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94 miles north of the Scottish mainland, | 0:00:03 | 0:00:06 | |
where the blustery Atlantic meets the North Sea, lies Shetland, | 0:00:06 | 0:00:10 | |
an archipelago of some 100 or so islands, mostly uninhabited. | 0:00:10 | 0:00:15 | |
Until the late 15th Century, they belonged to Scandinavia, | 0:00:16 | 0:00:19 | |
and, being closer to Bergen than Edinburgh, | 0:00:19 | 0:00:22 | |
the islanders remain proud of their Norse heritage. | 0:00:22 | 0:00:26 | |
Recently, new riches have been discovered, | 0:00:26 | 0:00:29 | |
supplementing the islands' staple of farming and fishing. | 0:00:29 | 0:00:34 | |
The most northerly island is Unst, | 0:00:34 | 0:00:36 | |
where locals mix tradition with innovation | 0:00:36 | 0:00:39 | |
to survive in a fast changing world. | 0:00:39 | 0:00:42 | |
In the days to come, | 0:00:44 | 0:00:46 | |
Frank and Gem travel to Lerwick | 0:00:46 | 0:00:49 | |
for the pony breeders of Shetland auction. | 0:00:49 | 0:00:52 | |
I can switch off, but Frank's a completely different kettle of fish. | 0:00:52 | 0:00:57 | |
He's emotionally attached to them. | 0:00:57 | 0:01:00 | |
He finds it very difficult. | 0:01:00 | 0:01:02 | |
If you're going to breed ponies, you've got to let them go as well. | 0:01:02 | 0:01:06 | |
Mother Mary gets out the power tools | 0:01:06 | 0:01:08 | |
to create a new space to welcome visitors. | 0:01:08 | 0:01:12 | |
If I have a chapel here in the hermitage, | 0:01:12 | 0:01:15 | |
it's there ready, and it's a witness, not only to Orthodoxy, | 0:01:15 | 0:01:19 | |
but to Christian prayer. | 0:01:19 | 0:01:21 | |
I'm very familiar with a hammer drill. | 0:01:21 | 0:01:23 | |
And islanders celebrate the harvest festival with exotic fare from afar. | 0:01:23 | 0:01:29 | |
Can I order sweet and sour chicken, | 0:01:29 | 0:01:31 | |
and chicken balls in batter please? Crispy chilli beef, please. | 0:01:31 | 0:01:35 | |
And something more traditional. | 0:01:35 | 0:01:37 | |
No, thank you, no. | 0:01:37 | 0:01:38 | |
When I come to work in the morning and it's reestit mutton, | 0:01:41 | 0:01:43 | |
-I know right away, and I think, "Oh no, no soup for me today.". -No. | 0:01:43 | 0:01:48 | |
Summer is coming to an end on Britain's most northerly island, | 0:02:22 | 0:02:26 | |
and the long days are getting shorter. | 0:02:26 | 0:02:30 | |
All around Unst, islanders are busying themselves, | 0:02:30 | 0:02:33 | |
taking advantage of the precious daylight | 0:02:33 | 0:02:35 | |
before the long winter nights draw in. | 0:02:35 | 0:02:38 | |
At Clibberswick Stud Farm, | 0:02:42 | 0:02:43 | |
Frank Roberts, the island's resident horse whisperer, | 0:02:43 | 0:02:47 | |
is attempting to coax Sula, his five-month-old filly foal | 0:02:47 | 0:02:51 | |
into a trailer for the first time. | 0:02:51 | 0:02:53 | |
I'm not physically going to persuade her. | 0:02:53 | 0:02:56 | |
I want her to make her own mind up. | 0:02:56 | 0:02:58 | |
She's got to make a conscious decision about this herself. | 0:02:58 | 0:03:01 | |
It's just a waiting game, it's just time. | 0:03:01 | 0:03:04 | |
Sula is just one of four young Shetland ponies | 0:03:05 | 0:03:08 | |
that Frank and his wife Jem are taking to the biggest | 0:03:08 | 0:03:11 | |
pony auction of the year, in Lerwick, a three hour journey away. | 0:03:11 | 0:03:16 | |
I would try different techniques. | 0:03:21 | 0:03:23 | |
Swear, probably! | 0:03:24 | 0:03:26 | |
Yeah, it's just getting the confidence to get over the ramp, | 0:03:28 | 0:03:31 | |
it's a big issue. | 0:03:31 | 0:03:32 | |
Because it's quite noisy when they're first stepping on it. | 0:03:34 | 0:03:38 | |
Sula finally relents, | 0:03:41 | 0:03:43 | |
and the other three ponies join her on the trailer for the big sale. | 0:03:43 | 0:03:48 | |
It's been pretty dire with the economics at the moment, | 0:03:50 | 0:03:53 | |
