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This programme contains strong language | 0:00:02 | 0:00:05 | |
Come on! It's UK's Best Part-Time Band. Hello! | 0:00:05 | 0:00:07 | |
'I'm Rhod Gilbert, stand-up comedian.' | 0:00:07 | 0:00:09 | |
I've had a radio show for ten years and people send me music | 0:00:09 | 0:00:12 | |
all the time. Some of it is absolutely fantastic. | 0:00:12 | 0:00:15 | |
It's got me wondering just how much undiscovered talent | 0:00:15 | 0:00:19 | |
there is out there. | 0:00:19 | 0:00:22 | |
There are thousands of part-time bands in the UK. | 0:00:22 | 0:00:26 | |
From barristers to bakers, dustmen to doctors, skiffling, punking, | 0:00:26 | 0:00:31 | |
rocking and funking every week in pubs and clubs | 0:00:31 | 0:00:33 | |
up and down the country to escape the nine-to-five grind. | 0:00:33 | 0:00:37 | |
What possesses somebody my age to continue being in a band? | 0:00:37 | 0:00:40 | |
It's definitely not for the money or the glory. | 0:00:40 | 0:00:45 | |
The BBC have hooked up with this ropey, old van and I'm off on tour. | 0:00:45 | 0:00:50 | |
I've rounded up three musical juggernauts to help. | 0:00:50 | 0:00:53 | |
Supercool Soul II Soul legend Jazzie B. | 0:00:53 | 0:00:56 | |
-Buongiorno. -Jazzie. How you doing, fella? | 0:00:56 | 0:00:58 | |
Beardy Manchester music icon Peter Hook. | 0:00:58 | 0:01:01 | |
There was some real weirdos in that station. | 0:01:01 | 0:01:03 | |
-Was there? -Yeah, I felt perfectly at home. | 0:01:03 | 0:01:05 | |
And the Fresh Prince of lip hair, Ultravox front man, Midge Ure. | 0:01:05 | 0:01:09 | |
Oh, dear! | 0:01:09 | 0:01:11 | |
'But this is no run-of-the-mill talent show.' | 0:01:11 | 0:01:14 | |
There is no prize. No Christmas number ones, no recording contract. | 0:01:14 | 0:01:19 | |
There is shit all. LAUGHTER | 0:01:19 | 0:01:23 | |
Like musical truffling pigs, | 0:01:23 | 0:01:25 | |
we're going to sniff out the working men and women who play music for the | 0:01:25 | 0:01:29 | |
sheer bloody love of it. | 0:01:29 | 0:01:31 | |
Music is something that really soothes the soul. | 0:01:31 | 0:01:34 | |
Each legend will pick their top two bands... | 0:01:34 | 0:01:37 | |
I just felt like an idiot. A stupid, inane grin on my face. | 0:01:37 | 0:01:41 | |
..who will battle it out at a grand final in Manchester... | 0:01:41 | 0:01:45 | |
Unfortunately, you've got to decide which are your favourites now. | 0:01:45 | 0:01:51 | |
..where one will be crowned the UK's best part-time band. | 0:01:51 | 0:01:54 | |
This week, my ropey tour bus is taking me on an epic 700-mile | 0:01:57 | 0:02:01 | |
Celtic funfest to Scotland, Northern Ireland and Wales. | 0:02:01 | 0:02:06 | |
Joining me is Midge Ure, who's been in his fair share of bands. | 0:02:06 | 0:02:10 | |
Best known as the front man of Ultravox... | 0:02:10 | 0:02:12 | |
# We walked in the cold air... # | 0:02:12 | 0:02:14 | |
He also played guitar with the Rich Kids and Thin Lizzy. | 0:02:14 | 0:02:18 | |
Despite being born with a debilitating moustache, | 0:02:18 | 0:02:21 | |
Midge co-wrote and produced the second-biggest selling single | 0:02:21 | 0:02:24 | |
of all time, Do They Know It's Christmas? | 0:02:24 | 0:02:28 | |
HORN HONKS | 0:02:29 | 0:02:31 | |
-Hey. -Midge Ure! -How you doing? | 0:02:31 | 0:02:35 | |
Midge Ure from Ultravox! | 0:02:35 | 0:02:38 | |
-Oh, this is going to be fun. -Aw, I'm going to have to go up on the kerb. | 0:02:38 | 0:02:41 | |
LOUD SCRAPING AND CREAKING | 0:02:41 | 0:02:44 | |
I'm sorry to say, Mr Gilbert, you have failed your test. | 0:02:44 | 0:02:46 | |
THEY LAUGH | 0:02:46 | 0:02:48 | |
So, Midge, 1,200 bands have entered this. | 0:02:51 | 0:02:54 | |
That's a lot of bands! | 0:02:54 | 0:02:56 | |
We're going to see them all this week! | 0:02:56 | 0:02:59 | |
No, we're not, we're going to see as many as we can cram in. | 0:02:59 | 0:03:02 | |
At the end of the week, you're going to choose your five favourites | 0:03:02 | 0:03:06 | |
to go on and do a gig in Belfast. | 0:03:06 | 0:03:09 | |
That's going to be scary stuff for some of these guys. | 0:03:09 | 0:03:11 | |
Performing in a big club can be quite daunting. | 0:03:11 | 0:03:14 | |
The ones who aren't maybe as capable might just crumble. | 0:03:14 | 0:03:17 | |
They may well crumble before that. | 0:03:22 | 0:03:23 | |
Midge is just going to wander in, | 0:03:23 | 0:03:25 | |
in the middle of their rehearsals and gigs. | 0:03:25 | 0:03:28 | |
'My driving went to shit the moment he got in the van.' | 0:03:28 | 0:03:30 | |
-Down there? -No, you can't go down there either. | 0:03:30 | 0:03:32 | |
-Oh, for fuck... -You'll have to pull in there and reverse | 0:03:32 | 0:03:35 | |
-and go back the way we came. -Oh, for fuck, fucking sake. | 0:03:35 | 0:03:37 | |
Come on, this is good practice for you. | 0:03:37 | 0:03:40 | |
Every time I get in this van... | 0:03:40 | 0:03:41 | |
You're looking for that coherence. | 0:03:43 | 0:03:45 | |
You're looking for that indefinable something, | 0:03:45 | 0:03:48 | |
you know, that when they start playing you feel something, | 0:03:48 | 0:03:51 | |
kind of, build. People are passionate about what they do | 0:03:51 | 0:03:54 | |
and I presume if you're working all week to make enough money | 0:03:54 | 0:03:58 | |
to afford to be able to go out and play music, | 0:03:58 | 0:04:01 | |
you better be good at it. | 0:04:01 | 0:04:03 | |
We're going to Edinburgh to see a ska band. | 0:04:05 | 0:04:08 | |
-They're called Bombskare. -Bombskare? | 0:04:08 | 0:04:11 | |
-A ska band. -Is that a Scottish thing? -A Scottish ska band. | 0:04:11 | 0:04:15 | |
Is that a big Scottish thing? | 0:04:15 | 0:04:17 | |
-McReggae. McReggae's big. -McReggae! | 0:04:17 | 0:04:19 | |
I know less about Scottish reggae | 0:04:21 | 0:04:23 | |
than a 92-year-old Bulgarian sheep farmer. | 0:04:23 | 0:04:26 | |
What makes a good ska? | 0:04:26 | 0:04:27 | |
What are we looking out for when we watch a ska band? | 0:04:27 | 0:04:30 | |
Well, I suppose, from the 2 Tone days it was... | 0:04:30 | 0:04:33 | |
There was a look about it, there was a vibrancy about it. | 0:04:33 | 0:04:36 | |
It was real bouncy, tight playing. | 0:04:36 | 0:04:40 | |
I'm looking for something that's a bit of joy. | 0:04:43 | 0:04:48 | |
# Oh-ay-oh... | 0:04:48 | 0:04:51 | |
# Gold crocodiles | 0:04:51 | 0:04:54 | |
# They snap their teeth on your cigarette | 0:04:54 | 0:04:57 | |
# Foreign types with their hookah pipes say | 0:04:57 | 0:04:59 | |
# Ay-oh, ay-oh | 0:04:59 | 0:05:01 | |
# Ay-oh, ay-oh | 0:05:01 | 0:05:04 | |
# Walk like an Egyptian... # | 0:05:06 | 0:05:10 | |
When he's not walking like an Egyptian, | 0:05:10 | 0:05:12 | |
Scott, Bombskare's lead guitarist, can be found delivering meat... | 0:05:12 | 0:05:17 | |
like a Scotsman. | 0:05:17 | 0:05:18 | |
Mysterious meats. I don't know what that is. | 0:05:18 | 0:05:21 | |
Klingon burgers. | 0:05:23 | 0:05:24 | |
It's all pretty glamorous. | 0:05:26 | 0:05:28 | |
I used to do a lot of crew work and techie work but I just had to stop | 0:05:31 | 0:05:34 | |
doing it because it was interfering with the band. | 0:05:34 | 0:05:37 | |
I had to take something a little bit more regular, | 0:05:37 | 0:05:40 | |
Monday to Friday. This is it. | 0:05:40 | 0:05:42 | |
Scott might love delivering his meat but his dedication to the band | 0:05:42 | 0:05:46 | |
means Bombskare always comes first. | 0:05:46 | 0:05:49 | |
I changed jobs and I took a pay cut to make the band work. | 0:05:49 | 0:05:53 | |
The band have been part of Scott's life for almost 20 years. | 0:05:55 | 0:05:58 | |
It's definitely a labour of love. | 0:05:58 | 0:06:00 | |
If it was all about making some financial gain, or to get famous, | 0:06:00 | 0:06:05 | |
we would have given up ages ago, you'd have stopped doing that. | 0:06:05 | 0:06:08 | |
When lead singer Andy isn't hitting the high notes with the band, | 0:06:08 | 0:06:13 | |
he's doing other high stuff, as an industrial climber. | 0:06:13 | 0:06:17 | |
While bassist Mandy wrestles real-life mannequins | 0:06:20 | 0:06:23 | |
for a living as a visual merchandiser. | 0:06:23 | 0:06:26 | |
People come up to us and gigs and say, "My 90-year-old granny | 0:06:27 | 0:06:30 | |
"was just dancing. | 0:06:30 | 0:06:31 | |
"She hasn't moved in 30 years." | 0:06:33 | 0:06:35 | |
# Walk like an Egyptian... # | 0:06:38 | 0:06:41 | |
We entered this competition | 0:06:41 | 0:06:44 | |
because that's describing us exactly, just gigging all the time, | 0:06:44 | 0:06:51 | |
pushing what's possible as a part-time band. | 0:06:51 | 0:06:53 | |
Fantastic! | 0:07:04 | 0:07:06 | |
When's the next gig? | 0:07:06 | 0:07:08 | |
Stupidly tight. | 0:07:08 | 0:07:11 | |
