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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
I'm Rhod Gilbert, stand-up comedian, | 0:00:09 | 0:00:10 | |
and I've had a radio show for ten years. | 0:00:10 | 0:00:12 | |
People send me music all the time, | 0:00:12 | 0:00:13 | |
and some of it is absolutely fantastic. | 0:00:13 | 0:00:15 | |
It's got me wondering just how much undiscovered talent there is | 0:00:15 | 0:00:19 | |
out there. | 0:00:19 | 0:00:21 | |
There are thousands of part-time bands in the UK, | 0:00:21 | 0:00:25 | |
from barristers to bakers, dustmen to doctors, | 0:00:25 | 0:00:28 | |
skiffling, punking, rocking and funking, | 0:00:28 | 0:00:31 | |
every week in pubs and clubs up and down the country, | 0:00:31 | 0:00:35 | |
to escape the nine-to-five grind. | 0:00:35 | 0:00:37 | |
You need an understanding partner and an understanding boss | 0:00:37 | 0:00:40 | |
to make music. | 0:00:40 | 0:00:41 | |
If you haven't got those two things, it's not happening. | 0:00:41 | 0:00:43 | |
Dead in the water. | 0:00:43 | 0:00:45 | |
MUSIC: You Really Got Me by The Kinks | 0:00:45 | 0:00:47 | |
The BBC have hooked me up with this ropey old van, and I'm off on tour. | 0:00:47 | 0:00:50 | |
'I've rounded up three musical juggernauts to help - | 0:00:50 | 0:00:53 | |
'super cool Soul II Soul legend Jazzie B...' | 0:00:53 | 0:00:56 | |
-Bonjourno. -Jazzie. -How you doing, fella? | 0:00:56 | 0:00:58 | |
'..the indie Manchester music icon Peter Hook...' | 0:00:58 | 0:01:01 | |
Starting already. We've got the police behind us. | 0:01:01 | 0:01:04 | |
You've brought the heat on us? | 0:01:04 | 0:01:05 | |
'..and the Fresh Prince of Lip-Hair, Ultravox frontman Midge Ure. | 0:01:05 | 0:01:09 | |
Oh, dear. | 0:01:09 | 0:01:12 | |
'But this is no run-of-the-mill talent show...' | 0:01:12 | 0:01:14 | |
There is no prize. | 0:01:14 | 0:01:16 | |
No Christmas number ones, no recording contract, | 0:01:16 | 0:01:19 | |
there is shit all. | 0:01:19 | 0:01:21 | |
# You've really got me now... # | 0:01:22 | 0:01:23 | |
'Like a pack of musical hounds, we're hunting down the working | 0:01:23 | 0:01:27 | |
'men and women who play music for the sheer bloody love of it. | 0:01:27 | 0:01:30 | |
I can channel any of my problems, and release it through my music. | 0:01:32 | 0:01:35 | |
'Each legend will pick their favourite two bands...' | 0:01:35 | 0:01:37 | |
I just felt like an idiot. Stupid, inane grin on my face. | 0:01:37 | 0:01:41 | |
'..who will battle it out at a Grand Final in Manchester...' | 0:01:41 | 0:01:44 | |
Unfortunately, you've got to decide which are your favourites now. | 0:01:45 | 0:01:49 | |
'..where one will be crowned the UK's best part-time band.' | 0:01:51 | 0:01:54 | |
MUSIC: Love Will Tear Us Apart by Joy Division | 0:01:58 | 0:02:00 | |
'This week, my ropey old tour bus is taking me on a monumental | 0:02:00 | 0:02:03 | |
'500-mile road munch across the north of England and the Midlands.' | 0:02:03 | 0:02:07 | |
Peter Hook, Peter Hook, Peter Hook. | 0:02:08 | 0:02:11 | |
'Riding shotgun is the bombastic beard of bass, Peter Hook...' | 0:02:11 | 0:02:16 | |
That's Peter Hook. | 0:02:16 | 0:02:17 | |
'..the legendary co-founder of Manchester mirth merchants, | 0:02:17 | 0:02:19 | |
'Joy Division, and New Order.' | 0:02:19 | 0:02:21 | |
How are you doing? Come on in. | 0:02:21 | 0:02:23 | |
I didn't realise you'd be driving. | 0:02:24 | 0:02:26 | |
It's a proper tour, mate. | 0:02:28 | 0:02:29 | |
-There were some real weirdos in that station, there. -Was there? | 0:02:29 | 0:02:32 | |
-Yeah, I felt perfectly at home. -Yeah, I was going to say, | 0:02:32 | 0:02:34 | |
for you to say that there's a bunch of weirdos, they must have been... | 0:02:34 | 0:02:37 | |
Oh, you are a sweet talker, aren't you(?) | 0:02:37 | 0:02:40 | |
# Love, love will tear us apart, again. # | 0:02:40 | 0:02:43 | |
'Peter Hook co-wrote some of the most seminal | 0:02:43 | 0:02:45 | |
'tracks of his generation.' | 0:02:45 | 0:02:47 | |
So how long have you been a driver, then? | 0:02:47 | 0:02:49 | |
-I don't want to worry you, but not very long. -Oh, shit. -Er, yeah! Oh. | 0:02:51 | 0:02:55 | |
Wayhey, look at you, you clown. | 0:02:58 | 0:03:01 | |
-Not you, Peter. -I know, mate. -This guy in the... | 0:03:01 | 0:03:03 | |
-I was hoping. -..car in front. | 0:03:03 | 0:03:05 | |
-So, Hooky. 1,200 bands have applied. -Yeah. | 0:03:07 | 0:03:10 | |
We're going to see as many as we can over the next few days, and then, | 0:03:10 | 0:03:14 | |
at the end, you're going to have to choose your favourite five | 0:03:14 | 0:03:17 | |
to go through to the live gig in the Sheffield Leadmill. | 0:03:17 | 0:03:20 | |
I must admit, I'm not looking forward to that. | 0:03:20 | 0:03:22 | |
But I am looking forward to seeing the groups. | 0:03:22 | 0:03:24 | |
The thing you need in a group is belief in what you do. | 0:03:24 | 0:03:26 | |
If you don't have belief in what you're doing, | 0:03:26 | 0:03:30 | |
then you will not succeed. | 0:03:30 | 0:03:32 | |
It's the first rule, and the only rule of how to make it in music, | 0:03:32 | 0:03:37 | |
is to have total belief in yourself, and to never give up. | 0:03:37 | 0:03:41 | |
I really bloody hope these Northern bands do believe in themselves. | 0:03:43 | 0:03:46 | |
The Mardi Mancunian is going to be barging into their homes, | 0:03:46 | 0:03:49 | |
rehearsal rooms and gigs to check them out. | 0:03:49 | 0:03:52 | |
First up, Liverpool, | 0:03:53 | 0:03:54 | |
home to chart-toppers Ken Dodd, John Barnes, and The Beatles. | 0:03:54 | 0:03:58 | |
There's more to Liverpool than the Fab Four. | 0:04:00 | 0:04:02 | |
There must be, cos there's six in this next band. | 0:04:02 | 0:04:04 | |
Roja describe their music as "modern mariachi." | 0:04:04 | 0:04:08 | |
IMITATES MARIACHI GUITAR | 0:04:08 | 0:04:13 | |
-Oi! -It's hard to imagine they're going to be... | 0:04:13 | 0:04:16 | |
Strumming along to that song. | 0:04:16 | 0:04:18 | |
..six guys in ponchos singing Happy Birthday. | 0:04:18 | 0:04:20 | |
They cite Ennio Morricone. | 0:04:21 | 0:04:23 | |
They talk about Tarantino film scores and things. | 0:04:24 | 0:04:27 | |
I mean, that is a fantastic genre of music. | 0:04:27 | 0:04:31 | |
Ennio Morricone is an absolute genius, | 0:04:31 | 0:04:33 | |
and I can't tell you how many times we've sat there as a band, | 0:04:33 | 0:04:36 | |
New Order, and using him as an influence. | 0:04:36 | 0:04:40 | |
Even Blue Monday. | 0:04:40 | 0:04:41 | |
-Cor. -So I'm with these boys. -Unbelievable. | 0:04:42 | 0:04:45 | |
After clocking up the miles, we land in Liverpool to sample | 0:04:46 | 0:04:49 | |
the Latin American mystery of modern mariachi at Roja HQ, | 0:04:49 | 0:04:55 | |
the singer's mum's house. | 0:04:55 | 0:04:56 | |
-Hello, nice to meet you. -Nice to meet you. I'm Joan, yes. | 0:04:56 | 0:04:59 | |
-Nice to meet you, Joan. -Why do they rehearse in your bedroom? | 0:04:59 | 0:05:02 | |
They can't afford to do it anywhere else. | 0:05:02 | 0:05:04 | |
-You charge more for the lounge, do you? -I should do, shouldn't I? | 0:05:04 | 0:05:07 | |
SLOW MARIACHI MUSIC | 0:05:09 | 0:05:13 | |
# The evil stands high | 0:05:15 | 0:05:18 | |
# The evil stands high | 0:05:21 | 0:05:25 | |
# The evil stands high. # | 0:05:27 | 0:05:30 | |
These Scouse gunslingers boast a doctor, a joiner, | 0:05:30 | 0:05:34 | |
two arty types, a forklift trucker, and the sheriff of this posse | 0:05:34 | 0:05:38 | |
is singer-songwriter and primary school teacher, Simon. | 0:05:38 | 0:05:43 | |
BELL RINGS | 0:05:43 | 0:05:44 | |
We will start seeing | 0:05:44 | 0:05:46 | |
if your partner can make that number with the binary cards, OK? | 0:05:46 | 0:05:50 | |
Simon crams his music into every spare moment. | 0:05:50 | 0:05:53 | |
'I used to have a bit of a rule, actually. A playtime rule. | 0:05:54 | 0:05:56 | |
'If I couldn't write a song over playtime...' | 0:05:56 | 0:05:58 | |
Brilliant! What are we trying, girls? | 0:05:58 | 0:06:01 | |
If I couldn't do that in 15 minutes, it would never be a good song. | 0:06:01 | 0:06:04 | |
MUSIC: The Good, the Bad, and the Ugly Theme, by Ennio Morricone | 0:06:04 | 0:06:06 | |
I was thinking about this loads the other day. | 0:06:06 | 0:06:08 | |
"What possesses somebody of my age to continue being in a band?" | 0:06:08 | 0:06:11 | |
It's definitely not for the money, or the glory, or the late nights, | 0:06:11 | 0:06:16 | |
cos I've got a 19-month-old baby, so late nights are out. | 0:06:16 | 0:06:20 | |
Can we double-check it by doing a column addition? 64, 32 and 4? | 0:06:20 | 0:06:23 | |
Double-check. | 0:06:23 | 0:06:24 | |
It's the most important release I have in my life, | 0:06:24 | 0:06:28 | |
and, without it, I'm not quite sure what I'd do. | 0:06:28 | 0:06:32 | |
And when the working day is done, Simon throws his books in the bin... | 0:06:32 | 0:06:36 | |
..and heads home to see his young family. | 0:06:37 | 0:06:40 | |
