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This programme contains some strong language | 0:00:02 | 0:00:06 | |
It's the UK's Best Part-Time Band! Hello! | 0:00:06 | 0:00:08 | |
I'm Rhod Gilbert, stand-up comedian, and I've had a radio show | 0:00:08 | 0:00:11 | |
for ten years and people send me music all the time and some of it is absolutely fantastic. | 0:00:11 | 0:00:15 | |
It's got me wondering just how much undiscovered talent there is out there. | 0:00:15 | 0:00:20 | |
There are thousands of unsigned bands in the UK, | 0:00:22 | 0:00:25 | |
from butchers and bakers to selfie-stick makers. | 0:00:25 | 0:00:29 | |
Men and women rocking, rolling, funking and folking in pubs | 0:00:29 | 0:00:32 | |
and clubs up and down the country to escape the nine to five grind. | 0:00:32 | 0:00:36 | |
What possesses somebody of my age to continue being in a band? | 0:00:38 | 0:00:41 | |
It's definitely not for the money or the glory. | 0:00:41 | 0:00:43 | |
MUSIC: You Really Got Me by The Kinks | 0:00:43 | 0:00:46 | |
The BBC have put me up in this ropey old van and I'm off on tour. | 0:00:46 | 0:00:50 | |
I've hauled in three musical heavyweights to help. | 0:00:50 | 0:00:53 | |
Silky smooth Soul II Soul legend Jazzie B... | 0:00:53 | 0:00:56 | |
-Buongiorno! -Jazzie! -How you doing, fella? | 0:00:56 | 0:00:59 | |
..beardy Manchester music icon, Peter Hook... | 0:00:59 | 0:01:01 | |
-There was some real weirdos in that station. -Was there? | 0:01:01 | 0:01:04 | |
Yeah, I felt perfectly at home. | 0:01:04 | 0:01:06 | |
..and "Grandmaster Tash" himself, Ultravox frontman, Midge Ure. | 0:01:06 | 0:01:10 | |
-Oh, dear! -THEY LAUGH | 0:01:10 | 0:01:12 | |
But this is no run-of-the-mill talent show. | 0:01:12 | 0:01:14 | |
There is no prize, no Christmas number ones, no recording contract. | 0:01:14 | 0:01:19 | |
There is shit-all. | 0:01:19 | 0:01:20 | |
Like massive musical fishing nets, we'll be trawling the UK to find | 0:01:22 | 0:01:26 | |
the working men and women who play music for the sheer bloody love of it. | 0:01:26 | 0:01:31 | |
I can channel any of my problems and release it through my music. | 0:01:31 | 0:01:35 | |
Each legend will pick their top two bands... | 0:01:35 | 0:01:37 | |
I just felt like an idiot. | 0:01:37 | 0:01:38 | |
A stupid, inane grin on my face. | 0:01:38 | 0:01:41 | |
..who will battle it out in a grand final in Manchester... | 0:01:41 | 0:01:44 | |
Unfortunately, you've got to decide which are your favourites now. | 0:01:45 | 0:01:50 | |
..where one will be crowned the UK's best part-time band. | 0:01:50 | 0:01:54 | |
This time, my dicky old tour bus is taking me on an epic | 0:01:57 | 0:02:01 | |
600-mile road rave around the south of England. | 0:02:01 | 0:02:05 | |
Riding shotgun is a human trophy cabinet, | 0:02:05 | 0:02:07 | |
triple-platinum, double-Grammy-award-winning titan of music, Jazzie B. | 0:02:07 | 0:02:12 | |
# Back to life, back to reality. # | 0:02:12 | 0:02:15 | |
Jazzie is the man behind R&B giants Soul II Soul. | 0:02:15 | 0:02:18 | |
And I remember dancing just as badly as him | 0:02:20 | 0:02:23 | |
to this very track as a young hipster down at Moonraker's in Wales. | 0:02:23 | 0:02:27 | |
# How ever do you want me... # | 0:02:27 | 0:02:29 | |
-Buongiorno! -Jazzie! -How're you doing, fella? | 0:02:29 | 0:02:32 | |
-I'm all right. How are you? -Scraping through, as you do. | 0:02:32 | 0:02:35 | |
Nice to meet you. | 0:02:35 | 0:02:36 | |
-CHUCKLING: -So you've got your GPS on? | 0:02:37 | 0:02:40 | |
-Oh, hang on... -You can go up that way. -Can I go up that way? | 0:02:40 | 0:02:42 | |
-1,200 bands, Jazzie, have applied for this. -Whoa. | 0:02:44 | 0:02:47 | |
We're going to cram in as many as we can this week, and at the end of it, | 0:02:47 | 0:02:51 | |
you, sir, have got to choose your five favourites. | 0:02:51 | 0:02:53 | |
What are your thoughts? | 0:02:53 | 0:02:55 | |
At the moment, a little bit apprehensive about what level they're at. | 0:02:55 | 0:03:00 | |
What are you going to be looking for? | 0:03:00 | 0:03:01 | |
Music that sounds a little bit different, you know? | 0:03:01 | 0:03:04 | |
What's their unique selling point? That'll be the turn-on for me. | 0:03:04 | 0:03:07 | |
I'm hoping we'll soon have Jazzie frothing with excitement | 0:03:09 | 0:03:12 | |
as we hit the open road | 0:03:12 | 0:03:14 | |
heading west out of London to see our first act in Redhill, Somerset. | 0:03:14 | 0:03:19 | |
We are going to see a country band. | 0:03:19 | 0:03:22 | |
I come from a reggae background, but I was brought up with, | 0:03:22 | 0:03:27 | |
you know, listening to country and western that my parents enjoyed. | 0:03:27 | 0:03:31 | |
-Were you? -Yeah. I also enjoy folk music. | 0:03:31 | 0:03:33 | |
-The thread throughout it all is the storytelling part of it. -OK. | 0:03:34 | 0:03:38 | |
West Country country and western six-piece The Redhillbillies | 0:03:41 | 0:03:44 | |
have been playing together for nearly ten years. | 0:03:44 | 0:03:47 | |
They're fronted by husband-and-wife duo, Tom and Jo Vowells. | 0:03:52 | 0:03:56 | |
By day, Jo saddles up her five-door hatchback and goes out district nursing. | 0:03:58 | 0:04:03 | |
It's all down to my parents. | 0:04:03 | 0:04:05 | |
They have spoon-fed me country music since I was born. | 0:04:05 | 0:04:10 | |
I just fell in love with it. It gives you a real sense of being part of a community, | 0:04:10 | 0:04:13 | |
being part of the countryside. | 0:04:13 | 0:04:15 | |
Jo and hedge-repairer Tom formed the band shortly | 0:04:15 | 0:04:18 | |
after getting together. | 0:04:18 | 0:04:20 | |
Spoiler alert! Tom hacks his own leg off here. | 0:04:20 | 0:04:24 | |
Very interesting, being in a band with your wife. | 0:04:24 | 0:04:26 | |
It's usually ended in disaster, hasn't it? | 0:04:26 | 0:04:28 | |
Well, it hasn't happened with me and Jo yet. | 0:04:28 | 0:04:31 | |
It's hard to play music with someone and not get on with them. | 0:04:31 | 0:04:33 | |
So it diffuses situations a lot of the time. | 0:04:33 | 0:04:37 | |
# So take me down that road. # | 0:04:37 | 0:04:41 | |
The band rehearses every Thursday | 0:04:41 | 0:04:43 | |
and with a ready-made audience of 42 children and grandchildren between them, | 0:04:43 | 0:04:46 | |
it's really hard to watch TV in their lounge. | 0:04:46 | 0:04:49 | |
Trying to go to sleep, | 0:04:49 | 0:04:51 | |
and my dad comes back from the pub playing the banjo, singing. | 0:04:51 | 0:04:54 | |
"Dad! I got school in the morning!" | 0:04:54 | 0:04:57 | |
"Listen to me though, listen to me!" | 0:04:57 | 0:04:59 | |
I don't approve of the drugs. | 0:04:59 | 0:05:01 | |
Sleeping pills, pills for arthritis | 0:05:01 | 0:05:04 | |
All sorts going on! | 0:05:04 | 0:05:06 | |
These drugstore cowboys are made up of a lorry driver, two woodworkers | 0:05:09 | 0:05:13 | |
and Ernie, who is so old his head has grown through the top of his hat. | 0:05:13 | 0:05:17 | |
Unusually, these countryfolk want to escape to the city. | 0:05:17 | 0:05:20 | |
We've been offered gigs way up country in Liverpool, | 0:05:20 | 0:05:23 | |
in Manchester... We've got to get up there, | 0:05:23 | 0:05:25 | |
and it's so far to go, it's a shame we can't, really, but... | 0:05:25 | 0:05:28 | |
-We've got other commitments. -Yeah. | 0:05:28 | 0:05:31 | |
If they can get Jazzie's musical juices flowing, | 0:05:32 | 0:05:35 | |
they'll have a chance to perform in London for the first time. | 0:05:35 | 0:05:39 | |
Good luck. | 0:05:39 | 0:05:40 | |
Good luck, mate! It sounds bonkers in there. | 0:05:40 | 0:05:43 | |
We've taken our lives in our hands | 0:05:43 | 0:05:44 | |
and come to watch them mainline scrumpy. | 0:05:44 | 0:05:47 | |
I mean, play a gig at their local. | 0:05:47 | 0:05:48 | |
This is different. This is different! | 0:05:48 | 0:05:51 | |
BAND PLAYS EXUBERANT FAST COUNTRY MUSIC | 0:05:52 | 0:05:55 | |
# I'm going to the road out back, don't you want to go? | 0:05:56 | 0:05:59 | |
# I'm going to the road out back, don't you want to go? | 0:06:01 | 0:06:04 | |
# Come with me, and hear me roar | 0:06:06 | 0:06:09 | |
# Packing up the truck for the night and day | 0:06:15 | 0:06:17 | |
# Where we're going to go, nobody can say | 0:06:17 | 0:06:20 | |
# We might even leave the USA | 0:06:20 | 0:06:23 | |
# Well, we might even leave the USA. # | 0:06:23 | 0:06:26 | |
CHEERING AND APPLAUSE | 0:06:35 | 0:06:39 | |
