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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
Hello...hello, Manchester! | 0:00:04 | 0:00:06 | |
This is the catchily titled UK's Best Part-Time Band The Final. | 0:00:06 | 0:00:13 | |
'This is no run-of-the-mill talent show.' | 0:00:14 | 0:00:17 | |
There's no recording contract. | 0:00:17 | 0:00:19 | |
There's no Christmas number one. | 0:00:19 | 0:00:21 | |
Well, there is this. | 0:00:21 | 0:00:23 | |
Blue Peter toilet roll home-made trophy. | 0:00:23 | 0:00:26 | |
There are over 10,000 part-time bands in the UK, | 0:00:28 | 0:00:32 | |
working men and women who spend their evenings and weekends | 0:00:32 | 0:00:35 | |
folking, funking and hip-hopping | 0:00:35 | 0:00:38 | |
in pubs and clubs up and down the country | 0:00:38 | 0:00:41 | |
to escape the nine-to-five grind. | 0:00:41 | 0:00:44 | |
MUSIC: You Really Got Me by The Kinks | 0:00:46 | 0:00:48 | |
The BBC hooked me up with a knackered old rattle van, | 0:00:48 | 0:00:51 | |
and I've clocked up over 1,500 miles, | 0:00:51 | 0:00:53 | |
touring the UK with three musical superheavyweights... | 0:00:53 | 0:00:56 | |
..silky smooth Soul II Soul legend, Jazzie B... | 0:00:58 | 0:01:01 | |
Are we there yet? | 0:01:01 | 0:01:02 | |
..bristly beard of bass, | 0:01:03 | 0:01:05 | |
New Order and Joy Division co-founder, Peter Hook... | 0:01:05 | 0:01:07 | |
-SIRENS WAIL -There we go, it's starting already. We've got the police behind us. | 0:01:07 | 0:01:11 | |
Have you brought the heat on us? | 0:01:11 | 0:01:13 | |
..and Brave 'Tache himself, | 0:01:13 | 0:01:16 | |
Ultravox frontman Midge Ure. | 0:01:16 | 0:01:18 | |
Do you ever slightly resent Bob Geldof | 0:01:18 | 0:01:20 | |
for getting more of the attention on Band Aid and stuff? | 0:01:20 | 0:01:22 | |
Well, he's Bob. | 0:01:22 | 0:01:23 | |
What's not to resent? | 0:01:23 | 0:01:26 | |
THEY SING ALONG | 0:01:26 | 0:01:28 | |
Like musical customs officers, we've snapped on our rubber gloves | 0:01:28 | 0:01:31 | |
and searched every nook and cranny... | 0:01:31 | 0:01:33 | |
I've never had so many men in my bedroom. | 0:01:33 | 0:01:36 | |
..to find men and women who play music | 0:01:36 | 0:01:38 | |
for the sheer bloody love of it. | 0:01:38 | 0:01:41 | |
It's definitely not for the money or the glory. | 0:01:41 | 0:01:44 | |
Tonight, six finalists will perform to a 1,000-strong Manchester crowd | 0:01:46 | 0:01:50 | |
who will decide... | 0:01:50 | 0:01:53 | |
The UK's Best Part-Time Band. | 0:01:53 | 0:01:55 | |
This programme contains some strong language. | 0:01:55 | 0:02:00 | |
1,200 bands entered this competition a few months ago. | 0:02:01 | 0:02:06 | |
There are six left. | 0:02:06 | 0:02:08 | |
1,200 to six. | 0:02:09 | 0:02:11 | |
The last few months has been like a musical equivalent | 0:02:11 | 0:02:13 | |
of fucking Zulu. LAUGHTER | 0:02:13 | 0:02:17 | |
We've covered more ground than Meatloaf's picnic blanket. | 0:02:17 | 0:02:20 | |
And after three regional heats, | 0:02:20 | 0:02:22 | |
each legend picked their two favourite bands for tonight's final. | 0:02:22 | 0:02:25 | |
In Belfast, Midge bit off the finest | 0:02:27 | 0:02:29 | |
from Scotland, Northern Ireland and Wales. | 0:02:29 | 0:02:32 | |
The explosive ska of Bombskare... | 0:02:32 | 0:02:35 | |
SONG: Crime Of The Century | 0:02:35 | 0:02:37 | |
..and rock and roll mangemongers Johnny Cage and the Voodoo Groove. | 0:02:37 | 0:02:40 | |
SONG: Jockey Full Of Bourbon | 0:02:40 | 0:02:42 | |
I mean, I haven't seen the rest yet, but between my two guys, | 0:02:42 | 0:02:45 | |
it's going to be a fight to the death. | 0:02:45 | 0:02:48 | |
Sheffield saw Hooky land his two favourite Northern bands. | 0:02:48 | 0:02:51 | |
SONG: Beautiful People | 0:02:51 | 0:02:53 | |
Spit-spattered punks Cadavers... | 0:02:53 | 0:02:56 | |
SONG: Don't You Want Me | 0:02:56 | 0:02:58 | |
..and the sun-drenched harmonies of The Caffreys. | 0:02:58 | 0:03:01 | |
You couldn't meet two acts so dissimilar. | 0:03:01 | 0:03:05 | |
They've both got the power and the presence to make it. | 0:03:06 | 0:03:10 | |
While in London, Jazzie rooted out the best from the south. | 0:03:11 | 0:03:15 | |
Meaty garage punks King Salami... | 0:03:15 | 0:03:17 | |
SONG: Do The Wurst | 0:03:17 | 0:03:20 | |
..and dub reggae dudes Dubheart. | 0:03:20 | 0:03:23 | |
SONG: Cool Under Pressure | 0:03:23 | 0:03:25 | |
I think there will be rivalry, especially with me and Midge. | 0:03:25 | 0:03:28 | |
Forget the fun, we're going out there to win, fella! | 0:03:28 | 0:03:30 | |
THEY LAUGH | 0:03:30 | 0:03:31 | |
Winning is always fun. | 0:03:31 | 0:03:33 | |
Now the six bands will follow in the footsteps | 0:03:35 | 0:03:38 | |
of the Beatles, REM, The Smiths and the Stone Roses, | 0:03:38 | 0:03:41 | |
and play the legendary Manchester Ritz. | 0:03:41 | 0:03:44 | |
Each band has just two songs, a cover version and an original, | 0:03:44 | 0:03:49 | |
and it's going to be vital to grab the voting audience | 0:03:49 | 0:03:52 | |
by the super furries. | 0:03:52 | 0:03:54 | |
We're going to decide the eventual winner | 0:03:54 | 0:03:56 | |
on your vote in the room tonight. | 0:03:56 | 0:03:57 | |
Don't get too excited, though - there is no prize. | 0:03:57 | 0:04:01 | |
There is shit all. Give me an S... | 0:04:01 | 0:04:03 | |
-LAUGHTER -S! | 0:04:03 | 0:04:05 | |
-Give me an H! -H! | 0:04:05 | 0:04:06 | |
-Give me an I! -Brilliant. | 0:04:06 | 0:04:08 | |
-What have you got? -Shit all! | 0:04:08 | 0:04:11 | |
Shit all, that's right, that's what these bands are playing for tonight. | 0:04:11 | 0:04:14 | |
Please welcome, all the way to the stage, | 0:04:14 | 0:04:16 | |
Mr Peter Hook, ladies and gentlemen. | 0:04:16 | 0:04:18 | |
MUSIC: Love Will Tear Us Apart by Joy Division | 0:04:18 | 0:04:21 | |
Joy Division, New Order, Peter Hook And The Light... | 0:04:21 | 0:04:24 | |
He's done it all. | 0:04:24 | 0:04:27 | |
So, ladies and gentlemen, are you ready for your first band? | 0:04:27 | 0:04:29 | |
OK. | 0:04:29 | 0:04:31 | |
It was an intimate space where we saw the band. | 0:04:32 | 0:04:35 | |
It was in Wallsend near Newcastle. | 0:04:35 | 0:04:37 | |
CHEERING | 0:04:37 | 0:04:39 | |
Peter and I sat in their kitchen while they played. | 0:04:39 | 0:04:42 | |
And it was, er... | 0:04:42 | 0:04:43 | |
Well, how was it for you, Peter? | 0:04:43 | 0:04:46 | |
It was wonderful for me. | 0:04:46 | 0:04:47 | |
It was like being French kissed in the ear by an angel. | 0:04:47 | 0:04:52 | |
# Well, I'm up on a hill... # | 0:04:54 | 0:04:57 | |
Hooky thought he'd found potential winners | 0:04:57 | 0:04:59 | |
when The Caffreys played an acoustic set in the Wallsend Arena, | 0:04:59 | 0:05:03 | |
AKA lead singer Phil's kitchen. | 0:05:03 | 0:05:05 | |
# Even though you've been treating me bad | 0:05:05 | 0:05:08 | |
# Not believing what I'm telling you. # | 0:05:08 | 0:05:11 | |
You do sound very, very accomplished, I must admit. | 0:05:14 | 0:05:17 | |
-Thanks! -Thanks. -Each of you just plays exactly | 0:05:17 | 0:05:20 | |
the right thing at the right moment. | 0:05:20 | 0:05:21 | |
I've been tapping my feet along, | 0:05:21 | 0:05:23 | |
and it's so subtle and everything's so carefully arranged, | 0:05:23 | 0:05:25 | |
and I thought, "Christ, I'm actually part of the band." | 0:05:25 | 0:05:28 | |
THEY LAUGH | 0:05:28 | 0:05:29 | |
# You need a shoulder to cry on. # | 0:05:29 | 0:05:34 | |
Did you hear that? # Cry on. # | 0:05:34 | 0:05:37 | |
Music teacher Phil and older brother Pete, a retired decorator, | 0:05:37 | 0:05:41 | |
started singing together so long ago, | 0:05:41 | 0:05:43 | |
Mozart was on the cover of Smash Hits. | 0:05:43 | 0:05:45 | |
That is probably 1959, 1960. | 0:05:45 | 0:05:50 | |
Look at me there! | 0:05:50 | 0:05:52 | |
In the '70s, when hair was still in fashion, | 0:05:52 | 0:05:54 | |
the sexagenarian brothers had a brush with fame | 0:05:54 | 0:05:57 | |
with their band Arbre. | 0:05:57 | 0:05:59 | |
MUSIC: Senorita by Arbre | 0:05:59 | 0:06:01 | |
People likened us to the Geordie Beach Boys, | 0:06:01 | 0:06:04 | |
the Geordie Bee Gees. | 0:06:04 | 0:06:06 | |
We've always been more of an American sound. | 0:06:06 | 0:06:08 | |
To be honest, punk came along and that was our demise, in a way. | 0:06:11 | 0:06:14 | |
-You look a bit like Lemmy! -Way! Happy days. | 0:06:14 | 0:06:17 | |
