League | 0:05:25 | 0:05:27 | |
Hunger strike prisoner Bobby Sands has won the by-election | 0:05:31 | 0:05:34 | |
in Northern Ireland, by a narrow majority, | 0:05:34 | 0:05:37 | |
but it's still a propaganda boost for the IRA. | 0:05:37 | 0:05:40 | |
Sands, Bobbie, Anti-H-Block, Armagh, | 0:05:40 | 0:05:45 | |
Political Prisoner - 30 thousand... | 0:05:45 | 0:05:48 | |
MAN CHEERS | 0:05:48 | 0:05:50 | |
..492. | 0:05:50 | 0:05:52 | |
# I picked you out, I shook you up And turned you around | 0:05:52 | 0:05:57 | |
# Turned you into someone new | 0:05:57 | 0:06:00 | |
# Now, five years later on you've got the world at your feet... # | 0:06:00 | 0:06:05 | |
I have left with them, this appeal, | 0:06:05 | 0:06:08 | |
in the fervent hope that sometime, somehow, this appeal | 0:06:08 | 0:06:14 | |
will be instrumental in bringing about | 0:06:14 | 0:06:16 | |
a peaceful and lasting solution | 0:06:16 | 0:06:18 | |
to the dangerous and tragic situation which has arisen. | 0:06:18 | 0:06:22 | |
< Do you think, if he does go into a coma, | 0:06:22 | 0:06:24 | |
< you would you give authorisation for him to be intravenously fed? | 0:06:24 | 0:06:28 | |
No, he told me not to. | 0:06:28 | 0:06:29 | |
It's a sad thing to say, and I feel... | 0:06:29 | 0:06:33 | |
I love my son, just like any other mother does. | 0:06:33 | 0:06:37 | |
But I wouldn't. I can't. | 0:06:37 | 0:06:39 | |
He asked me not to. I've promised him not to. | 0:06:39 | 0:06:42 | |
MUSIC: "In the Air Tonight" by Phil Collins | 0:06:42 | 0:06:46 | |
# I can feel it coming in the air tonight | 0:07:03 | 0:07:09 | |
# Oh, lord | 0:07:09 | 0:07:11 | |
# I've been waiting for this moment for all my life | 0:07:14 | 0:07:19 | |
# Oh, lord | 0:07:19 | 0:07:22 | |
# Can you feel it coming in the air tonight? | 0:07:23 | 0:07:28 | |
# Oh, lord | 0:07:30 | 0:07:32 | |
# Oh, lord | 0:07:32 | 0:07:34 | |
# Well, if you told me you were drowning | 0:07:42 | 0:07:47 | |
# I would not lend a hand... # | 0:07:47 | 0:07:51 | |
I just plead to the parents to keep their kids in because | 0:07:51 | 0:07:55 | |
I don't want their parents to go through what I'm going through. | 0:07:55 | 0:07:59 | |
# I don't know if you know who I am | 0:07:59 | 0:08:02 | |
# I was there and I saw what you did | 0:08:02 | 0:08:07 | |
# I saw it with my own two eyes | 0:08:07 | 0:08:12 | |
# So you can wipe off that grin | 0:08:12 | 0:08:15 | |
# I know where you've been | 0:08:15 | 0:08:18 | |
# It's all been a pack of lies | 0:08:18 | 0:08:20 | |
# I can feel it coming in the air tonight | 0:08:24 | 0:08:29 | |
# Oh, lord | 0:08:31 | 0:08:33 | |
# Well, I've been waiting for this moment for all my life | 0:08:33 | 0:08:40 | |
# Oh, lord. # | 0:08:40 | 0:08:42 | |
We have seen today the funeral of a man who took his own life, | 0:08:42 | 0:08:46 | |
either by his own decision | 0:08:46 | 0:08:48 | |
or because those behind him had felt it was in the interest | 0:08:48 | 0:08:53 | |
of their cause that he should die. | 0:08:53 | 0:08:55 | |
Whatever the reason, | 0:08:55 | 0:08:58 | |
it was a tragedy that he should have added his name | 0:08:58 | 0:09:01 | |
to the list of those, in Northern Ireland, who have died | 0:09:01 | 0:09:04 | |
as a result of a campaign which can contribute nothing. | 0:09:04 | 0:09:09 | |
MUSIC: "Einstein A Go-Go" by Landscape | 0:09:09 | 0:09:11 | |
"Card, castle, pull, bullet, hand." | 0:09:19 | 0:09:21 | |
Now, Doctor, where would you say this man's from? | 0:09:21 | 0:09:24 | |
