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Some people think nothing of sacrificing personal comfort. | 0:00:02 | 0:00:07 | |
You get halfway round the side and the rain starts. | 0:00:07 | 0:00:09 | |
They laugh in the face of adversity. | 0:00:09 | 0:00:11 | |
Their dedication is second to none. | 0:00:12 | 0:00:16 | |
You're probably not giving herself indoors as much time and attention as she'd like. | 0:00:16 | 0:00:20 | |
They do it for love, not money. | 0:00:20 | 0:00:23 | |
Four amateur naturalists, four creatures,... | 0:00:24 | 0:00:27 | |
I'll have to chase after it. | 0:00:27 | 0:00:28 | |
..four inspiring stories. | 0:00:28 | 0:00:30 | |
Britain's amateur naturalists have studied butterflies for centuries, | 0:00:54 | 0:00:59 | |
but where the Victorians caught and pinned them, | 0:00:59 | 0:01:03 | |
our modern-day enthusiasts have a different relationship with them. | 0:01:03 | 0:01:07 | |
Butterflies have been called aerial flowers. | 0:01:12 | 0:01:15 | |
They are colourful mascots of the British summer. | 0:01:15 | 0:01:18 | |
They can be found fluttering all over the countryside, | 0:01:18 | 0:01:22 | |
but they're far more than vibrant fripperies. | 0:01:22 | 0:01:26 | |
They are a vital part of the food chain. | 0:01:26 | 0:01:30 | |
A single blue tit needs to catch 500 caterpillars a day for its family. | 0:01:32 | 0:01:38 | |
If there is something wrong with our British countryside, | 0:01:40 | 0:01:43 | |
butterflies are amongst the first to react. | 0:01:43 | 0:01:47 | |
Studying them takes passion, dedication and patience. | 0:01:48 | 0:01:54 | |
There's far more to butterflies than you might think. | 0:01:54 | 0:01:58 | |
Bill Shrieves is out on a walk, | 0:02:04 | 0:02:06 | |
but this isn't any old relaxed stroll in the countryside. | 0:02:06 | 0:02:10 | |
His walks have rules. | 0:02:10 | 0:02:13 | |
Lots of rules. | 0:02:13 | 0:02:15 | |
They need to imagine themselves in a five-metre-square box. | 0:02:18 | 0:02:23 | |
You must only count the butterflies inside that box. | 0:02:23 | 0:02:26 | |
You must put out a thermometer. | 0:02:26 | 0:02:30 | |
Record a percentage of sunshine, | 0:02:30 | 0:02:33 | |
also the wind speed. | 0:02:33 | 0:02:36 | |
Before I start the walk, I must remember to take my thermometer and | 0:02:42 | 0:02:46 | |
put it in the shade to measure the temperature. | 0:02:46 | 0:02:49 | |
Also I have to remember to pick it up at the end. | 0:02:49 | 0:02:52 | |
I've lost a lot of thermometers that way. | 0:02:52 | 0:02:55 | |
Sticking by the rules means that these walks are highly scientific | 0:02:57 | 0:03:01 | |
and so can measure the ups and downs of British butterflies. | 0:03:01 | 0:03:05 | |
In many ways, butterflies are like the miners' canaries. | 0:03:05 | 0:03:09 | |
A lot of effort is put into studying birds, but birds react | 0:03:09 | 0:03:16 | |
much more slowly to ecological and manmade changes than butterflies do. | 0:03:16 | 0:03:23 | |
Largely because butterflies are at the bottom end of the food chain. | 0:03:23 | 0:03:27 | |
Birds eat caterpillars, | 0:03:27 | 0:03:29 | |
and so, butterflies are the first to show that all is not well. | 0:03:29 | 0:03:33 | |
Bill is part of what he jokingly calls a Dads' Army of walkers across Britain. | 0:03:35 | 0:03:41 | |
Their results are fed back to Butterfly Conservation headquarters in Dorset. | 0:03:42 | 0:03:46 | |
They show how butterfly numbers are changing and that many species are in decline. | 0:03:46 | 0:03:53 | |
Here's my first butterfly to go down on the list. | 0:03:53 | 0:03:56 | |