I would love to have gone further. | 0:06:17 | 0:06:19 | |
But it wasn't meant to be. | 0:06:19 | 0:06:21 | |
-Punk came along. -Mmm. -Ruined everything, you lot. | 0:06:22 | 0:06:24 | |
Yeah, it was me. I feel really bad. | 0:06:24 | 0:06:26 | |
Maybe now I can pull them, | 0:06:26 | 0:06:28 | |
like a phoenix rising from the ashes. | 0:06:28 | 0:06:30 | |
-You owe it to them. -I can right that wrong. | 0:06:30 | 0:06:32 | |
At rehearsals in Manchester, Phil, Pete, guitar teacher David, | 0:06:35 | 0:06:40 | |
along with husband and wife, | 0:06:40 | 0:06:41 | |
bassist Michael and accordionist Rachael, | 0:06:41 | 0:06:44 | |
had the chance to pick what's left of Hooky's brain. | 0:06:44 | 0:06:47 | |
-How are we doing? -We're looking forward to tomorrow. | 0:06:49 | 0:06:52 | |
I think you'll do well, I mean, you know, | 0:06:52 | 0:06:54 | |
-you've got a wonderful sound. -Thank you. | 0:06:54 | 0:06:56 | |
Are you starting with yours first? | 0:06:56 | 0:06:58 | |
We'll start with the cover, is that OK? | 0:06:58 | 0:07:00 | |
Yeah, of course, it is, mate. | 0:07:00 | 0:07:01 | |
-As long as I know, you know, so I can tell which one. -Yeah. | 0:07:01 | 0:07:03 | |
-THEY LAUGH -Ready? | 0:07:03 | 0:07:06 | |
# Billie Jean is not my lover | 0:07:06 | 0:07:10 | |
# Billie Jean is not my lover, baby | 0:07:10 | 0:07:13 | |
# Billie Jean is not my lover. # | 0:07:13 | 0:07:18 | |
Interesting that that sounds quite rocky. | 0:07:18 | 0:07:21 | |
I think that the song that you played in Sheffield | 0:07:21 | 0:07:23 | |
-is obviously very much you, with the harmonies and stuff. -Yeah. | 0:07:23 | 0:07:26 | |
-Now, I'd say that Billie Jean... -Yeah. | 0:07:26 | 0:07:28 | |
-...is a little bit too rocky. -Yeah. | 0:07:28 | 0:07:29 | |
Also, on the bridge, you're missing one vital ingredient. | 0:07:29 | 0:07:33 | |
Just play us the bridge. | 0:07:33 | 0:07:34 | |
# People always told me | 0:07:34 | 0:07:36 | |
# Be careful what you do | 0:07:36 | 0:07:38 | |
# Don't go around breaking young girls' hearts... # | 0:07:38 | 0:07:40 | |
# Eee! # | 0:07:40 | 0:07:42 | |
You cannot leave that out. | 0:07:42 | 0:07:45 | |
-I'll do it, then. -That'll be Rachael's job... | 0:07:45 | 0:07:47 | |
-You'll do it? -I'll do it. -All right, OK. | 0:07:47 | 0:07:48 | |
I think the wonderful thing in Sheffield, | 0:07:48 | 0:07:51 | |
when they did Human League cover, | 0:07:51 | 0:07:53 | |
was the harmonies really brought the song out | 0:07:53 | 0:07:56 | |
and made it, you know, really immediate to people. | 0:07:56 | 0:08:00 | |
And I think they've gone the opposite way with Billie Jean. | 0:08:00 | 0:08:03 | |
And, erm...I think it... | 0:08:03 | 0:08:06 | |
You know, it might cost them. | 0:08:06 | 0:08:08 | |
-Hello, The Caffreys. -Yeah. -Hello. | 0:08:08 | 0:08:11 | |
-Congratulations, welcome. -Thank you. And you. | 0:08:11 | 0:08:13 | |
So, what's happening? Cover version, what have you got? | 0:08:13 | 0:08:16 | |
-We've got Billie Jean. -Wow. | 0:08:16 | 0:08:19 | |
I mean... Listen, hey, I'm up for it. I'm ready. | 0:08:19 | 0:08:21 | |
You think they made the wrong song choice? | 0:08:21 | 0:08:23 | |
No, it's not the song choice, it's the treatment. | 0:08:23 | 0:08:25 | |
-It's a bit heavy. It doesn't sound Caffrey enough. -Yeah. | 0:08:25 | 0:08:28 | |
-Can I hear a little bit? -Yeah. | 0:08:28 | 0:08:29 | |
Just a snapshot. | 0:08:29 | 0:08:31 | |
Two, three, four. | 0:08:31 | 0:08:33 | |
# People always told me | 0:08:33 | 0:08:35 | |
# Be careful what you do | 0:08:35 | 0:08:36 | |
# Don't go around breaking young girls' hearts | 0:08:36 | 0:08:39 | |
# Oo-ooh | 0:08:39 | 0:08:41 | |
# Mother always told me | 0:08:41 | 0:08:42 | |
# Be careful who you love | 0:08:42 | 0:08:44 | |
# Be careful what you do | 0:08:44 | 0:08:46 | |
# The lie becomes the truth Hey... # | 0:08:46 | 0:08:48 | |
That's enough. I want to keep something for tomorrow night. | 0:08:48 | 0:08:51 | |
Don't forget the... # Aah. # | 0:08:51 | 0:08:53 | |
I love the arrangement. I love the groove on it, I love it. | 0:08:53 | 0:08:56 | |
It feels really warm. I think the harmonies are amazing. | 0:08:56 | 0:08:58 | |
-I disagree with you totally. -Good. | 0:08:58 | 0:09:00 | |
-You dickhead. -That's what I'm here for. | 0:09:00 | 0:09:03 | |
They've been going for years. They started in 1959. | 0:09:05 | 0:09:09 | |
I'm a 63-year-old man, me memory goes sometimes. | 0:09:09 | 0:09:12 | |
I'll try and remember. | 0:09:12 | 0:09:14 | |
# Oo-ooh! # | 0:09:14 | 0:09:15 | |
Ladies and gentleman, give it up. | 0:09:15 | 0:09:17 | |
Let's keep all the love in the room, all the energy, | 0:09:17 | 0:09:20 | |
-for The Caffreys! -The Caffreys! | 0:09:20 | 0:09:21 | |
-The Caffreys. -Thank you. | 0:09:24 | 0:09:26 | |
As Hooky's first band kick things off, | 0:09:26 | 0:09:28 | |
Midge and Jazzie will hear what their bands are up against. | 0:09:28 | 0:09:32 | |
# Getting tired of the way we fight | 0:09:40 | 0:09:43 | |
# Getting tired cos things aren't right | 0:09:43 | 0:09:46 | |
# But I just don't give in | 0:09:46 | 0:09:50 | |
# Even when you want to criticise | 0:09:53 | 0:09:57 | |
# Even when you want to tell me lies | 0:09:57 | 0:09:59 | |
# But you just don't give in | 0:09:59 | 0:10:04 | |
# I keep running round in circles | 0:10:07 | 0:10:10 | |
# I can't find the door | 0:10:10 | 0:10:13 | |
# And my heart is on fire | 0:10:13 | 0:10:16 | |
# In my mind there is a wall | 0:10:16 | 0:10:20 | |
# I keep bleeding with you | 0:10:20 | 0:10:27 | |
# But you just don't... | 0:10:27 | 0:10:29 | |
# You just don't | 0:10:31 | 0:10:34 | |
# Get it | 0:10:34 | 0:10:35 | |
# Doo doo Doo doo doo | 0:10:35 | 0:10:37 | |
# Yeah, yeah | 0:10:37 | 0:10:39 | |
# Doo doo Doo doo doo | 0:10:39 | 0:10:41 | |
# Yeah | 0:10:41 | 0:10:42 | |
# Doo doo Doo doo doo | 0:10:42 | 0:10:44 | |
# Ooh | 0:10:44 | 0:10:45 | |
# Doo doo Doo doo doo | 0:10:45 | 0:10:48 | |
# I keep bleeding with you | 0:10:48 | 0:10:54 | |
# But you just don't | 0:10:55 | 0:10:57 | |
# You just don't | 0:10:57 | 0:10:59 | |
# You just don't | 0:10:59 | 0:11:03 | |
# Get it. # | 0:11:03 | 0:11:11 | |
Thank you! | 0:11:16 | 0:11:17 | |
Listen, I had goose bumps. | 0:11:21 | 0:11:22 | |
That vocal quality, the grit, | 0:11:22 | 0:11:25 | |
that tone what he's got. | 0:11:25 | 0:11:27 | |
-What a great night, eh? -And with his brother on the harmony. | 0:11:27 | 0:11:30 | |
It had the melody, it had the story, everything. | 0:11:30 | 0:11:34 | |
# She was more like a beauty queen from a movie scene | 0:11:43 | 0:11:47 | |
# I said don't mind But what do you mean | 0:11:47 | 0:11:49 | |
# I am the one | 0:11:49 | 0:11:51 | |
# Who will dance on the floor in the round | 0:11:51 | 0:11:56 | |
# She told me her name was Billie Jean | 0:11:58 | 0:12:01 | |
# She caused a scene | 0:12:01 | 0:12:03 | |
# Then every eyes dreamed of being the one | 0:12:03 | 0:12:08 | |
# Who will dance on the floor in the round | 0:12:08 | 0:12:11 | |
# People always told me be careful what you do | 0:12:14 | 0:12:18 | |
# Don't go around breaking young girls' hearts... # | 0:12:18 | 0:12:22 | |
He didn't do it! | 0:12:22 | 0:12:24 | |
# Be careful who you love | 0:12:24 | 0:12:26 | |
# Be careful of what you do | 0:12:26 | 0:12:28 | |
# The lie becomes the truth Hey! | 0:12:28 | 0:12:30 | |
# Billie Jean is not my lover | 0:12:30 | 0:12:34 | |
# She's just a girl who claims that I am the one | 0:12:34 | 0:12:40 | |
# But the kid is not my son | 0:12:40 | 0:12:45 | |
# Billie Jean is not my lover | 0:12:46 | 0:12:50 | |
# Billie Jean is not my lover. # | 0:12:50 | 0:12:56 | |
-CHEERING -Thank you! | 0:12:56 | 0:12:59 | |
Was that the right song choice? | 0:13:01 | 0:13:03 | |
Not for me, no. I thought he played down the harmonising, | 0:13:03 | 0:13:06 | |
which was such a strength of theirs. | 0:13:06 | 0:13:08 | |
Thank you! | 0:13:08 | 0:13:09 | |
Yeah, you know, he wanted to do that, he wanted to enjoy himself. | 0:13:09 | 0:13:12 | |
-He wanted a gamble. -He wanted a gamble. | 0:13:12 | 0:13:15 | |
He should have been singing a Doobie Brothers song, | 0:13:15 | 0:13:18 | |
he should have had a song that he could show off that vocal quality. | 0:13:18 | 0:13:24 | |
They're obviously great songwriters. | 0:13:24 | 0:13:26 | |
You heard his voice, it's real quality. | 0:13:26 | 0:13:28 | |
