Browse content similar to 1977. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MUSIC | 0:00:02 | 0:00:03 | |
GENTLE GUITAR MUSIC | 0:00:52 | 0:00:54 | |
# I can tell by your eyes | 0:00:54 | 0:00:58 | |
# That you probably... | 0:00:58 | 0:01:00 | |
# Been cryin' forever... # | 0:01:00 | 0:01:04 | |
APPLAUSE | 0:01:04 | 0:01:06 | |
When we look around here, | 0:01:09 | 0:01:11 | |
there's not even enough people here | 0:01:11 | 0:01:14 | |
to comfort those who have died. | 0:01:14 | 0:01:17 | |
So our peace movement is still just conceived in our hearts. | 0:01:17 | 0:01:23 | |
# I don't wanna... | 0:01:23 | 0:01:28 | |
# Talk about it... | 0:01:28 | 0:01:31 | |
# How you broke my heart | 0:01:31 | 0:01:34 | |
# If I stay here | 0:01:38 | 0:01:40 | |
# Just a little bit longer | 0:01:40 | 0:01:44 | |
# If I stay here, won't you listen... # | 0:01:46 | 0:01:49 | |
I would ask you all to observe a two-minute silence | 0:01:49 | 0:01:51 | |
in respect of the memory of Jeff Fagan. | 0:01:51 | 0:01:54 | |
# Whoa, heart... | 0:01:57 | 0:02:00 | |
# If I stand all alone | 0:02:05 | 0:02:08 | |
# Will the shadow | 0:02:08 | 0:02:10 | |
# Hide the colour of my heart? | 0:02:10 | 0:02:13 | |
# Blue for the tears | 0:02:13 | 0:02:16 | |
# Black for the night's fears... # | 0:02:16 | 0:02:21 | |
MUSIC: Watching The Detectives by Elvis Costello | 0:02:21 | 0:02:24 | |
He looked at me, and he said, "So, you're Bernard O'Connor. | 0:02:39 | 0:02:44 | |
"Man, but you're an insignificant-looking bastard." | 0:02:44 | 0:02:47 | |
And, er, that... | 0:02:49 | 0:02:51 | |
set me back for a bit. | 0:02:51 | 0:02:52 | |
# She is watching the detectives... # | 0:02:52 | 0:02:57 | |
One of our members was killed, we believe, | 0:02:57 | 0:02:59 | |
as a result of that programme. | 0:02:59 | 0:03:01 | |
You're clearly very critical of the Tonight programme. | 0:03:01 | 0:03:03 | |
I would've felt that the BBC had a responsibility | 0:03:03 | 0:03:07 | |
to protect the lives of our members. | 0:03:07 | 0:03:10 | |
Lord Faulkner was the guest today of the County Down stag house, | 0:03:10 | 0:03:14 | |
he normally rides with the ivy hunt. | 0:03:14 | 0:03:16 | |
They'd spent about two hours chasing their quarry, a stag, | 0:03:16 | 0:03:19 | |
which is when they came to this point, | 0:03:19 | 0:03:21 | |
this twisty road, this bridge, | 0:03:21 | 0:03:23 | |
that the accident happened. | 0:03:23 | 0:03:25 | |
MUSIC: Oxygene Part 4 by Jean Michel Jarre | 0:03:33 | 0:03:36 | |
What makes it, a philosophy student, choose a Ku Klux Klan outfit? | 0:04:13 | 0:04:18 | |
-It's nothing intellectual! -LAUGHTER | 0:04:18 | 0:04:19 | |
Just for the fun. | 0:04:19 | 0:04:21 | |
MUSIC: BELFAST by Boney M | 0:04:21 | 0:04:23 | |
# Belfast | 0:04:25 | 0:04:26 | |
# Belfast | 0:04:29 | 0:04:30 | |
# Belfast | 0:04:32 | 0:04:34 | |
# Got to have a believin' | 0:04:37 | 0:04:39 | |
# Got to have a believin' | 0:04:41 | 0:04:43 | |
# Got to have a believin' | 0:04:44 | 0:04:46 | |
# All the people | 0:04:46 | 0:04:48 | |
# Cos the people are leavin' | 0:04:48 | 0:04:50 | |
# When the people believin' | 0:04:52 | 0:04:53 | |
# When the people believin' | 0:04:55 | 0:04:58 | |
# When the people believin' | 0:04:59 | 0:05:01 | |
# All the children, cos the children are leavin' | 0:05:01 | 0:05:04 | |
CHEERING | 0:05:04 | 0:05:07 | |