-Hello, darling. -CHUCKLES | 0:06:41 | 0:06:43 | |
Just about making time. It's just about finding those little windows. | 0:06:43 | 0:06:47 | |
Traffic jams, playtimes, nap times, to fit in a bit of music, | 0:06:47 | 0:06:52 | |
but she's the number one priority, so it's... | 0:06:52 | 0:06:55 | |
BABY GURGLES | 0:06:55 | 0:06:56 | |
That's why I want to start a band with her, | 0:06:56 | 0:06:58 | |
cos then I can combine the two things - fatherhood and rocking. | 0:06:58 | 0:07:01 | |
And, keeping it all in the family, once a week, Simon | 0:07:03 | 0:07:05 | |
summons his posse to his mother's bedroom for band practice. | 0:07:05 | 0:07:09 | |
I like to shout at them or give them a good smacking now and again, | 0:07:10 | 0:07:15 | |
and I'm glad to see the back of them when they go. | 0:07:15 | 0:07:17 | |
Never had so many men in my bedroom. | 0:07:19 | 0:07:21 | |
I loved it. Felt very filmic, I thought, it was really like... | 0:07:28 | 0:07:31 | |
I like it. | 0:07:31 | 0:07:32 | |
-Whose mum was that? Who's Joan's... -Simon's. -My mum, yeah. | 0:07:32 | 0:07:34 | |
-You're a very lucky boy, Simon. -She tried to exploit us. | 0:07:34 | 0:07:37 | |
My mother wouldn't have me in the house with a musical instrument. | 0:07:37 | 0:07:40 | |
No, and this is since I was 15, and I'm 40 now, it seems never-ending. | 0:07:40 | 0:07:43 | |
-Really? -And every year, it just gets that little bit sadder. | 0:07:43 | 0:07:47 | |
-LAUGHTER -We didn't like to say that. | 0:07:47 | 0:07:50 | |
We don't want to put the mockers on you. | 0:07:50 | 0:07:52 | |
-Hey up, she's back. -Who, the big one? | 0:07:52 | 0:07:55 | |
Would you like to buy a CD? | 0:07:55 | 0:07:58 | |
-This was my job in the club. -Was it? -Selling the CDs. | 0:07:58 | 0:08:01 | |
Thank you very, very much, Joan. | 0:08:01 | 0:08:02 | |
What you've written, I will tell you for a fact, is quite rare. | 0:08:02 | 0:08:06 | |
You know, it's a great sound, and you should make more of it, | 0:08:06 | 0:08:09 | |
-if anything. -Do you want more gigs? Or bigger gigs? | 0:08:09 | 0:08:13 | |
Or is it, you'd have it exactly as it is? | 0:08:13 | 0:08:15 | |
We went through sort of periods of wanting it to be a career, | 0:08:15 | 0:08:18 | |
or trying to push things forward, but really, | 0:08:18 | 0:08:20 | |
it's - cliched as it might sound - just to see your mates. | 0:08:20 | 0:08:24 | |
It's fun, though, isn't it? - Yeah, absolutely. | 0:08:24 | 0:08:27 | |
I never thought I'd be 40 and still doing this, and certainly not | 0:08:27 | 0:08:31 | |
doing this in the room, with you two sat on me mum's bed. | 0:08:31 | 0:08:33 | |
I never thought I'd be sat on your mum's bed. | 0:08:33 | 0:08:35 | |
-Look at this. -Oh, I've sat on you there. | 0:08:37 | 0:08:40 | |
-It was always going to happen, Joan. -It was. -Destiny. Destiny. -Yeah. | 0:08:40 | 0:08:45 | |
One day. | 0:08:45 | 0:08:46 | |
That was fantastic. | 0:08:48 | 0:08:49 | |
They were taking all those wonderful influences from | 0:08:49 | 0:08:52 | |
The Good, the Bad and the Ugly, the horns, the violin. | 0:08:52 | 0:08:54 | |
It was wonderful, it was melodic, it was uplifting. | 0:08:54 | 0:08:57 | |
He was actually a songwriter that can move people a lot. | 0:08:57 | 0:09:00 | |
I really liked it. I just want to see them live. | 0:09:00 | 0:09:03 | |
I really want to see them live, and see who steps up. | 0:09:03 | 0:09:05 | |
Well, let's keep our fingers crossed. | 0:09:05 | 0:09:07 | |
Next morning, we sneak out while Joan's still sleeping, and | 0:09:07 | 0:09:09 | |
head off to meet the next band on our tour, indie shoegazers The Sums. | 0:09:09 | 0:09:14 | |
MUSIC: Oh, Darling by The Beatles | 0:09:14 | 0:09:15 | |
When frontman Digsy started, Simon Cowell was wearing short trousers. | 0:09:15 | 0:09:19 | |
I know he still is, but you know what I mean. | 0:09:19 | 0:09:21 | |
In the early '90s, his band Smaller were signed to a label. | 0:09:21 | 0:09:24 | |
I wouldn't say that we made it. | 0:09:24 | 0:09:26 | |
We were successful to a point where we were selling enough records, | 0:09:26 | 0:09:30 | |
which allowed us to make more records, and go on tour. | 0:09:30 | 0:09:34 | |
MUSIC: Wasted by Smaller | 0:09:34 | 0:09:35 | |
In 1997, Smaller's dreams of mega-stardom | 0:09:35 | 0:09:37 | |
careered into a hedge, when their indie label hit the skids, | 0:09:37 | 0:09:41 | |
but Digsy's still out there playing. | 0:09:41 | 0:09:43 | |
SIENNA: # I gotta give it to you DIGSY: # Gotta give it to you | 0:09:43 | 0:09:46 | |
BOTH: # You give me problems... # | 0:09:46 | 0:09:49 | |
Digsy starts his backing singers early. | 0:09:49 | 0:09:51 | |
Four-year-old granddaughter Sienna is next in line, | 0:09:51 | 0:09:54 | |
and daughter Jamie is Digsy's biggest fan. | 0:09:54 | 0:09:56 | |
There's a song me dad wrote about me when I was younger, | 0:09:58 | 0:10:00 | |
called Flaky Skin... | 0:10:00 | 0:10:01 | |
# Just cos you've got flaky skin. # | 0:10:01 | 0:10:05 | |
..about me having eczema, and it's a brilliant song. | 0:10:05 | 0:10:08 | |
He'd done this gig one night, | 0:10:08 | 0:10:09 | |
and he shouted me up onstage to sing it with him, | 0:10:09 | 0:10:12 | |
and it was just a lovely thing, to be standing there thinking, | 0:10:12 | 0:10:15 | |
"He wrote this about me when I was a baby." | 0:10:15 | 0:10:17 | |
# Flaky skin. # | 0:10:17 | 0:10:20 | |
MELANCHOLY INDIE ROCK | 0:10:22 | 0:10:30 | |
Now reborn as the Sums, | 0:10:32 | 0:10:34 | |
Flaky - I mean, Jamie - has gone from number one fan to band member. | 0:10:34 | 0:10:38 | |
With her coming into the band now, | 0:10:38 | 0:10:39 | |
it's built sort of another dimension. | 0:10:39 | 0:10:42 | |
Cos it's just always been four lads and, you know, grumpy old men type | 0:10:42 | 0:10:46 | |
of thing, she's sort of put a little bit of spark back into it, like. | 0:10:46 | 0:10:51 | |
# Go now forever | 0:10:51 | 0:10:56 | |
# Go back... # | 0:10:56 | 0:10:58 | |
As well as Digsy and Jamie, this Scouse outfit, or "Scousefit," | 0:10:58 | 0:11:02 | |
includes a chef, an odd-job man, and a stock controller. | 0:11:02 | 0:11:05 | |
The songs are amazing. | 0:11:08 | 0:11:10 | |
He's got a catalogue of, like, hundreds of songs. | 0:11:10 | 0:11:12 | |
If he left this earth knowing that nothing did ever come of it, | 0:11:13 | 0:11:17 | |
and his songs did never reach anyone... | 0:11:17 | 0:11:19 | |
I get upset when I'm talking about it. | 0:11:19 | 0:11:21 | |
I don't know why, I just do all the time. | 0:11:21 | 0:11:24 | |
I can tell you straight off the bat, you are the loudest band | 0:11:35 | 0:11:38 | |
we've seen. Here you go, Hooky. | 0:11:38 | 0:11:40 | |
-Stool. -Oh, I get... -Oh! -Maybe not. -I'm not in a band. | 0:11:40 | 0:11:44 | |
I'm not the musical one here, as you can probably... | 0:11:45 | 0:11:48 | |
I liked it. I thought you sounded really good, yeah. | 0:11:48 | 0:11:51 | |
The thing is, you've got to turn down, man. | 0:11:51 | 0:11:53 | |
Yeah. I couldn't very well... | 0:11:53 | 0:11:54 | |
You know, you could hear the song much better if you came down. | 0:11:54 | 0:11:57 | |
We've had that for years. | 0:11:57 | 0:11:58 | |
-And also, it saves your voice. -Oh, I know. | 0:11:58 | 0:12:00 | |
-Cos you were really pushing your voice then, to be heard. -Yeah. | 0:12:00 | 0:12:03 | |
You don't need to hide behind the volume, cos his voice is amazing. | 0:12:03 | 0:12:05 | |
Not with music like that. | 0:12:05 | 0:12:07 | |
It's funny, because a lot of your sound then, I thought, | 0:12:07 | 0:12:09 | |
actually reminded me a lot of the old '60s bands. | 0:12:09 | 0:12:11 | |
I like what you do with the vocals. | 0:12:11 | 0:12:13 | |
I think that they've not really integrated you yet. | 0:12:13 | 0:12:15 | |
So, obviously, you're part-time now. Smaller, was that a full-time band? | 0:12:15 | 0:12:18 | |
Yeah, we were signed to Better Records, | 0:12:18 | 0:12:20 | |
through Oasis and stuff, and so... | 0:12:20 | 0:12:22 | |
Noel wrote a song about me dad called Digsy's Dinner. | 0:12:22 | 0:12:24 | |
-It's on the Definitely, Maybe album. -So you're mates with Noel, are you? | 0:12:24 | 0:12:27 | |
-Yeah. -How long does that go back? -About '92, something like that. | 0:12:27 | 0:12:31 | |
-Yeah? -But you don't like that song? -No. -Because? | 0:12:31 | 0:12:34 | |
MUSIC: Digsy's Dinner by Oasis | 0:12:34 | 0:12:37 | |
#..for my lasagne. # | 0:12:37 | 0:12:38 | |
I don't like lasagne. It's a shit song, anyway. | 0:12:38 | 0:12:42 | |
-"It's a shit song." -Well, it is. -Have you told him? He knows this? | 0:12:42 | 0:12:45 | |
-He knows it. -He's not going to find out the hard way, is he? | 0:12:45 | 0:12:48 | |
No, I've told him many a time. | 0:12:48 | 0:12:50 | |
Is there, you know, a goal, an ambition, a dream? | 0:12:50 | 0:12:53 | |
I just think the songs deserve to be heard by everyone. I think | 0:12:53 | 0:12:56 | |
they're that good, and I might be biased by saying that, but... | 0:12:56 | 0:12:58 | |
