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|---|---|---|---|
November 4th, 2012. | 0:00:02 | 0:00:03 | |
Back from his Olympic triumph in London, | 0:00:03 | 0:00:06 | |
Oscar Pistorius is on the red carpet with a new girlfriend - | 0:00:06 | 0:00:10 | |
Reeva Steenkamp. | 0:00:10 | 0:00:12 | |
The media want an interview, but her voice is weak. | 0:00:12 | 0:00:16 | |
I'm sick. Do you want to do a little one? | 0:00:16 | 0:00:19 | |
It's their first date - arranged just an hour and a half earlier. | 0:00:19 | 0:00:23 | |
Hi, I'm Oscar's date tonight. | 0:00:23 | 0:00:26 | |
He needed a date at the last minute, so he's like, | 0:00:26 | 0:00:28 | |
"Reeva, just throw your stuff together and come and be my date." | 0:00:28 | 0:00:32 | |
-Why, she's asked, is Oscar free tonight? -It's funny, hey? | 0:00:32 | 0:00:35 | |
I don't know how that worked out. | 0:00:35 | 0:00:37 | |
Is she looking forward to her surprise night out? | 0:00:37 | 0:00:39 | |
I'm excited to, like, just enjoy the evening. | 0:00:39 | 0:00:41 | |
Entertainment, just everything as a whole. | 0:00:41 | 0:00:43 | |
It's a fun night out, something different. | 0:00:43 | 0:00:46 | |
Not a club, nothing boring. It's exciting. | 0:00:46 | 0:00:48 | |
And what does she think of her date, Oscar Pistorius? | 0:00:48 | 0:00:51 | |
Oscar is a very, very sexy boy. | 0:00:51 | 0:00:54 | |
But he doesn't do it in, like, an arrogant, obnoxious way. | 0:00:54 | 0:00:56 | |
He does it in a very classy, understated... | 0:00:56 | 0:00:58 | |
He has a good, simple suit on. | 0:00:58 | 0:01:01 | |
Yeah. He's a gentleman. Thank you! | 0:01:01 | 0:01:05 | |
On count one, murder. | 0:01:05 | 0:01:08 | |
The accused is found not guilty and is discharged. | 0:01:08 | 0:01:12 | |
Instead he is found guilty of culpable homicide. | 0:01:14 | 0:01:19 | |
-OSCAR: -Before I knew it, I fired four shots at the door. | 0:01:19 | 0:01:22 | |
In this programme - behind the scenes of | 0:01:22 | 0:01:25 | |
the Pistorius trial, with the parents of the victim. | 0:01:25 | 0:01:28 | |
Only people that have gone through this will understand. | 0:01:29 | 0:01:37 | |
My child, my most precious child, is gone. | 0:01:37 | 0:01:41 | |
I'm Rick Edwards. | 0:01:41 | 0:01:42 | |
Within days of the shooting, I travelled to South Africa | 0:01:42 | 0:01:45 | |
for BBC Three to find out what really happened. | 0:01:45 | 0:01:48 | |
Tonight, the dramatic courtroom moments | 0:01:48 | 0:01:51 | |
broadcast to a worldwide audience. | 0:01:51 | 0:01:53 | |
-REPORTER: -They are calling this the trial of the century. | 0:01:53 | 0:01:56 | |
The private, fearful text message from Reeva to Oscar... | 0:01:56 | 0:01:59 | |
"I'm scared of you sometimes and how you snap at me | 0:01:59 | 0:02:03 | |
"and of how you will react to me." | 0:02:03 | 0:02:05 | |
..the defence video and messages | 0:02:05 | 0:02:07 | |
that suggested a closer relationship... | 0:02:07 | 0:02:10 | |
-OSCAR: -She says, "I think today is a good day to tell you" | 0:02:10 | 0:02:13 | |
and then it says, | 0:02:13 | 0:02:14 | |
"I love you." | 0:02:14 | 0:02:16 | |
I realise that she cared for him. She was looking for a soul mate. | 0:02:16 | 0:02:20 | |
You killed Reeva Steenkamp, that's what you did. | 0:02:20 | 0:02:23 | |
-OSCAR: -My mistake was that I took Reeva's life, My Lady. | 0:02:23 | 0:02:26 | |
You killed her - you shot and killed her. | 0:02:26 | 0:02:28 | |
But Pistorius insists it was a tragic accident. | 0:02:28 | 0:02:31 | |
-OSCAR: -I thought that there was a burglar | 0:02:31 | 0:02:34 | |
that was gaining entry into my home. | 0:02:34 | 0:02:36 | |
And I grabbed my firearm from underneath the bed. | 0:02:37 | 0:02:41 | |
I was simply trying to protect Reeva. | 0:02:41 | 0:02:44 | |
Mr Pistorius, please stand up. | 0:02:44 | 0:02:47 | |
The sentencing hearing is scheduled for next month. | 0:02:47 | 0:02:50 | |
Tonight, Reeva's parents speak about the verdict, and the future. | 0:02:50 | 0:02:54 | |
WOMAN: The trial of the decade got under way today in | 0:03:04 | 0:03:07 | |
the High Court in Pretoria. | 0:03:07 | 0:03:09 | |
On March 3rd, 2014, | 0:03:09 | 0:03:11 | |
the eyes of the world were focused on a courtroom in Pretoria. | 0:03:11 | 0:03:14 | |
In South Africa, | 0:03:14 | 0:03:15 | |
the long-awaited trial has begun of the world-famous athlete | 0:03:15 | 0:03:19 | |
and, until last year, national hero, Oscar Pistorius. | 0:03:19 | 0:03:23 | |
The huge media entourage was on alert for the main arrivals. | 0:03:23 | 0:03:28 | |
The accused - Oscar Pistorius. | 0:03:28 | 0:03:30 | |
An international hero and inspiration for millions as | 0:03:32 | 0:03:35 | |
the first double-amputee to compete in the Olympic Games. | 0:03:35 | 0:03:38 | |
Now, Pistorius, pleading not guilty, was facing a charge of | 0:03:39 | 0:03:42 | |
premeditated murder of his girlfriend, Reeva Steenkamp, | 0:03:42 | 0:03:45 | |
a model, reality TV star and daughter of June Steenkamp. | 0:03:45 | 0:03:49 | |
She had a promising future, everything. And now it's gone. | 0:03:49 | 0:03:54 | |
And he's got to take responsibility for that | 0:03:54 | 0:03:57 | |
no matter what the outcome is. | 0:03:57 | 0:03:59 | |
Reeva's mum made a 700-mile journey for the opening of the trial, | 0:03:59 | 0:04:03 | |
with a front-row seat reserved. | 0:04:03 | 0:04:05 | |
Let us through, please. | 0:04:05 | 0:04:06 | |
I'm Advocate de Bruyn, and I've got the victim's mother here, | 0:04:06 | 0:04:08 | |
Mrs Steenkamp, and they arranged that we can go right though the gate. | 0:04:08 | 0:04:12 | |
-OK. -OK, please. | 0:04:12 | 0:04:14 | |
The tension was clear. | 0:04:14 | 0:04:16 | |
-PRODUCER: -How are you feeling? -Very nervous. | 0:04:17 | 0:04:21 | |
Do you maybe want to share with us what's going through your mind? | 0:04:21 | 0:04:23 | |
No. | 0:04:26 | 0:04:27 | |
I was sort of preparing myself to be strong. | 0:04:28 | 0:04:32 | |
And I didn't want to speak about it, I just wanted to carry on. | 0:04:32 | 0:04:37 | |
Keep my dignity and be... | 0:04:38 | 0:04:42 | |
who I...I am. | 0:04:42 | 0:04:45 | |
But first, she and her lawyer had to brave the media crush | 0:04:45 | 0:04:48 | |
-in the torrential rain. -It was very hectic. | 0:04:48 | 0:04:52 | |
They wouldn't move out the way, you know? | 0:04:52 | 0:04:54 | |
They kind of threw the umbrellas on the floor | 0:04:54 | 0:04:57 | |
cos it was raining, and just trodden on them | 0:04:57 | 0:04:59 | |
because they were just wanting to get the pictures. | 0:04:59 | 0:05:03 | |
Minutes later, flanked by bodyguards, | 0:05:03 | 0:05:06 | |
Oscar Pistorius appeared, | 0:05:06 | 0:05:08 | |
charging through a phalanx of flashing cameras without stopping. | 0:05:08 | 0:05:11 | |
June Steenkamp wanted the answer to the central question - | 0:05:11 | 0:05:15 | |
why was her daughter killed? | 0:05:15 | 0:05:17 | |
And she wanted to look into the eyes of the man who fired the gun. | 0:05:17 | 0:05:21 | |
I've never met him, you know? | 0:05:23 | 0:05:25 | |
I've never met him at all. | 0:05:25 | 0:05:27 | |
And he must see me, that I am there. | 0:05:28 | 0:05:31 | |
This is the mother of the child that you've killed, | 0:05:31 | 0:05:33 | |
the woman that you've killed. | 0:05:33 | 0:05:36 | |
And that's... Just that impact, the reason that I want to go. | 0:05:36 | 0:05:40 | |
Days before her first sight of Oscar Pistorius, | 0:05:44 | 0:05:47 | |
700 miles away in Port Elizabeth on the Indian Ocean coast, | 0:05:47 | 0:05:50 | |
June Steenkamp and Reeva's father, Barry, | 0:05:50 | 0:05:53 | |
allowed our cameras inside their home. | 0:05:53 | 0:05:55 | |
Preparing for the trial, but trying to keep an open mind | 0:05:55 | 0:05:58 | |
about what happened to Reeva. | 0:05:58 | 0:05:59 | |
I've got no revengeful feelings. | 0:05:59 | 0:06:02 | |
And I've forgiven Oscar for what he's done. | 0:06:02 | 0:06:06 | |
But, I mean, he has killed her. | 0:06:06 | 0:06:09 | |
And even if he made a mistake, it's a huge mistake. | 0:06:10 | 0:06:14 | |
It's cost her her life. | 0:06:14 | 0:06:15 | |
And us, cost us Reeva's life. | 0:06:17 | 0:06:20 | |
I've got my... | 0:06:20 | 0:06:21 | |
..own feelings inside... | 0:06:22 | 0:06:25 | |
..as to what happened. | 0:06:26 | 0:06:28 | |
But what I do want to do... | 0:06:28 | 0:06:30 | |
..is to just to talk to him, to have a chat to him, man to man. | 0:06:32 | 0:06:37 | |
Guilty or not guilty, whatever it is. | 0:06:37 | 0:06:39 | |
I would like to have a talk. | 0:06:39 | 0:06:41 | |
That would help me a lot. | 0:06:41 | 0:06:43 | |
June Steenkamp's last conversation with her daughter | 0:06:45 | 0:06:48 | |
was on February 13, 2013, | 0:06:48 | 0:06:50 | |