# Belfast | 0:05:07 | 0:05:09 | |
# Belfast! | 0:05:09 | 0:05:11 | |
# When the country rings the leaving bell you're lost | 0:05:11 | 0:05:15 | |
# Belfast | 0:05:15 | 0:05:16 | |
# Belfast! | 0:05:16 | 0:05:18 | |
# When the hate you have | 0:05:18 | 0:05:20 | |
# For one another's past... # | 0:05:20 | 0:05:22 | |
Everybody puts it that it's fixed, and things like that. | 0:05:22 | 0:05:26 | |
-Is it not? -No. | 0:05:26 | 0:05:27 | |
Did you think it was? | 0:05:27 | 0:05:29 | |
Well, I wasn't sure. | 0:05:29 | 0:05:30 | |
Well, do you want me to take you in the ring now and show...? | 0:05:30 | 0:05:33 | |
No, no. No, thank you. Thank you. | 0:05:33 | 0:05:36 | |
MELANCHOLY MUSIC | 0:05:36 | 0:05:38 | |
MUSIC: In The City by The Jam | 0:06:29 | 0:06:32 | |
This is the old Stormont parliament. | 0:06:45 | 0:06:47 | |
It was dominated by Protestants, who used it to dominate Catholics, | 0:06:47 | 0:06:50 | |
and the Government took it away from them. | 0:06:50 | 0:06:52 | |
The first demand of the strike leaders | 0:06:52 | 0:06:54 | |
is that Stormont be given back to them. | 0:06:54 | 0:06:56 | |
But the strike leaders want much more than that, | 0:06:56 | 0:06:59 | |
a return to the B specials, | 0:06:59 | 0:07:01 | |
deportation, special criminal courts, | 0:07:01 | 0:07:04 | |
in fact, a wide range of repressive measures, | 0:07:04 | 0:07:07 | |
all under their control, and this, the Government refuses to give them. | 0:07:07 | 0:07:11 | |
In planning the strike, clergymen have been arriving here | 0:07:13 | 0:07:16 | |
to sit at the same table | 0:07:16 | 0:07:17 | |
as strong-armed men who run paramilitary organisations. | 0:07:17 | 0:07:21 | |
But then, in Ulster, both groups have played a part | 0:07:21 | 0:07:23 | |
in the present tragedy. | 0:07:23 | 0:07:25 | |
Outside, a car and a Special Branch detective, | 0:07:25 | 0:07:29 | |
paid for by the British taxpayer, | 0:07:29 | 0:07:31 | |
waits for the Reverend Ian Paisley, who's a Westminster MP. | 0:07:31 | 0:07:35 | |
He's upstairs, plotting against the British Government. | 0:07:35 | 0:07:39 | |
MUSIC CONTINUES | 0:07:39 | 0:07:41 | |
MUSIC DROWNS SPEECH | 0:07:45 | 0:07:48 | |
# And I know what you're thinking | 0:07:48 | 0:07:50 | |
# You still feel kind of crap | 0:07:50 | 0:07:52 | |
# But you'd better listen, man... # | 0:07:53 | 0:07:55 | |
Inside the GOC headquarters, if you like, is Andy Tyrie, | 0:07:55 | 0:07:59 | |
an ex-territorial reservist, | 0:07:59 | 0:08:02 | |
now blessed with the exalted title of Supreme Commander of the UDA. | 0:08:02 | 0:08:07 | |
We do intend to get them by the throat and shake them, | 0:08:07 | 0:08:10 | |
and take them back home again. | 0:08:10 | 0:08:11 | |
We'll put obstacles in their way, | 0:08:11 | 0:08:13 | |
but we're not really physical, mainly mental. | 0:08:13 | 0:08:16 | |
Downstairs, Roddy is finding out | 0:08:16 | 0:08:18 | |
which way around the map of Belfast is. | 0:08:18 | 0:08:21 | |
And he's one Roddy McDonald, an ex-British Army soldier, | 0:08:21 | 0:08:25 | |
and would you believe, he's another supreme commander. | 0:08:25 | 0:08:28 | |