That's an Adonis Blue and another one there. | 0:03:56 | 0:03:58 | |
So that's two dots to put down. | 0:03:58 | 0:04:01 | |
Adonis Blue, quite the best blue butterfly. | 0:04:01 | 0:04:04 | |
It's this beautiful greenish-blue colour with thick white fringes | 0:04:04 | 0:04:09 | |
of little black kind of subtraction signs crossing them, quite majestic. | 0:04:09 | 0:04:16 | |
An absolute dream of a butterfly. | 0:04:16 | 0:04:18 | |
There's another one here. Was it the same one? | 0:04:24 | 0:04:27 | |
Goodness knows, but I'm going to take another one down anyway. | 0:04:27 | 0:04:31 | |
So that gives us a count of four so far. | 0:04:31 | 0:04:33 | |
We've hardly gone any distance at all. | 0:04:33 | 0:04:36 | |
Two down there, look, side by side. | 0:04:41 | 0:04:43 | |
And another three, and another female. | 0:04:43 | 0:04:47 | |
This is beginning to look good. | 0:04:47 | 0:04:49 | |
Oh, there's a female. Lovely. | 0:04:51 | 0:04:54 | |
Bill's interest in butterflies goes right back to childhood when | 0:04:54 | 0:04:58 | |
he was allowed to keep his bedroom light on at night to attract moths. | 0:04:58 | 0:05:03 | |
You always need a kind of eureka factor which gets you going | 0:05:03 | 0:05:08 | |
and one night, about midnight, | 0:05:08 | 0:05:10 | |
a giant moth swooped in and when it was finally identified, | 0:05:10 | 0:05:14 | |
it turned out to be a moth called the bedstraw hawk-moth which had barely | 0:05:14 | 0:05:18 | |
been seen in Dorset and that got some of the more professional entomologists interested. | 0:05:18 | 0:05:27 | |
The enthusiastic school boy became a history teacher. | 0:05:29 | 0:05:33 | |
Now he's retired, he's teaching people how to butterfly walk, | 0:05:33 | 0:05:38 | |
passing on his passion to dozens more walkers. | 0:05:38 | 0:05:41 | |
So why do they all do it? | 0:05:41 | 0:05:44 | |
If you talk to people, I think by far the most important reason is the | 0:05:44 | 0:05:51 | |
feeling that they're getting kind of back in touch with the natural world. | 0:05:51 | 0:05:58 | |
There's always something happens, a roe deer will suddenly break cover | 0:05:58 | 0:06:03 | |
or you'll see a stoat | 0:06:03 | 0:06:04 | |
and it just keeps you in touch with all that kind of thing. | 0:06:04 | 0:06:09 | |
I wonder if they mind having such a big audience. Apparently not. | 0:06:09 | 0:06:13 | |
On top of that, there's now a huge buzz factor that the data is not | 0:06:14 | 0:06:20 | |
just of local significance, it's of global significance. | 0:06:20 | 0:06:25 | |
This is late May and this is really very exceptional | 0:06:27 | 0:06:32 | |
because usually in late May, | 0:06:32 | 0:06:35 | |
these Adonis Blues are not out yet | 0:06:35 | 0:06:38 | |
and this is typical of what butterfly walkers are finding all over the country, | 0:06:38 | 0:06:44 | |
that the season is starting earlier and earlier. | 0:06:44 | 0:06:49 | |
Bill has noticed plenty of changes since he started studying butterflies, | 0:06:49 | 0:06:54 | |
not least the number of species that have been lost. | 0:06:54 | 0:06:58 | |
The one which particularly upsets me is the pearl-bordered fritillary | 0:06:58 | 0:07:03 | |
because when I was a kid, most woodlands had pearl-bordered fritillaries | 0:07:03 | 0:07:10 | |
and to think that there's not a single wood in Dorset where the butterfly still flies, | 0:07:10 | 0:07:15 | |
it's kind of like your whole idea of spring and early summer | 0:07:15 | 0:07:20 | |
has just kind of turned on its head. | 0:07:20 | 0:07:22 | |
And I find it really quite painful there, | 0:07:22 | 0:07:25 | |