-So do you think, "Me dad's better than this?" -Yeah! | 0:12:58 | 0:13:02 | |
See, that's why we have kids. | 0:13:02 | 0:13:04 | |
-That was loud, weren't it? -Doesn't do you any favours rehearsing. | 0:13:09 | 0:13:12 | |
I was quite interested in what you said about nerves | 0:13:12 | 0:13:15 | |
and hiding behind volume, | 0:13:15 | 0:13:16 | |
cos I know, as a stand-up, there was a period when, through nerves | 0:13:16 | 0:13:19 | |
and lack of confidence, as the audiences got bigger, | 0:13:19 | 0:13:22 | |
I just started going "nyang nyang nyang," | 0:13:22 | 0:13:23 | |
and ranting for the whole show, no light and shade, no breathing, | 0:13:23 | 0:13:26 | |
and that was lack of confidence. | 0:13:26 | 0:13:28 | |
I mean, it's easy for it to become a bad habit. | 0:13:28 | 0:13:30 | |
When I rehearse, if I can't do the song just talking, like a busker, | 0:13:30 | 0:13:37 | |
-then we don't do it. -Yeah. | 0:13:37 | 0:13:39 | |
And literally, when you get onstage and you turn it all up, | 0:13:39 | 0:13:42 | |
it sounds absolutely fantastic, | 0:13:42 | 0:13:43 | |
but he was suffering, because he was pushing his vocals too much, because | 0:13:43 | 0:13:47 | |
he couldn't hear. Guitars were too loud, they were really getting you. | 0:13:47 | 0:13:51 | |
And it wasn't doing the song any favours. It was a good song. | 0:13:51 | 0:13:55 | |
The daughter, Jamie, wants it so much for her dad. | 0:13:55 | 0:13:58 | |
-That's lovely, that. -She wants the world to hear his songs, | 0:13:58 | 0:14:01 | |
-thinks it deserves to hear them. -That's really nice. | 0:14:01 | 0:14:03 | |
# Moving, just keep moving. # | 0:14:03 | 0:14:07 | |
I can relate to the family part of it, | 0:14:07 | 0:14:09 | |
because I have my son, who now plays with me in the band. | 0:14:09 | 0:14:13 | |
Are you a steadying influence, or are you going, "Go on, my son. | 0:14:13 | 0:14:16 | |
"Go for it. Do what I did. Retrace my steps." | 0:14:16 | 0:14:18 | |
Now that I'm sober, I am a steadying influence. | 0:14:18 | 0:14:21 | |
Oh, my God, if he came in off his rocker, I'd kill him. | 0:14:21 | 0:14:24 | |
-Would you? -Oh, what? -What a hypocrite you are. | 0:14:24 | 0:14:27 | |
-It's called being a parent. -SIREN WAILS | 0:14:27 | 0:14:28 | |
See, here we go, it's starting already. | 0:14:28 | 0:14:30 | |
-We've got the police behind us, is that you? -That's all right. | 0:14:30 | 0:14:33 | |
You've brought the heat on us! | 0:14:33 | 0:14:34 | |
These northerners love being in bands. | 0:14:36 | 0:14:39 | |
Over 450 of the buggers have applied... | 0:14:42 | 0:14:45 | |
(All work and no play makes Black Kes dull boys.) | 0:14:45 | 0:14:52 | |
..playing everything | 0:14:52 | 0:14:54 | |
from progressive skiffle to folk, indie pop to hip-hop... | 0:14:54 | 0:14:58 | |
..and rock and ruddy roll. | 0:15:01 | 0:15:04 | |
Juggling day jobs as vicars, butchers, bakers, | 0:15:05 | 0:15:10 | |
and Guardian sub-editors. | 0:15:10 | 0:15:12 | |
On the break, you should go... | 0:15:12 | 0:15:14 | |
..up for the notes, cos it'd drive it along a bit more. | 0:15:16 | 0:15:19 | |
With so many bands to see on this epic northern adventure... | 0:15:23 | 0:15:27 | |
..we're going to have to work harder than Barry Manilow's hanky. | 0:15:29 | 0:15:33 | |
Hooky and I are leaving Liverpool, and heading east to South Yorkshire. | 0:15:41 | 0:15:46 | |
So we're going to see a four-piece punk band in Sheffield, | 0:15:48 | 0:15:52 | |
-called Cadavers. -Unusual name. | 0:15:52 | 0:15:55 | |
What would you expect a punk band to be like now? Today? | 0:15:55 | 0:15:59 | |
Loud, intense, maybe not very songwriting skilled. | 0:15:59 | 0:16:05 | |
-I'd expect it to be about... -So, similar to what they were then? | 0:16:05 | 0:16:07 | |
Yeah. Same thing about the drive and the... | 0:16:07 | 0:16:10 | |
HE SNARLS | 0:16:10 | 0:16:11 | |
..and hopefully, none of the spitting. | 0:16:11 | 0:16:13 | |
MUSIC: Pretty Vacant by Sex Pistols | 0:16:13 | 0:16:14 | |
It was a punk gig at the Lesser Free Hall, Manchester, that inspired | 0:16:14 | 0:16:17 | |
a young spit-spattered Peter Hook to dedicate his life to music. | 0:16:17 | 0:16:21 | |
The fourth of June, 1976, when the Sex Pistols first played. | 0:16:21 | 0:16:25 | |
There was about 50 people, | 0:16:25 | 0:16:26 | |
and I think 49 of them went on to form Manchester bands. | 0:16:26 | 0:16:30 | |
So it was a hell of an inspiration, | 0:16:30 | 0:16:33 | |
and yet, looking back on it now, it seems quite odd that | 0:16:33 | 0:16:37 | |
I'd never picked up a musical instrument, ever in my life. | 0:16:37 | 0:16:40 | |
I go and see the Sex Pistols, I feed off the energy, | 0:16:40 | 0:16:43 | |
feed off that NEGATIVE energy, and then go out and form a group. | 0:16:43 | 0:16:48 | |
# We're so pretty, I'm so pretty... # | 0:16:48 | 0:16:52 | |
I remember when my mother was mortified | 0:16:52 | 0:16:55 | |
when I took the dog collar off the dog and started wearing it. | 0:16:55 | 0:17:00 | |
-Studded dog collar. -What did the dog wear after that? -Nothing. | 0:17:00 | 0:17:03 | |
He just looked at me like I was completely insane. | 0:17:03 | 0:17:06 | |
# ..and we don't care. # | 0:17:06 | 0:17:11 | |
'Tonight...' | 0:17:13 | 0:17:14 | |
I say this is the place. | 0:17:14 | 0:17:16 | |
'..Cadavers are playing a gig at their local.' | 0:17:16 | 0:17:19 | |
-All right, how you doing? -All right. | 0:17:19 | 0:17:21 | |
ANGRY SINGING | 0:17:21 | 0:17:26 | |
You can probably tell, | 0:17:34 | 0:17:35 | |
these hoodlums' lives have gone seriously off the tracks. | 0:17:35 | 0:17:38 | |
-Morning, Clive. -Oh, hang on, they're doctors. | 0:17:38 | 0:17:41 | |
How are you feeling? | 0:17:41 | 0:17:42 | |
Junior doctors Jamie | 0:17:42 | 0:17:44 | |
and Cash have been in their punk band for three years. | 0:17:44 | 0:17:47 | |
So we ended up going with IV ceftazidime, | 0:17:47 | 0:17:49 | |
and he's actually getting much better. | 0:17:49 | 0:17:51 | |
At work, they're charming patients with their breezy bedside manner. | 0:17:51 | 0:17:54 | |
-Water works all right? -Yep. -That's what I like to hear. | 0:17:54 | 0:17:57 | |
But once a week, | 0:17:59 | 0:18:00 | |
they're trashing out their stress in a sweaty noise spittoon, | 0:18:00 | 0:18:03 | |
with bassist/sound engineer Rob, | 0:18:03 | 0:18:06 | |
and Adam, Yorkshire's premier naked drum teacher. | 0:18:06 | 0:18:09 | |
There's anger in our music, because we are angry at the minute. | 0:18:09 | 0:18:11 | |
Our whole profession's angry, and we're all demoralised, and... | 0:18:11 | 0:18:14 | |
-BLEEPING -..currently being bleeped. | 0:18:14 | 0:18:16 | |
I think it's important to be part of the competition, because there's | 0:18:19 | 0:18:23 | |
a lot of stigma surrounding punk music, | 0:18:23 | 0:18:26 | |
but punk music's for everyone. | 0:18:26 | 0:18:28 | |
Sometimes the jobs can get a bit stressful as well, | 0:18:28 | 0:18:30 | |
so it's very cathartic and good stress release. | 0:18:30 | 0:18:34 | |
-Hey, man, how you doing? -Good to meet you. -How are you...? Oh! | 0:18:44 | 0:18:48 | |
I loved it. I absolutely loved it. | 0:18:48 | 0:18:50 | |
I thought it was amazing energy, I loved the drumming, | 0:18:50 | 0:18:52 | |
I loved the pants. I loved the coming into the crowd. | 0:18:52 | 0:18:55 | |
It felt so together. Did you enjoy it, Hooky? | 0:18:55 | 0:18:58 | |
-Yeah. -What were you thinking? -I was just thinking, | 0:18:58 | 0:19:00 | |
"Youth. What a wonderful, wonderful thing it is." | 0:19:00 | 0:19:03 | |
So you were doing this kind of music before being doctors? | 0:19:03 | 0:19:06 | |
It's not just being doctors that's caused that? | 0:19:06 | 0:19:08 | |
There's just always been a part of... | 0:19:08 | 0:19:10 | |
If I'm not in a band, then I don't really know what I'm doing. | 0:19:10 | 0:19:13 | |
One of my favourite parts about playing a show is getting | 0:19:13 | 0:19:15 | |
-the crowd involved. -Yeah. | 0:19:15 | 0:19:16 | |
And looking at their faces. Some of the looks of terror. | 0:19:16 | 0:19:21 | |
"What the hell is this?" You know? | 0:19:21 | 0:19:23 | |
My best one was when I got really carried away, | 0:19:23 | 0:19:25 | |
picked me guitar up, and nutted it. | 0:19:25 | 0:19:27 | |
And went like that, "Oh." | 0:19:28 | 0:19:31 | |
Fucking knocked meself out. | 0:19:31 | 0:19:32 | |
I mean, it was a perfect embodiment of the exuberance of youth. | 0:19:34 | 0:19:39 | |
It really was, and it was a fantastic performance. | 0:19:39 | 0:19:43 | |
It's just, you've got to have the songs to back it up. | 0:19:43 | 0:19:45 | |
But can you be specific about what the songs were lacking, | 0:19:45 | 0:19:48 | |
or why they were...? | 0:19:48 | 0:19:49 | |
I suppose you'd have to say they were lacking staying power. | 0:19:49 | 0:19:52 | |
I think they could write much better songs, and they probably will. | 0:19:52 | 0:19:55 | |
-They're only in their early 20s. -Exactly, that's what I mean. | 0:19:55 | 0:19:58 | |