the auctioneer doesn't normally go below ten or something like that. | 0:03:53 | 0:03:58 | |
Yeah, that's a severe loss they're taking at that price. | 0:03:59 | 0:04:05 | |
Yeah, we've seen them not even get a bid. | 0:04:05 | 0:04:07 | |
It just depends on the sale on the day. | 0:04:07 | 0:04:10 | |
This journey might be the first of many for these young ponies, | 0:04:10 | 0:04:14 | |
with buyers at the auction bidding from as far as America. | 0:04:14 | 0:04:17 | |
But making a profit on their sales is a precarious business. | 0:04:17 | 0:04:21 | |
Vet papers, micro-chipping and transportation costs | 0:04:21 | 0:04:25 | |
add an extra £100 per animal to their overheads. | 0:04:25 | 0:04:29 | |
Despite needing the money, Jem knows | 0:04:29 | 0:04:31 | |
that taking the ponies to auction is an emotional time for Frank. | 0:04:31 | 0:04:35 | |
I can switch off, but Frank's a completely different kettle of fish. | 0:04:35 | 0:04:39 | |
He finds it very difficult letting them go. | 0:04:39 | 0:04:42 | |
He would keep them all if he could. | 0:04:44 | 0:04:46 | |
Horrible. | 0:04:47 | 0:04:49 | |
Absolutely horrible. | 0:04:50 | 0:04:51 | |
I don't believe anybody who really loves their ponies | 0:04:51 | 0:04:54 | |
ever gets used to it. | 0:04:54 | 0:04:56 | |
Especially when you've seen them being born... | 0:04:56 | 0:04:59 | |
You learn their analities, | 0:04:59 | 0:05:01 | |
they're all different, each one has its own little anality. | 0:05:01 | 0:05:04 | |
Yeah, you get to know them. | 0:05:04 | 0:05:06 | |
So it's a sad day...for everybody. | 0:05:06 | 0:05:10 | |
Usually, Jem and Frank sell six ponies, | 0:05:12 | 0:05:16 | |
but this year, with prices and buyers down, | 0:05:16 | 0:05:18 | |
they've brought just four. | 0:05:18 | 0:05:20 | |
As difficult as it is to part with them, | 0:05:21 | 0:05:24 | |
Frank and Jem will have to sell their beloved ponies | 0:05:24 | 0:05:27 | |
for their stud farm to stay viable. | 0:05:27 | 0:05:29 | |
On the north side of Unst, | 0:05:33 | 0:05:35 | |
Mother Mary, the island's Eastern Orthodox nun, | 0:05:35 | 0:05:38 | |
is busy preparing for the long, cold, wintery days to come. | 0:05:38 | 0:05:42 | |
I'm just curious to see how it's going to come up. | 0:05:42 | 0:05:46 | |
I suspected that there was a fireplace here | 0:05:46 | 0:05:50 | |
because a croft house just would have a fireplace, | 0:05:50 | 0:05:53 | |
but also because the wall the other side had a lot of peat staining, | 0:05:53 | 0:05:59 | |
and that really gave a clue that there was a fireplace this side. | 0:05:59 | 0:06:04 | |
In fact, the stove has just arrived today, | 0:06:04 | 0:06:07 | |
but it will be quite big enough to heat this room, | 0:06:07 | 0:06:10 | |
and I suspect the heat will go through the house. | 0:06:10 | 0:06:13 | |
I hope the heat will go through the house! | 0:06:13 | 0:06:16 | |
Having sorted out the heating, | 0:06:16 | 0:06:18 | |
Mother Mary now has more ambitious plans for her new home. | 0:06:18 | 0:06:21 | |
The next job is to set up the chapel. | 0:06:21 | 0:06:25 | |
If I have a chapel here in the hermitage, | 0:06:25 | 0:06:28 | |
it's there ready, and it's a witness, | 0:06:28 | 0:06:31 | |
not only to Orthodoxy but to Christian prayer, | 0:06:31 | 0:06:36 | |
and it's there ready for people to share and to visit. | 0:06:36 | 0:06:41 | |
Like in her previous house on the neighbouring island of Fetlar, | 0:06:41 | 0:06:45 | |
Mother Mary has chosen her spare room | 0:06:45 | 0:06:48 | |
to become her sanctuary and chapel. | 0:06:48 | 0:06:51 | |
As far as I've got with the chapel, it's just the entrance, | 0:06:51 | 0:06:55 | |
so the door was the chapel door in Fetlar, | 0:06:55 | 0:06:58 | |
which I brought across, and it exactly fits, which is great, | 0:06:58 | 0:07:03 | |
and it's got this nice little cross there, | 0:07:03 | 0:07:05 | |