I kept saying to you, "It's quality." | 0:13:28 | 0:13:30 | |
-It is. -"It's absolute quality." | 0:13:30 | 0:13:32 | |
And I'm, you know, I'm sitting here | 0:13:32 | 0:13:34 | |
going, "Well, let's hear it for the old bald guys." | 0:13:34 | 0:13:36 | |
Once we'd started, you just don't know, | 0:13:37 | 0:13:39 | |
it went quiet and they were on and on. | 0:13:39 | 0:13:40 | |
I thought, "We've got a chance here to get them." | 0:13:40 | 0:13:43 | |
And we did in my opinion. | 0:13:43 | 0:13:44 | |
I think we all agree we did the best we could. | 0:13:44 | 0:13:46 | |
-Definitely. -It's in the lap of the gods now. -Yeah, yeah. | 0:13:46 | 0:13:49 | |
Please welcome Jazzie B from Soul II Soul, | 0:13:49 | 0:13:52 | |
ladies and gentlemen. | 0:13:52 | 0:13:53 | |
MUSIC: Back To Life by Soul II Soul | 0:13:53 | 0:13:57 | |
So, the next band. | 0:14:02 | 0:14:04 | |
They're reggae, right? | 0:14:04 | 0:14:05 | |
And taking Jazzie B into somebody's house | 0:14:06 | 0:14:10 | |
where they're going to play reggae for him... | 0:14:10 | 0:14:12 | |
If you know anything about Jazzie B's, kind of, | 0:14:12 | 0:14:14 | |
where his heart lies musically and his history, | 0:14:14 | 0:14:18 | |
then that was a nerve-racking moment for me, | 0:14:18 | 0:14:20 | |
cos if he hadn't liked it, we were in somebody's lounge. | 0:14:20 | 0:14:23 | |
LAUGHTER | 0:14:23 | 0:14:25 | |
But luckily... | 0:14:25 | 0:14:27 | |
I loved them. | 0:14:27 | 0:14:29 | |
CHEERING | 0:14:29 | 0:14:32 | |
Easy, lads. Easy, lads. Let's do it. | 0:14:32 | 0:14:34 | |
Rastafari, bless. | 0:14:34 | 0:14:36 | |
It's impossible to deny these guys. They're fantastic. | 0:14:36 | 0:14:40 | |
The band's name is Dubheart. Remember them. | 0:14:40 | 0:14:45 | |
MUSIC: A Hard Day's Night by Dubheart | 0:14:45 | 0:14:47 | |
Dubheart are based in Bournemouth, | 0:14:47 | 0:14:50 | |
a town known more for blue rinses than dreadlocks, | 0:14:50 | 0:14:52 | |
more Des O'Connor than Desmond Dekker. | 0:14:52 | 0:14:55 | |
# Whoa! | 0:14:55 | 0:14:57 | |
# It's been a hard day's night... # | 0:14:58 | 0:15:01 | |
Despite my concerns about how Jazzie would receive them, | 0:15:01 | 0:15:04 | |
the band won us over | 0:15:04 | 0:15:05 | |
in Bournemouth's answer to the Kingston Dub Club - | 0:15:05 | 0:15:08 | |
keyboard player Dave's front room. | 0:15:08 | 0:15:10 | |
# You're gonna be all right. # | 0:15:13 | 0:15:17 | |
Your neighbours must hate you. | 0:15:19 | 0:15:21 | |
We don't play...we don't play... | 0:15:21 | 0:15:23 | |
I bet they were all thinking when you played the Beatles, | 0:15:23 | 0:15:25 | |
like, "At last! Fucking one we know." | 0:15:25 | 0:15:27 | |
It sounds really good, guys. | 0:15:29 | 0:15:30 | |
-Really, really good. -Thanks! Thanks, Jazzie. | 0:15:30 | 0:15:33 | |
Anybody's coming with me reggae, | 0:15:33 | 0:15:34 | |
you've got to hit one out of the box, you feel me? | 0:15:34 | 0:15:38 | |
And you did it. | 0:15:38 | 0:15:39 | |
With the band's mix of decorators, sound engineers, | 0:15:40 | 0:15:43 | |
Co-op workers and gardeners taking over his lounge to rehearse, | 0:15:43 | 0:15:47 | |
Dave hasn't been able to shampoo his carpet for 18 years. | 0:15:47 | 0:15:51 | |
This is quite a small scene in Bournemouth. | 0:15:51 | 0:15:53 | |
It's kind of difficult. | 0:15:53 | 0:15:55 | |
This opportunity that came our way and we thought we'd take it. | 0:15:55 | 0:15:57 | |
It means so much to me. | 0:15:59 | 0:16:00 | |
It's my reason to really live, you know, other than my son, | 0:16:00 | 0:16:03 | |
do you know what I mean, I've got Dubheart. | 0:16:03 | 0:16:05 | |
And I love the music we make. | 0:16:05 | 0:16:07 | |
Like a nice, nice change to hear a real roots band playing | 0:16:07 | 0:16:13 | |
for the love of music. | 0:16:13 | 0:16:14 | |
But in yesterday's rehearsal, | 0:16:16 | 0:16:17 | |
Jazzie wanted to make sure the band would play to the crowd | 0:16:17 | 0:16:20 | |
and be a bit more jazz hands. | 0:16:20 | 0:16:23 | |
-OK. -Yeah, man. | 0:16:23 | 0:16:25 | |
-Yes, Isis. -All right, man? | 0:16:25 | 0:16:27 | |
What we should try to do is somehow throughout the performance, | 0:16:27 | 0:16:31 | |
cos it's only two songs we're going to be playing, | 0:16:31 | 0:16:33 | |
so we have to clap them from the top. You see me? | 0:16:33 | 0:16:36 | |
It's really important that there's going to be a level of animation... | 0:16:36 | 0:16:40 | |
-Yeah. -..however we want to take it. | 0:16:40 | 0:16:42 | |
A little bit of theatre. | 0:16:42 | 0:16:44 | |
-Eyes up. -Right. -Yeah, yeah. | 0:16:44 | 0:16:46 | |
No looking down. | 0:16:46 | 0:16:47 | |
We want to look at the audience, | 0:16:47 | 0:16:49 | |
-so, as the heart is dubbed, we dub their heart. -Yeah. | 0:16:49 | 0:16:54 | |
-Forget the fun, we're going out there to win, fella! -THEY LAUGH | 0:16:54 | 0:16:58 | |
Winning is always fun. | 0:16:58 | 0:17:00 | |
Rewind... | 0:17:00 | 0:17:02 | |
-Who's the man? -Don't mind me, Jazzie. | 0:17:02 | 0:17:04 | |
Oh! This is Rhod. | 0:17:04 | 0:17:06 | |
-Hey! -What's happening? | 0:17:06 | 0:17:08 | |
Smells quite ripe in here, lads, I have to say. | 0:17:08 | 0:17:10 | |
Yeah, real, real, real heartbeat. | 0:17:10 | 0:17:13 | |
How are they looking? | 0:17:13 | 0:17:14 | |
Yeah, we've made a couple of calls. | 0:17:14 | 0:17:18 | |
Added a few little bits and pieces. | 0:17:18 | 0:17:20 | |
MUSIC: Good Thing Going by Dubheart | 0:17:20 | 0:17:26 | |
In Dave's lounge with a crowd of two, | 0:17:26 | 0:17:28 | |
their Beatles cover had stormed it, | 0:17:28 | 0:17:30 | |
so I was keen to hear Dubheart's song choices | 0:17:30 | 0:17:33 | |
for the Manchester final. | 0:17:33 | 0:17:34 | |
MUSIC DROWN HIS SINGING | 0:17:34 | 0:17:39 | |
-Yes, Dubheart! Yeah. -That's all right? | 0:17:41 | 0:17:44 | |
You look more, erm...animated and sort of, erm... | 0:17:44 | 0:17:47 | |
Yeah, yeah, yeah... That was one of the guidelines. | 0:17:47 | 0:17:51 | |
Once the audience are involved, that makes you feel better. | 0:17:51 | 0:17:55 | |
It brings the sound out a little bit better, as well, | 0:17:55 | 0:17:57 | |
-and all are heads up. -Yeah, yeah. | 0:17:57 | 0:18:00 | |
Who'd have thought it? Dubheart - eyes and teeth. | 0:18:00 | 0:18:02 | |
THEY LAUGH Eyes and teeth, lads! Eyes and teeth! | 0:18:02 | 0:18:05 | |
All the way from Bournemouth... | 0:18:05 | 0:18:07 | |
CHEERING | 0:18:07 | 0:18:09 | |
-Give it up, ladies and gentlemen, it's Dubheart! -Yeah! | 0:18:09 | 0:18:13 | |
Ladies and gentlemen, how we doing? | 0:18:18 | 0:18:20 | |
Yeah! | 0:18:20 | 0:18:22 | |
# Long time | 0:18:24 | 0:18:26 | |
# To put right | 0:18:26 | 0:18:28 | |
HE SCATS | 0:18:28 | 0:18:30 | |
# It's been a long time It's a good sign | 0:18:30 | 0:18:34 | |
HE SCATS | 0:18:34 | 0:18:37 | |
# It's been a long time | 0:18:37 | 0:18:40 | |
# Oh-oh-oh-oh-oh | 0:18:40 | 0:18:44 | |
# Too much time | 0:18:44 | 0:18:46 | |
# Oh-oh-oh-oh-oh | 0:18:46 | 0:18:51 | |
# Long, long-a, long-a, long | 0:18:51 | 0:18:53 | |
# It's been a long, long time | 0:18:53 | 0:18:55 | |
# Never no way We never give up the fight | 0:18:55 | 0:18:58 | |
# Manchester Are you feelin' all right? | 0:18:58 | 0:19:02 | |
# Put your heart in this tonight | 0:19:02 | 0:19:05 | |
# Go! | 0:19:05 | 0:19:07 | |
CHEERING | 0:19:09 | 0:19:12 | |
# Whoa! | 0:19:15 | 0:19:17 | |
# Whoa! | 0:19:17 | 0:19:19 | |
# Who-o-oa! | 0:19:19 | 0:19:20 | |
-# Who-o-oa! -I said, whoa! | 0:19:20 | 0:19:24 | |
# Whoa! | 0:19:24 | 0:19:25 | |
# Who-o-oa! | 0:19:25 | 0:19:27 | |
# Who-o-oa! | 0:19:27 | 0:19:28 | |
# It's been a long time Too much time | 0:19:28 | 0:19:32 | |
HE SCATS | 0:19:32 | 0:19:35 | |
# It's been a long time | 0:19:35 | 0:19:37 | |
# Too much time. # | 0:19:37 | 0:19:39 | |
CHEERING | 0:19:44 | 0:19:47 | |
And what was important that you saw a reaction from them | 0:19:53 | 0:19:56 | |
in terms of the whole band. | 0:19:56 | 0:19:59 | |
And if we didn't have that conversation yesterday | 0:19:59 | 0:20:02 | |
about them engaging the audience, | 0:20:02 | 0:20:04 | |
I'm not so sure the type of performance we just saw | 0:20:04 | 0:20:08 | |
would've happened. | 0:20:08 | 0:20:09 | |
I want to see everyone's hands in the air. | 0:20:16 | 0:20:19 | |