which is a slightly silly thing to say, but it seems a terrible loss. | 0:07:25 | 0:07:30 | |
Like a lot of other creatures, the pearl-bordered fritillary | 0:07:30 | 0:07:34 | |
has suffered from loss of the right type of woodland. | 0:07:34 | 0:07:38 | |
The remaining butterflies are monitored by Bill and his friends. | 0:07:38 | 0:07:42 | |
Butterfly walks are really taking off | 0:07:42 | 0:07:45 | |
and not just in Dorset. | 0:07:45 | 0:07:48 | |
Walking has now spread out of Britain, | 0:07:48 | 0:07:52 | |
first of all into Belgium and Holland, who have got the most to lose with global warming, | 0:07:52 | 0:07:56 | |
with rising sea levels, so they need really good indicators of what's happening. | 0:07:56 | 0:08:01 | |
And amazingly, walking is going on all over the world | 0:08:01 | 0:08:05 | |
and at this very minute, there's probably someone out in the Gambia | 0:08:05 | 0:08:10 | |
doing a butterfly walk, using exactly the same procedures as I am here. | 0:08:10 | 0:08:15 | |
Bill's afternoon strolls have snowballed. | 0:08:16 | 0:08:19 | |
The volunteers are all doing their bit to help butterflies. | 0:08:19 | 0:08:23 | |
They have discovered that whilst some British species are doing well, others are in desperate straits. | 0:08:23 | 0:08:29 | |
Whilst Bill's busy with the big picture, | 0:08:34 | 0:08:37 | |
one man in Cornwall has his sights set on one butterfly in particular. | 0:08:37 | 0:08:42 | |
Barry Offield has been painting butterflies of all kinds for years. | 0:08:42 | 0:08:47 | |
But recently he's turned his hand to another kind of reproduction - | 0:08:47 | 0:08:52 | |
lovingly growing heath fritillary butterflies in his greenhouse. | 0:08:52 | 0:08:56 | |
Right, here's the caterpillars. | 0:08:56 | 0:08:59 | |
This one is about three quarters grown. | 0:08:59 | 0:09:03 | |
He's obviously still looking for food. | 0:09:03 | 0:09:06 | |
This is one of the slower ones. | 0:09:10 | 0:09:12 | |
Why that happens, I really don't know. | 0:09:12 | 0:09:16 | |
I suppose it's like people. | 0:09:16 | 0:09:18 | |
Some get big and some stay small. | 0:09:18 | 0:09:21 | |
The greenhouse at this present time has larvae still feeding. | 0:09:22 | 0:09:28 | |
It has pupae and it has living butterflies. | 0:09:28 | 0:09:33 | |
One's emerged from the chrysalis. | 0:09:33 | 0:09:36 | |
He's just climbing up that leaf. | 0:09:36 | 0:09:38 | |
So we've now got seven. | 0:09:38 | 0:09:41 | |
Barry's devotion to the butterflies is all part of a larger plan | 0:09:44 | 0:09:48 | |
to save the heath fritillary in the Tamar Valley. | 0:09:48 | 0:09:51 | |
With the demise of traditional woodland management, | 0:09:53 | 0:09:55 | |
the heath fritillary got into a near terminal tailspin. | 0:09:55 | 0:09:59 | |
By 2001, it was teetering on the brink. | 0:10:01 | 0:10:06 | |
Early May and nearly all of Barry's caterpillars have now blossomed into butterflies. | 0:10:10 | 0:10:16 | |
Today, you won't believe it, in this weather, we're going | 0:10:16 | 0:10:19 | |
to go and take the butterflies to Blanchdown Wood, | 0:10:19 | 0:10:22 | |
where we're going to release them into the wild. | 0:10:22 | 0:10:26 | |
The reason we have to do it is because we don't want to continue keeping them in captivity. | 0:10:26 | 0:10:32 | |
So, despite the weather, which is awful, we have to go and release them today. | 0:10:32 | 0:10:37 | |
Time to transfer them, ready for release | 0:10:39 | 0:10:42 | |
and Barry's come up with a novel way of doing this. | 0:10:42 | 0:10:45 | |