but you can see it's got a lot of work to be done | 0:07:05 | 0:07:10 | |
before it can become a chapel. | 0:07:10 | 0:07:12 | |
The altar, the Holy table, will be at that end, | 0:07:12 | 0:07:16 | |
and there will be a sort of lattice covering over the window, | 0:07:16 | 0:07:21 | |
and maybe an alcove there, | 0:07:21 | 0:07:25 | |
and a bench for people to sit on here, | 0:07:25 | 0:07:28 | |
and just above the Holy table, the altar, | 0:07:28 | 0:07:34 | |
I plan to take out the plaster board and take it back to the stone, | 0:07:34 | 0:07:40 | |
so it will have an archway back to the stone with an icon on it. | 0:07:40 | 0:07:44 | |
I'm a bit nervous about doing this, but I think I'll have a go. | 0:07:44 | 0:07:48 | |
I made the chapel in Fetlar myself, and many years experience of DIY, | 0:07:48 | 0:07:54 | |
I'm very familiar with a hammer drill. | 0:07:54 | 0:07:57 | |
At his manse on the neighbouring island of Yell, | 0:07:59 | 0:08:02 | |
with the autumn equinox and the full moon approaching, | 0:08:02 | 0:08:05 | |
minister David Cooper is preparing his sermon | 0:08:05 | 0:08:08 | |
for the pagan festival, celebrating harvest time. | 0:08:08 | 0:08:11 | |
Lots of people are still working the land, | 0:08:11 | 0:08:14 | |
sheep and a few cattle, | 0:08:14 | 0:08:17 | |
and we just need to recognise once in a while | 0:08:17 | 0:08:21 | |
our place alongside all these things, and remember the harvest. | 0:08:21 | 0:08:26 | |
A keen gardener, David is planning his own | 0:08:27 | 0:08:30 | |
personal contribution to the event. | 0:08:30 | 0:08:33 | |
I'm going to cut some bay | 0:08:37 | 0:08:39 | |
and take it to the church to decorate the church for harvest, | 0:08:39 | 0:08:44 | |
and then folk can take a sprig home and put it in their soup. | 0:08:44 | 0:08:48 | |
We can take some of these luscious bits of growth. | 0:08:52 | 0:08:56 | |
Aren't they lovely? | 0:08:56 | 0:08:58 | |
I'm no good at decoration, but I can provide the wherewithal. | 0:08:59 | 0:09:04 | |
For the past week, members of the congregation have been busy | 0:09:05 | 0:09:09 | |
decorating St John's Kirk in Baltasound, | 0:09:09 | 0:09:12 | |
where this year's ceremony will be held. | 0:09:12 | 0:09:14 | |
One of the church's bell ringers, Barbara Priest and her sister Anne, | 0:09:14 | 0:09:19 | |
are putting the finishing touches to the decorations. | 0:09:19 | 0:09:22 | |
It's once a year, and we've lots to give thanks for, | 0:09:22 | 0:09:25 | |
so it's not an effort. | 0:09:25 | 0:09:27 | |
This window represents the food that comes from further away. | 0:09:27 | 0:09:31 | |
It acknowledges, I suppose, how much you would think of as Chinese food, | 0:09:31 | 0:09:37 | |
oriental food, that we now eat, and it's so much part of our diet. | 0:09:37 | 0:09:42 | |
One of the reasons Chinese food now sits alongside traditional Unst | 0:09:43 | 0:09:47 | |
fare at harvest is the popularity of the monthly visit to the island | 0:09:47 | 0:09:52 | |
by the Hai Yang Chinese takeaway. | 0:09:52 | 0:09:55 | |
Chefs journey from Scalloway on the main island | 0:09:55 | 0:09:58 | |
to community halls all over Shetland | 0:09:58 | 0:10:01 | |
to cook up traditional dishes. | 0:10:01 | 0:10:03 | |
Today, they've travelled three hours to Unst. | 0:10:03 | 0:10:06 | |
Can I order a sweet and sour chicken, please, | 0:10:07 | 0:10:09 | |
chicken balls in batter, please. | 0:10:09 | 0:10:11 | |
Catherine Moatt, who works at the island's tea rooms, | 0:10:11 | 0:10:14 | |
is a firm believer in traditional Chinese medicine. | 0:10:14 | 0:10:18 | |
It's quite a good cure if you've had a heavy Saturday night, | 0:10:18 | 0:10:22 | |
so if there's been a disco or something | 0:10:22 | 0:10:25 | |
going on at the hall, it's a bit more popular then. | 0:10:25 | 0:10:28 | |
For horticulturalist Sarah McBernie, | 0:10:33 | 0:10:36 | |