I'd say he's from West Belfast, > is that right? | 0:09:24 | 0:09:26 | |
I am indeed, yes. | 0:09:26 | 0:09:28 | |
"Card, castle, pull, bullet, hand." What does that mean? | 0:09:28 | 0:09:31 | |
We'll ask this man. What does this mean? | 0:09:31 | 0:09:33 | |
It's just a number of words to read | 0:09:33 | 0:09:36 | |
to work out just what your accent is, what accent you have | 0:09:36 | 0:09:39 | |
-and where you might come from. -Belfast. -Where are you from? | 0:09:39 | 0:09:42 | |
I live here. Up the street there. | 0:09:42 | 0:09:44 | |
-Right, cheerio now. -OK. | 0:09:44 | 0:09:47 | |
MUSIC: "Ghost Town" by The Specials | 0:09:47 | 0:09:50 | |
Do believe your brother's death | 0:10:06 | 0:10:08 | |
will make any difference to their attitude? | 0:10:08 | 0:10:10 | |
Hopefully, yes. | 0:10:10 | 0:10:12 | |
But I would just like to say that Margaret Thatcher | 0:10:12 | 0:10:15 | |
and the British government has murdered my brother. | 0:10:15 | 0:10:18 | |
Francis' blood is in Margaret Thatcher's hands. | 0:10:18 | 0:10:21 | |
# Have been closed down | 0:10:21 | 0:10:25 | |
# This place is 'coming like a ghost town | 0:10:25 | 0:10:32 | |
# Bands won't play no more | 0:10:32 | 0:10:37 | |
# Too much fighting on the dance floor... # | 0:10:37 | 0:10:39 | |
What was your | 0:11:17 | 0:11:18 | |
attitude to the security forces before Carol Ann was killed? | 0:11:18 | 0:11:22 | |
I didn't... I bothered with nobody. | 0:11:22 | 0:11:24 | |
I was never even outside. | 0:11:24 | 0:11:26 | |
They used to come and stand at the gate. I never bothered with them. | 0:11:26 | 0:11:29 | |
But after Carol Ann was killed, yes. Definitely. I hate them now. | 0:11:29 | 0:11:33 | |
I'm very bitter towards them. Especially the one that killed her. | 0:11:33 | 0:11:37 | |
MUSIC: "The Lunatics Have Taken Over The Asylum" by Fun Boy Three | 0:11:37 | 0:11:41 | |
It's very curious, the Army's attitude towards the computer. | 0:12:00 | 0:12:04 | |
Until 1975, you could chat with them freely and they'd tell you about | 0:12:04 | 0:12:08 | |
certain things about the computer. They'd do little tricks - | 0:12:08 | 0:12:11 | |
"Would you like to know what colour such and such's wallpaper is," | 0:12:11 | 0:12:15 | |
"or what kind of settee he has?" | 0:12:15 | 0:12:17 | |
# The lunatics have taken over... # | 0:12:20 | 0:12:23 | |
Now they have clamped down a lot. | 0:12:23 | 0:12:25 | |
They're more security-conscious and publicity-conscious about it. | 0:12:25 | 0:12:28 | |
MUSIC: "One In Ten" by UB40 | 0:12:28 | 0:12:32 | |
'There are people who have been elected in this election, | 0:12:48 | 0:12:52 | |
'who are not very far from the gunmen.' | 0:12:52 | 0:12:54 | |
And I think that the people themselves will learn | 0:12:54 | 0:12:59 | |
to live with that and to recognise that | 0:12:59 | 0:13:03 | |
in the weeks and months ahead. | 0:13:03 | 0:13:05 | |
# Nobody knows me But I'm always there | 0:13:05 | 0:13:08 | |
# A statistical reminder of a world that doesn't care. # | 0:13:08 | 0:13:13 | |
We were sitting watching the TV | 0:13:24 | 0:13:26 | |
and we heard the noise. | 0:13:26 | 0:13:28 | |
I opened the door and I looked out | 0:13:28 | 0:13:30 | |
and the boys were all out there. | 0:13:30 | 0:13:32 | |
And the next thing, they all ran up the back here | 0:13:32 | 0:13:35 | |
and got up on my roof and started over there. | 0:13:35 | 0:13:39 | |
I came out and asked them to please go away from all of the pensioners. | 0:13:39 | 0:13:43 | |