A good method of taking them out of there without handling them | 0:10:45 | 0:10:50 | |
is to cut the stems of the flowers | 0:10:50 | 0:10:52 | |
and stick it in the oasis. | 0:10:54 | 0:10:57 | |
Twelve. | 0:11:02 | 0:11:04 | |
Just let those go. | 0:11:11 | 0:11:13 | |
And there's the 100th. | 0:11:15 | 0:11:18 | |
So he gets a prize. | 0:11:18 | 0:11:20 | |
Barry meets Caroline Bulman of Butterfly Conservation | 0:11:51 | 0:11:55 | |
at the chosen release site, Blanchdown Wood. | 0:11:55 | 0:11:59 | |
I'm going to open the cage and, hopefully, release them, | 0:12:03 | 0:12:07 | |
but I don't think they're going to fly because it's cold and it's wet. | 0:12:07 | 0:12:11 | |
So we'll have to just see what happens. | 0:12:11 | 0:12:15 | |
There we are. | 0:12:16 | 0:12:18 | |
Heath fritillary butterflies in the Tamar Valley crashed | 0:12:20 | 0:12:24 | |
from a population of thousands to just a handful by 2001. | 0:12:24 | 0:12:29 | |
Barry's hope is that releases like this will help return them to their former glory. | 0:12:29 | 0:12:35 | |
When they've finished, I think they're over there. | 0:12:35 | 0:12:40 | |
It's a long way down there. | 0:12:40 | 0:12:42 | |
Yeah, that's the last one gone. | 0:12:44 | 0:12:47 | |
It's disappointing, because had it been a fine day, | 0:12:47 | 0:12:51 | |
-these would be flying around here enjoying themselves, wouldn't they, Caroline? -Yes. | 0:12:51 | 0:12:55 | |
And we won't know until next year if this one's been successful, | 0:12:58 | 0:13:02 | |
but we hope it will be. | 0:13:02 | 0:13:04 | |
It is terrific that people have done all this work for a butterfly. | 0:13:10 | 0:13:14 | |
We are a bit wet now. | 0:13:14 | 0:13:17 | |
'People do all sorts of things.' | 0:13:17 | 0:13:20 | |
Why do bird watchers watch birds? | 0:13:20 | 0:13:24 | |
Why do people fish? | 0:13:24 | 0:13:26 | |
Probably to catch it and eat it. We don't eat butterflies. | 0:13:26 | 0:13:29 | |
It's just a fascination that is developed in one's mind | 0:13:29 | 0:13:34 | |
and I'm doing a very small portion to put something back. | 0:13:34 | 0:13:40 | |
If I can get the heath fritillary re-established, | 0:13:40 | 0:13:45 | |
then I shall have achieved my objective. | 0:13:45 | 0:13:48 | |
Two years of Barry's tender ministrations | 0:13:50 | 0:13:53 | |
have re-established the butterflies at two Tamar Valley sites. | 0:13:53 | 0:13:56 | |
From near-extinction, they are now on their way back up. | 0:13:58 | 0:14:02 | |
It's easy to understand the lure of colourful butterflies. | 0:14:06 | 0:14:10 | |
Quintessential symbols of our British summer. | 0:14:10 | 0:14:15 | |
Their cousins, the moths, are far more tricky to study. | 0:14:27 | 0:14:32 | |
They're just as beautiful, but they're mostly nocturnal. | 0:14:32 | 0:14:35 | |
There are more species and they are harder to identify. | 0:14:35 | 0:14:40 | |
Mike Bailey in Somerset thinks they're well worth the extra effort. | 0:14:42 | 0:14:46 | |
In my garden, I ran a moth trap pretty well every night of the year. | 0:14:49 | 0:14:53 | |
I mean, if it's a really cold freezing winter night, I won't, | 0:14:53 | 0:14:56 | |
but generally, I run it most nights of the year. | 0:14:56 | 0:14:58 | |
This is what we normally do, | 0:15:03 | 0:15:05 | |
stand here and then as a moth comes in, we'll try and catch it. | 0:15:05 | 0:15:10 | |
They're actually looking and searching for mates. | 0:15:10 | 0:15:14 | |
Here's our first moth. This is a Brimstone moth, a yellow one. | 0:15:14 | 0:15:19 | |
On an extreme night, | 0:15:19 | 0:15:21 | |
it could be in the thousands, and with a hundred-odd species, | 0:15:21 | 0:15:26 | |