it's a chance to take a break from the norm. | 0:10:36 | 0:10:39 | |
Anybody who wants to come up and feed us, it's brilliant. | 0:10:39 | 0:10:42 | |
It means I don't have to cook every night of the week, all year. | 0:10:42 | 0:10:46 | |
There we go. | 0:10:48 | 0:10:49 | |
Right, that's me sorted. | 0:10:49 | 0:10:51 | |
Despite the popularity of the Chinese food, | 0:10:51 | 0:10:54 | |
there are some islanders | 0:10:54 | 0:10:56 | |
who prefer to stick to traditional Shetland cuisine. | 0:10:56 | 0:11:00 | |
In the kitchen of Britain's most northerly shop, | 0:11:00 | 0:11:03 | |
the Final Checkout, | 0:11:03 | 0:11:05 | |
Charlie Priest is busy preparing an island favourite. | 0:11:05 | 0:11:08 | |
Reestit mutton soup. | 0:11:16 | 0:11:18 | |
How do you think you'd do on Masterchef, Charlie? | 0:11:38 | 0:11:41 | |
Oh, that smells good, I can smell the soup. | 0:11:51 | 0:11:53 | |
Putting Charlie's soup to the test is Ian Henderson. | 0:11:53 | 0:11:57 | |
Lovely, thank you. | 0:11:57 | 0:11:59 | |
Warm you up on a cold day. | 0:11:59 | 0:12:01 | |
Yes, thank you. | 0:12:01 | 0:12:02 | |
-Lovely soup. -Yeah? -Yeah. | 0:12:08 | 0:12:10 | |
Oh, I could tell a good soup. | 0:12:10 | 0:12:13 | |
Not every islander is a fan though. | 0:12:13 | 0:12:15 | |
Reestit mutton? No, thank you, Charlie. No. | 0:12:15 | 0:12:18 | |
No thanks, not my cup of tea, I don't like reestit mutton at all. | 0:12:21 | 0:12:24 | |
It's got a distinctive smell, | 0:12:24 | 0:12:27 | |
and when I come into work in the morning | 0:12:27 | 0:12:29 | |
and it's reestit mutton, I know right away, | 0:12:29 | 0:12:31 | |
-and I think, "Oh no, reestit mutton today. No soup for me today.". -No. | 0:12:31 | 0:12:36 | |
He makes the greatest soups, | 0:12:40 | 0:12:42 | |
but he still can't change my mind about reestit mutton, I'm afraid. | 0:12:42 | 0:12:45 | |
Back at the pony auction in Lerwick on the Shetland mainland, | 0:12:47 | 0:12:52 | |
Frank and Jem are giving their ponies a final brush | 0:12:52 | 0:12:55 | |
before the sale. | 0:12:55 | 0:12:57 | |
The time to finally say goodbye is nearing. | 0:12:57 | 0:12:59 | |
The ponies are brought for breeding, | 0:13:00 | 0:13:02 | |
for children, or as companions for older horses, | 0:13:02 | 0:13:07 | |
and head auctioneer Rod McKenzie will preside over this year's sale, | 0:13:07 | 0:13:11 | |
which, with just 68 lots, | 0:13:11 | 0:13:13 | |
is significantly smaller than last year's. | 0:13:13 | 0:13:15 | |
This would be the least number we've had in the last ten years. | 0:13:15 | 0:13:20 | |
I remember there used to be up to 180, 200 Shetland ponies | 0:13:20 | 0:13:24 | |
and up till about four years ago, we could sell them all, | 0:13:24 | 0:13:27 | |
but that's by and large gone away now, | 0:13:27 | 0:13:29 | |
so you've only got the hard core pony breeders that are looking for | 0:13:29 | 0:13:33 | |
maybe a filly to go back into their stud, or maybe a very good colt. | 0:13:33 | 0:13:38 | |
Prior to the auction, the ponies are prejudged | 0:13:38 | 0:13:41 | |
in their respective classes. | 0:13:41 | 0:13:43 | |
Miniatures, colts for young males, | 0:13:43 | 0:13:46 | |
fillies for young female, | 0:13:46 | 0:13:48 | |
castrated males, geldings, | 0:13:48 | 0:13:50 | |
and mature mares for breeding. | 0:13:50 | 0:13:52 | |
The judge looks for a nice balanced head, | 0:13:52 | 0:13:55 | |
healthy teeth, a plump rump, | 0:13:55 | 0:13:57 | |
good colouring, | 0:13:57 | 0:13:58 | |
and calm temperament. | 0:13:58 | 0:14:00 | |
After the assessment, the ponies are awarded coloured rosettes, | 0:14:00 | 0:14:04 | |
which aid prospective buyers before the auction begins. | 0:14:04 | 0:14:07 | |
I got a second, yay! | 0:14:07 | 0:14:10 | |
Good lass. | 0:14:10 | 0:14:12 | |
Well done. Well done. | 0:14:13 | 0:14:16 | |
Yay! | 0:14:20 | 0:14:22 | |