It's a wonderful place to be. | 0:19:58 | 0:20:00 | |
-They look great. -So have they got it? -Definitely. | 0:20:00 | 0:20:03 | |
If they waste it, then it's a crime. | 0:20:03 | 0:20:05 | |
MUSIC: Age Of Consent by New Order | 0:20:05 | 0:20:08 | |
With all this youthful testosterone in the air, | 0:20:08 | 0:20:10 | |
Hooky's clearly feeling nostalgic | 0:20:10 | 0:20:12 | |
and, in the early days of Joy Division, the Mardi Mancunian | 0:20:12 | 0:20:15 | |
developed his own unique way of handling his instrument. | 0:20:15 | 0:20:19 | |
You've got this famously well-documented high-playing style. | 0:20:19 | 0:20:23 | |
Yeah, yeah. Yeah. | 0:20:23 | 0:20:25 | |
I always wanted to be the one that came up with the riff, | 0:20:25 | 0:20:28 | |
you know, that it would impress Ian. | 0:20:28 | 0:20:30 | |
That Ian would want to sing over. | 0:20:30 | 0:20:33 | |
Barney's had a really good guitar amp, | 0:20:33 | 0:20:36 | |
and it was really loud, and I had a really shit bass amp. | 0:20:36 | 0:20:40 | |
And it was very quiet. | 0:20:40 | 0:20:42 | |
-When you played low, it was just... -MAKES LOW DRONING NOISE | 0:20:42 | 0:20:46 | |
..you couldn't hear any pitch. Any definition. | 0:20:46 | 0:20:49 | |
And every time I played high, Ian Curtis would go, | 0:20:49 | 0:20:52 | |
"Whoa, whoa, whoa, whoa! | 0:20:52 | 0:20:54 | |
"OK, that sounds great when you do that. Do it again." | 0:20:54 | 0:20:58 | |
-You wanted to be the lead guitarist. -Yes. -Right. | 0:20:58 | 0:21:01 | |
But I mean, I did, I became the lead guitarist, but on the bass. | 0:21:01 | 0:21:07 | |
MUSIC: Pressure Drop by Toots And The Maytals | 0:21:07 | 0:21:10 | |
The Love Bus is tearing down the M1 to Wolverhampton. | 0:21:10 | 0:21:13 | |
We're back to families again. | 0:21:13 | 0:21:14 | |
This time, the male ska equivalent of the Nolans - | 0:21:14 | 0:21:17 | |
a band of brothers known as The Equators. | 0:21:17 | 0:21:20 | |
The Midlands is the home of ska, isn't it? | 0:21:20 | 0:21:22 | |
What will you be hoping for from a ska band? | 0:21:22 | 0:21:25 | |
They like to make a racket. | 0:21:25 | 0:21:27 | |
Even if you look at a band like The Specials. | 0:21:27 | 0:21:29 | |
They use a lot of brass, which is a very immediate sound, | 0:21:29 | 0:21:31 | |
and it does always seem to steal an audience's heart. | 0:21:31 | 0:21:35 | |
-Something about that rhythm, that... -IMITATES BOUNCY SKA RHYTHM. | 0:21:35 | 0:21:38 | |
.. and the energy that they have, | 0:21:38 | 0:21:40 | |
Madness, you know, that make them very difficult to follow. | 0:21:40 | 0:21:44 | |
# You ain't got nothing on me | 0:21:44 | 0:21:47 | |
# And I'm always saying... # | 0:21:47 | 0:21:49 | |
The Equators are fronted by the Bailey boys, Donald, Leo, | 0:21:52 | 0:21:55 | |
and Rocky, who in 2010 reformed their childhood band, | 0:21:55 | 0:21:59 | |
having not performed together for over 30 years. | 0:21:59 | 0:22:03 | |
# You gotta let me go, oh, yeah. # | 0:22:03 | 0:22:06 | |
MUSIC: Baby Come Back by The Equators | 0:22:06 | 0:22:11 | |
Since the 1980s, the brothers have worked in factories, | 0:22:11 | 0:22:14 | |
welding and pressing metal bits of car stuff to go in cars. | 0:22:14 | 0:22:17 | |
As teenagers, they had a record deal with Stiff Records | 0:22:22 | 0:22:26 | |
and, with a job lot on tracksuits, | 0:22:26 | 0:22:27 | |
they toured the world, trying to make it in the music business. | 0:22:27 | 0:22:31 | |
I've written many songs on this machine. I'm on it a lot. | 0:22:31 | 0:22:35 | |
I've come up with a chorus and a line, | 0:22:35 | 0:22:36 | |
and, by the time I go home, I've got a complete song. | 0:22:36 | 0:22:39 | |
But, despite working with Desmond Dekker and Eddy Grant, | 0:22:41 | 0:22:44 | |
homesickness and fallouts with management meant the band folded, | 0:22:44 | 0:22:48 | |
and their dreams got a bit squashed. | 0:22:48 | 0:22:50 | |
# Hey Mr Copper, please Mr Copper | 0:22:52 | 0:22:55 | |
# Leave the children alone... # | 0:22:55 | 0:22:58 | |
But ska is notoriously infectious, and now grandads, | 0:22:58 | 0:23:01 | |
the brothers wanted to scratch the itchy itch of music once more, | 0:23:01 | 0:23:04 | |
and reform the band. | 0:23:04 | 0:23:06 | |
Yeah! How you all doing out there? Let me see you! | 0:23:11 | 0:23:16 | |
-Yeah! -Yeah! | 0:23:16 | 0:23:19 | |
-I'll squeeze in here. -Nah, that's us. | 0:23:20 | 0:23:23 | |
Go down, go down, go on. Come on. | 0:23:24 | 0:23:26 | |
Come on, Hooky. You're supposed to be rock and roll, and you won't even | 0:23:26 | 0:23:29 | |
-perch on the end of a sofa. -You're a mate(!) | 0:23:29 | 0:23:32 | |
-I enjoyed that. -You're certainly tight. Jesus. | 0:23:32 | 0:23:34 | |
-Yeah, no, it's good. -So you started in the late '70s, | 0:23:34 | 0:23:37 | |
went on for about four or five years or something... | 0:23:37 | 0:23:39 | |
-Yeah. -..and then gave up until 2010. So why did you stop? | 0:23:39 | 0:23:42 | |
-A catalogue of events. -Yeah. -Bad management, and, you know... | 0:23:42 | 0:23:45 | |
At the time, we was really young, | 0:23:45 | 0:23:46 | |
and we loved music so much we was interested about playing, | 0:23:46 | 0:23:49 | |
not really looking at the business side of it, | 0:23:49 | 0:23:51 | |
and sometimes you take things for granted... | 0:23:51 | 0:23:53 | |
Familiar story. | 0:23:53 | 0:23:54 | |
-Well, we do it because we love doing what we do. -It's true, though. | 0:23:54 | 0:23:57 | |
I was telling him that when we were Joy Division, | 0:23:57 | 0:23:59 | |
we'd have to do the kitty run. | 0:23:59 | 0:24:01 | |
"Right, have you got your three quid?" | 0:24:01 | 0:24:03 | |
-Everyone put their three quid in, and we could go to the gig. -Yeah. | 0:24:03 | 0:24:06 | |
-You'd get to the gig, you'd just get bottled off. -Yeah! | 0:24:06 | 0:24:09 | |
"Why do we do this? Right, back," | 0:24:09 | 0:24:11 | |
and then, next week, you're doing it again. | 0:24:11 | 0:24:14 | |
It's very addictive. | 0:24:14 | 0:24:16 | |
HUMMING SKA TUNE | 0:24:16 | 0:24:17 | |
They played so well, and it sounded great. | 0:24:17 | 0:24:19 | |
I was going to say, where does technical ability come into it? | 0:24:19 | 0:24:22 | |
Where does their relationship with...? | 0:24:22 | 0:24:23 | |
Well, if you're hearing great music, I never think about | 0:24:23 | 0:24:26 | |
technical ability, it's just great music, played well. | 0:24:26 | 0:24:29 | |
But no, it was good, really good. | 0:24:29 | 0:24:30 | |
Really infectious, and it's a type of music that I absolutely adore. | 0:24:30 | 0:24:34 | |
MUSIC: You Really Got Me by The Kinks | 0:24:34 | 0:24:36 | |
Our tarmac-munching Midlands road trip continues at pace. | 0:24:36 | 0:24:40 | |
I can relax now, I'll be asleep. Wake me up if you get into trouble. | 0:24:40 | 0:24:44 | |
Yeah, you have a little nap. | 0:24:44 | 0:24:45 | |
'This has been Hooky's most hedonistic tour to date.' | 0:24:48 | 0:24:51 | |
# You've really got me now... # | 0:24:52 | 0:24:53 | |
'He's stayed up till gone midnight twice, | 0:24:53 | 0:24:55 | |
'and thrown a Radio Times out the hotel window.' | 0:24:55 | 0:24:58 | |
There's a rainbow. Ee, that's nice. | 0:24:58 | 0:25:00 | |
'Today, he's been mainlining herbal tea.' | 0:25:00 | 0:25:03 | |
Here we go! | 0:25:03 | 0:25:04 | |
Hooky will need to maintain his Zen-like calm. | 0:25:07 | 0:25:11 | |
SLOW SKA MUSIC | 0:25:11 | 0:25:14 | |
With over 150 bands applying from across the Midlands, | 0:25:14 | 0:25:17 | |
our week is as full as Brian May's plughole. | 0:25:17 | 0:25:19 | |
Somebody's been ill, is that right? | 0:25:23 | 0:25:24 | |
Yeah, I had kidney disease. My lovely sisters are here. | 0:25:24 | 0:25:27 | |
Donated one of her kidneys. | 0:25:27 | 0:25:29 | |
It's a real shame this isn't that kind of show, | 0:25:29 | 0:25:31 | |
where that kind of story would get you into a semifinal. | 0:25:31 | 0:25:34 | |
Thank God it's Hooky making the decisions. | 0:25:37 | 0:25:39 | |
The choices ahead of him are more difficult than Grace Jones. | 0:25:39 | 0:25:42 | |
At the end of our road trip, | 0:25:43 | 0:25:44 | |
Hooky will pick his favourite five to play at a gig in Sheffield, | 0:25:44 | 0:25:48 | |
where they'll battle it out for a place in the Grand Final. | 0:25:48 | 0:25:52 | |
How are you going to choose, Hooky? Have you thought about that? | 0:25:52 | 0:25:56 | |
Pfft. I suppose it'll be emotional. | 0:25:56 | 0:25:59 | |
You know, you look for a connection with the music, with the people. | 0:25:59 | 0:26:03 | |
That's what makes the decision harder. | 0:26:03 | 0:26:04 | |
I was going to say, that must make it very hard. | 0:26:04 | 0:26:07 | |
400 miles munched, and we're heading east to see another act. | 0:26:07 | 0:26:11 | |
And what is going on with this families in bands thing? | 0:26:11 | 0:26:15 | |
-Brothers again. -I know, you know what? | 0:26:16 | 0:26:19 | |
-It's hard to say now, because... -A lot of family things in this show. | 0:26:19 | 0:26:23 | |