And they never even took any heed to us at all, they kept on. | 0:13:43 | 0:13:46 | |
MUSIC: "It's Going To Happen" by The Undertones | 0:13:46 | 0:13:49 | |
# Happens all the time It's gonna happen, happen | 0:13:49 | 0:13:54 | |
# Till you change your mind | 0:13:54 | 0:13:56 | |
# It's gonna happen, happen Happens all the time | 0:13:56 | 0:14:00 | |
# It's gonna happen, happen. # | 0:14:00 | 0:14:03 | |
I wanted to buy something, | 0:14:06 | 0:14:08 | |
but they wouldn't let me get near the counters. | 0:14:08 | 0:14:10 | |
MUSIC: "It's Gonna Happen" by The Undertones | 0:14:10 | 0:14:13 | |
Faced now with the failure of their discredited cause, | 0:14:17 | 0:14:21 | |
the men of violence have chosen in recent months | 0:14:21 | 0:14:26 | |
to play what may well be their last card. | 0:14:26 | 0:14:30 | |
They have turned their violence against themselves, | 0:14:30 | 0:14:33 | |
through the prison hunger strike, to death. | 0:14:33 | 0:14:37 | |
They seek to work on the most basic of human emotions - pity - | 0:14:37 | 0:14:43 | |
as a means of creating tension | 0:14:43 | 0:14:45 | |
and stoking the fires of bitterness and hatred. | 0:14:45 | 0:14:49 | |
MUSIC: "It's Gonna Happen" by The Undertones | 0:14:49 | 0:14:52 | |
She may well defeat the prisoners, | 0:15:06 | 0:15:08 | |
and, if she does, it will be a parade victory | 0:15:08 | 0:15:10 | |
because what she will have done, and has done in fact already, | 0:15:10 | 0:15:14 | |
is to increase the capacity of the Provisional IRA | 0:15:14 | 0:15:17 | |
to continue with their military campaign. | 0:15:17 | 0:15:19 | |
MUSIC: "Boy Meets Girl" by Haircut 100 | 0:15:36 | 0:15:39 | |
The people who take part in the Troubles | 0:15:42 | 0:15:44 | |
are a very small section of the population. | 0:15:44 | 0:15:46 | |
If those people had been introduced to a challenging sport | 0:15:46 | 0:15:50 | |
at the proper stage in their lives, | 0:15:50 | 0:15:52 | |
I think they would get the same sense of adventure, the same challenge | 0:15:52 | 0:15:55 | |
and almost the same feeling from that as they would get | 0:15:55 | 0:15:59 | |
perhaps from throwing stones at soldiers. | 0:15:59 | 0:16:02 | |
Which, in some context, is a kind of recreation, I'm afraid. | 0:16:02 | 0:16:05 | |
We're standing faithful to Jesus Christ. | 0:16:11 | 0:16:14 | |
We're standing for the truth of God's precious word. | 0:16:14 | 0:16:18 | |
MUSIC: "Swords Of A Thousand Men" by Tenpole Tudor | 0:16:18 | 0:16:20 | |
MUSIC: "Lay All Your Love On Me" by ABBA | 0:16:49 | 0:16:54 | |
I'm going to remember every part of it. | 0:17:15 | 0:17:18 | |
Every part of it from start to finish. | 0:17:18 | 0:17:21 | |
I love the Royal Family. | 0:17:24 | 0:17:26 | |
I love them all. Love to see them. I don't see enough of them on TV. | 0:17:26 | 0:17:31 | |
MUSIC: "Once In A Lifetime" by Talking Heads | 0:17:31 | 0:17:33 | |
I'm very anxious after eight boys dying. | 0:17:39 | 0:17:41 | |
-My son's five years. -I never thought there'd be one, never mind eight. | 0:17:41 | 0:17:45 | |
-Your son may go on the hunger strike himself? -It's possible, the way things are going. | 0:17:45 | 0:17:49 | |
There's 70 volunteers waiting. | 0:17:49 | 0:17:51 | |
INSTRUMENTAL MUSIC | 0:18:11 | 0:18:13 | |
MUSIC: "Reward" by The Teardrop Explodes | 0:18:22 | 0:18:26 | |
But, Mr Prior is not going to talk to an organisation which has been responsible | 0:18:49 | 0:18:53 | |
for the murder of hundreds of British soldiers, | 0:18:53 | 0:18:57 | |