You're the supreme commander | 0:08:28 | 0:08:29 | |
-in Scotland and England, are you? -Yes. | 0:08:29 | 0:08:32 | |
How many men have you brought with you? | 0:08:32 | 0:08:34 | |
-TELEPHONE RINGS -200. | 0:08:34 | 0:08:36 | |
-200 men? -Yes. -All Scots? -No. | 0:08:36 | 0:08:39 | |
No, he's not. | 0:08:40 | 0:08:42 | |
Mr Paisley? | 0:08:43 | 0:08:44 | |
Is he here? Dr Paisley, it's only the one, really. | 0:08:46 | 0:08:49 | |
-He is here. -The Ulster people are supporting this strike. | 0:08:49 | 0:08:54 | |
If I have no support, it will be seen. | 0:08:54 | 0:08:57 | |
MUSIC: No More Heroes by The Stranglers | 0:08:57 | 0:09:00 | |
# Whatever happened to... | 0:09:13 | 0:09:15 | |
# Leon Trotsky? | 0:09:17 | 0:09:18 | |
# He got an ice pick | 0:09:19 | 0:09:21 | |
# That made his ears burn | 0:09:22 | 0:09:24 | |
# Whatever happened to... | 0:09:25 | 0:09:27 | |
# Dear old Lenny? | 0:09:28 | 0:09:31 | |
# The great Elmyra? | 0:09:32 | 0:09:33 | |
# And Sancho Panza? | 0:09:34 | 0:09:36 | |
# Whatever happened to the heroes? | 0:09:38 | 0:09:42 | |
# Whatever happened to the heroes? | 0:09:45 | 0:09:48 | |
# Whatever happened to... | 0:09:51 | 0:09:52 | |
# All the heroes? | 0:09:54 | 0:09:56 | |
# All the Shakespearoes? # | 0:09:57 | 0:09:59 | |
-Excuse me, are you closing up? -Just for the afternoon. | 0:10:01 | 0:10:05 | |
-Just for the half day? -Yes. | 0:10:05 | 0:10:06 | |
Is it a normal half day, or have you been asked to close? | 0:10:06 | 0:10:09 | |
We're just all closing. | 0:10:09 | 0:10:11 | |
-Everybody's closing? -The whole town's closing now. | 0:10:11 | 0:10:13 | |
-Why is that? -Well, we've just been asked to close. | 0:10:13 | 0:10:15 | |
Who have you been asked to close by? | 0:10:15 | 0:10:18 | |
We've just been all asked to close, that's it. | 0:10:18 | 0:10:20 | |
# No more heroes any more... # | 0:10:20 | 0:10:23 | |
Look at that congregation. Why don't they drive through them? | 0:10:23 | 0:10:26 | |
That's what I would do. | 0:10:26 | 0:10:28 | |
There are a lot of people here. They're over there, | 0:10:34 | 0:10:37 | |
they are intimidated, they're afraid to go in. | 0:10:37 | 0:10:39 | |
What can I tell you? That is an absolute lie. | 0:10:39 | 0:10:42 | |
What? Are you prepared to go in? | 0:10:42 | 0:10:44 | |
That man there is a rebel from the south of Ireland. | 0:10:44 | 0:10:47 | |
He's not a worker here at all. | 0:10:47 | 0:10:49 | |
-Are you...? -Is that who you're listening to? | 0:10:49 | 0:10:51 | |
No, I'm listening to all the people. | 0:10:51 | 0:10:53 | |
Anybody that wants to go in is quite free to go in. | 0:10:53 | 0:10:56 | |
MUSIC CONTINUES | 0:10:56 | 0:10:57 | |
We say to the security forces today, | 0:11:09 | 0:11:12 | |
-lay off the Protestants! -Yes! | 0:11:12 | 0:11:15 | |
CHEERING | 0:11:15 | 0:11:17 | |
Lay off the lot of us! | 0:11:19 | 0:11:21 | |
CHEERING | 0:11:21 | 0:11:24 | |
And get stuck into the IRA! | 0:11:24 | 0:11:26 | |
CHEERING | 0:11:26 | 0:11:28 | |
# No more heroes any more. # | 0:11:28 | 0:11:31 | |
SLOW MUSIC | 0:11:51 | 0:11:53 | |
The murder of the bus driver | 0:11:58 | 0:12:00 | |
has indeed been the most sinister development since this strike began. | 0:12:00 | 0:12:03 | |
Bus men have found themselves increasingly | 0:12:03 | 0:12:05 | |