an uncomfortable number of moths. | 0:15:26 | 0:15:28 | |
but on a typical night, you would get sort of 200 moths. | 0:15:28 | 0:15:33 | |
This one is called a square spot rustic. | 0:15:34 | 0:15:38 | |
We use this sheet to paint our shed, | 0:15:49 | 0:15:51 | |
so all these brown splodges are sometimes mistaken for moths. | 0:15:51 | 0:15:56 | |
Not exactly buzzing, is it? | 0:16:02 | 0:16:05 | |
Dusky thorn fluttering his wings, he'll probably take off soon. | 0:16:05 | 0:16:10 | |
There we are. There you go. He's gone. | 0:16:11 | 0:16:13 | |
There's a large yellow underwing. | 0:16:13 | 0:16:15 | |
I shall obviously leave this trap running overnight | 0:16:19 | 0:16:23 | |
and presumably, there'll be moths coming in until dawn. | 0:16:23 | 0:16:26 | |
I've never stayed up overnight, | 0:16:26 | 0:16:28 | |
but I'm sure there are some of my friends that have. | 0:16:28 | 0:16:32 | |
Mike's off to bed, leaving his moth trap to chug away overnight. | 0:16:32 | 0:16:38 | |
Catching moths in his back garden is a far cry from his London childhood, | 0:16:40 | 0:16:45 | |
but the love of nature was always there. | 0:16:45 | 0:16:48 | |
When we were growing up in west London, in Acton, | 0:16:48 | 0:16:52 | |
it wasn't really a very wildlife-friendly place, | 0:16:52 | 0:16:56 | |
but if you were taken to see a relative or something, there'd be that obligatory | 0:16:56 | 0:17:00 | |
five minutes when they asked you about yourself and you'd say, oh, yes, birds were your interest. | 0:17:00 | 0:17:05 | |
I had friends that were also interested in birds and we used to, whenever we could, get the Tube | 0:17:05 | 0:17:11 | |
or cycle out to edge of London and go for country walks. | 0:17:11 | 0:17:16 | |
For the last 20 years, Mike has developed a fascination with moths. | 0:17:17 | 0:17:22 | |
Studying them for so long has revealed some interesting trends. | 0:17:22 | 0:17:26 | |
You do see that there's a change | 0:17:31 | 0:17:35 | |
and it happens in various ways. | 0:17:35 | 0:17:38 | |
There's some moths which you actually see their numbers going up and down in cycles. | 0:17:38 | 0:17:43 | |
Then there's others, like the migrants, that suddenly one year you get a phenomenal number of them | 0:17:43 | 0:17:48 | |
and then the next year, you hardly see them at all. | 0:17:48 | 0:17:51 | |
There are only 57 species of British butterfly | 0:17:51 | 0:17:55 | |
and they're easy to identify. | 0:17:55 | 0:17:58 | |
But there are 2,500 species of moth. | 0:17:58 | 0:18:01 | |
These large ones, these are all the large yellow underwing. | 0:18:03 | 0:18:07 | |
Visually, there's quite a few hundred of the large ones | 0:18:08 | 0:18:12 | |
that you get to know. | 0:18:12 | 0:18:13 | |
This is the angle shade, shuttle-shaped dart and a green carpet. | 0:18:13 | 0:18:19 | |
The willow beauty. | 0:18:21 | 0:18:23 | |
That's disappeared up into your camera lens as well. | 0:18:23 | 0:18:27 | |
Get rid of him. | 0:18:27 | 0:18:30 | |
That's it. He's gone. | 0:18:30 | 0:18:31 | |
Quite often, it's a matter of getting the moth and the book and comparing the moth with the illustration. | 0:18:31 | 0:18:37 | |
HE COUNTS | 0:18:37 | 0:18:39 | |
Thirteen. | 0:18:39 | 0:18:41 | |
When you really can't identify one, there's only one way forward. | 0:18:41 | 0:18:46 | |
You have to reveal the moth's genitals. | 0:18:49 | 0:18:51 | |
So Mike's taught himself to do painstaking dissection work by microscope. | 0:18:51 | 0:18:57 | |
What I'm doing, I'm taking the skin away, using forceps | 0:18:59 | 0:19:05 | |