hundreds of policemen and hundreds of civilians. | 0:18:57 | 0:19:00 | |
Those were the very words which Mr Lloyd George used in 1920. | 0:19:00 | 0:19:07 | |
But the Irish leaders, with whom Lloyd George negotiated, | 0:19:07 | 0:19:11 | |
were representative of the Irish people. You are not. | 0:19:11 | 0:19:15 | |
Mr Carron is an elected representative of the Irish people, | 0:19:15 | 0:19:20 | |
so is Mr Agnew, and so was Mr Doherty. | 0:19:20 | 0:19:25 | |
-Three constituencies for the whole of the island? -Yes, well, it's a beginning, | 0:19:25 | 0:19:30 | |
and it's a beginning on which we hope to build. | 0:19:30 | 0:19:34 | |
MUSIC: "Reward" by The Teardrop Explodes | 0:19:40 | 0:19:44 | |
I think they're in a fairly relaxed mood. | 0:19:44 | 0:19:46 | |
I think a certain tension has departed from the prison, | 0:19:46 | 0:19:51 | |
thanks be to God. | 0:19:51 | 0:19:53 | |
And they're now expecting that some satisfactory solution | 0:19:53 | 0:19:57 | |
will be made, concerning their problems. | 0:19:57 | 0:20:00 | |
And they have very serious problems in there, as you know. | 0:20:00 | 0:20:03 | |
I think it would be important to get it right, rather than | 0:20:03 | 0:20:06 | |
to hurry over any decision. | 0:20:06 | 0:20:08 | |
-So, you're not likely to make any early move this week? -Oh, I think this week, yes. | 0:20:08 | 0:20:12 | |
But perhaps not today. | 0:20:12 | 0:20:14 | |
INSTRUMENTAL MUSIC | 0:20:24 | 0:20:29 | |
CHEERING AND APPLAUSE | 0:20:42 | 0:20:45 | |
MUSIC: "Spellbound" by Siouxsie and the Banshees | 0:20:50 | 0:20:54 | |
My home really is California now. I have a son and a wife. | 0:21:15 | 0:21:19 | |
They're more important now to me really than anything at the moment. They want to be in California, so... | 0:21:19 | 0:21:25 | |
I'd like to get back once in a while and play a few games, | 0:21:25 | 0:21:28 | |
maybe exhibition stuff, if it's possible. But I think that would be about it, really. | 0:21:28 | 0:21:32 | |
Up goes Billy Hamilton. Armstrong, yes! | 0:21:36 | 0:21:39 | |
CHEERING | 0:21:39 | 0:21:41 | |
MUSIC "Stand And Deliver" by Adam and the Ants | 0:21:57 | 0:22:02 | |
They gave him these. They told him, "That's what we would have used | 0:22:02 | 0:22:08 | |
"if anything had gone wrong when we were kidnapping you. | 0:22:08 | 0:22:14 | |
"And that's what we would have used if you had made a false move | 0:22:14 | 0:22:19 | |
"while we were guarding you. | 0:22:19 | 0:22:24 | |
"And we'd like you to give this to Fr McCarthy." | 0:22:24 | 0:22:27 | |
MUSIC: "Tainted Love" by Soft Cell | 0:22:27 | 0:22:31 | |
There is no appeal against this court ruling. | 0:22:40 | 0:22:42 | |
It is the Supreme Court of Europe, in effect. | 0:22:42 | 0:22:45 | |
So, people have to accept that minorities do have these rights | 0:22:45 | 0:22:49 | |
and can't anymore be liable to such severe penalties. | 0:22:49 | 0:22:54 | |
An outside body who is not committed to the moral values | 0:22:54 | 0:22:58 | |
that the people of Northern Ireland are committed to | 0:22:58 | 0:23:01 | |
is prepared to say, "You will legislate perversion and immorality." | 0:23:01 | 0:23:07 | |
MUSIC: "Vienna" by Ultravox | 0:23:12 | 0:23:14 | |
Do you find the comments like Mr Paisley's | 0:23:36 | 0:23:38 | |
that he will attempt to make Ulster ungovernable helpful? | 0:23:38 | 0:23:41 | |
Ha! What do YOU think? | 0:23:41 | 0:23:44 | |
I mean, Northern Ireland is part of the United Kingdom. | 0:23:44 | 0:23:49 | |