# See that girl | 0:20:21 | 0:20:24 | |
# She got something to my chemistry | 0:20:24 | 0:20:29 | |
# And when I'm close | 0:20:31 | 0:20:34 | |
# I'm sure she raise my temperature by three degrees | 0:20:34 | 0:20:41 | |
# For we've got a good thing going | 0:20:43 | 0:20:47 | |
# A real good thing going, yeah | 0:20:47 | 0:20:51 | |
# That girl and me | 0:20:51 | 0:20:54 | |
# It's a swing-swing dubber that she want | 0:20:56 | 0:20:58 | |
# It's a swing-swing dubber that she need | 0:20:58 | 0:21:02 | |
HE SCATS | 0:21:02 | 0:21:07 | |
# Are you ready? | 0:21:07 | 0:21:09 | |
# To run with me | 0:21:13 | 0:21:16 | |
# Oh | 0:21:16 | 0:21:19 | |
# We've got it good so let's get it on | 0:21:21 | 0:21:24 | |
# Let's get it on, let's get it on. # | 0:21:24 | 0:21:30 | |
CHEERING AND APPLAUSE | 0:21:32 | 0:21:34 | |
The Manchester audience will pick the winner | 0:21:37 | 0:21:39 | |
but after just two acts, it's already the toughest challenge | 0:21:39 | 0:21:42 | |
since I tried to give Morrissey a bite of my Whopper. | 0:21:42 | 0:21:44 | |
-Did you enjoy that? -I did actually, very, very much. | 0:21:44 | 0:21:47 | |
They were very, very good. | 0:21:47 | 0:21:49 | |
A band is a unit that really works together well. | 0:21:49 | 0:21:52 | |
-They worked together really well. -So tight. | 0:21:52 | 0:21:54 | |
Everyone, I could see the good things going, | 0:21:54 | 0:21:57 | |
happiness in them hearts and all... | 0:21:57 | 0:21:59 | |
You know? | 0:21:59 | 0:22:00 | |
It was a joyous cover to do, wasn't it enjoyable? | 0:22:00 | 0:22:04 | |
Ladies and gentlemen, please welcome Midge Ure! | 0:22:05 | 0:22:09 | |
Next band - Midge and I went to see this band in a rehearsal studio. | 0:22:15 | 0:22:18 | |
Midge, what did you like about them? | 0:22:18 | 0:22:21 | |
These guys are a consummate rock and roll band. | 0:22:21 | 0:22:24 | |
Midge and I found self-confessed crud merchants, | 0:22:31 | 0:22:34 | |
Johnny Cage and the Voodoogroove | 0:22:34 | 0:22:36 | |
scuzzing it up at a Cardiff rehearsal space. | 0:22:36 | 0:22:39 | |
MUSIC DROWNS OUT VOCAL | 0:22:39 | 0:22:41 | |
Nice one! | 0:22:49 | 0:22:52 | |
So, what's the situation at the moment? | 0:22:52 | 0:22:54 | |
Does it pay for itself? | 0:22:54 | 0:22:55 | |
We tried to give up our jobs and we couldn't so we went back to work. | 0:22:55 | 0:22:58 | |
When they're not chasing the rock and roll dragon, | 0:23:01 | 0:23:03 | |
guitarist Dan and lead singer Peanut are living a different dream - | 0:23:03 | 0:23:07 | |
selling and repairing catering equipment. | 0:23:07 | 0:23:09 | |
I am going to install microwave ovens, | 0:23:09 | 0:23:12 | |
custom kitchen deliveries and move refrigerators. | 0:23:12 | 0:23:15 | |
It's just a Dire Straits song, isn't it? | 0:23:16 | 0:23:20 | |
Brothers in arms Dan and Peanut | 0:23:20 | 0:23:23 | |
met as teenagers in a local rock club. | 0:23:23 | 0:23:25 | |
They've been making germ-ridden scunge rock together ever since. | 0:23:25 | 0:23:28 | |
You need an understanding partner | 0:23:28 | 0:23:30 | |
and an understanding boss to make music work, yeah. | 0:23:30 | 0:23:34 | |
What it is, it makes you much more lush. | 0:23:34 | 0:23:36 | |
It does, it makes you much more lush. | 0:23:36 | 0:23:39 | |
Dan and I couldn't do it without each other now. | 0:23:39 | 0:23:41 | |
Musical soul mates, man! | 0:23:41 | 0:23:43 | |
In Belfast, as we say in showbiz, | 0:23:43 | 0:23:46 | |
Johnny Cage ripped the audience a new one. | 0:23:46 | 0:23:49 | |
# I'm gone... # | 0:23:49 | 0:23:51 | |
So my brother in arms Midge had high hopes | 0:23:58 | 0:24:01 | |
when he dropped in on their final rehearsal. | 0:24:01 | 0:24:04 | |
# Why did you do it? | 0:24:06 | 0:24:09 | |
# Why did you do this thing to me? # | 0:24:09 | 0:24:11 | |
It's a bit jammy, that's my take on it. | 0:24:16 | 0:24:20 | |
It's kind of mildly faceless. | 0:24:20 | 0:24:23 | |
Is there something else that you think...? | 0:24:23 | 0:24:25 | |
-Should we play you the other cover? -I think you should. | 0:24:25 | 0:24:28 | |
I just want you to be absolutely bang-on with this. | 0:24:28 | 0:24:31 | |
# You're down on your knees | 0:24:40 | 0:24:43 | |
# Nothing left to sell | 0:24:43 | 0:24:45 | |
# Try digging a little deeper | 0:24:45 | 0:24:46 | |
# In the well, well, well, well, well, well... # | 0:24:46 | 0:24:49 | |
As soon as I asked them to play something | 0:24:49 | 0:24:51 | |
they would feel happier about, they instantly felt better | 0:24:51 | 0:24:54 | |
and when they played the alternative song, | 0:24:54 | 0:24:57 | |
which I didn't really know very well, | 0:24:57 | 0:24:59 | |
they played this Bob Dylan song, it was there. | 0:24:59 | 0:25:02 | |
The energy was back again, it just built and built. | 0:25:02 | 0:25:05 | |
It was like a train. | 0:25:05 | 0:25:06 | |
I don't know about you guys | 0:25:12 | 0:25:13 | |
but I felt the energy go up about a million times there. | 0:25:13 | 0:25:16 | |
Yeah, love that song! | 0:25:16 | 0:25:17 | |
Hello, hello, are we ready? | 0:25:19 | 0:25:21 | |
Rumour had it that lead singer Peanut was running a fever | 0:25:22 | 0:25:26 | |
and in dire straits. | 0:25:26 | 0:25:27 | |
So, I bravely risked infection and paid them a visit. | 0:25:27 | 0:25:30 | |
-Tell me you're all good. -He's ill. Don't go near him. | 0:25:30 | 0:25:34 | |
You look like shit. | 0:25:34 | 0:25:36 | |
I feel fucking awful but it'll be all right. | 0:25:36 | 0:25:38 | |
Oh, my God, are you worried, Midge? | 0:25:38 | 0:25:40 | |
I think with an early night, you'll be fine. | 0:25:40 | 0:25:42 | |
Hot toddy. | 0:25:42 | 0:25:44 | |
They are the type of band who can command an audience. | 0:25:45 | 0:25:48 | |
I don't have any worries about it, as long as Peanut is OK. | 0:25:48 | 0:25:52 | |
Ladies and gentlemen, from the home of music... | 0:25:52 | 0:25:54 | |
CHEERING | 0:25:54 | 0:25:56 | |
Come on then, let's do it. | 0:25:58 | 0:26:00 | |
Please welcome Johnny Cage and the Voodoogroove! | 0:26:00 | 0:26:03 | |
# If you're down on your knees | 0:26:08 | 0:26:15 | |
# Try digging a little deeper | 0:26:15 | 0:26:20 | |
# In the well, well, well | 0:26:20 | 0:26:27 | |
# The man who stole the water will swim for evermore | 0:26:42 | 0:26:46 | |
# But he'll never reach the land on that golden shore | 0:26:46 | 0:26:51 | |
# That faint white light will haunt his heart | 0:26:51 | 0:26:55 | |
# Till he's only a memory lost in the dark | 0:26:55 | 0:27:00 | |
# Dig a hole in the ground, straight down to hell | 0:27:00 | 0:27:04 | |
# Till there ain't no more water in the well, well, well | 0:27:04 | 0:27:08 | |
# When you're down on your knees with nothing left to sell | 0:27:08 | 0:27:13 | |
# Try digging a little deeper in the well, well, well | 0:27:13 | 0:27:17 | |
# I said well, well, well, try digging a little deeper | 0:27:17 | 0:27:21 | |
# In the well, well, well. # | 0:27:21 | 0:27:25 | |
Thank you very much. | 0:27:41 | 0:27:43 | |
What possessed them to start that first song | 0:27:43 | 0:27:46 | |
the way they just started it? | 0:27:46 | 0:27:48 | |
They didn't do that in rehearsals. | 0:27:48 | 0:27:50 | |
He was doing that weird little vocal thing. | 0:27:50 | 0:27:54 | |
Why just pull it out of the hat now? | 0:27:54 | 0:27:56 | |
You can't take chances with stuff like this. | 0:27:56 | 0:27:58 | |
# Well, I can't defend what happened my friend | 0:28:07 | 0:28:11 | |
# And you know I know it's hard to comprehend | 0:28:11 | 0:28:14 | |
# What's crystal, what's clear is what goes on in here | 0:28:15 | 0:28:20 | |
# And all that I hold dear I love because I want to | 0:28:20 | 0:28:24 | |
# Here lies Johnny so-and-so | 0:28:24 | 0:28:27 | |
# They sucked him of his marrow | 0:28:27 | 0:28:29 | |
# It was his time, he had to go | 0:28:29 | 0:28:31 | |
# But you put the reins on his human remains | 0:28:33 | 0:28:37 | |
# You better hope, better hope that they can dance in the rain | 0:28:37 | 0:28:40 | |
# But you put the reins on his human remains | 0:28:41 | 0:28:45 | |
# You better hope, better hope that they can dance in the rain | 0:28:45 | 0:28:50 | |
# Take it down, sing the song and dance | 0:29:07 | 0:29:09 | |
# Take it down, sing the song and dance | 0:29:09 | 0:29:11 | |
# Take it down, sing the song and dance | 0:29:11 | 0:29:14 | |
# Well, take it down, sing the song and dance | 0:29:14 | 0:29:18 | |
# Take it down, sing the song and dance | 0:29:18 | 0:29:20 | |
# Take it down, sing the song and dance | 0:29:20 | 0:29:24 | |
# Take it down, sing the song and dance | 0:29:29 | 0:29:31 | |
# Ha, ha, ha, ha, boom! # | 0:29:35 | 0:29:38 | |
They played really well tonight | 0:29:43 | 0:29:45 | |