You obviously rehearse far too much. | 0:07:11 | 0:07:13 | |
-It was great. -How many are you? Two, four... | 0:07:14 | 0:07:18 | |
Nine of you. You're obviously a band that don't want to make money! | 0:07:18 | 0:07:21 | |
THEY LAUGH | 0:07:21 | 0:07:22 | |
-I loved that. It was amazing energy. -Yeah, it was great. -That dancing! | 0:07:23 | 0:07:27 | |
You exude energy. | 0:07:27 | 0:07:29 | |
You obviously just love doing what you're doing, | 0:07:29 | 0:07:32 | |
cos you look at some bands and you get the angst look of the singer... | 0:07:32 | 0:07:36 | |
Ultravox, for example. | 0:07:36 | 0:07:38 | |
Ultravox is more... | 0:07:38 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:42 | |
You stick out a bit on this... | 0:07:42 | 0:07:44 | |
How did you get involved in this? | 0:07:46 | 0:07:47 | |
I pretty much begged him to play a gig. "I'll do it, I'll do it," | 0:07:47 | 0:07:51 | |
e-mailing Scott, "I'll do it, have you got any gigs?" | 0:07:51 | 0:07:53 | |
As I said before, the tightness of the band, I mean, it's fantastic. | 0:07:53 | 0:07:56 | |
All the syncopated stops, and all of that stuff, it's just really vibey. | 0:07:56 | 0:07:59 | |
That stuff doesn't come overnight. | 0:07:59 | 0:08:01 | |
I can see it when you're playing, you'd do this for nothing. | 0:08:01 | 0:08:05 | |
We do! | 0:08:05 | 0:08:08 | |
'We're off to a good start and Midge is clearly impressed.' | 0:08:08 | 0:08:11 | |
Ridiculously infectious. | 0:08:12 | 0:08:14 | |
Stupid smiles. | 0:08:14 | 0:08:16 | |
I just felt like an idiot, a village idiot, standing there grinning. | 0:08:16 | 0:08:19 | |
Yeah, you look at each person in turn and they're all doing something | 0:08:19 | 0:08:22 | |
different but they're all together, each character is coming through. | 0:08:22 | 0:08:26 | |
And what they did with the cover version, | 0:08:26 | 0:08:29 | |
I think is a mark of the band. | 0:08:29 | 0:08:30 | |
-The Bangles, Walk Like An Egyptian. -Not a ska number at all. | 0:08:30 | 0:08:33 | |
Not a ska number at all. They put their own mark on the thing, | 0:08:33 | 0:08:35 | |
-which is really difficult to do. -Yeah. -Scottish ska is where it is. | 0:08:35 | 0:08:39 | |
One band down and Midge and I are taking the high road | 0:08:46 | 0:08:49 | |
to his hometown, Glasgow, to see our next act. | 0:08:49 | 0:08:52 | |
So, Midge-aroo, we're going to see a blues band. | 0:08:56 | 0:08:59 | |
-Oh, good! -Are you a blues fan? | 0:08:59 | 0:09:01 | |
I am, although my subsequent music doesn't really show it. | 0:09:01 | 0:09:05 | |
I learned my first guitar licks | 0:09:05 | 0:09:08 | |
copying Eric Clapton and Peter Green. | 0:09:08 | 0:09:10 | |
For window cleaner and GT's Boos' frontman, Greig Taylor, | 0:09:16 | 0:09:19 | |
singing the blues squeegees his troubles away. | 0:09:19 | 0:09:22 | |
Blues music, for me, is the biggest release. | 0:09:22 | 0:09:26 | |
When I was younger, life for me was a bit up and down. | 0:09:26 | 0:09:30 | |
After a spell in prison, | 0:09:31 | 0:09:32 | |
music played a big part in getting Greig back on track. | 0:09:32 | 0:09:36 | |
Cleaning windows is not what I want to be doing, | 0:09:36 | 0:09:39 | |
but it puts food on the table. | 0:09:39 | 0:09:40 | |
Good old Scottish delicacy. | 0:09:43 | 0:09:45 | |
Fish and chips. | 0:09:45 | 0:09:47 | |
But the flexible job has allowed Greig | 0:09:47 | 0:09:49 | |
to bring his daughters up single-handed. | 0:09:49 | 0:09:52 | |
Whenever he got the chance to, he would sing. | 0:09:52 | 0:09:54 | |
He loves being in the band. | 0:09:54 | 0:09:56 | |
Having devoted the last 10 or 11 years of my life to bringing up | 0:09:56 | 0:09:59 | |
my children, to be able to head off to a band practice, | 0:09:59 | 0:10:03 | |
it's just the most amazing feeling. | 0:10:03 | 0:10:05 | |
# Every time I see your face | 0:10:05 | 0:10:11 | |
# Wanna cry, cry, cry... # | 0:10:11 | 0:10:14 | |
I can channel any of my problems, release it, through my music. | 0:10:14 | 0:10:18 | |
# Cos you're my baby girl... # | 0:10:18 | 0:10:20 | |
Twice a week, band-mates builder John, Fireman Sam, | 0:10:20 | 0:10:24 | |
sorry, Alan, and Postman Pat, sorry, David, do just that. | 0:10:24 | 0:10:27 | |
# It's been such a lonely road | 0:10:31 | 0:10:35 | |
# But I'm coming home | 0:10:38 | 0:10:44 | |
# Again | 0:10:47 | 0:10:50 | |
# Mmm | 0:10:50 | 0:10:53 | |
# Mmm... # | 0:10:53 | 0:10:55 | |
-Very good. -Thank you very much. -It took me back to my Thin Lizzy days. | 0:10:56 | 0:11:00 | |
-When did you start, then, Greig? -I started singing five years ago. | 0:11:02 | 0:11:05 | |
Nothing before that? | 0:11:05 | 0:11:07 | |
Nothing except singing in the shower or, I love to go... | 0:11:07 | 0:11:11 | |
I was on holiday with my daughters, and I would have to find somewhere | 0:11:11 | 0:11:14 | |
that we could go up and sing. That developed on to... | 0:11:14 | 0:11:17 | |
We went to an open mic. John was there, looking for a singer. | 0:11:17 | 0:11:20 | |
-Once we hooked up it was... -HE CLICKS HIS FINGERS | 0:11:20 | 0:11:22 | |
Debate rages up and down the country about, what is blues? | 0:11:22 | 0:11:25 | |
For me, it's that feeling and passion and honesty. | 0:11:25 | 0:11:29 | |
Lyrics-wise, it's me able to get my story across, you know? | 0:11:29 | 0:11:33 | |
There's nothing wrong with writing a commercialised song | 0:11:33 | 0:11:38 | |
that's rooted in the blues. | 0:11:38 | 0:11:40 | |
Look at early Fleetwood Mac. Beautifully written songs. | 0:11:40 | 0:11:43 | |
-One of the greats. -But still had that great blues essence. | 0:11:43 | 0:11:47 | |
You're doing gigs at weekends when you get the opportunity? | 0:11:47 | 0:11:50 | |
At the moment, we're getting as many gigs as we can. | 0:11:50 | 0:11:53 | |
Two small tours to the Netherlands last year. | 0:11:53 | 0:11:56 | |
We got a great reception over there. | 0:11:56 | 0:11:58 | |
-..to Holland, they drove the van over. -Your mum and dad? | 0:11:58 | 0:12:00 | |
-Were the roadies. They drove the van. -They drove the fan... | 0:12:00 | 0:12:03 | |
-Oh, you flew? -We flew. | 0:12:03 | 0:12:05 | |
Never stop being a parent, do you? You should be ashamed of yourselves. | 0:12:05 | 0:12:09 | |
Thanks for having us. Thanks for your time. | 0:12:09 | 0:12:12 | |
Great to meet you guys. | 0:12:12 | 0:12:13 | |
Good luck with it. Good luck. | 0:12:13 | 0:12:15 | |
-Well, well, well, well, well. -Yes, I know. | 0:12:17 | 0:12:19 | |
I thought they were great. And, as the singer's saying, | 0:12:19 | 0:12:22 | |
he's pulling from his own life experiences, | 0:12:22 | 0:12:24 | |
exercising all those ghosts he's got inside. | 0:12:24 | 0:12:27 | |
There's no better format than music, especially blues, to do that. | 0:12:27 | 0:12:31 | |
It's what blues is all about. | 0:12:31 | 0:12:33 | |
They were great, technically, weren't they? Really precise. | 0:12:33 | 0:12:35 | |
Great guitar player. It's a really difficult thing to pull off, | 0:12:35 | 0:12:38 | |
to play those really slow, bluesy things | 0:12:38 | 0:12:40 | |
and still have all that empty space. | 0:12:40 | 0:12:43 | |
-Greig, he wants it. -As they say in Glasgow, | 0:12:43 | 0:12:45 | |
he would shove his granny off a bus to get it! | 0:12:45 | 0:12:49 | |
# You've got your spell on me, baby... # | 0:12:49 | 0:12:53 | |
As we're in Midge's hometown, | 0:12:53 | 0:12:54 | |
he wants to show me one of his regular haunts. | 0:12:54 | 0:12:57 | |
In case he wants to throw a pensioner off our tour bus, | 0:12:57 | 0:12:59 | |
I insist we go on foot. | 0:12:59 | 0:13:01 | |
This is a bit like you taking me to joke shop, | 0:13:01 | 0:13:05 | |
I'm going to take you to this music shop I always go to. | 0:13:05 | 0:13:08 | |
I like that '80s... | 0:13:08 | 0:13:10 | |
That?! No... | 0:13:10 | 0:13:12 | |
That's a paddle. | 0:13:12 | 0:13:14 | |
This... I did my little stint with Thin Lizzy, | 0:13:14 | 0:13:19 | |
I went out to replace Gary Moore in an American tour. | 0:13:19 | 0:13:22 | |
I'd never been to America before and I got a phone call from Phil Lynott | 0:13:22 | 0:13:26 | |
one night, I was in the studio, finishing off the Visage album... | 0:13:26 | 0:13:29 | |
-As you do. -As you do. | 0:13:29 | 0:13:31 | |
I thought, "It's a long way to America. | 0:13:31 | 0:13:34 | |
"I'll learn the songs on the way," and they flew me out on Concorde... | 0:13:34 | 0:13:38 | |
-No way. -I was halfway through the second song and we landed. | 0:13:38 | 0:13:41 | |
I was in New York. | 0:13:41 | 0:13:43 | |
I turned up and I had a Japanese guitar. | 0:13:43 | 0:13:45 | |
They said, "You can't go on stage with Thin Lizzy | 0:13:45 | 0:13:48 | |
"with a Japanese guitar." | 0:13:48 | 0:13:49 | |
