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Over ten years ago, a remarkable orchestra played in Damascus, | :00:11. | :00:13. | |
performing Arabic music at the highest level. | :00:14. | :00:16. | |
But when war broke out in 2011, some of the musicians were forced | :00:17. | :00:31. | |
This is the story of an attempt to bring the orchestra back together | :00:32. | :00:47. | |
for a once-in-a-lifetime tour, in the hope of changing the world's | :00:48. | :00:51. | |
Since the beginning of the war in Syria, an estimated 9 million | :00:52. | :01:26. | |
people have fled their homes in search of a new life. | :01:27. | :01:32. | |
He claimed asylum in America in 2013 after being invited to teach music | :01:33. | :01:44. | |
I watch bombs, I watch all kind of military issues, | :01:45. | :01:54. | |
and nobody knows when the bomb will come. | :01:55. | :02:06. | |
Did you know people have been killed? | :02:07. | :02:08. | |
A lot, you know, a lot of my friends, a lot | :02:09. | :02:13. | |
His father and sisters are still living in Damascus. | :02:14. | :02:20. | |
Syria, what does Syria mean for me, actually, | :02:21. | :02:26. | |
Hopefully this will be, like, a bad dream, maybe, | :02:27. | :02:38. | |
Before the war, he, his sister and brother all played | :02:39. | :02:56. | |
in the Syrian National Orchestra for Arabic Music. | :02:57. | :03:01. | |
Issam took over the orchestra in 2003 and conducted them for ten | :03:02. | :03:05. | |
years, touring Europe and the Middle East. | :03:06. | :03:10. | |
When he left, he didn't know if he would ever lead them again. | :03:11. | :03:17. | |
International organisers are trying to bring the orchestra to Europe | :03:18. | :03:25. | |
for a one-off tour that would reunite musicians | :03:26. | :03:27. | |
from inside Syria and those now living abroad, like Issam. | :03:28. | :03:32. | |
This is our dream, actually, my dream. | :03:33. | :03:37. | |
Issam wrote this piece for the orchestra while he was still | :03:38. | :04:00. | |
Since the outbreak of war, it is almost impossible to get visas | :04:01. | :04:11. | |
He is very stressed, because he was so busy lately | :04:12. | :04:20. | |
writing all this stuff and worried about the music, the visa. | :04:21. | :04:23. | |
So, yeah, you can see, look, he lost a lot of weight. | :04:24. | :04:31. | |
Issam might also be unable to travel. | :04:32. | :04:38. | |
With his ongoing asylum claim, there is a risk he won't be given | :04:39. | :04:42. | |
permission to leave the US, but that hasn't stopped him | :04:43. | :04:45. | |
How will you feel if the visa doesn't come through? | :04:46. | :04:56. | |
I mean, for sure, it is out of my hands or anybody's hands, | :04:57. | :05:09. | |
but it is better to try and keep fingers crossed, | :05:10. | :05:12. | |
Like Issam, many members of the orchestra are now refugees. | :05:13. | :05:30. | |
More than 100,000 Syrians have applied for asylum in Germany | :05:31. | :05:34. | |
And it is now home to violinist Susan, originally from Aleppo. | :05:35. | :06:14. | |
She has settled into life in Germany and teaches music to refugee | :06:15. | :06:21. | |
children recently arrived from Syria. | :06:22. | :06:37. | |
Since becoming a refugee, music has become even more | :06:38. | :06:39. | |
She joined the orchestra as a music student in Damascus and hasn't | :06:40. | :07:26. | |
While music has helped Susan, for some refugees it is simply | :07:27. | :07:53. | |
a painful reminder of everything they have lost. | :07:54. | :08:00. | |
He played in the orchestra before fleeing to Sweden with his young | :08:01. | :08:08. | |
He is one of the foremost kanun players in Syria and for him | :08:09. | :09:08. | |
the upcoming concerts are an important way of preserving | :09:09. | :09:10. | |
But rehearsing for the tour is difficult as he has to look | :09:11. | :09:22. | |
after his young sons while his wife is at work. | :09:23. | :09:25. | |
And he struggles to explain to his children why the family left | :09:26. | :09:33. | |
Like his parents, the majority of the orchestra live in Syria, | :09:34. | :10:15. | |
where they still rehearse and perform in Damascus. | :10:16. | :10:44. | |