With two rosettes, things are looking hopeful for Frank and Jem. | 0:14:22 | 0:14:26 | |
First and second, that's pretty good. | 0:14:26 | 0:14:28 | |
But, as the auction starts.. | 0:14:29 | 0:14:32 | |
50 guineas, 50 guineas... The call for 50 guineas. 20 guineas then? | 0:14:32 | 0:14:36 | |
20 guineas, 20 guineas... | 0:14:36 | 0:14:38 | |
The opening lots struggle to get any bids. | 0:14:38 | 0:14:40 | |
20 guineas, 20 guineas, 20 guineas... | 0:14:40 | 0:14:42 | |
20 guineas, anybody? | 0:14:42 | 0:14:44 | |
Not a sale then. | 0:14:44 | 0:14:46 | |
50 guineas, 50 guineas, 50 guineas? | 0:14:48 | 0:14:50 | |
They won't go for less. | 0:14:50 | 0:14:52 | |
If you want to bid, give us 50 guineas for a start. | 0:14:52 | 0:14:55 | |
50 guineas? | 0:14:55 | 0:14:58 | |
We'll move on. | 0:14:58 | 0:15:00 | |
Sorry, no sale. | 0:15:00 | 0:15:01 | |
Back on Unst, in her hermitage on the north of the island, | 0:15:03 | 0:15:08 | |
Mother Mary is throwing herself into her chapel build. | 0:15:08 | 0:15:12 | |
I'm a bit scared of electric saws, that's the only thing, | 0:15:19 | 0:15:24 | |
but power tools are great, really helpful. | 0:15:24 | 0:15:28 | |
I find it really handy to work two drills at a time, | 0:15:28 | 0:15:32 | |
it makes it very quick. | 0:15:32 | 0:15:34 | |
It's part of a monastic tradition | 0:15:38 | 0:15:40 | |
to work with your hands and with tools, | 0:15:40 | 0:15:42 | |
and be self sufficient as well. | 0:15:42 | 0:15:45 | |
So all those things come together, as well as just enjoying it, | 0:15:46 | 0:15:50 | |
I really do enjoy it. | 0:15:50 | 0:15:52 | |
The chapel will allow me to celebrate certain services | 0:15:52 | 0:15:57 | |
in a much fuller, better way than I could in my cell, | 0:15:57 | 0:16:01 | |
which is what a nun's bedroom is called, basically, | 0:16:01 | 0:16:06 | |
but also it's a place where other people can come. | 0:16:06 | 0:16:09 | |
Mother Mary's first service in her handcrafted chapel | 0:16:09 | 0:16:14 | |
will be the blessing of the icon St Sunniva, an Irish saint who's | 0:16:14 | 0:16:17 | |
said to have visited Shetland on her way to Norway in the tenth century. | 0:16:17 | 0:16:22 | |
It's a bit of a race against time | 0:16:22 | 0:16:24 | |
because the blessing of the icon is tomorrow morning, | 0:16:24 | 0:16:29 | |
and I've invited a friend along as well, | 0:16:29 | 0:16:33 | |
so that's a little bit more pressure. | 0:16:33 | 0:16:35 | |
It's just got to be finished, but it will be, it will be. | 0:16:35 | 0:16:38 | |
It'll be ready tomorrow morning, God willing. | 0:16:38 | 0:16:41 | |
It's the morning of the harvest service, | 0:16:48 | 0:16:50 | |
and at St John's church, a time for the islanders to give thanks | 0:16:50 | 0:16:54 | |
for everything the sea and land has provided. | 0:16:54 | 0:16:57 | |
It's lovely to see everything on display. | 0:16:59 | 0:17:02 | |
A lot of folk must have come along, bringing fruit and vegetables | 0:17:02 | 0:17:06 | |
and so on, and have decorated the church | 0:17:06 | 0:17:08 | |
so that it really looks sumptuous. | 0:17:08 | 0:17:11 | |
Folk have been busy. | 0:17:11 | 0:17:13 | |
As long as the world exists, | 0:17:13 | 0:17:15 | |
there will be a time for planting and a time for harvest. | 0:17:15 | 0:17:18 | |
There will always be cold and heat, | 0:17:18 | 0:17:21 | |
summer and winter, | 0:17:21 | 0:17:23 | |
day and night. | 0:17:23 | 0:17:26 | |
Minister David Cooper is attending to another important duty | 0:17:26 | 0:17:29 | |
at the only school on the island in Baltasound. | 0:17:29 | 0:17:33 | |
To honour the harvest, the children have all brought in tins | 0:17:33 | 0:17:36 | |
as a donation to their local charity. | 0:17:36 | 0:17:39 | |
-Hello, everybody. -Hello. -Hello. | 0:17:39 | 0:17:42 | |
-Hi! -Hello. | 0:17:42 | 0:17:44 | |