in the front line of the violence, threats and intimidation, | 0:12:05 | 0:12:08 | |
nearly 20 of them being injured, and another man shot. | 0:12:08 | 0:12:11 | |
# It won't be easy... # | 0:12:42 | 0:12:44 | |
Harry Bradshaw had been at the wheel of his bus | 0:12:44 | 0:12:46 | |
when he was shot dead. | 0:12:46 | 0:12:48 | |
Such brutality on those who continue to work sapped the strike's support. | 0:12:48 | 0:12:52 | |
Hundreds of Mr Bradshaw's colleagues, | 0:12:52 | 0:12:54 | |
who themselves stopped work for three days | 0:12:54 | 0:12:56 | |
as a form of protest and respect, were present at the funeral. | 0:12:56 | 0:12:59 | |
I think it's a great pity | 0:13:03 | 0:13:04 | |
that the efforts of the security forces should've been diverted | 0:13:04 | 0:13:08 | |
these past two weeks from their prime task | 0:13:08 | 0:13:11 | |
of defeating terrorism, and that of the IRA. | 0:13:11 | 0:13:14 | |
The Provisionals must be laughing up their sleeves at the wreckers | 0:13:16 | 0:13:19 | |
who have been doing their work for them. | 0:13:19 | 0:13:21 | |
# I had to let it happen | 0:13:23 | 0:13:26 | |
# I had to change... # | 0:13:27 | 0:13:31 | |
The terse announcement is that the stoppage is halted. | 0:13:31 | 0:13:34 | |
The ending of the stoppage coincided | 0:13:35 | 0:13:37 | |
with the start of the Lord Mayor's show. | 0:13:37 | 0:13:39 | |
Pretty girls in floats replaced pickets and barricades | 0:13:39 | 0:13:42 | |
on the streets of Belfast. | 0:13:42 | 0:13:44 | |
In the last 12 days, the Action Committees Campaign, | 0:13:44 | 0:13:47 | |
which aimed at passive resistance to improve security, | 0:13:47 | 0:13:51 | |
ended with three deaths, over 80 injured, | 0:13:51 | 0:13:53 | |
nearly 2,000 reported threats of intimidation, | 0:13:53 | 0:13:57 | |
and 115 people charged with criminal offences. | 0:13:57 | 0:14:00 | |
CHEERING | 0:14:00 | 0:14:03 | |
MUSIC: First Cut Is The Deepest by Rod Stewart | 0:14:06 | 0:14:09 | |
For the last seven-and-a-half years here, | 0:14:29 | 0:14:31 | |
we have been engaged mainly in the acquisition of intelligence | 0:14:31 | 0:14:34 | |
to bring these thugs to book. | 0:14:34 | 0:14:36 | |
And to produce the evidence for the RUC. | 0:14:36 | 0:14:38 | |
I don't think I need say more than that. | 0:14:38 | 0:14:40 | |
So it would've been normal then, for an officer like the captain | 0:14:40 | 0:14:43 | |
to work alone in order to gain that intelligence? | 0:14:43 | 0:14:45 | |
No, I wouldn't say that. | 0:14:45 | 0:14:46 | |
It wasn't normal, and we're looking into the particular circumstances | 0:14:46 | 0:14:50 | |
of this affair. | 0:14:50 | 0:14:51 | |
# Baby, I'll try to love again but I know... # | 0:14:52 | 0:14:56 | |
We've heard the claims of the IRA to have murdered my brother, | 0:15:00 | 0:15:03 | |
although there's no confirmation of this effect. | 0:15:03 | 0:15:07 | |
We've been very moved by Cardinal Hume's appeal | 0:15:07 | 0:15:10 | |
for my brother's safe return, | 0:15:10 | 0:15:12 | |
and we continue to hope and pray. | 0:15:12 | 0:15:14 | |
MUSIC CONTINUES | 0:15:14 | 0:15:16 | |