-Welcome to Somerset! -Thank you very much. -Shall we take a pew, guys? | 0:06:41 | 0:06:45 | |
Grab a pew, yeah, yeah, yeah. Let's do it. | 0:06:45 | 0:06:47 | |
When we walked in with the energy of the audience and everything | 0:06:47 | 0:06:50 | |
and you guys were going at it hell for leather, there was a lot going on. | 0:06:50 | 0:06:54 | |
-And a lot of great traditional instruments there... -Yeah. | 0:06:54 | 0:06:59 | |
..having their moment. I think that's very important. | 0:06:59 | 0:07:03 | |
Two things really stood out, other than your voice. | 0:07:03 | 0:07:06 | |
The harmonica and the squeeze-box as individual instruments, for me | 0:07:06 | 0:07:11 | |
personally, they're quite special. | 0:07:11 | 0:07:13 | |
And I thought that was really a nice edge to the band as well. | 0:07:13 | 0:07:18 | |
But I also noticed on most of the stringed instruments you had | 0:07:18 | 0:07:23 | |
this electronic tuning device. | 0:07:23 | 0:07:26 | |
The thing is with a banjo, you've got wood, metal, | 0:07:26 | 0:07:28 | |
you've got temperature changes, you've a vellum skin on it. | 0:07:28 | 0:07:31 | |
When that place fills up, it gets warm and everything goes out of tune. | 0:07:31 | 0:07:34 | |
So you have to stay on top of your game with it. | 0:07:34 | 0:07:36 | |
People were looking at you a bit, I noticed one or two of them were looking across at you. | 0:07:36 | 0:07:40 | |
-Well, they're amazed I'm still alive! -LAUGHTER | 0:07:40 | 0:07:45 | |
Thanks so much for having us, we've had a great time. | 0:07:45 | 0:07:47 | |
It was awesome to come here. It felt like a real party. | 0:07:47 | 0:07:49 | |
Cheers! ALL: Cheers! | 0:07:49 | 0:07:51 | |
-You're very good, guys. -Good luck with it. | 0:07:51 | 0:07:54 | |
What do you make of that? | 0:07:54 | 0:07:56 | |
I thought the magic was in the instrumentation. | 0:07:56 | 0:07:59 | |
Each thing had its place. | 0:07:59 | 0:08:01 | |
But for me, every time the harmonica man came in, he accented | 0:08:01 | 0:08:05 | |
the music that they were playing in such a way that it just made you listen. | 0:08:05 | 0:08:11 | |
-You know? -Yeah. -And it was nice. It was a whole, complete sound. | 0:08:11 | 0:08:15 | |
So I really enjoyed it. | 0:08:15 | 0:08:17 | |
Boom! | 0:08:27 | 0:08:28 | |
Ooh. | 0:08:28 | 0:08:30 | |
What time did you go for breakfast then? | 0:08:30 | 0:08:33 | |
I went at... Breakfast closed at 10:30, I went at 10:29 and 51 seconds. | 0:08:33 | 0:08:38 | |
Do you know what, it was 10:27 and I was coming down in the lift | 0:08:38 | 0:08:42 | |
and the lift stopped twice on the way down and this woman got in | 0:08:42 | 0:08:45 | |
and she had, like, a suit carrier thing with her dresses in or whatever, | 0:08:45 | 0:08:48 | |
it was just sticking out into the door, so the door wouldn't close properly. | 0:08:48 | 0:08:52 | |
So I was like, "Christ, it's 10:28!" And the door's going "Bing-bong!" She was laughing and I was thinking, | 0:08:52 | 0:08:56 | |
-"If I miss by breakfast..." -Time's slipping! -"..because of you." | 0:08:56 | 0:08:59 | |
She said, "I hope you don't mind me saying so, but you look like that Welsh comedian." | 0:08:59 | 0:09:03 | |
I went, "Oh, I am that Welsh comedian." | 0:09:03 | 0:09:05 | |
And she goes, "Oh, I'm really sorry then." LAUGHTER | 0:09:05 | 0:09:09 | |
A crack-of-dawn start was essential, as we're headed for the south coast. | 0:09:09 | 0:09:12 | |
And to be honest, the next band in our adventure fills me with dread. | 0:09:12 | 0:09:16 | |
Pun totally intended. | 0:09:16 | 0:09:18 | |
Jazzymus B, we are off to Bournemouth to see... | 0:09:19 | 0:09:23 | |
..a dub-reggae band called Dubheart. | 0:09:24 | 0:09:27 | |
That's going to be interesting. | 0:09:27 | 0:09:29 | |
-This is your...bag, isn't it? -Good grief. -Your thing? | 0:09:29 | 0:09:33 | |
Oh. That's a difficult one. You're sending me to the dentist. | 0:09:34 | 0:09:38 | |
What are you apprehensive about, if anything? | 0:09:38 | 0:09:40 | |
It's going to be an insult to my intelligence, you know, if they | 0:09:40 | 0:09:43 | |
are pretending, trying to copy Bob Marley and the Wailers or something. | 0:09:43 | 0:09:49 | |
It'll be a real breath of fresh air | 0:09:49 | 0:09:51 | |
-if they really are deep into their reggae. -How will you know that? | 0:09:51 | 0:09:55 | |
Before the first eight bars you're going to hear a tightness | 0:09:55 | 0:09:59 | |
with the rhythm section. You'll feel that immediately. | 0:09:59 | 0:10:02 | |
They're either going to be really, really good, or really shit. | 0:10:02 | 0:10:07 | |
For Dave, dub reggae is a way of life. | 0:10:13 | 0:10:17 | |
This is Countryman Soundsystem, | 0:10:17 | 0:10:19 | |
bringing reggae and dub to the people. | 0:10:19 | 0:10:21 | |
When he's not bringing it to the people with his sound system, | 0:10:23 | 0:10:26 | |
club promoter Dave is creating it with Dubheart. | 0:10:26 | 0:10:29 | |
It's quite spontaneous, how we do it, | 0:10:31 | 0:10:33 | |
it's not orchestrated, so the dubs will be different each time. | 0:10:33 | 0:10:37 | |
Bournemouth may be more trench coat than trench town, | 0:10:37 | 0:10:40 | |
but Dave's convinced Dubheart can go far. | 0:10:40 | 0:10:43 | |
This is quite a small scene in Bournemouth. It's kind of difficult. | 0:10:43 | 0:10:47 | |
Then there's this opportunity that came our way | 0:10:47 | 0:10:50 | |
and we thought we'd try and take it. | 0:10:50 | 0:10:52 | |
Hopefully people will get to know about us, more opportunities for shows. | 0:10:52 | 0:10:56 | |
Dubheart, it means so much to me. | 0:10:56 | 0:10:58 | |
It's my reason to really live, you know? Other than my son. | 0:10:58 | 0:11:02 | |
I've got Dubheart and I love the music we make. | 0:11:02 | 0:11:05 | |
And there's only one place better than Jamaica to experience | 0:11:09 | 0:11:12 | |
a dub reggae band - and that's Dave's living room. | 0:11:12 | 0:11:15 | |
BAND PLAYS HEAVY DUB REGGAE | 0:11:16 | 0:11:20 | |
# No matter, they can't stop me | 0:11:20 | 0:11:24 | |
# Too many friends, we've lost too many already... # | 0:11:26 | 0:11:29 | |
The band is made up of painters and decorators, a full-time dad, | 0:11:29 | 0:11:32 | |
an urban gardener, (yeah, right) and a cooperative co-owner. | 0:11:32 | 0:11:36 | |
No, me neither. | 0:11:36 | 0:11:37 | |
# You've got to be cool about it | 0:11:46 | 0:11:49 | |
# You've got to be cool about it | 0:11:50 | 0:11:53 | |
# Don't act like a fool | 0:11:54 | 0:11:57 | |
# Because it'll only bring you down | 0:11:57 | 0:12:00 | |
# Open your eyes | 0:12:02 | 0:12:05 | |
# Can't you read the signs? | 0:12:06 | 0:12:08 | |
# Stare into the light. # | 0:12:09 | 0:12:13 | |
-It sounds really good, guys. Really, really good. -Thanks! | 0:12:16 | 0:12:20 | |
I'm really glad that you enjoyed it, Jazzie, | 0:12:20 | 0:12:23 | |
Because I was loving it, absolutely loving it, | 0:12:23 | 0:12:25 | |
and I thought, "Oh, God! What if he thinks it's not very good?" | 0:12:25 | 0:12:28 | |
-It's a bit of a worry, isn't it? -If anybody's coming with reggae, | 0:12:28 | 0:12:31 | |
you've got to hit one out of the box. You feel me? | 0:12:31 | 0:12:34 | |
And you did it, but you did it, you know, with quality. | 0:12:34 | 0:12:38 | |
It was definitely inherently inside of you, as it were, | 0:12:38 | 0:12:42 | |
-and that's really set me up nice. -Thanks, man. Nice of you to say so. | 0:12:42 | 0:12:45 | |
Where do you guys draw all your information from? | 0:12:45 | 0:12:47 | |
-Roots dub reggae. -Roots rock reggae. -Gregory Isaacs, Mighty Diamonds, | 0:12:47 | 0:12:50 | |
Vultures, Burning Spear... | 0:12:50 | 0:12:52 | |
We're showing our age now, aren't we, fellas? | 0:12:52 | 0:12:54 | |
Tradition there. | 0:12:54 | 0:12:57 | |
-Maturity! -After 18 years of doing it, what do you want from it now, then? | 0:12:57 | 0:13:00 | |
Be nice to make a living at it. | 0:13:00 | 0:13:02 | |
Any advice we could get off you as how we can move things forward... | 0:13:02 | 0:13:05 | |
-We're a bit isolated in Bournemouth sometimes, like... -Move. | 0:13:05 | 0:13:09 | |
-LAUGHTER -..and it's good to... | 0:13:09 | 0:13:11 | |
We've all got family here! Can't do it. We've got kids. | 0:13:11 | 0:13:15 | |
-We're only seeing you down here, so it was definitely worth it. -Thank you. | 0:13:15 | 0:13:20 | |