Phil took out one of these, which he'd just bought on tour in America. | 0:13:49 | 0:13:54 | |
A beautiful, old thing. | 0:13:54 | 0:13:56 | |
It's an exact replica of that that I used | 0:13:56 | 0:14:00 | |
during the Boys Are Back In Town. | 0:14:00 | 0:14:03 | |
HE PLAYS INTRO TO BOYS ARE BACK IN TOWN | 0:14:05 | 0:14:08 | |
MUSIC: The Boys Are Back In Town by Thin Lizzy | 0:14:13 | 0:14:16 | |
With loads of bands to see, | 0:14:18 | 0:14:19 | |
we're going to work harder than Keith Richards' liver. | 0:14:19 | 0:14:22 | |
In Scotland alone, well over 100 bands have applied. | 0:14:26 | 0:14:29 | |
Everything from police officers to psychiatrists, | 0:14:31 | 0:14:34 | |
playing folk to funk. | 0:14:34 | 0:14:35 | |
Which doesn't actually mean anything, but you get the gist. | 0:14:37 | 0:14:39 | |
Lovely guitar stuff going on there. | 0:14:43 | 0:14:46 | |
It's always nice to get good feedback, especially fae... | 0:14:46 | 0:14:48 | |
-Somebody other than your mum. -Aye! | 0:14:48 | 0:14:51 | |
Just who gets to play a whopping live gig in Belfast | 0:14:51 | 0:14:54 | |
will be down to Midge and which bands tickle his musical fancy. | 0:14:54 | 0:14:58 | |
We're back on the road for the next leg of our epic trip. | 0:15:04 | 0:15:08 | |
But before we get there, we'll be getting off the road, | 0:15:08 | 0:15:10 | |
getting onto the sea, and getting back on the road again, | 0:15:10 | 0:15:13 | |
as we head for Northern Ireland. | 0:15:13 | 0:15:14 | |
It's not very nice weather. The last time I did this journey, | 0:15:14 | 0:15:18 | |
every single person on board emptied themselves of every single | 0:15:18 | 0:15:23 | |
-bodily fluid. It was coming out of their eyes. -Aw! | 0:15:23 | 0:15:26 | |
-How were you on it? Were you...? -I was empty. | 0:15:26 | 0:15:29 | |
Which begs the question, "Why are we doing this?" | 0:15:29 | 0:15:33 | |
This is going to be awful. We're going to drive off the other end | 0:15:35 | 0:15:39 | |
-just two, empty, desiccated husks of men. -Two ex-entertainers. | 0:15:39 | 0:15:43 | |
So ahead of us in Belfast. Do you have expectations, hopes? | 0:15:49 | 0:15:53 | |
Ireland has a great history of music. | 0:15:53 | 0:15:56 | |
You look at Van Morrison or Rory Gallagher, | 0:15:56 | 0:15:59 | |
they've got a history of show bands. They were all brilliant players, | 0:15:59 | 0:16:03 | |
but they had to go out and play pop songs. | 0:16:03 | 0:16:05 | |
All the great Irish musicians stemmed from that background. | 0:16:05 | 0:16:11 | |
Music is something that they celebrate with, | 0:16:11 | 0:16:14 | |
but they also lament with. You know, it's very Celtic thing. | 0:16:14 | 0:16:17 | |
# So sing while you have time | 0:16:17 | 0:16:21 | |
# Let the sun shine down from above... # | 0:16:21 | 0:16:25 | |
Luckily, the sea was as calm and still | 0:16:25 | 0:16:27 | |
as Daniel O'Donnell's underpants. | 0:16:27 | 0:16:29 | |
'We've made it to Northern Ireland with no sick bags in sight.' | 0:16:29 | 0:16:31 | |
-Do they drive on the same side over here? -You do. | 0:16:31 | 0:16:34 | |
Well, in your case, somewhere in the middle. | 0:16:34 | 0:16:36 | |
Yeah, I'm just hedging my bets. | 0:16:36 | 0:16:38 | |
Thankfully, it's Midge making the decisions. | 0:16:38 | 0:16:40 | |
The choices ahead of him are tougher than Dave Grohl's palms. | 0:16:40 | 0:16:43 | |
Next on our multi-stop tour is an art studio in Belfast | 0:16:44 | 0:16:48 | |
to see Wookalily, a multi-female band of multi-talented, | 0:16:48 | 0:16:51 | |
multi-instrumentalists. | 0:16:51 | 0:16:53 | |
Made up of teachers, classroom assistants and a photographer, | 0:16:56 | 0:17:01 | |
who play blend of Americana and bluegrass. | 0:17:01 | 0:17:04 | |
# Sweetest woman | 0:17:04 | 0:17:06 | |
# That you'd ever seen... # | 0:17:06 | 0:17:09 | |
And they have the smallest roadie in the UK, 9-month-old Rosa, | 0:17:13 | 0:17:17 | |
daughter of banjo player Sharon. | 0:17:17 | 0:17:20 | |
The band absolutely adore her. | 0:17:20 | 0:17:21 | |
At two weeks old she was on the road with us. | 0:17:21 | 0:17:24 | |
She went to London for a showcase. | 0:17:24 | 0:17:26 | |
ROSA GARGLES | 0:17:26 | 0:17:28 | |
CHEERING | 0:17:32 | 0:17:34 | |
The band was formed seven years ago by guitarist | 0:17:36 | 0:17:39 | |
and festival programmer Adele. | 0:17:39 | 0:17:42 | |
I needed some friends, so decided to form a band. | 0:17:42 | 0:17:45 | |
We're like sisters. | 0:17:45 | 0:17:47 | |
We can have a good punch-up still be friends afterwards. | 0:17:47 | 0:17:50 | |
You've got a bit of a following? | 0:17:50 | 0:17:52 | |
We got invited out to Nashville | 0:17:52 | 0:17:54 | |
to the International Bluegrass Festival. | 0:17:54 | 0:17:57 | |
There's big links between Belfast and Nashville. | 0:17:57 | 0:17:59 | |
-Yeah, we're twinned, as a town. -Yeah, we're twinned with Nashville. | 0:17:59 | 0:18:02 | |
Country music came from the Celts. | 0:18:02 | 0:18:05 | |
A lot of bluegrass came from Presbyterians, actually, | 0:18:05 | 0:18:08 | |
emigrating over to the Appalachias, | 0:18:08 | 0:18:10 | |
and they're called hillbillies cos they used to sing | 0:18:10 | 0:18:13 | |
about King Billy, apparently. | 0:18:13 | 0:18:14 | |
Really, is that where it came from? You see, I'm getting educated here. | 0:18:14 | 0:18:18 | |
-This is good. -A bit of politics! | 0:18:18 | 0:18:20 | |
Is that what all of you individually were into? | 0:18:20 | 0:18:22 | |
I would have started with traditional Irish music and rock | 0:18:22 | 0:18:25 | |
music, so it's completely different, | 0:18:25 | 0:18:27 | |
and then went into country. I've branched into different stuff. | 0:18:27 | 0:18:30 | |
You were rocking that ukulele. Quite rocky ukulele use. | 0:18:30 | 0:18:33 | |
-It's a mandolin. -Was it? | 0:18:33 | 0:18:35 | |
I didn't want to correct him! Thank you, Midge! | 0:18:35 | 0:18:39 | |
What's the difference? | 0:18:39 | 0:18:40 | |
-Eight strings. -A ukulele has four strings, that's got eight. | 0:18:40 | 0:18:43 | |
OK, I couldn't... | 0:18:43 | 0:18:44 | |
It's my maths. | 0:18:44 | 0:18:46 | |
-So, Wookalily. -Multi-instrumentalists. | 0:18:49 | 0:18:52 | |
They were playing a whole variety of instruments. | 0:18:52 | 0:18:54 | |
-Lindsay was the singer. I loved her voice. -The song was great. | 0:18:54 | 0:18:58 | |
The Devil's A Woman, yes. A lot of bitching in there. | 0:18:58 | 0:19:01 | |
It was very good, and it's got a strong country influence, you know, | 0:19:01 | 0:19:04 | |
all that shuffling snare drum. | 0:19:04 | 0:19:07 | |
In a weird way, it came from here in the first place. | 0:19:08 | 0:19:11 | |
Our tarmac-munching mega tour continues at pace. | 0:19:15 | 0:19:19 | |
This is pure love, isn't it? You can see it on stage. | 0:19:28 | 0:19:31 | |
You're still out there giving it attitude, it's fantastic. | 0:19:31 | 0:19:34 | |
350 miles and two countries down, | 0:19:46 | 0:19:48 | |
Midge's decision about which five bands are going to battle it out in | 0:19:48 | 0:19:51 | |
Belfast is getting tougher. | 0:19:51 | 0:19:53 | |
It's only right that the last leg of the tour should be in the spiritual | 0:19:55 | 0:19:58 | |
birthplace of music, | 0:19:58 | 0:20:00 | |
and I'm secretly hoping my country will do me proud. | 0:20:00 | 0:20:03 | |
Have you got any expectations, going to Wales? | 0:20:03 | 0:20:05 | |
It's a stereotypical cliche that the Welsh are all great singers. | 0:20:05 | 0:20:08 | |
The Welsh are all great singers, apart from choirs... | 0:20:08 | 0:20:11 | |
-I've heard you, so... -And I absolutely... | 0:20:11 | 0:20:13 | |
You've broken the mould. | 0:20:13 | 0:20:14 | |
We're in the bosom of my home nation, heading for Cardiff, | 0:20:14 | 0:20:17 | |
and I've got an embarrassing confession to make | 0:20:17 | 0:20:20 | |
about how Midge's music shaped my early years. | 0:20:20 | 0:20:23 | |
If I think about Ultravox stuff, | 0:20:23 | 0:20:25 | |
which I was massively into as a kid... | 0:20:25 | 0:20:27 | |
You have excellent taste! | 0:20:27 | 0:20:29 | |
The Ultravox collection, that played... | 0:20:29 | 0:20:31 | |
That was my first, sort of, proper girlfriend, teenagers... | 0:20:31 | 0:20:36 | |
I don't know whether I should tell you this! | 0:20:36 | 0:20:38 | |
-..experimenting... -You are sullying my songs. | 0:20:38 | 0:20:40 | |
We were at it to Dancing With Tears In My Eyes. | 0:20:40 | 0:20:43 | |
When you should have been at it to Vienna, you know, | 0:20:43 | 0:20:46 | |
especially the bit where it speeds up and then there's the big... | 0:20:46 | 0:20:49 | |
"Nothing to me!" | 0:20:49 | 0:20:51 | |
This means nothing to me, yeah. | 0:20:51 | 0:20:53 | |
-We had tears in our eyes, but for different reasons. -Oh, dear. | 0:20:53 | 0:20:57 | |