but whether that essence was there or not, I don't know, | 0:29:45 | 0:29:48 | |
I didn't quite feel the same thing. | 0:29:48 | 0:29:50 | |
Is that because they were ill? I don't know. | 0:29:50 | 0:29:52 | |
-Did the audience feel it? -I don't know. | 0:29:52 | 0:29:55 | |
-Great! It was great. Yeah. -Crazy fans. | 0:29:55 | 0:29:59 | |
I didn't expect them to give a shit to be honest | 0:29:59 | 0:30:02 | |
but they seemed quite happy. | 0:30:02 | 0:30:03 | |
No, good crowd, man. | 0:30:03 | 0:30:05 | |
Our next band is from the North of England. | 0:30:07 | 0:30:09 | |
Peter, what did you like about these guys? | 0:30:11 | 0:30:14 | |
They are very energetic. | 0:30:14 | 0:30:16 | |
-They really do go for it. -The drummer especially. | 0:30:16 | 0:30:19 | |
The drummer plays in his pants. | 0:30:19 | 0:30:21 | |
You will see his bongos, ladies and gentlemen! | 0:30:25 | 0:30:27 | |
I got these for Christmas, so thanks, Mum. | 0:30:30 | 0:30:31 | |
We stumbled upon Cadavers smashing it to a small crowd | 0:30:41 | 0:30:44 | |
in their local mosh pit in Sheffield. | 0:30:44 | 0:30:46 | |
It was immediately obvious these hoodlums' lives had gone | 0:30:46 | 0:30:50 | |
seriously off the rails. | 0:30:50 | 0:30:52 | |
Morning, Clive. | 0:30:52 | 0:30:53 | |
Oh, no, I remember now, they're doctors. | 0:30:53 | 0:30:55 | |
How are you feeling? | 0:30:55 | 0:30:56 | |
Junior doctors Jamie and Cash have been in their punk band | 0:30:56 | 0:30:59 | |
for three years. | 0:30:59 | 0:31:01 | |
We've ended up going for IV, | 0:31:01 | 0:31:02 | |
and he's actually getting much better. | 0:31:02 | 0:31:04 | |
When they're not charming their patients | 0:31:04 | 0:31:06 | |
with their breezy bedside manner... | 0:31:06 | 0:31:08 | |
-Works all right? -Yes. -That's what I like to hear. | 0:31:08 | 0:31:11 | |
..you'll find them thrashing out their stress | 0:31:13 | 0:31:15 | |
in a sweaty noise spittoon with bandmates sound engineer Rob | 0:31:15 | 0:31:19 | |
and Adam, Yorkshire's premier naked drum teacher. | 0:31:19 | 0:31:22 | |
What we're like onstage, that is just all that energy, | 0:31:24 | 0:31:27 | |
that pent-up energy coming out. | 0:31:27 | 0:31:29 | |
I wouldn't have that same drive, I don't think, | 0:31:29 | 0:31:31 | |
if I didn't have this as my 9-5. | 0:31:31 | 0:31:33 | |
There is anger in our music. | 0:31:33 | 0:31:34 | |
We are angry at the moment, our whole profession is angry. | 0:31:34 | 0:31:37 | |
-We're all demoralised and... -PAGER SOUNDS | 0:31:37 | 0:31:38 | |
..currently being bleeped! | 0:31:38 | 0:31:40 | |
So, you were doing this kind of music before being doctors? | 0:31:46 | 0:31:49 | |
-It's not just being doctors that has caused that? -No, no! | 0:31:49 | 0:31:52 | |
One of my favourite parts of playing a show | 0:31:52 | 0:31:54 | |
is getting the crowd involved. | 0:31:54 | 0:31:56 | |
Yeah. Looking at their faces. | 0:31:56 | 0:31:59 | |
Some of the looks of terror, what the hell is this? | 0:31:59 | 0:32:02 | |
Determined to loosen drummers Adam's nipples, in rehearsals, | 0:32:06 | 0:32:09 | |
Cadavers had their amps turned up to 11. | 0:32:09 | 0:32:12 | |
Hey, that's woke me up! | 0:32:15 | 0:32:18 | |
Do you know what was really weird? | 0:32:18 | 0:32:20 | |
-Just as I was coming in, I just spied Midge -Ure. Oh, really? | 0:32:20 | 0:32:24 | |
As soon as you started, he went "wow!" | 0:32:24 | 0:32:26 | |
So, what I'm hoping tomorrow is that your enthusiasm | 0:32:28 | 0:32:31 | |
does to the audience what you just did to Midge Ure. | 0:32:31 | 0:32:36 | |
Definitely! | 0:32:36 | 0:32:38 | |
I think they have a great belief in what they're doing. | 0:32:38 | 0:32:40 | |
They know that it's a very aggressive sound. | 0:32:40 | 0:32:42 | |
They know that it has not got a huge audience but they believe in it. | 0:32:42 | 0:32:47 | |
Looking at them, I believe in them. | 0:32:47 | 0:32:49 | |
-Hello! -Hi! -How's it going, Cadavers? | 0:32:49 | 0:32:53 | |
'I couldn't believe the belief Hooky had in the band's belief, | 0:32:53 | 0:32:56 | |
'so I popped in to see all this belief for myself.' | 0:32:56 | 0:32:59 | |
Has that been easy, finding the time to rehearse? | 0:32:59 | 0:33:01 | |
-Have you put much...? -We've been on strike all the time! | 0:33:01 | 0:33:04 | |
That's that the strikes are really about, isn't it? | 0:33:07 | 0:33:10 | |
So, the cover version is a Nirvana song, Territorial Pissing. | 0:33:10 | 0:33:15 | |
So, obvious massive, massive appeal. | 0:33:15 | 0:33:18 | |
-Why that song? -Nirvana played it on Jonathan Ross. | 0:33:18 | 0:33:22 | |
They were meant to do Lithium and they said, | 0:33:22 | 0:33:24 | |
"..with their new single, Lithium", and they played Territorial Pissing. | 0:33:24 | 0:33:28 | |
Jonathan Ross just sat there at the end like this. | 0:33:28 | 0:33:31 | |
I came from punk and I truly believe in that thing | 0:33:31 | 0:33:35 | |
about annoying your audience to get a reaction. | 0:33:35 | 0:33:38 | |
We did it when we started out. | 0:33:38 | 0:33:40 | |
It's like the opposite of crowd pleasing. | 0:33:40 | 0:33:43 | |
# Your government hates you They want you to die | 0:33:53 | 0:33:55 | |
# Don't want to educate you They want you to die | 0:33:55 | 0:33:58 | |
# They want to control you and keep you in line | 0:33:58 | 0:34:00 | |
# Twisted media Single hive mind | 0:34:00 | 0:34:03 | |
# Death and taxes | 0:34:05 | 0:34:06 | |
# Death and taxes | 0:34:07 | 0:34:09 | |
# Death and taxes | 0:34:10 | 0:34:11 | |
# Rich politicians only care for themselves | 0:34:13 | 0:34:15 | |
# The deadbeat crooks don't want to share the wealth | 0:34:15 | 0:34:17 | |
# They'll throw you to the jackals Make you fend for yourself | 0:34:17 | 0:34:20 | |
# A needle in your arm to escape from this hell | 0:34:20 | 0:34:23 | |
# Death and taxes | 0:34:25 | 0:34:26 | |
# Death and taxes | 0:34:27 | 0:34:29 | |
# Death and taxes | 0:34:30 | 0:34:31 | |
# Do you feel broken? | 0:34:35 | 0:34:37 | |
# Do you feel hopeless? | 0:34:37 | 0:34:40 | |
# We're only servants | 0:34:40 | 0:34:42 | |
# For the vultures | 0:34:42 | 0:34:45 | |
# Do you feel broken? | 0:34:45 | 0:34:47 | |
# Do you feel hopeless? | 0:34:47 | 0:34:50 | |
# We're only servants. # | 0:34:50 | 0:34:52 | |
CHEERING AND APPLAUSE | 0:35:07 | 0:35:09 | |
That was some fucking entertainment there! | 0:35:12 | 0:35:15 | |
Yeah, I'm not sure about the musical part, but I loved everything... | 0:35:15 | 0:35:18 | |
-The last 30 seconds... -Excellent. -..were just gold. | 0:35:18 | 0:35:20 | |
That was priceless. | 0:35:20 | 0:35:22 | |
# When I was an alien | 0:35:32 | 0:35:37 | |
# Cultures weren't opinions | 0:35:37 | 0:35:42 | |
# Gotta find a way, a better way | 0:35:42 | 0:35:44 | |
# When I'm here | 0:35:44 | 0:35:46 | |
# Gotta find a way, a better way | 0:35:46 | 0:35:49 | |
# I'd better wait | 0:35:49 | 0:35:50 | |
# Never met a wise man | 0:35:51 | 0:35:56 | |
# If so, it's a woman | 0:35:56 | 0:35:59 | |
# Gotta find a way, a better way | 0:36:00 | 0:36:03 | |
# When I'm here | 0:36:03 | 0:36:05 | |
# Gotta find a way, a better way | 0:36:05 | 0:36:07 | |
# I'd better wait | 0:36:07 | 0:36:09 | |
# Gotta find a way, a better way! # | 0:36:10 | 0:36:12 | |
FEEDBACK HOWLS | 0:36:21 | 0:36:23 | |
HOOKY CHEERS | 0:36:32 | 0:36:34 | |
HOOKY LAUGHS | 0:36:39 | 0:36:41 | |
NOISE DROWNS SPEECH | 0:36:41 | 0:36:43 | |
Thank you very much. | 0:36:45 | 0:36:46 | |
We're Cadavers from Sheffield. | 0:36:47 | 0:36:49 | |
CHEERING AND APPLAUSE | 0:36:49 | 0:36:51 | |
-Good honest punk band! That's what that was! -Roadie's not happy! | 0:36:53 | 0:36:56 | |
I loved the way they smashed the fucking gear up. | 0:36:58 | 0:37:00 | |
-I loved the bit where they put the guitars across each other. -Yeah. | 0:37:00 | 0:37:03 | |
-I thought it was... -Fantastic. | 0:37:03 | 0:37:05 | |
THEY LAUGH AND SIGH | 0:37:05 | 0:37:07 | |
Fuck! | 0:37:07 | 0:37:09 | |
Oof! | 0:37:09 | 0:37:10 | |
Hi! | 0:37:12 | 0:37:13 | |
'Cadavers could be a hard act to follow, | 0:37:13 | 0:37:15 | |
'especially as they've euthanised the drum kit.' | 0:37:15 | 0:37:18 | |