Tell you what, man, I've never been more relieved in my life. | 0:13:20 | 0:13:25 | |
-Really? -Because I knew you were apprehensive about going to see a reggae band, | 0:13:25 | 0:13:28 | |
and I thought, "Oh, my God, we're going in here to see a reggae band - in their LOUNGE!" | 0:13:28 | 0:13:32 | |
Imagine if they'd been shit or you didn't like them or something? | 0:13:32 | 0:13:35 | |
I was thinking, "This could be so... This could be the most awkward moment of my life." | 0:13:35 | 0:13:39 | |
Yeah, I was surprised. | 0:13:39 | 0:13:41 | |
That was exceptional and I was just so happy it was what it was. | 0:13:41 | 0:13:48 | |
This is one of the reasons to go and check part-time bands. | 0:13:48 | 0:13:51 | |
If this is about love of music, both of the bands we saw yesterday and today, | 0:13:51 | 0:13:57 | |
-you know, they both qualify. -Yeah. | 0:13:57 | 0:14:00 | |
-I spy with my little eye, something beginning with..."R". -"R"? -Mm-hm. | 0:14:06 | 0:14:13 | |
-Road. -There you go. -My go. -I was going to say "Rhod". | 0:14:13 | 0:14:18 | |
-But I chose road. -Um, I'm stepping up with it, right? A bit harder. -OK. | 0:14:18 | 0:14:21 | |
I spy with my little eye, something beginning with "C". | 0:14:21 | 0:14:24 | |
-What, the chevrons? -Yeah. RHOD TUTS | 0:14:24 | 0:14:27 | |
I'm reading your mind, fella! | 0:14:27 | 0:14:30 | |
LAUGHING: How can you get chevrons so quickly? | 0:14:30 | 0:14:32 | |
-Because I saw you look at it! -LAUGHTER | 0:14:32 | 0:14:35 | |
With white-hot banter like this, the days are just flying by. | 0:14:39 | 0:14:43 | |
# Boom-ba-doom ba-boom-ba-doom... # | 0:14:44 | 0:14:46 | |
And they'll need to, as with over | 0:14:46 | 0:14:48 | |
500 bands applying from the south... | 0:14:48 | 0:14:51 | |
playing everything from Cajun... | 0:14:51 | 0:14:54 | |
to thrash... | 0:14:54 | 0:14:57 | |
..folk to rock and roll... | 0:14:58 | 0:15:00 | |
..we're going to have to thrash the "folk" out of this tour bus. | 0:15:02 | 0:15:05 | |
# ..I can't hear it | 0:15:05 | 0:15:06 | |
# Turn it up... # | 0:15:06 | 0:15:09 | |
That was pretty typical, sort of like in between Spinal Tap | 0:15:13 | 0:15:16 | |
and rock and roll there. | 0:15:16 | 0:15:17 | |
I think the standard has been amazing, Jazzie. | 0:15:22 | 0:15:26 | |
I don't envy you the job of picking your favourites to go | 0:15:26 | 0:15:29 | |
through to the live gig. | 0:15:29 | 0:15:31 | |
How many bands have we got? | 0:15:32 | 0:15:36 | |
Bloody loads, Jazzie. | 0:15:36 | 0:15:38 | |
And this doddery old rattle van is seeing more action than | 0:15:38 | 0:15:41 | |
Sting's Twister mat. | 0:15:41 | 0:15:42 | |
So we're off to Stroud, | 0:15:44 | 0:15:45 | |
to see a band called the Russian Flying Squirrels. | 0:15:45 | 0:15:48 | |
-Nice name. -Lots of guitars, a bit prog. | 0:15:48 | 0:15:51 | |
Is that going to be harder for you to appreciate or engage with? | 0:15:51 | 0:15:54 | |
It depends on how deep the music is. | 0:15:54 | 0:15:57 | |
When I started off in the old rock and roll business, | 0:15:57 | 0:16:00 | |
I worked in professional recording studios | 0:16:00 | 0:16:02 | |
and 90% of our clients were guitar-based bands, | 0:16:02 | 0:16:06 | |
so it was something that I was brought up with. | 0:16:06 | 0:16:09 | |
With a guitar band, they can be really boring | 0:16:09 | 0:16:11 | |
because they're always copying one another. | 0:16:11 | 0:16:14 | |
You're going to be looking for their unique | 0:16:14 | 0:16:16 | |
style in terms of their sound. | 0:16:16 | 0:16:20 | |
For 35 years, the lead singer of Russian Flying Squirrel, | 0:16:20 | 0:16:23 | |
IT director Rudy Carroll, | 0:16:23 | 0:16:25 | |
has thought about guitars just a bit too much. | 0:16:25 | 0:16:28 | |
Why not? | 0:16:28 | 0:16:30 | |
If it can be done, put on your main instrument and then attach | 0:16:30 | 0:16:36 | |
another little instrument to it, which can come in useful. | 0:16:36 | 0:16:39 | |
Because it's possible to do it, it's quite good fun to do it, | 0:16:41 | 0:16:44 | |
people like it when I do it, and it makes different sounds. | 0:16:44 | 0:16:48 | |
I learned to play guitar when I was 11. | 0:16:50 | 0:16:54 | |
My big brother was on Top Of The Pops when I was 11. | 0:16:54 | 0:16:56 | |
He was in a band called The Members. | 0:16:56 | 0:16:58 | |
# That's right This is the sound of the suburbs. # | 0:16:58 | 0:17:03 | |
That was it, that was kind of OK, guitars, music, | 0:17:03 | 0:17:07 | |
travelling around in a van with your mates - that's what I want to do. | 0:17:07 | 0:17:12 | |
I conditioned myself into absolutely being obsessed by guitars. | 0:17:12 | 0:17:16 | |
One, two, three, four. | 0:17:16 | 0:17:19 | |
Rudy is by far the oldest member of the band. | 0:17:21 | 0:17:24 | |
Nah! Silly! Those are his kids. | 0:17:24 | 0:17:27 | |
Seriously though, he formed Russian Flying Squirrel after meeting | 0:17:27 | 0:17:30 | |
a fellow guitarist outside their school. | 0:17:30 | 0:17:32 | |
All the guys in the band are very, very family-orientated. | 0:17:32 | 0:17:34 | |
We care about our families much more than we care about anything else. | 0:17:34 | 0:17:39 | |
Balancing it is the hardest thing. | 0:17:39 | 0:17:43 | |
Personally, much as I need to do the music, | 0:17:43 | 0:17:46 | |
it comes a distant third to family and work, unfortunately. | 0:17:46 | 0:17:50 | |
-Good to meet you. -Nice to meet you. -Come on in. Hi, Rhod. -Hiya. | 0:17:51 | 0:17:55 | |
-Nice to meet you. -You too. Amanda. -Hi, Amanda. | 0:17:55 | 0:17:58 | |
Do you go to all the gigs, Amanda? Are you a groupie? | 0:17:58 | 0:18:01 | |
I've never been to a gig. They've never played a gig. | 0:18:01 | 0:18:04 | |
-They've never played a gig? -Never. -Not one? -Not one. -Ever? -Ever. | 0:18:04 | 0:18:09 | |
Every week, they're next door playing, rehearsing | 0:18:09 | 0:18:12 | |
and I hear them through the walls. | 0:18:12 | 0:18:14 | |
They must be waiting for that perfect moment. | 0:18:14 | 0:18:17 | |
-They're working it out to perfection. -Hopefully it's now. | 0:18:17 | 0:18:20 | |
-Right. OK. -How long have they been waiting for the perfect moment? | 0:18:20 | 0:18:23 | |
Erm...a couple of years? | 0:18:23 | 0:18:26 | |
Well, sometimes people can take almost a lifetime to make | 0:18:28 | 0:18:31 | |
an album, so let's check them out. | 0:18:31 | 0:18:33 | |
# Ah-ah-ah ah-ahhhh... # | 0:18:38 | 0:18:43 | |
# When I'm without I'll be within... # | 0:18:49 | 0:18:53 | |
-Sounds... Sounds... -Amazing. This is the bollocks. | 0:18:59 | 0:19:04 | |
-The bollocks? -Yeah, this is hot. -It's the bollocks. | 0:19:04 | 0:19:07 | |
# When I'm alone I can go home to you... | 0:19:09 | 0:19:16 | |
# Ah-ah-ah | 0:19:19 | 0:19:22 | |
# Ohh-ooh-ohh. # | 0:19:29 | 0:19:34 | |
Fuck. It's... | 0:19:38 | 0:19:41 | |
Leave that on. That's all part of it. That is... I am... | 0:19:41 | 0:19:46 | |
I have to be really frank with you. | 0:19:46 | 0:19:48 | |
I'm not really a guitar man, but when I hear shit like that, | 0:19:48 | 0:19:52 | |
that's just like... Whoa. | 0:19:52 | 0:19:55 | |
What was going on even with the effects and your syncopation, | 0:19:55 | 0:20:01 | |
-everything was just fucking bang on. -We've all got our own space. | 0:20:01 | 0:20:04 | |
We all play entirely in our own spaces, which is brilliant. | 0:20:04 | 0:20:07 | |
We're not trying to make the sound, we're just doing what we do and it happens. | 0:20:07 | 0:20:10 | |
-Organically happening. -It's kind of the beauty of us turning up | 0:20:10 | 0:20:13 | |
every so often and going, "We're not at work, the kids are in bed, | 0:20:13 | 0:20:15 | |
"let's have a beer and just play together." | 0:20:15 | 0:20:17 | |
When Amanda said that you'd never done a gig, you're kind of like, "What, really?" | 0:20:17 | 0:20:21 | |
And you've been together for a few years. | 0:20:21 | 0:20:23 | |
Are you kind of itching to do a gig or are you just not bothered? | 0:20:23 | 0:20:26 | |
Gigging is fun but it's not everything. | 0:20:26 | 0:20:29 | |
I really like the being creative in here | 0:20:29 | 0:20:31 | |
and kind of writing and developing stuff. It's much nicer. | 0:20:31 | 0:20:35 | |
We are at that point where we're saying, "Come on, we'd better go | 0:20:35 | 0:20:37 | |