Yeah. It's something that you need to mention, | 0:26:23 | 0:26:25 | |
cos a lot of brothers seem to form bands, | 0:26:25 | 0:26:27 | |
and yet, you know, the highliest publicised fallouts, | 0:26:27 | 0:26:30 | |
-like The Kinks, Dire Straits... -Oasis. | 0:26:30 | 0:26:33 | |
..are always between brothers, yeah, you know. | 0:26:33 | 0:26:37 | |
We're going to see Kissmet in Peterborough, who are a sort | 0:26:37 | 0:26:40 | |
of acid rock bhangra fusion, or acid bhangra rock fusion, east and west. | 0:26:40 | 0:26:46 | |
That sounds like quite a cocktail for Peterborough. | 0:26:46 | 0:26:48 | |
-"Quite a cocktail." -Yeah. Although it has got a great name. | 0:26:48 | 0:26:51 | |
-Kissmet. -Peterborough. -Oh, Peterborough. | 0:26:51 | 0:26:54 | |
Well, hey, listen, I'm open-minded. | 0:26:55 | 0:26:57 | |
The rhythms of bhangra are very interesting. | 0:26:57 | 0:27:00 | |
It's that type of music that, as soon as you hear it, | 0:27:00 | 0:27:02 | |
it gets everybody going. | 0:27:02 | 0:27:03 | |
In the late '90s, brothers Ron, Buzz, and Max Singh | 0:27:09 | 0:27:12 | |
formed a band, combining their bhangra | 0:27:12 | 0:27:14 | |
heritage with the music they listened to growing up. | 0:27:14 | 0:27:17 | |
The street that we grew up in, we'd be hearing reggae music there, | 0:27:19 | 0:27:22 | |
Qawwali track coming out of that house, | 0:27:22 | 0:27:23 | |
some bhangra over there, traditional Italian music over there, | 0:27:23 | 0:27:27 | |
and we didn't realise that that was weird. | 0:27:27 | 0:27:30 | |
We were listening to Genesis and Police and Stranglers | 0:27:30 | 0:27:33 | |
and everything. | 0:27:33 | 0:27:34 | |
Kissmet's multicultural melting pot has produced this delicious | 0:27:36 | 0:27:39 | |
fusion recipe, with hints of property developer, teacher, | 0:27:39 | 0:27:43 | |
and call centre worker. | 0:27:43 | 0:27:44 | |
What we've tried to do is take that energy and that passion and | 0:27:50 | 0:27:53 | |
that urgency that bhangra's got, and bring it to the Western audience. | 0:27:53 | 0:27:57 | |
That thing really, really injects life into something, doesn't it? | 0:28:04 | 0:28:08 | |
-Wow. -That's the dhol, this big bhangra drum. It's made in Punjab. | 0:28:08 | 0:28:12 | |
It's actually made of wood, it's got a big bass end and a nice treble. | 0:28:12 | 0:28:18 | |
-So you formed the band? It's Kissmet. -Kissmet, yes. | 0:28:18 | 0:28:21 | |
It's an interesting combination, cos to me | 0:28:21 | 0:28:23 | |
it sounds quite prog rock-y, which I quite like. | 0:28:23 | 0:28:26 | |
It sounds really nice, I must admit. | 0:28:26 | 0:28:28 | |
I didn't expect it, but it does sound great. | 0:28:28 | 0:28:30 | |
So how did you... | 0:28:30 | 0:28:31 | |
-Were you a conventional rock guitarist before you...? -Yeah, yeah. | 0:28:31 | 0:28:34 | |
It was a bit of a weird audition. | 0:28:34 | 0:28:35 | |
I mean, I didn't really know much about the music. | 0:28:35 | 0:28:37 | |
I'm like, "Oh, it's bhangra. I don't know how rock guitar | 0:28:37 | 0:28:40 | |
"fits into that." But it works really well. | 0:28:40 | 0:28:42 | |
Get a bit of lead going. If you'd have heard a bit of lead in there... | 0:28:42 | 0:28:45 | |
-We're so lucky. -It's a nice counterpoint. | 0:28:45 | 0:28:47 | |
And you're bang on with that. And he's brilliant at leads. | 0:28:47 | 0:28:50 | |
I might get a career at this, then, mightn't I? Cool, well done, boys. | 0:28:50 | 0:28:53 | |
And don't forget, it was me | 0:28:53 | 0:28:54 | |
that told Kula Shaker they'd never fucking get anywhere. | 0:28:54 | 0:28:58 | |
-Did that mix work for you? The fusion... -Yeah, it was great. | 0:28:59 | 0:29:02 | |
-That real rock sort of... -I like prog rock. | 0:29:02 | 0:29:05 | |
Although maybe you shouldn't admit it, being a punk and all that. | 0:29:05 | 0:29:08 | |
-(I quite like prog rock as well.) -Yeah, I do, yeah. | 0:29:08 | 0:29:10 | |
Let's keep it to ourselves. Not a word. | 0:29:10 | 0:29:12 | |
That aspect of it, with the bhangra, was great. | 0:29:12 | 0:29:15 | |
Some bands are a producer's dream, and they've got | 0:29:15 | 0:29:18 | |
loads of elements that you can work with and you can bring out. | 0:29:18 | 0:29:21 | |
I definitely think you could make them a success, | 0:29:21 | 0:29:23 | |
without a shadow of a doubt. | 0:29:23 | 0:29:24 | |
A quick 13-point turn, and we're heading back up north to | 0:29:29 | 0:29:31 | |
Newcastle for the last leg of our trip. | 0:29:31 | 0:29:34 | |
Off-air, Hooky privately admits that this has been the best | 0:29:34 | 0:29:38 | |
trip of his entire life. | 0:29:38 | 0:29:39 | |
Being on the road has got him reminiscing about the early | 0:29:39 | 0:29:42 | |
years of Joy Division when, for him, music was still part-time. | 0:29:42 | 0:29:47 | |
What was it like touring back in the day, then? | 0:29:47 | 0:29:49 | |
-Well, I used to drive the van, so it was OK. -Did you drive it? | 0:29:49 | 0:29:54 | |
Yeah, yeah, I used to drive the van. | 0:29:54 | 0:29:55 | |
And you had to go to work the next day, so yeah, it was hard. | 0:29:55 | 0:29:58 | |
You were always prepared for that thing about, when you got home, | 0:29:58 | 0:30:02 | |
you literally changed and went to work. | 0:30:02 | 0:30:05 | |
You're not there to enjoy yourself. | 0:30:05 | 0:30:07 | |
You're there to get your nose down, | 0:30:07 | 0:30:10 | |
and I don't mean that in the funny sense. | 0:30:10 | 0:30:12 | |
That's exactly what you meant! | 0:30:12 | 0:30:14 | |
Do you ever find, when you're touring, | 0:30:14 | 0:30:16 | |
that you don't see the sights? | 0:30:16 | 0:30:17 | |
You actually miss quite a lot, cos you've just got your head down, | 0:30:17 | 0:30:20 | |
you've got your head in your tour? | 0:30:20 | 0:30:21 | |
Yeah. I mean, sometimes, I've been to the most beautiful | 0:30:21 | 0:30:24 | |
-places in the world... -Things can be... | 0:30:24 | 0:30:26 | |
..and missed something that could be almost staring you in the face. | 0:30:26 | 0:30:29 | |
Yeah. | 0:30:29 | 0:30:31 | |
So our next band, Peter, is called The Caffreys. | 0:30:38 | 0:30:41 | |
-Started in about 1959, I think. -Wow. -Brothers... -Good God. | 0:30:41 | 0:30:47 | |
..doing a kind of west coast sort of Americana-y... | 0:30:47 | 0:30:51 | |
-Oh, it's amazing. -..close harmony stuff, I think. | 0:30:51 | 0:30:54 | |
I'm up for it, bit of close harmonies. | 0:30:54 | 0:30:55 | |
There's nothing better, is there? | 0:30:55 | 0:30:57 | |
When it's done well, in a band like the Eagles, my God. | 0:30:57 | 0:31:00 | |
They actually did some fantastic songs. | 0:31:00 | 0:31:03 | |
And there's no substitute, in most groups, for experience. | 0:31:03 | 0:31:07 | |
I know this scrapbook should be here somewhere. | 0:31:11 | 0:31:13 | |
-You keep everything now, don't you? -Oh, I know, definitely. | 0:31:13 | 0:31:17 | |
-You take that down, Pete, please. -OK. | 0:31:17 | 0:31:19 | |
This family thing is getting ridiculous. | 0:31:19 | 0:31:21 | |
Brothers Pete and Phil Caffrey have been playing music together | 0:31:21 | 0:31:24 | |
since they were kids. | 0:31:24 | 0:31:25 | |
We didn't have much money, | 0:31:25 | 0:31:27 | |
but from a very early age, we used to just sing. | 0:31:27 | 0:31:29 | |
-Look at this. -Some of this... | 0:31:29 | 0:31:31 | |
In the mid-'70s, Phil | 0:31:31 | 0:31:32 | |
and Pete were in a flowery musical flare-fest, called Arbre. | 0:31:32 | 0:31:36 | |
People likened us to the Geordie Beach Boys, the Geordie Bee Gees. | 0:31:36 | 0:31:40 | |
To be honest, punk came along, and that was our demise, in a way. | 0:31:40 | 0:31:44 | |
Punk may have spat on their parade, but they picked themselves up | 0:31:46 | 0:31:49 | |
and dried themselves off. | 0:31:49 | 0:31:51 | |
-Look a bit like Lemmy! -You do. Oh, look at me, there! Ee, happy days. | 0:31:51 | 0:31:57 | |
# If your body's had enough... # | 0:31:57 | 0:32:01 | |
Pete took up painting and decorating... | 0:32:01 | 0:32:03 | |
# And you're feeling, oh, pretty rough... # | 0:32:03 | 0:32:09 | |
..whilst Phil became a music teacher... | 0:32:09 | 0:32:11 | |
That is fantastic. | 0:32:12 | 0:32:14 | |
..stopping only briefly to provide backing vocals | 0:32:14 | 0:32:17 | |
for reptilian-footed local hero, Jimmy Nail. | 0:32:17 | 0:32:20 | |
-Hello. -Hi. -Hiya. | 0:32:21 | 0:32:23 | |
-Looks like a kitchen, this. -Oh, yes, very cosy. -Is this for us, is it? | 0:32:24 | 0:32:28 | |
-They're your seats. -One, two... | 0:32:28 | 0:32:31 | |