until I've got the claspers at the end. | 0:19:05 | 0:19:08 | |
It's not something I feel happy about doing, | 0:19:08 | 0:19:12 | |
but it's the only way of actually recording the data. | 0:19:12 | 0:19:15 | |
So it's with a bit of a heavy heart that I have killed some moths and dissected them. | 0:19:15 | 0:19:21 | |
It's a matter of looking at this and then comparing it with the illustration here | 0:19:22 | 0:19:27 | |
to see which one it is and the one that it matches is this one, | 0:19:27 | 0:19:32 | |
which is the cloaked minor, here. | 0:19:32 | 0:19:37 | |
So what does Mike's wife think about the amount of time he spends with moths? | 0:19:37 | 0:19:42 | |
Inevitably, if you've got some active interest, then you know, you're probably | 0:19:42 | 0:19:46 | |
not giving herself indoors as much time and attention as she'd like. | 0:19:46 | 0:19:50 | |
But at least Mrs Mike isn't being neglected in vain. | 0:19:53 | 0:19:56 | |
Her husband's work will be used in the first-ever | 0:19:56 | 0:20:00 | |
Comprehensive Guide to the Moths of the Greater Bristol Area. | 0:20:00 | 0:20:05 | |
There's a team of us, a sort of an editorial panel that have written it all. | 0:20:05 | 0:20:11 | |
So it will represent hundreds of man hours of work. | 0:20:11 | 0:20:15 | |
Mike's even doing the illustrations. | 0:20:15 | 0:20:19 | |
Yes, really, one can get sort of quite carried away in just happily | 0:20:19 | 0:20:23 | |
sitting here putting in your dots and making up the darker bits. | 0:20:23 | 0:20:28 | |
I actually do them quite large so that they can be reduced. | 0:20:28 | 0:20:32 | |
So you're actually not sort of drawing an actual size. | 0:20:32 | 0:20:34 | |
You're doing it ten times life size, | 0:20:34 | 0:20:38 | |
but that's thousands of little dots to make a black area, | 0:20:38 | 0:20:42 | |
but it seems to give the sort of texture that I like. | 0:20:42 | 0:20:47 | |
The atlas follows on from a series and so there's already | 0:20:47 | 0:20:52 | |
a Flora of the Bristol Region and the Butterflies of the Bristol Region. | 0:20:52 | 0:20:56 | |
So this is the next one in the series. | 0:20:56 | 0:20:58 | |
-When's it going to be finished? -Well! | 0:20:58 | 0:21:01 | |
It's a bit of a joke, really. | 0:21:02 | 0:21:04 | |
We always say next year, but, I mean, we're hoping it will be out in 2008. | 0:21:04 | 0:21:10 | |
The end of the atlas won't be the end of Mike and moths. | 0:21:10 | 0:21:13 | |
He's hooked for life. | 0:21:13 | 0:21:17 | |
So what does it take to be a moth fanatic? | 0:21:17 | 0:21:20 | |
I think you do need to be the sort of person who likes to apply yourself and probably, you know, | 0:21:20 | 0:21:25 | |
the sort of person who likes to get a list and keep a record. | 0:21:25 | 0:21:30 | |
It's very much a boy thing, I think. | 0:21:30 | 0:21:33 | |
Long-term studies like Mike's keep a finger on the pulse of British moths. | 0:21:35 | 0:21:41 | |
These unassuming creatures play an important role | 0:21:41 | 0:21:45 | |
as pollinators and as fast food. | 0:21:45 | 0:21:48 | |
Moths have declined by 40% in the last 40 years. | 0:21:49 | 0:21:54 | |
A drop in numbers that is already having an effect on bats. | 0:21:54 | 0:21:59 | |
Over the same time, | 0:22:02 | 0:22:04 | |
British butterflies have declined by nearly 80%. | 0:22:04 | 0:22:08 | |
Many have been affected by loss of habitat. | 0:22:09 | 0:22:13 | |
If where you live changes, you have to adapt or die. | 0:22:13 | 0:22:18 | |
Sometimes, though, habitats can be rescued in the nick of time | 0:22:19 | 0:22:24 | |