"and do a gig," which is partly why we've put in for this, | 0:20:37 | 0:20:40 | |
because we needed something to focus a bit. | 0:20:40 | 0:20:43 | |
I think this is baked, fellas. | 0:20:43 | 0:20:45 | |
And somebody needs to eat a piece of this pie. | 0:20:45 | 0:20:48 | |
Ooh! | 0:20:52 | 0:20:53 | |
-Man. -Fella. -Fella, man. -Whoa. -Wowzer. | 0:20:57 | 0:21:02 | |
-I loved that. -I think I've... | 0:21:02 | 0:21:08 | |
-You haven't got one as well, have you? -I think I have. | 0:21:08 | 0:21:10 | |
We've both got boners. | 0:21:12 | 0:21:14 | |
THEY LAUGH | 0:21:14 | 0:21:17 | |
-You don't see Ant and Dec do that, do you? -Rhod, that was... | 0:21:17 | 0:21:22 | |
Go on, you tell me. You tell me. | 0:21:22 | 0:21:24 | |
Just the little hint of kind of colour on the vocals, | 0:21:24 | 0:21:28 | |
the harmonies done by the bass player - | 0:21:28 | 0:21:31 | |
there's four people in that little room, so there's a lot going on. | 0:21:31 | 0:21:37 | |
Erm...very refreshing. | 0:21:37 | 0:21:42 | |
With our equipment restored to factory settings, we're | 0:21:42 | 0:21:45 | |
off again, heading for a veritable musical hotbed. | 0:21:45 | 0:21:48 | |
James Blunt, Billie Piper, Dave from Dave Dee, Dozy, Beaky, Mick & Tich, | 0:21:48 | 0:21:53 | |
the list of Wiltshire's musical legends goes on and on. | 0:21:53 | 0:21:57 | |
We are here to see Sinestar, a five-piece synth pop outfit. | 0:21:57 | 0:22:02 | |
-We formed about three years ago. -Fronted by telecoms guru Iain. | 0:22:02 | 0:22:07 | |
Is this the band? Are you a family band? But you do the lyrics? | 0:22:07 | 0:22:10 | |
-You write the lyrics? -Yeah, so most of the time I do the lyrics. | 0:22:10 | 0:22:14 | |
-I've had some inspiration along the way. -OK. Have you? -Yeah. | 0:22:14 | 0:22:18 | |
So I wrote a poem when I was in Year Six, I must have been about 11. | 0:22:18 | 0:22:22 | |
And Dad came along one day and went, "Oh, that's all right, actually." | 0:22:22 | 0:22:26 | |
-How cute is that? -And made that into the song, I Am The Rain. | 0:22:26 | 0:22:31 | |
# ..The backwash | 0:22:31 | 0:22:34 | |
# The colour I paint the sky a shade of grey | 0:22:34 | 0:22:40 | |
# For the love lost... # | 0:22:40 | 0:22:42 | |
# I, I am the rain | 0:22:45 | 0:22:48 | |
# I dance with the light | 0:22:48 | 0:22:50 | |
# Into a million colours of the day | 0:22:50 | 0:22:54 | |
# Cos I am the rain | 0:22:54 | 0:22:55 | |
# I dance with the light Into a million colours... # | 0:22:55 | 0:23:01 | |
Are you telling us that that's the lyrics that your daughter wrote? | 0:23:03 | 0:23:08 | |
Yeah, I mean, she was 11, like she said, | 0:23:08 | 0:23:10 | |
came up with a poem and I went, | 0:23:10 | 0:23:13 | |
"Better words than I could ever dream up." | 0:23:13 | 0:23:15 | |
So who's on the publishing on that? | 0:23:15 | 0:23:18 | |
It's us, basically, with a credit to my daughter, of course. | 0:23:18 | 0:23:20 | |
-Member of PRS? -No. -No. | 0:23:20 | 0:23:23 | |
I guess the thing is we've never really taken ourselves that | 0:23:23 | 0:23:26 | |
-seriously, if I'm honest. -Shut up! With that lyric? Leave it out! | 0:23:26 | 0:23:31 | |
A lot of people do take the Performing Rights Society for granted. | 0:23:31 | 0:23:34 | |
You should have that locked down because somebody else could be | 0:23:34 | 0:23:37 | |
coming along to the gig and snap that one straight up. | 0:23:37 | 0:23:39 | |
-Hey. Good tune. -Thank you. Means a lot that. -No probs. See you later. | 0:23:39 | 0:23:44 | |
The song had a lot, a lot of potential. | 0:23:44 | 0:23:48 | |
But it was a bit more sequenced than it was live, you know? | 0:23:48 | 0:23:54 | |
-Mechanical. -Yeah. | 0:23:54 | 0:23:56 | |
Click-click. Boop-boop! Road trip. | 0:23:59 | 0:24:02 | |
Here we go. | 0:24:02 | 0:24:04 | |
350 miles into our epic southern adventure and we're heading east | 0:24:04 | 0:24:07 | |
for London, when normally super-cool Jazzie | 0:24:07 | 0:24:10 | |
suddenly loses his shit. | 0:24:10 | 0:24:11 | |
Are we there yet? | 0:24:11 | 0:24:13 | |
Life on the road is no picnic and it's clearly getting to him. | 0:24:17 | 0:24:20 | |
I ain't fucking feeding them to you, though. | 0:24:20 | 0:24:23 | |
HORN HONKS | 0:24:24 | 0:24:26 | |
-I'm big enough, I'm going. -Yeah. | 0:24:26 | 0:24:28 | |
Assert your authority there, Rhod. | 0:24:28 | 0:24:30 | |
Yeah. Do you know who's in this van? | 0:24:30 | 0:24:33 | |
Jazzie B and Rhoddy G, innit. | 0:24:33 | 0:24:36 | |
Gig-wise, do you find everywhere's pretty much the same or have | 0:24:36 | 0:24:39 | |
you got favourite places, or worst places? | 0:24:39 | 0:24:42 | |
Usually, anywhere outside the M25 is good. | 0:24:42 | 0:24:44 | |
-Can't tell you where I go better, because it'll be offensive. -Oh, OK. | 0:24:44 | 0:24:47 | |
I go better in the shitholes. | 0:24:47 | 0:24:50 | |
-What do you mean? -If somewhere's a bit of a dump, | 0:24:50 | 0:24:52 | |
I find it more up for my stuff. | 0:24:52 | 0:24:54 | |
The bigger the shithole, the better I go. | 0:24:54 | 0:24:56 | |
Is it north or south? | 0:24:56 | 0:24:57 | |
It's not Tunbridge Wells, I'll tell you that. | 0:24:57 | 0:25:00 | |
Finally, Jazzie B and Rhoddy G land in the big smoke | 0:25:00 | 0:25:03 | |
and point the van in the direction of hip and happening east London, | 0:25:03 | 0:25:07 | |
to see a band who offer something we haven't seen yet on this trip. | 0:25:07 | 0:25:10 | |
We're going to see an East-West fusion band, six-piece. | 0:25:11 | 0:25:15 | |
Some of the music that I'm into | 0:25:15 | 0:25:18 | |
has an Eastern flavour. | 0:25:18 | 0:25:20 | |
I think the biggest thing I'd be looking for | 0:25:20 | 0:25:22 | |
is their instrumentation. | 0:25:22 | 0:25:23 | |
How much they have taken from the East. | 0:25:23 | 0:25:27 | |
SHE SINGS IN HINDI | 0:25:29 | 0:25:31 | |
Fronted by vocalist and medical student Vidushi | 0:25:43 | 0:25:46 | |
this seven-piece fusion band is made up of a delicious | 0:25:46 | 0:25:49 | |
blend of students, with hints of ultrasound technician, | 0:25:49 | 0:25:52 | |
traces of IT consultant and a bit of a banker. | 0:25:52 | 0:25:55 | |
-All of the instrumentation is very Western, all right. -Yes. | 0:26:03 | 0:26:07 | |
S'up with that? | 0:26:07 | 0:26:08 | |
Qawwali, traditionally, is played with the harmonium and a tabla, | 0:26:08 | 0:26:12 | |
and we are playing exactly that. | 0:26:12 | 0:26:14 | |
The same structure, the same scales as Qawwali and we play it using... | 0:26:14 | 0:26:18 | |
Western instrumentation. | 0:26:18 | 0:26:19 | |
-I really liked it. It's kind of cool and it does work. -Thank you. | 0:26:19 | 0:26:22 | |
Vocally, as well, some of the acrobats and stuff like that | 0:26:22 | 0:26:25 | |
-is kind of cool. -Cheers, means a lot. | 0:26:25 | 0:26:28 | |
-What language was used? -Hindi, both Hindi. | 0:26:28 | 0:26:32 | |
But, we should point out that music has no language. | 0:26:32 | 0:26:35 | |
No, but the vocals did. | 0:26:35 | 0:26:36 | |
What did you make of them? Different. | 0:26:40 | 0:26:41 | |
Really different. I think what I found unique about them | 0:26:41 | 0:26:45 | |
is the Eastern sound mixing with the Western thing... | 0:26:45 | 0:26:48 | |
-Western instrumentation. -Very interesting. | 0:26:48 | 0:26:51 | |
Could do with tightening up a little bit, but I enjoyed it. I enjoyed it. | 0:26:51 | 0:26:54 | |
I thought, musically, they were different. | 0:26:54 | 0:26:56 | |
MUSIC: Brimful Of Asha by Cornershop | 0:26:56 | 0:26:58 | |
550 miles munched... | 0:26:58 | 0:26:59 | |
Happy days. | 0:26:59 | 0:27:00 | |
..and Jazzie's totally losing it again. | 0:27:02 | 0:27:05 | |
On a scale of one to ten, I just really do, I enjoy music, | 0:27:05 | 0:27:09 | |
-but my roots are... -What do you mean, "On a scale of one to ten you enjoy music?" | 0:27:09 | 0:27:12 | |
-Well, because I... -Where was the scale of one to ten? | 0:27:12 | 0:27:15 | |
Yeah. Well, all right, one to 11, | 0:27:15 | 0:27:17 | |
-I really... -So, what number is it? | 0:27:17 | 0:27:20 | |
# Scissor, paper, stone paper, | 0:27:20 | 0:27:21 | |
# Scissor, paper, stone | 0:27:21 | 0:27:23 | |
# Scissor, paper, stone paper, | 0:27:23 | 0:27:24 | |
# Scissor, paper, stone...# | 0:27:24 | 0:27:26 | |
With over 100 bands | 0:27:26 | 0:27:27 | |
applying from London alone, | 0:27:27 | 0:27:29 | |
on a scale of one to ten, | 0:27:29 | 0:27:30 | |