# All things bright and beautiful | 0:17:44 | 0:17:48 | |
# All creatures great and small | 0:17:48 | 0:17:52 | |
# All things wise and wonderful | 0:17:52 | 0:17:57 | |
# The Lord God made them all... # | 0:17:57 | 0:18:01 | |
Most children grow up with almost everything they need. | 0:18:01 | 0:18:06 | |
This is an opportunity for them to share. | 0:18:06 | 0:18:08 | |
Yes, that's an important lesson to learn. | 0:18:08 | 0:18:13 | |
Now it's a scandal and disgrace that there are some people | 0:18:13 | 0:18:17 | |
who haven't got enough to eat, but we can help them, | 0:18:17 | 0:18:21 | |
and this is your way of helping, | 0:18:21 | 0:18:23 | |
and I'm sure that when this is being delivered to Lerwick, | 0:18:23 | 0:18:27 | |
there'll be a letter come back to school thanking you | 0:18:27 | 0:18:32 | |
for sharing your harvest | 0:18:32 | 0:18:35 | |
with people who, for a little while, just have not got enough. | 0:18:35 | 0:18:41 | |
In Lerwick at the Shetland pony auction... | 0:18:45 | 0:18:47 | |
20 guineas, 20 guineas, 20 guineas? Anybody? | 0:18:47 | 0:18:51 | |
20 guineas, anybody here? | 0:18:51 | 0:18:53 | |
20 guineas? No? | 0:18:53 | 0:18:55 | |
..most of the ponies are still not even meeting their reserve prices. | 0:18:55 | 0:19:00 | |
140, £140... | 0:19:00 | 0:19:02 | |
Bid at 140, 140... | 0:19:02 | 0:19:04 | |
Unfortunately we'll have to leave that, I'm sorry. | 0:19:04 | 0:19:08 | |
With only a few minutes before their prize ponies | 0:19:08 | 0:19:10 | |
go under the hammer, things are looking bleak for Frank and Jem. | 0:19:10 | 0:19:15 | |
We're not hitting anything, nobody is bidding on them. | 0:19:15 | 0:19:17 | |
100... | 0:19:17 | 0:19:19 | |
100 guineas! 100 guineas... | 0:19:19 | 0:19:22 | |
110, 120... | 0:19:22 | 0:19:23 | |
But suddenly the bidding starts to pick up pace. | 0:19:23 | 0:19:27 | |
250, 280, 300, | 0:19:27 | 0:19:29 | |
300 bid... | 0:19:29 | 0:19:30 | |
At 300 bid, 300 bid... | 0:19:30 | 0:19:32 | |
Eight, nine, ten, 11, 12... | 0:19:33 | 0:19:37 | |
The bids are coming in thick and fast. | 0:19:37 | 0:19:40 | |
660 on the market she goes... | 0:19:42 | 0:19:44 | |
660, last chance, on the internet now. | 0:19:44 | 0:19:47 | |
660! | 0:19:47 | 0:19:49 | |
We've had a pony go to Texas, | 0:19:53 | 0:19:56 | |
we've had another one go to Norway, | 0:19:56 | 0:19:58 | |
maybe one or two go to Sweden, | 0:19:58 | 0:20:00 | |
and several go to the south of England. | 0:20:00 | 0:20:02 | |
There's a lady who's phoned up there, | 0:20:02 | 0:20:04 | |
a lady in Romney Marsh in Kent, she's bought two ponies. | 0:20:04 | 0:20:07 | |
-Good luck then. -OK. | 0:20:09 | 0:20:11 | |
Showtime for Sula. | 0:20:11 | 0:20:14 | |
She needs to sell, and at a good price, | 0:20:14 | 0:20:17 | |
if Frank and Jem are not to make a loss. | 0:20:17 | 0:20:20 | |
40, 50... 100 guineas to start. | 0:20:23 | 0:20:26 | |
100 guineas to start, 100 guineas to start... | 0:20:26 | 0:20:29 | |
100 bid, 100 bid, 100 bid, 100 bid, 100 guineas... | 0:20:29 | 0:20:33 | |
120 bid, 150. | 0:20:33 | 0:20:37 | |
150. | 0:20:37 | 0:20:39 | |
150, I'm bid 150. I'm asking for 180. | 0:20:39 | 0:20:42 | |
150 then, 150 bid, 150 bid, 150 bid, | 0:20:42 | 0:20:46 | |
150 bid, 150 bid, 150 bid, 150... | 0:20:46 | 0:20:49 | |
150, 150. 180. | 0:20:49 | 0:20:52 | |
180, 200, 200 in the room. | 0:20:52 | 0:20:55 | |
£200. Internet out. | 0:20:55 | 0:20:57 | |
200. Going to sell... | 0:20:57 | 0:20:59 | |
£200, last chance. | 0:20:59 | 0:21:01 | |
200. | 0:21:01 | 0:21:02 | |
Frank and Jem manage to sell their three remaining ponies | 0:21:07 | 0:21:10 | |
for a total of £565 - they've only just broken even. | 0:21:10 | 0:21:15 | |
There's quite a lot of them in there that didn't even get a bid, | 0:21:15 | 0:21:18 | |
did they? So... | 0:21:18 | 0:21:20 | |
We could have been taking them all home, sort of, | 0:21:20 | 0:21:22 | |