What was it actually about? | 0:20:57 | 0:20:58 | |
You know when you take your two weeks away from work | 0:20:58 | 0:21:01 | |
-and you go on holiday and... -Don't tell me Vienna was about a holiday? | 0:21:01 | 0:21:04 | |
-Well, kind of. -A package holiday in Vienna! | 0:21:04 | 0:21:07 | |
So, you go to somewhere beautiful, like Vienna, | 0:21:07 | 0:21:10 | |
this crumbling, ancient old city, | 0:21:10 | 0:21:13 | |
you meet somebody and you vow that that wonderful moment | 0:21:13 | 0:21:16 | |
that you've had together will carry on when you get back | 0:21:16 | 0:21:19 | |
to your normal life, and, of course, the moment you get back | 0:21:19 | 0:21:21 | |
to your normal life, that moment disappears. | 0:21:21 | 0:21:23 | |
It means nothing to me any more. | 0:21:23 | 0:21:25 | |
So, are you telling me Vienna is a sort of arty Summer Loving? | 0:21:25 | 0:21:28 | |
Yeah. | 0:21:28 | 0:21:30 | |
# Summer Loving... # It's basically a holiday romance. | 0:21:30 | 0:21:34 | |
-Is that what it was? -It's exactly that. -No! | 0:21:34 | 0:21:36 | |
That's exactly what it is, yes. | 0:21:36 | 0:21:38 | |
# The image has gone only you and I | 0:21:38 | 0:21:40 | |
# It means nothing to me... # | 0:21:40 | 0:21:41 | |
So was it a woman in Vienna? | 0:21:41 | 0:21:44 | |
No, it wasn't, it was an absolute fantasy. | 0:21:44 | 0:21:46 | |
-I'd never been to Vienna. -What? -I'd read about it, you know, and... | 0:21:46 | 0:21:49 | |
Oh, my God. My whole childhood is going up in smoke. | 0:21:49 | 0:21:51 | |
Well, don't ask me the questions! | 0:21:51 | 0:21:52 | |
# Oh, Vienna... # | 0:21:52 | 0:21:54 | |
I don't want to burst people's bubbles. | 0:21:54 | 0:21:56 | |
You'll tell me David Bowie was never in space next. | 0:21:56 | 0:21:59 | |
There is no time to mend my shattered childhood, | 0:22:04 | 0:22:06 | |
cos we've got work to do, | 0:22:06 | 0:22:07 | |
on a picturesque, little industrial estate just outside Cardiff. | 0:22:07 | 0:22:10 | |
We're hunting down local rockers Johnny Cage & The Voodoogroove. | 0:22:10 | 0:22:15 | |
When these self-confessed scuzz bombs | 0:22:15 | 0:22:17 | |
aren't chasing the rock and roll dragon, | 0:22:17 | 0:22:20 | |
band-mates Dan and Peanut... | 0:22:20 | 0:22:21 | |
-He's so strong. -He only smells strong. | 0:22:21 | 0:22:24 | |
..are living a different dream. | 0:22:24 | 0:22:26 | |
Selling and repairing catering equipment. | 0:22:26 | 0:22:28 | |
The daily routine is after a gig or rehearsal, | 0:22:32 | 0:22:35 | |
get to bed in the morning, | 0:22:35 | 0:22:38 | |
and get up in the same morning, and come to work, bleary eyed. | 0:22:38 | 0:22:41 | |
We've got to install microwave ovens, custom kitchen deliveries, | 0:22:43 | 0:22:47 | |
got to move refrigerators. | 0:22:47 | 0:22:49 | |
HE LAUGHS | 0:22:49 | 0:22:50 | |
Money for nothing, mate. | 0:22:51 | 0:22:53 | |
Peanut and Dan first met when they were 17 on the dance floor | 0:22:53 | 0:22:56 | |
of a local rock club | 0:22:56 | 0:22:58 | |
and they've been making music together ever since. | 0:22:58 | 0:23:00 | |
And that's been made easier as their best mate is also their boss. | 0:23:00 | 0:23:05 | |
You need an understanding partner and an understanding boss | 0:23:05 | 0:23:09 | |
to make music work, yeah. I mean, if you haven't got those two things, | 0:23:09 | 0:23:12 | |
it's not happening, dead in the water. | 0:23:12 | 0:23:14 | |
When we're busy, it's two full-time jobs, pretty much, | 0:23:14 | 0:23:17 | |
as we'll come out of here, we'll have a rehearsal. | 0:23:17 | 0:23:20 | |
Gigs, sometimes two or three gigs a week, | 0:23:20 | 0:23:22 | |
so it does get absolutely mental. | 0:23:22 | 0:23:24 | |
Dan and I couldn't do it without each other, now. | 0:23:24 | 0:23:26 | |
THEY LAUGH | 0:23:26 | 0:23:28 | |
Musical soul mates, man. | 0:23:28 | 0:23:30 | |
# There she blows | 0:23:43 | 0:23:45 | |
# ..her everywhere... # | 0:23:45 | 0:23:47 | |
# Some things are better left alone | 0:23:55 | 0:23:57 | |
# And some things are better off left alone | 0:23:57 | 0:24:01 | |
# Some things are better off left... Left alone | 0:24:01 | 0:24:05 | |
# They have got a hold of you... | 0:24:07 | 0:24:09 | |
# Some things are better left alone | 0:24:15 | 0:24:18 | |
# Some things are better off left alone | 0:24:18 | 0:24:20 | |
# Some things are better off left alone... # | 0:24:22 | 0:24:25 | |
-Thank you very much. Cheers. -Is this your smallest gig? | 0:24:32 | 0:24:35 | |
-Yeah, yeah! -That was brilliant, thanks, guys. Thank you very, much. | 0:24:35 | 0:24:38 | |
I loved that. It's funny, when you come back to Wales, you do have a | 0:24:38 | 0:24:40 | |
little bit of investment, a little bit of ownership... | 0:24:40 | 0:24:43 | |
I thought you did us proud. | 0:24:43 | 0:24:44 | |
When we were in Scotland, you didn't give a shit about the band. | 0:24:44 | 0:24:48 | |
It was very powerful and it was... | 0:24:48 | 0:24:50 | |
It was lovely and tight and chunky and you've obviously been playing | 0:24:50 | 0:24:53 | |
together for a bit of time, haven't you? | 0:24:53 | 0:24:55 | |
For longer than we care to remember! | 0:24:55 | 0:24:57 | |
It's got that pub rock thing, that mid-70s in London or whatever, | 0:24:57 | 0:25:00 | |
the feel-goods, pure energy. | 0:25:00 | 0:25:03 | |
Fantastic. You were like a muppet, it was fabulous. | 0:25:03 | 0:25:06 | |
Your mouth was wide open. | 0:25:06 | 0:25:08 | |
-It was great. -Animal. | 0:25:09 | 0:25:11 | |
-Animal, yeah. -So, what's the situation at the moment, then? | 0:25:11 | 0:25:13 | |
-Does it pay for itself? -We tried to give up our jobs, and we couldn't, | 0:25:13 | 0:25:17 | |
so we went back to work. | 0:25:17 | 0:25:18 | |
In the summer, with the festivals, we do generally play every weekend. | 0:25:18 | 0:25:21 | |
There was one gig where a girl just tore her clothes off | 0:25:21 | 0:25:24 | |
and threw herself down the front of the stage. | 0:25:24 | 0:25:26 | |
-What, she stripped all her clothes off? -Yeah, yeah. | 0:25:26 | 0:25:28 | |
Pretty much everybody pulls at Johnny Cage & The Voodoogroove. | 0:25:28 | 0:25:31 | |
So you whip them up into such a frenzy, | 0:25:31 | 0:25:33 | |
they all get off with each other? | 0:25:33 | 0:25:35 | |
We do want to be the band on stage at the party | 0:25:35 | 0:25:37 | |
-at the end of the world. -Yeah! | 0:25:37 | 0:25:39 | |
Being the megastars we are, we'll be in a rocket, somewhere. | 0:25:39 | 0:25:41 | |
-Totally, totally. -"See you, guys!" | 0:25:41 | 0:25:44 | |
You will be. I'll be standing, holding everyone's coats going, | 0:25:44 | 0:25:47 | |
"What's happening? Where's everyone gone?" | 0:25:47 | 0:25:49 | |
THEY LAUGH | 0:25:49 | 0:25:52 | |
Those grimy buggers have thrown a mangy cat amongst the pigeons. | 0:25:52 | 0:25:55 | |
-That's shaken things up a bit, Midge. -In a great way, actually. | 0:25:57 | 0:26:00 | |
A really funny, likeable bunch of guys. | 0:26:00 | 0:26:03 | |
That was a real surprise, I wasn't expecting to see something go bang. | 0:26:03 | 0:26:07 | |
I can imagine, you know, watching them in a club somewhere, | 0:26:07 | 0:26:10 | |
sticky carpets, sweat running down the inside of the walls. | 0:26:10 | 0:26:13 | |
Knickers flying everywhere. | 0:26:13 | 0:26:14 | |
You've got to choose them, cos I want to go to a gig where | 0:26:14 | 0:26:17 | |
-everybody strips off and gets down to it. -What, including me? | 0:26:17 | 0:26:20 | |
You don't want to see that! | 0:26:20 | 0:26:22 | |
Funnily enough, I didn't have you in my head when I was... | 0:26:22 | 0:26:25 | |
-Well, you have now! -I have now! God... | 0:26:25 | 0:26:28 | |
Midge clearly seems to be enjoying himself. How could he not be? | 0:26:31 | 0:26:35 | |
We're in Cardiff, on the biggest tour of his career. | 0:26:35 | 0:26:38 | |
# I'm on my way from misery to happiness today. # | 0:26:38 | 0:26:43 | |
-Uh-huh. -Uh-huh. -Uh-huh. -Uh-huh. -What do you think of the new van? | 0:26:43 | 0:26:47 | |
-I liked the old one until you broke it! -I didn't... | 0:26:47 | 0:26:50 | |
Our van blew up. | 0:26:50 | 0:26:52 | |
-How do you feel about skiffle, Midge? -Uh... | 0:26:57 | 0:27:01 | |
-Skiffle? As in... -You like a bit of skiffle? | 0:27:01 | 0:27:03 | |
-As in skiffle, yeah. -As in tea chests and stuff? | 0:27:03 | 0:27:05 | |
As in, this isn't just chitchat. | 0:27:05 | 0:27:07 | |
-Oh, right, I thought... -This isn't idle chitchat, mate. | 0:27:07 | 0:27:09 | |
We're going to see a skiffle band in Cardiff. | 0:27:09 | 0:27:12 | |
-I thought you genuinely wanted to know. -No. Well, I do. | 0:27:12 | 0:27:14 | |
In a way, skiffle was the punk of its day. | 0:27:14 | 0:27:16 | |
You know, if you couldn't play an instrument, | 0:27:16 | 0:27:19 | |