as Reeva drove to the home of Oscar Pistorius. | 0:06:50 | 0:06:52 | |
Just before 6pm, a surveillance camera filmed Reeva, | 0:06:55 | 0:06:58 | |
behind the wheel of her silver Mini, chatting and smiling with | 0:06:58 | 0:07:01 | |
the guards who patrolled the high-security, gated community. | 0:07:01 | 0:07:05 | |
Ten minutes later, Oscar arrived, driving a white BMW. | 0:07:05 | 0:07:08 | |
By 10pm, Oscar Pistorius said the couple had eaten | 0:07:11 | 0:07:14 | |
and were getting ready for bed. | 0:07:14 | 0:07:16 | |
He'd taken off his prosthetic legs and was watching TV, | 0:07:16 | 0:07:19 | |
while Reeva was doing her yoga exercises. | 0:07:19 | 0:07:22 | |
Not much later, according to Pistorius, | 0:07:22 | 0:07:24 | |
they were both fast asleep. | 0:07:24 | 0:07:26 | |
Reeva's Valentine's Day gift and card to Oscar was unopened. | 0:07:26 | 0:07:31 | |
We've recreated the scene fully lit to give you an idea of | 0:07:31 | 0:07:34 | |
the layout of the bedroom and the en-suite bathroom. | 0:07:34 | 0:07:37 | |
In Oscar Pistorius's sworn testimony, | 0:07:37 | 0:07:40 | |
the events happened in pitch dark in the middle of the night. | 0:07:40 | 0:07:43 | |
He said that, unusually, he was on the left-hand side of the bed | 0:07:43 | 0:07:46 | |
as we look at it here, because he had a shoulder problem. | 0:07:46 | 0:07:49 | |
He and Reeva had swapped sides. | 0:07:49 | 0:07:51 | |
In his sworn affidavit for his bail hearing, Oscar Pistorius' | 0:07:51 | 0:07:55 | |
version of events starts just after three o'clock in the morning. | 0:07:55 | 0:07:59 | |
I woke up, went onto the balcony to bring | 0:07:59 | 0:08:02 | |
the fan in and closed the sliding doors, the blinds and the curtains. | 0:08:02 | 0:08:06 | |
I heard a noise in the bathroom, | 0:08:06 | 0:08:08 | |
and realised that someone was in the bathroom. | 0:08:08 | 0:08:11 | |
Too scared to switch on the lights, | 0:08:11 | 0:08:13 | |
he says he didn't put on his prosthetic legs, | 0:08:13 | 0:08:15 | |
but walked on his stumps towards the noise. | 0:08:15 | 0:08:18 | |
I grabbed my 9mm pistol from underneath my bed. | 0:08:18 | 0:08:22 | |
On my way to the bathroom I screamed the words to the effect for him | 0:08:22 | 0:08:25 | |
or them to get out of my house and for Reeva to phone the police. | 0:08:25 | 0:08:29 | |
It was pitch dark in the bedroom and I thought Reeva was in bed. | 0:08:29 | 0:08:34 | |
From the bathroom doorway, he says he saw an open window. | 0:08:34 | 0:08:38 | |
Again, he heard noises, coming from behind the door. | 0:08:38 | 0:08:41 | |
He aimed his 9mm pistol. | 0:08:41 | 0:08:43 | |
I fired shots at the toilet door | 0:08:44 | 0:08:46 | |
and shouted to Reeva to phone the police. | 0:08:46 | 0:08:49 | |
She did not respond and I moved backwards out of the bathroom, | 0:08:49 | 0:08:52 | |
keeping my eyes on the bathroom entrance. | 0:08:52 | 0:08:55 | |
Everything was pitch dark in the bedroom | 0:08:55 | 0:08:57 | |
and I was still too scared to switch on a light. | 0:08:57 | 0:08:59 | |
Reeva was not responding. | 0:08:59 | 0:09:01 | |
When I reached the bed, I realised that Reeva was not in bed. | 0:09:01 | 0:09:04 | |
That is when it dawned on me | 0:09:04 | 0:09:06 | |
that it could have been her who was in the toilet. | 0:09:06 | 0:09:08 | |
I returned to the bathroom calling her name. | 0:09:08 | 0:09:11 | |
I tried to open the toilet door, but it was locked. | 0:09:11 | 0:09:14 | |
I rushed back into the bedroom and opened the sliding door, | 0:09:14 | 0:09:17 | |
exiting onto the balcony and screamed for help. | 0:09:17 | 0:09:21 | |
It's believed the shooting happened between 3:12 and 3:14am. | 0:09:21 | 0:09:25 | |
After shouting for help, Oscar made several phone calls. | 0:09:25 | 0:09:29 | |
The first, at 3:19, was to a neighbour, Johan Stander. | 0:09:29 | 0:09:33 | |
Next, at 3:20, he called an ambulance. Then, estate security. | 0:09:33 | 0:09:38 | |
Oscar carried Reeva down these stairs, photographed later, | 0:09:38 | 0:09:42 | |
showing a trail of blood. | 0:09:42 | 0:09:44 | |
Neighbours arrived, and in court recalled the scene. | 0:09:44 | 0:09:48 | |
As I approached the lady, | 0:09:48 | 0:09:50 | |
there was a man on his knees on the left side. | 0:09:50 | 0:09:54 | |
He said: "I shot her, I thought she was a burglar and I shot her." | 0:09:55 | 0:09:59 | |
He's crying. | 0:09:59 | 0:10:02 | |
He's praying. | 0:10:02 | 0:10:03 | |
He's asking God to help him. | 0:10:05 | 0:10:07 | |
He was torn apart. | 0:10:09 | 0:10:11 | |
Broken. Desperate. | 0:10:11 | 0:10:15 | |
Pleading. | 0:10:15 | 0:10:16 | |
He kept on asking me, "Where's the ambulance? | 0:10:16 | 0:10:19 | |
"Where's the ambulance? Where are they? | 0:10:19 | 0:10:21 | |
"Please, Carice, where are they?" | 0:10:21 | 0:10:22 | |
Begging me, and I just kept on telling him, "They're coming. | 0:10:22 | 0:10:25 | |
"They're coming, Oscar, please. They're coming." | 0:10:25 | 0:10:27 | |
By the time the ambulance and police arrived, it was already too late. | 0:10:27 | 0:10:31 | |
Inspecting the scene inside the house, | 0:10:31 | 0:10:34 | |
detectives were immediately suspicious of Oscar's story. | 0:10:34 | 0:10:37 | |
There was blood in the bedroom and damage to bathroom tiles. | 0:10:37 | 0:10:41 | |
It looked like there'd been a fight. | 0:10:41 | 0:10:44 | |
Reeva's bag was packed, and she'd taken her mobile phone from | 0:10:44 | 0:10:47 | |
the bedroom to the bathroom, locking herself inside the toilet cubicle. | 0:10:47 | 0:10:51 | |
His body marked with Reeva's blood, | 0:10:52 | 0:10:54 | |
Oscar Pistorius was photographed, arrested and jailed. | 0:10:54 | 0:10:58 | |
Within hours, everyone woke to the news. | 0:10:58 | 0:11:01 | |
Facing a murder charge, the South African Olympic and Paralympic star | 0:11:01 | 0:11:05 | |
Oscar Pistorius is held after his girlfriend is shot dead. | 0:11:05 | 0:11:09 | |
To many, it was hard to believe, | 0:11:09 | 0:11:11 | |
Oscar Pistorius was admired around the world. | 0:11:11 | 0:11:14 | |
But in South Africa, he was a megastar. | 0:11:14 | 0:11:16 | |
The Oscar Pistorius story is epic. | 0:11:19 | 0:11:21 | |
Born disabled, his lower legs were amputated | 0:11:21 | 0:11:24 | |
when he was just 11 months old. | 0:11:24 | 0:11:26 | |
Yet through strength and determination, | 0:11:26 | 0:11:28 | |
he made sporting history. | 0:11:28 | 0:11:31 | |
2012 was his professional peak - two gold medals, two world records | 0:11:31 | 0:11:36 | |
and the first double amputee to take part in the Olympics, | 0:11:36 | 0:11:39 | |
his nation's standard bearer. | 0:11:39 | 0:11:42 | |
Speaking just before London 2012, | 0:11:42 | 0:11:45 | |
Pistorius appeared to acknowledge that he carried the hopes of many. | 0:11:45 | 0:11:48 | |
I really don't want to mess up the last six years, really, | 0:11:48 | 0:11:52 | |
that I've put together. | 0:11:52 | 0:11:53 | |
There have been not only my sacrifices, | 0:11:53 | 0:11:57 | |
but a lot of people that have invested time and money into me. | 0:11:57 | 0:12:01 | |
And it wouldn't be fair on anyone if I, you know, | 0:12:01 | 0:12:04 | |
kind of lived a reckless lifestyle. | 0:12:04 | 0:12:07 | |
The money was rolling in, | 0:12:07 | 0:12:08 | |
an estimated £1.3 million a year in sponsorship. | 0:12:08 | 0:12:12 | |
And the symbols of success - celebrity friends, fast sports cars, | 0:12:12 | 0:12:17 | |
plus a new-found interest in guns, | 0:12:17 | 0:12:19 | |
buying a 9mm pistol and applying for six firearm licences. | 0:12:19 | 0:12:23 | |
In November 2012, back home from London, Oscar Pistorius | 0:12:26 | 0:12:30 | |
started appearing in public with Reeva Steenkamp. | 0:12:30 | 0:12:33 | |
The media couldn't get enough of the couple, | 0:12:33 | 0:12:35 | |
two people who seemed to have everything. | 0:12:35 | 0:12:38 | |
The Paralympic gold medallist Oscar Pistorius | 0:12:38 | 0:12:40 | |
has been charged with murder. | 0:12:40 | 0:12:42 | |
So, when news broke of a shooting at the Pistorius home... | 0:12:42 | 0:12:46 | |
The incident happened in Pretoria in the early hours of the morning. | 0:12:46 | 0:12:49 | |
..it reverberated around the world. | 0:12:49 | 0:12:51 | |
As a South African journalist, | 0:12:51 | 0:12:53 | |
and as a South African, actually, | 0:12:53 | 0:12:55 | |
I mean, this is a very conflicted narrative. | 0:12:55 | 0:12:59 | |
Because you want to believe him. | 0:12:59 | 0:13:03 | |
You really, really, really, really want to believe him. | 0:13:03 | 0:13:06 | |
Was Oscar telling the truth? | 0:13:06 | 0:13:07 | |
Was it, as he said, all a tragic accident? | 0:13:07 | 0:13:10 | |
Or were the police right? Was it premeditated murder? | 0:13:10 | 0:13:13 | |