Make sure this is intact. | 0:37:18 | 0:37:19 | |
'Four of the six bands have played, | 0:37:19 | 0:37:21 | |
'and with the room packed to bursting, | 0:37:21 | 0:37:23 | |
'choosing the winner could cause the biggest fight in Manchester | 0:37:23 | 0:37:26 | |
'since Noel borrowed Liam's Fuzzy Felts without asking.' | 0:37:26 | 0:37:29 | |
Yeah, let's not be too relaxed, boys, all right? | 0:37:31 | 0:37:34 | |
So, the next band, they are from London... | 0:37:34 | 0:37:38 | |
CHEERING AND BOOING | 0:37:38 | 0:37:40 | |
I'm so relaxed, I've been peeing ten times over the last ten minutes. | 0:37:40 | 0:37:44 | |
That's how relaxed I am. | 0:37:44 | 0:37:46 | |
'Jazzy loves this band...' | 0:37:46 | 0:37:47 | |
They really truly bring the noise to the party, | 0:37:47 | 0:37:50 | |
so hopefully you're going to enjoy them as much as I do. | 0:37:50 | 0:37:53 | |
Please welcome all the way to the stage | 0:37:54 | 0:37:56 | |
King Salami and the Cumberland Three! | 0:37:56 | 0:38:01 | |
CHEERING AND APPLAUSE | 0:38:01 | 0:38:03 | |
Hey! | 0:38:07 | 0:38:08 | |
Make your swing a little bit more relaxed and a bit longer. | 0:38:10 | 0:38:14 | |
'When frontman Seb isn't making a racket on stage, | 0:38:14 | 0:38:17 | |
'he's wielding one in his day job.' | 0:38:17 | 0:38:19 | |
'Sorry.' | 0:38:19 | 0:38:20 | |
Yes. | 0:38:20 | 0:38:21 | |
I think I'm more serious, cheerful but serious in tennis, | 0:38:21 | 0:38:24 | |
and I'm crazy and serious with the band, | 0:38:24 | 0:38:26 | |
cos I really want this to go somewhere. | 0:38:26 | 0:38:28 | |
This is it. | 0:38:30 | 0:38:31 | |
This is the spot. | 0:38:31 | 0:38:33 | |
HE GROWLS | 0:38:33 | 0:38:35 | |
'We discovered King Salami in a North London sweatbox...' | 0:38:36 | 0:38:39 | |
'..a small audience enjoying a slice of their rockabilly garage punk.' | 0:38:41 | 0:38:46 | |
'When the turban goes on, | 0:38:46 | 0:38:47 | |
'lead singer Seb becomes omnipotent sausage-god King Salami.' | 0:38:47 | 0:38:52 | |
Did you have the character before the hat and stuff, | 0:38:55 | 0:38:57 | |
or do you put the hat on and then it all changes? | 0:38:57 | 0:38:59 | |
-He always had a bit of a character. -He always had the character. | 0:38:59 | 0:39:02 | |
A lot of this energy was in the turban, was in the hat, | 0:39:02 | 0:39:06 | |
because we have an affinity, | 0:39:06 | 0:39:08 | |
the fact that I keep all my energy up here as well, you know? | 0:39:08 | 0:39:11 | |
-Does that work for you? -I'm rubbish without it. | 0:39:11 | 0:39:14 | |
# Yeah, yeah, yeah, yeah, yeah! | 0:39:14 | 0:39:16 | |
CROWD SINGS ALONG # Yeah, yeah, yeah, yeah, yeah! # | 0:39:16 | 0:39:18 | |
What I enjoyed most about it, | 0:39:18 | 0:39:20 | |
honestly, was the fact that it looked like fun. | 0:39:20 | 0:39:23 | |
There's too many bands who are too serious about it, you know, | 0:39:23 | 0:39:27 | |
too focused on glory and fame, | 0:39:27 | 0:39:29 | |
and when they're on stage, they're paralysed, | 0:39:29 | 0:39:32 | |
they're looking at their feet, | 0:39:32 | 0:39:33 | |
and I'm like, "Come on, man, you know, it's supposed to be fun." | 0:39:33 | 0:39:36 | |
Some King Salami records. | 0:39:40 | 0:39:42 | |
'The band were formed 10 years ago, and without it, | 0:39:44 | 0:39:47 | |
'animator and drummer Eric Baconstrip gets the DTs.' | 0:39:47 | 0:39:51 | |
It's a bit like a drug. | 0:39:51 | 0:39:52 | |
I really need to play music. | 0:39:52 | 0:39:54 | |
I think about the band most of the time. | 0:39:54 | 0:39:57 | |
'Eric's band widow... sorry, wife, Maki, | 0:39:57 | 0:40:00 | |
'takes it all in her stride.' | 0:40:00 | 0:40:01 | |
He always practises regularly | 0:40:01 | 0:40:03 | |
so we can never do anything on Thursdays. | 0:40:03 | 0:40:06 | |
If he's got a gig in the weekend | 0:40:06 | 0:40:08 | |
he prefers not to do anything on a Friday, | 0:40:08 | 0:40:11 | |
and, er, he's often away throughout the weekend if it's abroad, | 0:40:11 | 0:40:14 | |
so I don't really see him that much! | 0:40:14 | 0:40:17 | |
And you can see the doggy, Jack, here, | 0:40:17 | 0:40:19 | |
is in most of the records. | 0:40:19 | 0:40:21 | |
Well, I want you guys to understand and to know this - | 0:40:23 | 0:40:26 | |
when I first saw you, one of the most amazing things was how much | 0:40:26 | 0:40:30 | |
you brought the audience into what was going on, | 0:40:30 | 0:40:33 | |
-that happy feeling. -Thank you. | 0:40:33 | 0:40:36 | |
So please don't change too much | 0:40:36 | 0:40:39 | |
and just go out there and do your thing. | 0:40:39 | 0:40:42 | |
-Thank you, Jazzy. -All there, my friends. | 0:40:42 | 0:40:45 | |
# Sometimes I feel I've got to | 0:40:49 | 0:40:53 | |
# Run away, I've got to | 0:40:53 | 0:40:55 | |
# Get away | 0:40:55 | 0:40:56 | |
# From that pain you drive into the heart of me | 0:40:56 | 0:40:58 | |
# The love we share | 0:40:58 | 0:41:00 | |
# Seems to go nowhere | 0:41:00 | 0:41:02 | |
# And I've lost my light | 0:41:02 | 0:41:05 | |
# For I toss and turn I can't sleep at night | 0:41:05 | 0:41:08 | |
# Once I ran to you | 0:41:08 | 0:41:10 | |
# Now I'll run from you | 0:41:10 | 0:41:12 | |
# This tainted love you've given | 0:41:12 | 0:41:13 | |
# I gave you all a boy could give | 0:41:13 | 0:41:16 | |
# Take my tears and that's not nearly all! | 0:41:16 | 0:41:19 | |
# Tainted love | 0:41:19 | 0:41:20 | |
# Tainted love | 0:41:21 | 0:41:22 | |
-# Oh-oh-oh-oh-oh-ohhhhhhhh! -Wo-o-o-o-ow! # | 0:41:23 | 0:41:26 | |
Break it down at the bridge. | 0:41:31 | 0:41:33 | |
Break it down! | 0:41:34 | 0:41:35 | |
Break it down, T Bone! | 0:41:36 | 0:41:38 | |
I want you to all kneel down! | 0:41:39 | 0:41:42 | |
I want you to get on your knees! | 0:41:42 | 0:41:44 | |
I want you to get on your knees, ladies and gentlemen! | 0:41:44 | 0:41:48 | |
I want to numb the hell out of you! | 0:41:48 | 0:41:51 | |
# Now I know I've got to | 0:41:52 | 0:41:55 | |
# Run away, I've got to | 0:41:55 | 0:41:57 | |
# Get away | 0:41:57 | 0:41:58 | |
# You don't really need any more from me | 0:41:58 | 0:42:00 | |
# To make things right | 0:42:00 | 0:42:02 | |
# You need someone to hold you tight | 0:42:02 | 0:42:04 | |
# And you think love is to pray | 0:42:04 | 0:42:07 | |
# But I'm sorry I don't pray that way | 0:42:07 | 0:42:10 | |
# Once I ran to you | 0:42:10 | 0:42:12 | |
# Now I'll run from you | 0:42:12 | 0:42:13 | |
# This tainted love you've given | 0:42:13 | 0:42:15 | |
# I gave you all a boy could give | 0:42:15 | 0:42:18 | |
# Take my tears and that's not nearly all! | 0:42:18 | 0:42:20 | |
# Tainted love | 0:42:20 | 0:42:21 | |
# Tainted love | 0:42:22 | 0:42:24 | |
# Tainted love! | 0:42:25 | 0:42:26 | |
# Hoi! # | 0:42:34 | 0:42:36 | |
CHEERING AND APPLAUSE | 0:42:36 | 0:42:38 | |
Fucking awesome. Love it. | 0:42:41 | 0:42:43 | |
He really bossed them. He was, like, training a puppy. | 0:42:44 | 0:42:47 | |
-Absolutely, he was brilliant. -Weren't he? On your knees! | 0:42:47 | 0:42:50 | |
That's what I call a frontman as well, right? | 0:42:50 | 0:42:53 | |
# Have you heard about the brand-new sensation? | 0:43:00 | 0:43:02 | |
# Everybody's doing it all over the nation | 0:43:02 | 0:43:05 | |
# I saw your mama do it and your papa too | 0:43:05 | 0:43:07 | |
# They go ooh! | 0:43:07 | 0:43:09 | |
# Ooh! | 0:43:09 | 0:43:10 | |
# Ooh! | 0:43:10 | 0:43:11 | |
# I'm not fancy And there ain't no ruse | 0:43:13 | 0:43:15 | |
# You don't need no tuxedo No 'gator shoes | 0:43:15 | 0:43:18 | |
# Just kick your legs up high and walk like a goose | 0:43:18 | 0:43:20 | |
# And go oh-oh-oh-oh-oh-oh-oh | 0:43:20 | 0:43:23 | |
# And do the climb | 0:43:23 | 0:43:25 | |
# And do the climb | 0:43:26 | 0:43:27 | |
# One! | 0:43:29 | 0:43:30 | |
# Two! | 0:43:30 | 0:43:31 | |
# Three! | 0:43:31 | 0:43:33 | |
# A-a-a-ow! | 0:43:33 | 0:43:34 | |
# Yeah! Let's go! | 0:43:47 | 0:43:50 | |
# And do the climb | 0:43:50 | 0:43:51 | |
# And do the climb | 0:43:53 | 0:43:54 | |
# One! | 0:43:56 | 0:43:57 | |
# Two! | 0:43:57 | 0:43:58 | |
# Three! | 0:43:58 | 0:44:00 | |
# A-a-aow! | 0:44:00 | 0:44:01 | |
# Hey! # | 0:44:12 | 0:44:13 | |
CHEERING AND APPLAUSE | 0:44:13 | 0:44:15 | |
Hold on a sec... | 0:44:15 | 0:44:16 | |
-RHOD: Musically, what did you think, Midge? -I'm...I'm confused. | 0:44:17 | 0:44:22 | |
I...I...I don't know what they are, | 0:44:22 | 0:44:24 | |