you'd buy a tea chest and a broom handle and a bit of string and you | 0:27:19 | 0:27:22 | |
taught yourself how to play a one-string bass. | 0:27:22 | 0:27:24 | |
It was at transition between trad jazz and rock and roll. | 0:27:24 | 0:27:28 | |
John Lennon started out playing skiffle. | 0:27:28 | 0:27:31 | |
We are going to see a band called Railroad Bill. | 0:27:31 | 0:27:35 | |
# Way down in Soho | 0:27:35 | 0:27:39 | |
# Poor Rocky had to die | 0:27:39 | 0:27:45 | |
# Way down in Soho before the world began | 0:27:45 | 0:27:49 | |
# Way down in Soho before I was a man... # | 0:27:49 | 0:27:52 | |
The band first met at Aberystwyth University, so long ago, | 0:27:52 | 0:27:56 | |
Jesus was still best known as a carpenter. | 0:27:56 | 0:27:58 | |
Now all grown up, the band boast a history teacher, | 0:28:03 | 0:28:06 | |
two council workers, two IT geeks and, handy for any band, | 0:28:06 | 0:28:10 | |
a wine merchant. | 0:28:10 | 0:28:12 | |
CHEERING | 0:28:17 | 0:28:19 | |
Thank you very much for that. So, 30 years. | 0:28:23 | 0:28:26 | |
-That's amazing. -30 years without any success whatsoever. | 0:28:26 | 0:28:29 | |
THEY LAUGH | 0:28:29 | 0:28:31 | |
Your song was great, cos it was so much of that era. | 0:28:31 | 0:28:34 | |
I wouldn't have been able to tell whether it was an original skiffle | 0:28:34 | 0:28:37 | |
-song or not. -Dan and Chris tell good stories in the songs, | 0:28:37 | 0:28:42 | |
so the songs are entertaining. | 0:28:42 | 0:28:43 | |
We're both very traditional song writers | 0:28:43 | 0:28:45 | |
in the sense of verse, chorus, middle eights... | 0:28:45 | 0:28:48 | |
-Nothing fancy. -We're clearly limited with instruments | 0:28:48 | 0:28:51 | |
and there's not a lot you can do. | 0:28:51 | 0:28:53 | |
You are with this. | 0:28:53 | 0:28:55 | |
I think I've probably taken it to the limits. | 0:28:55 | 0:28:58 | |
-Is this home-made? -Yes. It literally is what it looks like. | 0:28:58 | 0:29:01 | |
-It's a tea chest. -It's a tea chest from Kenya. | 0:29:01 | 0:29:04 | |
It's a broomstick, screwed to the corner of a tea chest, | 0:29:04 | 0:29:07 | |
with a bit of parachute cord. | 0:29:07 | 0:29:09 | |
So, when you formed the band, | 0:29:09 | 0:29:10 | |
were you looking to do that as a full-time thing? | 0:29:10 | 0:29:13 | |
I think one of the big mistakes that young bands do is look in a very | 0:29:13 | 0:29:17 | |
linear way at making it, rather than having a good time, | 0:29:17 | 0:29:22 | |
keeping going, enjoying themselves and being able to do this | 0:29:22 | 0:29:26 | |
into their 50s, and I think it's a shame, | 0:29:26 | 0:29:28 | |
because there are so many other ways you can make music. | 0:29:28 | 0:29:31 | |
What do you make of them? | 0:29:35 | 0:29:37 | |
Real buzz, real lovely stuff. | 0:29:37 | 0:29:39 | |
But it's so diverse from everything else that we've seen. | 0:29:39 | 0:29:42 | |
It's like dolly mixtures. Which one is your favourite? | 0:29:42 | 0:29:45 | |
It's really difficult to choose. | 0:29:45 | 0:29:47 | |
These guys, I thought, were just vibey, fun... | 0:29:47 | 0:29:50 | |
I was floored when they said they had been together for 30 years. | 0:29:50 | 0:29:56 | |
I mean, that's some drive, to take that through all the highs and lows | 0:29:56 | 0:29:59 | |
that those guys have been through. | 0:29:59 | 0:30:01 | |
-If Madness and Lonnie Donegan and Chas and Dave... -The Pogues... | 0:30:01 | 0:30:05 | |
..all crashed into each other, this band would pop out the middle. | 0:30:05 | 0:30:09 | |
# Well, it's a hard road Dead or alive | 0:30:12 | 0:30:15 | |
# Well, it's a hard road Dead or alive... # | 0:30:15 | 0:30:18 | |
I think Wales are punching above their weight. | 0:30:18 | 0:30:21 | |
I've been really chuffed that they've been excellent. | 0:30:21 | 0:30:25 | |
So, can you stop sticking £20 notes under my door every night? | 0:30:25 | 0:30:28 | |
I don't want to sway you, but you should definitely choose | 0:30:28 | 0:30:31 | |
-the two Welsh bands we've seen so far. -Subtle as usual. | 0:30:31 | 0:30:34 | |
Do you have a clear idea in your head so far | 0:30:34 | 0:30:37 | |
of who your favourite is? | 0:30:37 | 0:30:38 | |
There are a handful of very, very strong contenders. | 0:30:38 | 0:30:43 | |
This is about the best part-time bands, so you've got... | 0:30:43 | 0:30:47 | |
I think I've got to think of, "If I was standing here, | 0:30:47 | 0:30:49 | |
"watching an entire gig, would I love this?" | 0:30:49 | 0:30:52 | |
And that criteria alone makes it a little bit easier. | 0:30:52 | 0:30:55 | |
So, you've got two Welsh ones so far - who else? | 0:30:55 | 0:30:57 | |
MIDGE LAUGHS | 0:30:57 | 0:30:59 | |
It's a difficult moment for me, as I have to break it to Midge | 0:31:00 | 0:31:04 | |
that we only have one more band left to see. | 0:31:04 | 0:31:06 | |
We are off to the infamous Welsh town of Pontypool. | 0:31:06 | 0:31:11 | |
We are going to see a nine-piece R&B... | 0:31:11 | 0:31:15 | |
When I say R&B, I mean old-school R&B, they got together... | 0:31:15 | 0:31:18 | |
Well, in 1963, they supported The Who, these guys. | 0:31:18 | 0:31:22 | |
They have got a combined age, I can tell you, of about 850, | 0:31:22 | 0:31:27 | |
-and I'm not exaggerating. -Hold on, how many are there? -Nine. | 0:31:27 | 0:31:30 | |
-You do the maths. -Old-school R&B, rhythm and blues, it's the Stones... | 0:31:30 | 0:31:34 | |
I presume these guys are old-school R&B. | 0:31:34 | 0:31:36 | |
Maybe they're not. Maybe they're, like, Rihanna and that. | 0:31:36 | 0:31:40 | |
So, these men are reputed up to the age of 90 | 0:31:40 | 0:31:44 | |
-are going to do some twerking for us? -Yeah! | 0:31:44 | 0:31:47 | |
Pieces Of Mind are playing a gig to friends and family | 0:31:49 | 0:31:52 | |
over 50 years on from supporting The Who. | 0:31:52 | 0:31:55 | |
I was offered £1,100 for that. | 0:31:55 | 0:31:58 | |
These pensioners make the Cardiff skiffle band | 0:31:58 | 0:32:01 | |
look like S Club Juniors. | 0:32:01 | 0:32:02 | |
Nonstop dancing, they've all got nonstop dancing, 7:30 to 11, | 0:32:02 | 0:32:06 | |
12 shillings and sixpence. | 0:32:06 | 0:32:07 | |
And late buses back to Newport. | 0:32:07 | 0:32:09 | |
All of them have got late buses, "Don't worry. Don't panic." | 0:32:09 | 0:32:13 | |
This is gold dust. This is fantastic stuff. | 0:32:13 | 0:32:16 | |
# Early in the morning 'bout the break of day | 0:32:23 | 0:32:26 | |
# That's when my baby went away | 0:32:28 | 0:32:31 | |
# Come back, baby, I wish you would | 0:32:33 | 0:32:35 | |
# Try and love me You won't do no good | 0:32:38 | 0:32:40 | |
# Come on, now | 0:32:44 | 0:32:46 | |
# On my way | 0:32:49 | 0:32:51 | |
# Ow | 0:32:51 | 0:32:52 | |
# I wish you would. # | 0:33:01 | 0:33:04 | |
APPLAUSE | 0:33:07 | 0:33:09 | |
Thank you. | 0:33:09 | 0:33:10 | |
-How are you doing, man? Fantastic. How are you doing? -Awesome. | 0:33:10 | 0:33:15 | |
-Are you sure you're all in the band? -Here, we've lost a couple. | 0:33:16 | 0:33:21 | |
-A couple, unfortunately. -We lost one last week, unfortunately, as well. | 0:33:21 | 0:33:24 | |
One of the band died last week? | 0:33:24 | 0:33:26 | |
Yeah, and then we lost a drummer last year. | 0:33:26 | 0:33:28 | |
Thank fuck we got two others. | 0:33:28 | 0:33:30 | |
What, one and a spare? | 0:33:31 | 0:33:32 | |
We've still got five out of the original six left. | 0:33:32 | 0:33:35 | |
That's him, him, him, him and me. | 0:33:35 | 0:33:38 | |
In 2012, we were talking about | 0:33:38 | 0:33:39 | |
the Rolling Stones having their 50th anniversary, | 0:33:39 | 0:33:42 | |
so I said to Rob, "Pieces Of Mind have their 50th anniversary in 2013. | 0:33:42 | 0:33:46 | |
"Why don't we get together?" | 0:33:46 | 0:33:49 | |
Cos we hadn't seen each other for 50 years, whatever, | 0:33:49 | 0:33:51 | |
and so we got together in Wales, didn't fucking recognise anybody, | 0:33:51 | 0:33:55 | |
because obviously, we had barnets and that when we were kids, | 0:33:55 | 0:33:58 | |
and this one, because he's the leader of the pack, said, | 0:33:58 | 0:34:02 | |
"We should play." So, we do about half a dozen shows a year, now. | 0:34:02 | 0:34:05 | |
The posters out there, you've got, supporting The Who... | 0:34:05 | 0:34:08 | |
When we played with The Who, it was January '66. | 0:34:08 | 0:34:11 | |
We had the audacity to finish with My Generation, | 0:34:11 | 0:34:14 | |
which was number one for them at the time. | 0:34:14 | 0:34:16 | |
So, we come back down into the dressing room | 0:34:16 | 0:34:19 | |
and Daltrey has got Pete Townshend up against the wall, | 0:34:19 | 0:34:22 | |
cos they're off their tits, Townshend and Moon, | 0:34:22 | 0:34:24 | |
and I said to Ducksy, "There's no fucking way | 0:34:24 | 0:34:26 | |