He killed her, there is no doubt of the fact that he killed her. | 0:13:13 | 0:13:17 | |
But what was his intention? | 0:13:17 | 0:13:20 | |
It was a question that haunted Reeva's parents, June | 0:13:20 | 0:13:23 | |
and Barry Steenkamp. | 0:13:23 | 0:13:24 | |
She must have suffered so much in that toilet. | 0:13:24 | 0:13:27 | |
Why couldn't I be protecting her? | 0:13:29 | 0:13:31 | |
Cos we always protected her. | 0:13:31 | 0:13:32 | |
We have to learn to live without Reeva now. | 0:13:33 | 0:13:36 | |
But she was such a big part of our life. | 0:13:36 | 0:13:39 | |
She never really let go of us. | 0:13:39 | 0:13:40 | |
You know, a child grows up, they move on. | 0:13:40 | 0:13:44 | |
But she was always... Every Saturday she phoned me. | 0:13:44 | 0:13:47 | |
Every Sunday she phoned her father. | 0:13:47 | 0:13:49 | |
Only people that have gone through this will understand. | 0:13:49 | 0:13:56 | |
It's easy for other people to look in and see and listen | 0:13:57 | 0:14:01 | |
and have their thoughts. | 0:14:01 | 0:14:04 | |
But only once they've gone through it will they know what we feel. | 0:14:04 | 0:14:08 | |
Reeva Steenkamp was Barry and June's only child together. | 0:14:10 | 0:14:14 | |
They were both divorcees with families when they met | 0:14:14 | 0:14:16 | |
and married in 1981. | 0:14:16 | 0:14:18 | |
Beautiful outside and inside, that was her quality. | 0:14:19 | 0:14:24 | |
Caring and loving for others. | 0:14:24 | 0:14:26 | |
Probably before herself. | 0:14:27 | 0:14:29 | |
Before she would put herself, she would put others before her. | 0:14:29 | 0:14:33 | |
Well, when she was two, two years old, | 0:14:33 | 0:14:37 | |
she was in the cupboard with the flour and toothpaste... | 0:14:37 | 0:14:40 | |
Yeah, her whole face is covered in the flour. | 0:14:40 | 0:14:43 | |
-She's emptied the whole cupboard. -Yeah. | 0:14:43 | 0:14:45 | |
The photoshoot for the wedding dresses on the beach. | 0:14:46 | 0:14:51 | |
Out of all the photographs... this is my favourite one. | 0:14:51 | 0:14:57 | |
She...loved dressing up that way with, like, wedding dresses on. | 0:14:57 | 0:15:04 | |
It just makes Barry think of... | 0:15:09 | 0:15:12 | |
what she would have been in her own wedding, you know? | 0:15:12 | 0:15:15 | |
The Steenkamp home has become a shrine to Reeva. | 0:15:15 | 0:15:18 | |
Every photograph, school certificate and souvenir proudly displayed. | 0:15:18 | 0:15:22 | |
Among the treasured possessions, two very special paintings | 0:15:22 | 0:15:26 | |
by a teenage girl which, for Mum and Dad, now suggest a hidden message. | 0:15:26 | 0:15:30 | |
Here's Reeva. | 0:15:30 | 0:15:31 | |
Here in... No. | 0:15:33 | 0:15:34 | |
In the field next door, there's a man with a gun | 0:15:34 | 0:15:39 | |
and he's standing under a tree and it's pointing towards Reeva. | 0:15:39 | 0:15:43 | |
And she's standing here and she has her wings. | 0:15:43 | 0:15:46 | |
And here are the steps going to heaven. | 0:15:46 | 0:15:49 | |
That's how I feel, that she... | 0:15:49 | 0:15:53 | |
She painted this when she was 15 years old. | 0:15:53 | 0:15:56 | |
So it's quite like a premonition, almost. | 0:15:56 | 0:16:00 | |
And it is unbelievable, if you think of it. | 0:16:00 | 0:16:02 | |
And here's another one which is even more uncanny and... | 0:16:02 | 0:16:08 | |
..chilling than the other one. | 0:16:10 | 0:16:12 | |
Also of a painting that Reeva done for us when she was young. | 0:16:12 | 0:16:17 | |
When we... | 0:16:18 | 0:16:20 | |
When the newspapers came out and the media came out | 0:16:20 | 0:16:24 | |
and the first picture that was shown was with Reeva on the toilet seat | 0:16:24 | 0:16:29 | |
where she had been killed. | 0:16:29 | 0:16:32 | |
-And it's virtually identical. -The position and everything. | 0:16:32 | 0:16:37 | |
The position that they had shown in the newspapers. | 0:16:37 | 0:16:41 | |
And I just couldn't believe it. | 0:16:41 | 0:16:43 | |
Images with particular meaning for parents who'd watched | 0:16:43 | 0:16:46 | |
the transformation of the thoughtful schoolgirl | 0:16:46 | 0:16:49 | |
into top celebrity model. | 0:16:49 | 0:16:50 | |
A winning combination of intelligence, glamour | 0:16:52 | 0:16:55 | |
and steely determination. | 0:16:55 | 0:16:56 | |
I thought this was going to be the craziest outfit, | 0:16:56 | 0:16:59 | |
but really it's not. I've seen some insane things today. | 0:16:59 | 0:17:02 | |
The legal graduate intended to make the law her future. | 0:17:02 | 0:17:05 | |
But in 2012, Reeva's TV career was taking off... | 0:17:05 | 0:17:09 | |
We are at the Wrangler launch... | 0:17:09 | 0:17:11 | |
..and she was using her growing fame to campaign - | 0:17:11 | 0:17:14 | |
speaking out on violence against women. | 0:17:14 | 0:17:16 | |
One just wonders what she could have done, | 0:17:16 | 0:17:18 | |
wonderful things in the world. | 0:17:18 | 0:17:19 | |
Especially for the abused women she was going to work for. | 0:17:20 | 0:17:25 | |
Just try and go to schools. | 0:17:25 | 0:17:28 | |
And the day she was killed, | 0:17:28 | 0:17:30 | |
the next day she was going to a school to speak to young girls | 0:17:30 | 0:17:33 | |
about abused women and how they must find a voice. | 0:17:33 | 0:17:37 | |
They don't have to keep quiet. They can... | 0:17:37 | 0:17:40 | |
And she was going to do work in that direction, you know. | 0:17:40 | 0:17:45 | |
That she was in the limelight so she could speak now | 0:17:45 | 0:17:47 | |
and be heard about that. | 0:17:47 | 0:17:50 | |
In South Africa, everyone heard about Reeva Steenkamp the moment | 0:17:50 | 0:17:54 | |
she was first seen on a red-carpet date with Oscar Pistorius. | 0:17:54 | 0:17:57 | |
Hi. I'm Oscar's date tonight. | 0:17:57 | 0:18:01 | |
I said to myself, "Oh, here we go." | 0:18:01 | 0:18:03 | |
I thought most probably it's one of these things that | 0:18:05 | 0:18:08 | |
where they go out and | 0:18:08 | 0:18:10 | |
-the limelight and partner together, you know, as far as... -In events. | 0:18:10 | 0:18:15 | |
Advertising or events are concerned, that is what I thought. | 0:18:15 | 0:18:18 | |
Oscar and Reeva dated for three months, but Reeva's parents | 0:18:18 | 0:18:22 | |
had almost no contact with the Olympic star. | 0:18:22 | 0:18:24 | |
Though there was one memorable phone call. | 0:18:24 | 0:18:26 | |
She was in the car with him. | 0:18:26 | 0:18:28 | |
And she said, "Mummy, Oscar's driving like an absolute lunatic. | 0:18:28 | 0:18:32 | |
And she said, "I'm afraid. I'm scared." | 0:18:32 | 0:18:36 | |
So I said, "You put him on the phone to me and I will talk to him." | 0:18:36 | 0:18:39 | |
And I said, "If you hurt my baby | 0:18:41 | 0:18:46 | |
"I will have you bumped off" | 0:18:46 | 0:18:49 | |
or "wiped out," one of the two. | 0:18:49 | 0:18:51 | |
And he straightaway said he's very sorry and then he put the phone down. | 0:18:51 | 0:18:56 | |
And Reeva said, "He slowed down immediately." | 0:18:56 | 0:18:59 | |
But weeks later, it would be a very different story. | 0:18:59 | 0:19:02 | |
Reeva was dead, killed by Oscar. | 0:19:02 | 0:19:06 | |
Preparing to travel to the trial, | 0:19:06 | 0:19:07 | |
where Pistorius was to claim his innocence, | 0:19:07 | 0:19:10 | |
Reeva's mother had no thoughts of revenge. | 0:19:10 | 0:19:12 | |
It's too late for that. | 0:19:12 | 0:19:14 | |
What good is that going to do? | 0:19:14 | 0:19:16 | |
That's just going to hurt me as a person. | 0:19:16 | 0:19:19 | |
That's just going to rot inside me. | 0:19:19 | 0:19:21 | |
I will just leave it up to the law. | 0:19:21 | 0:19:23 | |
They must make the decision and then they must make the punishment. | 0:19:24 | 0:19:29 | |
And I don't have things in my head that | 0:19:29 | 0:19:32 | |
I want him to suffer or be, you know... | 0:19:32 | 0:19:35 | |
..in jail for the rest of his life. | 0:19:37 | 0:19:39 | |
It's not what I want. | 0:19:39 | 0:19:41 | |
But he must take responsibility for what he's done, | 0:19:41 | 0:19:45 | |
for this huge, what he says, is a mistake. | 0:19:45 | 0:19:47 | |
It's a huge mistake. | 0:19:47 | 0:19:49 | |
I'm sure he could have checked better or whatever. | 0:19:49 | 0:19:53 | |
Me personally, I'd hate to be Oscar Pistorius. | 0:19:53 | 0:19:56 | |
The way he must be feeling now with the case coming up... | 0:19:56 | 0:20:00 | |
..fear and worry, this and that. | 0:20:02 | 0:20:04 | |
That's... I don't actually wish on my worst enemy. | 0:20:04 | 0:20:08 | |
-PRODUCER: -Some people might find it fascinating | 0:20:13 | 0:20:15 | |
that you feel for him at this stage. | 0:20:15 | 0:20:17 | |
What would you say to them? | 0:20:17 | 0:20:19 | |
I wouldn't like to be him, no. I wouldn't like to be in his shoes. | 0:20:19 | 0:20:24 | |