we're really busy. | 0:27:30 | 0:27:31 | |
At the end of our trip, | 0:27:34 | 0:27:35 | |
Jazzie will pick his favourite five to play at a gig in London, | 0:27:35 | 0:27:39 | |
where they'll battle it out for a place in the grand final. | 0:27:39 | 0:27:42 | |
And on a scale of one to ten, I'm very excited. | 0:27:42 | 0:27:45 | |
If you say on a scale of one to ten or 11, you've got to give a number. | 0:27:45 | 0:27:48 | |
All right. 13, | 0:27:48 | 0:27:50 | |
I enjoy music. | 0:27:50 | 0:27:51 | |
This is going to be a long week. | 0:27:53 | 0:27:54 | |
It's going to be a hell of a long week. | 0:27:54 | 0:27:56 | |
We're clearly suffering a severe case of van fever, | 0:27:56 | 0:27:59 | |
but stumble on to another east London studio | 0:27:59 | 0:28:01 | |
to meet indie band, Tall Poppies. | 0:28:01 | 0:28:03 | |
MUSIC: Cat Got Your Tongue by Tall Poppies | 0:28:03 | 0:28:06 | |
A four-piece fronted by twin sisters, | 0:28:08 | 0:28:09 | |
with three doctors and a fashion student. | 0:28:09 | 0:28:12 | |
No, hang on, that's six pieces. | 0:28:12 | 0:28:13 | |
# The face that you hide behind | 0:28:13 | 0:28:16 | |
# Open mouth, no words coming out | 0:28:17 | 0:28:19 | |
# Just take a breath | 0:28:19 | 0:28:20 | |
# Spit it out | 0:28:20 | 0:28:23 | |
# Has the cat got your tongue? | 0:28:23 | 0:28:25 | |
# Oooh | 0:28:26 | 0:28:28 | |
# Oooh | 0:28:28 | 0:28:29 | |
# Oooh | 0:28:29 | 0:28:30 | |
# Oooh. # | 0:28:30 | 0:28:32 | |
-Thank you very much. -How long have you been together? | 0:28:38 | 0:28:41 | |
It's coming up to two years, but we met in a psychiatric asylum. | 0:28:41 | 0:28:44 | |
Oh, really. | 0:28:44 | 0:28:45 | |
In an asylum, did you say? | 0:28:45 | 0:28:47 | |
So, I'm a psychiatrist and we met when you were doing psych training. | 0:28:47 | 0:28:50 | |
I did some psychiatry. I'm a doctor, as well. | 0:28:50 | 0:28:52 | |
I met Diarmuid at a more conventional hospital. | 0:28:52 | 0:28:54 | |
-And were you already in bands then? -So, I've always played bands. | 0:28:54 | 0:28:57 | |
-Do you know the band Noah And The Whale? -Noah And The Whale? Yeah. -My brother's the lead singer so I... | 0:28:57 | 0:29:01 | |
Were you the drummer for Noah And The Whale? | 0:29:01 | 0:29:03 | |
That's right, a long time ago. | 0:29:03 | 0:29:04 | |
-It's a bit like... -You coy little bugger, sat at the back there. | 0:29:04 | 0:29:09 | |
So, you sort of tasted success and didn't necessarily like it as much as you...? | 0:29:09 | 0:29:12 | |
I went to go and be a doctor instead. | 0:29:12 | 0:29:14 | |
You're a great example for young people getting into the music business... | 0:29:14 | 0:29:17 | |
That's very kind of you to say, Jazzie. | 0:29:17 | 0:29:19 | |
..cos they always say you should have something to fall back on. | 0:29:19 | 0:29:22 | |
Onward and upwards. | 0:29:22 | 0:29:23 | |
That's right. | 0:29:23 | 0:29:25 | |
Not too upwards, otherwise you'll lose your drummer. | 0:29:25 | 0:29:27 | |
You know how fickle he is. | 0:29:28 | 0:29:30 | |
Jazzie's clearly loving being on the road with me | 0:29:34 | 0:29:36 | |
and, off-camera, he cries real, hot, wet tears when he learns it's nearly over, | 0:29:36 | 0:29:40 | |
as we're heading to north London to see our final act. | 0:29:40 | 0:29:44 | |
King Salami And The Cumberland Three. | 0:29:44 | 0:29:47 | |
That's a name and a half there, innit? | 0:29:49 | 0:29:51 | |
Drummer and graphic designer Eric literally couldn't live | 0:29:51 | 0:29:54 | |
without his garage punk band. | 0:29:54 | 0:29:56 | |
It's a bit like a drug. | 0:29:56 | 0:29:58 | |
I really need to play music, really. | 0:29:58 | 0:30:00 | |
If I don't play music, I get a bit depressed. | 0:30:00 | 0:30:03 | |
I think about the band most of the time. | 0:30:03 | 0:30:05 | |
Cheer up, Eric. You'll get to play once I've done this bit. | 0:30:05 | 0:30:08 | |
Eric's day-job comes in handy. | 0:30:08 | 0:30:10 | |
He designs all the band's artwork. | 0:30:10 | 0:30:12 | |
"Fourteen Blazin' Bangers." | 0:30:14 | 0:30:16 | |
And you can see the doggy judge is in most of the records. | 0:30:16 | 0:30:21 | |
I think he was in like five different bands when I met him. | 0:30:24 | 0:30:27 | |
So I knew what I was getting into, I think. | 0:30:27 | 0:30:30 | |
Eric hides his passion for music so well, | 0:30:30 | 0:30:33 | |
his wife Maki has barely noticed he's in a band. | 0:30:33 | 0:30:35 | |
He always practices regularly, so Thursday, | 0:30:35 | 0:30:39 | |
we can never do anything on Thursdays. | 0:30:39 | 0:30:41 | |
And if he's got a gig in the weekend, | 0:30:41 | 0:30:43 | |
he prefers not to do anything on the Friday. | 0:30:43 | 0:30:46 | |
And he's often away throughout the weekend if it's abroad, | 0:30:47 | 0:30:50 | |
so I don't really see him that much. | 0:30:50 | 0:30:53 | |
HIGH-OCTANE PUB ROCK | 0:30:57 | 0:31:01 | |
INDISTINCT LYRICS | 0:31:01 | 0:31:07 | |
Jazzie and I have come to an intimate venue in north London | 0:31:12 | 0:31:15 | |
to grab a slice of King Salami. | 0:31:15 | 0:31:17 | |
# Yeah, yeah, yeah, yeah, yeah | 0:31:17 | 0:31:19 | |
# Yeah, yeah, yeah, yeah, yeah... # | 0:31:19 | 0:31:21 | |
Being part of the programme, it will give us exposure. | 0:31:29 | 0:31:33 | |
We'd like our music to be heard by as many people as possible, really. | 0:31:33 | 0:31:37 | |
To play in front of a good audience | 0:31:37 | 0:31:39 | |
as opposed to in front of ten people. | 0:31:39 | 0:31:42 | |
I like them even more now. Cos that's their own... | 0:31:46 | 0:31:49 | |
Thank you, everybody. | 0:31:49 | 0:31:50 | |
APPLAUSE DROWNS SPEECH | 0:31:50 | 0:31:53 | |
AUDIENCE: Whoo! | 0:31:53 | 0:31:55 | |
Well done, guys. That was great. I enjoyed that. | 0:31:55 | 0:31:57 | |
I thoroughly enjoyed that. | 0:31:57 | 0:32:00 | |
What I enjoyed most about it, honestly, | 0:32:00 | 0:32:02 | |
was the fact that it looked like fun, | 0:32:02 | 0:32:05 | |
not being so serious and being really entertaining. | 0:32:05 | 0:32:08 | |
There's too many bands who are too serious about it, you know, | 0:32:08 | 0:32:11 | |
to focus on glory and fame and when they're on stage, they're paralysed. | 0:32:11 | 0:32:16 | |
They're looking at their feet. And I'm like, "Come on, man!" | 0:32:16 | 0:32:19 | |
You know, it's supposed to be fun. | 0:32:19 | 0:32:20 | |
Did you have the character before the hat and stuff, | 0:32:20 | 0:32:22 | |
-or did you put the hat on and then it all changes? -He always had a bit of a character. | 0:32:22 | 0:32:26 | |
-He always had the character? -Yeah. -What's the day job, Seb? | 0:32:26 | 0:32:29 | |
I coach tennis. | 0:32:29 | 0:32:31 | |
OK, I can see that. | 0:32:32 | 0:32:34 | |
LAUGHTER DROWNS SPEECH | 0:32:34 | 0:32:36 | |
Hey! Can't you tell? | 0:32:36 | 0:32:38 | |
THEY LAUGH | 0:32:38 | 0:32:41 | |
What's nice is to see a band with a character front man, | 0:32:41 | 0:32:44 | |
cos I think that's a little bit unusual. | 0:32:44 | 0:32:46 | |
-Most of the guys try to play it down a little bit. -Great gig. | 0:32:46 | 0:32:49 | |
-Thank you, man. -Great gig. | 0:32:49 | 0:32:50 | |
I like the way he's so animated and it's great to watch. | 0:32:50 | 0:32:55 | |
-Yeah. -Really good to watch. -You can imagine them working, like, put them in a... | 0:32:55 | 0:32:58 | |
That was a really small pub gig. | 0:32:58 | 0:33:00 | |
-You can imagine that working on a... -On a larger scale. | 0:33:00 | 0:33:02 | |
On a bigger scale, really working the audience. | 0:33:02 | 0:33:05 | |
600 miles munched and our southern road trip is over | 0:33:05 | 0:33:08 | |
and on a scale of one to ten, we've seen a lot of amazing bands. | 0:33:08 | 0:33:12 | |
It's down to Jazzie which five will be invited to perform live in London. | 0:33:12 | 0:33:17 | |
Coming into this, I mean, | 0:33:17 | 0:33:19 | |
the standard has been a lot higher than I thought. How has it been for you? | 0:33:19 | 0:33:23 | |
I've been pleasantly surprised with the whole thing. | 0:33:23 | 0:33:26 | |
There's been variety, there's been depth. | 0:33:26 | 0:33:30 | |
It's been real rock and roll. It really has, yeah. | 0:33:30 | 0:33:33 | |
What's inspired you? I mean... | 0:33:33 | 0:33:35 | |
I think what's inspired me is just... | 0:33:35 | 0:33:37 | |
Just all these people at it and the WAY they're at it | 0:33:38 | 0:33:41 | |