"this lot are going to stay together." | 0:34:26 | 0:34:28 | |
So, you obviously know how to ingratiate yourselves with the bands | 0:34:28 | 0:34:31 | |
you're playing with, by playing their current hit before they do! | 0:34:31 | 0:34:34 | |
Well, I can't make Vienna, otherwise we would have done that for you. | 0:34:34 | 0:34:37 | |
How the hell do you get together for rehearsals? | 0:34:37 | 0:34:40 | |
-We don't rehearse. -I'm glad YOU said that! | 0:34:40 | 0:34:43 | |
LAUGHTER | 0:34:43 | 0:34:45 | |
Midge, you're going to get a kick in the bollocks! | 0:34:45 | 0:34:48 | |
That's how I can still hit the high notes in Vienna! | 0:34:48 | 0:34:50 | |
Oh...Welsh cakes all round. | 0:34:56 | 0:34:59 | |
Not that they were trying to bribe us. | 0:34:59 | 0:35:01 | |
Of course not! But they were brilliant, | 0:35:01 | 0:35:04 | |
and they kind of epitomise what this is all about. | 0:35:04 | 0:35:07 | |
You know, they're a band who broke up for 40 years. | 0:35:07 | 0:35:09 | |
Stonkingly good, now. | 0:35:09 | 0:35:11 | |
The three Welsh bands we've seen here are really good. Very proud. | 0:35:11 | 0:35:15 | |
-Stop it. -Very proud. Nothing to do with being Welsh. | 0:35:15 | 0:35:17 | |
Think about it while you have that Welsh cake. | 0:35:17 | 0:35:19 | |
Is this... Is this, kind of...? | 0:35:19 | 0:35:21 | |
You have that, don't let that influence your decision. | 0:35:21 | 0:35:24 | |
So, Midge, has this trip been the greatest touring experience | 0:35:27 | 0:35:30 | |
-of your life? -I've had an absolute ball. | 0:35:30 | 0:35:32 | |
Was it just me or was it partly the bands and things as well? | 0:35:32 | 0:35:35 | |
Oh, no, it was all you! | 0:35:35 | 0:35:37 | |
Always all you. | 0:35:37 | 0:35:39 | |
I didn't know what to expect. | 0:35:39 | 0:35:40 | |
-Are you surprised? -Hugely surprised. | 0:35:40 | 0:35:43 | |
Some of the bands are just... | 0:35:43 | 0:35:45 | |
exceptional, and incredibly diverse - | 0:35:45 | 0:35:49 | |
the cross-section of musics, age groups... | 0:35:49 | 0:35:52 | |
Which made it even harder to try and decide | 0:35:52 | 0:35:55 | |
who you'd like to see again, | 0:35:55 | 0:35:57 | |
but I am trying to do it just simply from | 0:35:57 | 0:36:00 | |
the sensation you felt when you saw the band perform. | 0:36:00 | 0:36:03 | |
After six days and over 700 miles, | 0:36:07 | 0:36:10 | |
our monster road trip in the love bus is over. | 0:36:10 | 0:36:13 | |
This is it, mate. 'And Midge has chosen his favourite five | 0:36:13 | 0:36:16 | |
to follow in the footsteps of the Arctic Monkeys, | 0:36:16 | 0:36:19 | |
Blur and the Strokes, | 0:36:19 | 0:36:21 | |
by playing the legendary Limelight in Belfast. | 0:36:21 | 0:36:24 | |
So, Midgeroo, who's made it through?' | 0:36:24 | 0:36:27 | |
Strangely enough, they're two Scottish acts | 0:36:27 | 0:36:29 | |
and two Welsh acts and one local Belfast act. | 0:36:29 | 0:36:32 | |
All-girl band Wookalily. | 0:36:35 | 0:36:36 | |
-Wookalily. -Country rock. | 0:36:36 | 0:36:38 | |
Multi-instrumentalists and they're really talented girls. | 0:36:38 | 0:36:41 | |
We've got GT's Boos Band from Glasgow. | 0:36:42 | 0:36:44 | |
Bombskare, a brilliant ska band. | 0:36:46 | 0:36:48 | |
Just so full of power, it's fabulous. | 0:36:50 | 0:36:52 | |
Johnny Cage and the Voodoogroove. | 0:36:55 | 0:36:58 | |
You know, real energy. | 0:36:58 | 0:36:59 | |
And Pieces Of Mind, a band who supported The Who in 1966. | 0:36:59 | 0:37:05 | |
-They broke up for... -45 years, I think it was. | 0:37:05 | 0:37:07 | |
..and got back together again. | 0:37:07 | 0:37:09 | |
It kind of epitomises the whole idea of a part-time band. | 0:37:09 | 0:37:13 | |
It's going to be buzzing in here. You know, Friday night, Belfast, | 0:37:13 | 0:37:16 | |
-it's going to be phenomenal. -Awesome. Good choices. | 0:37:16 | 0:37:19 | |
-Good choices, Midge. -Thank you. | 0:37:19 | 0:37:21 | |
Once he's seen how the five bands perform | 0:37:25 | 0:37:26 | |
in front of a capacity crowd, | 0:37:26 | 0:37:28 | |
Midge must choose which two will go through to the grand final. | 0:37:28 | 0:37:32 | |
It's a big step up from the rehearsal rooms, | 0:37:34 | 0:37:36 | |
pubs and clubs we have seen them in, | 0:37:36 | 0:37:38 | |
and the sound check is a chance to iron out any technical issues. | 0:37:38 | 0:37:42 | |
Because the girls aren't a rock band, like the rest, | 0:37:42 | 0:37:44 | |
can you pump their overall level up a bit? | 0:37:44 | 0:37:47 | |
Going through to the regional heats was just really exciting. | 0:37:49 | 0:37:52 | |
Our families were really delighted whenever we got through. | 0:37:52 | 0:37:55 | |
Just completely over the moon. | 0:37:55 | 0:37:57 | |
Excited or nervous? | 0:37:57 | 0:37:59 | |
-A bit of both? -I'm nervous. -I'm quite nervous. | 0:37:59 | 0:38:02 | |
Excited nervousness. | 0:38:02 | 0:38:03 | |
But you want that, don't you? That's what makes you step that extra... | 0:38:03 | 0:38:07 | |
For GT's Boos Band, tonight's gig is a step up the ladder. | 0:38:08 | 0:38:13 | |
But ironically for lead singer Greig, | 0:38:13 | 0:38:15 | |
it is also a chance to step down off the ladder. | 0:38:15 | 0:38:17 | |
Yesterday, I was out in the snow, cleaning windows. | 0:38:18 | 0:38:21 | |
Then I was getting picked up two hours later | 0:38:21 | 0:38:23 | |
to come here and do this. | 0:38:23 | 0:38:25 | |
You can play all your life and never get a tiny, tiny step, | 0:38:26 | 0:38:30 | |
so it's really nice to have a little insight to that. | 0:38:30 | 0:38:33 | |
It is really interesting that this is the first time | 0:38:33 | 0:38:35 | |
they've actually seen each other, these bands. | 0:38:35 | 0:38:38 | |
Till now, they didn't know who they were up against. | 0:38:38 | 0:38:40 | |
How does it feel, watching the other bands? | 0:38:44 | 0:38:46 | |
The ones we've seen have been fantastic. | 0:38:46 | 0:38:48 | |
-The competition is tough. -The competition is tough, I have to say. | 0:38:49 | 0:38:52 | |
It made me a little bit nervous, man, yeah, yeah. | 0:38:52 | 0:38:54 | |
I don't get nervous often, but, yeah, yeah. | 0:38:54 | 0:38:56 | |
Win, lose or draw, | 0:38:57 | 0:38:59 | |
-tonight, we are going to... -Win. -Yeah. | 0:38:59 | 0:39:02 | |
Basically. If I've got to pick three, it's got to be win. | 0:39:02 | 0:39:06 | |
It's scary and exciting for them. | 0:39:08 | 0:39:10 | |
As long as they control it and look to the right direction, | 0:39:10 | 0:39:13 | |
then the only direction for them is forwards. | 0:39:13 | 0:39:16 | |
I want to see that spark, | 0:39:16 | 0:39:17 | |
I want to see it come alight in front of a crowd. | 0:39:17 | 0:39:19 | |
Sound check over, it's showtime. | 0:39:21 | 0:39:23 | |
GT's Boos Band! | 0:39:23 | 0:39:25 | |
Fans and family have travelled from all over the UK to be here. | 0:39:25 | 0:39:30 | |
Stirling, Newcastle, by boat, by sea, by plane... | 0:39:30 | 0:39:33 | |
We are from South Wales and we are supporting Pieces Of Mind. | 0:39:34 | 0:39:37 | |
THEY SHOUT | 0:39:38 | 0:39:40 | |
Please welcome to the stage Rhod Gilbert | 0:39:41 | 0:39:43 | |
and the legend that is Midge Ure! | 0:39:43 | 0:39:45 | |
CHEERING | 0:39:45 | 0:39:46 | |
Hello! Give it up, give it up, let me hear you! | 0:39:46 | 0:39:50 | |
Are you excited? | 0:39:50 | 0:39:52 | |
-ALL: -Yes! -Welcome to the UK's Best Part-time Band. | 0:39:52 | 0:39:55 | |
There's no prize, no recording contract, no Christmas number one. | 0:39:55 | 0:39:58 | |
There's fuck all. Nothing. | 0:39:58 | 0:40:00 | |
It's a pointless waste of time, the whole thing. | 0:40:00 | 0:40:04 | |
But we're here for the love of music, that is it. | 0:40:04 | 0:40:06 | |
This is Midge. CHEERING | 0:40:06 | 0:40:09 | |
You are seeing the combined talents of Scotland... | 0:40:09 | 0:40:12 | |
CHEERING | 0:40:12 | 0:40:14 | |
..Wales... CHEERING | 0:40:14 | 0:40:17 | |
..and Northern Ireland. | 0:40:17 | 0:40:19 | |
CHEERING | 0:40:19 | 0:40:20 | |
Midge selected them all. | 0:40:20 | 0:40:23 | |
-Do I get to speak? -Yeah. | 0:40:23 | 0:40:25 | |
Oh, right, OK. All right. | 0:40:25 | 0:40:27 | |
I thought it was only that fucker Geldof | 0:40:27 | 0:40:29 | |
-that stopped me from speaking. -At last, he says it! At last. | 0:40:29 | 0:40:33 | |
30 years, we've been waiting for you to say that. | 0:40:33 | 0:40:37 | |
-30 years. -Oh, I'll regret that! | 0:40:37 | 0:40:40 | |
Tonight, you are seeing five, and we are going to choose two, | 0:40:40 | 0:40:43 | |
which will go into the finals. | 0:40:43 | 0:40:46 | |
We've got window cleaners, we've got postmen, we've got firemen. | 0:40:46 | 0:40:49 | |
This is not karaoke. | 0:40:49 | 0:40:50 | |