I wouldn't like to have his feelings this evening and tomorrow. | 0:20:24 | 0:20:29 | |
It must be the most awful thing to go out there | 0:20:30 | 0:20:34 | |
and fight for your life, whether you're wrong or right. | 0:20:34 | 0:20:37 | |
And that's it. | 0:20:37 | 0:20:38 | |
-But he's the man who killed your daughter. -Yes. | 0:20:39 | 0:20:41 | |
That is right. Don't... We don't forget that. We know that. | 0:20:41 | 0:20:44 | |
But we do understand, like, what other people, | 0:20:46 | 0:20:49 | |
whether innocent or guilty, what they feel like as well. | 0:20:49 | 0:20:53 | |
Both parents had intended to make the journey to the trial, | 0:20:54 | 0:20:57 | |
accompanied by June's other daughter Simone, Reeva's half-sister, | 0:20:57 | 0:21:01 | |
but at the last minute, plans had to change. | 0:21:01 | 0:21:04 | |
Yes, I have had a little bit of a problem. | 0:21:04 | 0:21:07 | |
He had a stroke. He had a little stroke. | 0:21:07 | 0:21:09 | |
But still, it went through his brain | 0:21:09 | 0:21:11 | |
and collapsed the whole one side of his face. | 0:21:11 | 0:21:13 | |
-Yeah, but anyway, it's... -It's a warning, you know? It's a warning. | 0:21:13 | 0:21:16 | |
-But that's... -That he mustn't get upset about things. -Yeah. | 0:21:16 | 0:21:20 | |
It's the most awful feeling that June | 0:21:21 | 0:21:25 | |
and Simone, going up for the trial... | 0:21:25 | 0:21:27 | |
..and I can't take it. Later on, yes, | 0:21:29 | 0:21:33 | |
I will most probably... | 0:21:33 | 0:21:35 | |
..build up enough courage to go. | 0:21:38 | 0:21:39 | |
They knew that in court the full extent | 0:21:42 | 0:21:45 | |
of Reeva's injuries would be made public for | 0:21:45 | 0:21:47 | |
the first time, details they didn't want to hear. | 0:21:47 | 0:21:50 | |
-No, that's... -Awful. -No. | 0:21:50 | 0:21:53 | |
-That's going to be the worst. -We've been warned about that. | 0:21:53 | 0:21:56 | |
-Yeah. -That there will be certain gruesome... | 0:21:56 | 0:21:59 | |
-..pictures or details. -We can't do that. | 0:22:02 | 0:22:05 | |
We want to know what happened, but we can't do that. | 0:22:05 | 0:22:08 | |
It would just be too much. | 0:22:08 | 0:22:09 | |
381 days after Reeva was killed, | 0:22:12 | 0:22:15 | |
with a goodbye kiss for Reeva's dad, | 0:22:15 | 0:22:17 | |
her mum set off for the murder trial. | 0:22:17 | 0:22:19 | |
It was the first time that June Steenkamp would see Oscar Pistorius. | 0:22:26 | 0:22:30 | |
And it'll be very hard for me to go there, but I want to go there. | 0:22:30 | 0:22:36 | |
She believed it would be an important moment for herself | 0:22:36 | 0:22:39 | |
and for Oscar. | 0:22:39 | 0:22:40 | |
I think he has to see me, | 0:22:41 | 0:22:43 | |
the mother, the person who gave birth to her. | 0:22:43 | 0:22:47 | |
That he's taken that away. | 0:22:47 | 0:22:49 | |
That's what I want to see. | 0:22:49 | 0:22:50 | |
That's why I want to look in his face and he must look in mine. | 0:22:50 | 0:22:53 | |
He must see now that I am there. | 0:22:53 | 0:22:55 | |
For justice for Reeva, no matter what happened. | 0:22:55 | 0:22:58 | |
And the truth, obviously. | 0:23:01 | 0:23:03 | |
But the encounter she imagined didn't quite happen. | 0:23:03 | 0:23:06 | |
He came in and he just looked straight in front of him. | 0:23:08 | 0:23:12 | |
He didn't look at me or anything. | 0:23:12 | 0:23:14 | |
He...he just walked straight ahead. | 0:23:14 | 0:23:18 | |
And almost with his head slightly down, | 0:23:18 | 0:23:20 | |
or maybe away from me, you know? | 0:23:20 | 0:23:23 | |
So I don't know if that was on purpose or what. | 0:23:23 | 0:23:26 | |
-PROSECUTOR: -The first count against the accused, | 0:23:26 | 0:23:28 | |
count one is one of murder. | 0:23:28 | 0:23:29 | |
In the district of Pretoria, the accused did unlawfully | 0:23:29 | 0:23:32 | |
and intentionally kill a person, to wit, Reeva Steenkamp. | 0:23:32 | 0:23:36 | |
-JUDGE: -Do you understand the charges, Mr Pistorius? | 0:23:36 | 0:23:39 | |
-I do, My Lady. -How do you plead? | 0:23:39 | 0:23:42 | |
Not guilty, My Lady. | 0:23:42 | 0:23:44 | |
JUNE: I wasn't prepared for him to say not guilty. | 0:23:44 | 0:23:47 | |
But obviously he was saying not guilty to premeditated murder. | 0:23:47 | 0:23:52 | |
But my daughter is dead. | 0:23:52 | 0:23:54 | |
She's never coming back. | 0:23:54 | 0:23:55 | |
In the year since Reeva's death, | 0:23:57 | 0:24:00 | |
June Steenkamp said that she hadn't been able to fully grieve. | 0:24:00 | 0:24:03 | |
But, in the courtroom, reality finally set in. | 0:24:03 | 0:24:06 | |
I understood that she's gone. | 0:24:06 | 0:24:09 | |
That was what came home to me. | 0:24:09 | 0:24:11 | |
It just is the realisation that she's actually dead. | 0:24:11 | 0:24:15 | |
This is now the truth. This has happened, it's reality. | 0:24:15 | 0:24:19 | |
June Steenkamp listened to Oscar's explanation, | 0:24:19 | 0:24:22 | |
read by his defence team. | 0:24:22 | 0:24:24 | |
"Whilst I admit that I inflicted the fatal gunshot wounds to Reeva, | 0:24:24 | 0:24:27 | |
"this occurrence was indeed an accident, | 0:24:27 | 0:24:30 | |
"and I had mistakenly believed that an intruder or intruders | 0:24:30 | 0:24:33 | |
"had entered my home and posed an imminent threat to Reeva and me." | 0:24:33 | 0:24:38 | |
Oscar Pistorius sat in the dock as | 0:24:38 | 0:24:40 | |
the prosecutor made the case against him. | 0:24:40 | 0:24:43 | |
We argue that the accused version... | 0:24:43 | 0:24:46 | |
The charge was that he'd invented his story about an intruder - | 0:24:46 | 0:24:49 | |
he always knew it was Reeva behind the door. | 0:24:49 | 0:24:51 | |
The only inference from the circumstantial evidence... | 0:24:52 | 0:24:56 | |
..would be that the accused shot | 0:24:58 | 0:25:00 | |
and killed the deceased with the direct intent to kill. | 0:25:00 | 0:25:03 | |
The world was watching on live television. | 0:25:03 | 0:25:06 | |
Looks like the trial's about to start. | 0:25:06 | 0:25:08 | |
Witnesses had a choice - | 0:25:08 | 0:25:10 | |
appear on camera or only have their voices heard. | 0:25:10 | 0:25:13 | |
The prosecution would be first to present its case. | 0:25:13 | 0:25:16 | |
Their first witness chose to stay off-camera. | 0:25:16 | 0:25:18 | |
Michelle Burger, a university lecturer, | 0:25:18 | 0:25:21 | |
lived 193 yards from Oscar Pistorius. | 0:25:21 | 0:25:24 | |
As with every witness, she addressed her answers to the judge, | 0:25:24 | 0:25:28 | |
calling her "My Lady". | 0:25:28 | 0:25:29 | |
I was woken up by a woman's petrified screams. | 0:25:29 | 0:25:32 | |
My Lady, what I can say to the court is her shouts, | 0:25:32 | 0:25:36 | |
her screams were petrifying. | 0:25:36 | 0:25:38 | |
I knew something terrible was happening in that house. | 0:25:38 | 0:25:41 | |
I thought they were being attacked in their house. | 0:25:41 | 0:25:44 | |
You only shout like that if your life is really threatened. | 0:25:44 | 0:25:47 | |
But just before the gunshots, it was blood-curdling. | 0:25:48 | 0:25:53 | |
It was something that leaves you cold. | 0:25:53 | 0:25:56 | |
It's something you can't portray in the court. | 0:25:56 | 0:25:59 | |
You can't explain it, | 0:25:59 | 0:26:00 | |
you just know that woman's life was really threatened. | 0:26:00 | 0:26:04 | |
Barry Roux, who led the Pistorius defence team, | 0:26:04 | 0:26:07 | |
challenged the witness. | 0:26:07 | 0:26:09 | |
First, was she sure she heard gunshots, | 0:26:09 | 0:26:12 | |
or the sound of a cricket bat striking the door? | 0:26:12 | 0:26:14 | |
Why could it not have been the cricket bat | 0:26:14 | 0:26:16 | |
-that you heard bashing the door? -My Lady, | 0:26:16 | 0:26:18 | |
I clearly heard four gunshots after I made the telephone call. | 0:26:18 | 0:26:23 | |
Then, did she really hear Reeva screaming? Or was it Oscar? | 0:26:23 | 0:26:26 | |
My Lady, I'm sure what I heard was a woman, | 0:26:26 | 0:26:29 | |
so I'm quite convinced it wasn't Mr Pistorius. | 0:26:29 | 0:26:31 | |
-I know you believe you heard it. -Yeah. | 0:26:31 | 0:26:35 | |
All I say is, when he's anxious, his voice, when it pitches, | 0:26:35 | 0:26:39 | |
it sounds like a woman screaming. | 0:26:39 | 0:26:42 | |
Day one had been emotional and exhausting, | 0:26:42 | 0:26:46 | |
and at the end, June Steenkamp came face-to-face not with Oscar, | 0:26:46 | 0:26:49 | |
but with his brother Carl. | 0:26:49 | 0:26:51 | |
It was a surprise. Because no-one from the family has ever | 0:26:51 | 0:26:56 | |
come towards me to say anything. | 0:26:56 | 0:27:00 | |
They said they're sorry and they've done nothing, | 0:27:00 | 0:27:03 | |
and they're also struggling with their problems. | 0:27:03 | 0:27:06 | |