and then the butterflies can flutter back. | 0:22:24 | 0:22:26 | |
Andy Barker has been getting his hands dirty | 0:22:28 | 0:22:32 | |
getting the landscape just right for one butterfly. | 0:22:32 | 0:22:36 | |
It's just such an exquisite colour to see in a countryside otherwise green and browns. | 0:22:36 | 0:22:40 | |
So to see the blues, it's such a special thing to see. | 0:22:40 | 0:22:44 | |
Today, Magdalen Hill Down is one of the best places in Britain for the rare Chalk Hill Blue butterfly. | 0:22:45 | 0:22:52 | |
20 years ago, it was a very different story. | 0:22:52 | 0:22:54 | |
It had almost disappeared from here altogether. | 0:22:54 | 0:22:58 | |
The Down was being strangled by uncontrolled scrub. | 0:23:00 | 0:23:04 | |
In 1989, Butterfly Conservation took over the site | 0:23:04 | 0:23:08 | |
and Andy joined the volunteer army to save the Chalk Hill Blue. | 0:23:08 | 0:23:12 | |
This slide gives a very good impression of the extent of the scrub. | 0:23:14 | 0:23:18 | |
This eastern half had been cleared, whereas you can see the western half is very densely covered with scrub. | 0:23:18 | 0:23:24 | |
So the Chalk Hill Blue which really likes short grassland | 0:23:24 | 0:23:27 | |
wouldn't have enjoyed that situation at all, so we got there just in time. | 0:23:27 | 0:23:31 | |
And this is just in the early days, with a few of the volunteers, | 0:23:33 | 0:23:36 | |
the sheep seem quite interested to see what we're up to. | 0:23:36 | 0:23:40 | |
Their hard graft has let the butterflies make an impressive comeback. | 0:23:40 | 0:23:45 | |
Andy's off and out to check on them. | 0:23:48 | 0:23:51 | |
Putting your foot down a rabbit hole, I think, is one of the things you need to guard against. | 0:23:55 | 0:24:00 | |
Here's a Chalk Hill Blue. | 0:24:01 | 0:24:02 | |
And here's another. | 0:24:03 | 0:24:05 | |
This is absolutely pristine condition with the dark edge. Really nice. | 0:24:05 | 0:24:11 | |
The sun's just coming out now, this is nice, because there's quite a few now. | 0:24:11 | 0:24:16 | |
Here we have the female Chalk Hill Blue. | 0:24:20 | 0:24:23 | |
It's the same sort of size as the male, but brown. | 0:24:23 | 0:24:27 | |
On a cool day, you can just gently put your finger in front of a butterfly and it will often crawl on, | 0:24:27 | 0:24:32 | |
because your own body temperature is nice and warm and they'll open their wings. | 0:24:32 | 0:24:36 | |
See, like this one's doing here, because they'll find, oh, well, | 0:24:36 | 0:24:39 | |
that's a nice warm surface, I'll sit here. | 0:24:39 | 0:24:41 | |
I always like doing this. | 0:24:41 | 0:24:43 | |
You sort of feel the butterfly's quite happy in your company and that they'll happily sit there for ages. | 0:24:43 | 0:24:49 | |
There you go, she's opening again. | 0:24:50 | 0:24:52 | |
It's a lovely thing to do, actually. When you show children how this works, they love it. | 0:24:54 | 0:24:58 | |
Oop! There she goes, she's flying. | 0:24:58 | 0:25:01 | |
It was as a child himself that his passion for nature was kindled. | 0:25:01 | 0:25:06 | |
Like many amateur naturalists, | 0:25:06 | 0:25:08 | |
Andy was out exploring wildlife from a young age. | 0:25:08 | 0:25:11 | |
His early experiences growing up on a farm have shaped his adult life. | 0:25:11 | 0:25:16 | |
Been born and brought up on the farm, we were just in the countryside all the time and so you just were | 0:25:16 | 0:25:24 | |
very keen and observing things as all children are, very inquisitive about what's around them. | 0:25:24 | 0:25:29 | |