And, as such, the laws of the United Kingdom must be upheld | 0:23:49 | 0:23:54 | |
and WILL be upheld. And I make that absolutely clear. | 0:23:54 | 0:23:58 | |
MUSIC: "Vienna" by Ultravox | 0:24:08 | 0:24:14 | |
Ladies and gentlemen, could I call for quietness? | 0:24:14 | 0:24:19 | |
Nothing should happen today that would dishonour the name of Mr Bradford. | 0:24:19 | 0:24:24 | |
Be quiet, please. | 0:24:24 | 0:24:26 | |
MUSIC: "Vienna" by Ultravox | 0:24:34 | 0:24:38 | |
CROWD JEERS | 0:24:44 | 0:24:46 | |
Traitor! | 0:24:46 | 0:24:48 | |
I'll tell you what's disgraceful. | 0:25:07 | 0:25:10 | |
That people that murdered Mr Bradford and Mr Prior, | 0:25:10 | 0:25:15 | |
who has the blood on his hands and will not do anything about it, | 0:25:15 | 0:25:18 | |
those are the disgraceful scenes. | 0:25:18 | 0:25:20 | |
And the disgraceful man is Mr Prior. | 0:25:20 | 0:25:23 | |
A service of hymns and a silent tribute as well. There were many in tears and many also angry as well. | 0:25:37 | 0:25:42 | |
This was a scene repeated around smaller war memorials across the province. | 0:25:42 | 0:25:47 | |
And as the hour of the funeral came, Belfast's main shopping streets | 0:25:47 | 0:25:51 | |
almost emptied as the mourners lined all sides of the City Hall. | 0:25:51 | 0:25:55 | |
MUSIC: "Funeral Pyre" by The Jam | 0:25:58 | 0:26:03 | |
..and Jim Prior, notice to quit. | 0:26:19 | 0:26:25 | |
MUSIC: "Funeral Pyre" by The Jam | 0:26:25 | 0:26:28 | |
My wee wean's in the house. What am I going to do? A wee newborn baby. | 0:26:48 | 0:26:53 | |
I'd go down the street again and get through. | 0:26:53 | 0:26:55 | |
-Get through the other way? -You might not, but you may be lucky. Everything's stopped. | 0:26:55 | 0:26:59 | |
I'd better get through. What am I going to do with a baby in the house? | 0:26:59 | 0:27:03 | |
-You know the time it's to be closed off at. -No. 12pm it was to be closed off at. | 0:27:03 | 0:27:07 | |
I tell you one thing - If Paisley was here, Paisley would let me through. | 0:27:07 | 0:27:11 | |
MUSIC: "Funeral Pyre" by The Jam | 0:27:19 | 0:27:22 | |
If an IRA man comes to a Protestant home and my men are there, | 0:27:29 | 0:27:35 | |
they will kill that IRA man. Yes, sir. | 0:27:35 | 0:27:38 | |
What if they found themselves in conflict with British forces? | 0:27:38 | 0:27:41 | |
If the British security forces are going to join up with the IRA | 0:27:41 | 0:27:45 | |
to kill Protestants, then we will be in conflict with them. | 0:27:45 | 0:27:49 | |
MUSIC: "Shaddap You Face" by Joe Dolce | 0:27:54 | 0:27:57 | |
I am gratified that the American powers-that-be | 0:28:03 | 0:28:09 | |
see me as an obstacle to them achieving Irish unity. | 0:28:09 | 0:28:14 | |
And I am gratified that they realise that I have fierce opposition | 0:28:14 | 0:28:20 | |
to the London-Dublin Summit unity proposals. | 0:28:20 | 0:28:24 | |
Do you really think Mrs Thatcher is partly behind this? | 0:28:24 | 0:28:27 | |
Yes, I'm absolutely sure. | 0:28:27 | 0:28:28 | |
I found out today about consultations that were going on. | 0:28:28 | 0:28:32 | |
I sing, "What's-a matter you?" You sing, "Hey!" | 0:28:42 | 0:28:44 | |
Then I sing-a the rest and then, at the end, we can all-a sing, | 0:28:44 | 0:28:48 | |
"Ah, Shaddap-a you face!" OK? Let's-a try it, really big. | 0:28:48 | 0:28:52 | |
Uno, duo, tre, quatro! | 0:28:52 | 0:28:54 | |
# What's-a matter you? Hey! Gotta no respect... # | 0:28:54 | 0:28:56 | |
E-mail [email protected] | 0:28:56 | 0:28:59 |