So I accept that. | 0:27:06 | 0:27:09 | |
Reliving the events of the night | 0:27:11 | 0:27:13 | |
became unbearable for some witnesses. | 0:27:13 | 0:27:15 | |
-WOMAN: -It was awful to hear her shout before the shots. | 0:27:15 | 0:27:18 | |
Madam, I know that you're emotional now. This is almost done. | 0:27:20 | 0:27:24 | |
The prosecution said that if neighbours could hear | 0:27:24 | 0:27:27 | |
a woman screaming before and during gunshots, | 0:27:27 | 0:27:29 | |
Pistorius must have known it was Reeva, not an intruder. | 0:27:29 | 0:27:34 | |
The Pistorius defence team claimed the high-pitched screams | 0:27:34 | 0:27:37 | |
"could" have come from Oscar, not a woman. | 0:27:37 | 0:27:40 | |
From what you assumed to have been a woman? | 0:27:40 | 0:27:43 | |
-WOMAN: -That's correct. | 0:27:43 | 0:27:45 | |
But you cannot be 100% correct in that assertion, can you? | 0:27:45 | 0:27:49 | |
In my recollection, | 0:27:49 | 0:27:51 | |
I'm 100% absolutely convinced it was a female. | 0:27:51 | 0:27:56 | |
Reeva's mum had returned home after day one. | 0:27:56 | 0:27:58 | |
But as week three began, she was back in court. | 0:27:59 | 0:28:02 | |
I feel that I have to be there. | 0:28:02 | 0:28:04 | |
That my presence is a good thing for the people around me. | 0:28:05 | 0:28:10 | |
To see that I'm there. | 0:28:12 | 0:28:14 | |
Because there were so many questions. | 0:28:14 | 0:28:16 | |
"Why isn't June there?" You know? | 0:28:16 | 0:28:18 | |
"Why am I not there?" I must be there. | 0:28:18 | 0:28:21 | |
And I just have to be strong. | 0:28:21 | 0:28:23 | |
Again, she was in the same room as Oscar Pistorius. | 0:28:23 | 0:28:26 | |
This time, she was able to look him in the face. | 0:28:26 | 0:28:30 | |
He pointedly looked at me, stopped in front of me, and said, | 0:28:30 | 0:28:35 | |
"Good morning." | 0:28:35 | 0:28:36 | |
That was it. | 0:28:36 | 0:28:37 | |
Barry Bateman, a journalist and author of a book on the case, | 0:28:39 | 0:28:42 | |
is seen in this photo, having witnessed the moment. | 0:28:42 | 0:28:45 | |
And there was a slight recognition from June as well. But she's been, | 0:28:45 | 0:28:48 | |
you know, quite brave to be there, and to have to listen to this here, | 0:28:48 | 0:28:52 | |
and have to come face to face with the man who shot her daughter. | 0:28:52 | 0:28:56 | |
Days earlier, the court had heard | 0:28:56 | 0:28:58 | |
the full extent of Reeva's fatal injuries. | 0:28:58 | 0:29:01 | |
The autopsy report was so distressing, the judge took action. | 0:29:01 | 0:29:05 | |
There shall be no broadcast of the evidence. | 0:29:05 | 0:29:08 | |
In court, Oscar Pistorius wept and vomited as | 0:29:08 | 0:29:11 | |
the pathologist testified. | 0:29:11 | 0:29:13 | |
He became quite emotional, | 0:29:13 | 0:29:15 | |
there were times when you could see he was physically ill. | 0:29:15 | 0:29:18 | |
You could hear him gagging. | 0:29:18 | 0:29:19 | |
It was quite nasty in court listening to this. | 0:29:19 | 0:29:21 | |
As more evidence emerged, | 0:29:21 | 0:29:23 | |
June Steenkamp's feelings began to harden. | 0:29:23 | 0:29:26 | |
I'm angry now, when I hear the details of exactly what happened. | 0:29:26 | 0:29:31 | |
I'm angry now. I'm still forgiving, but I'm angry. | 0:29:31 | 0:29:35 | |
I think just the injuries, | 0:29:35 | 0:29:38 | |
and the fear that she must have had in that bathroom. | 0:29:38 | 0:29:42 | |
Those are the things that get to me. | 0:29:42 | 0:29:45 | |
Straight to my soul. My heart and my soul. | 0:29:46 | 0:29:50 | |
She listened to the police ballistics expert | 0:29:51 | 0:29:54 | |
describe how he believed her daughter was killed. | 0:29:54 | 0:29:57 | |
My opinion was that there was four shots fired at the crime scene. | 0:29:57 | 0:30:00 | |
Captain Christiaan Mangena said Reeva was standing behind the door | 0:30:00 | 0:30:04 | |
and facing it, when the first shot hit her right hip. | 0:30:04 | 0:30:08 | |
After the infliction of the wound on the hip, | 0:30:08 | 0:30:10 | |
she fell down on top of a magazine rack. | 0:30:10 | 0:30:15 | |
The deceased was most probably seated in a defensive position, | 0:30:15 | 0:30:19 | |
something like in this position. | 0:30:19 | 0:30:23 | |
The arm was lifted up and was in front of her chest. | 0:30:23 | 0:30:26 | |
Three shots, to be that "doof-doof-doof". | 0:30:26 | 0:30:29 | |
Pistorius covered his own head. | 0:30:29 | 0:30:31 | |
He said he didn't know Reeva was behind the door. | 0:30:31 | 0:30:34 | |
Meanwhile, June Steenkamp looked straight ahead. | 0:30:34 | 0:30:39 | |
I just try and make myself strong. | 0:30:39 | 0:30:42 | |
I don't want to be emotional in front of other people. | 0:30:42 | 0:30:44 | |
That is one thing I don't want to be. | 0:30:44 | 0:30:47 | |
And then when I come home, | 0:30:47 | 0:30:48 | |
then everything comes out, then I can cry. | 0:30:48 | 0:30:52 | |
Because it is... it's too emotional for me. | 0:30:52 | 0:30:55 | |
It's too much to ask any mother to do. | 0:30:55 | 0:30:58 | |
Too much for any mother to see that's their child | 0:30:58 | 0:31:01 | |
and what they've been through, what they've suffered, how they died. | 0:31:01 | 0:31:05 | |
The dramatic finale of the prosecution case - | 0:31:05 | 0:31:08 | |
a text from Reeva to Oscar, three weeks before she was killed. | 0:31:08 | 0:31:13 | |
"I'm scared of you sometimes and how you snap at me | 0:31:30 | 0:31:34 | |
"and of how you will react to me." | 0:31:34 | 0:31:37 | |
But Oscar's advocate, Barry Roux, fought back, | 0:31:38 | 0:31:41 | |
introducing affectionate text messages between the couple | 0:31:41 | 0:31:45 | |
and playing this CCTV footage of Oscar and Reeva kissing. | 0:31:45 | 0:31:48 | |
I'm going to show you this clip and I want you to look at it | 0:31:48 | 0:31:52 | |
and see if that would conform | 0:31:52 | 0:31:55 | |
to the loving e-mails you have seen. | 0:31:55 | 0:31:59 | |
I realise that she cared for him. | 0:31:59 | 0:32:02 | |
She wasn't someone who would | 0:32:02 | 0:32:06 | |
continue a relationship unless she was really interested. | 0:32:06 | 0:32:10 | |
You know? She was looking for a soul mate. | 0:32:10 | 0:32:12 | |
And she seemed, from... | 0:32:12 | 0:32:16 | |
SOME of those messages, she seemed in love. | 0:32:16 | 0:32:20 | |
In love, or falling in love, maybe. | 0:32:20 | 0:32:23 | |
On day 15, after calling 21 witnesses, | 0:32:24 | 0:32:28 | |
the prosecution rested its case. | 0:32:28 | 0:32:29 | |
-I have no further questions. -Thank you very much. | 0:32:29 | 0:32:32 | |
Heading to court each day | 0:32:32 | 0:32:34 | |
had become one of the hardest parts of the trial for Reeva's mother. | 0:32:34 | 0:32:37 | |
When I'm driving to court I get very emotional, | 0:32:37 | 0:32:41 | |
because I look in the streets, and I know that she's not there. | 0:32:41 | 0:32:46 | |
You understand? She's missing from the whole picture. | 0:32:46 | 0:32:50 | |
Her life's been taken away. | 0:32:50 | 0:32:52 | |
She's never going to have a baby. She's never going to have a wedding. | 0:32:52 | 0:32:55 | |
I'm never going to have her grandchildren. | 0:32:55 | 0:32:58 | |
Those are things that we were looking forward to. | 0:32:58 | 0:33:01 | |
And my child, my most precious child, is gone. | 0:33:01 | 0:33:04 | |
That's just too much for me. He has taken that away from me. | 0:33:04 | 0:33:08 | |
He has taken that away from me. | 0:33:09 | 0:33:12 | |
FEMALE REPORTER: Murder-accused Oscar Pistorius says he relives | 0:33:12 | 0:33:15 | |
the terror of killing Reeva Steenkamp every single day. | 0:33:15 | 0:33:19 | |
Monday, April 7th - Oscar Pistorius takes the stand. | 0:33:19 | 0:33:23 | |
He begins with a direct statement to Reeva's family. | 0:33:28 | 0:33:32 | |
I would like to take this opportunity to apologise to... | 0:33:32 | 0:33:37 | |
..to Mrs and Mr Steenkamp. | 0:33:40 | 0:33:42 | |
Like some witnesses before him, | 0:33:42 | 0:33:45 | |
Pistorius declined to appear on camera. | 0:33:45 | 0:33:48 | |
I wake up every morning | 0:33:48 | 0:33:50 | |
and you're the first people I think of, the first people I pray for. | 0:33:50 | 0:33:54 | |
I can't imagine the pain | 0:33:54 | 0:33:56 | |
and the sorrow and the emptiness that I've caused you and your family. | 0:33:56 | 0:34:00 | |
I was simply trying to protect Reeva. | 0:34:00 | 0:34:03 | |
I can promise that when she went to bed that night, she felt loved. | 0:34:03 | 0:34:07 | |
He said their relationship was growing stronger. | 0:34:08 | 0:34:12 | |
I was very keen on Reeva. | 0:34:12 | 0:34:14 | |
At times we kind of spoke | 0:34:14 | 0:34:17 | |
and the relationship built up to a point in mid-January, | 0:34:17 | 0:34:23 | |