and the fact that music still exists out there, in any way, | 0:33:41 | 0:33:46 | |
in any shape, in any form - it's all there | 0:33:46 | 0:33:50 | |
and it makes me appreciate much more of what I'm involved with. | 0:33:50 | 0:33:55 | |
Happy days! | 0:33:56 | 0:33:58 | |
We've had a ball. | 0:33:58 | 0:33:59 | |
-We've had a real good time. -We've had a REAL good time. | 0:33:59 | 0:34:02 | |
-And your driving's not that bad, fella! -My driving is all right. | 0:34:02 | 0:34:05 | |
I'm going to miss you. I'm really going to miss you. | 0:34:05 | 0:34:07 | |
-Ah! -I'm really going to miss you. -Yeah. | 0:34:07 | 0:34:11 | |
I'll see you again, fella. | 0:34:11 | 0:34:13 | |
This is edited, so I only have to wait a few seconds to see Jazzie again. | 0:34:13 | 0:34:17 | |
Boom! The day of the live gig is upon us. | 0:34:17 | 0:34:20 | |
-Well up for this one! -So am I but who have you invited? | 0:34:21 | 0:34:24 | |
So who have we got here? Tonight, we're going to have Dubheart. | 0:34:24 | 0:34:27 | |
# A hard day's night... # | 0:34:27 | 0:34:29 | |
The reason why I put Dubheart through - | 0:34:29 | 0:34:32 | |
I think they're real, | 0:34:32 | 0:34:33 | |
I love their vibe, but can Dubheart bring it to the stage? | 0:34:33 | 0:34:36 | |
King Salami and the Cumberland Three. | 0:34:36 | 0:34:38 | |
INDISTINCT LYRICS | 0:34:38 | 0:34:41 | |
They had character, spirit, energy. | 0:34:41 | 0:34:43 | |
They're a bit punky. | 0:34:43 | 0:34:44 | |
They're great entertainers. | 0:34:44 | 0:34:46 | |
I put Side Partition through | 0:34:48 | 0:34:49 | |
because I like the idea of them fusing East and West. | 0:34:49 | 0:34:54 | |
They need to up their game from what happened at rehearsals. | 0:34:54 | 0:34:59 | |
Then we've got the Redhillbillies. | 0:34:59 | 0:35:01 | |
Seeing them in their own environment, | 0:35:01 | 0:35:03 | |
they had a huge following but I think giving them the opportunity | 0:35:03 | 0:35:07 | |
to actually play a live show in London - can they blow us all away? | 0:35:07 | 0:35:12 | |
Then we also have the Russian Flying Squirrels. | 0:35:12 | 0:35:15 | |
They are quite epic and I feel that they had their own unique sound. | 0:35:17 | 0:35:22 | |
Maybe the idea of an audience could disrupt them a little bit, | 0:35:22 | 0:35:26 | |
because they're very much used to playing in their own environment. | 0:35:26 | 0:35:30 | |
-Never done a gig? -Never done a gig. | 0:35:30 | 0:35:33 | |
I thought, where better to do their first gig? | 0:35:33 | 0:35:36 | |
A first gig here is going to take some balls. | 0:35:36 | 0:35:39 | |
Hello. | 0:35:39 | 0:35:40 | |
So I hope the Russian Flying Squirrel remember where they hid their nuts. | 0:35:40 | 0:35:43 | |
But for all the bands, this is a very big gig. | 0:35:43 | 0:35:47 | |
Come on! | 0:35:47 | 0:35:48 | |
At the end, Jazzie will pick two acts to go through | 0:35:48 | 0:35:50 | |
to the grand final in Manchester. | 0:35:50 | 0:35:53 | |
What are we doing with the vocals? | 0:35:53 | 0:35:55 | |
You got no Avalons or anything, no? | 0:35:55 | 0:35:58 | |
No! | 0:35:58 | 0:35:59 | |
We are the only reggae band in Bournemouth, | 0:35:59 | 0:36:02 | |
so there's no competition around and there's no yardstick | 0:36:02 | 0:36:06 | |
to, like, measure yourself up against. | 0:36:06 | 0:36:08 | |
The bands can finally check out the competition. | 0:36:09 | 0:36:13 | |
APPLAUSE | 0:36:13 | 0:36:15 | |
-I think they'll really work. -Yeah. | 0:36:15 | 0:36:17 | |
We want to win the competition. That's why we're here. | 0:36:19 | 0:36:22 | |
Can I make a quick suggestion? We need to see the accordion player. | 0:36:22 | 0:36:26 | |
You can't split the family up. | 0:36:26 | 0:36:28 | |
It's really different playing in London, compared to down there, | 0:36:28 | 0:36:30 | |
-because... -We've never played in London. -We've never played in London before! | 0:36:30 | 0:36:34 | |
Where are all the trees? | 0:36:34 | 0:36:35 | |
-We're quietly excited and... -Quietly? | 0:36:36 | 0:36:40 | |
..quietly confident as well. | 0:36:40 | 0:36:42 | |
Who's this venue going to suit tonight, do you think? | 0:36:42 | 0:36:44 | |
I actually think it's a pretty even playing field. | 0:36:44 | 0:36:46 | |
I'm just anxious just about one band | 0:36:46 | 0:36:48 | |
but once we get through the rehearsal, or the sound check... | 0:36:48 | 0:36:51 | |
Anxious about one band? | 0:36:51 | 0:36:52 | |
Yeah. Just the Squirrels. | 0:36:52 | 0:36:54 | |
Get yourself settled first. Say hello. Lovely. | 0:36:59 | 0:37:02 | |
Tonight is going to be difficult and we've only ever | 0:37:02 | 0:37:04 | |
played in a room facing in and looking at each other, | 0:37:04 | 0:37:08 | |
so this will be the first time we're all sort of spread out | 0:37:08 | 0:37:11 | |
and the drums are behind. | 0:37:11 | 0:37:12 | |
We were thinking of getting mirrors on our microphone stands | 0:37:12 | 0:37:16 | |
so we could actually sort of see each other! | 0:37:16 | 0:37:18 | |
Either that, or all performing in like a little hole, | 0:37:18 | 0:37:21 | |
-in the middle of the stage. -Recreate our room! | 0:37:21 | 0:37:24 | |
What about even if you just had the velocity down - | 0:37:24 | 0:37:27 | |
HUMMING | 0:37:27 | 0:37:28 | |
Yeah, from the instrument itself? | 0:37:28 | 0:37:30 | |
Yeah. | 0:37:30 | 0:37:31 | |
You know, a few dBs. | 0:37:31 | 0:37:33 | |
It's ruining his... It's ruining his home-made guitars. | 0:37:33 | 0:37:35 | |
-Yeah, it is. -It's made them too loud. | 0:37:35 | 0:37:38 | |
One is ten! | 0:37:38 | 0:37:39 | |
Yeah, one is ten! | 0:37:40 | 0:37:42 | |
Sound check was a bit shaky at first. | 0:37:42 | 0:37:44 | |
-A bit shaky at second and third as well, wasn't it? -Yeah. | 0:37:44 | 0:37:47 | |
I was uncomfortable on many levels. | 0:37:47 | 0:37:49 | |
I was very, very uncomfortable on many levels. | 0:37:49 | 0:37:53 | |
As Russian Flying Squirrel battle their nerves, | 0:37:53 | 0:37:55 | |
the crowds gather outside. | 0:37:55 | 0:37:58 | |
Support for the bands has come from far and wide. | 0:37:58 | 0:38:01 | |
-We've been on the coach for about five...five, six hours. -Yeah. | 0:38:01 | 0:38:05 | |
-There was about 60, 70 of us. -Yeah. | 0:38:05 | 0:38:09 | |
The annexe is small and | 0:38:09 | 0:38:11 | |
in there is massive, so... | 0:38:11 | 0:38:15 | |
The other difference - no audience in the annexe. | 0:38:15 | 0:38:17 | |
Here, hopefully, quite a few people. | 0:38:17 | 0:38:21 | |
Including us. | 0:38:21 | 0:38:22 | |
It's all right, it's all right. Sh, sh. | 0:38:22 | 0:38:25 | |
Give him the paper bag to breathe into. | 0:38:25 | 0:38:27 | |
Go back to your happy place. | 0:38:27 | 0:38:30 | |
CHEERING Hello, hello. | 0:38:30 | 0:38:33 | |
Hello, London. | 0:38:33 | 0:38:34 | |
-Hello! -Hello, Scala. | 0:38:34 | 0:38:37 | |
Here we are. It's the UK's Best Part-time Band. | 0:38:37 | 0:38:39 | |
-Give us a U! AUDIENCE: -U! | 0:38:39 | 0:38:40 | |
-Give us a K! AUDIENCE: -K! | 0:38:40 | 0:38:42 | |
-Give us a...B! AUDIENCE: -B! | 0:38:42 | 0:38:44 | |
Give us a... Fuck it! LAUGHTER | 0:38:44 | 0:38:47 | |
Thanks, all of you, for coming, so much. | 0:38:47 | 0:38:49 | |
It's rammed in here. That's fantastic. | 0:38:49 | 0:38:51 | |
This is Jazzie B of Soul II Soul fame. | 0:38:51 | 0:38:54 | |
CHEERING | 0:38:54 | 0:38:57 | |
Jazzie chose all the bands here tonight. | 0:38:57 | 0:39:00 | |
So, they were his particular favourites. | 0:39:00 | 0:39:02 | |
It was incredible, | 0:39:02 | 0:39:03 | |
some of these guys in their front rooms, in their sheds. | 0:39:03 | 0:39:07 | |
It was so, so interesting. | 0:39:07 | 0:39:09 | |
-So, for me, tonight is really, really, really, really a big deal. -The other thing to remember, | 0:39:09 | 0:39:14 | |
at the end of tonight, Jazzie's going to pick his two favourites from this five, | 0:39:14 | 0:39:17 | |
and half are you going to be going, "Oh, it was the wrong bloody choice. He didn't go for the band I like." | 0:39:17 | 0:39:22 | |
Right, we couldn't give a fuck. Right? LAUGHTER | 0:39:22 | 0:39:24 | |
There is no prize. | 0:39:24 | 0:39:26 | |
It's just a bit of fun. | 0:39:26 | 0:39:27 | |
Try and remember that. | 0:39:27 | 0:39:29 | |
But we want you to enjoy yourselves as much as you can. | 0:39:29 | 0:39:31 | |
-Our first band are all the way from Bournemouth. -Yeah. | 0:39:31 | 0:39:34 | |