# I still want you by my side | 0:15:19 | 0:15:24 | |
# Just to help me dry the tears that I've cried... # | 0:15:25 | 0:15:29 | |
Such was the complexity of the case against one of the defendants, | 0:15:31 | 0:15:34 | |
William Muir, a 28-year-old fitter from North Belfast, | 0:15:34 | 0:15:38 | |
that he spent more than three quarters of an hour in the dark. | 0:15:38 | 0:15:41 | |
The case covers a total of ten murders, | 0:15:41 | 0:15:43 | |
committed in Protestant areas of north Belfast | 0:15:43 | 0:15:46 | |
within the past 18 months. | 0:15:46 | 0:15:47 | |
Eight of the victims were Catholics, and two of them were Protestants. | 0:15:47 | 0:15:51 | |
In seven of the cases, | 0:15:51 | 0:15:52 | |
the heads of the victims had almost been severed from their bodies. | 0:15:52 | 0:15:56 | |
MUSIC: I Feel Love by Donna Summer | 0:15:56 | 0:15:58 | |
Compared with what's going on here, | 0:16:25 | 0:16:27 | |
every day, every night, | 0:16:27 | 0:16:28 | |
the risks that people are taking here, | 0:16:28 | 0:16:30 | |
the risk even that the peace people are taking getting involved | 0:16:30 | 0:16:33 | |
in this kind of thing, it's infinitesimal. | 0:16:33 | 0:16:36 | |
# I feel love... | 0:16:36 | 0:16:39 | |
# I feel love... # | 0:16:44 | 0:16:46 | |
I would advise, chaps, pull it down, if you can. | 0:16:46 | 0:16:49 | |
-I ain't put it up, like. -They've got one in Carol Street. | 0:16:49 | 0:16:51 | |
Split it right in two, and throw it over there, | 0:16:51 | 0:16:54 | |
and the bonfire last year, next three or four days. | 0:16:54 | 0:16:56 | |
Never mind one day. | 0:16:56 | 0:16:58 | |
-Last year it lasted three months. -It's not every year. -No chance. | 0:16:58 | 0:17:01 | |
-We're not going to pull that down. -No chance! | 0:17:01 | 0:17:03 | |
MUSIC: Dreams by Fleetwood Mac | 0:17:03 | 0:17:07 | |
# Now here you go again, you say | 0:17:20 | 0:17:24 | |
# You want your freedom | 0:17:24 | 0:17:27 | |
# Well, who am I to keep you down? | 0:17:29 | 0:17:32 | |
# It's only right | 0:17:36 | 0:17:38 | |
# That you should play the way you feel it... # | 0:17:38 | 0:17:43 | |
How did they see him crawling across the ground? | 0:17:43 | 0:17:46 | |
You know, running to the woman. | 0:17:46 | 0:17:48 | |
She came out... | 0:17:48 | 0:17:50 | |
The woman I just seen getting in the ambulance. | 0:17:50 | 0:17:52 | |
INDISTINCT SPEECH | 0:17:52 | 0:17:54 | |
So... | 0:17:54 | 0:17:55 | |
-Was he carrying anything? -No. | 0:17:55 | 0:17:57 | |
-Why do you think he was shot? -For nothing. | 0:17:57 | 0:18:01 | |
MUSIC CONTINUES AND SIREN | 0:18:01 | 0:18:03 | |
# And what you had... | 0:18:03 | 0:18:05 | |
# And what you lost... # | 0:18:07 | 0:18:09 | |
What sort of fashions are you finding | 0:18:11 | 0:18:13 | |
that ladies are going for for the royal visit? | 0:18:13 | 0:18:15 | |
Simple, elegant, like this two piece | 0:18:15 | 0:18:18 | |
dress with matching jacket. | 0:18:18 | 0:18:20 | |
Something similar to the Queen herself would wear. | 0:18:20 | 0:18:23 | |
What about younger women? | 0:18:23 | 0:18:24 | |
The younger women are wearing something similar | 0:18:24 | 0:18:27 | |
to what Meg has on, the knitted look. | 0:18:27 | 0:18:29 | |
Teamed up with a cap. | 0:18:30 | 0:18:32 | |
This is once again simple but effective. | 0:18:32 | 0:18:35 | |