that we really knew that we started caring about each other, | 0:34:23 | 0:34:26 | |
we started talking about future plans. | 0:34:26 | 0:34:29 | |
In court there was the reference to WhatsApp messages. | 0:34:29 | 0:34:33 | |
Then I sent her a message saying... | 0:34:41 | 0:34:43 | |
Ultimately, the judge said the messages between Reeva and Oscar | 0:34:52 | 0:34:56 | |
had no bearing on the case. | 0:34:56 | 0:34:58 | |
In the witness box, Oscar Pistorius told his story of what happened | 0:35:00 | 0:35:04 | |
on the night Reeva died. | 0:35:04 | 0:35:06 | |
Must have been around... just before eight o'clock. | 0:35:06 | 0:35:10 | |
I came into my room and I put the... | 0:35:10 | 0:35:14 | |
Opened the balcony doors. it was a very humid evening. | 0:35:14 | 0:35:18 | |
He said he put two fans on the balcony | 0:35:18 | 0:35:22 | |
to draw cool air into the room. | 0:35:22 | 0:35:24 | |
He and Reeva then went to bed. | 0:35:24 | 0:35:26 | |
I woke up in the early hours of 14th February. | 0:35:26 | 0:35:30 | |
It was extremely warm in my room. | 0:35:31 | 0:35:34 | |
I sat up in bed, | 0:35:34 | 0:35:36 | |
I noticed that the fans were still running | 0:35:36 | 0:35:40 | |
and that the door was still open, | 0:35:40 | 0:35:43 | |
although the lights had been switched off. | 0:35:43 | 0:35:46 | |
Reeva was still awake. She was obviously not sleeping. | 0:35:47 | 0:35:52 | |
She rolled over to me and she said "Can't you sleep, my bubba?" | 0:35:52 | 0:35:55 | |
And I said, "No, I can't tonight." | 0:35:57 | 0:35:59 | |
Pistorius said he got out of bed and brought in the fans | 0:36:00 | 0:36:03 | |
from the balcony, drawing the curtains to darken the room. | 0:36:03 | 0:36:06 | |
Then he heard a noise. | 0:36:06 | 0:36:09 | |
It was at this point that I heard a window open in the bathroom - | 0:36:09 | 0:36:12 | |
sounded like the window sliding open. | 0:36:12 | 0:36:16 | |
My Lady, that's the moment that everything changed. | 0:36:17 | 0:36:21 | |
I thought that there was a burglar that was gaining entry into my home. | 0:36:21 | 0:36:25 | |
And I grabbed my firearm from underneath the bed. | 0:36:27 | 0:36:31 | |
I shouted for Reeva to get on the floor, | 0:36:31 | 0:36:34 | |
I shouted for her to phone the police. | 0:36:34 | 0:36:37 | |
I got to the entrance of the bathroom. | 0:36:39 | 0:36:41 | |
I stood there for some time. | 0:36:43 | 0:36:45 | |
Not sure how long. | 0:36:45 | 0:36:47 | |
I wasn't sure if somebody was going to come out of the toilet | 0:36:48 | 0:36:51 | |
to attack me. | 0:36:51 | 0:36:53 | |
And then I heard a noise from inside the toilet... | 0:36:53 | 0:36:57 | |
..that I perceived to be somebody coming out of the toilet. | 0:36:59 | 0:37:03 | |
Before I knew it I had fired four shots at the door. | 0:37:04 | 0:37:08 | |
Pistorius said he rushed back to the bedroom to find Reeva. | 0:37:10 | 0:37:14 | |
She wasn't there. | 0:37:14 | 0:37:15 | |
I think it was at that point, My Lady, that... | 0:37:15 | 0:37:19 | |
..that it first dawned upon me | 0:37:21 | 0:37:23 | |
that it could be Reeva that was in the... | 0:37:23 | 0:37:26 | |
in the bathroom or in the toilet. | 0:37:26 | 0:37:29 | |
He said that he quickly put on his prosthetic legs | 0:37:29 | 0:37:32 | |
and tried to kick down the door. | 0:37:32 | 0:37:35 | |
I was screaming and shouting the whole time, and crying out. | 0:37:35 | 0:37:38 | |
I was crying out for the Lord to help me, | 0:37:38 | 0:37:40 | |
I was crying out for Reeva, I was screaming. | 0:37:40 | 0:37:44 | |
The door didn't open, so, he said, he struck it with a cricket bat, | 0:37:44 | 0:37:47 | |
breaking through a wooden panel. | 0:37:47 | 0:37:50 | |
Whilst I leant over the partition to get in, I saw the key | 0:37:53 | 0:37:56 | |
so I took it and unlocked the door | 0:37:56 | 0:37:58 | |
and I flung the door open, I threw it open. | 0:37:58 | 0:38:00 | |
And I sat over Reeva and I cried. | 0:38:00 | 0:38:03 | |
And I don't know how long. | 0:38:05 | 0:38:08 | |
I don't know how long I was there for. | 0:38:09 | 0:38:12 | |
OSCAR SOBS | 0:38:12 | 0:38:16 | |
She wasn't breathing. | 0:38:16 | 0:38:18 | |
-JUDGE: -We'll take an adjournment. | 0:38:21 | 0:38:23 | |
Court will adjourn. | 0:38:25 | 0:38:26 | |
OSCAR SOBS | 0:38:26 | 0:38:29 | |
Next, Oscar Pistorius' testimony would be challenged. | 0:38:34 | 0:38:38 | |
He was cross-examined by the prosecutor, Gerrie Nel, | 0:38:38 | 0:38:41 | |
nick-named "The Pit Bull". | 0:38:41 | 0:38:42 | |
You made a mistake? | 0:38:42 | 0:38:44 | |
-That's correct. -You killed a person, that's what you did, isn't it? | 0:38:44 | 0:38:47 | |
-I made a mistake. -You killed Reeva Steenkamp, that's what you did. | 0:38:47 | 0:38:52 | |
I made a mistake, My Lady. | 0:38:52 | 0:38:53 | |
You're repeating it three times, what was your mistake? | 0:38:53 | 0:38:56 | |
My mistake was that I took Reeva's life, My Lady. | 0:38:56 | 0:38:59 | |
You killed her. You shot and killed her. | 0:38:59 | 0:39:01 | |
-Won't you take responsibility for that? -I did, My Lady. | 0:39:03 | 0:39:07 | |
Say it, then. Say yes. | 0:39:07 | 0:39:09 | |
"I shot and killed Reeva Steenkamp." | 0:39:09 | 0:39:12 | |
-I did, My Lady. -OK. | 0:39:12 | 0:39:15 | |
Then the prosecutor introduced this video | 0:39:15 | 0:39:18 | |
of Oscar Pistorius at a shooting range. | 0:39:18 | 0:39:21 | |
-"It's a lot softer than brains but -BLEEP -it's like a zombie stopper." | 0:39:21 | 0:39:25 | |
You did, you said, "It's softer than brains". Who else got brains? | 0:39:25 | 0:39:31 | |
I was in that whole sentence, I was referring to a zombie. | 0:39:31 | 0:39:34 | |
What we can see there is the effect | 0:39:34 | 0:39:37 | |
the ammunition had on a watermelon. | 0:39:37 | 0:39:41 | |
-It exploded, am I right? -That's correct. | 0:39:43 | 0:39:46 | |
You know the same happened to Reeva's head. | 0:39:46 | 0:39:49 | |
It exploded, have a look. | 0:39:49 | 0:39:50 | |
The image was too much for many spectators, | 0:39:50 | 0:39:53 | |
including Reeva's mother and relatives. | 0:39:53 | 0:39:55 | |
We have blurred the photograph. | 0:39:55 | 0:39:58 | |
It had the exact same effect, the bullet that went into her head. | 0:39:58 | 0:40:01 | |
I was there that night. | 0:40:01 | 0:40:03 | |
That's it. Have a look. | 0:40:03 | 0:40:05 | |
I know you don't want to because you don't want to take responsibility, | 0:40:05 | 0:40:08 | |
but it's time that you look at it. | 0:40:08 | 0:40:11 | |
Take responsibility for what you have done, Mr Pistorius. | 0:40:11 | 0:40:13 | |
My Lady, I have taken responsibility, | 0:40:13 | 0:40:15 | |
by me waiting and not wanting to live my life, | 0:40:15 | 0:40:18 | |
but waiting for my time on this stand, | 0:40:18 | 0:40:21 | |
to tell my story for the respect of Reeva and for myself. | 0:40:21 | 0:40:24 | |
I've taken responsibility but I will not look at her picture | 0:40:24 | 0:40:26 | |
where I'm tormented by what I saw and felt that night. | 0:40:26 | 0:40:29 | |
As I picked Reeva up, my fingers touched her head. | 0:40:29 | 0:40:32 | |
I remember! I don't have to look at her picture! I was there! | 0:40:32 | 0:40:36 | |
The prosecutor questioned why Pistorius didn't know Reeva | 0:40:36 | 0:40:39 | |
was in the bathroom, and why he missed her getting out of bed. | 0:40:39 | 0:40:42 | |
And you didn't see her get up? | 0:40:42 | 0:40:44 | |
-No, I didn't see her get up. -Why not? | 0:40:44 | 0:40:47 | |
I don't know how she got up out of the bed, I was in close proximity | 0:40:47 | 0:40:51 | |
to her but I didn't see her get out of bed, whether she walked off | 0:40:51 | 0:40:55 | |
the foot of the bed or she got out, | 0:40:55 | 0:40:57 | |
I didn't see that so I can't say. | 0:40:57 | 0:41:00 | |
But at least you will agree with me if I say it is strange | 0:41:00 | 0:41:04 | |
that you did not see her get up, you will agree? She was with you. | 0:41:04 | 0:41:09 | |
It was pitch black and it was behind me, | 0:41:09 | 0:41:11 | |
so it's not strange at all. | 0:41:11 | 0:41:13 | |
The prosecutor closely questioned the details | 0:41:13 | 0:41:16 | |
of Pistorius' version of events. | 0:41:16 | 0:41:19 | |
At that stage when you shouted and screamed at Reeva | 0:41:19 | 0:41:22 | |
to phone the police, she is three metres away from you. | 0:41:22 | 0:41:26 | |
-In a toilet. -That's correct. | 0:41:26 | 0:41:29 | |
-And she never uttered a word. -That's correct. | 0:41:29 | 0:41:31 | |
It's not possible. It's not probable. | 0:41:31 | 0:41:34 | |
In fact, you knew Reeva was behind the door and you shot at her, | 0:41:34 | 0:41:40 | |
that's the only thing that makes sense. | 0:41:40 | 0:41:42 | |
-It's not true, My Lady. -She was talking to you. | 0:41:42 | 0:41:46 | |