it's like watching a sawn-off Bonzo Dog Doo-Dah Band. | 0:44:24 | 0:44:27 | |
Oh, who pushed me? Every time they do it! | 0:44:29 | 0:44:32 | |
Is it comedy? Is it cabaret? Is it rock and roll? | 0:44:32 | 0:44:36 | |
I'm not quite sure. | 0:44:36 | 0:44:37 | |
But, I mean, hell of a frontman. | 0:44:37 | 0:44:39 | |
-Wow! -I need a drink! | 0:44:39 | 0:44:41 | |
'King Salami messed with Midge's head, | 0:44:41 | 0:44:43 | |
'but they had the voting audience on their knees, | 0:44:43 | 0:44:45 | |
'and they've put our final band on the back foot.' | 0:44:45 | 0:44:48 | |
King Salami, what the hell? That guy hypnotised the crowd! | 0:44:48 | 0:44:51 | |
LAUGHTER | 0:44:51 | 0:44:53 | |
That's what you guys are missing. Turbans. | 0:44:53 | 0:44:56 | |
We need, er, we need sorcery, that's what we need! | 0:44:56 | 0:44:59 | |
He did some sort of... He just went on there and he just sort of, | 0:44:59 | 0:45:02 | |
he kind of just, he went, like, "Everyone! On your knees!" | 0:45:02 | 0:45:05 | |
-And they all went, "OK." -That was quite something. | 0:45:05 | 0:45:07 | |
Yeah, brilliant. If we could have that... | 0:45:07 | 0:45:09 | |
So what you're saying is, they're all nice and warm, no excuses, yeah? | 0:45:09 | 0:45:12 | |
Exactly, that's exactly what we're saying! | 0:45:12 | 0:45:15 | |
Exactly. | 0:45:15 | 0:45:16 | |
Now I am nervous! | 0:45:16 | 0:45:18 | |
CROWD CHEERS | 0:45:18 | 0:45:19 | |
So, the next band, ladies and gents... | 0:45:19 | 0:45:22 | |
Who likes meat? | 0:45:22 | 0:45:24 | |
CROWD CHEERS | 0:45:24 | 0:45:26 | |
Who likes vans? | 0:45:26 | 0:45:28 | |
CROWD CHEERS | 0:45:28 | 0:45:29 | |
Yeah, it's all pretty glamorous(!) | 0:45:31 | 0:45:33 | |
'By day, Scott may be a budget meat equivalent of the Milk Tray man, | 0:45:37 | 0:45:41 | |
'but by night, he's the guitarist and driving force behind Bombskare.' | 0:45:41 | 0:45:45 | |
I've changed jobs and I, you know, I took a pay cut | 0:45:45 | 0:45:47 | |
because it was interfering with the band, | 0:45:47 | 0:45:49 | |
so I had to take something a little bit more, | 0:45:49 | 0:45:52 | |
er, regular, Monday to Friday. | 0:45:52 | 0:45:53 | |
And this is it. | 0:45:55 | 0:45:56 | |
Scott's a control freak so we let him sort of, you know, | 0:45:58 | 0:46:01 | |
run the day-to-day thing and that, er, I think that's... | 0:46:01 | 0:46:04 | |
What he means is I can actually spell in the emails! | 0:46:04 | 0:46:07 | |
THEY LAUGH | 0:46:07 | 0:46:08 | |
We entered this competition because that's describing us exactly - | 0:46:08 | 0:46:14 | |
pushing what's possible as a part-time band. | 0:46:14 | 0:46:17 | |
Just gigging all the time. | 0:46:17 | 0:46:19 | |
'Walking around Edinburgh like Egyptians doesn't pay the bills, | 0:46:22 | 0:46:25 | |
'so nine-piece ska band Bombskare also sell books, climb buildings | 0:46:25 | 0:46:29 | |
'and wrestle mannequins to avoid the night boat to Giro.' | 0:46:29 | 0:46:32 | |
-Ha-ha-ha, fantastic! That's brilliant. -Beautiful. | 0:46:39 | 0:46:43 | |
Er, I have to say, stupidly tight. | 0:46:43 | 0:46:45 | |
You know, you obviously rehearse far too much. | 0:46:45 | 0:46:49 | |
It's...it's great. | 0:46:49 | 0:46:51 | |
So how many are you? Two, four... Nine of you. | 0:46:51 | 0:46:53 | |
You're obviously a band that don't want to make money! | 0:46:53 | 0:46:56 | |
THEY LAUGH | 0:46:56 | 0:46:58 | |
-I loved that, thought it was amazing energy. -It was great. | 0:46:59 | 0:47:01 | |
-And that dancing. -You exude energy, and really vibey... | 0:47:01 | 0:47:05 | |
-That stuff doesn't come overnight. -No. | 0:47:05 | 0:47:07 | |
I can see it when you're playing. | 0:47:07 | 0:47:09 | |
-You'd do this for nothing. -We do. | 0:47:09 | 0:47:12 | |
THEY LAUGH | 0:47:12 | 0:47:13 | |
'Midge swung by Bombskare's rehearsal | 0:47:15 | 0:47:16 | |
'to hear their song choices, pausing only to lean on this door | 0:47:16 | 0:47:19 | |
'and reminisce about his 1980s moustache for a moment.' | 0:47:19 | 0:47:22 | |
Imagine there's nine names out of a hat and then somebody's gone... | 0:47:22 | 0:47:25 | |
It's like, how did you end up deciding? | 0:47:25 | 0:47:27 | |
So it ended up just being a huge sort of process of us | 0:47:27 | 0:47:29 | |
just trying that out, eurgh! Trying that out... | 0:47:29 | 0:47:32 | |
So what did you end up with? Cover? What's your cover? | 0:47:32 | 0:47:34 | |
Britney Spears, Toxic. | 0:47:34 | 0:47:36 | |
OK... | 0:47:36 | 0:47:37 | |
That's pretty much everyone's reaction so far. | 0:47:38 | 0:47:40 | |
-What does Britney think about this? -We're going to... | 0:47:40 | 0:47:43 | |
We're about to find out! | 0:47:43 | 0:47:45 | |
-Oh, this guy! -BAND CHEERS | 0:47:45 | 0:47:46 | |
Bore da! | 0:47:46 | 0:47:48 | |
Oh, bore da! Bore da to you! | 0:47:48 | 0:47:50 | |
Yeah, feeling happy? It's a bigger stage, this one. | 0:47:50 | 0:47:52 | |
Does that enter your thinking at all or not? | 0:47:52 | 0:47:55 | |
-Just... -Not really, nah. -Really? I'm freaking out about it. | 0:47:55 | 0:47:58 | |
Are you? RHOD LAUGHS | 0:47:58 | 0:47:59 | |
To be honest, right. | 0:47:59 | 0:48:01 | |
-You are nervous, Mandy? -Yeah. I'm always nervous. | 0:48:01 | 0:48:03 | |
A little bit. But I didn't realise you guys would be here, | 0:48:03 | 0:48:06 | |
and I never took any beta blockers, so... | 0:48:06 | 0:48:08 | |
THEY LAUGH | 0:48:08 | 0:48:10 | |
'Bassist Mandy is the newest member of the band, | 0:48:10 | 0:48:12 | |
'and is a secret clothes hoarder. | 0:48:12 | 0:48:14 | |
'Nah, silly, it's a shop!' | 0:48:16 | 0:48:18 | |
I think at first my dad was like, | 0:48:18 | 0:48:19 | |
"You're going to be in a band with eight old men?" | 0:48:19 | 0:48:22 | |
I was like, "Yeah, it's fine." | 0:48:22 | 0:48:24 | |
Being a girl in the band, I can speak up a bit more. | 0:48:26 | 0:48:30 | |
But I'm not, like, too feisty. | 0:48:30 | 0:48:31 | |
Maybe quite opinionated sometimes. But that's fine. | 0:48:33 | 0:48:36 | |
There's at least one member of the band that's less smelly | 0:48:36 | 0:48:39 | |
than the rest of them. | 0:48:39 | 0:48:41 | |
There's so much competition, there's so many bass players, | 0:48:43 | 0:48:45 | |
there's so many musicians and bands that are trying to make it, | 0:48:45 | 0:48:48 | |
so how do you end up being the one that does it full-time? | 0:48:48 | 0:48:51 | |
I could never go up on stage and play by myself. | 0:48:53 | 0:48:55 | |
It's terrifying, it's horrible, I'd just feel self-conscious. | 0:48:55 | 0:48:58 | |
Playing with Bombskare is like you're going on stage with a small army. | 0:48:58 | 0:49:02 | |
They make you forget that you're just...it's just you. | 0:49:02 | 0:49:05 | |
-Nerves good? -Er... | 0:49:07 | 0:49:09 | |
'It's a big occasion, and backstage, | 0:49:09 | 0:49:11 | |
'Midge senses a jittery Mandy might need a sedative, | 0:49:11 | 0:49:15 | |
'or a pep talk.' | 0:49:15 | 0:49:16 | |
I have to tell you, everybody's fallen in love | 0:49:16 | 0:49:19 | |
with your bass playing, | 0:49:19 | 0:49:20 | |
because you are so good, and I'm not sure you know how good you are. | 0:49:20 | 0:49:26 | |
I was standing watching you guys doing the soundcheck this afternoon, | 0:49:26 | 0:49:30 | |
and my guitar tech, he just went, "Oh, my God, who's that?" | 0:49:30 | 0:49:35 | |
And zoomed straight in on your playing, and it's just fantastic. | 0:49:35 | 0:49:40 | |
I can't imagine the band being the band they are without you. | 0:49:40 | 0:49:43 | |
I don't know what to say to that... | 0:49:43 | 0:49:45 | |
-Just say thank you. -Thank you, Midge! | 0:49:46 | 0:49:48 | |
Here we go! Ooh-ooh-ooh! | 0:49:54 | 0:49:56 | |
# Pick it up, pick it up pick it up, pick it up | 0:49:56 | 0:49:59 | |
# Baby, can't you see | 0:50:00 | 0:50:02 | |
# I'm calling | 0:50:02 | 0:50:04 | |
# A girl like you should wear a warning | 0:50:04 | 0:50:06 | |
# It's dangerous | 0:50:06 | 0:50:08 | |
# And I'm falling | 0:50:08 | 0:50:10 | |
# Too high, can't come down | 0:50:11 | 0:50:14 | |
# My head's swinging round and round | 0:50:14 | 0:50:17 | |
# Can you hear me now?! | 0:50:18 | 0:50:20 | |
# With a taste of your lips I'm on a ride | 0:50:24 | 0:50:28 | |
# You're toxic, I'm slipping under | 0:50:28 | 0:50:30 | |
# The taste of your poison, paradise | 0:50:30 | 0:50:33 | |
# I'm addicted to you Don't you know that you're toxic? | 0:50:33 | 0:50:37 | |
# Take it up, take it up, take it up take it up, take it up, take it up! | 0:50:39 | 0:50:42 | |
# The taste of your lips I'm on a ride | 0:50:52 | 0:50:55 | |
# You're toxic, I'm slipping under | 0:50:55 | 0:50:58 | |
# The taste of your poison, paradise | 0:50:58 | 0:51:00 | |
# I'm addicted to you Don't you know that you're toxic? | 0:51:00 | 0:51:04 | |
# And I love what you do Don't you know that you're toxic? | 0:51:06 | 0:51:10 | |
# Take it up, take it up, take it up, take it up, take it up...! # | 0:51:11 | 0:51:15 | |
CHEERING AND APPLAUSE | 0:51:15 | 0:51:17 | |