so it's good that way. | 0:21:22 | 0:21:25 | |
Knowing that Sula is going to a good home nearby | 0:21:25 | 0:21:28 | |
has made the emotional wrench that much easier for Frank. | 0:21:28 | 0:21:32 | |
I'll look after her. | 0:21:32 | 0:21:34 | |
OK, love. | 0:21:34 | 0:21:35 | |
Yeah, I'm delighted Jen got her, | 0:21:37 | 0:21:39 | |
that's more important than any money that you're going to get. | 0:21:39 | 0:21:43 | |
Oh, absolutely delighted, really. | 0:21:43 | 0:21:45 | |
She's the only one at the sale that I had my eye on. | 0:21:45 | 0:21:49 | |
Normally when you fancy something like that, you can't get it. | 0:21:49 | 0:21:53 | |
She's everything. She's a nice pony, nice colour, lovely temperament. | 0:21:53 | 0:21:57 | |
I think Frank will come down and see her, | 0:21:57 | 0:21:59 | |
or he'll see her at shows and bits of pieces like that. | 0:21:59 | 0:22:01 | |
He'll be keeping his eye on her. | 0:22:01 | 0:22:03 | |
Back on Unst at Mother Mary's hermitage, | 0:22:15 | 0:22:18 | |
a special visitor is arriving to join in her first service. | 0:22:18 | 0:22:22 | |
The blessing of the icon St Sunniva at her newly built chapel. | 0:22:22 | 0:22:27 | |
Good to see you here. | 0:22:27 | 0:22:29 | |
-Well, here we are. -Welcome. -Thank you. | 0:22:29 | 0:22:31 | |
And the DIY and heating are instantly appreciated. | 0:22:31 | 0:22:35 | |
-You're actually the first person to see it at this stage. -Right... | 0:22:35 | 0:22:41 | |
Ah, yes! | 0:22:41 | 0:22:43 | |
The warmth... | 0:22:44 | 0:22:46 | |
and the smell. | 0:22:46 | 0:22:48 | |
The smell! | 0:22:48 | 0:22:49 | |
Yes. Isn't it wonderful? Wonderful. | 0:22:49 | 0:22:52 | |
The plinths here are driftwood from Fetlar. | 0:22:52 | 0:22:56 | |
Right, you found them on the beach? | 0:22:56 | 0:22:59 | |
-I found them on the beach. -Yes. | 0:22:59 | 0:23:01 | |
-And the sand here that the candles go into is from Fetlar. -Right. | 0:23:01 | 0:23:06 | |
And this is a traditional method of holding candles. | 0:23:06 | 0:23:10 | |
Standing them in the sand. | 0:23:10 | 0:23:12 | |
-So it's not just my idea, this. -Yes. | 0:23:12 | 0:23:14 | |
I'm admiring St Sunniva here. | 0:23:14 | 0:23:17 | |
She's patron saint of Bergen. | 0:23:17 | 0:23:20 | |
I think she should be patron saint of Shetland. | 0:23:20 | 0:23:23 | |
-Well, perhaps of Haroldswick. -Of Haroldswick! | 0:23:23 | 0:23:27 | |
In the name of the Father and of the Son and of the Holy Spirit, amen. | 0:23:32 | 0:23:37 | |
The Eastern Orthodox Church | 0:23:37 | 0:23:39 | |
is the second largest Christian denomination in the world, | 0:23:39 | 0:23:42 | |
after Catholicism. | 0:23:42 | 0:23:44 | |
Your saints we venerate as being your image and likeness... | 0:23:44 | 0:23:48 | |
Today, it is more prevalent in Greece, Eastern Europe and Russia. | 0:23:48 | 0:23:52 | |
..Holy this icon to your glory, | 0:23:52 | 0:23:55 | |
in honour and remembrance of your saint, Sunniva, | 0:23:55 | 0:23:58 | |
in the name of the Father and of the Son and of the Holy Spirit. | 0:23:58 | 0:24:03 | |
Amen. | 0:24:04 | 0:24:06 | |
In the name of the Father... | 0:24:07 | 0:24:09 | |
..and of the Son... | 0:24:11 | 0:24:12 | |
..and of the Holy Spirit. | 0:24:14 | 0:24:15 | |
Amen. | 0:24:16 | 0:24:17 | |
Have you got time for a cup of tea? | 0:24:21 | 0:24:23 | |
Would you like a cup of tea, coffee? | 0:24:23 | 0:24:26 | |
Coffee would be lovely, that would be very welcome. Yes, thank you. | 0:24:26 | 0:24:29 | |
Come through. | 0:24:29 | 0:24:31 | |
Which room for the coffee? | 0:24:31 | 0:24:33 | |
-Ah, let me show you. Through here. -Ah! | 0:24:33 | 0:24:36 | |
What was striking for me | 0:24:38 | 0:24:41 | |
was that I worship in buildings of a certain austerity, | 0:24:41 | 0:24:46 | |
but here was colour, | 0:24:46 | 0:24:49 | |
and the candles, | 0:24:49 | 0:24:52 | |
it's a joy and a privilege for me | 0:24:52 | 0:24:54 | |