She was standing right in front of the toilet door, talking to you, | 0:41:46 | 0:41:51 | |
-when you shot her. -That's not true, My Lady. -That's the only... | 0:41:51 | 0:41:54 | |
reasonable explanation for her standing upright. | 0:41:54 | 0:41:58 | |
That's the only reasonable explanation why you shot her | 0:41:58 | 0:42:01 | |
in the head where you did. | 0:42:01 | 0:42:04 | |
That's not true, My Lady. | 0:42:05 | 0:42:07 | |
The cross examination lasted more than four days. | 0:42:07 | 0:42:10 | |
Pistorius broke down several times. | 0:42:10 | 0:42:13 | |
I can see that Mr Pistorius is distressed | 0:42:13 | 0:42:15 | |
and I understand that he should be distressed. | 0:42:15 | 0:42:18 | |
May I then ask that the court just adjourn? | 0:42:18 | 0:42:21 | |
At the end of his testimony, | 0:42:21 | 0:42:22 | |
questioned by his own defence barrister, | 0:42:22 | 0:42:25 | |
Oscar Pistorius read from the Valentine's card | 0:42:25 | 0:42:27 | |
Reeva left for him on the night she died. | 0:42:27 | 0:42:30 | |
"It says on front of the card "Roses are red, violets are blue." | 0:42:30 | 0:42:34 | |
And then on the inside she wrote the date on the left | 0:42:34 | 0:42:38 | |
and on the right she says, | 0:42:38 | 0:42:40 | |
"I think today is a good day to tell you that..." | 0:42:40 | 0:42:43 | |
And then it says, "I love you." | 0:42:43 | 0:42:46 | |
The defence then called other neighbours, | 0:42:46 | 0:42:48 | |
not included in the prosecution case. These neighbours lived closer | 0:42:48 | 0:42:51 | |
to the house but unlike the prosecution witnesses, | 0:42:51 | 0:42:54 | |
said they only heard the cries of a man. | 0:42:54 | 0:42:58 | |
I heard a man crying. | 0:42:58 | 0:43:00 | |
And to me the cry, My Lady, it was a cry of pain. | 0:43:02 | 0:43:06 | |
The person was very desperate for help. | 0:43:06 | 0:43:09 | |
So also, we felt that probably he is in danger. | 0:43:09 | 0:43:12 | |
I then heard the sound of a male person crying. | 0:43:12 | 0:43:18 | |
A very loud sound. | 0:43:18 | 0:43:20 | |
Is it possible to make a sound that would resemble it? | 0:43:20 | 0:43:23 | |
WITNESS WAILS | 0:43:23 | 0:43:25 | |
But in a voice of a man. | 0:43:25 | 0:43:27 | |
Defence witnesses also offered expert testimony on ballistics, | 0:43:27 | 0:43:31 | |
forensics and acoustics. | 0:43:31 | 0:43:33 | |
A sound engineer questioned prosecution evidence | 0:43:33 | 0:43:35 | |
that shouts and screams could be heard 177 metres away. | 0:43:35 | 0:43:40 | |
At 177m away, | 0:43:40 | 0:43:43 | |
if the scream was from the toilet, | 0:43:43 | 0:43:46 | |
it is very unlikely that a listener can hear a scream, | 0:43:46 | 0:43:49 | |
let alone interpret a sound source reliably. | 0:43:49 | 0:43:52 | |
A psychiatrist claimed Oscar Pistorius was suffering | 0:43:52 | 0:43:55 | |
from generalised anxiety disorder, | 0:43:55 | 0:43:58 | |
which may have affected his behaviour on the night. | 0:43:58 | 0:44:00 | |
That the accused present himself as an outpatient | 0:44:00 | 0:44:04 | |
to the medical superintendent of the Weskoppies Hospital. | 0:44:04 | 0:44:08 | |
That theory was ruled out after a 30-day assessment, | 0:44:08 | 0:44:11 | |
though one psychologist's evaluation was presented by the defence. | 0:44:11 | 0:44:15 | |
No evidence could be found to indicate that Mr Pistorius has | 0:44:15 | 0:44:19 | |
the history of abnormal aggression or explosive violence. | 0:44:19 | 0:44:22 | |
When Mr Pistorius' appraisal of a situation is that he might be | 0:44:22 | 0:44:26 | |
physically threatened, a fear response follows which might seem | 0:44:26 | 0:44:30 | |
extraordinary when viewed of a perspective of an able-bodied person | 0:44:30 | 0:44:34 | |
but normal in the context of a disabled person with his history. | 0:44:34 | 0:44:40 | |
The final defence witness was a sports physician | 0:44:40 | 0:44:42 | |
who had worked with Oscar Pistorius for six years. | 0:44:42 | 0:44:45 | |
Professor Wayne Derman told the judge that Pistorius had shown signs | 0:44:45 | 0:44:49 | |
of psychological stress, and that his disability | 0:44:49 | 0:44:52 | |
does make him feel vulnerable. | 0:44:52 | 0:44:54 | |
I've also found Mr Pistorius to be hyper vigilant, | 0:44:54 | 0:44:58 | |
to looking around - it is a scanning for potential threat, | 0:44:58 | 0:45:02 | |
with an end to move oneself out of harm's way. | 0:45:02 | 0:45:06 | |
He recalled his last conversation with Oscar Pistorius | 0:45:06 | 0:45:09 | |
before the shooting. | 0:45:09 | 0:45:11 | |
The call I received from him on 2nd February 2013. | 0:45:11 | 0:45:14 | |
I then asked him how life had settled down after London. | 0:45:14 | 0:45:19 | |
To which he responded that he was at that moment | 0:45:19 | 0:45:22 | |
lying next to the most wonderful girl that he had met. | 0:45:22 | 0:45:25 | |
He also told me that he could not wait for me to meet her. | 0:45:25 | 0:45:29 | |
On August 7th, the trial entered its final stages. | 0:45:30 | 0:45:35 | |
Barry Steenkamp, Reeva's dad, | 0:45:35 | 0:45:36 | |
had recovered sufficiently from his stroke to attend court, | 0:45:36 | 0:45:40 | |
where he came face to face with Oscar Pistorius for the first time. | 0:45:40 | 0:45:44 | |
Summing up, the prosecutor said | 0:45:45 | 0:45:47 | |
Pistorius' version was not reasonably possibly true, | 0:45:47 | 0:45:51 | |
and contained lies. | 0:45:51 | 0:45:53 | |
You tell one and it just becomes too much. | 0:45:53 | 0:45:57 | |
You just have to keep going and keep going with these lies. | 0:45:57 | 0:46:01 | |
The prosecutor focused on the shooting, arguing that | 0:46:01 | 0:46:05 | |
Pistorius would have been aware of the potential consequences. | 0:46:05 | 0:46:08 | |
If you fire four shots into a small cubicle with high-powered firearm | 0:46:09 | 0:46:15 | |
with Black Talon ammunition, | 0:46:15 | 0:46:16 | |
you foresee the possibility that you will kill somebody. | 0:46:16 | 0:46:19 | |
Reeva's parents listened to the closing arguments for the defence. | 0:46:19 | 0:46:23 | |
Advocate Barry Roux said Oscar's version had never changed - | 0:46:23 | 0:46:27 | |
the shooting was a terrible accident. | 0:46:27 | 0:46:30 | |
He was anxious. | 0:46:30 | 0:46:32 | |
He was fearful. | 0:46:32 | 0:46:35 | |
And he stands now with his finger ready to fire if necessary. | 0:46:35 | 0:46:40 | |
And he stand there, and then... | 0:46:42 | 0:46:45 | |
If I stand behind someone with his finger on that trigger | 0:46:45 | 0:46:49 | |
and he's in a fearful state and I clap my hands behind him, | 0:46:49 | 0:46:53 | |
in some instances a person will fire, reflexive - | 0:46:53 | 0:46:55 | |
in some instances not. | 0:46:55 | 0:46:57 | |
He focused on the timeline, | 0:46:59 | 0:47:01 | |
saying the shooting had most likely happened at 3:12, | 0:47:01 | 0:47:04 | |
but the prosecution claimed | 0:47:04 | 0:47:06 | |
it happened five minutes later at 3:17am. | 0:47:06 | 0:47:09 | |
If that timing was wrong, it weakened the state's case | 0:47:09 | 0:47:12 | |
about the timing of shots and screams. | 0:47:12 | 0:47:15 | |
Did the state prove to you | 0:47:18 | 0:47:22 | |
that the only reasonable inference is | 0:47:22 | 0:47:27 | |
that the shots were at 3:17, | 0:47:27 | 0:47:29 | |
and that that inference excludes all other reasonable inferences? | 0:47:29 | 0:47:33 | |
You have to ignore all these probabilities | 0:47:34 | 0:47:37 | |
and all these objective facts to do that. | 0:47:37 | 0:47:39 | |
And say, "Never, ever, it cannot be, it cannot be." | 0:47:39 | 0:47:44 | |
And that's the difficulty in the state's case. | 0:47:44 | 0:47:47 | |
And as to why Reeva did not respond from behind the door | 0:47:47 | 0:47:50 | |
to Oscar's shouts, he offered these possibilities. | 0:47:50 | 0:47:53 | |
She could have done two things. | 0:47:53 | 0:47:55 | |
She could have given her position away. | 0:47:55 | 0:47:58 | |
She heard him screaming "intruders in the house," and "must get out". | 0:47:58 | 0:48:01 | |
Or she can think "I must hide, I must keep quiet - | 0:48:01 | 0:48:04 | |
"I don't want them to get to me." | 0:48:04 | 0:48:06 | |
September 12, 2014. | 0:48:07 | 0:48:10 | |
193 days since the trial began. | 0:48:10 | 0:48:14 | |
574 days since the death of Reeva Steenkamp. | 0:48:14 | 0:48:18 | |
Judgment day. | 0:48:18 | 0:48:20 | |
South Africa does not have a jury system. | 0:48:20 | 0:48:23 | |
The verdict was down to presiding Judge Thokozile Masipa, | 0:48:23 | 0:48:26 | |
assisted by two assessors. | 0:48:26 | 0:48:28 | |
Mr Pistorius, please stand up. | 0:48:28 | 0:48:31 | |
Having regard to the totality of this evidence in this matter, | 0:48:31 | 0:48:36 | |