MUSIC: God Save The Queen by Sex Pistols | 0:18:35 | 0:18:38 | |
Fire! | 0:18:45 | 0:18:46 | |
GUNSHOTS AND EXPLOSIONS | 0:18:46 | 0:18:49 | |
# God save the Queen | 0:18:55 | 0:18:56 | |
# The fascist regime | 0:18:58 | 0:18:59 | |
# They made you a moron | 0:19:01 | 0:19:03 | |
# A potential H bomb | 0:19:04 | 0:19:06 | |
# God save the Queen | 0:19:08 | 0:19:09 | |
# She ain't no human being | 0:19:10 | 0:19:12 | |
# And there's no future | 0:19:13 | 0:19:15 | |
# And England's dreaming | 0:19:17 | 0:19:19 | |
# Don't be told what you want | 0:19:20 | 0:19:23 | |
# And don't be told what you need | 0:19:23 | 0:19:26 | |
# There's no future | 0:19:26 | 0:19:28 | |
# No future | 0:19:28 | 0:19:30 | |
# No future for you! | 0:19:30 | 0:19:32 | |
# God save the Queen | 0:19:33 | 0:19:35 | |
# We mean it, man | 0:19:36 | 0:19:38 | |
# We love our Queen | 0:19:39 | 0:19:41 | |
# God saves | 0:19:42 | 0:19:44 | |
# God save the Queen | 0:19:46 | 0:19:47 | |
# Cos tourists are money! | 0:19:49 | 0:19:51 | |
# And our figurehead | 0:19:52 | 0:19:54 | |
# Is not what she seems | 0:19:55 | 0:19:57 | |
# Oh, God, save history | 0:19:59 | 0:20:01 | |
# God save your mad parade | 0:20:02 | 0:20:04 | |
# Oh, Lord God, have mercy | 0:20:05 | 0:20:08 | |
# All crimes are paid | 0:20:08 | 0:20:11 | |
# When there's no future | 0:20:12 | 0:20:13 | |
# How can there be sin? | 0:20:13 | 0:20:15 | |
# We're the flowers in the dustbin | 0:20:15 | 0:20:18 | |
# We're the poison in your human machine | 0:20:18 | 0:20:21 | |
# We're the future, your future | 0:20:21 | 0:20:24 | |
# God save the Queen | 0:20:24 | 0:20:26 | |
# We mean it, man | 0:20:28 | 0:20:30 | |
# We love our Queen | 0:20:31 | 0:20:33 | |
# God saves... # | 0:20:35 | 0:20:37 | |
In this improving atmosphere, | 0:20:44 | 0:20:46 | |
those with different beliefs and aspirations | 0:20:46 | 0:20:50 | |
understand that if this community is to survive and prosper, | 0:20:50 | 0:20:56 | |
they must live and work together in friendship and forgiveness. | 0:20:56 | 0:21:00 | |
There is no place here for old fears and attitudes born of history. | 0:21:03 | 0:21:08 | |
No place for blame for what is past. | 0:21:08 | 0:21:11 | |
The funeral procession for Paul McWilliams | 0:21:13 | 0:21:15 | |
passed by the spot where he'd been shot by a soldier on Tuesday. | 0:21:15 | 0:21:19 | |
The army said they'd opened fire after he'd ignored warnings | 0:21:19 | 0:21:22 | |
to stop throwing petrol bombs into a timber yard, | 0:21:22 | 0:21:25 | |
but Republicans saw it as the murder of an innocent boy | 0:21:25 | 0:21:28 | |
and they gave him a full IRA-style funeral. | 0:21:28 | 0:21:32 | |
Prepare to fire. | 0:21:32 | 0:21:34 | |
GUNS CLICK | 0:21:34 | 0:21:35 | |
Fire! | 0:21:37 | 0:21:38 | |
GUNSHOTS | 0:21:38 | 0:21:39 | |
Prepare to fire. | 0:21:39 | 0:21:41 | |
-Fire! -GUNSHOTS | 0:21:41 | 0:21:43 | |
The prison officers leader, Mr Desmond Irvine, | 0:21:43 | 0:21:46 | |
had just driven off from a meeting | 0:21:46 | 0:21:48 | |
when a gunman fired a burst at his car from a machinegun. | 0:21:48 | 0:21:51 | |
He was struck in the head and died later in hospital. | 0:21:51 | 0:21:55 | |
Mr Irvine had appeared on a recent edition | 0:21:55 | 0:21:57 | |