Mais and her husband Rashid both play with the orchestra. | :10:45. | :10:50. | |
She is a singer and he is the lead violin. | :10:51. | :11:36. | |
And for Mais, these concerts have a special significance. | :11:37. | :11:38. | |
But it is almost impossible for Mais and Rashid to get visas | :11:39. | :11:42. | |
But it is almost impossible for Mais and Rashid to get visas | :11:43. | :12:26. | |
They haven't left Syria since the start of the war. | :12:27. | :12:31. | |
And with a week to go before the tour, they still don't know | :12:32. | :12:35. | |
if they will get permission to travel. | :12:36. | :12:43. | |
Getting 30 people is a huge logistical challenge challenge | :12:44. | :12:46. | |
for the concert organisers, which has taken six | :12:47. | :12:48. | |
It was very, very, very difficult, just communicating with people | :12:49. | :12:56. | |
They had to go to Beirut to get visas, then there were all sorts | :12:57. | :13:07. | |
of hiccups along the way, suspicions of what we were doing. | :13:08. | :13:10. | |
There were fears over whether people would stay over. | :13:11. | :13:12. | |
The first stop of the tour is Amsterdam, and it's a nervous | :13:13. | :13:18. | |
Some musicians did not get permission to travel, | :13:19. | :13:26. | |
and others were only issued with visas at the last minute. | :13:27. | :13:34. | |
At last, they are here, and the years of separation | :13:35. | :13:36. | |
Finally, the orchestra can start playing together. | :13:37. | :14:57. | |
The reunited orchestra contains members from across the political | :14:58. | :14:59. | |
What was interesting about Syria before the Revolution was the way | :15:00. | :15:08. | |
that everyone was so mixed and it was very harmonious | :15:09. | :15:11. | |
between the Christians and the Sunnis and the Shia. | :15:12. | :15:21. | |
There were tensions but people were together. | :15:22. | :15:23. | |
The orchestra reflects that, there are people of different | :15:24. | :15:25. | |
strands, different religions, different views on what has happened | :15:26. | :15:28. | |
They have all come together in music. | :15:29. | :15:45. | |
The tour is masterminded by a the creator of Gorillaz, | :15:46. | :15:47. | |
He wanted to bring the orchestra back together. | :15:48. | :16:02. | |
I wanted to bring them over here so that physically people | :16:03. | :16:05. | |
could see them, they could see Syrians doing something other | :16:06. | :16:07. | |
than having their few possessions in a muddy field in Macedonia, | :16:08. | :16:10. | |
Something positive, positive and beautiful about Syria. | :16:11. | :16:21. | |
It's tangible, a tangible thing, music. | :16:22. | :16:26. | |
Music is always a good starting point to open a dialogue. | :16:27. | :16:39. | |
One member of the orchestra is not here. | :16:40. | :16:42. | |
His sisters have come from Damascus to sing in the choir, | :16:43. | :16:54. | |
and they cannot believe he is not joining them. | :16:55. | :17:15. | |
They are keeping him updated about the tour. | :17:16. | :17:30. | |
In his absence, Rachid has had to step up as conductor. | :17:31. | :18:11. | |
The most important thing is to get the orchestra, we've got people | :18:12. | :18:14. | |
who haven't played for up to five years. | :18:15. | :18:17. | |
To get them playing with each other and communicating the dynamic | :18:18. | :18:20. | |
Rehearsals carry on late into the night. | :18:21. | :18:57. | |
After four days of intense practice, it is time | :18:58. | :18:59. | |
Thank you very much, everyone, it's been an absolute | :19:00. | :19:42. | |
pleasure and privilege to work with you. | :19:43. | :20:29. | |
We are from Syria, the music makes me feel like I am in Damascus. | :20:30. | :20:42. | |
It makes me miss my family in Syria. | :20:43. | :20:45. | |
The orchestra are joined by artists from across the world. | :20:46. | :21:10. | |
There were three guys crying in front of us | :21:11. | :21:13. | |
But now, their thoughts are starting to turn to home. | :21:14. | :23:12. | |
Some contrasting weather conditions to close out our final few | :23:13. | :23:16. |