We would just see loads of Ringlets and Meadow Browns and Common Blues | 0:25:29 | 0:25:33 | |
but as a boy, I think you just remember the great years when you just saw loads | 0:25:33 | 0:25:38 | |
and it was always the summer holidays when you saw most | 0:25:38 | 0:25:41 | |
and of course, it was sunny all the time, as far as you remember. | 0:25:41 | 0:25:45 | |
Well, this is the more typical weather | 0:25:45 | 0:25:47 | |
that we get when we're trying to do the monitoring of the butterflies. | 0:25:47 | 0:25:50 | |
You find it's a sort of bright sunny day and then by the time you've driven to | 0:25:50 | 0:25:54 | |
the site, the clouds have started to appear and then you get halfway round the site and the rain starts. | 0:25:54 | 0:26:01 | |
Hopefully we'll still get some brightness. | 0:26:01 | 0:26:03 | |
We've been really lucky now. | 0:26:11 | 0:26:13 | |
The rain's just eased | 0:26:13 | 0:26:15 | |
and there's a mating pair of Chalk Hill Blue, | 0:26:15 | 0:26:20 | |
so this rain has only been slight | 0:26:20 | 0:26:22 | |
and they're able to go about their business as normal. | 0:26:22 | 0:26:25 | |
You can see, here's the two | 0:26:25 | 0:26:29 | |
and the female's the one on the right. | 0:26:29 | 0:26:31 | |
Can you see how brown she is on the underside? | 0:26:31 | 0:26:35 | |
Hopefully, they've been successful | 0:26:35 | 0:26:37 | |
and she'll keep the population of Chalk Hill Blues going for next year. | 0:26:37 | 0:26:42 | |
This is what it's all about for Andy and his compatriots. | 0:26:42 | 0:26:46 | |
Thanks to their hard work, the butterflies have gone forth and multiplied. | 0:26:46 | 0:26:51 | |
When we did the first year of regular monitoring, the total for a series of weeks was 300. | 0:26:51 | 0:26:58 | |
Whereas now, for the same route that we take and for the same period, | 0:26:58 | 0:27:02 | |
you get about 3,600 in a year, so it's more than a tenfold increase. | 0:27:02 | 0:27:06 | |
I mean, it's exceeded our expectations and we've been very pleased and proud that it has | 0:27:08 | 0:27:12 | |
worked out so well, but I don't think anybody could | 0:27:12 | 0:27:15 | |
have wished for more and it's great to see them doing well. | 0:27:15 | 0:27:18 | |
Andy has devoted thousands of hours to his passion for butterflies. | 0:27:20 | 0:27:24 | |
By getting the habitat just right, | 0:27:24 | 0:27:26 | |
he has helped bring Chalk Hill MagdalenBlues back to Hill Down. | 0:27:26 | 0:27:31 | |
Barry, Bill, Andy and Mike are all doing their own bit in their own way | 0:27:33 | 0:27:39 | |
to help British butterflies and moths. | 0:27:39 | 0:27:42 | |
Through the work of our amateur naturalists and others like them, more is known about butterflies | 0:27:42 | 0:27:47 | |
and moths in Britain than anywhere else in the world. | 0:27:47 | 0:27:51 | |
If you want to find out more about getting involved with butterflies and moths, | 0:27:53 | 0:27:57 | |
go onto bbc.co.uk/nature. | 0:27:57 | 0:28:02 | |
Next time on Born To Be Wild, one man scales the heights. | 0:28:04 | 0:28:09 | |
Some people say I'm a bit like a mountain goat. | 0:28:09 | 0:28:11 | |
Another dives into the depths. | 0:28:11 | 0:28:13 | |
A couple spend hours on a windy cliff top | 0:28:13 | 0:28:17 | |
and one man is rallying his whole community. | 0:28:17 | 0:28:20 | |
We'll probably go in the house and they'll be jumping around like anything. | 0:28:20 | 0:28:24 | |
Join our amateur naturalists as they watch over the coasts of Britain. | 0:28:24 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:49 | |
E-mail [email protected] | 0:28:49 | 0:28:51 |