of the independent television programme This Week, | 0:21:57 | 0:21:59 | |
about the Maze prison, and I understand that the | 0:21:59 | 0:22:02 | |
Northern Ireland Secretary of State expressed criticism to the IBA | 0:22:02 | 0:22:05 | |
about Mr Irvine's participation. | 0:22:05 | 0:22:07 | |
Among those attending | 0:22:14 | 0:22:16 | |
were both the man whom British intelligence believe | 0:22:16 | 0:22:18 | |
to be in control of all IRA operations in Northern Ireland | 0:22:18 | 0:22:22 | |
and a number of members of the provisional IRA Army Council. | 0:22:22 | 0:22:26 | |
Our organisation is very slow | 0:22:26 | 0:22:29 | |
in involving itself in community affairs. | 0:22:29 | 0:22:32 | |
And sometimes I think that perhaps we hope to free the people, | 0:22:34 | 0:22:37 | |
whether they wish to be freed or not. | 0:22:37 | 0:22:40 | |
# There's no pint in asking, you'll get no reply | 0:22:40 | 0:22:43 | |
# Oh, just remember | 0:22:43 | 0:22:45 | |
# Don't decide... # | 0:22:45 | 0:22:47 | |
Your husband was arrested yesterday? | 0:22:47 | 0:22:49 | |
Took the two children with him. | 0:22:49 | 0:22:51 | |
-What age...? Took your two children with him? -Yes. | 0:22:53 | 0:22:55 | |
One's a four-year-old and the other one's a year old. | 0:22:55 | 0:22:58 | |
# We're so pretty, oh, so pretty | 0:22:58 | 0:23:01 | |
# We're vacant! # | 0:23:03 | 0:23:05 | |
I just feel very, very humble | 0:23:05 | 0:23:07 | |
that I have received this prize. | 0:23:07 | 0:23:09 | |
I'm sure it should've gone to lots of other people. | 0:23:09 | 0:23:12 | |
SHE CRIES | 0:23:15 | 0:23:16 | |
-Come on... -Do you think that now means | 0:23:16 | 0:23:19 | |
that the three Maguire children did not die in vain? | 0:23:19 | 0:23:22 | |
My nephews and nieces and all the other people in the | 0:23:22 | 0:23:25 | |
last eight years, they didn't die in vain. | 0:23:25 | 0:23:28 | |
At least, I think we've begun to give a reason why they died, | 0:23:28 | 0:23:32 | |
to stop the war, not only here, but the wars around the world. | 0:23:32 | 0:23:35 | |
DRAMATIC MUSIC | 0:23:35 | 0:23:38 | |
MUSIC: Fanfare For The Common Man by Emerson, Lake & Palmer | 0:24:04 | 0:24:07 | |
People are bound to ask, what are you going to do with the money? | 0:24:33 | 0:24:36 | |
This is it, you see. They never did ask Martin Luther King or anybody else who had... | 0:24:36 | 0:24:40 | |
Albert Schweitzer, what they're doing with the money. | 0:24:40 | 0:24:42 | |
I really think they shouldn't be asking us either, | 0:24:42 | 0:24:44 | |
because we haven't really made up our minds yet | 0:24:44 | 0:24:46 | |
what's going to be done with it. | 0:24:46 | 0:24:48 | |
But obviously you must have some idea of what projects that can be put to... | 0:24:48 | 0:24:51 | |
Yes, but we haven't made up our minds fully, so we can't discuss it. | 0:24:51 | 0:24:54 | |
MUSIC: Money Money Money by Abba | 0:24:54 | 0:24:56 | |
# I work all night, I work all day | 0:25:06 | 0:25:08 | |
# To pay the bills I have to pay | 0:25:08 | 0:25:10 | |
# Ain't it sad? | 0:25:10 | 0:25:12 | |
# And still there never seems to be | 0:25:13 | 0:25:15 | |
# A single penny left for me | 0:25:15 | 0:25:17 | |
# That's too bad | 0:25:19 | 0:25:21 | |
# In my dreams, I have a plan | 0:25:22 | 0:25:25 | |
# If I got me a wealthy man | 0:25:26 | 0:25:29 | |
# I wouldn't have to work at all | 0:25:29 | 0:25:31 | |
# I'd fool around and have a ball... # | 0:25:31 | 0:25:34 | |
We feel humbled that we've got the recognition, | 0:25:36 | 0:25:38 | |