the unanimous decision of this court is the following. | 0:48:36 | 0:48:40 | |
On count one, murder, | 0:48:40 | 0:48:43 | |
the accused is found not guilty and is discharged. | 0:48:43 | 0:48:49 | |
Instead he is found guilty of culpable homicide. | 0:48:49 | 0:48:54 | |
Guilty of culpable homicide. Manslaughter. | 0:48:54 | 0:48:58 | |
The shooting was negligent, not deliberate. | 0:48:58 | 0:49:01 | |
In respect of count one, | 0:49:01 | 0:49:03 | |
evidence led by the state in respect of this count | 0:49:03 | 0:49:06 | |
was purely circumstantial. | 0:49:06 | 0:49:10 | |
It was not strong circumstantial evidence. | 0:49:10 | 0:49:14 | |
Moreover, the evidence of various witnesses, | 0:49:14 | 0:49:17 | |
who gave evidence on what they heard | 0:49:17 | 0:49:21 | |
in what sequence and when, | 0:49:21 | 0:49:25 | |
proved to be unreliable. | 0:49:25 | 0:49:27 | |
The accused denied the allegations notwithstanding that he was | 0:49:29 | 0:49:33 | |
an unimpressive witness. | 0:49:33 | 0:49:36 | |
The accused gave a version which could reasonably, | 0:49:36 | 0:49:39 | |
possibly be true. | 0:49:39 | 0:49:41 | |
In criminal law, that is all that is required for an acquittal. | 0:49:41 | 0:49:46 | |
The accused was clearly not candid with the court | 0:49:46 | 0:49:50 | |
when he said that he had no intention to shoot at anyone, | 0:49:50 | 0:49:55 | |
as he had a loaded firearm in his hand ready to shoot. | 0:49:55 | 0:49:59 | |
However, as stated above, untruthful evidence does not always justify | 0:50:01 | 0:50:06 | |
the conclusion that the accused is guilty. | 0:50:06 | 0:50:10 | |
The conduct of the accused shortly after the incident | 0:50:10 | 0:50:15 | |
is inconsistent with the conduct of someone | 0:50:15 | 0:50:18 | |
who had intention to commit murder. | 0:50:18 | 0:50:21 | |
He acted promptly in seeking help soon after the incident, | 0:50:21 | 0:50:25 | |
he shouted for help, he called a friend, | 0:50:25 | 0:50:30 | |
he called 911, he called security, | 0:50:30 | 0:50:34 | |
although he could not speak as he was crying. | 0:50:34 | 0:50:38 | |
He prayed to God to save the deceased's life, | 0:50:38 | 0:50:41 | |
he was seen trying to resuscitate the deceased, | 0:50:41 | 0:50:45 | |
and he pleaded with Dr Stipp to help, and he was distraught. | 0:50:45 | 0:50:50 | |
From the above it cannot be said that the accused did not entertain | 0:50:52 | 0:50:58 | |
a genuine belief that there was an intruder in the toilet | 0:50:58 | 0:51:03 | |
who posed a threat to him. | 0:51:03 | 0:51:05 | |
Therefore, he could not be found guilty of murder. | 0:51:05 | 0:51:09 | |
However, the accused acted negligently when he fired shots | 0:51:09 | 0:51:14 | |
into the toilet door, knowing that there was someone behind the door, | 0:51:14 | 0:51:18 | |
and that there was very little room in which to manoeuvre. | 0:51:18 | 0:51:22 | |
A reasonable person in the position of the accused | 0:51:22 | 0:51:28 | |
with similar disability | 0:51:28 | 0:51:31 | |
would have foreseen that possibility that whoever was behind the door | 0:51:31 | 0:51:37 | |
might be killed by the shots, | 0:51:37 | 0:51:39 | |
and would have taken steps to avoid the consequences. | 0:51:39 | 0:51:44 | |
Afterwards, members of the Pistorius family responded to the verdict. | 0:51:44 | 0:51:49 | |
We would really like to show how deep... | 0:51:49 | 0:51:54 | |
grateful we are for Judge Masipa, | 0:51:54 | 0:51:58 | |
that has found Oscar not guilty of murder. | 0:51:58 | 0:52:02 | |
We had never any doubt | 0:52:02 | 0:52:04 | |
in Oscar's version... | 0:52:04 | 0:52:07 | |
of this tragic incident. | 0:52:07 | 0:52:11 | |
We as a family remain deeply affected | 0:52:11 | 0:52:16 | |
by the devastating tragedy event. | 0:52:16 | 0:52:21 | |
And it won't bring Reeva back | 0:52:22 | 0:52:27 | |
but our hearts still go out for her family and friends. | 0:52:27 | 0:52:32 | |
Oscar Pistorius remains free on bail | 0:52:32 | 0:52:35 | |
until his sentencing hearing in October. | 0:52:35 | 0:52:37 | |
The verdict of culpable homicide could mean a prison sentence | 0:52:37 | 0:52:40 | |
of up to 15 years, | 0:52:40 | 0:52:42 | |
but the judge could decide to suspend the sentence | 0:52:42 | 0:52:45 | |
or impose a fine. | 0:52:45 | 0:52:47 | |
In their first interview after the verdict, June and Barry Steenkamp | 0:52:49 | 0:52:52 | |
gave their reaction. | 0:52:52 | 0:52:54 | |
Very disappointing. | 0:52:56 | 0:52:57 | |
Very, very disappointing. | 0:52:57 | 0:53:00 | |
It's never going to settle with us, the outcome. | 0:53:00 | 0:53:04 | |
They believe his story and I don't believe that story. | 0:53:04 | 0:53:09 | |
That's the difference. | 0:53:09 | 0:53:11 | |
I feel that all of this could have been prevented | 0:53:11 | 0:53:15 | |
right in the beginning, before the case. | 0:53:15 | 0:53:18 | |
I'm talking about Oscar Pistorius. | 0:53:18 | 0:53:21 | |
If he thought that there was somebody there... | 0:53:21 | 0:53:23 | |
..his balcony windows were open, he could have shouted for help, | 0:53:25 | 0:53:29 | |
he could have pressed an alarm, he could have done everything, | 0:53:29 | 0:53:32 | |
we wouldn't have had this case today. | 0:53:32 | 0:53:35 | |
That is why I don't believe his story. | 0:53:35 | 0:53:38 | |
There are so many things that he could have done | 0:53:38 | 0:53:41 | |
to prevent this catastrophe. | 0:53:41 | 0:53:45 | |
Did they still forgive him? | 0:53:45 | 0:53:47 | |
Yes, I don't want to carry poison in my body from that. | 0:53:47 | 0:53:52 | |
If you keep on about that person and going on, | 0:53:52 | 0:53:57 | |
you are just going to make yourself ill. | 0:53:57 | 0:54:00 | |
We have to get past that. | 0:54:00 | 0:54:02 | |
Before I give any forgiveness I want to talk to him. | 0:54:04 | 0:54:09 | |
Won't be anything nasty or anything like that, | 0:54:14 | 0:54:17 | |
but I'd like to sit down and have a talk to him. | 0:54:17 | 0:54:21 | |
-And I'm sure that will come about. -It will. | 0:54:25 | 0:54:28 | |
He did ask to speak to us but we weren't ready for that, | 0:54:30 | 0:54:34 | |
quite a while ago. | 0:54:34 | 0:54:36 | |
You don't actually want to talk to someone | 0:54:36 | 0:54:38 | |
who's done that to your child. | 0:54:38 | 0:54:41 | |
It's not to say you will forgive after having a chat, | 0:54:41 | 0:54:45 | |
but I'm sure it would help. | 0:54:45 | 0:54:48 | |
Did they think the trial had delivered justice for Reeva? | 0:54:48 | 0:54:51 | |
No, definitely not. | 0:54:51 | 0:54:53 | |
Very, very disappointed. | 0:54:53 | 0:54:56 | |
And very sad, it's sad, you know? | 0:54:56 | 0:54:58 | |
Because you want that for Reeva, justice for her. | 0:54:58 | 0:55:02 | |
She died a horrible death, a horrible, painful, | 0:55:04 | 0:55:08 | |
terrible death and she suffered, you know? | 0:55:08 | 0:55:12 | |
And he... | 0:55:12 | 0:55:14 | |
shot through the door | 0:55:14 | 0:55:16 | |
and I can't believe that they believe that it was an accident. | 0:55:16 | 0:55:21 | |
And what of the future? | 0:55:21 | 0:55:23 | |
There's never going to be closure. | 0:55:23 | 0:55:26 | |
Especially now, with this verdict. | 0:55:26 | 0:55:29 | |
How can there be closure? | 0:55:29 | 0:55:32 | |
She's not coming back. | 0:55:32 | 0:55:34 | |
We just have to try and move on with our life. | 0:55:35 | 0:55:38 | |
I'm going to build shelters for the abused women, | 0:55:39 | 0:55:44 | |
raise money for that. | 0:55:44 | 0:55:46 | |
We're not the only ones in the world | 0:55:46 | 0:55:48 | |
that are going through a crisis like this, or have been through it. | 0:55:48 | 0:55:52 | |
But I'm sure... | 0:55:53 | 0:55:58 | |
that most people will understand... | 0:55:58 | 0:56:01 | |
what we've been through. | 0:56:01 | 0:56:03 | |
And I would just like to see it all come to an end now. | 0:56:03 | 0:56:07 | |
And for ourselves to carry on. | 0:56:08 | 0:56:10 | |
I wanted the truth. I don't think we got the truth, | 0:56:15 | 0:56:17 | |
that's the whole point. We did not get the truth. | 0:56:17 | 0:56:21 | |
Less than two years earlier, | 0:56:21 | 0:56:23 | |
the paths of two young and successful people crossed... | 0:56:23 | 0:56:27 | |
Hi. I'm Oscar's date tonight. | 0:56:27 | 0:56:30 | |
He needed a date at the last minute, so he's like, | 0:56:30 | 0:56:32 | |
"Reeva, just throw your stuff together and come and be my date." | 0:56:32 | 0:56:36 | |
..their destinies now bound together - the glamorous model | 0:56:36 | 0:56:39 | |
and the world's most famous disabled athlete. | 0:56:39 | 0:56:42 | |
Now, Oscar Pistorius must begin to live with the judge's verdict | 0:56:42 | 0:56:46 | |
of how he killed Reeva Steenkamp. | 0:56:46 | 0:56:49 |