This is proper music by people who love it. | 0:40:50 | 0:40:53 | |
Midge, the first band, from Scotland... | 0:40:53 | 0:40:55 | |
CHEERING | 0:40:55 | 0:40:57 | |
This is a band who will never, ever make any money | 0:40:58 | 0:41:01 | |
because there are so many of them. | 0:41:01 | 0:41:03 | |
But they were phenomenal, so you're in for a good time. | 0:41:05 | 0:41:08 | |
The most sober I have ever been before a gig, so I'm very nervous! | 0:41:08 | 0:41:12 | |
But when I tell you their name, | 0:41:12 | 0:41:15 | |
you'll realise why I am in a slightly awkward position. | 0:41:15 | 0:41:18 | |
Don't get me wrong, I like Belfast. | 0:41:18 | 0:41:21 | |
But...I've never had to bring on a band called Bombskare. | 0:41:21 | 0:41:25 | |
CHEERING AND WHOOPING | 0:41:25 | 0:41:27 | |
I'm glad you laughed at that! | 0:41:29 | 0:41:31 | |
Ladies and gentlemen of Belfast, for once, we can cheer for Bombskare! | 0:41:33 | 0:41:38 | |
APPLAUSE AND CHEERING | 0:41:38 | 0:41:40 | |
Hello! | 0:41:42 | 0:41:44 | |
Good evening, ladies and gentlemen. We are Bombskare! | 0:41:44 | 0:41:48 | |
Go! | 0:41:53 | 0:41:54 | |
# Don't you know that it's true that Big Brother's watching you? | 0:42:04 | 0:42:08 | |
# I'd rather have him watching me than watch Big Brother | 0:42:09 | 0:42:13 | |
# I don't mind standing in the front line where I can be seen | 0:42:15 | 0:42:19 | |
# Cos he knows where I am Where I'm going and where I've been | 0:42:20 | 0:42:24 | |
# You're all for us | 0:42:26 | 0:42:28 | |
# Or you're against us | 0:42:28 | 0:42:31 | |
PLAYS HARMONICA | 0:42:42 | 0:42:45 | |
# Woke up one morning to the crime of the century | 0:42:47 | 0:42:51 | |
# Wake up, can't you see? It's right in front of you | 0:42:53 | 0:42:57 | |
# Woke up one morning to the crime of the century | 0:42:58 | 0:43:02 | |
# Wake up, can't you see? It's right in front of you... # | 0:43:04 | 0:43:08 | |
CHEERING | 0:43:11 | 0:43:13 | |
It was excellent. Very good. Very pleased. | 0:43:16 | 0:43:19 | |
-Hell of a pace. -A lot faster than the sound check. | 0:43:19 | 0:43:22 | |
-Yeah. -That's pure excitement and adrenaline, I guess. | 0:43:22 | 0:43:26 | |
-It was fantastic. By the end, they were with us. -They were there. | 0:43:26 | 0:43:30 | |
-One more song, we'd have been like... -One more song. | 0:43:30 | 0:43:33 | |
-Just one more. -We would have destroyed them. | 0:43:33 | 0:43:35 | |
CHEERING | 0:43:35 | 0:43:38 | |
Did you enjoy Bombskare? | 0:43:38 | 0:43:40 | |
CHEERING | 0:43:40 | 0:43:41 | |
The next band, ladies and gentlemen, are all the way from Belfast... | 0:43:41 | 0:43:45 | |
CHEERING | 0:43:45 | 0:43:47 | |
-How are you feeling? -Excited! -No pressure! | 0:43:49 | 0:43:52 | |
No pressure at all. | 0:43:52 | 0:43:54 | |
Any teachers in? | 0:43:55 | 0:43:56 | |
This band, some of them are teachers and classroom assistants. | 0:43:56 | 0:44:00 | |
Formed in Belfast... Don't start! | 0:44:00 | 0:44:02 | |
We could literally go up on stage and fart | 0:44:04 | 0:44:07 | |
and they would be like, "Yeah!" | 0:44:07 | 0:44:09 | |
This band uses lots of different instruments. | 0:44:10 | 0:44:13 | |
I got a mandolin and a ukulele mixed up and he ripped the shit out of me. | 0:44:13 | 0:44:17 | |
"Oh, fuck... What's the difference?" | 0:44:17 | 0:44:20 | |
One of us on stage knows something about music. | 0:44:20 | 0:44:24 | |
-Did you know that, about a mandolin and a ukulele? -Yes! | 0:44:25 | 0:44:28 | |
-Oh, yeah, everybody knew, yeah? ALL: -Yes! | 0:44:28 | 0:44:31 | |
All right. Ladies and gentlemen, | 0:44:31 | 0:44:32 | |
please welcome to the stage...Wookalily! | 0:44:32 | 0:44:37 | |
CHEERING | 0:44:37 | 0:44:39 | |
Calm down, calm down. Why are yous so excited? | 0:44:39 | 0:44:42 | |
# Half past 12 and I'm watching the late show | 0:44:47 | 0:44:52 | |
# In my flat all alone | 0:44:52 | 0:44:55 | |
# How I hate to spend the evening on my own | 0:44:55 | 0:45:01 | |
# Autumn winds blowing outside my window | 0:45:01 | 0:45:07 | |
# As I look around the room | 0:45:07 | 0:45:09 | |
# And it makes me so depressed to see the gloom | 0:45:09 | 0:45:15 | |
# Gimme, gimme, gimme a man after midnight | 0:45:15 | 0:45:19 | |
# Won't somebody help me chase the shadows away? | 0:45:19 | 0:45:23 | |
# Gimme, gimme, gimme a man after midnight | 0:45:23 | 0:45:27 | |
# Take me through the darkness to the break of the day... # | 0:45:27 | 0:45:31 | |
Woo! | 0:45:37 | 0:45:38 | |
APPLAUSE AND CHEERING | 0:45:45 | 0:45:47 | |
Thank you, Belfast! | 0:45:50 | 0:45:52 | |
-That was great. -That felt like a very genuine reaction, as well. | 0:45:55 | 0:45:58 | |
It wasn't just a home crowd being partisan. | 0:45:58 | 0:46:00 | |
I threw my sunglasses into the crowd. | 0:46:00 | 0:46:02 | |
But I really liked those glasses! | 0:46:02 | 0:46:05 | |
I was just taken up in the moment. | 0:46:05 | 0:46:09 | |
Give it up one more time for Wookalily! | 0:46:09 | 0:46:11 | |
APPLAUSE AND CHEERING | 0:46:11 | 0:46:13 | |
Next band. Midge, they're from your neck of the woods, Scotland... | 0:46:13 | 0:46:16 | |
CHEERING | 0:46:16 | 0:46:18 | |
One of these men, yesterday, | 0:46:19 | 0:46:22 | |
was rescuing people from burning buildings, ladies and gentlemen. | 0:46:22 | 0:46:25 | |
He is a fireman. | 0:46:25 | 0:46:27 | |
Is that your fella? | 0:46:27 | 0:46:28 | |
One of these men - not quite as exciting - was delivering the mail. | 0:46:30 | 0:46:33 | |
One of them - even less exciting - was cleaning windows. | 0:46:35 | 0:46:38 | |
Tell me if you are up for a bit of blues. | 0:46:38 | 0:46:40 | |
CHEERING | 0:46:40 | 0:46:42 | |
-Here we go. -They're absolutely amazing. | 0:46:42 | 0:46:44 | |
All the way from Scotland, it is GT's Boos Band! | 0:46:44 | 0:46:47 | |
CHEERING | 0:46:47 | 0:46:50 | |
Is everybody having a good time? | 0:46:50 | 0:46:52 | |
# Everybody's talking, baby | 0:46:58 | 0:47:00 | |
# About this crazy situation | 0:47:00 | 0:47:02 | |
# Everybody's walking, baby | 0:47:05 | 0:47:08 | |
# Just trying to escape this misery | 0:47:08 | 0:47:12 | |
# I'm blaming you for falling in love | 0:47:14 | 0:47:18 | |
# And now everybody knows | 0:47:18 | 0:47:21 | |
# Yeah, I've been angry, baby | 0:47:24 | 0:47:27 | |
# Cos you've been lying with other guys | 0:47:27 | 0:47:30 | |
# Now I find myself riding high lately | 0:47:32 | 0:47:36 | |
# To hide the evidence of some crime | 0:47:36 | 0:47:40 | |
# But I'm a man and I said no | 0:47:40 | 0:47:43 | |
# Now everybody knows | 0:47:45 | 0:47:49 | |
# Everybody knows! # | 0:48:03 | 0:48:05 | |
CHEERING | 0:48:05 | 0:48:07 | |
Thank you! | 0:48:11 | 0:48:13 | |
Thank you so much. | 0:48:13 | 0:48:15 | |
Whoa! You've got a fight on your hands, there, mate. | 0:48:15 | 0:48:19 | |
It was powerful, and the musicality was fantastic. | 0:48:19 | 0:48:22 | |
The guitarist is extremely good. | 0:48:22 | 0:48:24 | |
A very tricky thing to pull off, but they pulled it off, as you said, | 0:48:24 | 0:48:27 | |
with great aplomb. | 0:48:27 | 0:48:28 | |
Yeah, it is a great feeling for us to come and do that | 0:48:28 | 0:48:31 | |
and to get a response like that off the crowd was fantastic. | 0:48:31 | 0:48:33 | |
Just trying to calm down a wee bit. | 0:48:33 | 0:48:35 | |
Rhod, in the absence of Tom Jones, you are basically, | 0:48:39 | 0:48:41 | |
like, Wales personified, so... | 0:48:41 | 0:48:43 | |
So, we are doing this for you. | 0:48:43 | 0:48:45 | |
We are doing this for you and my nan. | 0:48:45 | 0:48:47 | |
CHEERING | 0:48:49 | 0:48:51 | |
The next band are from Cardiff. | 0:48:51 | 0:48:53 | |
CHEERING AND BOOING | 0:48:53 | 0:48:55 | |
-That was a boo! -Oh! | 0:48:56 | 0:48:59 | |
Right, someone is having it, now. | 0:48:59 | 0:49:01 | |
They describe their own music as | 0:49:01 | 0:49:03 | |
Cuban dirty rock and roll rockabilly... | 0:49:03 | 0:49:07 | |
It's rock and roll, it's proper rock. It's great. | 0:49:07 | 0:49:09 | |
You say it's rock and roll. | 0:49:09 | 0:49:10 | |
I would describe it as standing on a dirty needle... | 0:49:10 | 0:49:14 | |
in a good way. | 0:49:14 | 0:49:16 | |
If that makes any sense. | 0:49:17 | 0:49:19 | |
Give a massive, warm Belfast welcome for | 0:49:19 | 0:49:22 | |
Johnny Cage and the Voodoogroove! | 0:49:22 | 0:49:26 | |
APPLAUSE AND CHEERING | 0:49:26 | 0:49:27 | |
-Good evening, Belfast, what's happening? -So many Celts. | 0:49:29 | 0:49:32 | |
It's fucking beautiful. | 0:49:32 | 0:49:33 | |