CHEERING | 0:39:34 | 0:39:36 | |
-Feeling good. -Er...yeah, good, yeah. | 0:39:36 | 0:39:39 | |
Yeah, happy, nervous. | 0:39:39 | 0:39:41 | |
Nobody ever wants to go first cos the crowd is cold. | 0:39:41 | 0:39:44 | |
Whack it up, give them all the love in the world, please, for Dubheart! | 0:39:44 | 0:39:47 | |
-CHEERING -Dubheart, ladies and gents. | 0:39:47 | 0:39:50 | |
Good evening, ladies and gentlemen. How we doing? | 0:39:53 | 0:39:55 | |
CHEERING | 0:39:55 | 0:39:57 | |
Is everyone feeling happy? | 0:39:57 | 0:39:59 | |
Hope you enjoy our vibes. | 0:40:01 | 0:40:02 | |
We're called Dubheart. | 0:40:02 | 0:40:04 | |
Jah! | 0:40:04 | 0:40:05 | |
# Whoa-oh-oh Oh-oh-oh | 0:40:37 | 0:40:39 | |
# Oh-oh-oh Oh-oh-oh | 0:40:39 | 0:40:41 | |
# Oh-oh. # | 0:40:41 | 0:40:42 | |
# Whoa-oh-oh-oh | 0:40:44 | 0:40:47 | |
# Oh na-na here | 0:40:47 | 0:40:49 | |
# I say | 0:40:49 | 0:40:51 | |
# Cool Cool under pressure | 0:40:51 | 0:40:55 | |
# The more you give The more you get | 0:40:55 | 0:40:57 | |
# I tell you this now | 0:40:57 | 0:40:58 | |
# Cool Cool, never surrender | 0:40:58 | 0:41:01 | |
# Open your world Know you've got to stay | 0:41:01 | 0:41:05 | |
# Cool Cool under pressure | 0:41:05 | 0:41:09 | |
# The more you give The more you get | 0:41:09 | 0:41:11 | |
# I tell you this now | 0:41:11 | 0:41:12 | |
# Cool Cool, never surrender | 0:41:12 | 0:41:16 | |
# Open your world Go! | 0:41:16 | 0:41:19 | |
# Go | 0:41:19 | 0:41:22 | |
# Go | 0:41:22 | 0:41:24 | |
# Whoa! # | 0:41:26 | 0:41:31 | |
CHEERING | 0:41:35 | 0:41:38 | |
Thank you very much. | 0:41:40 | 0:41:42 | |
They totally nailed that. They got into their zones and they totally... It sounded beautiful. | 0:41:42 | 0:41:46 | |
-I love his voice. -Sounded great, looked good. | 0:41:46 | 0:41:50 | |
-You could see at the end there they really enjoyed that. -Absolutely. | 0:41:50 | 0:41:53 | |
APPLAUSE | 0:41:53 | 0:41:56 | |
We've warmed them up for you, yeah? We've warmed them up for you, yeah? | 0:42:00 | 0:42:03 | |
-Don't nick my jokes. -THEY LAUGH | 0:42:03 | 0:42:06 | |
So, the next band... | 0:42:06 | 0:42:07 | |
What am I going to tell you about the next band? They are from Redhill in Somerset. | 0:42:07 | 0:42:11 | |
CHEERING | 0:42:11 | 0:42:13 | |
There's a couple of fans there, isn't there? | 0:42:17 | 0:42:20 | |
Our family's out there, we're all good. | 0:42:20 | 0:42:22 | |
The Redhillbillies, ladies and gentlemen, The Redhillbillies. | 0:42:22 | 0:42:25 | |
# An old cowboy went ridin' out one dark and windy day # | 0:42:49 | 0:42:52 | |
# Upon a ridge he rested as he went along his way | 0:42:54 | 0:43:00 | |
# When all at once a mighty herd of red-eyed cows he saw | 0:43:00 | 0:43:04 | |
# A-ploughin through the ragged skies and up a cloudy draw... # | 0:43:04 | 0:43:09 | |
OK, all together! | 0:43:09 | 0:43:11 | |
# Yippee ay-oh | 0:43:11 | 0:43:15 | |
# Yippee ay-ey | 0:43:15 | 0:43:19 | |
# The ghost riders in the sky | 0:43:19 | 0:43:27 | |
# Their brands were still on fire and their hooves were made of steel | 0:43:27 | 0:43:32 | |
# Their horns were black and shiny | 0:43:32 | 0:43:34 | |
# And their hot breath he could feel | 0:43:34 | 0:43:36 | |
# Hoo! Ha! | 0:43:36 | 0:43:38 | |
# A bolt of fear went through them as they thundered through the skies | 0:43:38 | 0:43:42 | |
# For he saw the riders comin' hard | 0:43:42 | 0:43:44 | |
# Whoo! | 0:43:44 | 0:43:45 | |
# And he heard their mournful cries... # | 0:43:45 | 0:43:47 | |
# Ya! | 0:43:47 | 0:43:49 | |
# Yippee ay-oh | 0:43:49 | 0:43:53 | |
# Yippee ay-ey | 0:43:53 | 0:43:57 | |
# The ghost riders in the sky. # | 0:43:57 | 0:44:05 | |
-Ya! -Moo! -CHEERING | 0:44:05 | 0:44:08 | |
Moo! | 0:44:08 | 0:44:10 | |
Look at them. | 0:44:14 | 0:44:17 | |
Whoo! Whoo, whoo, whoo! Yee-ha! | 0:44:17 | 0:44:20 | |
-CROWD: -We want more! We want more! We want more! | 0:44:20 | 0:44:25 | |
If we come last, I still enjoyed that. | 0:44:25 | 0:44:28 | |
The next band, ladies and gentlemen, is from London. | 0:44:28 | 0:44:31 | |
CHEERING | 0:44:31 | 0:44:34 | |
They're ultrasound engineers, they're in finance, IT, doctors, | 0:44:34 | 0:44:37 | |
all sorts. CHEERING | 0:44:37 | 0:44:39 | |
Are you...? Which one? Which one are you? | 0:44:39 | 0:44:41 | |
-Medics. -You're medics? | 0:44:41 | 0:44:42 | |
Fucking look at you! Are you on strike right now? | 0:44:42 | 0:44:45 | |
LAUGHTER | 0:44:45 | 0:44:48 | |
Jazzie, what did you like about these guys when you saw them? | 0:44:48 | 0:44:52 | |
I like the instrumentation, | 0:44:52 | 0:44:53 | |
I like the whole crossover between East and West. | 0:44:53 | 0:44:56 | |
They're pretty outstanding. | 0:44:56 | 0:44:58 | |
Bit nervous! | 0:44:59 | 0:45:00 | |
Give them a huge, huge round of applause, a cheer | 0:45:00 | 0:45:03 | |
for Side Partition. | 0:45:03 | 0:45:04 | |
-CHEERING -Yeah. | 0:45:04 | 0:45:07 | |
Good luck, guys. | 0:45:09 | 0:45:11 | |
HE SINGS IN OWN LANGUAGE | 0:45:14 | 0:45:16 | |
Thank you. | 0:46:35 | 0:46:36 | |
They're amazing. They're like a kind of Indian...subcontinental prog band. | 0:46:36 | 0:46:40 | |
They're wicked. | 0:46:40 | 0:46:41 | |
-OK, that was good. -That was amazing. -It was good. | 0:46:44 | 0:46:46 | |
They smashed it. So, our next band, | 0:46:46 | 0:46:48 | |
our next band... Where did we see them? | 0:46:48 | 0:46:50 | |
Er...Stroud. | 0:46:50 | 0:46:52 | |
CHEERING | 0:46:52 | 0:46:56 | |
-Oh, there's a few locals, then. -HE LAUGHS | 0:46:56 | 0:46:59 | |
Ah. The Stroud massive is in town. JAZZIE LAUGHS | 0:46:59 | 0:47:04 | |
I'm up for it. We've just got to enjoy it, really. | 0:47:04 | 0:47:07 | |
They've never done a gig. | 0:47:07 | 0:47:09 | |
CHEERING | 0:47:09 | 0:47:12 | |
Have they done three gigs? | 0:47:12 | 0:47:14 | |
-AUDIENCE: -No! | 0:47:14 | 0:47:15 | |
Have they done two gigs? | 0:47:15 | 0:47:16 | |
-AUDIENCE: -No! | 0:47:16 | 0:47:17 | |
-Have they done one gig? AUDIENCE: -No! | 0:47:17 | 0:47:19 | |
-How many gigs have they done? AUDIENCE: -None! | 0:47:19 | 0:47:21 | |
That's right. LAUGHTER | 0:47:21 | 0:47:24 | |
We saw them in, like, a conservatory sort of annexe, | 0:47:24 | 0:47:27 | |
I think, where they've been locked in for the last three years, | 0:47:27 | 0:47:31 | |
honing their craft. | 0:47:31 | 0:47:32 | |
Jazzie and I came out and, er... | 0:47:32 | 0:47:34 | |
we both had boners. | 0:47:34 | 0:47:37 | |
-LAUGHTER -He had one. | 0:47:37 | 0:47:40 | |
I was on a semi. | 0:47:40 | 0:47:42 | |
LAUGHTER | 0:47:42 | 0:47:44 | |
That was a semi?! | 0:47:45 | 0:47:47 | |
I can hardly get my head round it. LAUGHTER | 0:47:48 | 0:47:51 | |
That didn't happen. Erm... | 0:47:51 | 0:47:54 | |
Ladies and gentlemen, give it up, the Russian Flying Squirrel. | 0:47:54 | 0:47:58 | |
CHEERING | 0:47:58 | 0:48:01 | |
# Fallen leaves | 0:48:24 | 0:48:25 | |
# Fallen leaves | 0:48:25 | 0:48:28 | |
# William likes these | 0:48:28 | 0:48:30 | |
-# Holds them to his face -Holds them to his face | 0:48:32 | 0:48:37 | |
# And releases | 0:48:37 | 0:48:38 | |
# Ah-ah-ah-ah | 0:48:58 | 0:49:02 | |
# Ah-ah-ah-ah | 0:49:02 | 0:49:06 | |
# Ah | 0:49:06 | 0:49:10 | |
# Ah. # | 0:49:10 | 0:49:13 | |
CHEERING AND APPLAUSE | 0:50:01 | 0:50:03 | |
-Thank you. -Thank you. | 0:50:07 | 0:50:08 | |
I think they done magnificently. | 0:50:09 | 0:50:12 | |
I actually a feel a bit, like, a moment, like, you know... | 0:50:13 | 0:50:17 | |
Something that we discovered like that, | 0:50:17 | 0:50:20 | |
and their first gig, um... | 0:50:20 | 0:50:23 | |
Yeah, I'm chuffed - sorry, I'm a little bit... | 0:50:24 | 0:50:27 | |
-Are you going to cry? -No, I'm... -He's going to cry! | 0:50:27 | 0:50:29 | |
I'm getting emotional, yes. | 0:50:29 | 0:50:31 | |
MOCKINGLY: # Jazzie's going to cry Jazzie's going to cry. # | 0:50:31 | 0:50:35 | |
And I know that they were fully out of their comfort zone, | 0:50:35 | 0:50:38 | |
but watching them here tonight, it's a proud moment for me, yeah. | 0:50:38 | 0:50:41 | |
Wicked. Nice one. | 0:50:41 | 0:50:43 | |
I'm very proud of Rudy, | 0:50:44 | 0:50:46 | |
and I really hope the band got everything they wanted out of it. | 0:50:46 | 0:50:50 | |
They finally got out the annexe - the Squirrels have been released! | 0:50:50 | 0:50:55 | |
Brilliant. About bloody time! | 0:50:55 | 0:50:57 | |