to be able to share in something like this. | 0:24:54 | 0:24:57 | |
Well, I think for Reverend Cooper, it was a new experience for him, | 0:24:57 | 0:25:01 | |
but it was lovely to have him there, | 0:25:01 | 0:25:04 | |
and I think it's enabled our relationship actually, | 0:25:04 | 0:25:08 | |
that we have now shared each other's traditions, | 0:25:08 | 0:25:12 | |
so I definitely feel that we're a bit closer. | 0:25:12 | 0:25:17 | |
In a sense, it is a sense of achievement, | 0:25:17 | 0:25:20 | |
but I really do feel that God works through me, | 0:25:20 | 0:25:23 | |
so the thanksgiving is to God, rather than to me. | 0:25:23 | 0:25:27 | |
I just pick up the hammer drill and the sander and do it. | 0:25:27 | 0:25:31 | |
On Unst, as dusk begins to fall on one of the last days of summer, | 0:25:39 | 0:25:44 | |
Mother Mary has one final act of worship to perform. | 0:25:44 | 0:25:48 | |
It's just a personal prayer that I do. | 0:25:49 | 0:25:52 | |
I'm just heating charcoal, which will... | 0:25:52 | 0:25:55 | |
..carry the incense, | 0:25:57 | 0:25:58 | |
it will heat up the incense in this small hand sensor. | 0:25:58 | 0:26:03 | |
It's just a prayer calling for God to bless the local community, | 0:26:05 | 0:26:10 | |
and protect them, | 0:26:10 | 0:26:12 | |
and sometimes I find myself thinking how lucky we are | 0:26:12 | 0:26:16 | |
to live in this peaceful environment. | 0:26:16 | 0:26:19 | |
The coming of winter marks the end of the busy tourist season on Unst. | 0:26:25 | 0:26:30 | |
Accommodation in some of the island's hotels will now close | 0:26:30 | 0:26:33 | |
between September and May, | 0:26:33 | 0:26:36 | |
the Boat Haven Museum and Heritage Centre will shut its doors | 0:26:36 | 0:26:39 | |
for these eight months as well. | 0:26:39 | 0:26:41 | |
Britain's northern-most cafe, Victoria's Vintage Tea Rooms, | 0:26:41 | 0:26:45 | |
will be open for special events only, | 0:26:45 | 0:26:48 | |
and the restaurant at the old Air Force base at Saxa Vord | 0:26:48 | 0:26:52 | |
will be shut for most of the winter. | 0:26:52 | 0:26:54 | |
After seven years working on Unst, | 0:26:54 | 0:26:56 | |
minister David Cooper knows all too well | 0:26:56 | 0:26:59 | |
the enormous changes that the island faces over the months to come. | 0:26:59 | 0:27:04 | |
We make the transfer from having hours and hours of daylight | 0:27:04 | 0:27:09 | |
to having a very short day. | 0:27:09 | 0:27:12 | |
It's the last chance to make sure that everything is literally | 0:27:13 | 0:27:17 | |
fastened down for the winter. | 0:27:17 | 0:27:19 | |
In the roughest of weather, the ferries will run when they can, | 0:27:21 | 0:27:26 | |
so it will no longer be normal timetable, | 0:27:26 | 0:27:29 | |
it'll be when there might be an hour and a half's gap | 0:27:29 | 0:27:33 | |
between one rough patch and the next. | 0:27:33 | 0:27:37 | |
n the depths of winter, | 0:27:37 | 0:27:39 | |
if you've got three hours of daylight, you're grateful for it. | 0:27:39 | 0:27:43 | |
It means that folk are used to persevering. | 0:27:45 | 0:27:49 | |
There's always been a known struggle to survive. | 0:27:49 | 0:27:54 | |
Here, folk just have that built-in coping mechanism. | 0:27:56 | 0:28:00 | |
It's there from generation to generation. | 0:28:00 | 0:28:03 | |
I wouldn't want people to think only of the difficulties | 0:28:05 | 0:28:10 | |
that have to be faced living in a remote island. | 0:28:10 | 0:28:15 | |
People here are intensely loyal | 0:28:15 | 0:28:18 | |
and have open minds to a world perspective. | 0:28:18 | 0:28:23 | |
Unst is an island above all others. | 0:28:25 | 0:28:29 | |
We're the top island in Britain. | 0:28:30 | 0:28:33 | |
The sea, | 0:28:33 | 0:28:35 | |
the land, | 0:28:35 | 0:28:36 | |
the weather, | 0:28:36 | 0:28:38 | |
the variety. | 0:28:38 | 0:28:40 | |
Where else to be? | 0:28:40 | 0:28:42 |