# Edna Milton in a drop dead suit | 0:50:11 | 0:50:15 | |
# Dutch Pink on a downtown train | 0:50:15 | 0:50:18 | |
# Two dollar pistol and her gun won't shoot | 0:50:18 | 0:50:22 | |
# I'm in a corner on the pouring rain | 0:50:22 | 0:50:25 | |
# 16 men on a dead man's chest | 0:50:25 | 0:50:28 | |
# And I've been drinking from a broken cup | 0:50:28 | 0:50:32 | |
# Two pairs of pants and a mohair vest | 0:50:32 | 0:50:36 | |
# I'm full of bourbon and I can't stand up | 0:50:36 | 0:50:39 | |
# Hey, little bird Fly away home | 0:50:39 | 0:50:42 | |
# Your house is on fire Your kids are alone | 0:50:42 | 0:50:45 | |
# Hey, little bird Fly away home | 0:50:45 | 0:50:48 | |
# Your house is on fire Your kids are alone | 0:50:48 | 0:50:52 | |
# I said hey, little bird Fly away home | 0:51:06 | 0:51:09 | |
# Your house is on fire Your kids are gone | 0:51:09 | 0:51:12 | |
# I said hey, little bird Fly away home | 0:51:12 | 0:51:15 | |
# Your house is on fire Your kids are gone. # | 0:51:15 | 0:51:19 | |
APPLAUSE AND CHEERING | 0:51:19 | 0:51:21 | |
Yes! | 0:51:22 | 0:51:24 | |
I'm watching this, and it's great that... | 0:51:27 | 0:51:29 | |
They turned it up to 11. | 0:51:29 | 0:51:31 | |
The drummer looks like the sort of boy | 0:51:31 | 0:51:33 | |
you'd want your daughter to bring home, | 0:51:33 | 0:51:37 | |
-until you see him play! -I know! | 0:51:37 | 0:51:39 | |
-Unbelievable. -He's determined to break the drum kit. | 0:51:39 | 0:51:42 | |
Great musicians. Guitarist is very good. | 0:51:42 | 0:51:44 | |
The singer is excellent, I think. | 0:51:44 | 0:51:46 | |
CHEERING Ladies and gentlemen, | 0:51:48 | 0:51:51 | |
what did we think of Johnny Cage and the Voodoogroove? | 0:51:51 | 0:51:54 | |
CHEERING Next band. | 0:51:54 | 0:51:57 | |
They are from a little place called Pontypool in the Welsh valleys. | 0:51:57 | 0:52:01 | |
As we pulled up in front of what looked like a little scout hut | 0:52:01 | 0:52:04 | |
in the middle of nowhere, Rhod said, | 0:52:04 | 0:52:07 | |
"The combined age of this band | 0:52:07 | 0:52:10 | |
"is 860, or something." | 0:52:10 | 0:52:13 | |
THEY LAUGH | 0:52:13 | 0:52:17 | |
One of them is called Ducksy. | 0:52:17 | 0:52:19 | |
I asked, "Why are you called Ducksy?" | 0:52:19 | 0:52:21 | |
All the others went, "Cos he used to wank off swans in the park." | 0:52:21 | 0:52:24 | |
So, I said the obvious question - "Why aren't you called Swansy?" | 0:52:24 | 0:52:28 | |
He says, "Because it's a town." | 0:52:28 | 0:52:30 | |
Ladies and gentlemen, give it up, all the way from Wales, | 0:52:30 | 0:52:33 | |
it's Pieces Of Mind! | 0:52:33 | 0:52:35 | |
APPLAUSE AND CHEERING | 0:52:35 | 0:52:36 | |
Ducksy... | 0:52:39 | 0:52:41 | |
# A gypsy woman told my momma Before I was born | 0:52:50 | 0:52:54 | |
# Got a boy child comin' | 0:52:54 | 0:52:57 | |
# Gon' be a son of a gun | 0:52:57 | 0:53:00 | |
# Make pretty women jump and shout | 0:53:00 | 0:53:06 | |
# Then the world gon' know | 0:53:06 | 0:53:09 | |
# What it's all about | 0:53:09 | 0:53:11 | |
# You know I'm him | 0:53:11 | 0:53:13 | |
# Everybody knows I'm him | 0:53:15 | 0:53:17 | |
# Woo! | 0:53:20 | 0:53:22 | |
# I'm the hoochie coochie man | 0:53:22 | 0:53:25 | |
# Everybody knows I'm him | 0:53:25 | 0:53:28 | |
# I'm a hoochie coochie man | 0:53:50 | 0:53:52 | |
# Everybody knows I'm him, yeah. # | 0:53:54 | 0:53:59 | |
APPLAUSE AND CHEERING | 0:53:59 | 0:54:01 | |
They were really good, yeah, really good. | 0:54:01 | 0:54:03 | |
And they don't care about anything. They're just partying on, | 0:54:03 | 0:54:07 | |
just having a good time. | 0:54:07 | 0:54:08 | |
-Yeah, a great lesson to us all, you know? -I know, yeah. | 0:54:08 | 0:54:11 | |
Midge and I retire backstage to mull over his decision | 0:54:13 | 0:54:16 | |
as to which two bands will progress to the grand final in Manchester. | 0:54:16 | 0:54:21 | |
Where are my Welsh cakes when I need them? | 0:54:21 | 0:54:23 | |
You're going to have to kill off some bands that I love. | 0:54:23 | 0:54:25 | |
-Yes. -Because you've got to put two through. | 0:54:25 | 0:54:27 | |
It's very difficult to try and choose | 0:54:27 | 0:54:30 | |
between different types of music. | 0:54:30 | 0:54:32 | |
The running order is always awkward for people, | 0:54:32 | 0:54:35 | |
can somebody has got to go on first, | 0:54:35 | 0:54:36 | |
you've got to follow a really powerful band | 0:54:36 | 0:54:38 | |
with a really intimate little thing. | 0:54:38 | 0:54:40 | |
There is a reason that all those bands were there today. | 0:54:40 | 0:54:42 | |
They were fantastic, they were phenomenal. | 0:54:42 | 0:54:44 | |
I really didn't expect that. | 0:54:44 | 0:54:45 | |
The audience loved it. | 0:54:45 | 0:54:47 | |
But you can only choose between | 0:54:47 | 0:54:50 | |
who made the impact to you personally on the day. | 0:54:50 | 0:54:54 | |
And I think two bands, who are incredibly consistent, | 0:54:54 | 0:54:57 | |
every time we've seen them, and they just...excelled tonight. | 0:54:57 | 0:55:02 | |
All right, mate, let's just go down and do it. | 0:55:02 | 0:55:04 | |
-Yeah. -You do it. -Absolutely. -You do it. -All right...coward. | 0:55:04 | 0:55:08 | |
Ladies and gentlemen...give it up! | 0:55:10 | 0:55:13 | |
It's decision time. | 0:55:13 | 0:55:16 | |
Which is probably why Midge is taking a while to get here. | 0:55:16 | 0:55:18 | |
I know he's not looking forward to this. | 0:55:18 | 0:55:20 | |
Ladies and gentlemen, I'm going to bring the bands back on. | 0:55:20 | 0:55:23 | |
You saw Pieces Of Mind... | 0:55:23 | 0:55:24 | |
CHEERING | 0:55:24 | 0:55:26 | |
Wookalily... | 0:55:28 | 0:55:30 | |
CHEERING | 0:55:30 | 0:55:31 | |
Ladies and gentlemen, you saw Bombskare. | 0:55:31 | 0:55:33 | |
CHEERING | 0:55:33 | 0:55:35 | |
Give it up for Johnny Cage and the Voodoogroove. | 0:55:35 | 0:55:39 | |
CHEERING | 0:55:39 | 0:55:41 | |
GT's Boos Band! | 0:55:41 | 0:55:43 | |
CHEERING | 0:55:43 | 0:55:45 | |
One big cheer for all the bands you've seen, | 0:55:45 | 0:55:47 | |
because three of them are going to go out tonight, unfortunately. | 0:55:47 | 0:55:50 | |
Midge, just before we come to the decision bit, | 0:55:50 | 0:55:53 | |
overall, how has it been for you? | 0:55:53 | 0:55:54 | |
I don't want to get too serious about it. | 0:55:54 | 0:55:57 | |
Our music industry has been hijacked. | 0:55:57 | 0:56:00 | |
It's been taken over by... | 0:56:00 | 0:56:02 | |
CHEERING | 0:56:02 | 0:56:05 | |
It's been taken over by mediocrity. It's dreadful. | 0:56:05 | 0:56:09 | |
It's a cardinal sin that artists and bands like this | 0:56:11 | 0:56:16 | |
can't make a living from making music. | 0:56:16 | 0:56:19 | |
There's no commercial break, there's no pregnant pause. | 0:56:21 | 0:56:24 | |
Midge, just tell us who you've chosen. | 0:56:24 | 0:56:26 | |
I said there's no pause - just tell us. | 0:56:27 | 0:56:31 | |
Tell them, or I will. | 0:56:31 | 0:56:32 | |
The first band through... | 0:56:32 | 0:56:35 | |
Bombskare. | 0:56:35 | 0:56:37 | |
CHEERING | 0:56:37 | 0:56:39 | |
Second band through... | 0:56:49 | 0:56:51 | |
Johnny Cage. | 0:56:51 | 0:56:53 | |
CHEERING | 0:56:53 | 0:56:55 | |
Thank you very, very, very, very much. | 0:56:58 | 0:57:00 | |
Bombskare have something. | 0:57:05 | 0:57:08 | |
They just... | 0:57:08 | 0:57:10 | |
It's like lighting a touchpaper on a firework and standing back | 0:57:10 | 0:57:14 | |
and this thing just explodes. | 0:57:14 | 0:57:16 | |
We might be the best zero-hours contract band in the UK! | 0:57:16 | 0:57:21 | |
Johnny Cage - when they got out in front of a crowd, | 0:57:22 | 0:57:25 | |
they completely outstripped everyone else. | 0:57:25 | 0:57:28 | |
-Outstanding. -I feel lubricated... | 0:57:28 | 0:57:31 | |
No, I feel salubricated. | 0:57:31 | 0:57:33 | |
I feel supercilious, superseded... | 0:57:33 | 0:57:35 | |
I feel wonderful. | 0:57:35 | 0:57:37 | |
It was an experience and I will take that experience away. | 0:57:37 | 0:57:39 | |
A really positive thing. Meeting all the other bands, too. | 0:57:39 | 0:57:43 | |
The best two won, man. Fucking awesome. | 0:57:44 | 0:57:47 | |
This lot were fucking outrageous. | 0:57:47 | 0:57:49 | |
A little disappointed, | 0:57:50 | 0:57:52 | |
but we just love the fact that a real band like ours, | 0:57:52 | 0:57:55 | |
with real stories and real music | 0:57:55 | 0:57:57 | |
is getting a chance to do what we do best. | 0:57:57 | 0:57:59 | |
Next time... | 0:58:01 | 0:58:02 | |
Starting early. We got the police behind us. | 0:58:02 | 0:58:04 | |
You brought the heat on us. | 0:58:04 | 0:58:06 | |
Never had so many men in my bedroom. | 0:58:06 | 0:58:09 | |
Even though they are a part-time band... | 0:58:09 | 0:58:11 | |
..all of them have got full-time passion. | 0:58:13 | 0:58:15 | |
# Hey! You! What do you see? # | 0:58:15 | 0:58:17 | |
How long did it take you to think of that? | 0:58:17 | 0:58:20 | |
About an hour and a half. | 0:58:20 | 0:58:21 | |
Let's do it. | 0:58:21 | 0:58:23 | |
-Ooh...! -Maybe not. -I'm not in a band. | 0:58:23 | 0:58:26 |