# I used to live next door to the angel Gabriel | 0:32:31 | 0:32:35 | |
# Shared a flat with Elvis Presley | 0:32:35 | 0:32:39 | |
# I wandered round with Cleopatra | 0:32:39 | 0:32:43 | |
# My imagination runs away with me | 0:32:43 | 0:32:48 | |
# Well, I'm up on a hill | 0:32:48 | 0:32:49 | |
# I can see all around and I know I love you still | 0:32:52 | 0:32:57 | |
# Even though you've been treating me bad | 0:32:59 | 0:33:02 | |
# I believe in what I'm telling you | 0:33:02 | 0:33:05 | |
# I gotta do what I gotta do | 0:33:05 | 0:33:08 | |
# Cos time's running out for me | 0:33:08 | 0:33:11 | |
# I've driven many miles on the road | 0:33:12 | 0:33:15 | |
# I checked my identity | 0:33:15 | 0:33:18 | |
# I used to live next door to the angel Gabriel | 0:33:18 | 0:33:23 | |
# Shared a flat with Elvis Presley | 0:33:23 | 0:33:26 | |
# I wandered round with Cleopatra | 0:33:26 | 0:33:30 | |
# My imagination runs away with me | 0:33:30 | 0:33:33 | |
# I used to live next door. # | 0:33:33 | 0:33:36 | |
I've been tapping my feet along, and it's so subtle, | 0:33:46 | 0:33:48 | |
and everything's so carefully arranged, I thought, | 0:33:48 | 0:33:51 | |
"Christ, I'm actually part of the band! I'm doing it." | 0:33:51 | 0:33:54 | |
Nice, isn't it? | 0:33:54 | 0:33:55 | |
You do sound very, very accomplished, I must admit. | 0:33:55 | 0:33:58 | |
-Oh, thanks. -Thanks. | 0:33:58 | 0:33:59 | |
Each of you just plays exactly the right thing at the right moment. | 0:33:59 | 0:34:03 | |
It's funny, because we've seen a few bands | 0:34:03 | 0:34:07 | |
and, when something's lacking, even to someone as untutored | 0:34:07 | 0:34:12 | |
as Rhod, Rhod can tell when they're not tight, can't you? | 0:34:12 | 0:34:15 | |
-And when there's something wrong. -I'm learning. | 0:34:15 | 0:34:18 | |
-Someone as uneducated as yourself. -Yeah, all right! | 0:34:18 | 0:34:21 | |
Do you find it frustrating? Are you getting enough gigs to satisfy you? | 0:34:25 | 0:34:28 | |
-No, we're not getting enough gigs. -So you're a bit frustrated with | 0:34:28 | 0:34:31 | |
-being part-time? -A little bit, yeah. There's a desire to want to do it, | 0:34:31 | 0:34:34 | |
otherwise we wouldn't be making music now. | 0:34:34 | 0:34:36 | |
It's that desire, that's what it's about. | 0:34:36 | 0:34:39 | |
-Do you all feel like that, or is it something...? -Yes. -Yes. | 0:34:39 | 0:34:41 | |
It's a three-part harmony. | 0:34:41 | 0:34:43 | |
It's such a rare and beautiful thing to be done so well. | 0:34:43 | 0:34:46 | |
I think people should be hearing it. | 0:34:46 | 0:34:47 | |
Yeah, it stops you dead in your tracks, doesn't it? | 0:34:47 | 0:34:50 | |
-Hooky? -Mmm? -That was beautiful. | 0:34:52 | 0:34:55 | |
-It was very impressive, wasn't it? -That was beautiful. | 0:34:55 | 0:34:59 | |
You wouldn't have expected it in a place like that, | 0:34:59 | 0:35:01 | |
which made it all the better. | 0:35:01 | 0:35:03 | |
It was like being in the womb, but they were on the cusp of being | 0:35:03 | 0:35:06 | |
touted around as the British Eagles, and then punk came along, | 0:35:06 | 0:35:11 | |
-and ruined everything, you lot. -What, me? I feel really bad. | 0:35:11 | 0:35:13 | |
Maybe now I can pull them, like a phoenix rising from the ashes... | 0:35:13 | 0:35:17 | |
-You owe it to them! -I can right that wrong. | 0:35:17 | 0:35:20 | |
So, after six days and 500 miles, | 0:35:20 | 0:35:22 | |
our epic road trip in the Love Bus is over. | 0:35:22 | 0:35:25 | |
So, Hooky, how was it for you? | 0:35:25 | 0:35:26 | |
I was a little bit worried, you know, about doing it, really. | 0:35:28 | 0:35:32 | |
I didn't know what it was going to be like, | 0:35:32 | 0:35:34 | |
going into these places that I used to haunt, | 0:35:34 | 0:35:36 | |
these old rehearsal rooms, going in people's kitchens, | 0:35:36 | 0:35:39 | |
going in people's bedrooms, listening to bands, | 0:35:39 | 0:35:41 | |
-but I have been pleasantly surprised. -I've never done that. | 0:35:41 | 0:35:43 | |
It's great to see that people... | 0:35:43 | 0:35:45 | |
Big dose of reality. | 0:35:46 | 0:35:47 | |
They go to work, they look after their families, | 0:35:47 | 0:35:50 | |
they look after themselves, | 0:35:50 | 0:35:51 | |
and then they come and do the music with such passion, for nothing. | 0:35:51 | 0:35:54 | |
It really is just about the very thrill of getting onstage | 0:35:54 | 0:35:58 | |
and playing. | 0:35:58 | 0:35:59 | |
The very thrill of being together in a group, the camaraderie, | 0:35:59 | 0:36:03 | |
and it's a thing that I take for granted. | 0:36:03 | 0:36:05 | |
There's a lot to make you think how lucky you are. | 0:36:05 | 0:36:08 | |
It does give you an appreciation and, when I get back, I'm going | 0:36:08 | 0:36:11 | |
to give The Light the biggest hug. | 0:36:11 | 0:36:13 | |
-Are you? -Yeah. -Your band? -Yeah. | 0:36:13 | 0:36:15 | |
-I'm going to go, "Thanks, lads." -Aww. -Yeah. | 0:36:15 | 0:36:18 | |
Bloody hell, Hooky's having a breakdown. | 0:36:22 | 0:36:24 | |
Luckily, he's already invited his favourite | 0:36:24 | 0:36:26 | |
five bands from our northern odyssey to The Leadmill, Sheffield, | 0:36:26 | 0:36:29 | |
which has played host to some of the biggest bands in the world, | 0:36:29 | 0:36:32 | |
from Pulp, Stone Roses and the Arctic Monkeys, | 0:36:32 | 0:36:35 | |
as well as some band called New Order? | 0:36:35 | 0:36:38 | |
-Excited? -Yeah, I am, actually. | 0:36:38 | 0:36:40 | |
Who have you invited to the gig, from the people we saw? | 0:36:40 | 0:36:43 | |
-I've invited the five best bands. -Who have you gone for? | 0:36:43 | 0:36:46 | |
-Got Roja, who was the movie soundtrack sound. -Roja. -Roja. -Roja. | 0:36:48 | 0:36:53 | |
All you can remember is being on his mum's bed. | 0:36:53 | 0:36:56 | |
Sums, from Liverpool again. Two Liverpool bands... | 0:37:00 | 0:37:02 | |
-Sums, Liverpool indie. -Yeah, they've quite a history in Liverpool. | 0:37:02 | 0:37:06 | |
-Kissmet. -Peterborough bhangra rock fusion. | 0:37:08 | 0:37:11 | |
I thought it was two interesting types of music to put together, | 0:37:11 | 0:37:14 | |
and I really do hope they pull it off. | 0:37:14 | 0:37:16 | |
-Caffreys. -Up in... Near Newcastle. -Yeah, played in the kitchen. | 0:37:18 | 0:37:21 | |
Acoustic, beautiful. | 0:37:21 | 0:37:23 | |
-Cadavers. -Young... -Sheffield punks. | 0:37:29 | 0:37:32 | |
-Sheffield punks, yeah. -Doctors. -That was just quite interesting. | 0:37:32 | 0:37:36 | |
Brilliant. That is a great, awesome, awesome... | 0:37:38 | 0:37:41 | |
-What a gig this is going to be! -It'd make a great mixtape, I have to say. | 0:37:41 | 0:37:45 | |
Once he's seen how the five bands perform in front of the capacity | 0:37:47 | 0:37:49 | |
crowd, Hooky must choose which two go through to the Grand Final. | 0:37:49 | 0:37:53 | |
For many of the bands, it'll be the biggest show of their lives, | 0:37:56 | 0:37:59 | |
and a whole other level from the local pubs, kitchens, | 0:37:59 | 0:38:02 | |
and mummy's bedrooms we saw them in. | 0:38:02 | 0:38:04 | |
'The sound check gives Hooky the chance to see just who might | 0:38:07 | 0:38:10 | |
'rise to the occasion.' They have stepped it up. | 0:38:10 | 0:38:12 | |
-Yeah, they have, they sound a lot smoother. -So far. So far. | 0:38:12 | 0:38:17 | |
His voice is amazing. I don't remember his voice being amazing. | 0:38:17 | 0:38:20 | |
Her voice is amazing. I don't remember her voice being amazing. | 0:38:20 | 0:38:22 | |
That was a bad day. She hardly sang in it. | 0:38:22 | 0:38:24 | |
How does it feel to be out of your mum's bedroom, and here? | 0:38:24 | 0:38:27 | |
We thought about putting a bed in the corner, | 0:38:27 | 0:38:29 | |
just to make you feel at home. | 0:38:29 | 0:38:30 | |
You should have done, it would have felt more like home, yeah. | 0:38:30 | 0:38:34 | |
-So you feeling good? Happy? Positive? Confident? -Yep. -Good luck. | 0:38:37 | 0:38:40 | |
-We're really pleased we're part of it. -Don't peak too early. | 0:38:40 | 0:38:43 | |
-Thanks for having wor. -You're all right, man, it's a pleasure. | 0:38:43 | 0:38:45 | |
-Good luck. Have a good one. -Cheers, thanks. -Thank you. | 0:38:45 | 0:38:48 | |
-You have got your work cut out, my boy. -I do, aye-aye. | 0:38:48 | 0:38:50 | |
Thank God it's nothing to do with me. | 0:38:50 | 0:38:52 | |
I don't know whether the gig might bring them down, | 0:38:52 | 0:38:55 | |
they might get too excited, too nervous. | 0:38:55 | 0:38:57 | |
You don't know, do you? Could trip. | 0:38:57 | 0:38:59 | |
I don't know. It's going to be interesting. | 0:38:59 | 0:39:01 | |
Even though they're part-time bands, | 0:39:01 | 0:39:03 | |
all of them have got full-time passion. | 0:39:03 | 0:39:06 | |
They do want to sound great, and they do want to be great. | 0:39:07 | 0:39:10 | |
That's a nice sound bite. Did you get that on camera? | 0:39:10 | 0:39:14 | |
"They might be part-time bands, but they've all got full-time passion." | 0:39:14 | 0:39:17 | |
-How long did it take you to think of that? -About an hour and a half. | 0:39:17 | 0:39:20 | |
Sound check over, it's showtime. | 0:39:20 | 0:39:23 | |
Fans and family have rocked, bhangra-d, | 0:39:23 | 0:39:25 | |
or mariachi-d up from all over the north and Midlands in support. | 0:39:25 | 0:39:29 | |
I'm here to watch my son with his band, and I'm wishing them all well. | 0:39:29 | 0:39:34 | |
The type of music they play, I think | 0:39:34 | 0:39:36 | |