That showed you all the little intricacies that they do. | 0:51:22 | 0:51:24 | |
The stops, the starts, the harmonies. | 0:51:24 | 0:51:26 | |
Thank you very much, ladies and gentlemen. | 0:51:26 | 0:51:28 | |
It was great, all of a sudden it got really vibey. | 0:51:28 | 0:51:31 | |
# The time has come | 0:51:44 | 0:51:46 | |
# Get the muppets on the bus | 0:51:46 | 0:51:49 | |
# A garage run | 0:51:49 | 0:51:52 | |
# Loaded up with drinks and nuts | 0:51:52 | 0:51:54 | |
# But history | 0:51:54 | 0:51:57 | |
# Will repeat for ever more | 0:51:57 | 0:51:59 | |
# We broke down in this forsaken town | 0:51:59 | 0:52:04 | |
# Let's get out of here | 0:52:04 | 0:52:06 | |
# We broke down in this forsaken town | 0:52:07 | 0:52:11 | |
# That's when things got bad to worse | 0:52:13 | 0:52:15 | |
# Crashing right back down to earth | 0:52:15 | 0:52:18 | |
# Some things in life you can't rehearse | 0:52:18 | 0:52:21 | |
# A million ways to die down here | 0:52:21 | 0:52:25 | |
# Tonight was rough | 0:52:26 | 0:52:29 | |
# Got a feeling all bets are off | 0:52:29 | 0:52:32 | |
# We've come so far | 0:52:32 | 0:52:34 | |
# Then we woke up | 0:52:34 | 0:52:36 | |
# We're functioning still | 0:52:37 | 0:52:40 | |
# Odds are long at William Hill | 0:52:40 | 0:52:43 | |
# We're all on the same page | 0:52:43 | 0:52:45 | |
# Only eight made the stage | 0:52:45 | 0:52:48 | |
# A-a-ah! | 0:52:50 | 0:52:52 | |
That's when things got bad to worse | 0:52:52 | 0:52:54 | |
# Crashing right back down to earth | 0:52:54 | 0:52:57 | |
# Things in life you can't rehearse | 0:52:57 | 0:53:00 | |
# A million ways to die down here | 0:53:00 | 0:53:02 | |
# That's when things got bad to worse | 0:53:02 | 0:53:05 | |
# Crashing right back down to earth | 0:53:05 | 0:53:08 | |
# Things in life you can't rehearse | 0:53:08 | 0:53:10 | |
# A million ways to die! # | 0:53:10 | 0:53:12 | |
Oi! | 0:53:14 | 0:53:15 | |
CHEERING AND APPLAUSE | 0:53:15 | 0:53:17 | |
Suddenly that connection, which you have to have, | 0:53:24 | 0:53:27 | |
suddenly that came there, intensely came there... | 0:53:27 | 0:53:29 | |
-You could feel it. -..and it was a rush. | 0:53:29 | 0:53:31 | |
-Yeah. -And that... If they win it, it'll be from that bit. | 0:53:31 | 0:53:35 | |
That last couple of minutes, that's what will win it, I think. | 0:53:35 | 0:53:38 | |
-I actually enjoyed it. -Did you? | 0:53:38 | 0:53:39 | |
Yeah, like, I thought I'd be absolutely, like, | 0:53:39 | 0:53:42 | |
my legs were like jelly and that, but actually I was like... | 0:53:42 | 0:53:45 | |
At least I didn't do it quite like that, | 0:53:45 | 0:53:47 | |
but at least I got a wee bit of that going. | 0:53:47 | 0:53:49 | |
I think everyone's a little scared of everyone else now, | 0:53:49 | 0:53:51 | |
it's a little bit of competition. | 0:53:51 | 0:53:53 | |
Everyone's like, "Ooh, who's going to win?" | 0:53:53 | 0:53:55 | |
Is anybody going to think less of me if I cry if we don't win? | 0:53:55 | 0:53:58 | |
I couldn't possibly think any less of you, man. | 0:54:00 | 0:54:02 | |
Seeing them all so excited, and deliver so well, | 0:54:08 | 0:54:11 | |
is absolutely worth it. | 0:54:11 | 0:54:12 | |
Really. I don't care who wins. It's been such a delight. | 0:54:12 | 0:54:16 | |
'With the bands all celebrating in the bar, it's time to quickly | 0:54:16 | 0:54:20 | |
'decide our champion whilst they can still remember who won. | 0:54:20 | 0:54:23 | |
'Our musical legends are clearly biased, | 0:54:23 | 0:54:25 | |
'so we're lobbing it out for the audience to vote. | 0:54:25 | 0:54:28 | |
'We're shunning all the usual bollocks - no premium phone rates, | 0:54:28 | 0:54:31 | |
'no text votes, there's not even a clap-o-meter. | 0:54:31 | 0:54:34 | |
'It's tokens in a shoebox.' | 0:54:34 | 0:54:35 | |
Come on! | 0:54:36 | 0:54:37 | |
Ladies and gentlemen, the voting, OK? | 0:54:39 | 0:54:41 | |
Basically, has everyone got a token? | 0:54:41 | 0:54:43 | |
CROWD CHEERS | 0:54:43 | 0:54:44 | |
Good! Get to the back, over that corner, get your vote in. | 0:54:44 | 0:54:48 | |
You've got 15 minutes. | 0:54:48 | 0:54:50 | |
-Who d'you think the audience have gone for? Peter? -Dubheart. | 0:54:59 | 0:55:03 | |
-Put it in! -Yeah, man! | 0:55:03 | 0:55:05 | |
I think King Salami. | 0:55:05 | 0:55:06 | |
You had that whole crowd hypnotised. | 0:55:06 | 0:55:09 | |
HE SLURS | 0:55:09 | 0:55:11 | |
I think it's either Dubheart or Bombskare, | 0:55:12 | 0:55:14 | |
and I think it's very, very close. | 0:55:14 | 0:55:16 | |
'The tokens are counted and verified by an independent adjudicator. | 0:55:19 | 0:55:23 | |
Just look at those honest hands! | 0:55:23 | 0:55:25 | |
Every single band, give 'em a round of applause, they've all won! | 0:55:27 | 0:55:31 | |
1,200 bands down to six! | 0:55:31 | 0:55:35 | |
This is it. | 0:55:35 | 0:55:36 | |
CHEERING AND APPLAUSE | 0:55:40 | 0:55:42 | |
Yeah, come on, do that shit! | 0:55:44 | 0:55:46 | |
CHEERING AND APPLAUSE | 0:55:46 | 0:55:48 | |
I'm not deliberately taking my time over this, | 0:55:51 | 0:55:53 | |
it's just a tricky envelope. | 0:55:53 | 0:55:55 | |
Ladies and gentlemen, I'm not going to piss about, | 0:55:55 | 0:55:57 | |
there's no commercial break, there's no pregnant pause, | 0:55:57 | 0:56:00 | |
I'm just going to announce it. | 0:56:00 | 0:56:01 | |
As far as I'm concerned everybody's won. | 0:56:01 | 0:56:03 | |
You, shut your face. | 0:56:03 | 0:56:04 | |
CHEERING AND LAUGHTER | 0:56:04 | 0:56:06 | |
Ladies and gentlemen, the winner is | 0:56:06 | 0:56:08 | |
Bombskare! | 0:56:08 | 0:56:10 | |
CHEERING AND APPLAUSE | 0:56:10 | 0:56:12 | |
Anybody want this piece of shit(?!) | 0:56:20 | 0:56:22 | |
UK's best zero hours contract band! | 0:56:31 | 0:56:34 | |
This would be a bad time for us to admit that we've been taking | 0:56:35 | 0:56:38 | |
performance enhancing drugs through the whole competition! | 0:56:38 | 0:56:42 | |
I'm really pleased that the guys did it. They deserved it. | 0:56:44 | 0:56:47 | |
Every time we've seen them, they've brought it big time. | 0:56:47 | 0:56:51 | |
All the bands here tonight deserved | 0:56:53 | 0:56:55 | |
that Andy Warhol 15 minutes of fame, | 0:56:55 | 0:56:58 | |
and if that's all they ever get, what an amazing thing to have. | 0:56:58 | 0:57:02 | |
Bloody awful. | 0:57:03 | 0:57:04 | |
Not only is it bad losing, it's even worse losing to Midge bloody Ure. | 0:57:04 | 0:57:08 | |
Oi! | 0:57:08 | 0:57:10 | |
It actually gives you back a lot of feeling for what you do, | 0:57:13 | 0:57:17 | |
you know, to see people enjoy what I do so much, all of them, | 0:57:17 | 0:57:23 | |
and be so friendly. | 0:57:23 | 0:57:25 | |
You know, it's been really, really nice. | 0:57:25 | 0:57:28 | |
Where's the drummer?! | 0:57:28 | 0:57:30 | |
I've been truly inspired, and somehow, in a strange, | 0:57:31 | 0:57:36 | |
kind of selfish way, I feel like a winner. | 0:57:36 | 0:57:38 | |
How many bands we got? | 0:57:45 | 0:57:46 | |
'It's been a Herculean effort - several months, 1,500 miles across | 0:57:47 | 0:57:51 | |
'these fair isles, three musical monoliths, one van blown up, | 0:57:51 | 0:57:55 | |
'and one just crashed...' | 0:57:55 | 0:57:57 | |
VAN RATTLES | 0:57:57 | 0:57:59 | |
MIDGE LAUGHS | 0:57:59 | 0:58:01 | |
'1,200 bands down to one. | 0:58:01 | 0:58:03 | |
'Congratulations to Bombskare, | 0:58:03 | 0:58:04 | |
'the winner of the UK's Best Part-Time Band 2016. | 0:58:04 | 0:58:08 | |
'TV's catchiest titled TV talent show on television.' | 0:58:10 | 0:58:14 | |
My mother, I know she was here, and she said, "Guys, you didn't win, | 0:58:14 | 0:58:18 | |
"but Susan Boyle, she didn't win, and she did great," you know, so... | 0:58:18 | 0:58:24 | |
-Ah! -Ah! -See? | 0:58:24 | 0:58:26 | |
Who's Susan Boyle? | 0:58:26 | 0:58:28 |