but we accept it for all the little people | 0:25:38 | 0:25:40 | |
who've been working always for peace, | 0:25:40 | 0:25:42 | |
because the majority of our people in Northern Ireland, | 0:25:42 | 0:25:45 | |
they're good, wonderful people, and it's their prize. | 0:25:45 | 0:25:48 | |
MUSIC: Sound And Vision by David Bowie | 0:25:48 | 0:25:50 | |
And all the men that's getting murdered... | 0:25:59 | 0:26:02 | |
We're trying to do a lot. | 0:26:02 | 0:26:03 | |
We're trying to do a lot now. | 0:26:03 | 0:26:05 | |
That RUC fella, when are they going to do something for him? | 0:26:05 | 0:26:08 | |
It's for the people themselves here, the politicians | 0:26:08 | 0:26:10 | |
and those they represent, | 0:26:10 | 0:26:12 | |
to decide the way they want it to go. | 0:26:12 | 0:26:14 | |
We want it to go, we want it to succeed. Thank you all very much. | 0:26:14 | 0:26:17 | |
# Ah... | 0:26:34 | 0:26:36 | |
# Ah... | 0:26:47 | 0:26:49 | |
The Greenan Lodge has paid the price of success. | 0:26:53 | 0:26:56 | |
It couldn't be tolerated by the business wing | 0:26:56 | 0:26:58 | |
of the provisional IRA, | 0:26:58 | 0:27:00 | |
with whom it was in direct competition, | 0:27:00 | 0:27:02 | |
and as such, it had to go. | 0:27:02 | 0:27:04 | |
Wrecked all our homes for Christmas, that's what it has done. | 0:27:04 | 0:27:08 | |
Our children won't have what they would have had | 0:27:08 | 0:27:11 | |
if we had been working. | 0:27:11 | 0:27:12 | |
These are unlicensed drinking clubs, and they're illegal. | 0:27:12 | 0:27:15 | |
Shebeens have multiplied since the present conflict began. | 0:27:15 | 0:27:18 | |
It's estimated that there are over 100 of them in Belfast alone. | 0:27:18 | 0:27:23 | |
Against the background the Belfast problems, | 0:27:23 | 0:27:26 | |
illegal drinking might seem a rather trivial matter, | 0:27:26 | 0:27:30 | |
but there's more to it than that. | 0:27:30 | 0:27:32 | |
These illegal shebeens are not just tatty, little, one-man businesses | 0:27:32 | 0:27:36 | |
that have sprung up to fill the gaps left by bombed and burnt-out pubs. | 0:27:36 | 0:27:41 | |
More often, they're an intricate and important part | 0:27:41 | 0:27:44 | |
of the terrorist economy. | 0:27:44 | 0:27:46 | |
# Don't give up on us, baby | 0:27:47 | 0:27:49 | |
# Don't make the wrong | 0:27:50 | 0:27:54 | |
# Seem right | 0:27:54 | 0:27:55 | |
# The future isn't just one night | 0:27:57 | 0:28:00 | |
# It's written in the moonlight | 0:28:02 | 0:28:05 | |
# Painted on the stars | 0:28:07 | 0:28:09 | |
# We can't change ours | 0:28:09 | 0:28:12 | |
# Don't give up on us, baby | 0:28:15 | 0:28:18 | |
# We're still worth one... | 0:28:18 | 0:28:22 | |
# More try | 0:28:22 | 0:28:24 | |
# I know we put a last one by | 0:28:25 | 0:28:28 | |
# Just for a rainy evening | 0:28:31 | 0:28:34 | |
# When maybe stars are few | 0:28:35 | 0:28:39 | |
# Don't give up on us, I know | 0:28:39 | 0:28:42 | |
# We can still come true. # | 0:28:42 | 0:28:45 |