I really have to be honest with you, it isn't exactly the sort | 0:39:36 | 0:39:40 | |
of thing that I would choose to listen to, but I'm thrilled to bits. | 0:39:40 | 0:39:44 | |
Not only for them, but, yeah, I'm excited myself. | 0:39:44 | 0:39:48 | |
-We've come to see The Sums. -They're the best amateur band in Britain. | 0:39:48 | 0:39:52 | |
Yeah! | 0:39:52 | 0:39:53 | |
I'm going to the bar. | 0:39:53 | 0:39:55 | |
Hello! | 0:39:55 | 0:39:56 | |
APPLAUSE | 0:39:56 | 0:39:58 | |
Ladies and gentlemen, welcome to the UK's Best Part-Time Bands! | 0:39:58 | 0:40:04 | |
APPLAUSE AND CHEERING | 0:40:04 | 0:40:06 | |
This is Peter Hook, ladies and gentlemen, the legend. | 0:40:06 | 0:40:09 | |
-APPLAUSE AND CHEERING -Thank you. | 0:40:09 | 0:40:11 | |
Hooky's been with me on the Northern bit. | 0:40:11 | 0:40:13 | |
-We had a good time. -Yeah, we had a great time, actually. | 0:40:13 | 0:40:15 | |
Really enjoyed it. | 0:40:15 | 0:40:16 | |
It was quite weird not being surrounded by obnoxious musicians. | 0:40:16 | 0:40:20 | |
But obnoxious comedians. | 0:40:20 | 0:40:24 | |
LAUGHTER | 0:40:24 | 0:40:25 | |
Thank you. | 0:40:25 | 0:40:27 | |
You enjoyed that a bit too much, to be honest. | 0:40:27 | 0:40:29 | |
I've never seen anyone in the front of the gig, in the mosh pit, | 0:40:31 | 0:40:34 | |
with a glass of Chardonnay before. | 0:40:34 | 0:40:36 | |
-It's Pinot Grigio! -Oh, it's Pinot Grigio! Even worse. | 0:40:37 | 0:40:40 | |
Even worse. Shame on you. Get out. | 0:40:40 | 0:40:42 | |
We have got, er, well, about 1,200 bands applied for this | 0:40:44 | 0:40:47 | |
when it was first announced. | 0:40:47 | 0:40:49 | |
Five in this Northern region tonight. | 0:40:49 | 0:40:53 | |
And don't forget, there's no prize! Fuck all! So that makes it better. | 0:40:53 | 0:40:57 | |
That makes it better! | 0:40:57 | 0:40:59 | |
The first band, ladies and gentlemen, | 0:40:59 | 0:41:00 | |
all the way from Peterborough... CHEERING | 0:41:00 | 0:41:04 | |
This is, well, acid bhangra, Peter described it as. | 0:41:04 | 0:41:08 | |
-It's a sort of... -Yo! -Yo! Why do I get the feeling | 0:41:08 | 0:41:10 | |
you're cheering "acid" more than you are "bhangra", there? | 0:41:10 | 0:41:14 | |
Both! | 0:41:16 | 0:41:18 | |
MUFFLED CONVERSATION | 0:41:18 | 0:41:21 | |
..massive, massive, massive welcome for Kissmet. | 0:41:22 | 0:41:25 | |
APPLAUSE AND CHEERING | 0:41:25 | 0:41:26 | |
Beautiful people of Sheffield, hello! | 0:41:37 | 0:41:40 | |
Make some noise, scream as loud as you can! | 0:41:41 | 0:41:44 | |
SCREAMING | 0:41:44 | 0:41:47 | |
Are you ready? | 0:41:53 | 0:41:55 | |
Here we go! | 0:41:56 | 0:41:58 | |
Jump! Jump! Jump, jump, jump! | 0:41:58 | 0:42:01 | |
# It's getting near dawn | 0:42:07 | 0:42:10 | |
# When lights close their tired eyes | 0:42:12 | 0:42:15 | |
# I'll soon be with you, my love | 0:42:15 | 0:42:19 | |
# Give you my dawn surprise | 0:42:19 | 0:42:22 | |
# I'll be with you, darling, soon | 0:42:22 | 0:42:25 | |
# I'll be with you when my seeds are dried up... # | 0:42:25 | 0:42:33 | |
Here's the chorus! | 0:42:33 | 0:42:36 | |
# I've been waiting so long | 0:42:36 | 0:42:40 | |
# To be where I'm going | 0:42:40 | 0:42:43 | |
# In the sunshine of your love... # | 0:42:43 | 0:42:49 | |
HE HOWLS | 0:43:15 | 0:43:17 | |
# Yeah! # | 0:43:19 | 0:43:21 | |
Thank you, everyone, in the Leadmill! | 0:43:25 | 0:43:28 | |
You've been super fantastic! | 0:43:28 | 0:43:30 | |
Goodnight! | 0:43:30 | 0:43:32 | |
APPLAUSE AND CHEERING | 0:43:32 | 0:43:35 | |
I am buzzing. Buzzing for them. | 0:43:35 | 0:43:37 | |
They went down really well. They did really well, there. | 0:43:37 | 0:43:40 | |
Yeah, man. Yeah, baby, peace to the world! | 0:43:42 | 0:43:47 | |
To do that, to take an audience from cold to that, instantly, | 0:43:47 | 0:43:51 | |
was...takes something special. | 0:43:51 | 0:43:53 | |
That is what you call an adrenaline shot. | 0:43:53 | 0:43:56 | |
It's like a Jagerbomb. | 0:43:56 | 0:43:59 | |
Acid bhangra, eh? Not so bad now! | 0:43:59 | 0:44:02 | |
Seriously, Kissmet were pretty good, weren't they? | 0:44:02 | 0:44:04 | |
CHEERING | 0:44:04 | 0:44:06 | |
Pretty good. When we went to see the next band, | 0:44:06 | 0:44:09 | |
they rehearsed in the lead singer's mum's bedroom. | 0:44:09 | 0:44:12 | |
You don't know his mum, all right? | 0:44:15 | 0:44:17 | |
Where's Jo? There's his mum! | 0:44:17 | 0:44:20 | |
His mum's in, ladies and gentlemen! | 0:44:20 | 0:44:23 | |
There she is! | 0:44:23 | 0:44:25 | |
How was it having Peter Hook sat on your bed watching your son's band? | 0:44:25 | 0:44:29 | |
I had the two of you sitting on my bed! | 0:44:31 | 0:44:34 | |
WHOOPING | 0:44:34 | 0:44:37 | |
And I haven't washed the sheets yet! | 0:44:37 | 0:44:39 | |
Go on, what are you hoping for from Roja tonight? | 0:44:42 | 0:44:46 | |
One of my favourites, I just hope you enjoy. | 0:44:46 | 0:44:48 | |
Seriously, seriously excited. | 0:44:48 | 0:44:50 | |
Sweating before we've even gone on. | 0:44:50 | 0:44:53 | |
It's Roja! | 0:44:56 | 0:44:58 | |
APPLAUSE AND CHEERING | 0:44:58 | 0:44:59 | |
# So ask me should I now confess? | 0:45:23 | 0:45:28 | |
# How did I end up in this mess? | 0:45:28 | 0:45:32 | |
# Forced into this vicious crime | 0:45:34 | 0:45:39 | |
# But it's always you that's on my mind | 0:45:39 | 0:45:43 | |
# Don't try to run cos everyone's seen the fun we had | 0:45:45 | 0:45:49 | |
# Don't try to explain any of the sordid games I played | 0:45:49 | 0:45:54 | |
# You're way out of your depth There won't be no place to hide | 0:45:54 | 0:45:58 | |
# But should I comply? | 0:45:58 | 0:46:02 | |
# Or go and leave him there to die? | 0:46:02 | 0:46:05 | |
# Or go and leave him there to die? | 0:46:07 | 0:46:10 | |
# Or go and leave him there to die? # | 0:46:12 | 0:46:18 | |
APPLAUSE AND CHEERING | 0:46:29 | 0:46:31 | |
-The pressure was really on after Kissmet. -It was. | 0:46:38 | 0:46:41 | |
And it's a different kind of music as well. | 0:46:41 | 0:46:43 | |
It's not as beat-y, it's more listening type of music. | 0:46:43 | 0:46:46 | |
That was a bit of a rush, you know? That was... | 0:46:46 | 0:46:49 | |
That's why you do it. That's why you do it, mate. | 0:46:49 | 0:46:52 | |
It was such a good night. | 0:46:52 | 0:46:54 | |
It's something that I'll probably replay in my mind for years to come. | 0:46:54 | 0:46:58 | |
I thought they did well and got a good reaction. Brilliant. | 0:46:58 | 0:47:01 | |
But it is a competition, whether you like it or not. | 0:47:01 | 0:47:04 | |
It is, I know, I know. | 0:47:04 | 0:47:06 | |
-Oh, dear. -Aaaah! | 0:47:06 | 0:47:08 | |
Ladies and gentlemen, give it up! | 0:47:10 | 0:47:13 | |
Let me hear you go "wey-ey". | 0:47:14 | 0:47:16 | |
-ALL: -Wey-ey! | 0:47:16 | 0:47:17 | |
I've always wanted to do that. | 0:47:17 | 0:47:19 | |
Next band's from Liverpool. | 0:47:19 | 0:47:21 | |
CHEERING | 0:47:21 | 0:47:23 | |
Probably the only indie band we've got left. | 0:47:23 | 0:47:27 | |
Also a father-and-daughter combination. | 0:47:28 | 0:47:32 | |
CHEERING | 0:47:32 | 0:47:33 | |
I'm anxious that he behaves himself. | 0:47:33 | 0:47:35 | |
These are the types of emotions I've got to play with. | 0:47:35 | 0:47:38 | |
I want a poo! I want a poo! | 0:47:40 | 0:47:42 | |
Dad! | 0:47:42 | 0:47:44 | |
Ladies and gentlemen, massive welcome for the Sums! | 0:47:44 | 0:47:47 | |
APPLAUSE AND CHEERING | 0:47:47 | 0:47:49 | |
Hello, everyone. | 0:47:50 | 0:47:52 | |
# Dig a hole | 0:48:01 | 0:48:04 | |
# Into your soul | 0:48:06 | 0:48:10 | |
# And I am there | 0:48:11 | 0:48:14 | |
# Until your fall | 0:48:16 | 0:48:20 | |
# Be yourself | 0:48:22 | 0:48:23 | |
# Until you're home | 0:48:27 | 0:48:29 | |
# Take me down | 0:48:32 | 0:48:35 | |
# To your farm | 0:48:36 | 0:48:39 | |
# Whenever love lies | 0:48:41 | 0:48:44 | |
# Whenever love lies | 0:48:47 | 0:48:50 | |
# Whenever-ever-ever-ever-ever Oh, ah | 0:48:51 | 0:48:58 | |
# Whenever you go | 0:48:58 | 0:49:01 | |
# I'll never know | 0:49:01 | 0:49:03 | |
# I'll never know I'll never know | 0:49:03 | 0:49:08 | |
# I'll never know | 0:49:08 | 0:49:10 | |
# I'll never know. # | 0:49:10 | 0:49:17 | |
APPLAUSE AND CHEERING | 0:49:21 | 0:49:23 | |
Thank you very much. | 0:49:23 | 0:49:25 | |
-They've come on the most, of the bands we've found. -No question. | 0:49:28 | 0:49:32 | |
There was a spark in them, but they've really polished it. | 0:49:32 | 0:49:36 | |
Oh, fuck. | 0:49:36 | 0:49:38 | |
Aaah! | 0:49:40 | 0:49:42 | |
The way he works with his daughter is lovely. | 0:49:42 | 0:49:44 | |
It's a real strength. | 0:49:44 | 0:49:46 | |
Yes! | 0:49:46 | 0:49:48 | |
That was amazing. I want to do it again now. | 0:49:48 | 0:49:51 | |
-That's made it even harder for me now. -Good. | 0:49:51 | 0:49:54 | |
The more difficult for you, the better. | 0:49:54 | 0:49:56 | |
I want it hard for you, Pete. Hard for you. | 0:49:56 | 0:49:58 | |
What are my punk band going to do now? | 0:49:58 | 0:50:01 | |