So our next band, ladies and gentlemen, is from north London. | 0:50:58 | 0:51:01 | |
This is your massive, innit, Jazzie? Talk to them, this is your massive. | 0:51:01 | 0:51:05 | |
Well, you know, this next band coming up absolutely blew me away. | 0:51:05 | 0:51:09 | |
You know, it's not every day I get to listen to music like that, | 0:51:09 | 0:51:13 | |
but it was a massive, massive turn-on, | 0:51:13 | 0:51:16 | |
so I hope you're going to enjoy them as much as I did. | 0:51:16 | 0:51:18 | |
-Nervous. -Yeah, very nervous. | 0:51:18 | 0:51:20 | |
-Brrr! -MARACAS RATTLE | 0:51:20 | 0:51:23 | |
-King Salami and the Cumberland Three! -Yes! | 0:51:23 | 0:51:26 | |
CHEERING AND APPLAUSE | 0:51:26 | 0:51:28 | |
Ladies and gentlemen, do you want to hear some rock and roll? | 0:51:29 | 0:51:33 | |
-AUDIENCE: -Yes! | 0:51:33 | 0:51:35 | |
Mr Baconstrip... | 0:51:37 | 0:51:39 | |
It wouldn't be King Salami without the appropriate hats. | 0:51:39 | 0:51:44 | |
We're not funny. We're dangerous. | 0:51:51 | 0:51:54 | |
Do you want to hear some rock and roll? | 0:51:56 | 0:51:58 | |
-AUDIENCE: -Yeah! | 0:51:58 | 0:52:00 | |
I want to hear you say "Yeah!" | 0:52:00 | 0:52:02 | |
CHEERING AND APPLAUSE | 0:52:02 | 0:52:04 | |
# Yeah! | 0:52:04 | 0:52:06 | |
# Down at the Corn Rocket I feel all right | 0:52:14 | 0:52:16 | |
# So I took my baby dancin' on Saturday night | 0:52:16 | 0:52:18 | |
# Gonna teach her a dance that's outta sight | 0:52:18 | 0:52:20 | |
# It goes ha-ha! | 0:52:20 | 0:52:22 | |
# Come on, pretty baby, do the wurst | 0:52:23 | 0:52:25 | |
# If you don't know how to do it watch me first | 0:52:25 | 0:52:28 | |
# You gotta take a chance You gotta do the dance | 0:52:28 | 0:52:30 | |
# The wurst is bliss and it goes like this... # | 0:52:30 | 0:52:33 | |
SPEECH DROWNED OUT BY MUSIC | 0:52:35 | 0:52:37 | |
Ladies and gentlemen, it is the time now for you to repeat after me. | 0:52:46 | 0:52:53 | |
# You gotta shake your bones and boogie down low | 0:52:53 | 0:52:55 | |
-AUDIENCE: -# You've gotta shake your bones and boogie down low | 0:52:55 | 0:52:58 | |
# Do a little jig and shimmy real slow | 0:52:58 | 0:53:00 | |
-AUDIENCE: -# Do a little jig and shimmy real slow | 0:53:00 | 0:53:02 | |
# Stomp your feet from side-to-side | 0:53:02 | 0:53:05 | |
-AUDIENCE: -# Stomp your feet from side-to-side | 0:53:05 | 0:53:07 | |
# Now you're doing the wurst, you're doing all right | 0:53:07 | 0:53:10 | |
-AUDIENCE: -# You're doing the wurst... | 0:53:10 | 0:53:11 | |
# You're doing all right! | 0:53:11 | 0:53:12 | |
# Come on, pretty baby, do the wurst | 0:53:12 | 0:53:15 | |
# If you don't know how to do it watch me first | 0:53:15 | 0:53:17 | |
# You gotta take a chance You gotta do the dance | 0:53:17 | 0:53:19 | |
# Mama-ma-ma-ma-ma Do the wurst. # | 0:53:19 | 0:53:22 | |
CHEERING AND APPLAUSE | 0:53:27 | 0:53:29 | |
-You're supposed to throw it to me and I smash it out the park. -OK. | 0:53:37 | 0:53:40 | |
-Smash it out. -Too late, now, innit? -Brilliant. | 0:53:41 | 0:53:44 | |
-We're not talking to you. -Shut up. -We're not. | 0:53:44 | 0:53:46 | |
In fact, you should have shaved, you should have shaved. | 0:53:46 | 0:53:48 | |
That was phenomenal. Absolutely phenomenal. | 0:53:48 | 0:53:52 | |
-You're lying. -I'm not lying. -You're a pleaser. -I'm not lying. | 0:53:52 | 0:53:55 | |
Honestly, I'd have walked past if it had been embarrassing. | 0:53:55 | 0:53:58 | |
People are friendlier - as I've been walking through the gig, | 0:53:58 | 0:54:00 | |
people are actually in a better mood. | 0:54:00 | 0:54:02 | |
-People are friendlier. -You make that happen. | 0:54:02 | 0:54:04 | |
You've changed the mood. Don't wave your maracas at me. | 0:54:04 | 0:54:07 | |
All five bands have played. | 0:54:09 | 0:54:10 | |
Jazzie and I go upstairs to mull over his decision | 0:54:10 | 0:54:14 | |
and, on a scale of one to ten... Sorry. | 0:54:14 | 0:54:16 | |
Rhod, fella. | 0:54:16 | 0:54:18 | |
Oh... Time for a decision, now, isn't it? | 0:54:19 | 0:54:22 | |
It's a really difficult one. I didn't... | 0:54:24 | 0:54:25 | |
I've got to say, I didn't think it would be that hard, | 0:54:25 | 0:54:28 | |
or as hard as this, but it's fucking hard. | 0:54:28 | 0:54:31 | |
It's really, really hard. | 0:54:31 | 0:54:33 | |
I'm going to be heartbroken for somebody. | 0:54:33 | 0:54:35 | |
-Absolutely heartbroken. -I think... | 0:54:35 | 0:54:37 | |
I am as well. I am already, cos I have to make this decision | 0:54:37 | 0:54:42 | |
and I think I'm going to go with who I felt, on the night, | 0:54:42 | 0:54:46 | |
they were on point, | 0:54:46 | 0:54:49 | |
and...I've made my decision. | 0:54:49 | 0:54:51 | |
-Let's go and tell them. -Let's do it. -Let's go and tell them. | 0:54:51 | 0:54:53 | |
-Where's the exit? -YOU go and tell them. | 0:54:53 | 0:54:55 | |
JAZZIE LAUGHS | 0:54:55 | 0:54:57 | |
CHEERING AND APPLAUSE | 0:54:58 | 0:55:01 | |
Ladies and gentlemen, welcome back. | 0:55:01 | 0:55:05 | |
Thanks to all of you, so much, for staying around. | 0:55:05 | 0:55:07 | |
I'm glad that you're as invested in this as we are. | 0:55:07 | 0:55:10 | |
-I've gone home! -You've gone home, have you? Good. | 0:55:10 | 0:55:13 | |
You've seen such amazing talent for people who don't do this at all | 0:55:14 | 0:55:17 | |
as their first job, it's just part-time, | 0:55:17 | 0:55:19 | |
it's their passion, it's their love, | 0:55:19 | 0:55:21 | |
so give them all a round of applause. | 0:55:21 | 0:55:22 | |
CHEERING AND APPLAUSE | 0:55:22 | 0:55:25 | |
Having said that, Jazzie's going to invite two on into the final. | 0:55:27 | 0:55:31 | |
I'm going to bring the bands on, just to make it more awkward. | 0:55:31 | 0:55:34 | |
Let's do it in front of them, why not? | 0:55:34 | 0:55:37 | |
Tonight, you saw the Redhillbillies. | 0:55:39 | 0:55:41 | |
You saw the Russian Flying Squirrel. | 0:55:45 | 0:55:48 | |
You saw King Salami and the Cumberland Three. | 0:55:49 | 0:55:52 | |
You saw Side Partition. | 0:55:57 | 0:56:00 | |
And, at the top of the show, Dubheart. | 0:56:02 | 0:56:05 | |
CHEERING AND APPLAUSE | 0:56:05 | 0:56:08 | |
Here we have it. Um... | 0:56:12 | 0:56:14 | |
The two bands that are going to be invited back... | 0:56:14 | 0:56:18 | |
Cos you're all great. Everybody here is great. | 0:56:19 | 0:56:22 | |
King Salami and the Cumberland Three. | 0:56:24 | 0:56:26 | |
CHEERING AND APPLAUSE | 0:56:26 | 0:56:29 | |
And I'm also going to invite back... | 0:56:38 | 0:56:42 | |
..Dubheart. | 0:56:44 | 0:56:45 | |
CHEERING AND APPLAUSE | 0:56:45 | 0:56:48 | |
Feeling a little bit disappointed, but it's been a great day | 0:56:57 | 0:57:00 | |
and all credit to the bands that went through, | 0:57:00 | 0:57:03 | |
cos they were fantastic. | 0:57:03 | 0:57:04 | |
King Salami and the Cumberland Three totally blew me away | 0:57:05 | 0:57:08 | |
and I just thought they had the energy, | 0:57:08 | 0:57:10 | |
and I really feel that they had all the attributes. | 0:57:10 | 0:57:13 | |
I've been invited by 52 people for a drink. | 0:57:15 | 0:57:18 | |
It could be a long night. | 0:57:18 | 0:57:21 | |
CHEERING | 0:57:21 | 0:57:23 | |
For me, Dubheart were just... | 0:57:27 | 0:57:29 | |
There was a purity about them | 0:57:29 | 0:57:30 | |
and it didn't actually matter | 0:57:30 | 0:57:32 | |
whether they went first, third or last - | 0:57:32 | 0:57:36 | |
they've really left an impression on me. | 0:57:36 | 0:57:40 | |
We're in Bournemouth, we don't get many opportunities. | 0:57:41 | 0:57:43 | |
People having faith in us to move us forwards to the next step, it's amazing, so... | 0:57:43 | 0:57:47 | |
-Thank you very much. -Blessings. | 0:57:47 | 0:57:48 | |
There it is - the end of our final tour | 0:57:48 | 0:57:51 | |
and we now know our grand finalists, | 0:57:51 | 0:57:54 | |
who will battle it out next time | 0:57:54 | 0:57:56 | |
in Manchester. | 0:57:56 | 0:57:58 | |
-Hey! -You will see his bongos, | 0:57:58 | 0:57:59 | |
ladies and gentlemen. | 0:57:59 | 0:58:00 | |
Come on, let's do it. | 0:58:00 | 0:58:02 | |
# Ah...! | 0:58:02 | 0:58:03 | |
# Packed my things and back to work... # | 0:58:03 | 0:58:05 | |
Hey, that's woken me up! | 0:58:05 | 0:58:07 | |
-So good. -They are good. | 0:58:09 | 0:58:11 | |
THEY LAUGH | 0:58:13 | 0:58:15 | |
Forget the fun - we're going out there to win, fella! | 0:58:15 | 0:58:18 |