Ladies and gentlemen, the next band, Sheffield band! | 0:50:04 | 0:50:07 | |
APPLAUSE AND CHEERING | 0:50:07 | 0:50:10 | |
This is going to be good. | 0:50:11 | 0:50:12 | |
Two of them are doctors. We saw them in a live gig. | 0:50:12 | 0:50:15 | |
It was a little bit smaller than this. | 0:50:15 | 0:50:17 | |
There was about eight of us there. | 0:50:17 | 0:50:19 | |
-And it made you feel very old, I believe. -Yeah. | 0:50:19 | 0:50:23 | |
-They made you feel dead. -You couldn't take your eyes off... | 0:50:23 | 0:50:26 | |
Go wild, go crazy for the Cadavers! | 0:50:28 | 0:50:31 | |
APPLAUSE AND CHEERING | 0:50:31 | 0:50:33 | |
# And I don't want you And I don't need you | 0:50:46 | 0:50:49 | |
# Don't bother to resist or I'll beat you | 0:50:49 | 0:50:52 | |
# It's not your fault that you're always wrong | 0:50:52 | 0:50:55 | |
# The weak ones are there to justify the strong | 0:50:55 | 0:50:58 | |
# Hey, you, what do you see? | 0:50:58 | 0:51:01 | |
# Something beautiful Something free? | 0:51:01 | 0:51:04 | |
# Hey, you! Are you trying to be mean? | 0:51:04 | 0:51:06 | |
# If you live with apes, man It's hard to be clean | 0:51:06 | 0:51:09 | |
# There's no time to discriminate | 0:51:15 | 0:51:17 | |
# Hate every motherfucker That's in your way | 0:51:17 | 0:51:20 | |
# Hate | 0:51:21 | 0:51:23 | |
# Hate | 0:51:23 | 0:51:24 | |
# Hey, hey | 0:51:24 | 0:51:26 | |
# Great | 0:51:26 | 0:51:28 | |
# Great | 0:51:28 | 0:51:30 | |
# Great, great | 0:51:30 | 0:51:32 | |
# The beautiful people The beautiful people | 0:51:32 | 0:51:35 | |
# The beautiful people The beautiful people | 0:51:35 | 0:51:37 | |
# The beautiful people The beautiful people | 0:51:37 | 0:51:40 | |
# The beautiful people The beautiful people | 0:51:40 | 0:51:43 | |
# Hey, you, what do you see? | 0:51:43 | 0:51:46 | |
# Something beautiful Something free? | 0:51:46 | 0:51:49 | |
# Hey, you, are you trying to be mean? | 0:51:49 | 0:51:52 | |
# If you live with apes, man It's hard to be clean. # | 0:51:52 | 0:51:55 | |
APPLAUSE AND CHEERING | 0:52:10 | 0:52:14 | |
They went down good, actually. Quite surprised. | 0:52:15 | 0:52:17 | |
And they didn't give a shit, | 0:52:17 | 0:52:19 | |
and I thought the energy, and musically, they were great. | 0:52:19 | 0:52:22 | |
I think they could be fantastic. | 0:52:22 | 0:52:24 | |
-Really good. -You can see, all right, it's not everyone's... | 0:52:24 | 0:52:27 | |
We've got Jo, we've got Simon's mum in her 70s in the front. | 0:52:27 | 0:52:30 | |
She was rocking, she was head-banging down the front. | 0:52:30 | 0:52:33 | |
Loved it. | 0:52:33 | 0:52:35 | |
-That's the best crowd we've ever played to. -That was amazing. | 0:52:35 | 0:52:38 | |
Ladies and gentlemen, we're at the last band of the night! | 0:52:38 | 0:52:41 | |
APPLAUSE AND CHEERING | 0:52:41 | 0:52:43 | |
They've brought some support from Wallsend near Newcastle. | 0:52:43 | 0:52:47 | |
Some of these guys are family members, brothers. | 0:52:47 | 0:52:50 | |
They've been performing for over 50 years. | 0:52:50 | 0:52:53 | |
Since Hooky was in his early 30s. | 0:52:53 | 0:52:55 | |
LAUGHTER | 0:52:55 | 0:52:57 | |
The feeling at the minute is one of excitement. | 0:52:57 | 0:52:59 | |
Can't wait to get on. | 0:52:59 | 0:53:01 | |
Ladies and gentlemen, all the love you've got left for the Caffreys! | 0:53:01 | 0:53:04 | |
APPLAUSE AND CHEERING | 0:53:04 | 0:53:06 | |
# You were working as a waitress in a cocktail bar | 0:53:17 | 0:53:23 | |
# When I met you | 0:53:23 | 0:53:27 | |
# I picked you out, shook you up and turned you around | 0:53:27 | 0:53:33 | |
# Turned you into someone new | 0:53:33 | 0:53:37 | |
# Now five years later on You've got the world at your feet | 0:53:37 | 0:53:42 | |
# Success has been so easy for you | 0:53:42 | 0:53:47 | |
# Don't forget it's me who put you where you are now | 0:53:48 | 0:53:53 | |
# I can put you back down too | 0:53:53 | 0:53:57 | |
# Don't, don't you want me? | 0:53:59 | 0:54:04 | |
# You know I can't believe you when you say that you don't need me | 0:54:04 | 0:54:09 | |
# Don't, don't you want me? | 0:54:09 | 0:54:13 | |
# You know I don't believe you when you say that you don't see me | 0:54:13 | 0:54:19 | |
# It's much too late to find | 0:54:19 | 0:54:21 | |
# When you think you've changed your mind | 0:54:21 | 0:54:24 | |
# You'd better change it back or we will both be sorry... | 0:54:24 | 0:54:31 | |
# Don't you want me, baby? | 0:54:32 | 0:54:36 | |
# Whoohoo | 0:54:36 | 0:54:37 | |
# Don't you want me, oh? | 0:54:37 | 0:54:42 | |
# Don't you want me, baby? | 0:54:42 | 0:54:46 | |
# Ooh | 0:54:46 | 0:54:47 | |
# Don't you want me, oh? # | 0:54:47 | 0:54:54 | |
Thank you! | 0:54:54 | 0:54:55 | |
APPLAUSE AND CHEERING | 0:54:55 | 0:54:57 | |
What am I going to do?! | 0:54:59 | 0:55:01 | |
I dunno, mate. | 0:55:01 | 0:55:03 | |
I would hate to be you. And I don't just mean tonight. | 0:55:05 | 0:55:09 | |
-That was an experience. -It was. | 0:55:12 | 0:55:15 | |
The crowd! It was so uplifting. | 0:55:15 | 0:55:19 | |
It was brilliant. | 0:55:19 | 0:55:20 | |
-You have two, right? -Yeah. | 0:55:20 | 0:55:22 | |
I'd definitely go for these two - Sums, Cadavers, | 0:55:22 | 0:55:25 | |
-Caffreys, and... -That's fucking four! | 0:55:25 | 0:55:29 | |
Oh, for fuck's sake. What would you do? | 0:55:29 | 0:55:31 | |
What would you do? | 0:55:31 | 0:55:32 | |
All five bands have played. | 0:55:32 | 0:55:35 | |
Hooky and I retire backstage to mull over his decision. | 0:55:35 | 0:55:40 | |
I'm kind of heartbroken for three of them. | 0:55:40 | 0:55:43 | |
You're doing it, yeah? I want nothing to do with it. | 0:55:43 | 0:55:46 | |
-Are you bringing all the bands on? -Yeah. -How are you going to do it? | 0:55:46 | 0:55:49 | |
They're all going to look you in the eye, one by one. | 0:55:49 | 0:55:52 | |
You rotten bunch of bastards. | 0:55:52 | 0:55:54 | |
-Come on, then. -I want nothing to do with it. | 0:55:54 | 0:55:57 | |
All right. | 0:55:57 | 0:55:58 | |
Down you go. | 0:55:58 | 0:56:00 | |
-Big breaths. -After you. | 0:56:00 | 0:56:02 | |
So! | 0:56:02 | 0:56:04 | |
Er... | 0:56:04 | 0:56:05 | |
So, ladies and gentlemen, | 0:56:05 | 0:56:08 | |
Peter alone has deliberated and chosen two of the acts tonight. | 0:56:08 | 0:56:12 | |
Give them all the love in the world. The Caffreys! | 0:56:12 | 0:56:15 | |
The Cadavers! | 0:56:15 | 0:56:17 | |
The Cadavers, ladies and gentlemen. | 0:56:17 | 0:56:19 | |
The Sums! | 0:56:19 | 0:56:21 | |
Roja, Roja! | 0:56:21 | 0:56:23 | |
Kissmet! | 0:56:25 | 0:56:26 | |
APPLAUSE AND CHEERING | 0:56:26 | 0:56:28 | |
Peter, over to you, man. | 0:56:31 | 0:56:32 | |
Er, I must say that this has been one of the most difficult things | 0:56:32 | 0:56:36 | |
that I've ever had to do, and that's absolutely true. | 0:56:36 | 0:56:38 | |
But you know what? I've appreciated your passion, all of you. | 0:56:38 | 0:56:42 | |
And I've appreciated your musicality, | 0:56:42 | 0:56:45 | |
and I've appreciated that, even though you're part-time, | 0:56:45 | 0:56:48 | |
what you do, you do really, really well. | 0:56:48 | 0:56:50 | |
APPLAUSE AND CHEERING | 0:56:50 | 0:56:53 | |
And I have to say that I'm very proud of all of you. | 0:56:53 | 0:56:58 | |
But I have had to pick two. | 0:56:58 | 0:57:01 | |
And the two that I've chosen are... | 0:57:01 | 0:57:06 | |
-CROWD: -Oooh...! | 0:57:06 | 0:57:08 | |
Don't do that! | 0:57:08 | 0:57:10 | |
The Cadavers and the Caffreys. | 0:57:11 | 0:57:13 | |
APPLAUSE AND CHEERING | 0:57:13 | 0:57:15 | |
We just want to congratulate the bands that won. | 0:57:34 | 0:57:37 | |
And we wish them all the best in the final! | 0:57:37 | 0:57:39 | |
I've been in bands 20 years and that is the most fun I've ever had. | 0:57:39 | 0:57:43 | |
The feeling at the minute, | 0:57:43 | 0:57:44 | |
it's quite surreal, but it's a great feeling. | 0:57:44 | 0:57:47 | |
Congratulations to the bands that got through. | 0:57:47 | 0:57:50 | |
I don't believe it. I can't actually fathom how... | 0:57:50 | 0:57:52 | |
I'm not even bothered about the result. | 0:57:52 | 0:57:55 | |
Five bands knocked it out of the park tonight. | 0:57:55 | 0:57:58 | |
-Thank you for having us. -Thank you very much. | 0:57:58 | 0:58:00 | |
I'm happy, I feel satisfied. | 0:58:00 | 0:58:02 | |
I think the new and the old, | 0:58:02 | 0:58:05 | |
and I think that's what life's about. | 0:58:05 | 0:58:07 | |
-It's a balance between new and old. -Jesus. | 0:58:07 | 0:58:10 | |
Next time... | 0:58:10 | 0:58:11 | |
Are we there yet? | 0:58:11 | 0:58:14 | |
When I hear shit like that... | 0:58:14 | 0:58:15 | |
# I say... # | 0:58:15 | 0:58:17 | |
Whoa! | 0:58:17 | 0:58:19 | |
-They've never played a gig? -Never. | 0:58:19 | 0:58:21 | |
# Yippee-ay-ay... # | 0:58:21 | 0:58:22 | |
We've never taken ourselves that seriously. | 0:58:22 | 0:58:24 | |
Shut up! With that lyric? Leave it out. | 0:58:24 | 0:58:27 | |
FAST SINGING | 0:58:27 | 0:58:29 | |
Hey. Good tune. | 0:58:29 | 0:58:31 |